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  • Bookbinding, and the Care of Books Douglas Cockerell

  • Table of Contents Bookbinding, and the Care of Books.................................................................................................................1

    Douglas Cockerell....................................................................................................................................2 EDITOR'S PREFACE.............................................................................................................................4 AUTHOR'S NOTE..................................................................................................................................5

    PART I. BINDING...............................................................................................................................................7 CHAPTER I. INTRODUCTION.............................................................................................................8 CHAPTER II. Entering—Books in Sheets—Folding—Collating—Pulling to Pieces—Refolding—Knocking out Joints............................................................................12 CHAPTER III. Guarding—Throwing Out—Paring Paper—Soaking off India Proofs—Mounting very Thin Paper—Splitting Paper—Inlaying—Flattening Vellum..................................................................................................................................................17 CHAPTER IV. Sizing—Washing—Mending.......................................................................................21 CHAPTER V. End Papers—Leather Joints—Pressing.........................................................................24 CHAPTER VI. Trimming Edges before Sewing—Edge Gilding.........................................................27 CHAPTER VII. Marking up—Sewing—Materials for Sewing............................................................29 CHAPTER VIII. Fraying out Slips—Glueing up—Rounding and Backing.........................................33 CHAPTER IX. Cutting and Attaching Boards—Cleaning off Back—Pressing...................................35 CHAPTER X. Cutting in Boards—Gilding and Colouring Edges........................................................38 CHAPTER XI. Headbanding.................................................................................................................40 CHAPTER XII. Preparing for Covering—Paring Leather—Covering—Mitring Corners—Filling−in Boards.................................................................................................................42 CHAPTER XIII. Library Binding—Binding very Thin Books—Scrap−Books—Binding on Vellum—Books covered with Embroidery.........................................................................46 CHAPTER XIV. Decoration—Tools—Finishing—Tooling on Vellum—Inlaying on Leather..................................................................................................................................................50 CHAPTER XV. Lettering—Blind Tooling—Heraldic Ornament.........................................................56 CHAPTER XVI. Designing for Gold−Tooled Decoration....................................................................60 CHAPTER XVII. Pasting down End Papers—Opening Books............................................................64 CHAPTER XVIII. Clasps and Ties—Metal on Bindings.....................................................................66 CHAPTER XIX. Leather.......................................................................................................................68 CHAPTER XX. Paper—Pastes—Glue..................................................................................................72

    PART II. CARE OF BOOKS WHEN BOUND.................................................................................................74 CHAPTER XXI. Injurious Influences to which Books are Subjected..................................................75 CHAPTER XXII. To Preserve Old Bindings—Re−backing.................................................................78

    Bookbinding, and the Care of Books

    i

  • Bookbinding, and the Care of Books

    1

  • Douglas Cockerell

    This page formatted 2007 Blackmask Online. http://www.blackmask.com

    EDITOR'S PREFACE.• AUTHOR'S NOTE.• PART I. BINDING•

    CHAPTER I. INTRODUCTION• CHAPTER II. Entering−−Books in Sheets−−Folding−−Collating−−Pulling to Pieces−−Refolding−−Knocking out Joints

    CHAPTER III. Guarding−−Throwing Out−−Paring Paper−−Soaking off India Proofs−−Mounting very Thin Paper−−Splitting Paper−−Inlaying−−Flattening Vellum

    CHAPTER IV. Sizing−−Washing−−Mending• CHAPTER V. End Papers−−Leather Joints−−Pressing• CHAPTER VI. Trimming Edges before Sewing−−Edge Gilding• CHAPTER VII. Marking up−−Sewing−−Materials for Sewing• CHAPTER VIII. Fraying out Slips−−Glueing up−−Rounding and Backing• CHAPTER IX. Cutting and Attaching Boards−−Cleaning off Back−−Pressing• CHAPTER X. Cutting in Boards−−Gilding and Colouring Edges• CHAPTER XI. Headbanding• CHAPTER XII. Preparing for Covering−−Paring Leather−−Covering−−Mitring Corners−−Filling−in Boards

    CHAPTER XIII. Library Binding−−Binding very Thin Books−−Scrap−Books−−Binding on Vellum−−Books covered with Embroidery

    CHAPTER XIV. Decoration−−Tools−−Finishing−−Tooling on Vellum−−Inlaying on Leather• CHAPTER XV. Lettering−−Blind Tooling−−Heraldic Ornament• CHAPTER XVI. Designing for Gold−Tooled Decoration• CHAPTER XVII. Pasting down End Papers−−Opening Books• CHAPTER XVIII. Clasps and Ties−−Metal on Bindings• CHAPTER XIX. Leather• CHAPTER XX. Paper−−Pastes−−Glue•

    PART II. CARE OF BOOKS WHEN BOUND•

    CHAPTER XXI. Injurious Influences to which Books are Subjected• CHAPTER XXII. To Preserve Old Bindings−−Re−backing•

    Produced by Suzanne Shell, Irma Spehar and the Online Distributed Proofreading Team at http://www.pgdp.net

    THE ARTISTIC CRAFTS SERIES OF TECHNICAL HANDBOOKS EDITED BY W. R. LETHABY BOOKBINDING

    Bookbinding, and the Care of Books

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  • [Illustration: WHITE PIGSKIN.—Basle, 1512.]

    BOOKBINDING, AND THE CARE OF BOOKS A HANDBOOK FOR AMATEURS BOOKBINDERS &LIBRARIANS BY DOUGLAS COCKERELL WITH DRAWINGS BY NOEL ROOKE AND OTHER ILLUSTRATIONS

    [Illustration]

    NEW YORK D. APPLETON AND COMPANY 1910

    COPYRIGHT, 1901, BY D. APPLETON AND COMPANY

    All rights reserved

    Bookbinding, and the Care of Books

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  • EDITOR'S PREFACE.

    In issuing this volume of a series of Handbooks on the Artistic Crafts, it will be well to state what are our general aims. In the first place, we wish to provide trustworthy text−books of workshop practice, from the points of view of experts who have critically examined the methods current in the shops, and putting aside vain survivals, are prepared to say what is good workmanship, and to set up a standard of quality in the crafts which are more especially associated with design. Secondly, in doing this, we hope to treat design itself as an essential part of good workmanship. During the last century most of the arts, save painting and sculpture of an academic kind, were little considered, and there was a tendency to look on “design” as a mere matter of appearance. Such “ornamentation” as there was was usually obtained by following in a mechanical way a drawing provided by an artist who often knew little of the technical processes involved in production. With the critical attention given to the crafts by Ruskin and Morris, it came to be seen that it was impossible to detach design from craft in this way, and that, in the widest sense, true design is an inseparable element of good quality, involving as it does the selection of good and suitable material, contrivance for special purpose, expert workmanship, proper finish and so on, far more than mere ornament, and indeed, that ornamentation itself was rather an exuberance of fine workmanship than a matter of merely abstract lines. Workmanship when separated by too wide a gulf from fresh thought—that is, from design—inevitably decays, and, on the other hand, ornamentation, divorced from workmanship, is necessarily unreal, and quickly falls into affectation. Proper ornamentation may be defined as a language addressed to the eye; it is pleasant thought expressed in the speech of the tool. In the third place, we would have this series put artistic craftsmanship before people as furnishing reasonable occupation for those who would gain a livelihood. Although within the bounds of academic art, the competition, of its kind, is so acute that only a very few per cent. can fairly hope to succeed as painters and sculptors; yet, as artistic craftsmen, there is every probability that nearly every one who would pass through a sufficient period of apprenticeship