BETA developments in photography issue 12
88
developments in photography 12 NOVEMBER 2014
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BETA 12 presents portfolios by John Hay, Bear Kirkpatrick, Kent Krugh and Brad Carlile
Transcript of BETA developments in photography issue 12
developments in photography
12NOVEMBER 2014
OFFICE ADDRESSUpstairs Mining Exchange12 Lydiard Street NorthBallarat VIC 3350
BETA developments in photographyISSUE 12editor Jeff Moorfootdesign Penelope Annecontact betaballaratfotoorg
All content in this magazine is copy 2014 of the Ballarat International Foto Biennale and participating artists and may not be reproduced without the express written permission of the BIFB Inc save for fair dealing for the purposes of research study criticism review reporting news All other rights are reserved
MEMBER FESTIVAL
POSTAL ADDRESSPO Box 41Ballarat VIC 3353Australia
T +61 3 5331 4833E infoballaratfotoorgW wwwballaratfotoorg
Assn No A0045714LABN 70496228247
6 John Hay
KOSCIUSZKO TO THE KIMBERLEY
26 Bear Kirkpatrick
PORTRAITS
46 Kent Krugh INSIDE THE GATE
66 Brad Carlile
TEMPUS INCOGNITUS
Welcome to this our twelfth edition of BETA developments in photography Maybe we can denote this as the lsquoblokersquos worldrsquo issue because the contributors are indeed all male but actually gender balance political correctness geographical location or the stage of the contributors career have never been a consideration for selection of what goes in each edition of BETA It is very much a matter of how the cards fall I always look to present a selection of portfolios that demonstrate just how diverse the art form of photography can be It is the same philosophy with which I curate the Core Program of the Ballarat Inte- rnational Foto Biennale a process of making invitations that I am well into for BIFBrsquo15 The festival will run from August 22 to September 20 2015
Sometimes I think the process would be so much easier if I were to only invite artists who work in my favourite styles Indeed I count myself privileged to be able to appreciate a wide variety of styles and genres of photography but it is always my aim to put together a
program based on what I perceive to be audience tastes Given that our audience is so diverse my dastardly plan is to put together a program in which everyone can find something they can understand and appreciatehellip So it goes with BETA developments in photography
This issue brings folios from country Victoriarsquos John Hay whose selection includes images from his current debut show at Bokeh Gallery in Daylesford The other three photographers come via an interesting online portfolio review process called lsquoCritical Massrsquo run by the Photolucida organisation in Portland Oregon Ten image online folios by 200 photographers from around the world are reviewed by more than 200 reviewers also repre- senting an international geographical spread consisting gallerists picture editors curators publishers festival directors consultants and art buyers Itrsquos a rather gruelling process viewing first the thumbnail images then read- ing the artist statement then viewing full screen individual images and
finally scoring the folio and making comments where appropriate And of course trying all the time to remain objective and fair to the artists by only reviewing folios at separate sessions with a consistent state of mind
Out of this process scores from the 200+ judges are tallied and the fifty highest scoring folios are declared the Critical Mass top 50 There is no individual winner the work of 50 photographers is promoted via an exhibition and publication Of my highest scoring folios only eight were included in the Critical mass top 50 which gives an indication of the diversity of the pre- ferences of the large reviewing panel The beauty of the process is that I have seen the works of 200 photographers [a few whose work I had previously reviewed elsewhere and four of whom have already appeared in previous BETArsquos] and irrespective if they made the top 50 they have caught my eye Of the 200 I sent invitations to 31 artists to send me a body of work for possible inclusion in future editions of BETA and already the response
has seen twelve of them send me portfolios for consideration Now it is simply a matter of deciding the right juxtaposition of style and content before these artists get their day in the BETA spotlight
The three other photographers we present for your viewing pleasure in 12 all come from the USA Only one Bear Fitzpatrick made the Critical Mass top 50 But he along with the other two Brad Carlile and Kent Krugh most definitely made my top 30 I hope you enjoy my choices
Jeff Moorfoot BIFB Creative Director BETA editor
Ballarat International Foto Biennale
6
John HayIn this series of images I have end-eavoured to capture aspects of the Australian landscape that ignore in the main the iconic and familiar destinations that are duplicated en masse but rather to seek out the lesser seen and sometimes often ignored beauty that exists from the peak of Kosciuszko to the vast des-ert regions of Australia
Kosciuszko to the Kimberley
7
8
Flinders 1
Previous Page Mount Arkaringa
9
Benambra 1
10
Karanjini 1
11
Falls 1
12
13
14
Purnalulu 2
Previous Page Kosciuszko 1
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
OFFICE ADDRESSUpstairs Mining Exchange12 Lydiard Street NorthBallarat VIC 3350
BETA developments in photographyISSUE 12editor Jeff Moorfootdesign Penelope Annecontact betaballaratfotoorg
All content in this magazine is copy 2014 of the Ballarat International Foto Biennale and participating artists and may not be reproduced without the express written permission of the BIFB Inc save for fair dealing for the purposes of research study criticism review reporting news All other rights are reserved
MEMBER FESTIVAL
POSTAL ADDRESSPO Box 41Ballarat VIC 3353Australia
T +61 3 5331 4833E infoballaratfotoorgW wwwballaratfotoorg
Assn No A0045714LABN 70496228247
6 John Hay
KOSCIUSZKO TO THE KIMBERLEY
26 Bear Kirkpatrick
PORTRAITS
46 Kent Krugh INSIDE THE GATE
66 Brad Carlile
TEMPUS INCOGNITUS
Welcome to this our twelfth edition of BETA developments in photography Maybe we can denote this as the lsquoblokersquos worldrsquo issue because the contributors are indeed all male but actually gender balance political correctness geographical location or the stage of the contributors career have never been a consideration for selection of what goes in each edition of BETA It is very much a matter of how the cards fall I always look to present a selection of portfolios that demonstrate just how diverse the art form of photography can be It is the same philosophy with which I curate the Core Program of the Ballarat Inte- rnational Foto Biennale a process of making invitations that I am well into for BIFBrsquo15 The festival will run from August 22 to September 20 2015
Sometimes I think the process would be so much easier if I were to only invite artists who work in my favourite styles Indeed I count myself privileged to be able to appreciate a wide variety of styles and genres of photography but it is always my aim to put together a
program based on what I perceive to be audience tastes Given that our audience is so diverse my dastardly plan is to put together a program in which everyone can find something they can understand and appreciatehellip So it goes with BETA developments in photography
This issue brings folios from country Victoriarsquos John Hay whose selection includes images from his current debut show at Bokeh Gallery in Daylesford The other three photographers come via an interesting online portfolio review process called lsquoCritical Massrsquo run by the Photolucida organisation in Portland Oregon Ten image online folios by 200 photographers from around the world are reviewed by more than 200 reviewers also repre- senting an international geographical spread consisting gallerists picture editors curators publishers festival directors consultants and art buyers Itrsquos a rather gruelling process viewing first the thumbnail images then read- ing the artist statement then viewing full screen individual images and
finally scoring the folio and making comments where appropriate And of course trying all the time to remain objective and fair to the artists by only reviewing folios at separate sessions with a consistent state of mind
Out of this process scores from the 200+ judges are tallied and the fifty highest scoring folios are declared the Critical Mass top 50 There is no individual winner the work of 50 photographers is promoted via an exhibition and publication Of my highest scoring folios only eight were included in the Critical mass top 50 which gives an indication of the diversity of the pre- ferences of the large reviewing panel The beauty of the process is that I have seen the works of 200 photographers [a few whose work I had previously reviewed elsewhere and four of whom have already appeared in previous BETArsquos] and irrespective if they made the top 50 they have caught my eye Of the 200 I sent invitations to 31 artists to send me a body of work for possible inclusion in future editions of BETA and already the response
has seen twelve of them send me portfolios for consideration Now it is simply a matter of deciding the right juxtaposition of style and content before these artists get their day in the BETA spotlight
The three other photographers we present for your viewing pleasure in 12 all come from the USA Only one Bear Fitzpatrick made the Critical Mass top 50 But he along with the other two Brad Carlile and Kent Krugh most definitely made my top 30 I hope you enjoy my choices
Jeff Moorfoot BIFB Creative Director BETA editor
Ballarat International Foto Biennale
6
John HayIn this series of images I have end-eavoured to capture aspects of the Australian landscape that ignore in the main the iconic and familiar destinations that are duplicated en masse but rather to seek out the lesser seen and sometimes often ignored beauty that exists from the peak of Kosciuszko to the vast des-ert regions of Australia
Kosciuszko to the Kimberley
7
8
Flinders 1
Previous Page Mount Arkaringa
9
Benambra 1
10
Karanjini 1
11
Falls 1
12
13
14
Purnalulu 2
Previous Page Kosciuszko 1
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
6 John Hay
KOSCIUSZKO TO THE KIMBERLEY
26 Bear Kirkpatrick
PORTRAITS
46 Kent Krugh INSIDE THE GATE
66 Brad Carlile
TEMPUS INCOGNITUS
Welcome to this our twelfth edition of BETA developments in photography Maybe we can denote this as the lsquoblokersquos worldrsquo issue because the contributors are indeed all male but actually gender balance political correctness geographical location or the stage of the contributors career have never been a consideration for selection of what goes in each edition of BETA It is very much a matter of how the cards fall I always look to present a selection of portfolios that demonstrate just how diverse the art form of photography can be It is the same philosophy with which I curate the Core Program of the Ballarat Inte- rnational Foto Biennale a process of making invitations that I am well into for BIFBrsquo15 The festival will run from August 22 to September 20 2015
Sometimes I think the process would be so much easier if I were to only invite artists who work in my favourite styles Indeed I count myself privileged to be able to appreciate a wide variety of styles and genres of photography but it is always my aim to put together a
program based on what I perceive to be audience tastes Given that our audience is so diverse my dastardly plan is to put together a program in which everyone can find something they can understand and appreciatehellip So it goes with BETA developments in photography
This issue brings folios from country Victoriarsquos John Hay whose selection includes images from his current debut show at Bokeh Gallery in Daylesford The other three photographers come via an interesting online portfolio review process called lsquoCritical Massrsquo run by the Photolucida organisation in Portland Oregon Ten image online folios by 200 photographers from around the world are reviewed by more than 200 reviewers also repre- senting an international geographical spread consisting gallerists picture editors curators publishers festival directors consultants and art buyers Itrsquos a rather gruelling process viewing first the thumbnail images then read- ing the artist statement then viewing full screen individual images and
finally scoring the folio and making comments where appropriate And of course trying all the time to remain objective and fair to the artists by only reviewing folios at separate sessions with a consistent state of mind
Out of this process scores from the 200+ judges are tallied and the fifty highest scoring folios are declared the Critical Mass top 50 There is no individual winner the work of 50 photographers is promoted via an exhibition and publication Of my highest scoring folios only eight were included in the Critical mass top 50 which gives an indication of the diversity of the pre- ferences of the large reviewing panel The beauty of the process is that I have seen the works of 200 photographers [a few whose work I had previously reviewed elsewhere and four of whom have already appeared in previous BETArsquos] and irrespective if they made the top 50 they have caught my eye Of the 200 I sent invitations to 31 artists to send me a body of work for possible inclusion in future editions of BETA and already the response
has seen twelve of them send me portfolios for consideration Now it is simply a matter of deciding the right juxtaposition of style and content before these artists get their day in the BETA spotlight
The three other photographers we present for your viewing pleasure in 12 all come from the USA Only one Bear Fitzpatrick made the Critical Mass top 50 But he along with the other two Brad Carlile and Kent Krugh most definitely made my top 30 I hope you enjoy my choices
Jeff Moorfoot BIFB Creative Director BETA editor
Ballarat International Foto Biennale
6
John HayIn this series of images I have end-eavoured to capture aspects of the Australian landscape that ignore in the main the iconic and familiar destinations that are duplicated en masse but rather to seek out the lesser seen and sometimes often ignored beauty that exists from the peak of Kosciuszko to the vast des-ert regions of Australia
Kosciuszko to the Kimberley
7
8
Flinders 1
Previous Page Mount Arkaringa
9
Benambra 1
10
Karanjini 1
11
Falls 1
12
13
14
Purnalulu 2
Previous Page Kosciuszko 1
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
Welcome to this our twelfth edition of BETA developments in photography Maybe we can denote this as the lsquoblokersquos worldrsquo issue because the contributors are indeed all male but actually gender balance political correctness geographical location or the stage of the contributors career have never been a consideration for selection of what goes in each edition of BETA It is very much a matter of how the cards fall I always look to present a selection of portfolios that demonstrate just how diverse the art form of photography can be It is the same philosophy with which I curate the Core Program of the Ballarat Inte- rnational Foto Biennale a process of making invitations that I am well into for BIFBrsquo15 The festival will run from August 22 to September 20 2015
Sometimes I think the process would be so much easier if I were to only invite artists who work in my favourite styles Indeed I count myself privileged to be able to appreciate a wide variety of styles and genres of photography but it is always my aim to put together a
program based on what I perceive to be audience tastes Given that our audience is so diverse my dastardly plan is to put together a program in which everyone can find something they can understand and appreciatehellip So it goes with BETA developments in photography
This issue brings folios from country Victoriarsquos John Hay whose selection includes images from his current debut show at Bokeh Gallery in Daylesford The other three photographers come via an interesting online portfolio review process called lsquoCritical Massrsquo run by the Photolucida organisation in Portland Oregon Ten image online folios by 200 photographers from around the world are reviewed by more than 200 reviewers also repre- senting an international geographical spread consisting gallerists picture editors curators publishers festival directors consultants and art buyers Itrsquos a rather gruelling process viewing first the thumbnail images then read- ing the artist statement then viewing full screen individual images and
finally scoring the folio and making comments where appropriate And of course trying all the time to remain objective and fair to the artists by only reviewing folios at separate sessions with a consistent state of mind
Out of this process scores from the 200+ judges are tallied and the fifty highest scoring folios are declared the Critical Mass top 50 There is no individual winner the work of 50 photographers is promoted via an exhibition and publication Of my highest scoring folios only eight were included in the Critical mass top 50 which gives an indication of the diversity of the pre- ferences of the large reviewing panel The beauty of the process is that I have seen the works of 200 photographers [a few whose work I had previously reviewed elsewhere and four of whom have already appeared in previous BETArsquos] and irrespective if they made the top 50 they have caught my eye Of the 200 I sent invitations to 31 artists to send me a body of work for possible inclusion in future editions of BETA and already the response
has seen twelve of them send me portfolios for consideration Now it is simply a matter of deciding the right juxtaposition of style and content before these artists get their day in the BETA spotlight
The three other photographers we present for your viewing pleasure in 12 all come from the USA Only one Bear Fitzpatrick made the Critical Mass top 50 But he along with the other two Brad Carlile and Kent Krugh most definitely made my top 30 I hope you enjoy my choices
Jeff Moorfoot BIFB Creative Director BETA editor
Ballarat International Foto Biennale
6
John HayIn this series of images I have end-eavoured to capture aspects of the Australian landscape that ignore in the main the iconic and familiar destinations that are duplicated en masse but rather to seek out the lesser seen and sometimes often ignored beauty that exists from the peak of Kosciuszko to the vast des-ert regions of Australia
Kosciuszko to the Kimberley
7
8
Flinders 1
Previous Page Mount Arkaringa
9
Benambra 1
10
Karanjini 1
11
Falls 1
12
13
14
Purnalulu 2
Previous Page Kosciuszko 1
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
finally scoring the folio and making comments where appropriate And of course trying all the time to remain objective and fair to the artists by only reviewing folios at separate sessions with a consistent state of mind
Out of this process scores from the 200+ judges are tallied and the fifty highest scoring folios are declared the Critical Mass top 50 There is no individual winner the work of 50 photographers is promoted via an exhibition and publication Of my highest scoring folios only eight were included in the Critical mass top 50 which gives an indication of the diversity of the pre- ferences of the large reviewing panel The beauty of the process is that I have seen the works of 200 photographers [a few whose work I had previously reviewed elsewhere and four of whom have already appeared in previous BETArsquos] and irrespective if they made the top 50 they have caught my eye Of the 200 I sent invitations to 31 artists to send me a body of work for possible inclusion in future editions of BETA and already the response
has seen twelve of them send me portfolios for consideration Now it is simply a matter of deciding the right juxtaposition of style and content before these artists get their day in the BETA spotlight
The three other photographers we present for your viewing pleasure in 12 all come from the USA Only one Bear Fitzpatrick made the Critical Mass top 50 But he along with the other two Brad Carlile and Kent Krugh most definitely made my top 30 I hope you enjoy my choices
Jeff Moorfoot BIFB Creative Director BETA editor
Ballarat International Foto Biennale
6
John HayIn this series of images I have end-eavoured to capture aspects of the Australian landscape that ignore in the main the iconic and familiar destinations that are duplicated en masse but rather to seek out the lesser seen and sometimes often ignored beauty that exists from the peak of Kosciuszko to the vast des-ert regions of Australia
Kosciuszko to the Kimberley
7
8
Flinders 1
Previous Page Mount Arkaringa
9
Benambra 1
10
Karanjini 1
11
Falls 1
12
13
14
Purnalulu 2
Previous Page Kosciuszko 1
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
6
John HayIn this series of images I have end-eavoured to capture aspects of the Australian landscape that ignore in the main the iconic and familiar destinations that are duplicated en masse but rather to seek out the lesser seen and sometimes often ignored beauty that exists from the peak of Kosciuszko to the vast des-ert regions of Australia
Kosciuszko to the Kimberley
7
8
Flinders 1
Previous Page Mount Arkaringa
9
Benambra 1
10
Karanjini 1
11
Falls 1
12
13
14
Purnalulu 2
Previous Page Kosciuszko 1
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
7
8
Flinders 1
Previous Page Mount Arkaringa
9
Benambra 1
10
Karanjini 1
11
Falls 1
12
13
14
Purnalulu 2
Previous Page Kosciuszko 1
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
8
Flinders 1
Previous Page Mount Arkaringa
9
Benambra 1
10
Karanjini 1
11
Falls 1
12
13
14
Purnalulu 2
Previous Page Kosciuszko 1
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
9
Benambra 1
10
Karanjini 1
11
Falls 1
12
13
14
Purnalulu 2
Previous Page Kosciuszko 1
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
10
Karanjini 1
11
Falls 1
12
13
14
Purnalulu 2
Previous Page Kosciuszko 1
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
11
Falls 1
12
13
14
Purnalulu 2
Previous Page Kosciuszko 1
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
12
13
14
Purnalulu 2
Previous Page Kosciuszko 1
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
13
14
Purnalulu 2
Previous Page Kosciuszko 1
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
14
Purnalulu 2
Previous Page Kosciuszko 1
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
15
Canning 1
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
16
Disappointment 2
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
17
Canning Dune
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
18
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
19
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
20
Canning 3
Previous Page Painted Desert 1
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
21
Canning 2
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
22
Bungles
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
23
Disappointment 1
Next Page Purnalulu 1
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
24
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
25
In 1999 he changed direction and moved into teaching at RMIT University firstly as a sessional teacher and then as a full time lecturer in the then prest- igious BA photography program In 2009 he retired and decided that after a career based around the image requirements of others it was time to create images for himself After five years of numerous trips into the Aust- ralian outback and high country this journey of discovery has led him to his first solo exhibition lsquoKosciuszko to the Kimberleyrsquo
John Hayrsquos photographic career began studying at RMIT for what was then a Diploma of Illustrative Photography completing third year in 1974 He then began professional practice in the area of audio-visuals and moved to mag- azines in 1976 He took the opportunity in 1977 to work as assistant to John Street a high profile advertising photo- grapher in Melbourne for one year
After a year overseas Hay established his own business and chose to pursue an editorial client base working for Vogue Australia Vogue Living Vogue Entertaining and Gourmet Traveller These clients were the mainstay of his career for two decades along with an advertising clientele and numerous cookbooks for most of the major publishers of that period
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
26
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
27
Bear KirkpatrickPortraits
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
28
Carole
Previous Page Ashley - The Triumph of Death
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
29
I define my imagery as evidence documents of past and present human psychological states I am presently working to develop a model to prove that acquired char- acteristics are not only inheritable as a result of natural selection and artificial selection but also as the result of psychological selection as created by the environmental pressure of human memory
Collin - The Birth of Venus
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
30
Ashley - The Graden of Earthly Delights
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
31
Lena
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
32
Nicole - After the Master of St Veronica
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
33
Francis - Charles Wilson Peale
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
34
Jessica - The Elizabeth Phoenix
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
35
Margaret The Winter Skaters
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
36
Leigh - The Mockingbird Nest
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
37
Kathryn - Burgoynersquos Surrender
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
38
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
39
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
40
Mija - Ogata Korin
Previous Page Marianne
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
41
Samuel
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
42
Nikole - Adoration of the Mystic Lamb
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
43
Taryn
Next Page Terry - The Temptation of St Anthony
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
44
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
45
Bear Kirkpatrickrsquos forbearers were an ad hoc mixture of adventurer-navigators naturalists whalers Puritans dissidents judges and witches He was born in the American south to a mother of Brahmin Boston stock and to a father who at the time was several days away from sent across the world to war in the jungles of Southeast Asia Bearrsquos upbringing was scattered across the Eastern seaboard resting longest on a farm in New Hampshire during his teen years where he learned the survival skills of tracking fishing and hunting He was educated at Phillips Exeter Academy the University of Michigan and the University of Massachusetts Amherst He has made his living by turns as a stone wall builder roofer bookkeeper furniture builder and video art installer
His work has been exhibited at Daniel Cooney Fine Art 555 Gallery Flowers Gallery the Center for Fine Art Photography Corden-Potts Rayko photo-eye Gallery Houston Center for Photography wall space Gallery Drift Bowersock Gallery and the Corey Daniels Gallery
His work has been honored with the 2013 Critical Mass Finalist Selection the NH Charitable Foundations Artist Advancement Grant Amy Arbusrsquo Curatorrsquos Selection at The Center for Fine Art Photographyrsquos 2014 Portraits Exhibition and with 3 International Photography Awards
His solo exhibition of portraits is cur- rently on display at The Center for Fine Art Photography and he has forthcoming solo exhibitions at jdc Fine Art in San Diego and 555 Gallery in Boston
website bearkirkpatrickcom
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
46
Kent KrughInside The Gate
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
47
These portraits of trees are photo- montages and by virtue of the process used to create them can be considered ldquoinverse panoramasrdquo I have at times considered these images as from a divine perspective or vantage point It is as if one crosses through a gate or threshold into another realm spiritual per- haps where time and space are collapsed From the perspective of the tree they also represent a passage of events and time
When I select and emphasize the individual tree my intention is to open a gate and allow the viewer
to listen and explore and perhaps relate to the central figure in ways not before understood or realized Similar to us in its branching arterial-like symmetry is there another way to appreciate a tree John Ernest Phythian reminds us that ldquoIt is not by pretending the trees to be human that we can become and continue keenly inter- ested in them but by seeing and feeling both their likeness to us and their difference from usrdquo Why are we so similar and why are we drawn so to the tree
In the making of these images I am attracted to the tree by its form size and setting Often while driving I spot a candidate to photograph and debate in my mind if I want to pull over and wade through the wet grass or simply continue home It is the potential for that next interesting and mysterious print that drives my ambition to collect more images Another tree for the collection Another window into creation
Left Higher Ground Cedar Miami Whitewater Forest Bald Cypress
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
48
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
49
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
50
Springfiled Township Shagbark Hickory
Previous Page St Marys Fairfield Chinese Elm
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
51
Springfield Township Shagbark Hickory Winter
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
52
Eden Park White Oak No 2
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
53
Heritage Park Poplar
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
54
Spring Grove Staghorn Sumac
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
55
Spring Grove Beech
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
56
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
57
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
58
Spring Grove Elm
Previous Page St Marys Fairfield Holly
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
59
Heritage Park Mulberry No 2
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
60
Higher Ground Ash
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
61
St Marys Fairfield Eastern Red Cedar No 2
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
62
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
63
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
64
Fitton Center Upright English Oak
Blackcreek Township Ash with Poison IvyPrevious Page Mt Auburn Tree of Heaven
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
65
Kent Krugh is a fine art photogra- pher living and working in Greater Cincinnati OH Ten years ago he began to study photography seriously first taking classes with academic professionals locally and then attending workshops in alternative processes with Dan Burkholder and Craig Barber He has received numerous awards in national and international print and portfolio competitions and was a Photolucida 2012 Critical Mass Finalist
His work has been exhibited in numerous national and inter- national group and solo venues including a solo exhibition of ldquoInside the Gaterdquo at Blue Sky Gallery in Portland OR In 2013 at the invitation of curator Juan Alberto Gaviria Krugh exhibited ldquoInside the Gaterdquo in several venues for ZOOMFEST 2013 in Medellin Columbia South America He also taught workshops in collaboration with Colegiatura Colombiana del Disentildeo Fundacion Universitaria de Bellas Artes and Centro Colombo Americano under the auspices of the Universidad de Antioquia
Krughrsquos photography has been exhibited at three major festivals during the past four years Fringe Festival 2010 Cincinnati OH FotoFest Biennial 2012 Houston TX and FotoFocus Biennial 2012 Cincinnati OH His work appears in numerous catalogs as well as the 1st International Photography Annual (INPHA 1) published by Manifest Press 2012
website kentkrughcom
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
66
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
67
Brad Carlile
Tempus Incognitus
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
68
lsquoTempus Incognitusrsquo is a series of large-scale color photographs of hotel rooms that invite the viewer to imagine the multitude of human emotions played out within their confines Despite the fact that globalization has homogenized our interior enviro- nments the stories that have taken place within these rooms are unique By utilizing a labor- intensive technique to capture the evolution of light I emphasize the change of time in vivid even
lurid colors Think of Edward Hopper interiors awash in James Turrell colors with David Lynch directing
lsquoTempus Incognitusrsquo records the days transitional times and shows them existing concurrently The Cubists painted individual scenes from several different perspectives at once In this series I photo- graph individual rooms at several different times of day from a single perspective
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
69
This series has conceptual under- pinnings There are rules that combine the element of chance in these environments with pred- etermined rules that provide underlying parameters for this process Multiple exposures are shot over 2 or more days and images are created in camera and on film with no digital manipul- ation Each image is composed of 3-9 exposures Only the light in the room is used to create the images ndash no colored bulbs or
gels are used Exposures are shot only at pre-determined times in the day with no allowance for waiting for perfect light I must adjust to the particular light given the confines of this schedule
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
70
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
71
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
72
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
73
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
74
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
75
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
80
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
81
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Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
82
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87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
83
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87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
84
85
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87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
85
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
86
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
87
Brad Carlile lives in both Portland Oregon and New York City He has exhibited at MoMA Rio de Janeiro (in collection) Guatemala Germany Austria Qatar China Argentina and over 60 shows in the USA Bradrsquos 2014 solo show was part of the 25th Encuentros Abiertos - Festival de la Luz in Buenos Aires Argentina His 2011 solo show was chosen as Portlandrsquos best art photography show for the year
In 2014 he was recognized as PDN photo annual winner In 2009 he was chosen as a winner in the prestigious Hearst 8x10 Photography Biennial He has won over 14 fine-art photographic awards In the Fall of 2011 an article on his work was published in Exposure the Journal of the Society for Photo- graphic Education (SPE)
Bradrsquos work can also be seen at the George Billis Gallery in Los Angeles
website bradcarlilecom
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
wwwphotobookmelbourneorg
ENTER NOW
MOMENTO PRO AUSTRALIAN PHOTO BOOK OF THE YEAR AWARD $12000 in prizes
