Beginning in the early 19th century this movement rejected the principles of classical art Art was...
-
Upload
amice-campbell -
Category
Documents
-
view
224 -
download
0
Transcript of Beginning in the early 19th century this movement rejected the principles of classical art Art was...
• Beginning in the early 19th century this movement rejected the principles of classical art
• Art was to be a reflection of the artist’s inner feelings, the world the artist portrayed was one of his/her own imagination
• Works display warmth, emotion, and movement
• Landscapes conveyed a feeling of mysticism
• Use of light and color to convey a mood
Wanderer Above the Sea of Fog
Caspar David Friedrich
Chalk Cliffs at Rugen
Caspar David Friedrich
Cloistered Cemetery in the Snow
Caspar David Friedrich
Wreck of the Hope
or Sea of Ice
Caspar David Friedrich
Rain, Steam, and Speed
Joseph Malford William Turner
Liberty Leading the People
Eugene Delacroix
Execution of the Defenders of Madrid
Third of May, 1808
Francisco Goya
• Dominant after 1850
• Among the most important characteristics of Realism are a desire to depict the everyday life of ordinary people, whether peasants, workers, or prostitutes
• An attempt at photographic realism
• An interest in the natural environment.
• The French were leaders in Realist painting.
• “Realism” was first coined to describe the work of Gustave Courbet
The Gleaners
Jean Millet
The Stonebreakers
Gustave Courbet
• A movement that originated in France in the 1870’s when a group of artists rejected the studios and museums and went out into the countryside to paint nature directly
• Named after Monet’s description of the effect of light on the French countryside
• Artists were concerned with representing contemporary experience rather than historical events or the imagination
La Pied or The Magpie
Claude Monet
The Beach at Sainte-Adresse
Claude Monet
Boulevard des Capucines
Claude Monet
Cache-Cache
or
Hide and Seek
Berthe Morisot
A Bar at the Folies-Bergere
Edouard Manet
The Boating Party
Pierre Auguste Renior
The Turkeys at the Chateau de Rottembourg
Claude Monet
Ladies in the Garden in Ville Avray
Claude Monet
The Lunch at Argenteuil
Claude Monet
• A late 19th century reaction to Impressionism
• Artists retained the Impressionists emphasis upon light and color but revolutionized it even further by paying more attention to structure and form
• Sought to use both color and line to express inner feelings and produce a personal statement of reality rather than an imitation of objects
• Marked a shift from objective reality to subjective reality; the real beginning of modern art
Café Terrace at Night
Vincent van Gogh
A Turn in the Road at LaRoche-Guyon
Paul Cezanne
Sunday Afternoon on the
Island of the Grand Jatte
Seurat
Friendship
Picasso