Basic Photoclass (English version)

37
GOOD PICTURES ARE SMALL STORIES kellyvalencia.be & inedehandschutter.be Thursday 2 June 2011

description

A basic intro to photography, with some key elements that make a good picture and you should be aware of, and examples of some great photographers.English version upon popular demand.(Please ignore the mistakes. I'm not a native speaker...)

Transcript of Basic Photoclass (English version)

Page 1: Basic Photoclass (English version)

GOOD PICTURESARE

SMALL STORIES kellyvalencia.be & inedehandschutter.be

Thursday 2 June 2011

Page 2: Basic Photoclass (English version)

4 factorS

Thursday 2 June 2011

Page 3: Basic Photoclass (English version)

CONTENTLIGHT

COMPOSITIONTECHNIQUE

Thursday 2 June 2011

Page 4: Basic Photoclass (English version)

1/CONTENT

Thursday 2 June 2011

Page 5: Basic Photoclass (English version)

A PICTURE SHOULD TELL A STORY

A good picture should be able to tell what can’t be said in words and makes the viewer see something.

Upon looking at a picture you should feel passion, beauty, curiosity, sadness, .... The viewer should feel involved in the picture/subject.

Thursday 2 June 2011

Page 6: Basic Photoclass (English version)

© Carl De Keyzer

Thursday 2 June 2011

Page 7: Basic Photoclass (English version)

© Tim Dirven

Thursday 2 June 2011

Page 8: Basic Photoclass (English version)

© Nick Hannes

Thursday 2 June 2011

Page 9: Basic Photoclass (English version)

2/LIGHT

Thursday 2 June 2011

Page 10: Basic Photoclass (English version)

PHOTOGRAPHY IS WRITING WITH LIGHT

No light means no picture. Photography needs light to be able to reflect something.

There are different sorts of light, defining the look and feel and mood of a picture.

When no natural light is available, we can add light to the subject. For example: add lamps, or bring in flashlight

Thursday 2 June 2011

Page 11: Basic Photoclass (English version)

NATURAL LIGHT

The sun. Or the available light.

Thursday 2 June 2011

Page 12: Basic Photoclass (English version)

© Sally Mann

Thursday 2 June 2011

Page 13: Basic Photoclass (English version)

FLASH

When we have no light, we can add light to the picture.

Thursday 2 June 2011

Page 14: Basic Photoclass (English version)

FLitslicht

Wanneer er geen licht is kunnen we er licht bijhalen.

© Jimmy Kets

Thursday 2 June 2011

Page 15: Basic Photoclass (English version)

Backlight

When the light comes from behind the subject.

Thursday 2 June 2011

Page 16: Basic Photoclass (English version)

TEGENlicht

Als het licht van achter de persoon komt

Thursday 2 June 2011

Page 17: Basic Photoclass (English version)

3/Composition

Thursday 2 June 2011

Page 18: Basic Photoclass (English version)

The lines, the structure, the form, the perspective…

They define whether the content is brought in an interesting way.

Composition makes an image stronger and supports the content.

Thursday 2 June 2011

Page 19: Basic Photoclass (English version)

© Salvador Dali

Thursday 2 June 2011

Page 20: Basic Photoclass (English version)

© Cartier-Bresson

Thursday 2 June 2011

Page 21: Basic Photoclass (English version)

Thursday 2 June 2011

Page 22: Basic Photoclass (English version)

Birds eye…

From above

Thursday 2 June 2011

Page 23: Basic Photoclass (English version)

Frog perspective…

From below

Thursday 2 June 2011

Page 24: Basic Photoclass (English version)

4/Technique

Thursday 2 June 2011

Page 25: Basic Photoclass (English version)

Technique IS KEY But doesn’t make a good picture.

It is important to use the right technique: the right kind of film, the right light, the right choice of objective, with an aparture or speed that fits the subject. For one purpose: make the picture what it can be.

But only technique doesn’’t make a good picture. It all starts with seeing the subject and framing it.

Thursday 2 June 2011

Page 26: Basic Photoclass (English version)

Aperture.

Or diaphragm.It defines the depth of field of an image.

Defines if an image is sharp from front to infinity, or only a part of it.

Generally: low value means low depth of field (2.8 or 4)High value means a high depth of field (16 or 22)

Thursday 2 June 2011

Page 27: Basic Photoclass (English version)

© Stephan Vanfleteren

Thursday 2 June 2011

Page 28: Basic Photoclass (English version)

© Jan Kempenaers

Thursday 2 June 2011

Page 29: Basic Photoclass (English version)

SHUTTERSPEED.

How long the shutter is open.Fast ‘click’ or long ‘cliiiiiick’

Makes a picture ‘moved’ (slow shutterspeed) or ‘frozen’.

Generally: through speed you can add dynamics, by moving elements.1/60 is the standard value: it is fast enough so you don’t move yourself. For everything below it is advisable to use a tripod.

Thursday 2 June 2011

Page 30: Basic Photoclass (English version)

Thursday 2 June 2011

Page 31: Basic Photoclass (English version)

© Sebastio Salgado

Thursday 2 June 2011

Page 32: Basic Photoclass (English version)

ISO.

Of film sensitivity.The higher the ISO, the more you can make pictures in darker circumstances.

High ISO add more ‘noise’ or ‘grain’. Lower ISO-have less noise and result in a sharper images.

Generally: always choose the lowest ISO possible.

Thursday 2 June 2011

Page 33: Basic Photoclass (English version)

LENS.

Or objective.There are wide angle, standard or tele lenses.Zoom lenses often combine some of them

Wide angle: everything belows 35mmTele: alles beyond 50mmStandard: 35 or 50mm

Generally: Wide angle is perfect for landscapes. 85mm is perfect for portraits.

Thursday 2 June 2011

Page 34: Basic Photoclass (English version)

Questions?

Thursday 2 June 2011

Page 35: Basic Photoclass (English version)

OFF WE GO THEN...

Thursday 2 June 2011

Page 36: Basic Photoclass (English version)

All pictures © by Ine Dehandschutter & Kelly Valencia or their respective owners

Thursday 2 June 2011

Page 37: Basic Photoclass (English version)

Ine Dehandschutterwww.inedehandschutter.bewww.matuvu.nu

Kelly Valenciawww.kellyvalencia.be

Thursday 2 June 2011