BILL AUDITION PACKET - Royal Caribbean Entertainment...MAMMA MIA! AUDITION SIDES HARRY/BILL/SAM THE...
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BILL AUDITION PACKET
Transcript of BILL AUDITION PACKET - Royal Caribbean Entertainment...MAMMA MIA! AUDITION SIDES HARRY/BILL/SAM THE...
BILL AUDITION PACKET
MAMMA MIA! AUDITION SIDES
HARRY/BILL/SAM
THE COURTYARD
SAM, BILL and HARRY are arriving from the jetty. (Upstage.) The “tavern” that they
speak about in the scene is out in front of them (audience.) SAM sees the Taverna and
stops. HARRY and BILL come on behind him. They have made their way up from the
JETTY. HARRY is a bit breathless from lugging his expensive and elegantly-
monogrammed luggage to The Taverna.
HARRY
I’m glad to get off that boat.
BILL
That was nothing. You should try a kayak in the Okavango
Swamps.
HARRY
Yes – I read your book ‘A Bloke and A Boat in Botswana’.
BILL
Thanks, Harry – I heard I’d sold a copy somewhere.
HARRY
Travel-books are my passion. A welcome distraction from
the tedious journey to work.
SAM
Do you two want to hear something interesting ? You see
this Taverna ?
HARRY
I’m rather impressed. I remember an old hut here – I was
dreading bedding down with the goats.
BILL
Give me goats before camels. There was this time in the Kalahari
The sun was beating down…
SAM
Sorry to interrupt “Indiana” – but the point is this is my Taverna …
I built it ! Well, I designed it. Drew up the plans – what ? –
twenty-one years ago … ? I can’t believe she’s actually gone
and built the damn thing.
BILL I P. 1 of 4 BILL
TOTAL 1 of 4
HARRY
Who?
SAM
Donna. Who else ? This is something I scribbled on the
back of a menu, I had no idea.
BILL
How do you know it’s yours ?
SAM
Buildings are like babies. You always know your own.
BILL
I wouldn’t know anything about babies. I’ve been living
out of a knap-sack for most of my life.
HARRY
The ‘Happy Wanderer’, eh ?
(TO BILL)
Do you think the island will inspire some prose ?
BILL
I hope so. When I got the wedding invite I sold my editor
a piece on ‘Childhood Haunts Revisited’.
HARRY
Were you born here ?
BILL
No – I’m from America, but my mother’s Greek.
The only time I came to Greece was to visit my
Great-Auntie on the mainland – and that
was twenty-one years ago.
HARRY
So now you can write about Sam’s Taverna and the
tourists will flock.
PRONOUNCIATION NOTE : “idyll” rhymes with “fiddle.”
BILL
No, I think this island should remain the secret idyll I’ve always
remembered.
BILL I P. 2 of 4 TOTAL 2 of 4
SAM
Yes, but if you lived here, maybe the idyll would be the
boat-load of tourists with big bucks.
HARRY
At least they might have some staff then. Where is everybody ?
SOPHIE ENTERS FROM THE TAVERNA.
SOPHIE
Good afternoon. Can I help you ?
BILL
Hello there. I’m Bill Austin. You have a room for me ?
SOPHIE
(STARES AT HIM)
Bill Austin.
HARRY
I’m Bright. Harry Bright.
SOPHIE
(STARING)
Harry … (TO SAM) … so you must be –
SAM
Sam Carmichael.
SOPHIE NODS, STARING AT SAM.
SAM
You are expecting us ?
SOPHIE
Oh yes, I’ll go and I’ll get the keys.
SOPHIE EXITS TO FETCH THE KEYS. HARRY TURNS TO SAM.
DURING THE FOLLOWING DIALOGUE SOPHIE SPIES ON THE MEN
FROM THE TAVERNA.
HARRY
Charming. But I hope I get the chance to get my tongue
around a little Greek. I haven’t spoken it for twenty-one
years.
BILL I P. 3 of 4 TOTAL 3 of 4
SAM
Twenty-one years ? You know, this is beginning to feel like
a set-up –hey, Bill – here’s a story for you. Three men – strangers –
receive an invitation to a wedding. They are invited to a
place they haven’t seen for twenty-one years, by a woman they
haven’t seen for twenty-one years … why are they here ?
BILL
That’s not bad … ok, Harry – what’s your excuse ?
What’s torn you away from the Bank of England ?
HARRY
Is this an interview ? Alright, well for me, Donna’s
invitation brought back many happy
memories … (SPOTTING THE GUITAR HANGING
ON THE WALL) Bloody Norah!
BILL
Is that a quote ?
HARRY
(TAKING THE GUITAR DOWN)
No, no, I know this guitar !
(INDICATING A CARVING) HB – ‘Head-Banger’,
that’s what they used to call me in those days – and DS –
Donna Sheridan – I bought this for her ! Ten quid and
my Johnny Rotten tee-shirt … so now who says I’m an unadventurous
old stick-in-the-mud ?
SAM
Who ?
HARRY
My other half. A big house, a fast car and a season ticket to
Chelsea Football Club isn’t enough for some people, is it? They
want The Great White Hunter, too. Well, I can
do spontaneity. That’s why I’m here.
Donna knew my wild side. I was an exchange student in Paris when
we met, and I just followed her to Greece –
spontaneously …
END
BILL I P. 4 of 4 TOTAL 4 of 4
q = 120
Everlasting LoveB1
Arranged by Dave Roppolo
Prepared by Robert Kling, 2008
Piano/ Vocal
70's Set (Oasis Class)
2 3 4 5
B1
BGV
Piano
Everlasting Love
Ooh
Ooh
Ooh
Ooo
6 7 8 9 10
B1
BGV
Pno.
Hearts
go
a
stray
-
lea
ving- hurt
when they
go
Ooh
Ooo
RCCL Productions70's Set (Oasis Class)
11 12 13 14
B1
BGV
Pno.
I
went
a way
just
when you
need me so
Ooh
Ooo
15 16 17 18
B1
BGV
Pno.
Filled
with
re gret
I
comeback
beg gin'- you
Ooh
Ooo
19 20 21 22
B1
BGV
Pno.
For
give
- for get
where's
the love
we once new
Ooh
Ooo
RCCL Productions 70's Set (Oasis Class)
Everlasting LovePiano/ Vocal2
23 24 25
B1
BGV
Pno.
O
pen- up your eyes
Then
you re a-
-
Ooh
26 27 28
B1
BGV
Pno.
lize
Here
I stand with my
ev er- last
- ing
- love
Need
you by my
Ooh
Ooh
29 30 31
B1
BGV
Pno.
side
Girl
to be my bride
Ne
- ver be de nied
- ev er- last
- ing
-
Ooh
RCCL Productions70's Set (Oasis Class)
Everlasting Love Piano/ Vocal 3
32 33 34
B1
BGV
Pno.
love
From
the ver y- start
O
pen- up your heart
Be
a last ing-
Ooh
Ooh
35 36 37
B1
BGV
Pno.
part of ev er- last
- ing
- love
Oh
yeah
Real
love
will
last
for
ev
- er
-
38 39 40
B1
BGV
Pno.
yeah,
yeah
Look
in
my
Real
love
will
last
for
ev
- er
-
Ooh
RCCL Productions 70's Set (Oasis Class)
Everlasting LovePiano/ Vocal4
41 42 43
B1
BGV
Pno.
eyes
see
my love
burn in'- strong
Ooo
44 45 46 47 48
B1
BGV
Pno.
No
more
good byes
in
your arms
I be long-
Ooh
Ooo
49 50 51
B1
BGV
Pno.
When
my spir it- flows
No
one- real ly- knows
'Till some
one- dares to
Ooh
Ooh
RCCL Productions70's Set (Oasis Class)
Everlasting Love Piano/ Vocal 5
52 53 54
B1
BGV
Pno.
show a way to last
ing
- love
Like
the sun is shin
in'-
End
less- ly- it
Ooh
55 56 57
B1
BGV
Pno.
shines
You al
ways- will be mine
in e ter
- nal
- love
When o
thers- love has
Ooh
Ooh
58 59 60
B1
BGV
Pno.
gone
I
will be strong
We have
our ver y- own
ev er- last
- ing
-
Ooh
RCCL Productions 70's Set (Oasis Class)
Everlasting LovePiano/ Vocal6
61 62 63
B1
BGV
Pno.
love
yeah,
yeah
Real
love
will
last
for
ev
- er
-
Real
love
will
64 65 66
B1
BGV
Pno.
O
- pen up your eyes
then
you re a-
-
last
for
ev
- er.
-
O
pen- up your eyes
then
you re a-
-
67 68 69
B1
BGV
Pno.
lize
Here
I stand with my
ev er- last
- ing
- love
Need
you by my
lize
Here
I stand with my
ev er- last
- ing
- love
Need
you by my
RCCL Productions70's Set (Oasis Class)
Everlasting Love Piano/ Vocal 7
70 71 72
B1
BGV
Pno.
side
There's
no need to hide
You'll ne
ver- be de nied
- ev er- last
- ing
-
side
There's
no need to hide
You'll ne
ver- be de nied
- ev er- last
- ing
-
73 74 75
B1
BGV
Pno.
love
From
the ver y- start
O
pen- up your heart
Be
a last ing-
love
From
the ver y- start
O
pen- up your heart
Be
a last ing-
76 77 78 79 80 81
B1
BGV
Pno.
part of ev er- last
- ing
- love
Ooh
part of ev er- last
- ing
- love
RCCL Productions 70's Set (Oasis Class)
Everlasting LovePiano/ Vocal8
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15œ œ œ
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moondanceroyal caribbean cruise line
arranged by mike lewis
medium swing q = 140( )
male vocal Piano
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27 œ œœ œ
cmi 7 f 13
moondance- 2 -piano /conductor
-
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light seems to
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gmi 9
˙ œ œ œ œ
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3
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3Œ
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{31}œ œ
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gmi 9
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moon - dance with you
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my love
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jœ
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33œ œ œ œ
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gmi 9
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36œ œ œ œ
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my love
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37 œ œ œ œœ
^eb 9 c/d gmi 9
Ó Œ œ œ
well, i
Œ œ œ ˙
38
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gmi 9 c/d
{39}œ œ œ œ œ œ œ
wan - na make love to you to -
∑
39F
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gmi 9 ami 7
- 3 - moondancepiano /conductor
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jœ.œ
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night i can't
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40œ
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gmi 9 ami 7
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wait 'til the morn - ing has come
∑
41œ
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˙ ‰ jœ œ
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Ó
42œ œ œ
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know how the time is just
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43œ œ
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jœ.œ
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right and straight
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44œ
œœ
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3œ œ œ
3œ œ œ
in - to my arms you will
∑
45œ
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˙ ‰ jœ œ œ
run and when you
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come my heart will be
‰ Jœ̂ Œ ‰
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gmi 9 ami 7
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wait - ing to make
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there and
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50œ œ œ
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then all my dreams will come
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- 4 - moondancepiano /conductor
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true dear there and
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52œ
œœ
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gmi 9 ami 7
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then i will make you my own
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˙ ‰ jœ œ œ
and ev - 'ry
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gmi 9
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{55}˙
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time i touch
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55 œ œœ œ
cmi 7 f 13
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58œ œ œ œ
gmi 9
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how much
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59 œ œœ œ
cmi 7 f 13
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you want me
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60œ œ œ œ
gmi 9
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61
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gmi 9
- 5 - moondancepiano /conductor
-
&
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moon - dance with you
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gmi 9
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dr. fill
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70
∑
{71}∑
tutti
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- 6 - moondancepiano /conductor
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∑
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{87}˙
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time i touch
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˙
87 œ œœ œ
cmi 7 f 13
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you you just
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88œ œ œ œ
gmi 9
&
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trem ble in - side
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˙ ‰ jœ œ œ
and i know
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3
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.Œ
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gmi 9
˙Jœ œ
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how much
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˙
91 œ œœ œ
cmi 7 f 13
- 7 - moondancepiano /conductor
-
&
&
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bb
bb
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Jœ.œ œ œ
you want me
Œ œ-
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92œ œ œ œ
gmi 9
˙ œ œ œ œ
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