Book 5: Sans Pareil Theatre—Daily Calendars: 1806 … · Web viewBook 1: Sans Pareil ... Sans...

Book 5: Sans Pareil TheatreDaily Calendars: 1806-1818

Sans Pareil TheatreDaily Calendars: 1806-1818

Seasonal digests and summaries. Daily calendars: sources, dates, titles, genres, authors, roles, performers, supervision, music, song, dance, entertainment, spectacle, scenery designers and executors, costume.

The Adelphi Calendar Project 1806-1900Alfred L. Nelson and Gilbert B. Cross, General EditorsTheodore J. Seward, Jr., Systems Analyst

The Adelphi Calendar Project 1806-1900Alfred L. Nelson and Gilbert B. Cross, General EditorsTheodore J. Seward, Jr., Systems Analyst

Copyright 1988, 1992, 2013 and 2016 by Alfred L. Nelson, Gilbert B. Cross, Joseph Donohue.

Originally published by Greenwood Press as The Sans Pareil Theatre 1806-1819, Adelphi Theatre 1819-1850: An Index to Authors, Titles, Performers, 1988, and The Adelphi Theatre 1850-1900: An Index to Authors, Titles, Performers and Management, 1992.

The Adelphi Theatre Calendar revised, reconstructed and amplified. Copyright 2016, by Alfred L. Nelson, Gilbert B. Cross, Joseph Donohue. This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License, with the exception of graphics from The Clip Art Book, edited by Gerard Quinn and published by Crescent in 1990. These images are reproduced in accord with the publishers note, which states "The Clip Art Book is a new compilation of illustrations that are in the public domain. The individual illustrations are copyright free and may be reproduced without permission or payment. However, the selection of illustrations and their layout is the copyright of the publisher, so that one page or more may not be photocopied or reproduced without first contacting the publishers."

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Index to Books

Book 1: Sans Pareil/Adelphi TheatresCurtain Up: 1806-1899

Book 2: Sans Pareil/Adelphi TheatresSeasonal Digests: 1806-1899

Book 3: Sans Pareil/Adelphi TheatresSeasonal Summaries: 1806-1849

Book 4: Adelphi TheatreSeasonal Summaries: 1850-1899


Book 6: Adelphi TheatreDaily Calendars: 1819-1829








Book 14: Sans Pareil/Adelphi TheatresAll-Inclusive Index: 1806-1899

ContentsIndex to BooksvList of IllustrationsixBook 5 IntroductionxiSans Pareil Theatre Daily Calendars 1806-1807 Ed. John W. Brokaw1Sans Pareil Theatre Daily Calendars 1807-1808 Ed. John W. Brokaw37Sans Pareil Theatre Daily Calendars Summer 1808 Ed. John W. Brokaw135Sans Pareil Theatre Daily Calendars 1808-1809 Ed. John W. Brokaw221Sans Pareil Theatre Daily Calendars 1809-1810 Ed. John W. Brokaw303Sans Pareil Theatre Daily Calendars Summer 1810 Ed. John W. Brokaw407Sans Pareil Theatre Daily Calendars 1810-1811 Ed. Frank McHugh505Sans Pareil Theatre Daily Calendars 1811-1812 Ed. Frank McHugh621Sans Pareil Theatre Daily Calendars 1812-1813 Ed. Frank McHugh775Sans Pareil Theatre Daily Calendars 1813-1814 Ed. Frank McHugh915Sans Pareil Theatre Daily Calendars 1814-1815 Ed. Frank McHugh993Sans Pareil Theatre Daily Calendars 1815-1816 Ed. Franklin Case1051Sans Pareil Theatre Daily Calendars 1816-1817 Ed. Franklin Case1195Sans Pareil Theatre Daily Calendars 1817-1818 Ed. Franklin Case1315Sans Pareil Theatre Daily Calendars 1818-1819 Ed. Franklin Case1453Iconography1597Full Legal Code of License1601

List of Illustrations

Illustration 1 [The Rout]1

Illustration 2 Dibdin, Charles (1745-1814): Musician, dramatist, novelist, actor133

Illustration 3 Bologna, John Peter (1775-1846): Actor, dancer407

Illustration 4 Hamblin, Thomas S. (1800-1853): Actor, theatre manager1051

Illustration 5 Hamblin, Thomas S. (1800-1853): Actor, theatre manager1053

Illustration 6 The Old Oak Chest1147

Illustration 7 Interior of the Sans Pareil Theatre 18161195

Illustration 8 Exterior of the Sans Pareil 18161196

Illustration 9 Dibdin, Charles Isaac Mungo (1768-1833): Dramatist, composer, writer, theatre proprietor1591

Illustration 10 Iconography1597

Book 5Introduction

This book is a daily record of theatrical activity at the Sans Pareil Theatre (1806-1818 seasons) when it was owned by John Scott and managed by his daughter Jane. As a minor theatre, it was only permitted to perform non-dramatic productions. On several occasions, such pieces have been entered in order to keep a record of the earliest days of the theatre. As with all daily calendars, editors check eighty-seven items for possible inclusion in each day's entry.

On the left of each entry are the date of performance, day of the week, time, and theatre abbreviation. (Originally, we hoped to combine other daily calendars with this one.) On the right is the date of the source, its format, and location. Playbills usually cover Monday to Wednesday or Thursday to Saturday. In certain instances, when it proved difficult to choose between variant sources, the editor relied on his or her experience and common sense. Commentary sections note any significant variations.

In the early years of the theatre's history, sources are very thin, and it has sometimes been necessary to assume performances took place even though no record exists. Benefit nights present a special problem. Bills for such performances are rare, since the theatre printed very few, leaving the beneficiary to print and distribute bills privately. Pieces not performed on other nights were often presented on these special occasions. Previous or subsequent bills usually offer little help, but other sources may; the London Times was invaluable in tracking major cast changes. When programs replaced bills in the last quarter of the century, the editors' work became more complex. The date on the front of a program may not be changed, but cast lists inside differ.

The daily calendar gives titles of pieces as they appear on the bill, but some are standardized. Occasionally, for example, either the main title was changed by the author, by error, or a different subtitle was printed. Editors note such changes in a comment following the title. The computer prints a running total of the number of performances during the season.

After the title or title commentary comes the author's name. In the early years of nineteenth-century theatre, authors were treated with scant respect, and editors often have to supply their names. Even with the help of Nicoll's invaluable histories, editors could not find creators for 200 pieces played between 1806 and 1900.

The computer keeps a record of the dates of first, previous and next performances.

The next entry is a genre description. If one appears on the bill, it is entered verbatim. There was an explosion of fanciful genres, and soon they became humorous playthings. The hit, Tom and Jerry; or, Life in London, is described as an "entirely new classic, comic, operatic, didactic, moralistic, Aristophanic, localic, analytic, terpsichoric, panoramic, camera-obscuraic extravaganza burletta of fun, frolic, fashion and flash." In short, many terms were meaningless. "Burletta" was by far the most overworked. This term, never defined by the Lord Chamberlain's Office, was employed to circumvent the fading monopoly of the patent houses (Drury Lane and Covent Garden). Burlettas were deemed to be musical pieces and thus exempt from the monopoly's purview. Wherever possible, editors attempt to give an accurate genre assessment, but it is sometimes impossible to be certain. The number of acts follows this item.

Researchers are frequently interested in tracing names of actors and actresses. Book 14, the All-Inclusive Index, is the place to begin a search for names because it contains all those found in the Calendar and is a guide to every season in which the actor performed.

The cast is presented in considerable detail. For every production, there is an entry reflecting the role/actor pairings for that night. At the end of each season are indexes of performers showing every role played and the dates of performance. Changes are automatically performed. In the case of a cast change, the word BUT appears followed by the names of the new actor and the player replaced. OMITS indicates actors omitted from the source. Caution is required with OMITS as there are instances where the bill has simply omitted names because there is no room for them. A cast comment may appear to that effect. ADDS signifies an addition to the cast. Since all first-night casts are given at a piece's debut, the user can check a specific night's listing against them to see if any changes have taken place.

There are three kinds of changes:

BUT

A role is being played by a new actor

ADDS

A new role-actor pair appears in the source

OMITS

A role-actor pair is dropped

We use the entry "Cast truncated in the source" when editors believe no change in the cast occurred, but the bill was shortened to devote more space to new pieces, announcements, puffs, etc.

All music, song, dance, and entertainment are noted on opening night and usually not after that. Infrequently, music or songs mentioned for the first time are so important they are includedeven if there is no new play on the bill. Also, interludes are listed on their first appearance. No attempt has been made to record all the changes in these items. Users will find the calendar an accurate and quite broad sample of the music, dance, and entertainment performed, not an exhaustive record.

Next comes scenery. Unfortunately, pickings are slim here except for the annual pantomime. The nineteenth-century theatre excelled in scenic design and painting. (The new graphics attached to this revised Calendar give some idea of the magnificence of stage settings at the Adelphi.) Whenever possible, the specific act and scene are identified, e.g. II,iv vaults of the Folly, thunderstorm and inundation.

Finally, the editors have entered non-title information. This material is not related to any particular piece on the billsuch as music performed during the evening. Occasionally, announcements appear such as "under the patronage of" or there is an apology of some kind. On the last night, there is sometimes a notice of who will make the farewell address.

Theodore Seward of the Northrop Grumman Corporation, the project's Systems Analyst, has purchased illustrations of productions at the Sans Pareil/Adelphi Theatre. Each of these engravings/photographs is linked to the opening night performance of the piece. The graphics are listed in the "Illustrations" at the beginning of the Contents. For a more detailed account of these images, see the Introduction to the Online Graphics page.

GBC


Sans Pareil Theatre Daily Calendars 1806-1807Ed. John W. Brokaw

Illustration 1 [The Rout]

Title:

[The Rout]

Description:

[The Rout] & [Tempest Terrific] by Jane Scott played by Jane Scott.

1st Performance:

Nov 17, 1806

Theatre:

Sans Pareil

Source:

The Monthly Mirror I (new series), Jan 1, 1807, pp. 1-73

Review:

The Monthly Mirror I (new series), Jan 1, 1807, p. 73

THE SANS PAREIL, STRAND.

As it is our scheme to notice everything, good or bad, in the shape of a public exhibition, the Sans Pareil naturally attracted our attention with some force. We are sorry to say, however, that its appellation is only applicable to it, owing to its very high state of imperfection. The first part is particularly abundant in demerits. Songs and stories by Miss Scott, (a Dibdin in petticoats) "The whole written, selected, composed, and spoken, sung, and accompanied" by her. The poor girl cannot help it, but her manner of performing her part is almost as unhappy as the matter of which it is fashioned. The phantasmagoric evolutions are a shade better, but, on the whole, it is not a proper combination to offer to the public for an evening's entertainment.

These pages were found on Google Books: http://books.google.com/books?id=l6keAQAAMAAJ

First Performance of November 1806

17 November 1806Monday EveningSans Pareil

17 November 1806Winston scrapbooks (London Theatre Museum)London Theatre Museum

1) The Rout (1)

Author: Miss [Jane M.] Scott

Author Commentary: "Written by a lady Miss [Jane M.] Scott" (Adelphi Scrapbook)

Performances: First 17 November 1806; Next 19 November 1806

Genre: (Entertainment) entertainment consisting of recitation and song

First Night Cast:

performer: Miss [Jane M.] Scott

Song

song: The Bouquet: Miss [Jane M.] Scott

song: Captain Clark: Miss [Jane M.] Scott

song: Isabel: in character of Mr. Quaver: Miss [Jane M.] Scott

song: Belfast: Miss [Jane M.] Scott

song: Gamester: Miss [Jane M.] Scott

song: Sweet Content: Miss [Jane M.] Scott

Song Commentary

"All but two songs written by Miss [Jane] Scott" (bill)

A song composed by Miss Abrams, words by Miles Peter Andrews, was also sung (Scrapbook, 8 Dec. 1806).

Entertainment

recitation: The Bouquet: Miss [Jane M.] Scott

recitation: How To Prevent Mutiny: Miss [Jane M.] Scott

recitation: Picklewell: Miss [Jane M.] Scott

recitation: Oratorios: Miss [Jane M.] Scott

recitation: Invocation: Miss [Jane M.] Scott

Entertainment Commentary

"All written by Miss Scott" (bill)

Additional information taken from New York bill, Dec 1, 1806

Title: General Commentary

"It consists of recitation and songs which were above mediocrity" (Adelphi Scrapbook)

2) Tempest Terrific (1)

Author: [Miss [Jane M.] Scott]


Genre: (Entertainment) optical exhibition of visionary objects illus. with hist. remarks something in the manner of that admired exhibition the Phantasmagorie

3) The Vision in the Holy Land; or, Godfrey of Bouillon's Dream (1)

Title Comment: shadow show



Genre: (Spectacle) entire new and interesting spectacle

Spectacle

spectacle: Ancient grand battle in shadow of several thousand figures

General, Spectacle

spectacle: Artificial fireworks in a temple superbly illuminated

General, Advertisement

Nicoll and Hartnoll etc. give 27 November 1806 as the opening night perhaps because a New York announcement has a MS note "opened November 27"

General, Commentary

"New building will open with The Routsongs, recitative, etc. by a young ladyher first appearance on any stage. Second part phantasmagoria, third part artificial fireworks" (James Winston)

19 November 1806Wednesday EveningSans Pareil


1) The Rout (2)

Performances: First 17 November 1806; Previous 17 November 1806; Next 21 November 1806

Cast:






21 November 1806Friday EveningSans Pareil


1) The Rout (3)


Cast:






22 November 1806Saturday EveningSans Pareil


1) The Rout (4)


Cast:








1) The Rout (5)


Cast:






27 November 1806Thursday EveningSans Pareil

27 November 1806advertisementThe London Times

1) The Rout (6)


Cast:








1) The Rout (7)


Cast:








1) The Rout (8)

Performances: First 17 November 1806; Previous 28 November 1806; Next 1 December 1806

Cast:






First Performance of December 1806

1 December 1806Monday EveningSans Pareil

1 December 1806playbillNew York Public Library

Preliminaries Commentary

date of bill has been altered to 15 December 1806, and announces perfs Mon, Tues, Wed

1) The Rout (9)


Cast:






2 December 1806Tuesday EveningSans Pareil


1) The Rout (10)

Performances: First 17 November 1806; Previous 1 December 1806; Next 3 December 1806

Cast:






3 December 1806Wednesday EveningSans Pareil


1) The Rout (11)


Cast:






4 December 1806Thursday EveningSans Pareil

4 December 1806Winston scrapbooks (London Theatre Museum)London Theatre Museum

1) The Rout (12)


Cast:






5 December 1806Friday EveningSans Pareil


1) The Rout (13)


Cast:






6 December 1806Saturday EveningSans Pareil


1) The Rout (14)


Cast:








No source located. Performance assumed by editor.

1) The Rout (15)


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1) The Rout (16)


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1) The Rout (17)


Cast:








1) The Rout (18)


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1) The Rout (19)


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1) The Rout (20)


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date of bill altered from December 1, 1806

1) The Rout (21)


Cast:








1) The Rout (22)


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1) The Rout (23)


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1) The Rout (24)


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1) The Rout (25)


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1) The Rout (26)


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Dark: Christmas Eve


Dark: Christmas Day



1) The Rout (27)


Cast:









1) The Rout (28)


Cast:







An advertisement in the Adelphi Scrapbook (19 Jan 1807) states that future perfs. must be limited to M W F as Miss Scott had performed in The Rout and Rural Visitors for a total of 46 times. This count implies perfs from Dec 27 to Dec 30, 1806 though no sources were located




1) The Rout (29)


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1) The Rout (30)


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1) The Rout (31)

Performances: First 17 November 1806; Previous 30 December 1806; Next 1 January 1807

Cast:






First Performance of January 1807

1 January 1807Thursday EveningSans Pareil

1 January 1807Winston scrapbooks (London Theatre Museum)London Theatre Museum

1) The Rout (32)


Cast:






2 January 1807Friday EveningSans Pareil



1) The Rout (33)

Performances: First 17 November 1806; Previous 1 January 1807; Next 3 January 1807

Cast:






3 January 1807Saturday EveningSans Pareil



1) The Rout (34)


Cast:






5 January 1807Monday EveningSans Pareil



1) The Rout (35)


Cast:






6 January 1807Tuesday EveningSans Pareil



1) The Rout (36)


Cast:






7 January 1807Wednesday EveningSans Pareil


1) The Rout (37)


Cast:








1) The Rout (38)


Cast:









1) The Rout (39)


Cast:









1) The Rout (40)

Performances: First 17 November 1806; Previous 9 January 1807; Next 1 April 1807

Cast:



Performances: First 17 November 1806; Previous 9 January 1807


Performances: First 17 November 1806; Previous 9 January 1807



1) Rural Visitors; or, Singularity (1)

Title Comment: 1st time ever; Nicoll gives 1st perf. as 16/1/1807

Author: Miss [Jane M.] Scott

Performances: First 12 January 1807; Next 13 January 1807

Genre: (Musical entertainment) musical piece consisting of recitation and song

First Night Cast:


Title: General Commentary

"The wit, sentiment, the music, and the exquisite manner in which it was given, leave us no hesitation at all in declaring it the best entertainment of the kind that ever appeared before the public ... that such a versatility of talent should so long have remained unknown to the town is astonishing" (Adelphi Scrapbook)

2) Spectrology of Ghosts (1)

Title Comment: Appears similar or identical to Tempest Terrific



Genre: (Entertainment) [und]

3) Battle in the Shadow (1)

Title Comment: Appears similar or identical to Vision in the Holy Land



Genre: (Spectacle) [und]

13 January 1807Tuesday EveningSans Pareil



Performances: First 12 January 1807; Previous 12 January 1807; Next 14 January 1807

Cast:










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16 January 1807advertisementThe London Times



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Times states "this present Monday and every succeeding M W F"





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Theatres were usually dark on Martyr's Day. There may not have been a performance on this night.


Performances: First 12 January 1807; Previous 28 January 1807; Next 2 February 1807

Cast:






First Performance of February 1807

2 February 1807Monday EveningSans Pareil

2 February 1807advertisementThe London Times



Cast:






4 February 1807Wednesday EveningSans Pareil



Performances: First 12 January 1807; Previous 2 February 1807; Next 6 February 1807

Cast:






6 February 1807Friday EveningSans Pareil




Cast:










Cast:







Dark: Ash Wednesday

12 February 1807Thursday EveningSans Pareil

Dark: Lent


No source located. Assumed by editor.


Dark: Lent



14 February 1807Saturday EveningSans Pareil




Cast:







"Every evening during Lent, Wednesday and Fridays excepted"


16 February 1807Winston scrapbooks (London Theatre Museum)London Theatre Museum



Cast:






17 February 1807Tuesday EveningSans Pareil




Cast:







Dark: Lent







Cast:







Dark: Lent







Cast:










Cast:






24 February 1807Tuesday EveningSans Pareil




Cast:







Dark: Lent







Cast:







Dark: Lent






Performances: First 12 January 1807; Previous 26 February 1807; Next 2 March 1807

Cast:






First Performance of March 1807

2 March 1807Monday EveningSans Pareil




Cast:






3 March 1807Tuesday EveningSans Pareil

3 March 1807Winston scrapbooks (London Theatre Museum)London Theatre Museum


Performances: First 12 January 1807; Previous 2 March 1807; Next 5 March 1807

Cast:






4 March 1807Wednesday EveningSans Pareil

Dark: Lent



5 March 1807Thursday EveningSans Pareil




Cast:






6 March 1807Friday EveningSans Pareil

Dark: Lent



7 March 1807Saturday EveningSans Pareil




Cast:










Cast:










Cast:







Dark: Lent







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Dark: Lent




14 March 1807advertisementThe London Times



Cast:










Cast:










Cast:







Dark: Lent







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Dark: Lent







Cast:







A note by James Winston in the Adelphi Scrapbook states there were no perfs during Passion Week


Dark: Passion Week




Dark: Passion Week




Dark: Passion Week




Dark: Passion Week




Dark: Good Friday




Dark: Passion Week







Cast:









Performances: First 12 January 1807; Previous 30 March 1807; Next 2 April 1807

Cast:






First Performance of April 1807

1 April 1807Wednesday EveningSans Pareil

2 April 1807advertisementThe London Times

1) The Rout (41)

Performances: First 17 November 1806; Previous 10 January 1807; Next 3 April 1807

Cast:






2 April 1807Thursday EveningSans Pareil




Cast:



Performances: First 12 January 1807; Previous 1 April 1807; Next 3 April 1807



3 April 1807Friday EveningSans Pareil


1) The Rout (42)

Performances: First 17 November 1806; Previous 1 April 1807

Cast:






4 April 1807Saturday EveningSans Pareil



Performances: First 12 January 1807; Previous 2 April 1807

Cast:






General, Commentary

Last night of the season. Farewell: Miss Scott

Sans Pareil Theatre Daily Calendars 1807-1808Ed. John W. BrokawFirst Performance of November 1807



1) Fisherman's Daughter (1)

Title Comment: not in Nicoll

Choreographer: [Gabriel Giroux?]


Genre: (Ballet) rural ballet of action consisting principally of dances and songs

First Night Cast:

Mary Ann: Miss C[aroline] Giroux (1st time any stage)

Cast Commentary

This season Caroline Giroux occasionally billed as Carolina

2) Successful Cruize; or, Nobody Coming To Woo (1)

Title Comment: not in Nicoll

Author: Miss [Jane M.] Scott; Composer: James Sanderson


Genre: (Musical entertainment) musical piece, a continuation of The Fisherman's Daughter

First Night Cast:

Mary Ann: Miss HarrisonLubin: [Richard] FlexmoreColin: Master [Charles?] LeclercqMainstay: Moss

Fairlop: GlayreWilliam: Master HodsonDame Fairlop: Mrs. MacartneyJennette: Miss [Jane M.] Scott

Cast Commentary

cast taken from BL bill dated December 1807

a Texas bill (undated) has "William: Miss Sheen"

Richard Flexmore is billed as "Master Flexmore" this season

3) Ulthona the Sorceress (1)

Title Comment: 1st time ever

Author: Miss [Jane M.] Scott; Composer: [Mathias von?] Holst


Genre: (Entertainment) new grand operatic serious spectacle, interspersed with songs, dances, combats

First Night Cast:

Miranda: Miss C[aroline] GirouxUlthona: Miss [Jane M.] ScottLady Malcona: Mrs. MacartneyLord Raymond: Master CosteAriella (good spirit): Miss Sheen

Roselia: Miss BradwellAlric (freebooter): [Richard] Flexmorewoodman: Durusetfairy: Miss L[ouisa] GirouxStrombello (principal witch): Moss

Cast Commentary

cast taken from BL bill dated Dec 1807

General, Song

song: Two Negro songs (Miss Jane M. Scott): Master [John] Duruset

song: Favorite song: Mrs. Macartney

General, Song Commentary

songs taken from BL bill undated, c. Dec. 1807

General, Entertainment

burlesque by two monkies: Minuet de la Cour

entertainment: Favorite gavotte de Vestris from the Opera of Paris burlesqued by two monkies

entertainment: Imitations of celebrated performers: [Andrew] Campbell

General, Entertainment Commentary

general entertainments from B.L. bill, c. Dec. 1807

General, Spectacle

spectacle: Mechanical fireworks (Director: John Scott)

Spectacle (Director: Gabriel Giroux)

General, Spectacle Commentary

fireworks taken from B.L. bill, Dec. 1807






Cast:

Mary Ann: Miss C[aroline] Giroux



Cast:





Cast:

Miranda: Miss C[aroline] GirouxUlthona: Miss [Jane M.] ScottLady Malcona: Mrs. MacartneyLord Raymond: Master CosteAriella: Miss Sheen

Roselia: Miss BradwellAlric: [Richard] Flexmorewoodman: Durusetfairy: Miss L[ouisa] GirouxStrombello: Moss

17 November 1807Tuesday EveningSans Pareil




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24 November 1807Tuesday EveningSans Pareil




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Cast:




This and every evening until further notice





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First Performance of December 1807





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Performances: First 14 No

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