BOLOGNA - Eastap · 2020. 2. 22. · Programme 26 FEBRUARY ᐅ RIDOTTO DEI PALCHI, STORCHI THEATRE,...

BOLOGNA27 FEB > 1 MAR 2020ᐅ ARENA DEL SOLE THEATREᐅ LA SOFFITTA - DAMSLab

EUROPEAN ASSOCIATIONFOR THE STUDY OF THEATREAND PERFORMANCE

CURATORS Claudio Longhi, Daniele Vianello

2020 EASTAP ASSOCIATED ARTISTSFC Bergman

CURATORS Claudio Longhi, Daniele Vianello

ADVISORY BOARDAntonio Araujo (University of São Paulo)Christopher Balme (Ludwig-Maximilians-University Munich) Maria João Brilhante (University of Lisbon)Chloé Déchery (University of Paris 8)Josette Féral (University of Quebec / “Sorbonne Nouvelle” University of Paris 3)Clare Finburgh Delijani (Goldsmiths – University of London) Gerardo Guccini (Alma Mater Studiorum – University of Bologna)Stefan Hulfeld (University of Vienna) Lorenzo Mango (University of Naples)Aldo Milohnić (University of Ljubljana)Elena Randi (University of Padua)Anneli Saro (University of Tartu) Diana Taylor (New York University) Gabriele Vacis (Catholic University of Sacred Heart of Milan) Piermario Vescovo (“Ca’ Foscari” University of Venice)

ORGANIZING COMMITTEEClaudio Longhi - Daniele Vianello - Gerardo Guccini (Co-organizers)

Silvia Cassanelli, Valentina Falorni, Licia Ferrari, Viviana Gardi, Stefania Lodi Rizzini, Giulia Maurigh, Rossella Mazzaglia, Debora Pietrobono, Martina Sottana,Francesco Vaira, Angelo Vassalli

ADMINISTRATIVE OFFICEAngelo Vassalli (Director)

Licia Ferrari, Francesco Vaira

eastap.comemiliaromagnateatro.com/en/[email protected]

Programme

26 FEBRUARY ᐅ RIDOTTO DEI PALCHI, STORCHI THEATRE, MODENA

19.30 – 21.00 SOCIAL APERITIF

27 FEBRUARY ᐅ ARENA DEL SOLE THEATRE

8.30 – 10.00 ᐅ FOYER

Registration and Welcome Coffee

10.00 – 11.00 ᐅ SALA DE BERARDINIS

OPENING SESSION

Matteo Lepore - Councilor for CultureChiara Elefante - Vice Rector for Human Resources, Alma Mater Studiorum - University of BolognaGiacomo Manzoli - Head of Department of the Arts, Alma Mater Studiorum - University of BolognaJosette Féral - EASTAP President Daniele Vianello - EASTAP Vice-PresidentClaudio Longhi - Emilia Romagna Teatro Fondazione Artistic DirectorGerardo Guccini - La Soffitta Scientific CoordinatorLorenzo Mango - CUT (Consulta Universitaria del Teatro) President

11.00 – 12.00 ᐅ SALA DE BERARDINIS / plenary session

EASTAP AWARD CEREMONY

Rustom Bharucha - Theatre Director and Dramaturg, IndiaBetween Intercultural Pasts and Futures: Potentialities of Theatre in the Present

Chair: Josette Féral

12.00 – 13.00 ᐅ SALA DE BERARDINIS / plenary sessionFC Bergman - Theatre Company and 2020 EASTAP Associate Artists, BelgiumThe Form as Content

Chair: Claudio Longhi


PRESENTATION OF YOUNG SCHOLARS’ FORUM

13.30 – 14.45 ᐅ FOYER

Lunch A light lunch will be provided in the theatre foyer

14.45 > 16.00 PANELS

ᐅ SALA DE BERARDINIS

EXPERIENCES OF DOCUMENTARY THEATRE

• Pierre Katuszewski Des théâtres documentés: écritures et pratiques, jeu, réception et traces

• Erica Magris “Teatri nomadi”: forme teatrali documentarie e processi compositivi transnazionali

• Varvara SklezPerforming Memories of The Distant Past: Between Practice and Research

Chair: Gerardo Guccini

ᐅ SALA SALMON

ROUND TABLE CREATING A JOURNAL: THE ROLE OF THE EUROPEAN JOURNAL OF THEATRE AND PERFORMANCE WITHIN AND BEYOND EASTAP

Josette Féral - Publishing DirectorAgata Łuksza and Luk Van den Dries - Editors-in-Chief Sophie Lucet - Co-editor Essays Section issue 2Timmy De Laet - Managing Editor Lorenzo Mango, Aldo Milohnić and Daniele Vianello - Editorial Board Members

ᐅ SALA ARCHI

PRESENTATION OF PON-METRO PROJECT It Shall Be So! The City We Want: Social Inclusion through Theatre in the National Opera-tional Programme on Metropolitan Cities 2014-2020

Veronica Ceruti - Municipality of BolognaLuca Gadler - Emilia Romagna Teatro FondazioneStefania Paolazzi - Urban Innovation Foundation

It Shall Be So! The City We Want, a project by the Municipality of Bologna, produced by Emilia Romagna Teatro Fondazione, funded by the European Union - European Social Fund, in the context of the National Operational Programme on Metropolitan Cities 2014-2020

ᐅ SALA VETRI

TEXTUALITY PRACTICES BEYOND THE THEATRICAL SPACE

• Chloé Déchery Ce que la conférence fait à la performance: un état des lieux sur la conférence performée, essai d’écriture scénique hybride• Doriana Legge “La messa in ascolto”: forme e pratiche della scrittura teatrale per la radio• Marta Marchetti Il lettore in gioco. The Quiet Volume di Tim Etchells e Ant Hampton

Chair: Martynas Petrikas

27 FEBRUARYIII EASTAP CONFERENCE / programme

ᐅ SALA BIANCA

THE THEATRE OF ROBOTS

• Matteo Casari Il nō dei robot: l’artificio e l’empatia• Izabella Pluta Lorsqu’un robot raconte une histoire. Texte et programmation dans La Vallée de l’étrange de Stefan Kaegi• Cinzia Toscano Riflessioni e pratiche: la multiforme varietà del teatro dei robot

Chair: Gabriele Sofia

16.00 – 16.30 Coffee Break

16.30 – 17.45 PANELS


PARTICIPATORY PARADIGMS

• Giacomo Pedini“Eppur si move”: Stage-Writings for Spectators or with Players? • Maria de Lourdes RabettiThe Dramaturg’s Mediation from Stage to City: Cariocas Experiments• Carmen Pedullà The Role of the Spectator in Participatory Theatre: A Proposal for a Theoretical Model

Chair: Claudio Longhi

ᐅ SALA SALMON

THINKING DANCE

• Elena Cervellati Testi da e per la danza. Pratica e teoria nel Manifesto 1992. Danza come arte contemporanea• Timmy De Laet The Textuality of Dance: From Movement to Document toward Historiography• Giulia Taddeo The Age of Anxiety? Choreographing Youthfulness at the Time of the Italian “Economic Miracle”

Chair: Susanne Franco

ᐅ SALA ARCHI

THE TWENTIETH CENTURY AND BEYOND: INVESTIGATION INTO ITALIAN DRAMATURGY

• Roberta Carpani La committenza e la composizione del testo nel XXI secolo: tre performances di Laura Curinosulla storia industriale italiana• Paolo Pizzimento La Divina Commedia dal testo alla pratica scenica: l’esperienza del “Teatro delle Albe”


• Dario Tomasello “Micro-società”, “Intra-teatralità”, “Nuovo terzo mondo”: dinamiche creative nella drammaturgia italiana novecentesca

Chair: Martina Sottana

ᐅ SALA VETRI

LANGUAGES OF COMPOSITION PRACTICE: TRANSLATING/”TRADERE”

• Rosa Branca Figueiredo Creating for the Stage: How Translation Functions in Trans-porting Meaning across Cultures/Languages• Maddalena Giovannelli Un autore in sala prove: il traduttore• Margherita LaeraBabel as Utopia? Practicing Multilingualism in the European Rehearsal Room

Chair: Andy Lavender

ᐅ SALA BIANCA

HYBRID FORMS OF STAGE CREATION

• Shintaro Fujii Spectacle japonais contemporain à l’heure de la «reprise» et du «reenactment»• Véronique Perruchon and Nadia Moroz Luciani Les concepts de Théâtralité et Performativité de la lumière dans le théâtre contemporain européen et brésilien• Filippo Romanello Theatrical Composition beyond Representation

Chair: Marcela Moura

ᐅFOYER 1ST FLOOR

YOUNG SCHOLARS’ FORUM: POSTER PRESENTATION, 1ST SESSION CONTEMPORARY DRAMATURGIES & INTERMEDIAL PERSPECTIVES

Curators: Jeroen Coppens and Stefania Lodi Rizzini

18.00 – 19.00 ᐅ SALA DE BERARDINIS / plenary sessionLola Arias - Writer, Theatre and Film Director, Performer, ArgentineTheatre as a Remake of the Past



28 FEBRUARY ᐅ ARENA DEL SOLE THEATRE

8.30 – 10.00 ᐅ FOYER

Registration

9.15 – 10.30 PANELS


PERFORMANCE AND STAGE-WRITING: THREE LECTURES

• Anna BarsottiEracle di Euripide per Emma Dante: fra scrittura scenica e composizione drammaturgica• Piermario VescovoParadosso del performer• Lorenzo MangoOn Analyzing Dramaturgy in the Era of “Stage-Writing”

Chair: Daniele Vianello

ᐅ SALA SALMON

CHALLENGING THE PERFORMANCE

• Mauricio Quevedo Pinto Under the Surface: Reading-Writing the Body in Performance whilst Seeing underthe Performer’s Skin• The Two Gullivers Performography: The Creative Process of Performance Art through Preparatory Drawing• Maria Grazia Turri Attori Shakespeariani recitano la Commedia dell’Arte: scenario come spazio transizionale

Chair: Enrico Pitozzi

ᐅ SALA ARCHI

THE SPECTATOR IN TIME

• Agata ŁukszaNot only Applause: Creative Spectators in Late Nineteenth-Century Theatre• Elisabeth ViainVidéo, séries et théâtre contemporain: un nouveau moyen de séduire le public?• Carlo FanelliVedere oltre lo sguardo. Il ruolo dello spettatore nel teatro del Rinascimento

Chair: Margherita Laera

ᐅ SALA VETRI

ACTING TRADITIONS

• Anna SicaOn “Ensemble”: The Norm of the Earliest Nineteenth-Century Italian Leading-Manager Actor Directing

III EASTAP CONFERENCE / programme

• Raffaella Di Tizio Vittorio Gassman come autore teatrale. Una pratica compositiva fra tradizione e innovazione• Raimund RosariusText-Trained Bodies at the Service of East and West?

Chair: Armando Petrini

ᐅ SALA BIANCA

STAGE-WRITINGS FOR THE CITY

• Mariagabriella Cambiaghi Da un osservatorio particolare: modalità di scrittura per la scena a Milano tra Otto e Novecento• Theresa EiseleStage-Writing Social Realities: Urban Types on the Nineteenth-Century Viennese Stage and Beyond• Laura PejaComposizioni sceniche tra arte e meticciato culturale: esempi di “performance urbane”

Chair: Silvia Mei

10.30 – 11.00

Coffee Break


Gabriele Vacis - Stage Director, Author and Founder of the Cooperativa Laboratorio Teatro Settimo, ItalyDrammaturgia dell’interazione - Dramaturgy of Interaction

Chair: Daniele Vianello

12.15 > 13.30 PANELS


DANCING, MUSEUMS AND CURATORIAL DRAMATURGY

• Gaia Clotilde Chernetich Chiara Bersani’s Gentle Unicorn: Updating Dialogue with the Audience, from the Stage to Museum, and Back• Susanne FrancoDancing in Museum Spaces and the Writing of Dance History • Alessandro PontremoliPer una drammaturgia curatoriale

Chair: Elena Randi

ᐅ SALA SALMON

THE EVOLUTION OF THEATRICAL DIRECTION

• Peter BoenischRegietheater between Representation and Situation• Duška Radosavljević The Heterarchical Director: A Model of Authorship for the Twenty-First Century

III EASTAP CONFERENCE / programme 28 FEBRUARY

• Avra Sidiropoulou Redefining the Director’s Role in a Theatre of Shifting Textualities

Chair: Clare Finburgh Delijani

ᐅ SALA ARCHI

TEXTUAL AND VISUAL ELEMENTS FOR THE STAGE

• Silvia De MinQuando la didascalia calca la scena: effetti compositivi di un elemento testuale che si fa personaggio• Ragnhild GjefsenHow Does Verbal Language Communicate in Modern Theatre?• Ulf OttoArchaeology of the Cue: On the Division of Light and the Organization of Energies

Chair: Piermario Vescovo

ᐅ SALA VETRI

ALTERITY AND OTHERNESS IN THEATRE

• Anke ChartonPerforming Otherness: From Social Margins to Stage Practices• Stella Lange Precarious Representations in Script and on Stage: Falk Richter’s Interrogations of Europe• Vito MinoiaThe Innovative Concept of Theatres of Diversities

Chair: Agata Łuksza

ᐅ SALA BIANCA

NEW DRAMATIC PATTERNS

• Andrea CarusoWriting through Images: The Scenic Typology of Cia. Finzi Pasca• Andy LavenderWriting Experience: Textual Construction in Contemporary Multimodal Performance• Maria Helena WerneckFigurability Apparatus in the Scenic Writing of the Collective Theatre Group O Bando

Chair: Edith Cassiers

ᐅFOYER 1ST FLOOR

YOUNG SCHOLARS’ FORUM: POSTER PRESENTATION, 2nd SESSION CONTEMPORARY PRACTICES AND THEIR HISTORIES

Curators: Jeroen Coppens and Stefania Lodi Rizzini

13.30 – 14.30

Lunch



ROUND TABLE COMPOSING FOR THE STAGE: THEATRE ORGANIZERS’ PERSPECTIVES

Natalia Álvarez Simó - Co-director of the Centro Cultural Conde Duque, Spain Vincent Baudriller - Director of théâtre de Vidy, Switzerland Francesc Casadesus - Director of Grec Festival, SpainAnnemieke Keurentjes - Programming Director of Holland Festival, NetherlandsSavas Patsalidis - Director of Theatre Festival Thessaloniki, Greece György Szabó - Director of Trafó House of Contemporary Arts, Hungary

Chair: Matteo Casari

16.00 – 16.30

Coffee Break

16.30 – 17.30 ᐅ SALA DE BERARDINIS / plenary sessionVirgilio Sieni - Choreographer and Dancer, ItalyArcheologia del gesto - The Archeology of the Gesture

Chair: Lorenzo Mango


EASTAP GENERAL ASSEMBLY


29 FEBRUARY ᐅ DAMSLab

8.30 – 9.15 ᐅ HALL

Registration

9.15 – 10.30 > PANELS

ᐅ AUDITORIUM

RECONFIGURING DRAMATURGIES OF AUTHENTICITY

• Thomas Rosendal NielsenEmersive Dramaturgy• Erik Exe ChristoffersenSingularization• Annelis KuhlmannCollapsibility: Dramaturgical Consciousness as Social (Lack of) Consciousness

Chair: Aldo Milohnić

ᐅ TEATRO

THE ACTOR’S CREATIONS AND BIOGRAPHY IN THEATRE DIRECTION

• Lada Cale FeldmanThe Stratified Actor: Eichmann in Jerusalem at the Zagreb Youth Theatre• Armando PetriniComposizioni d’attore. Il caso dell’attore-regista: Carmelo Bene e Leo de Berardinis• Beata Popczyk-SzczęsnaCreating for the Stage - New Biography

Chair: Raimondo Guarino

ᐅ SALA SEMINARI

DANCE BETWEEN INTROSPECTION AND POSSESSION

• Eliane BeaufilsDes mises en mouvement de l’écriture. Chétouane, Gehmacher, Marouda• Lindsey DruryStaging “Pagan Dance” in the Early Twentieth-Century United States• Cláudia MarisaActs of Intimacy: Simulacrum and Belief in Contemporary Dance

Chair: Rossella Mazzaglia

ᐅ SPAZIO CINEMA

“OLD MASTERS”: WRITING FOR THE STAGE THINKING ABOUT THEATRE DIRECTION

• Julia NawrotBetween Theory and Practice: Tadeusz Kantor’s Cricotages as New Spaces of Representation


• Fernando Matos OliveiraMonodrama, Solo Performance, One-to-One Performance: Scenes of Monological Reminiscence• Wenju ZhuSamuel Beckett’s Revised Stage-Writing from the Intermedial Perspective of Visual Arts

Chair: Laurens De Vos

ᐅ HALL

THEATRES OF FIGURE

• Cristina GrazioliLa Marionetta come Figura: un modello di composizione per il teatro d’attori• Laurette Burgholzer(Se) jouer de la théorie? Haïkus gestuels et micro-drames dans le théâtre de marionnettes contemporain• Francesca Di FazioDrammaturgie originali per il teatro di figura contemporaneo. Il lavoro di Gigio Brunello e Gyula Molnàr

Chair: Roberta Ferraresi

10.30 – 11.00

Coffee Break

11.00 – 12.00 ᐅ AUDITORIUM / plenary sessionMarta Cuscunà - Actor and Author, ItalyAnimatronica e componentistica industriale applicate alla scena - Animatronics and Industrial Components Applied to the Stage

Chair: Clare Finburgh Delijani

12.15 – 13.30 PANELS

ᐅ AUDITORIUM

IMMERSIVE DRAMATURGIES

• Ida KrøgholtDramaturgy of the Spectator: How the One-to-One Performance Garden Gave Directionto the Spectator’s Sensations• Louise Ejgod HansenImmersed into a Capital of Culture: Rethinking Theatre in Aarhus 2017• Josefine Brink SiemPutting Yourself in the Space of Another: Towards an Atmospheric Approach to ImmersivePerformances

Chair: Annelis Kuhlmann

ᐅ TEATRO

BODY, IMAGINATION, MOVEMENT: OTHER WAYS OF WRITING

• Guy CoolsRewriting Distance: How to Make Writing Embodied and Performative


• Ulla KallenbachWriting for the Imagination: Designing the Spectator’s Imaginative Performance in the Drama Text• Rosa LambertWhen Text Becomes Movement: The Kinetic Quality of Writing

Chair: Giulia Taddeo

ᐅ SALA SEMINARI

MUSICAL THEATRE

• Magdalena Figzał-JanikowskaSeeing Sound: Music Performativity in the Theatre of Georges Aperghis, Niels Rønsholdt and Wojtek Blecharz• Sebastian StaussFilling Gaps by Adjusting Opera for Younger Audiences• Alessandro Turba Riscoprendo All’Italia, “unicum” teatrale di Sylvano Bussotti

Chair: Chloé Déchery

ᐅ SPAZIO CINEMA

TRAUMA/CRISIS/GRIEF THROUGH THEATRE

• Darija DavidovicCrossing the Line, Highlighting The Women’s Side of War - Staging Unfinished Pasts by Dah Teatar Belgrad• Senad HalilbašićStaging Competing Histories - War (of) Memory in Contemporary Bosnian Theatre• Ioanna LioutsiaContemporary Greek Theatre: How Crisis Spawned Drama

Chair: Patricia Gaborik

ᐅ HALL

THE COLLECTIVE/COMMUNITY PLAY IN THEATRE

• Marion Boudier«La dramaturgie prospective». Accompagner l’écrivain de spectacle Joël Pommerat • Magdalena HasiukLe théâtre Węgajty - de l’épopée et de la création collective aux collages des textes d’acteurs et le Devised Theatre• Marcela MouraLes dynamiques complexes de la scène théâtrale de Joël Pommerat

Chair: Erica Magris

13.3 – 14.30 ᐅ HALL

Lunch A light lunch will be provided in the Hall of the DAMSLab


14.30 – 15.45 PANELS

ᐅ AUDITORIUM

EVOLUTIONARY TRAJECTORIES IN CONTEMPORARY DRAMATURGICAL PRACTICES

• Laurens De VosA Tale of Truth: Milo Rau’s Writing beyond Postmodernism• Roberta FerraresiScritture “ready-made”. Pratiche drammaturgiche della scena contemporanea• Aldo MilohnićOn Rewriting Classic Plays in Contemporary Postdramatic Theatre

Chair: Luk Van den Dries

ᐅ TEATRO

RETHINKING THE THEATRE

• Silvia MeiMetateatralità nella scena italiana contemporanea, ovvero sulla difficoltà di fare (il proprio) teatro• Janek SzatkowskiPoietic Hierarchy as a Dramaturgical Tool in the Composition of Performance• Agata TomšičIl modello atlantico come paradigma compositivo contemporaneo

Chair: Giacomo Pedini

ᐅ SALA SEMINARI

POSTDRAMATIC THEATRES

• Luule EpnerWriting for Postdramatic Theatre: The Case of Estonia• Arianna FrattaliDa Genet alla Fortezza: un teatro postdrammatico• Dror HarariPostdramatic Theatre as an Emergent Phenomenon – Viewed Through Marion’s Philosophy of Excess

Chair: Fabrizio Deriu

ᐅ SPAZIO CINEMA

THE POLITICAL DIMENSION TO THEATRE PRACTICE

• Rui Pina CoelhoAttempts to Change the World in Tiago Rodrigues and Joana Craveiro’s Rehearsal Room• Diana Damian MartinStat-ing the Body: Composition as Politics, Politics as Composition • Fabrizio FiaschiniIl gesto teatrale come forma compositiva della scrittura politica

Chair: Sylvie Roques


ᐅ HALL

FOR A REDISCOVERY OF ITALIAN THEATRE FROM THE FIRST HALF OF THE TWENTIETH CENTURY

• Patricia GaborikStirring the Collective Passions: In Search of a Dramaturgy for the Fascist Masses• Laura PiazzaContro Sire Le Mot. Achille Ricciardi régisseur e riformatore• Gabriele SofiaGiovanni Grasso drammaturgo? Un esempio di pratiche di composizione del teatro dialettale

Chair: Angelo Vassalli

15.45 > 16.15

Coffee Break

16.15 – 17.30 PANELS

ᐅ AUDITORIUM

ARGOS PROJECT

• Edith Cassiers, Luk Van den Dries, Chiara Guidi, Sophie Lucet, Antonia Vasilakou,Avra XepapadakouOb-serving Making Theatre: Towards a Methodology for the Observation of Creative Processes

ᐅ TEATRO

AT THE ROOTS OF THE COMPOSING PROCESSES

• Raimondo GuarinoThe Generation of Plays in Early-Modern Europe: Defining Drama between Books and Stages• Isabella MolinariDal pennello alla scena. L’Accademia degli “Uniti” del Cavalier d’Arpino (1608): pratiche e drammaturgia• Armando RotondiAesthetics and National Identity: Mihail Pascaly’s Theories in First Romanian Theatre

Chair: Franco Perrelli

ᐅ SALA SEMINARI

AT THE BORDERS OF THEATRE: ESSAY AND LANDSCAPE

• Jasper DelbeckeRevisiting the Scenic Essay• Stéphane HervéUn théâtre mélancolique. Les paysages au-delà de la scène• Tomaž ToporišičEssay on Stage: The Artistic Practice Introducing a Germ into the Cultural Matrix

Chair: Knut Ove Arntsen


ᐅ SPAZIO CINEMA

THEATRICAL, LINGUISTIC, FORMAL MIXTURES

• Laura BudriesiIl “teatro vissuto” di Gisèle Vienne in Jerk (2008-2018)• Lorenzo DonatiOggetti teatrali non identificati: verso un nuovo modello drammatico?• Monica GaravelloQuando teatro e cinema convivono sulla scena: due spettacoli a confronto

Chair: Anna Barsotti

ᐅ HALL

FEMALE SINGULARITY BETWEEN ORGANIZATION AND CREATION

• Małgorzata BudzowskaPostdramatic Composition of a Stage Script in the Production of The Bacchae by Maja Kleczewska• Selene D’AgostinoTransit Festival An International Women’s Theatre Festival: Towards a Composite Dramaturgy• Simona ScattinaIl postmodernismo “intenso” di Emma Dante

Chair: Stefania Lodi Rizzini

17.45 > 18.45 ᐅ AUDITORIUM / plenary sessionMarco Martinelli - Founder, Playwright and Director of the Teatro delle Albe, ItalyAi margini: l’irriducibile forza dell’evento teatrale - On the Edge: The Irreducible Strengthof the Theatrical Event

Chair: Gerardo Guccini


1 MARCH ᐅ DAMSLab

8.30 – 9.15 ᐅ HALL

Registration

9.15 - 10.30 PANELS

ᐅ AUDITORIUM

THEATRICAL INTERACTIONS IN POSTDRAMATIC TIME

• Knut Ove ArntzenThe Ressurected Theatre Machine: A Postdramatic Paradox• Davide CioffreseOntroerend Goed: Dramaturging the Performance of the Unsettling• Fiona GrahamPerforming Dramaturgy: The Interventions of the Dramaturge in Performance Development

Chair: Timmy De Laet

ᐅ TEATRO

COMMUNITY SHAPES OF THEATRE

• Rūta MažeikienėFrom Personal Stories to Collective Narratives: Stage-Writing in Community Theatre• Annamaria SapienzaLa scena flessibile: spazio e relazione nel teatro comunitario• Fabrizio DeriuM2 di Dynamis Teatro. Un intervento pratico-critico sulla percezione dello spazio umano


ᐅ SALA SEMINARI

WRITING AND ˝DOCUMENTING˝ DANCE

• Annamaria CoreaGames of Sources and Rules of Composition in “Shakespearian” Ballet between XVIIIand XIX Centuries• Concetta Lo IaconoLa mise en scène della Muette de Portici. Un livret tra teatro musica e danza• Samantha MarenziComposizione visiva. La fotografia di danza tra documento e creazione artistica

Chair: Elena Cervellati

ᐅ SPAZIO CINEMA

EMBEDDING WORLDS

• Sylvie RoquesDu Tour du monde (1874) aux propositions contemporaines: métamorphose des pratiques scéniques


• Victor ThimonierFictions encyclopédiques sur les scènes contemporaines• Gaia VimercatiHunger for Presence: nuove prospettive sui linguaggi della corporeità nel circo contemporaneo

Chair: Cristina Grazioli

11.00 – 12.00 ᐅ AUDITORIUM / plenary sessionTue Biering – Theatre-maker, DenmarkYou Are all Hostages of Me: Reclaiming Stage-Writing to Counter Stereotypes

Artist talk presented by the Department of Dramaturgy, Aarhus University, on the occasion of its 60-year jubilee 1959-2019

Chair: Annelis Kuhlmann

12.00 – 12.30 ᐅ AUDITORIUM / plenary session

OBSERVATOIRE CRITIQUE: WORK PRESENTATION

Curator: Erica Magris

12.30 – 14.00 ᐅ AUDITORIUM

ROUND TABLE CLOSING SESSION Among the Speakers:

Josette Féral - EASTAP President Daniele Vianello - EASTAP Vice-PresidentClaudio Longhi - Emilia Romagna Teatro Fondazione Artistic DirectorGerardo Guccini - La Soffitta Scientific Coordinator

III EASTAP CONFERENCE / programme 1 MARCH

YOUNG SCHOLARS’ FORUMCurators: Jeroen Coppens and Stefania Lodi Rizzini

ᐅ ARENA DEL SOLE THEATRE, FOYER 1st FLOOR

27 FEBRUARY POSTER PRESENTATION, 1st SESSION Contemporary Dramaturgies & Intermedial Perspectives

Ricardo Coreia Theatre of the RealSilvia Dimitru Postdramatic Theatre and Deconstruction: An Anti-mimetic Approach to Contemporary DramaturgyAntonio Figueiredo Marques Moving People: Intermediality and PresenceSwan LichyPerformativity as a Language of Sense-making for Cultural Service in Local MuseumEleonora MarzaniCross-breeding Practices for Creating for the StageRaquel Rodrigues Madeira The Choreographic between Stage and Navigable Network SpaceGaia Vimercati Hunger for Presence: New Perspectives on the Notions of Body and Corporeal Presence in Contemporary CircusRezvan ZandiehInjured Body and Bloody Body of the Artist. History, Concept and AestheticXuang XiaoScreendance. Geographies and Aesthetics of an Art in Motion

28 FEBRUARY

POSTER PRESENTATION, 2nd SESSION Contemporary Practices and their Histories

Ai-Cheng HoApplication of Taiji Quan in Actor’s TrainingBojana JankovicRight to Be Unknown: Construction of Eastern European Identities in the Work of Uk-based Immigrants ArtistsNadia Moroz LucianiThe Performativity of Light as a Link between the Stage and the SpectatorAlexander MillingtonAn Examination of the Representation of Physical Acts of Intimacy and Sexual Behaviourin Contemporary British Theatre from 2001 to 2017Diana PacurarSemioticsLaura PerniceThe Scenic Reinvention of the Brilliant Friend: Storia di un’amicizia by Fanny & AlexanderMaria Chiara ProvenzanoThe Archive of Koreja Theatre in LecceGjefsen Ragnhild A Theatrical LanguageTessa VannieuwenhuyzeStaging the Self: The Contemporary Performance Practice of Musical Persona on and beyondthe Actual and Virtual Stage


MASTERCLASSES

24 FEBRUARY

10.00 – 14.00 ᐅ MODENA, THEATRE SCHOOL “IOLANDA GAZZERRO”Masterclass with Daria Deflorian - Actor, Author and Director, ItalyScrittura di scena e drammaturgia d’attoreStage-Writing and Actor’s Dramaturgy Curator: Daniele Vianello

27 FEBRUARY

14.30 – 18.30 ᐅ BOLOGNA, LIBRARY ARCHIGINNASIO: STABAT MATER ROOMMasterclass with FC Bergman - Theatre Company, BelgiumAbout Creating. The Kitchen of FC BergmanSulla creazione. La cucina degli FC Bergman Curator: Sergio Lo Gatto

28 FEBRUARY

9.30 – 13.30 ᐅ BOLOGNA, ORATORIO SAN FILIPPO NERIMasterclass with David Marton - Theatre Director and Musician, HungaryVia GluckCurator: Sergio Lo Gatto

14.30 – 18.30 ᐅBOLOGNA, THEATRE OF MOLINEMasterclass with Saverio La Ruina - Actor, Author and Theatre Director, ItalyIl corpo del racconto: Come “scrivo” e interpreto i miei testiThe Body of the Story: How I “Write” and Interpret my TextsCurator: Daniele Vianello

29 FEBRUARY

09.30 – 13.30 ᐅ MODENA, THEATRE SCHOOL “IOLANDA GAZZERRO”Masterclass with Aglaia Pappas - Actor, GreeceThe Function of the VoiceLa funzione della voceCurator: Sergio Lo Gatto

14.30 – 18.30 ᐅ MODENA, THEATRE SCHOOL “IOLANDA GAZZERRO”Masterclass with Veronica Melis - Actor, ItalyThe Quality of Presence. Between Body, Space and ImageryLa Qualità di Presenza. Tra Corpo, Spazio e ImmaginarioCurator: Sergio Lo Gatto

10.00 – 16.00 ᐅ CESENA, PALAZZO DEL CAPITANOMasterclass with Matthew Lenton - Founder and Artistic Director of Vanishing Point, UKWriting in Three DimensionsScrivere in tre dimensioniCurator: Claudio Longhi


Under the patronage of

BOLOGNA27 FEB > 1 MAR2020

BOLOGNA - Eastap · 2020. 2. 22. · Programme 26 FEBRUARY ᐅ RIDOTTO DEI PALCHI, STORCHI THEATRE,...

Documents

Transcript of BOLOGNA - Eastap · 2020. 2. 22. · Programme 26 FEBRUARY ᐅ RIDOTTO DEI PALCHI, STORCHI THEATRE,...