developments in photography

07JANUARY 2014

2

Office AddRessUpstairs Mining exchange12 Lydiard street NorthBallarat Vic 3350

BETA developments in photographyISSUE 07editor Jeff Moorfootdesign Penelope Annecontact betaballaratfotoorgweb betaorgau

All content in this magazine is copy 2014 of the Ballarat international foto Biennale and participating artists and may not be reproduced without the express written permission of the BifB inc save for fair dealing for the purposes of research study criticism review reporting news All other rights are reserved

MeMBeR fesTiVAL

POsTAL AddRessPO Box 41Ballarat Vic 3353Australia

T +61 3 5331 4833e infoballaratfotoorgW wwwballaratfotoorg

Assn No A0045714LABN 70496228247

2

Office AddRessUpstairs Mining exchange12 Lydiard street NorthBallarat Vic 3350

BETA developments in photographyISSUE 07editor Jeff Moorfootdesign Penelope Annecontact betaballaratfotoorgweb betaorgau

All content in this magazine is copy 2014 of the Ballarat international foto Biennale and participating artists and may not be reproduced without the express written permission of the BifB inc save for fair dealing for the purposes of research study criticism review reporting news All other rights are reserved

MeMBeR fesTiVAL

POsTAL AddRessPO Box 41Ballarat Vic 3353Australia

T +61 3 5331 4833e infoballaratfotoorgW wwwballaratfotoorg

Assn No A0045714LABN 70496228247

6 Emma Stoneman

ARCHITECTONIC

26Gary Sheppard

AIR CRAFT

46 Simona Bonanno

THE INNER INVISIBLE

66 Craig Holloway

ABANDONED PLACES

86

Nathan Miller NOTES FROM THE MISSISSIPPI DELTA

4

Welcome to the seventh edition of BeTA - developments in photography in this issue we feature the work of five artists who featured in the various supporting programs of the Ballarat international foto Biennale 2013

BifBrsquo13 ran from August 20th to september The festival comprised 235 separate events and exhibited an estimated 8100 images by 777 artists from all over Australia and around the world A fairly hefty bunch of statistics even if we do say so ourselves The BifB continues to demonstrate itself as one of the most significant festivals of photography in the southernHemisphere with audience numbers up 21 over figures for the 2011 eventLikewise our online magazine readership continues to increase in parallel and we aim to maintain the presen- tation of extended photographic portfolios in the pages of BeTA ndash developments in photography for your continuing enjoyment

in this issue we present two artists who showed in the BifBrsquo13 fringe Ballarat photographer craig Holl-owayrsquos lsquoAbandoned Placesrsquo is an ongoing project documenting stru-

ctures whose use by date has come and gone One reads from his images that it appears the rate of deterioration is exponentially linked to the relative youth of the subject matterhellip a comment on our society perhaps

emma stoneman has participated in the fringe at every festival since 2007 as part of the Yum duo in cahoots with emma Mccuskey This time she flew solo with her show lsquoArchitectoicrsquo which examined the built environment from an entirely different perspective Her assembled images offer archit-ecture as a symbolic representation of the human form a fluid mass constructed around a solid spine

07 also features two artist who featured in the BifBrsquo13 Projections Loop ndash a five hour program of audio visuals that played continuously in the Art Gallery of Ballarat throughout the festival

Nathan Millerrsquos lsquoNotes From the Mississippi Deltarsquo is a pictorial essay that resonates with all of the iconic aspects of the deep south of the UsA The blues faith race death justice and haircuts all get a guernsey as his lens takes us on a languid road trip through the Mississippi delta

5

i will take over the editorial role while our BifB design intern Penny crabtree will take care of the look and feel of the magazine without making any radical changes - lsquoif it ainrsquot broke donrsquot fix itrsquo

We look forward to the continuing support of you our readers and to building our audience by presenting more of the diversity that mirrors the philosophy of the Ballarat international foto Biennale And of course we invite artists from all photographic genres to submit well developed bodies of work for consideration of possible inclusion in future editions of BeTA ndash developments in photography

And so it leaves only for me to wish you all the best for the holiday season and to look forward to renewing out acquaintance in the pages of BeTA ndash developments in photography 08

Jeff Moorfoot festival director

Ballarat international foto Biennale

from italy simona Bonanno presents her mesmerising exercise in gestalt lsquoThe inner invisiblersquo a beautiful sym- phony of colour realised with the simplest of concepts but executed with the eye of an artist

And finally we present the slick high tech aircraft images from Gary shep- pardrsquos entry lsquoAirrsquo into the Blurb sponsored lsquoOne for the Booksrsquo prize for self published photographic books As sheppard states in his intro lsquoForm follows functionrsquo hellip it doesnrsquot matter how good it looks if it doesnrsquot work A maxim of critical importance to the aircraft industry and pretty much to life itself

issue seven also sees us farewelling BeTA - developments in photography editor and designer Heidi Romano who nursed BeTA from the start and established a design aesthetic that has mirrored the quality of the visual essays that have featured in our first six editions Heidi feels it is time that she moved on to develop other pers- onal projects and promote her own business We thank her for her signific- ant contribution to BeTA and wish her all the best in her future endeavours

6

ARCHITECTONICEmma Stoneman

These works form part of an on-going investigation examining the poetic forms of human-made struc-tures (architectural industrial and civil infrastructure) Predominantly photographic based compositions are utilised as a vehicle to explore and study the allegorical relationship and comparisons between the built environment and the human body ndash with the function and structure of the spine a major focus

This series of abstract assemblages comprising of architectural images (many derived from iconic modern and post-modern buildings) explore issues of postural alignment and the anatomical structure of the spinal system Whilst rigid built forms and the organic human skeletal frame-work may seem at odds these works examine the common mechanisms and construct a symbolic relationship between the two

7

8

9

Kyphosis and Lordosis [convex backwards and forwards] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Neuer Zollhof Dusseldorf | Architect Frank Gehry]

10

11

12

13

Oblique to axis [C2] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Bauhaus Building - Prellerhaus Dessau | Architect Walter Gropius]

14

15

Radiograph Reflexion 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Hotel Inntel Rotterdam | Architect Tuns + Horsting Architecten]

17

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

4

Welcome to the seventh edition of BeTA - developments in photography in this issue we feature the work of five artists who featured in the various supporting programs of the Ballarat international foto Biennale 2013

BifBrsquo13 ran from August 20th to september The festival comprised 235 separate events and exhibited an estimated 8100 images by 777 artists from all over Australia and around the world A fairly hefty bunch of statistics even if we do say so ourselves The BifB continues to demonstrate itself as one of the most significant festivals of photography in the southernHemisphere with audience numbers up 21 over figures for the 2011 eventLikewise our online magazine readership continues to increase in parallel and we aim to maintain the presen- tation of extended photographic portfolios in the pages of BeTA ndash developments in photography for your continuing enjoyment

in this issue we present two artists who showed in the BifBrsquo13 fringe Ballarat photographer craig Holl-owayrsquos lsquoAbandoned Placesrsquo is an ongoing project documenting stru-

ctures whose use by date has come and gone One reads from his images that it appears the rate of deterioration is exponentially linked to the relative youth of the subject matterhellip a comment on our society perhaps

emma stoneman has participated in the fringe at every festival since 2007 as part of the Yum duo in cahoots with emma Mccuskey This time she flew solo with her show lsquoArchitectoicrsquo which examined the built environment from an entirely different perspective Her assembled images offer archit-ecture as a symbolic representation of the human form a fluid mass constructed around a solid spine

07 also features two artist who featured in the BifBrsquo13 Projections Loop ndash a five hour program of audio visuals that played continuously in the Art Gallery of Ballarat throughout the festival

Nathan Millerrsquos lsquoNotes From the Mississippi Deltarsquo is a pictorial essay that resonates with all of the iconic aspects of the deep south of the UsA The blues faith race death justice and haircuts all get a guernsey as his lens takes us on a languid road trip through the Mississippi delta

5

i will take over the editorial role while our BifB design intern Penny crabtree will take care of the look and feel of the magazine without making any radical changes - lsquoif it ainrsquot broke donrsquot fix itrsquo

We look forward to the continuing support of you our readers and to building our audience by presenting more of the diversity that mirrors the philosophy of the Ballarat international foto Biennale And of course we invite artists from all photographic genres to submit well developed bodies of work for consideration of possible inclusion in future editions of BeTA ndash developments in photography

And so it leaves only for me to wish you all the best for the holiday season and to look forward to renewing out acquaintance in the pages of BeTA ndash developments in photography 08

Jeff Moorfoot festival director

Ballarat international foto Biennale

from italy simona Bonanno presents her mesmerising exercise in gestalt lsquoThe inner invisiblersquo a beautiful sym- phony of colour realised with the simplest of concepts but executed with the eye of an artist

And finally we present the slick high tech aircraft images from Gary shep- pardrsquos entry lsquoAirrsquo into the Blurb sponsored lsquoOne for the Booksrsquo prize for self published photographic books As sheppard states in his intro lsquoForm follows functionrsquo hellip it doesnrsquot matter how good it looks if it doesnrsquot work A maxim of critical importance to the aircraft industry and pretty much to life itself

issue seven also sees us farewelling BeTA - developments in photography editor and designer Heidi Romano who nursed BeTA from the start and established a design aesthetic that has mirrored the quality of the visual essays that have featured in our first six editions Heidi feels it is time that she moved on to develop other pers- onal projects and promote her own business We thank her for her signific- ant contribution to BeTA and wish her all the best in her future endeavours

6

ARCHITECTONICEmma Stoneman

These works form part of an on-going investigation examining the poetic forms of human-made struc-tures (architectural industrial and civil infrastructure) Predominantly photographic based compositions are utilised as a vehicle to explore and study the allegorical relationship and comparisons between the built environment and the human body ndash with the function and structure of the spine a major focus

This series of abstract assemblages comprising of architectural images (many derived from iconic modern and post-modern buildings) explore issues of postural alignment and the anatomical structure of the spinal system Whilst rigid built forms and the organic human skeletal frame-work may seem at odds these works examine the common mechanisms and construct a symbolic relationship between the two

7

8

9

Kyphosis and Lordosis [convex backwards and forwards] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Neuer Zollhof Dusseldorf | Architect Frank Gehry]

10

11

12

13

Oblique to axis [C2] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Bauhaus Building - Prellerhaus Dessau | Architect Walter Gropius]

14

15

Radiograph Reflexion 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Hotel Inntel Rotterdam | Architect Tuns + Horsting Architecten]

17

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

5

i will take over the editorial role while our BifB design intern Penny crabtree will take care of the look and feel of the magazine without making any radical changes - lsquoif it ainrsquot broke donrsquot fix itrsquo

We look forward to the continuing support of you our readers and to building our audience by presenting more of the diversity that mirrors the philosophy of the Ballarat international foto Biennale And of course we invite artists from all photographic genres to submit well developed bodies of work for consideration of possible inclusion in future editions of BeTA ndash developments in photography

And so it leaves only for me to wish you all the best for the holiday season and to look forward to renewing out acquaintance in the pages of BeTA ndash developments in photography 08

Jeff Moorfoot festival director

Ballarat international foto Biennale

from italy simona Bonanno presents her mesmerising exercise in gestalt lsquoThe inner invisiblersquo a beautiful sym- phony of colour realised with the simplest of concepts but executed with the eye of an artist

And finally we present the slick high tech aircraft images from Gary shep- pardrsquos entry lsquoAirrsquo into the Blurb sponsored lsquoOne for the Booksrsquo prize for self published photographic books As sheppard states in his intro lsquoForm follows functionrsquo hellip it doesnrsquot matter how good it looks if it doesnrsquot work A maxim of critical importance to the aircraft industry and pretty much to life itself

issue seven also sees us farewelling BeTA - developments in photography editor and designer Heidi Romano who nursed BeTA from the start and established a design aesthetic that has mirrored the quality of the visual essays that have featured in our first six editions Heidi feels it is time that she moved on to develop other pers- onal projects and promote her own business We thank her for her signific- ant contribution to BeTA and wish her all the best in her future endeavours

6

ARCHITECTONICEmma Stoneman

These works form part of an on-going investigation examining the poetic forms of human-made struc-tures (architectural industrial and civil infrastructure) Predominantly photographic based compositions are utilised as a vehicle to explore and study the allegorical relationship and comparisons between the built environment and the human body ndash with the function and structure of the spine a major focus

This series of abstract assemblages comprising of architectural images (many derived from iconic modern and post-modern buildings) explore issues of postural alignment and the anatomical structure of the spinal system Whilst rigid built forms and the organic human skeletal frame-work may seem at odds these works examine the common mechanisms and construct a symbolic relationship between the two

7

8

9

Kyphosis and Lordosis [convex backwards and forwards] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Neuer Zollhof Dusseldorf | Architect Frank Gehry]

10

11

12

13

Oblique to axis [C2] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Bauhaus Building - Prellerhaus Dessau | Architect Walter Gropius]

14

15

Radiograph Reflexion 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Hotel Inntel Rotterdam | Architect Tuns + Horsting Architecten]

17

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

6

ARCHITECTONICEmma Stoneman

These works form part of an on-going investigation examining the poetic forms of human-made struc-tures (architectural industrial and civil infrastructure) Predominantly photographic based compositions are utilised as a vehicle to explore and study the allegorical relationship and comparisons between the built environment and the human body ndash with the function and structure of the spine a major focus

This series of abstract assemblages comprising of architectural images (many derived from iconic modern and post-modern buildings) explore issues of postural alignment and the anatomical structure of the spinal system Whilst rigid built forms and the organic human skeletal frame-work may seem at odds these works examine the common mechanisms and construct a symbolic relationship between the two

7

8

9

Kyphosis and Lordosis [convex backwards and forwards] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Neuer Zollhof Dusseldorf | Architect Frank Gehry]

10

11

12

13

Oblique to axis [C2] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Bauhaus Building - Prellerhaus Dessau | Architect Walter Gropius]

14

15

Radiograph Reflexion 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Hotel Inntel Rotterdam | Architect Tuns + Horsting Architecten]

17

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

7

8

9

Kyphosis and Lordosis [convex backwards and forwards] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Neuer Zollhof Dusseldorf | Architect Frank Gehry]

10

11

12

13

Oblique to axis [C2] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Bauhaus Building - Prellerhaus Dessau | Architect Walter Gropius]

14

15

Radiograph Reflexion 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Hotel Inntel Rotterdam | Architect Tuns + Horsting Architecten]

17

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

8

9

Kyphosis and Lordosis [convex backwards and forwards] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Neuer Zollhof Dusseldorf | Architect Frank Gehry]

10

11

12

13

Oblique to axis [C2] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Bauhaus Building - Prellerhaus Dessau | Architect Walter Gropius]

14

15

Radiograph Reflexion 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Hotel Inntel Rotterdam | Architect Tuns + Horsting Architecten]

17

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

9

Kyphosis and Lordosis [convex backwards and forwards] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Neuer Zollhof Dusseldorf | Architect Frank Gehry]

10

11

12

13

Oblique to axis [C2] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Bauhaus Building - Prellerhaus Dessau | Architect Walter Gropius]

14

15

Radiograph Reflexion 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Hotel Inntel Rotterdam | Architect Tuns + Horsting Architecten]

17

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

10

11

12

13

Oblique to axis [C2] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Bauhaus Building - Prellerhaus Dessau | Architect Walter Gropius]

14

15

Radiograph Reflexion 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Hotel Inntel Rotterdam | Architect Tuns + Horsting Architecten]

17

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

11

12

13

Oblique to axis [C2] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Bauhaus Building - Prellerhaus Dessau | Architect Walter Gropius]

14

15

Radiograph Reflexion 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Hotel Inntel Rotterdam | Architect Tuns + Horsting Architecten]

17

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

12

13

Oblique to axis [C2] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Bauhaus Building - Prellerhaus Dessau | Architect Walter Gropius]

14

15

Radiograph Reflexion 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Hotel Inntel Rotterdam | Architect Tuns + Horsting Architecten]

17

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

13

Oblique to axis [C2] 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Bauhaus Building - Prellerhaus Dessau | Architect Walter Gropius]

14

15

Radiograph Reflexion 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Hotel Inntel Rotterdam | Architect Tuns + Horsting Architecten]

17

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

14

15

Radiograph Reflexion 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Hotel Inntel Rotterdam | Architect Tuns + Horsting Architecten]

17

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

15

Radiograph Reflexion 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Hotel Inntel Rotterdam | Architect Tuns + Horsting Architecten]

17

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

17

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

18

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

19

Skeletal strength - compressive and tensile 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Liegravege-Guillemins Railway Station | Architect Santiago Calatrava]

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

20

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

21

Static posture with restricted movement 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 1120mm wide Edition 3

[Building Bauhaus Building Dessau | Architect Walter Gropius]

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

33

35

36

37

38

39

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

22

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

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show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

23

Strength and Fragility 2013 Archival giclee print - pigment ink on cotton rag paper

915mm high x 915mm wide Edition 3

[Building Sony Center Berlin | Architect Helmut Jahn]

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

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show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

24

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

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show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

25

Emma Stoneman

emma stoneman was born in creswick Victoria and completed her undergraduate studies in Visual Arts (majoring in Printmaking) at the University of Ballarat she undertook her honours degree in fine Arts (Printmaking) at RMiT University Melbourne After working within the photographic marketing industry for numerous years she returned to study Building design following a growing interest in architecture and increasing use of architectural imagery and elements in her artworks she is currently employed in the architectural field and this work informs influences and shapes her arts practice

Photographic imagery has been a constant throughout emmarsquos artwork which has been regularly exhibited both within the orthodox gallery environment and in non-traditional settings such as commercial and public venues - including site-spcific works in outdoor civic spaces Her works are held in the collections of the National Library of Australia University of Ballarat and private collections in Australia New Zealand and Germany

during 2013 emma stoneman has been Artist-in-Residence at the Arts Academy school of education and Arts University of Ballarat developing a body of work - part of which was exhibited in the fringe Program of the Ballarat international foto Biennale 2013

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

30

31

32

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37

38

39

40

41

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45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

26

AIR CRAFTGary Sheppard

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

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show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

27

they all need a motive force and itrsquos interesting to see how engines have evolved from the slow oily primitive propeller designs of the early 20th century to the immensely powerful efficient engines of today Notable in the case of modern jet engines are the different shapes and forms that they can take All performing the same basic propulsive function but each type slightly modified for its purpose i hope you enjoy this collection of images showing how the craft and science of aeroplane manufacture combine immense power intricate design and technological evolution to further enhance the miracle of flight

Gary sheppard

Form Follows Function

With modern technology as in the natural world form follows function and aircraft design is no exception it gradually evolves over long periods of time to efficiently fill whichever niche it is allocated The more you look at details of aircraft the more parallels you can draw to nature and the way animals have adapted to fit their roles The lumbering bulk of A c17 Globemaster 111 might be likened to a whale of the skies while the deadly lightly built and nimble f16 fighter perhaps to a cheetah Not sure what The heavier more powerful and stealthy f22 could be [leopard perhaps] but itrsquos fun to speculate No matter what their role be they organisms or aircraft

28

29

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31

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38

39

40

41

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show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

28

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show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

29

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show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

30

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show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

31

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show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

32

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show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

33

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show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

35

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show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

36

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show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

37

38

39

40

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45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

38

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show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

39

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41

43

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45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

40

41

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

41

43

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45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

43

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

44

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

45

show dampAd London international AWARd etc i am a founding member of AcMP and an AiPP Master of Photography My philosophy is simple the key to great advertising photography isnrsquot to just have highly tuned technical skills but moreover the ability to visually and conceptually enhance an idea in the world of ad-vertising the concept is king and a good photographer brings some-thing to the table beyond the simple ability to take a photo Whether you tell that story in 160th of a second still or in a 60 second TVc itrsquos the narrative and itrsquos connection to hu-manity that is the bedrock on which successful communication is basedrsquo

Gary sheppard is and advertising photographer and TV commercial director based in sydney

website garysheppardcom

lsquoitrsquos strange and wonderful the way life twists and turns A path through an undiscovered country where a chance meeting can skew your journey in a totally different direction it was just such an encounter that saw my path diverge from environmental science to photography As a child irsquod always had a fascination with the visual Toy microscopes and telescopes allowed me to push natural limitations and take an alternative view of the world But years later it was that chance encounter that introduced me to photography allowing me to pursue my interest

Honing my skills over the last two decades has been an amazing expe- rience itrsquos these skills and experience that has seen me working on major campaigns both in Australia and overseas while garnering a host of awards from cannes clio One

46

THE INNER INVISIBLESimona Bonnano

ldquohellip A feeling that can not be seen that does not appear in our ldquovisual

horizon of the worldrdquo but is felt and experienced from the insiderdquo

- M Henry

47

My place sicily gives me light and inspiration The square visions are like windows on reversed Medit-erraneanrsquos seascapes where the intimate feelings are fixed and every connection with real is lost Part of my inspiration comes from the theory of Kandinsky - colors like expression of states of being - and also from the big paintings of Mark Rothko - with his large fields of colors The inner invisible is first a dream a bright vision i imagined all the possible colors of the sea and the sky colors that i have known since i was a child that depend on several factors season weather and humidity and not just on the hours of day Only after this process do i shoot the photographs The camera is just the media which realizes and fixes my mental visions

This feeling finds its expressive and symbolic function in colour placing emphasis on emotion colour becomes a communicative bridge between human beings and the outside world a reflection of spirit-ual balance that allows one to ldquofeelrdquo the invisible Where light meets colour in a reversed horizon where perception of the ldquoknownrdquo is lost it is there that human beings find their innermost need combining intimate harmony and spirituality in the abst- ract song of colour and lines colours are like moods the sea and the sky vehicles of intimate feelings here they become fields of colour The most intimate unknown finds itrsquos voice in overturning what is real deconstruct- ing a known landscape across what seems our own interior necessity

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Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

47

My place sicily gives me light and inspiration The square visions are like windows on reversed Medit-erraneanrsquos seascapes where the intimate feelings are fixed and every connection with real is lost Part of my inspiration comes from the theory of Kandinsky - colors like expression of states of being - and also from the big paintings of Mark Rothko - with his large fields of colors The inner invisible is first a dream a bright vision i imagined all the possible colors of the sea and the sky colors that i have known since i was a child that depend on several factors season weather and humidity and not just on the hours of day Only after this process do i shoot the photographs The camera is just the media which realizes and fixes my mental visions

This feeling finds its expressive and symbolic function in colour placing emphasis on emotion colour becomes a communicative bridge between human beings and the outside world a reflection of spirit-ual balance that allows one to ldquofeelrdquo the invisible Where light meets colour in a reversed horizon where perception of the ldquoknownrdquo is lost it is there that human beings find their innermost need combining intimate harmony and spirituality in the abst- ract song of colour and lines colours are like moods the sea and the sky vehicles of intimate feelings here they become fields of colour The most intimate unknown finds itrsquos voice in overturning what is real deconstruct- ing a known landscape across what seems our own interior necessity

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Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

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Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

49

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65

Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

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Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

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Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

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Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

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Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

54

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Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

55

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Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

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65

Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

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65

Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

58

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61

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63

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65

Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

59

60

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64

65

Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

60

61

62

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64

65

Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

61

62

63

64

65

Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

62

63

64

65

Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

63

64

65

Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

65

64

65

Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

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Simona Bonanno (b 1974 Messina Italy)

After obtaining an artistic High school degree in 1992 simona Bonanno studied in Paris at Atelier Peninghen esAG she received a Bachelor of Arts in 1999 at the school of Arts in italy where she started photo- graphing with films Her photographs have been selected for several group exhibitions and projections in italy UsA france Australia Argentina israel Turkey and denmark in 2013 her first solo exhibition has take place in Nyon switzerland at the Galerie focale Recently Bonanno won the Grand Prix de deacutecouverte Abstract category international fine Art Photography Her winning image has been exhibited at the salon de la Photo in Paris france in November 2013 in 2011 she was the overall winner of the Julia Margaret cameron Award and Amateur Photographer of the Year 2011 in the United Kingdom she presently works in italy as a photographer teacher and graphic designer

website simonabonannocom

email simonasimonabonannocom

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ABANDONED PLACESCraig Holloway

i have been exploring the theme of Abandoned Places for a number of years and i am drawn to the broken down and derelict These places often built with great hopes have gradually outlived their purpose now lie discarded and falling into decay

Who worked lived or played in these places What happened there and what secrets do they hold Often surrounded by vast empty spaces yet still tentatively connected to the outside world i have captured these lonely monuments to human endeavour and habitation bringing new life to places otherwise deserted and forgotten

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

84 Craig Holloway Ballarat Australia

craig Holloway grew up in Ballarat playing Aussie rules football through muddy winters and cricket in blaz-ing summers before graduating as a food scientist and working in that industry for ten years while taking various part time courses in photog-raphy and printing techniques

finally chucking in the lab coat he traveled through europe cycling through france before living in Provence for a year then scotland all the while capturing his surrounds Then to New Zealand for seven years running a luxury Lodge in Russell Bay of islands while docu-menting life and culture of the small village before plunging into digital photography full time and opening the Bay of islands image Gallery and exhibited in several group shows

Returning to Ballarat in 2007 craig continued with his commercial work including freelance photojournalism for The Ballarat courier Over the past few years he has been explor-ing the greater region for his Aban-doned Places series

website artfocusnetau

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Sam Carr in Redrsquos Juke Joint Clarksdale 2005

NOTES FROM THE MISSISSIPPI DELTANathan Miller

Nathan Miller likes to see his photogra-phy considered as ldquodocumentaryrdquo or ldquostreetrdquo photography He believes that his photography should tell a story Wherever he is he looks to explore what is not obvious He believes in exploring the undercurrent that is concealed from the unaware He is a traveler with a cam-era who stops in certain places In order to communicate visually he has to stay for a time while losing himself among the people

88

Paul lsquoWinersquo Jones (1 July 1946-9 October 2005) New Year at Ground Zero Blues Club Clarksdale 2004

89

Super Chikanrsquos lsquoworkshoprsquo Clarksdale 2007

90

Tutwiler 2003

Sunday in New Jerusalem Church 2007

91

BBQ at Poor Monkey Marigold 2005

Highway 61 2005

92

Memphis 2002

93

94

904frac12 at Shelby 2004

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

95

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

Big Jack Johnson Clarksdale 2002

96

Railway tracks in Tutwiler - where the blues began 2004

97

Monday Night at Poor Monkey Marigold 2005

98

RL Burnside (21 November 1926-1 September 2005) Holly Springs 2002

Haircut in Indianola 2007

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

86

87

Sam Carr in Redrsquos Juke Joint Clarksdale 2005

NOTES FROM THE MISSISSIPPI DELTANathan Miller

Nathan Miller likes to see his photogra-phy considered as ldquodocumentaryrdquo or ldquostreetrdquo photography He believes that his photography should tell a story Wherever he is he looks to explore what is not obvious He believes in exploring the undercurrent that is concealed from the unaware He is a traveler with a cam-era who stops in certain places In order to communicate visually he has to stay for a time while losing himself among the people

88

Paul lsquoWinersquo Jones (1 July 1946-9 October 2005) New Year at Ground Zero Blues Club Clarksdale 2004

89

Super Chikanrsquos lsquoworkshoprsquo Clarksdale 2007

90

Tutwiler 2003

Sunday in New Jerusalem Church 2007

91

BBQ at Poor Monkey Marigold 2005

Highway 61 2005

92

Memphis 2002

93

94

904frac12 at Shelby 2004

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

95

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

Big Jack Johnson Clarksdale 2002

96

Railway tracks in Tutwiler - where the blues began 2004

97

Monday Night at Poor Monkey Marigold 2005

98

RL Burnside (21 November 1926-1 September 2005) Holly Springs 2002

Haircut in Indianola 2007

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

87

Sam Carr in Redrsquos Juke Joint Clarksdale 2005

NOTES FROM THE MISSISSIPPI DELTANathan Miller

Nathan Miller likes to see his photogra-phy considered as ldquodocumentaryrdquo or ldquostreetrdquo photography He believes that his photography should tell a story Wherever he is he looks to explore what is not obvious He believes in exploring the undercurrent that is concealed from the unaware He is a traveler with a cam-era who stops in certain places In order to communicate visually he has to stay for a time while losing himself among the people

88

Paul lsquoWinersquo Jones (1 July 1946-9 October 2005) New Year at Ground Zero Blues Club Clarksdale 2004

89

Super Chikanrsquos lsquoworkshoprsquo Clarksdale 2007

90

Tutwiler 2003

Sunday in New Jerusalem Church 2007

91

BBQ at Poor Monkey Marigold 2005

Highway 61 2005

92

Memphis 2002

93

94

904frac12 at Shelby 2004

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

95

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

Big Jack Johnson Clarksdale 2002

96

Railway tracks in Tutwiler - where the blues began 2004

97

Monday Night at Poor Monkey Marigold 2005

98

RL Burnside (21 November 1926-1 September 2005) Holly Springs 2002

Haircut in Indianola 2007

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

88

Paul lsquoWinersquo Jones (1 July 1946-9 October 2005) New Year at Ground Zero Blues Club Clarksdale 2004

89

Super Chikanrsquos lsquoworkshoprsquo Clarksdale 2007

90

Tutwiler 2003

Sunday in New Jerusalem Church 2007

91

BBQ at Poor Monkey Marigold 2005

Highway 61 2005

92

Memphis 2002

93

94

904frac12 at Shelby 2004

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

95

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

Big Jack Johnson Clarksdale 2002

96

Railway tracks in Tutwiler - where the blues began 2004

97

Monday Night at Poor Monkey Marigold 2005

98

RL Burnside (21 November 1926-1 September 2005) Holly Springs 2002

Haircut in Indianola 2007

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

89

Super Chikanrsquos lsquoworkshoprsquo Clarksdale 2007

90

Tutwiler 2003

Sunday in New Jerusalem Church 2007

91

BBQ at Poor Monkey Marigold 2005

Highway 61 2005

92

Memphis 2002

93

94

904frac12 at Shelby 2004

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

95

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

Big Jack Johnson Clarksdale 2002

96

Railway tracks in Tutwiler - where the blues began 2004

97

Monday Night at Poor Monkey Marigold 2005

98

RL Burnside (21 November 1926-1 September 2005) Holly Springs 2002

Haircut in Indianola 2007

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

90

Tutwiler 2003

Sunday in New Jerusalem Church 2007

91

BBQ at Poor Monkey Marigold 2005

Highway 61 2005

92

Memphis 2002

93

94

904frac12 at Shelby 2004

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

95

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

Big Jack Johnson Clarksdale 2002

96

Railway tracks in Tutwiler - where the blues began 2004

97

Monday Night at Poor Monkey Marigold 2005

98

RL Burnside (21 November 1926-1 September 2005) Holly Springs 2002

Haircut in Indianola 2007

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

91

BBQ at Poor Monkey Marigold 2005

Highway 61 2005

92

Memphis 2002

93

94

904frac12 at Shelby 2004

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

95

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

Big Jack Johnson Clarksdale 2002

96

Railway tracks in Tutwiler - where the blues began 2004

97

Monday Night at Poor Monkey Marigold 2005

98

RL Burnside (21 November 1926-1 September 2005) Holly Springs 2002

Haircut in Indianola 2007

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

92

Memphis 2002

93

94

904frac12 at Shelby 2004

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

95

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

Big Jack Johnson Clarksdale 2002

96

Railway tracks in Tutwiler - where the blues began 2004

97

Monday Night at Poor Monkey Marigold 2005

98

RL Burnside (21 November 1926-1 September 2005) Holly Springs 2002

Haircut in Indianola 2007

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

93

94

904frac12 at Shelby 2004

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

95

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

Big Jack Johnson Clarksdale 2002

96

Railway tracks in Tutwiler - where the blues began 2004

97

Monday Night at Poor Monkey Marigold 2005

98

RL Burnside (21 November 1926-1 September 2005) Holly Springs 2002

Haircut in Indianola 2007

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

94

904frac12 at Shelby 2004

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

95

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

Big Jack Johnson Clarksdale 2002

96

Railway tracks in Tutwiler - where the blues began 2004

97

Monday Night at Poor Monkey Marigold 2005

98

RL Burnside (21 November 1926-1 September 2005) Holly Springs 2002

Haircut in Indianola 2007

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

95

Walnut Bait Shop Juke Joint (now Walnut Bar and Grill) Greenville 2002

Big Jack Johnson Clarksdale 2002

96

Railway tracks in Tutwiler - where the blues began 2004

97

Monday Night at Poor Monkey Marigold 2005

98

RL Burnside (21 November 1926-1 September 2005) Holly Springs 2002

Haircut in Indianola 2007

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

96

Railway tracks in Tutwiler - where the blues began 2004

97

Monday Night at Poor Monkey Marigold 2005

98

RL Burnside (21 November 1926-1 September 2005) Holly Springs 2002

Haircut in Indianola 2007

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

97

Monday Night at Poor Monkey Marigold 2005

98

RL Burnside (21 November 1926-1 September 2005) Holly Springs 2002

Haircut in Indianola 2007

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

98

RL Burnside (21 November 1926-1 September 2005) Holly Springs 2002

Haircut in Indianola 2007

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

99

Hard Rock Cafe Juke Joint Marigold 2002

Wild Billrsquos Juke Joint Memphis 2002

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

100

Highway 1 Rosedale 2002

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

101

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

102

Sam Carr at Home Lula 2002

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

103

T-Model Ford New Year at Ground Zero Blues Club Clarksdale 2004

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

104

Super Chikan Clarksdale 2007

Bar-B-Q in Helena 2007

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

105

Sunday in Belzoni 2004

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

106

Highway 49 Tutwiler to Clarksdale 2005

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

107

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat

Ballarat National Photographic Exhibition Sat 7 Dec ndash Sun 19 Jan | Art Gallery of Ballarat