BAROQUE ART 1600-1700. Baroque was a reaction against the artificial stylization of Mannerism. It...
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Transcript of BAROQUE ART 1600-1700. Baroque was a reaction against the artificial stylization of Mannerism. It...
BAROQUEART
1600-1700
Baroque was a reaction against the artificial stylization of Mannerism. It spread throughout Europe during the 17th century. Among the great Baroque masters were the Italian painter Caravaggio and sculptor Bernini, the Flemish artist Rubens, Velazquez from Spain, and Rembrandt, the greatest of all Dutch painters.
Baroque art is identified by realistic subjects that depict spectacular action and generate powerful emotions. Religious, mystical and historical subjects, which were often propaganda for the Church or State, were brought to life with characters in contemporary clothing, by naturalistic painting of outstanding virtuosity, dramatic lighting (chiaroscuro) and bold asymmetric and diagonal compositions.
The Stigmatization of Saint Francis
Caravaggio
1596(Oil on canvas)
•
Supper at Emmaus Caravaggio, 1600-1601Oil on canvas54 3/4 x 76 3/4 in., National Gallery, London
Judith Beheading Holofernes Caravaggio, 1598, RomeOil on canvas56 3/4 x 76 3/4 in.
• Caravaggio • 1598
Oil on canvas56 3/4 x 76 3/4 in.Galleria Nazionale dell'Arte Antica, Rome
• Judith, (a woman embodying the power of the people of Israel to defeat the enemy, though superior in numbers, by means of cunning and courage) sought out Holofernes in his tent, got him drunk, then beheaded him. The sight of their commander's bloodstained head on the battlements put the enemy to flight.
• The original bare breasts of Judith were later covered by the semi-transparent blouse
Judith Beheading Holofernes
The Conversion of Saint Paul
Caravaggio, 1600-1601, Rome Oil on canvas90 1/2 x 70 in
Flemish Baroque
(This was the Catholic section of the Netherlands. Notice the Spanish and
Counter-Reformation influence)
The Elevation of the Cross
Peter Paul Rubens•1610-11•Antwerp
The Descent from the Cross
Peter Paul Rubens•1611-14•Antwerp
Prometheus Bound
Peter Paul Rubens1610 / 1612Philadelphia Museum of Art
Fall of Man
Peter Paul Rubens1629Prado, Spain
Three Graces
Peter Paul Rubens1635Prado, Spain
Bottocelli’s Primavera, 1482
ROCOCOART
1700-1775
Rococo is a term that derives from the French word ‘rocaille’ which means rock-work, referring to a style of interior decoration that swirls with arrangements of curves and scrolls. The style was essentially French but spread throughout Europe.
As Mannerism was a stylistic reaction to Renaissance art, so Rococo was a decorative response to the realism of Baroque. While some authorities consider Rococo to be a refined, elegant, and allegorical style, others judge it as pompous, indulgent and pretentious.
Notable Rococo artists were Watteau, Boucher and Fragonard in France, Tiepolo, Guardi and Canaletto in Italy, and to some extent Hogarth in England.
The Music Room from Norfolk House, St James's Square, London
Rococo design is often not symmetrical.
Curved forms are common in Rococo. They often resemble the letters S and C
Bavaria, GermanyWeiskirche Basilica at Ottobeuren
Venus and Cupid 1750-1760- Francois Boucher
Boucher, pastoral and mythological scenes, work embodies the frivolity and sensuousness of the rococo style
The SwingBy Jean-Honore Fragonard, 1760
It is considered to be one of the masterpieces of the rococo era, and is Fragonard's best known work.
NEO-CLASSICART
1765-1850
Neoclassicism was a reaction against the pomposity of Rococo. This was the Age of the Enlightenment and political, social and cultural revolution were in the air. Artists needed a serious art for serious times and once again they looked back to the art of Antiquity as their model.
Inspired by the archaeological discoveries (a new science) at Herculaneum and Pompeii, Neoclassicism had a historical accuracy that earlier classical revivals lacked. Historical scenes of heroism and virtue were used as patriotic propaganda or allegories on contemporary circumstances.
Jacques Louis David and Jean Auguste Dominique Ingres were the outstanding virtuosos of Neoclassical painting.
Death of Socrates by French artist Jacques-Louis David, 1787 (The Louvre, Paris)
Death of Socrates by Jacques-Philip-Joseph de Saint-Quentin, 1738
Oath of the Horatii by French artist Jacques-Louis David, 1784 (The Louvre, Paris)
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LATER ART(to be covered in next unit)
The Death of Marat, Jacques-Louis David1793
Napoleon Crossing the Alps,Jacques-Louis David1793
ROMANTICART
1765-1850
Romanticism valued the expression of emotion over the control of Classicism. This was achieved through spectacular painting technique and the choice of emotive and sensual subjects which often commemorated dramatic contemporary and historical events.
In France, Delacroix and Géricault were the pioneers of Romanticism; in England, it was Turner and Constable; in Germany, Caspar David Friedrich and in Spain, Goya.
Liberty Leading the People, Eugene Delacroix1830