CHARACTERS

NARRATOR

BEAUTY

TRAVAIL (Beauty's Father)

BEAST

LILY (Beauty's sister I doubles as .MIMI)

LIRIOPE (Beauty's sister/ doubles as FIFI)

In pre-set we see a dimly fit rose garden. At first it should appear

that they might be a variety of colors, but as the music begins the

lights brighten and we see that they are all a rich, bright red. The

lights then fade to black and a spot comes up on the narrator. He is

not dressed in period garb but somewhat like a mime (without the

makeup) to enable him to put on the pieces that will allow him to

become many characters who move the story along. The music

stops and he speaks ...

Narrator

Once upon a time ... a very long time ago ... in a place ... very far away ...

The music starts again and the lights once again come up on the rose garden.

Narrator

(sings)

THO IT HAPPENED A VERY LONG TIME AGO

IN A V1LLAGE IN FRANCE CALLED 'LA VILLE BORDEAUX'

THERE IS SOMETIIING 1HAT EVERYONE HERE SHOULD KNOW

THE STORY GOES ON

THO IT'S 1RUE THAT 1HE TALE WE ARE HERE TO TELL

MAY HAVE BEEN TOLD BEFORE- MANY TIMES- AND WELL

BUT TIIE MORAL IS 1RUE, MESSIEURS, MADEMOISELLES

THE STORY GOES ON

THERE'S A LESSON WE LEARN

FROM EACH PAGE THAT WE TURN

2

IN TillS BOOK WE CALL LIFE

C'ESTBON!

SO THE STORIES GO ON ... AND ON

AND ON.

(SPEAKS)

C'est bon. That means it is good. But sometimes we forget that life is good.

And it is the stories we read ... the stories we tell. .. the stories we pass on that

help us to remember. So ... once upon a time there was a farmer ...

(The father comes out as the narrator continues speaking)

He wasn't always a farmer. He was once a wealthy merchant who lived

with his family - not on a farm, but in the town La Ville Bordeaux. But his

business failed and to take care of his family he had to move to a farm

outside of the town.

NARRATOR&FATIIER

(sing)

1HO IT HAPPENED A VERY LONG TIME AGO

IN A VILLAGE IN FRANCE CALLED LA VILLLE BORDEAUX

1HERE IS SOivfETillNG THAT EVERYONE HERE SHOULD KNOW

1HE STORY GOES ON.

Narrator

The farmer had three daughters.

(The daughters enter when Narrator says their names)

Narrator( cont)

The eldest daughter was called Liriope. The youngest was Lillian, but

everyone called her Lily. Then there was the middle daughter, who when

3

she was born was thought to be so beautiful it seemed only fitting to call her

'Beauty'.

All

THO IT HAPPENED A VERY LONG TIME AGO

IN A VILLAGE IN FRANCE CALLED 'LA VILLE BORDEAUX'

TIIERE IS SOMETHING TIIAT EVERYONE HERE SHOULD KNOW

1HE STORY GOES ON.

Narrator

High on a hill above the village stood a castle. In the castle lived a Prince.

(the Prince enters. He is wearing a long, loose cape.)

Narrator ( cont)

He was not a particularly happy prince. And his unhappiness caused him to

treat the people around him badly. Indeed, he was sometimes called

'beastly.'

ALL

THO IT HAPPENED A VERY LONG TllvfE AGO

IN A VILLAGE IN FRANCE CALLED LA VILLE BORDEAUX

TIIERE IS SOMETHING TIIAT EVERYONE HERE SHOULD KNOW

Narrator

And it happened that one day an old woman seeking refuge in the castle was

turned away by the prince.

Prince

Get away you ugly old woman. There is no refuge for you here.

4

Narrator

Little did the prince know that the woman possessed magic powers and in

her anger she cursed the prince. (speaking as the old woman) You have no

love in your heart. It is no wonder that no one loves you. You are a beast

And from this day forth you shall look like a beast..

(The Prince screams in horror and lifts the cape above his head to

conceal himself)

Narrator (cont as old woman)

And you shall keep your beastly form until the day arrives that someone

finds it in their heart to love you.

(The Prince leaves)

ALL

THERE'S A LESSON WE LEARN

FROM EACH PAGE 1HA T WE TURN

IN TillS BOOK WE CALL LIFE

THO IT HAPPENED A VERY LONG TIME AGO

IN A VILLAGE IN FRANCE CALLED LA VILLE BORDEAUX

THERE IS SOMETillNG THAT EVERYONE HERE SHOULD KNOW

THE STORY. THE STORY

1HO IT'S TRUE 1HATTHE TALE WE ARE HERE TO TELL

MAY HAVE BEEN TOLD BEFORE- MANY TIMES -AND WELL,

5

TIIE MORAL IS 1RUE, MESSIEURS, MADEMOISELLES

TIIE STORY GOES ON ... AND ON ... AND ON

TIIE STORY GOES ON.

Blackout

The lights come up on a room in the farmhouse. There is a small table

with two stools or chairs. A door UR leads to the outside. Beauty sits at the

table sewing. Lily is folding laundry from a basket on one of the stools.

Liriope is sweeping. When the lights come up they are all frozen in place.

Narrator

This is the cottage where Beauty now lives with her sisters and her father.

Simple, but comfortable. And like any other day on the farm they are busy

taking care of whatever has to be done, like sewing ... cleaning ..... the

laundry.

(The women begin their activities once the narrator has mentioned

them. The narrator leaves.)

Lily

I remember when we didn't have to do laundry. We just took it to Madame

Blanchir and the next day she would bring it to us all fresh and clean.

Beauty

Unfortunately, Madame Blanchir is in the village and we are here.

6

Liriope

And in case you don't remember- we had to pay Madame Blanchir to do

the laundry, Lily. You- on the other hand- come free of charge.

Lily

Ha ... ha ... ha. Dear Liriope, if you ever decide to give up housecleaning you

could probably support us all by telling jokes in the village square.

Beauty

I think you have a talent for doing laundry, Lily. Why, I don't think the

kitchen curtains have ever looked so bright and crisp. Better even than when

Madame Blanchir washed them. ·

Lily

Do you really thipk so?

(Beauty and Liriope exchange a look and stifle a laugh)

Lily (cont. after realizing she's been the butt of a little joke)

Oh, you two. Just look at my hands. They've never looked so ... so ... used!

Beauty

(sticking her finger with the needle) Ow. Oh, I did it again.

Liriope

Beauty, why don't you use a thimble?

7

Beauty

It keeps falling off.

Lily

Don't get any blood on father's shirt. I just washed it.

Beauty

Well, if I do it will be my problem. It's my turn next to do the laundry.

Lily

Yes., And that means that all of next week it will be my turn to milk that

stubborn old cow.

Liriope

That stubborn old cow gives us milk to drink.

Lily

She doesn't give it willingly. At least, not to me.

Liriope

I'll take your milking week if you scrub the floors.

Father

(entering) Girls. Just wait until you see the cranbeny beans. They are

beautiful. There are so many we will have beans well into the winter.

8

Liriope

If they are cooked and canned.

Lily

Is that something else I have to learn to do?

Beauty

Don't worry, Lily. I'm sure it's not very difficult.

Lily

That's what you said about milking the cow.

Father

You know, I really am very proud of you girls. I couldn't wish for better

daughters. The way you've jumped right in and learned to do so many

things around the fann. It's almost as tho this were meant to be.

Lily

Father! Don't say that.

Father

Well, you're happy aren't you?

Liriope

Well. .. we're not unhappy.

9

Father

Good. Because who knows when I' 11 get the opportunity to restart the

business. This farm will have to support us for awhile.

Beauty

And it will, Father. Things are not so bad.

Father

(to Lily and Liriope) Beauty's right.

(MUSIC IN)

Father ( cont)

Things could be worse.

Lily and Liriope

Worse?

Father

(sings)

IT COULD BE WORSE (Lily: "says who?")

IT COULD BE WORSE (Liriope: "Says you.")

WE COULD BE LIVING IN A TENT

Beauty

TIIAT WOULD BE WORSE

Father

I COULD SELL THE FARM AND I COULD DRIVE A HEARSE

Lily & Liriope

What?

10

Father

I ONLY .MEAN ... IT COULD BE WORSE

THIS ISN'T BAD

WE SHOULD BE GLAD

AL1HOUGH I KNOW IT'S NOT AS FANCY AS WE HAD.

IS WORKING FOR A LIVING SUCH A CURSE?

1HA TIS TO SAY, IT COULD BE WORSE.

Daughters

BUT IT ALSO COULD BE BETTER

IF TIIE PURSE STRINGS WEREN'T SO TIGHT.

Father

BUT AS LONG AS WE'RE TOGETHER

WHAT COULD BE BETIER? RIGHT?

WE COULD BE FRE-E-E-EEZING IN THE COLD

Beauty

WE COULD BE SICK

Liriope

WE COULD BE STARVED

Lily

WE COULD BE OLD (oops!)

II

All

SO WHAT IF OUR GOOD FORTUNE SO.MEHOW GOT REVERSED

FOR AFTER ALL ... IT COULD BE WORSE.

Father

IF MY SillP COMES IN TOMORROW

ITCOULDCHANGETiffiNGSOVE~GHT

Daughters

BUT FOR NOW WE'RE ALL TOGETHER

Father

WHAT COULD BE BETTER?

All

RIGHT!

THIS ISN'T BAD

WE SHOULD BE GLAD

Father

AND CAN I TELL YOU WHAT IT MEANS TO YOUR OLD DAD

TO HAVE YOU CLOSE

1HA T IS TifE MOST IMPORT ANT TiliNG IN MY WHOLE UNIVERSE

WITHOUT MY GIRLS IT WOULD BE MUCH, MUCH WORSE

Daughters

AND IS WOR.KJNG FOR A LIVING SUCH A CURSE?

12

All

IT COULD BE WORSE

IT COULD BE WORSE

IT COULD BE WORSE.

(There is a knock at the door)

Lily

I'll get it.

(When she opens the door the Narrator is there dressed as an old

sailor)

Lily (cont)

Oh. Look who is here.

Father

(seeing the sailor) Bavard! Is that you?

Bavard

In the flesh, Monsieur Travail. So good to see you.

Father

My friend. This is a pleasant surprise.

Bavard

And your daughters. All as lovely as ever.

13

Beauty

Hello, Monsieur Travail.

Liriope

You're looking hale and hearty.

Father

What brings you out here, Bavard?

Bavard

I have news that may be of interest to you. Your ship, the Shangri-la? The

ship we thought was lost at sea?

Father

Yes? What about it?

Bavard

There is a rwnor that it was not lost. It was attacked by pirates and disabled,

so it had to sail into the nearest port for repairs. I have heard that it is about

to sey sail and return to France .. Of course, the cargo is gone, but ....

Father

If my ship is returned ....

Bavard

Yes, Travail. You could resume your business.

14

Beauty

Oh, Papa. What good news.

Liriope

Wonderful news.

Father

But the ship is not enough. The loss of the cargo means there will be no

goods to sell. No money to fmance a new voyage.

Bavard

The bankers were your friends, Travail. Surely they will help you. They

know you are a good businessman and a good risk. Or perhaps you prefer to

stay here on the fann?

Lily '

No! I mean ... we love it here, but if there is a chance that Papa can return to

his shipping business again ...

Beauty

Is that what you want, Papa?

Father

Well, I think it is at least worth looking into the possibility.

Liriope

Yes.

15

Father

Thankyou, Bavard. I appreciate your taking the trouble to find me. I hope

that you will consider working with me if I am able to get the business going

a gam.

Bavard

That would be my pleasure, sir. I look forward to seeing you in town.

Goodbye, Ladies. (They respond) Goodbye, Monsieur Travail. (He leaves)

Father

(at door) Goodbye, Bavard. (turning to daughters) Well, there is much to do

if I am to make the trip into town. Paperwork to gather. Plans to be made. I

should get started. (he goes into another part of the house)

Lily

OI-llllll:IHHHH! Do you think ... ? Do you think ... ?

Liriope

Do we think what?

Lily

Well, if father goes back to his business we'll have to sell the farm and

move back to town.

Beauty

To our house in town.

16

Lily & Liriope

Yes.

Beauty

Of course, I'd miss the farm.

Lily

I wouldn't miss the cow.

Liriope

You know, we might not be able to move into our old house. It was sold.

Lily

That's right. We might not be able to buy it back.

Beauty

There are other houses.

Lily

For that matter, there are other towns. Other cities.

Liriope

Lily, what are you talking abou{)

Lily

Well, father's shipping business doesn't require that we stay in La Ville

Bordeaux. We could live in ....

17

· Beauty & Liriope

Yes?

Lily

We could live in Paris.

Beauty

Paris?

Liriope

What a dreamer.

Beauty

Paris would be lovely.

Lily

Wouldn't it?

Beauty

Yes. I think I can picture myself in Paris.

(sings)

IF TilE BUDGET WOULD ALLOW

Liriope

WE COULD MAKE Tiffi MOVE SOMEHOW

Lily

LEAVE BEHIND THAT MOO MOO COW

18

All

MAYBEWECAN

BE PARISIENNE.

FANCY US BUYING FANCY CLOTHES

RUFFLED DRESSES AND BIG CHAPEAUX

FANCY SLIPPERS AND GOODNESS KNOWS WHAT ELSE

IF WE LIVED IN PARIS

Beauty

CARRIAGE RIDES DOWN THE CHAMP D'L YSEE

Lily

LUNCHING DAJL YON CRUDITE

Liriope

DANCING NIGHTLY AND WHO CAN SAY WHAT ELSE

All

IF WE LIVED IN PARIS

PARIS

WONDERFUL, WONDERFUL PARIS

WONDERFUL. WONDERFUL PARIS

CITY OF LIGHT

PLEASE ALERT Tiffi MAITRE D'

WE'RE ON OUR WAYTOGAYPAREE.

19

TELL THE BAND THEY CAN PLAY OUR SONG

WE'LL BE SINGING THE WHOLE NIGHT LONG

SOUND THE 1RUMPETS AND BANG THE GONG FOR US

CAUSE WE LIVE IN PARIS.

(They dance around using pieces of laundry and household

items as "props" for their new lifestyle.)

PARIS

WONDERFUL, WONDERFUL P ARlS

EVERYONE TUMBLES FOR PARIS

CITY OF LIGHT

FANCY US SO FANCY FREE

WHAT A LIFE WE'LL HAVE IN GAY P AREE

PRAY THAT PAP A WILL FIND SUCCESS

CARRY US TO A NEW ADDRESS

NOT WORTH LIVING OUR LIVES UNLESS WE LIVE

MONAMIE

WE LIVE

MACHERIE

WE LIVE

MAPETIT

WE LIVE IN PARIS.

BLACKOUT

20

1/lt/£. (When the lights come up Beauty is sitting at the .taM reading.

Father enters carrying a small bag and his hat and cape.)

Father

I think I have everything I need.

Beauty

Let me help you with your cape, Papa.

Father

I' 11 try to return by nightfall, but if I shouldn't, make sure that someone

milks the cow in the morning.

Beauty

I will, Papa.

Father

Lily and Liriope came to me while I gathered my papers. They both wanted

me to bring them something from .the village.

Beauty

Like what?

Father

Do you have to ask?

21

Beauty

Let me guess. Lily wants something for her hands. She is certain they are

being ruined by the farm work.

Father

Right. She wants me to stop at Mdme. Mennotte's shop to get her some of

the lavender scented cream she used to buy when we lived in town.

Beauty

But it's so expensive.

Father

You girls deserve a treat. Liriope just w~ts some material. She wants to try

her hand at making a new cape for herself What about you, Beauty?

Beauty

Me?

Father

Yes. Tell me. What can I bring you?

Beauty

Oh, there is nothing that I need.

Father

I didn't ask what you need. What would you like?

22

Beauty

(after a moment) Well, if you must bring something. Then bring me a rose.

They don't seem to grow around here and I miss them. Mother used to love

them so.

Father

Yes, she did. You look so much like your mother, Beauty.

Beauty

That is what I would like. A rose. It would make me very happy.

Father

Then a rose it shall be. Now, I should go. I only hope that Bavard was right

about the ship. I shall return as soon as I can. Goodb~r now.

(He embraces Beauty and then leaves as the LIGHTS FADE)

(A light comes up on the narrator)

Narrator

But Travail never made it to the town. A terrible storm came up .. .

(there is a loud clap of thunder) the thunder and lightning frightened

Travails horse and Travail was thrown to the ground. Rain was pouring

from the sky. (We hear the sound of pouring rain) Travail decided to seek

shelter and the closest place was the castle on the hill. (There are strains of

ominous music. The narrator rolls a door frame into view.) Travail knocked

at the door.

23

Father

(knocking at door) Hello. Is anyone here? Hello.

Narrator

No one answered, but the door opened. And Travail went inside.

Father

(stepping thru door) Hello.

Narrator

Still no answer. So Travail continued into the castle.

(Music increases in volwne as the lights fade to black then restore on

a sitting room in the castle.)

Travail

(entering room) Hello? I say, is anyone here? (looking around the room)

There must be som~one around. This castle can't be completely empty.

Well, at least I'm out of that storm. Since the door was open I don't suppose

whoever lives here will mind if I stay until the storm is over. (He takes off

his cape and looks around for someplace to put it.)

Narrator

(enters dressed as a butler) I' II take that.

Father

(startled) What?

24

Narrator

I said, I'll take that. (he takes the cape and hat)

Father

I called out. I don't mean to intrude. The storm ...

Narrator

No need to explain. The master of the castle saw you arrive. He wishes for

me to make you comfortable.

Father

That's very kind. Who resides here in the castle? I'd like to thank him . .

Narrator

No need. We have a room prepared for you. One of the maids will bring

you some food. Just follow me.

Father

And you are?

Narrator

Jean Pierre. You can call me Jean. Or you can call me Pierre. Or you can

call me Jean Pierre. (Father looks confused.) I answer to them all.

Father

And will I get to meet ... the master?

25 ----------------~---------------------------------- J

Narrator

Better that you don't. We'll take good care of you and in the morning you

can be on your way. Come along.

(Narrator leads Father thru an archway. As they leave the Beast

enters and stands looking in the direction they have gone. The lights fade to

Black.)

(When the lights come up the sitting room is gone and the door

frame is being rolled on by the narrator (no longer as butler). He rolls it

beside a large flowering rose bush. Father comes on putting on his cape and

hat.)

Narrator

And the next morning - after a hearty breakfast- Travail was ready to

resume his journey.

Father

Whoever you are that lives fu this castle, thank you for your hospitality. (he

steps thru the door and finds himself facing the rosebush) What beautiful

roses. Such wonderful red color. How happy Beauty would be to have just

one of these roses.

(The narrator reacts. The ominous music we heard before is

heard again. The narrator exits taking the door frame with him)

Father ( cont)

Well, I don't think anyone will mind if I take just one. This one beautiful. ..

26

Beast

Stop! What are you doing?

Father

(turning to face the Beast) I. .. I. ... (He drops the rose)

Beast

Tills is how you repay my hospitality? By stealing my roses?

Father

No. I mean ... This castle .. ,.it belongs to you?

Beast

Yes. And so do the roses.

Father

I. .. no, I wasn't stealing ...

Beast

What do you call it? Did I give you permission to take one of my roses?

Father

Well, no ... but .. .

Beast

But what? They are my roses. You are taking them without my

permission. You are stealing. (going closer to Travail) Do I frighten you?

27

Father

Yes. Yes, you do.

Beast

Good. Now since you have committed a crime is there some reason why I

shouldn't just throw you into the castle dungeon?

Father

Dungeon? The castle has dungeons?

Beast

And worse.

Father

I meant no harm. I only wanted one rose for my daughter, Beauty.

Beast

Beauty?

Father

She loves them so.

Beast

You have a daughter?

Father

I have threei

28

Beast

Three daughters?

Father

Yes.

Beast

And they all love you?

Father.

Yes. Yes they do. Very much. And I love them.

Beast

Do they love you ~nough to change places with you here at my castle?

Father

Change places? What are you saying?

Beast

I'm saying that you can leave. I will not lock you in my dungeons if one of

your daughters is willing to come in your place.

Father

To be locked in a dungeon?

Beast

No. To liv0 here freely in the castle. To have every wish granted

except ... she could not leave the castle grounds.

29

Father

I could never ask such a thing of any of my daughters,

Beast

Perhaps the decision should be theirs, not yours.

Father

I could not permit such a thing.

Beast

Go now. Go home. Think about what I have said. Do not think you have

escaped me just because I let you return home. If you do not return with one

of your daughters I will find you and you will spend the rest of your days in

the dungeons of this castle.

(Music in. Travail picks up his bag and slowly leaves. The

Beast bends and picks up the rose Travail dropped earlier. As the light fade

we hear him say ... )

Beast

Beauty.

BLACKOUT

30

Beauty

I think I should use some of the cream from today' s milking to churn some

butter.

Lily

Yes. Do that. Liriope has promised to make some fresh bread ... or at least

tzy to make bread. Then we can have warm fresh bread with fresh churned

butter.

(Liriope enters)

Lily

And wouldn't it be nice to have some honey to go with the bread and butter?

Liriope

That can be your contribution, Lily. You can go out and find a beehive and

bring home a few scoops of honey.

Lily

But how could I do that? I couldn't just stick my hand in a beehive

and ... and ... (realizing that once again the she is the butt of a joke) Oh,

Liriope. You and your little jokes.

Father

(entering and removing his cape) Daughters.

Beauty

Papa. You're back. When you didn't return last night we didn't expect to

see you until this evening.

31

Lily

Here. Let me take your bag. (she takes the bag and immediately starts to go

thru it looking for something)

Liriope

Does this mean that things went well in town?

Father

Not exactly.

Lily

(sniffmg inside bag.) I don't smell lavender. Was"Mademoiselle

Mennotte's shop closed?

Father

I never made it into town. The storm ... you must have had some rain here.

Beauty

Yes, Papa. We did.

Father

The lightning frightened my horse. I was thrown ...

Beauty

Oh, Papa. Are you hurt?

Father

No. I am fine. I led the horse to the castle. You know, the one on the hill ?

32

Liriope

You mean, someone actually lives there?

Father

Someone ... or. .. something.

Lily

Papa, what are you talking about?

Father

I was given food and shelter. Then ... tlris morning as I prepared to leave I

saw a rosebush with the most exquisite roses . I thought I might take one to

bring back for Beauty.

Lily

You wanted Papa to bring you a rose? That's it? That's what you wanted

from town?

Liriope

Lily. Shush. Let Papa finish.

Father

As soon as I touched the rose I was confronted with this creature ... this

beast.

Beauty

Beast? A beast lives in the castle?

33

Father

He is the master there. And he was angry about my taking one of his roses.

Very angry. He has vowed to come for me ... to confine me in his

dungeons ... if I do not return.

Beauty

But if he meant to imprison you, why did he let you leave?

Father

Because ... because he will let me go free if I return with one of you ... and ..

Lily

And what?

Father ,.(,Jl .. . and one of you cot? stay at the castle.

Liriope

For how long?

Father

Forever.

Lily & Liriope

What!

Beauty

Forever? Live in the castle ... forever?

34

Lily

With a beast?

Father

I told him it is impossible. But I needed to see you all one more time. To

look at your gentle faces. I knew it would give me the strength to return and

face the beast.

Beauty

No. I shall go with you.

Lily

Beauty. What are you saying?

Beauty

Surely, I can reason with this . . . this ..

Father

Beast, Beauty. He is a beast.

Beauty

But he walks and talks like a man?

Father

Well, yes, but ...

35

Beauty

Then he must have the feelings of a man. If one of us must plead for your

life, Papa, than it shall be me.

Liriope

Beauty, don't be ridiculous. Don't you hear what Papa is saying? You will

not come home from the castle. You cannot go.

Beauty

Then perhaps you wish to go in my place?

Liriope

Well, I didn't say that.

Beauty

Lily, will you fetch my cape and put a few things in a small bag in

case ... well, in case I am gone longer than expected.

Lily

Beauty, perhaps you need more time to think ...

Beauty

Please, Lily.

Lily

All right. (she leaves)

36

Father

Your sisters are right. This is foolhardy. I have no way of knowing this

Beast will keep you safe once I am gone. I shall go back alone.

Beauty

Will you hitch the horse to our cart? The sooner we start out the sooner this

will be settled.

Father

Did you hear what I said. I am going alone to ...

Beauty

Papa. I am fum in my decision. You are only wasting time.

(Father reluctantly takes his hat and cape and leaves.)

Liriope

I'm afraid for you, Beauty.

Beauty t afraid for me, Liriope. (she embraces her sister)

(music in)

Lily

(entering) I didn't put much in the bag, Beauty. I don't want you to plan on

being away too long. After all, (she is close to tears) someone has to milk

that stubborn old cow.

37

Beauty

(moving to console Lily) Darling, Lily.

Liriope

(sings)

TIIERE'S A LESSON WE LEARN

FROM EACH PAGE TIIA T WE TURN

IN THIS BOOK WE CALL LIFE

Lily

TIIERE'S A LESSON WE LEARN

FROM EACH PAGE TIIAT WE TURN

Lily & Liriope

IN THIS BOOK WE CALL LIFE

Beauty

(spoken) Goodbye, sisters. (She leaves)

Liriope & Lily

AND 1HE STORY GOES ON

AND ON ... AND ON

AND ON

TilE STORY GOES ON

(The music builds and the lights fade TO BLACK)

38

(When the lights come up we are once again in the castle.

Narrator (as Jean Pierre) enters and looks about the room as tho inspecting to

see if everything is in order. The Beast enters)

Beast

Soon, Jean Pierre. Soon. They are almost here. I can feel it. See to their

needs but remind them that only one of them can stay. It is their decision

who departs, but one of them must leave.

Narrator

Yes, Master.

(Beast leaves. Narrator is about to follow when Beauty

and her father enter.)

Father

Excuse me. Once again the door was open, so we just came in.

Narrator

Yes. The front entrance to the castle is always open. To welcome strangers

in need. It has been that way since ... well, something happened and the

Master - for reasons of his own - wishes it to stay unlocked.

Father

(to Beauty) This is Jean Pierre. He seems to manage things here in the

castle.

Narrator

You can call me Jean. Or Pierre. Or Jean Pierre. I answer to them all.

39

Beauty

Pleased to meet you, Jean Pierre. I am called Beauty.

Narrator

Your name suits you. In that, you are fortunate.

Beauty

What do you mean?

Narrator

Beauty is something that can often be carried inside. Unseen. Often the

beautiful things about us are not always on display for everyone to see. But

that does not mean that the beauty is not there.

Father

You seem to be weaving a riddle, Jean Pierre.

Narrator

If so, perhaps Beauty can solve it.

Beauty

I wish to speak to ... your master.

Narrator

You may call him 'Beast.' He is used to it and takes no offense.

40

Beauty

Surely I can reason with him.

Narrator

About what?

Beauty

His cruelty. Demanding I stay here or sacrifice my father.

Narrator

No. He does not demand. No. If you stay, Beauty, it must be of your own

free will.

Father

But if she does not then I am thrown into the dungeons. For picking a rose.

Narrator

The Master's roses are very dear to him. They, like Beauty are able to

display their beauty for all to see. What you see as cruelty he sees as

retribution for destroying a bit of that beauty.

Beauty

Then I must stay.

Father

No. Where is he? I will face him again. Beast!

41

Narrator

(physically restraining Father) Stop. (to Beauty) Don't let him do this. One

of you must leave. My Master will not change his mind. And you do not

want to make him angry.

Beauty

Papa. Please. Go. It will be all right.

Narrator

She will be well cared for. He means her no harm. She will have everything

she needs and anything she wishes.

Father

She will not have me.

Beauty

I shall always have you, Papa. Now please, give me your blessing and

return to my sisters.

Father

(embraces her) I will fmd a way to bring you home, Beauty. I will.

Goodbye.

Beauty

Goodbye, Papa.

(Father leaves)

42

Narrator

Let me take your cape and your bag. (he does so) I' II take these to your

room. When I return I can show you around the castle. ( He leaves)

Beauty

Thank you, Jean Pierre.

(Beauty wanders about inspecting the room. She picks

up a book and leafs thru it. The Beast enters and stands looking at her.

Beauty realizes she is being watched and turns to see who it is. She gasps

and clutches the book.)

Beast

You are the daughter called 'Beauty.' (Beauty does not answer) Do you

speak?

Beauty

I. .. I. ...

Beast

Well, you make sounds. So- you do speak?

Beauty

Yes. I do.

Beast

·Good. Then I take it your silence is because I frightened you.

43

Beauty

No. I'm not afraid.

Beast

Don't be silly. Of course you're afraid.

Beauty

No. You startled me. I didn't expect.. ..

Beast

A beast? You didn't expect a beast? Didn't your father call me that?

Beauty

Well, yes, but ...

Beast

No "buts" are necessary. As Jean Pierre said, I take no offense at being

called "Beast," for that is what I am. (he moves towards her and she backs

away) Ah. You are afraid. I mean you no hann. Use the castle as your

home. Explore the gardens. They are quite beautiful - especially the roses.

But do not leave, Beauty. It would only make me angry. And it would be

your Father who pays the price.

(Narrator enters)

Beast ( cont)

I' Ill eave you with Jean Pierre. ( he leaves )

44

Narrator

Would you like something to eat?

Beauty

No, thank you. I'm not hungry.

Narrator

Then something to drink. You must be thirsty. You've come a long way.

Beauty

Nothing, thank you.

Narrator

You' 11 get used to him.

Beauty

What?

Narrator

The Master. His bark is worse than his bite.

Beauty

Bite? He bites?

Narrator

(Laughs) No. No. That's not what I meant I know it's hard for you to see

it right now, but he really can be very kind.

45

Beauty

Then why has he done this? Why does he keep me here?

Narrator

Perhaps it wont be for long.

Beauty

He means to keep me here forever.

Narrator

He spoke in anger.

Beauty

I have done nothing to anger him. And my father ... what did he do? One

rose. Not a silver chalice or a gold coin. Just one rose.

Narrator

The roses are more precious to my Master than all of the silver and gold in

the castle.

(Two maids enter)

Mimi

Jean

Fifi

Pierre

46

Mimi

We've finished preparing the room in the west wing.

Fifi

If mademoiselle would like, we can take her there.

Narrator

Beauty, this is Mimi.

Mimi

C'est moi.

Narrator

And Fifi.

Fifi

C'est moi.

Narrator

If I am not around they can help you with anything you need.

Mimi&Fifi

Oui.

Mimi

Would you like to see your room?

47

Beauty

My room. (she starts to cry)

Narrator

Beauty. (he sings)

NO NEED TO CRY

I KNOW IT'S HARD NOT TO GRIEVE

BUT YOU MUST TRY

FOR I'M CONVINCED IF YOU BELIEVE

TillNGS WILL GET BETTER

11-IEY WILL GET BETTER

A LIITLE F AI1H

A LIITLE HOPE

AND YOU CAN MAKE A DREAM CO.ME TRUE

(MAIDS: 00-00)

A LIITLE SMILE

CAN HELP YOU COPE

AND HELP YOU WORK YOUR TROUBLES Tiffi.U

TRYNOTTOFROWN

TRY NOT TO MOPE

ONE DAY YOU'LL BID TOUGH TIMES 'ADIEU'

A LIITLE FAITH, A LITTLE HOPE

A SMILE TO PULL YOU TIIRU

AND EVER Y1HING WST :MIGHT WORK OUT FOR YOU.

48

OH, IT'S SO TRAGIC

HOW TIIE WORLD NO LONGER CAN SEE TI-IE GOOD IN FANTASY

AND MAGIC

CAUSE IT SEEMS TO ME

NOTillNG CAN lvfEAN A LOT

WHEN GLOOMY IS ALL YOU'VE GOT.

SO COCK YOUR HEAD

AND LIFT YOUR CHIN

YOU'VE GOT TO SHOW SO:ME SA VOIR FAIRE

COME ON AND SMILE

NOW 1RY A GRIN

YOU'VE GOT TO MAKE TIIE WORLD AWARE

OF WHAT'S AHEAD

NOT WHERE YOU'VE BEEN

AND IT WILL HELP TO TAKE YOU TIIERE

A LITTLE FAITH, A LITILE HOPE A S:MJLE TO PULL YOU THRU

AND YOU CAN MAKE YOUR EVERY DREAM COME 1RUE.

Beauty

You are all so kind. And I do appreciate what you're trying to do, but. ..

Narrator

But?

Mimi

But?

Fifi

But

49

Narr/Mimi/F ifi

But what?

Mimi & Fifi

A LITTLE FAITH

(Narr: Have faith.)

A LITTLE HOPE

(Have hope.)

AND YOU CAN MAKE A DREAM COME TRUE

(Sell it, girls.)

A LITTLE SMILE

(It's not a sin)

CAN HELP YOU COPE

(To wear a grin)

AND HELP YOU WORK YOUR TROUBLES THRU

Narrator

YOU'VE GOTTA CHASE AWAY TilE FROWNS

1HAT MAKE YOU MOPE

AND BID TOUGH TIMES ADIEU

Mimi & FIFI

A LITTLE F AITII

A LIITLE HOPE

Narrator

I GUARANTEE, IT'S TRUE

50

N arr/Mimi/F ifi

EVERYTifiNG CAN SOON WORK OUT FOR YOU.

(Narrator!Mimi/Fifi do a short dance)

Beauty

A LITTLE FAITH

(Narr: I think she's got it.)

A LITTLE HOPE

(Narr: Voila! She' got it.)

Beauty

CAN HELP ME MAKE MY DREAMS

COME TRUE

A LITTLE SMJLE

CAN HELP YOU COPE

AND HELP ME WORK MY

TROUBLESTI-IRU

I MUS1N'T FROWN

I MUS1N'T MOPE

I'VE GOT TO BID TOUGH TIMES ADIEU

All

A LITTLE FAITH

N arr/Mimi!Fifi

00-00

SMJLE

COPE

WORK THEM Tiffi.U

A CHRONIC

FROWNER

IS SUCH A DOWNER

TAKE THE TIME

TO BID THE BLUES

ADIEU

A LITILE HOPE A S.MILE TO PULL YOU THRU

AND YOU CAN MAKE YOUR EVERY DREAM COME 1RUE

51

Beauty

A LITTLE HELP FROM YOU

A SMrLE TO PULL ME TIIRU

All

AND SOON WE'LL SEE 11-IOSE DREAMS COME TRUE

BLACKOUT

(When the lights come up we are still in the sitting room of the

castle. A week has passed. The Beast seems to be humming to himself and

he performs little steps that look as tho he might be remembering a minuet

Mimi enters, sees the Beast, reacts to his 'dance' and leaves. She returns

with Fifi. They both react, then leave. They return bringing Jean Pierre.

As they stand looking the Beast turns to them.

Beast

Is there something you wanted?

Narrator

No, sir. We thought there might be something that you wanted.

Beast

Only that you get back to your work.

(Beauty enters)

Narrator

Beauty. You've been walking? In the gardens?

52

Beauty

Yes. I can't get over how lovely they are. Especially the roses.

Beast

I'll leave you.

Beauty

Why do you always leave the room when I come in?

Beast

I don't wish to disturb you.

Beauty

But you don't.

Beast

The way I look ... it can be disturbing.

Beauty

Not to me.

(The maids giggle)

Beast

(to maids) There must be something you should be doing.

Narrator

Sir, we noticed that you were dancing when we ...

53

Beauty

Dancing?

Beast

I was not.

Narrator

(to Beauty) We used to have wonderful balls here in the castle. Such parties.

The master was a very fme dancer.

Beast

I was not.

Narrator

(to Beast) Shall I get the harpsichordist to come in and play?

Beast

You will not.

Narrator

We could all dance. We ...

Beast

Jean Pierre!

DID YOU NOT HEAR?

WAS I NOT CLEAR?

IS TIIERE A REASON TIIA T YOU 1HINK I'M NOT SINCERE

~NIREQUESTTHATYOUBEQUlliT

STOP YOUR PRA TILE. PLEASE BE STILL.

YOU DON'T WANT TO MAKE !vfE ANGRY.

54

Narrator!Mimi/Fifi

NO, WE DON'T.

Beast

I TELL YOU 'STOP'

YOU HEED ME NOT

YOU JUST CONTINUE ON WHEN I PREFER YOU DROP

ALL OF THIS TALK OF BALLS AND DANCING

THAT'S ENOUGH! I'VE HAD MY FILL.

YOU DON'T WANT TO MAKE ME ANGRY.

Narr!Mimi/Fifi

NO, WE WONT.

Beast

(to Beauty)

I CAN'T EXPLAIN MY SUDDEN TANTRUMS

WHY MY TE:MPER'S NOT CONTROLLED

BUT YOU HAVE N01HING IN MY WORLD TO FEAR

FOR BEAUTY, YOU ARE QUEEN AND MISTRESS HERE.

Narr!Mirni!Fifi

Ahhhh.

55

Beast

(Turns back to them)

WELL, CARRY ON!

(to Beauty)

I 1HOUGHT THEY'D GONE.

(to others)

GO COOK A :MEAL. FLUFF SO:ME PILLOWS 1Rllvf THE LAWN

NO, WAIT!

I DON'T :MEAN TO SEEM UNGRATEFUL

YOU'VE BEEN LOYAL, THIS I KNOW

BUT, YOU DON'T WANT TO MAKE :ME ANGRY

N arr!Mimi/F ifi

NO, WEDON'T

AND WE WON'T

Beast

YOU DON'T WANT TO MAKE :ME ANGRY

NOW, GO!

(Narrator!Mimi/Fifi leave. Beauty starts to follow but Beast stops

her)

Beast ( cont)

NO.

(speaks)

56

I didn ,t mean you. (Beauty sits. The Beast seems unsure how to continue

and Beauty laughs) Is something funny? Do I strike you as some kind of

joke?

Beauty

No. Not at all. You know, they say your bark is worse than your bite.

Beast

They?

Beauty

Jean Pierre. Mimi and Fifi.

Beast

Well, they could be wrong. Fortunately, they have never had cause to find

out.

Beauty

And there is something about you that makes me think they never will.

Beast

I hope you are right. Beauty, are you happy here?

Beauty

I am not - unhappy.

Beast

Your father?

57

Beauty

Yes.

Beast

And your sisters.

Beauty

I shall always miss them. That will never change.

Beast

They are always with you. Your memories of them keep them with you.

Beauty

How can I be completely happy without them? At least to know they are

well and somewhat content.

Beast

And if I could show you that they are?

Beauty

What do you mean?

Beast

I have a way for you to see anyone you truly love. (He takes a large rose

from a vase and brings it to Beauty) Now, gently fold back the leaves. (she

does so) This rose is more precious than any in my garden. If you look

deeply inside the petals you can see everyone you love. The rose will show

you where they are, how they are, what they are doing.

58

(Music begins. The rose begins to glow. A mist

surrounds Beauty and the Beast)

Beauty

TIIERE'S A LIGHT THAT BLINDS MY EYES

(Beast: Fear it not.)

THERE'S A rvJIST THAT CLOUDS MY VISION

(Beast: You're ahnost there. Look deeply.)

BUT I TI-llNK THAT I CAN SEE

(Beast: What?)

I CAN SEE

FATIIER IN THE GARDEN

A BASKET AT IDS FEET

HE'S FILLING IT Willi BERRIES FROM A VINE

IT'S TilE MIDDLE OF THE DAY. IS THIS REALLY WHAT YOU SAY?

THE MAGIC OF MY MEMORIES?

LILY ATTHE TABLE

DOESN'T SHE LOOK SWEET?

THERE'S LIR.IOPE BESIDE HER LOOKING FINE.

DO YOU THINK TilEY LOOK CONTENT?

IS THIS REALLY WHAT YOU MEANT,

TilE MAGIC OF MY MEMORIES.

ARE TIIEY REAL OR JUST A DREAM

ARE TIIESE REFLECTIONS WHAT TilEY SEEM?

59

IF I'M REMEBERING, SHOULDN'T I BE 11-IERE?

AND IF THESE IMAGES ARE NOW

THENISMEMORYSOMEHOW

PLAYING 1RICKS? ISN'T THAT UNFAIR?

Beast

(speaks in time to the music)

WHAT YOU SEE THERE, BEAUTY

ISTRUE,BUTIREPEAT

EVERY IMAGE, EVERY FEELING THERE IS TIIINE

Beauty

SO,IFIPERCHANCESHOULDSEE

WHAT MY HEART IS TELLING ME

COULD THE MAGIC OF MY MEMORIES TAKE ME HOME?

ARE THEY REAL OR JUST A DREAM

ARE THESE REFLECTIONS WHAT 11-IEY SEEM

IF I'M REMEMBERING SHOULDN'T I BE THERE

I SEE THEM AND I WSS THEM

CAN I EVER BE CO:MPLETE

IF TIIEY'RENOT APART OF EVERYTillNGTHAT'S .MINE

Beast

BEAUTY,

YOUR WISH IS MY CO.M:MAND

60

Beauty

WHY CAN'T I MAKE YOU UNDERSTAND?

LET TIIE MAGIC OF MY l'vffiMORIES TAKE ME HOME.

(She closes the rose and the lights return to normal.

She hands the rose back to the Beast but he doesn't take it.)

Beast

No. It is yours.

Beauty

Thankyou. I shall cherish it.

Beast

I'll leave you to your memories. Perhaps you will allow me to join you at

dinner.

Beauty

I would like that. Very much.

(The Beast turns to leave, then hesitates, comes back, takes

Beauty's hand and bends to touch his lips to her hand. The music builds as

the Beast exits leaving Beauty to ponder what has just happened as the lights

FADE TO BLACK)

(When the lights restore we are once again in the sitting room.

Travail enters, looks about then beckons to Liriope and Lily who come in)

61

Liriope

Is the door always unlocked?

Father

Always.

Lily

I love this room.

Father

Shh. Not too loud. I'm going to look upstairs. You two look in the dining

hall. Beauty might be there. That way. And stay together. If you hear

anything, hide.

(They exit. Just as Travail starts to leave, Jean Pierre enters)

Narrator

Travail? What are you doing here?

Father

Oh, Jean Pierre. Please, don't give me away. I've come for Beauty. She's

been here long enough. My debt to your master is paid.

Narrator

This is not a good idea He wi11 know you're here. He senses things ... and

he'll know.

62

(Lily and Liriope return)

Liriope

Papa, we can't find ...

Narrator

Who are you?

Father

My daughters.

Narrator

(pointing to the daughters and naming incorrectly) Mademoiselle Lily?

And Liriope?

Lily

No! I'm Lily. That's Liriope.

Narrator

You must all leave. Now.

Liriope

That's exactly what we want to do. But not without our sister.

Narrator

My master could be here any minute ...

63

Lily

The Beast?

Father

Is Beauty upstairs?

Narrator

Please. Would all of you just go?

Lily & Liriope

No!

(they sing)

SHE'S OUR SISTER

AND WE .MISS HER

IF SHE CAME IN RIGHT NOW WE WOULD KISS HER

DOING CHORES USED TO BE LIKE A GAME

WITHOUT BEAUTY IT'S nJST NOT 1HE SAME.

USED TO DOUBT HER

BUT WITHOUT HER

ALL WE DO IS JUST WORRY ABOUT HER

WHEN WE THINK OF HER 1RAPPED WITII 1HA T J.3EAST IN TillS

CAS1LE ALONE tt¢An t 2i HOltdsMHI d pt1Af9

WE WISH SHE WERE HOME.

64

Father

I APPRECIATE ALL THAT YOU'VE DONE

BUT WE ruST CANNOT HEED YOUR ADVICE

WE ARE GOING TOT AKE HER FROM HERE

WHATEVER THE PRICE

(Speaks)

I'm going upstairs, Jean Pierre. (he leaves)

Narrator

Go after him. Reason with him. Take him out of here.

Liriope

We'll go after him, but only to fmd.t.Beauty.

Lily & Liriope

SHE'S OUR SISTER

AND WE MISS HER

AND WE'VE COME ALL THIS WAY TO ASSIST HER

AND WE WONT LEAVE HER TRAPPED WI1H TifAT BEAST IN TillS

CASTLE ALONE

WE'RE TAKING HER HO.ME.

(They leave to go upstairs)

Narrator

I am getting such a headache.

65

Beast

Jean Pierre.

(Beast enters)

Narrator

My headache is getting worse. (turns to Beast) Yes, Master?

Beast

Is someone in the castle who shouldn't be here?

Narrator

Why would you think that?

Beast

Something seems wrong. I sense that something is not as it should be. And

I'm feeling strange. Out of sorts.

Narrator

Shall I have Mimi fetch you a headache powder? I'm thlnking of having

one myself The powder. Not the headache. I mean, I've already got the

headache. I just need the powder.

Beast

Jean Pierre! What are you babbling about? Something is wrong, isn't it?

Narrator

Of course not. And if it is, I'll fix it.

66

Beast

Check the grounds. Be sure.

(The Beast leaves and almost irrunediately Lily and Liriope

enter)

Lily

How can you find anything around here? There are so many rooms.

Narrator

Where is your father?

Liriope

We thought you could tell us.

Narrator

Oh, why do you insist on making my life so difficult?

Lily & Liriope

SHE'S OUR SISTER

AND WE MISS HER

IF SHE CAME IN RIGHT NOW WE WOULD KISS HER

WHEN WE TillNK OF HER TRAPPED Willi TIIA T BEAST IN 1HIS

CASTLE ALONE

WE WISH SHE WERE HOME

WE WISH SHE WERE HOME

WHY? WHY CAN'T SHE COME HOME?

67

(They tum and see Travail enter with Beauty)

Lily & Liriope

Beauty! (they run to her and kiss her)

Father

(to Jean Pierre) I know you think this is foolish, Jean Pierre. But it is what

we must do. Goodbye.

Lily

Can we get out of here, now?

Beauty

Thank you, Jean Pierre. You have been a real friend. I shall miss you.

And .. . and ...

Narrator

Yes?

Beauty

And I shall miss ... the Beast.

Father

Come along.

(Father, Lily, Liriope and Beauty all leave. At the door Beauty

turns .. . )

Beauty

Yes. I shall miss the Beast. (leaves)

68

Narrator

Not as much as he shall miss you.

Beast

(entering) Jean Pierre. Where is Beauty?

Narrator

Is she not in the dining hall?

Beast

No.

Narrator

Did you check the gardens?

Beast

No. But I sense she is not there. Or anywhere in the castle.

Narrator

I' II have Fifi look upstairs,

Beast

Yes. Do that. I need to rest. I'm feeling very tired. Very ... tired.

(he leaves)

69

Narrator

The Beast gave you that rose?

Beauty

Yes. Do you know about this rose? It's magic? I open the petals and I can

see anyone I truly love ... (she opens the rose) like this .... and .. oh

Narrator

What is it?

Beauty

I see the Beast. But he looks sad. No .. not sad. He looks ill. Jean Pierre,

what is wrong with the Beast?

Narrator

He knows you are leaving ...

Beauty

Did you tell him?

Narrator

No need. He can feel it. He knows.

Beauty

Will he come after me?

70

Narrator

I think not. He wants you to be happy, Beauty. He will let you go. And his

sadness will turn to illness, I have no doubt. He will not want to go back to

living the life he had without you.

Beauty

But what will happen?

Narrator

What happens when one loses the will to live? One ....

Beauty

No. He cannot die. (closing the rose) I must go to him. Now. I must go to

him.

The lights fade to BLACK

(When the lights restore the Beast enters at the top of the stairs.

He is having difficulty walking. We hear the music of"The Magic of My

Memories." He falters and leans against the railing. Beauty enters).

Beauty

Beast! I have been looking for you. Please tell me it's not true. Tell me

you are not dying.

Beast

You are still here? But. .. you are leaving. I know. And you will not come

back.

71

Beauty

Please, Beast .. .

Beast

Dying will be much easier than living without you.

Beauty

But you will not be without me. I love you.

(sings)

I SEE YOU AND I LOVE YOU

CAN I EVER BE COMPLETE

IF YOU'RE NOT A PART OF EVER YTIIING 1HA T' S :tv1INE

TAKE MY HEART HERE IN YOUR HAND

CAN'T I MAKE YOU UNDERSTAND

YOU'RE THE MAGIC IN MY :MEMORY AND I'M HOME.

(The music builds. The Beast seems to slowly collapse behind

the railing. He is enveloped in a cloud of smoke)

Beauty

Beast. What's happening? You cannot die. Do you hear? I love you.

(The light from a mirror ball begins to swirl above the stairs

and light colors the smoke. Wind blows Beauty away from the stairs. The

72

lights begin to return to normal and as the smoke clears we see the Prince at

the top of the stairs)

Beauty

What has happened? You .... you are my .. . ?

Beast

Yes, Beauty. I am the beast. But, no more. The curse that turned me into a

beast was released once someone was able to love me. That someone is you,

isn't it?

Beauty

Yes. I do love you. With all my heart.

Father

(entering) Beauty. What is taking so long?

Beast

Monsieur Travail.

Father

Who are you? Where is the Beast?

Beast

I think we shall not see him again, sir. And you need not fear, for Beauty is

Queen and mistress here.

73

(The Beast leads Beauty off and as Travail stands looking

confused the Narrator enters)

Father

What? Queen? Beauty?

Narrator

(sings)

TIIERE' S A LESSON WE LEARN

FROM EACH PAGE TIIAT WE TURN

IN TillS BOOK WE CALL LIFE

TIIO IT HAPPENED A VERY LONG TIME AGO

IN A VILLAGE IN FRANCE CALLED LA VILLE BORDEAUX '

THERE IS SOMETIIING THAT EVERYONE HERE SHOULD KNOW

THE STORY GOES ON.

Father

HE WAS A BEAST

NOW HE'S A PRINCE

I MUST ADtvfiT I AM CONFUSED BUT I'M CONVINCED

THAT BEAUTY'S SAFE, THE BEAST IS GONE, TIIERE IS NO

CURSE

CAUSE WITH A CURSE

IT'S REALLY WORSE

74

(Lily and Liriope enter)

Liriope

We can't find her, Father.

Father

Oh, I've found her. And there's something you should know, my daughters.

I think we may be moving into the castle.

L&L

What?

Father

With Beauty.

L&L

(sing)

WITH OUR SISTER?

Father

AND HER :MISTER.

L&L

(to each other) DOES TillS MEAN WE DON'T NEED TO ASSIST HER?

IT'S NOT PARIS OR NORMANDY, CHARTRES, MARSEILLES OR

LYON

BUT THE CASTLE IS HO:rvffi.

75

N arr/F ather/Sisters

1HO IT HAPPENED A VERY LONG Tllv1E AGO

IN A VILLAGE IN FRANCE CALLED LA VILLE BORDEAUX

THERE'S SO:METIITNG TIIA T EVERYONE HERE SHOULD KNOW

THE STORY GOES ON

1HO IT'S 1RUE 1HA T 1HE TALE YOU HAVE HEARD US TELL

MAY HAVE BEEN TOLD BEFORE, MANY TThffiS ... AND WELL

BUT THE MORAL IS 1RUE, MESSIEURS, MADEMOISELLES

THE STORY GOES ON

(Beauty and the Prince enter. Beauty is dressed in a gown

befitting the Queen of the castle and is 'drop dead' gorgeous making this

moment alone worth the price of admission.)

ALL

SO IF SOMEDAY YOU'RE HERE IN LA VIE BORDEAUX

FIND OUR CASTLE AND STOP IN TO SAY 'HELLO'

BECAUSE YOU KNOW

THE STORY GOES ON

THE STORY GOES ON

THE STORY GOES ON.

The lights fade to BLACK ...

And they lived ever after.

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