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Transcript of Bard brochure
THE BARD COLLEGE
CONSERVATORY OF MUSIC
Undergraduate Study
The Bard Conservatory Orchestra, conducted by Leon Botstein, performing in Lincoln Center’s Alice Tully Hall, New York City
2 BARD CONSERVATORY OF MUSIC
OUTSTANDING FACULTY
The Bard Conservatory’s faculty members are renowned performing musicians whose
artistry is featured in the world’s great concert halls. They are on campus weekly
to give lessons, coach chamber ensembles, offer master classes, hold studio classes,
and lead sectional rehearsals of the orchestra. On occasion, the Conservatory
arranges for students to travel to New York City or elsewhere in the Hudson Valley
for lessons. The curricular resources of the Bard College Music Program are also
available to Conservatory students.
Robert Martin, DirectorMelvin Chen, Associate Director
Ani Kavafian and students in a master class, Olin Hall
bard.edu/conservatory 3
UNDERGRADUATE FACULTY
VIOLIN
Eugene Drucker
Yi-Wen Jiang
Ani Kavafian,
master classes
Ida Kavafian
Soovin Kim
Weigang Li
Daniel Phillips
Laurie Smukler
Arnold Steinhardt
VIOLA
Steven Tenenbom
Michael Tree
Ira Weller
CELLO
Sophie Shao
Peter Wiley
DOUBLE BASS
Marji Danilow
Leigh Mesh
HARP
Sara Cutler
Bridget Kibbey
PIANO
Melvin Chen
Jeremy Denk
Richard Goode,
master classes
Peter Serkin
FLUTE
Nadine Asin,
master classes
Tara Helen O’Connor
OBOE
Laura Ahlbeck
Richard Dallesio
Elaine Douvas
Nicholas Stovall
CLARINET
Laura Flax
David Krakauer
Anthony McGill
BASSOON
Marc Goldberg
Patricia Rogers
HORN
Julie Landsman
Jeffrey Lang
Julia Pilant
TRUMPET
Carl Albach
TROMBONE
Demian Austin
John Rojak
TUBA
Alan Baer
PERCUSSION
So Percussion:
Eric Beach
Josh Quillen
Adam Sliwinski
Jason Treuting
Daniel Druckman, adviser
Jonathan Haas, adviser
Tzong-Ching Ju, adviser
Garry Kvistad, adviser
Jan Williams, adviser
Greg Zuber, adviser
COMPOSITION
Joan Tower
George Tsontakis
Da Capo Chamber Players,
in residence
ORCHESTRAL STUDIES
Leon Botstein
Luis Garcia-Renart
Erica Kiesewetter
PERFORMANCE PRACTICE
ADVISERS
Raymond Erickson
Stephen Hammer
MUSIC THEORY AND HISTORY
Leon Botstein
Christopher H. Gibbs
John Halle
Peter Laki
ALEXANDER TECHNIQUE
Alexander Farkas
4 BARD CONSERVATORY OF MUSIC
ORCHESTRA
The Bard Conservatory Orchestra performs several
concerts each semester and at least four times
each year in The Richard B. Fisher Center for the
Performing Arts at Bard College. The Orchestra
made its New York City debut in May 2009 at Alice
Tully Hall in a concert of Elgar, Perle, and Mahler,
conducted by Bard President Leon Botstein and
featuring faculty Melvin Chen and Dawn Upshaw as
soloists. The orchestra performs regularly at the
Eastern NY Correctional Facility as part of the Bard
Prison Initiative, recently gave a concert at Harvard
University, and performed in a side-by-side concert
with members of the American Symphony
Orchestra, conducted by Botstein. In spring 2012,
the Conservatory Orchestra will give its first tour
of China.
CHAMBER MUSIC AND SOLO OPPORTUNITIES
Students perform in chamber music and special
contemporary music concerts throughout the
year. Students and faculty perform together in the
Conservatory Sunday series at the Fisher Center’s
Sosnoff Theater, and in regional chamber music
series.
Students also give shared or full-length solo recitals,
with their teacher’s permission. Each year, as many as
three winners of a concerto competition perform as
soloists with the American Symphony Orchestra, con-
ducted by Botstein, in the orchestra’s Fisher Center
series. Conservatory students have also been soloists
with the Albany Symphony Orchestra, Tasmanian
Symphony Orchestra, Woodstock Chamber
Orchestra, and other professional ensembles.
top
Students perform at a house concert
in Beijing.
above and facing page
The Bard Conservatory Orchestra
performs in Alice Tully Hall,
Lincoln Center, New York City.
6 BARD CONSERVATORY OF MUSIC
“Two of my sons had opportunities to go to outstanding conservatories and
universities for their music studies. They chose Bard because they desired a
well-rounded education in liberal arts along with music. They love the
diversity at Bard, the professors are exceptional, and they especially enjoy
being part of a growing, unique five-year program.”
Elizabeth Moore, parent of Shawn ’11 and Scot ’13
John Rojak and students in Olin Hall
bard.edu/conservatory 7
INTIMATE SIZE
Bard Conservatory’s undergraduate student body
numbers 90 and may grow in later years to approxi-
mately 100. Bard’s total undergraduate annual
enrollment, including non-Conservatory liberal arts
students, is approximately 1,900. This intimate size
allows Bard to offer personalized, nurturing attention
to each of its students, including such signature
opportunities as mixed faculty-student performances
for its Conservatory students and the full-year Senior
Project for all majors.
A WELL-ROUNDED EDUCATION
The unique curriculum of The Bard College
Conservatory of Music is guided by the principle that
musicians should be broadly educated in the liberal
arts and sciences to achieve their greatest potential.
All Conservatory students pursue a five-year program
leading to two degrees: the bachelor of music and
the bachelor of arts in a field other than music. The
pursuit of these two degrees at Bard is thoroughly
integrated. Conservatory students live, eat, and
attend most classes with non-Conservatory students,
and are fully part of the academic and social life of
the College.
The bachelor of music program contains many
innovative components: all performance majors
study composition, and the Conservatory Seminar
integrates music theory and music history with
special emphasis on their relation to performance.
The curricula of the Conservatory and the College
are flexible, allowing participants to create the
sequence of music and other courses that best suits
each student. The aim of the Conservatory and the
College is to foster a unified learning environment
where the serious study of music goes hand in
hand with the education of the whole person.
top
Melvin Chen and student in Blum Hall
center
Biology professor Felicia Keesing (right)
with students
bottom
Humanities professor Daniel
Mendelsohn (lower right) with students
For Ravel’s L’ Enfant et les sortileges, produced by the Bard Conservatory’s Graduate Vocal Arts Program, the Bard
Conservatory Orchestra performs under the direction of James Bagwell.
Flanked by officials of the Fischoff National Chamber Music Competition, silver medalist
Chimeng String Quartet (from left): Shuangshuang Liu ’11, Jia Cao ’11, Luosha Fang ’11,
and Yang Li ’12
10 BARD CONSERVATORY OF MUSIC
“I had amazing opportunities here, from performing with faculty members to
having master classes with great musicians. Some of my best memories at
Bard are of chamber music: I’ve had truly inspiring coachings, groups filled
with incredibly talented peers, and rehearsals where I’ve learned almost as
much diplomacy as music.”
Tina Zhang ’09, Rice University ’11, associate principal second violin, Houston Symphony
bard.edu/conservatory 11
A RECORD OF SUCCESS
Bard Conservatory undergraduates have distinguished themselves through:
Graduate School Acceptances, Music Performance
Boston UniversityThe Colburn SchoolThe Curtis Institute of MusicIndiana University The Juilliard SchoolManhattan School of MusicMannes College The New School for Music
New England ConservatoryNorthwestern University Rice University SUNY Stony BrookUniversity of Southern California
Other Graduate and ProfessionalSchool AcceptancesCalifornia Institute of TechnologyJohns Hopkins UniversityUniversity of California, BerkeleyUniversity of California, Los AngelesUniversity of North Carolina at Chapel Hill
University of Texas at AustinWashington University School ofMedicine in St. Louis
Music Festival AcceptancesAspen Music Festival and SchoolAtlantic Music FestivalBanff Summer Arts FestivalBowdoin International Music FestivalCastleton FestivalColorado Music FestivalEuropean American Musical AllianceSummer Composition Program
Kent/Blossom Music and Arts FestivalKneisel Hall Chamber Music Festival
Manchester Music FestivalMusic Academy of the West SummerFestival
New York String Orchestra SeminarPacific Rim Music FestivalPierre Monteux SchoolQuartet ProgramRound Top Festival InstituteSchleswig-Holstein Music FestivalTanglewood Music CenterVerbier FestivalWest-Eastern Divan OrchestraYellow Barn Music School and Festival
Competitions and JobsBergen Philharmonic Orchestra YoungArtist’s Competition, first prize, 2011
Fischoff National Chamber MusicCompetition, silver medal, 2010
Houston Symphony, associate principalsecond violin
Michael Hill International ViolinCompetition, finalist, 2011
Class of 2011 Graduate SchoolDecisions, Music PerformanceThe Curtis Institute of Music (3 students)
The Juilliard SchoolNew England ConservatoryThe Shepherd School of Music at Rice University
SUNY Stony BrookYale School of Music (4 students)
Other alumni/ae are pursuing their academic interests in graduate schoolsat the University of Texas at Austin andUniversity of Amsterdam, among others.
12 BARD CONSERVATORY OF MUSIC
OUTSTANDING FACILITIES
The various rehearsal and performance spaces on
campus are ideally suited to fit the needs of
Conservatory students. Ample practice rooms,
many with grand pianos, are available in the Edith C.
Blum Institute and in Robbins House residence hall;
in addition, unused classrooms become practice
rooms. The Conservatory Orchestra rehearses and
performs in the Frank Gehry–designed Fisher
Center for the Performing Arts. Other Conservatory
events are held in the 400-seat Olin Hall and in
Blum Hall, Bard Hall, and the College chapel.
A new state-of-the-art Conservatory building, made
possible by a gift from László Z. Bitó ’60, and due
to be completed at the end of 2012, will contain
teaching studios, classrooms, and a large perform-
ance space. A practice facility is also being built.
ADDITIONAL RESOURCES
Distinct from the Conservatory of Music, the Music
Program of Bard College offers a full curriculum lead-
ing to a B.A. degree that includes courses in music
history, music theory, composition, electronic music,
jazz studies, ethnomusicology, and a variety of work-
shops and ensembles, all of which are open to
Conservatory students. The Conservatory and Music
Program share classroom, performance, and practice
spaces and work together on a variety of projects.
The Conservatory’s Postgraduate Collaborative
Piano Fellowship brings to the campus recent grad-
uates of distinguished conservatories to work with
undergraduate and graduate students.
In addition to the B.M./B.A. dual degree, the
Conservatory also offers M.M. degrees in voice and
both orchestral and choral conducting, as well as a
postgraduate certificate in advanced performance
studies.
top
Laura Flax coaches chamber music
in the Blum Institute.
center
Bard Hall (recital space)
bottom
Joan Tower with student
bard.edu/conservatory 13
The Edith C. Blum Institute, home of the Conservatory of Music and the Bard College
Music Program
“For the curious, the musical, the intellectual, it’s a great choice, as the message
here—both by intent and example—is that there are no boundaries
between art and academics, and that the study of both may bring the fullest
potential to each.”
Marc Goldberg, bassoon faculty
14 BARD CONSERVATORY OF MUSIC
IDEAL LOCATION
The Conservatory is on Bard’s beautiful 500-acre wooded campus along the Hudson
River, 90 miles north of New York City. Majestic views of the Catskill Mountains
across the river can be seen from the grounds and from many student residences.
Bard’s pastoral setting is ideal for undistracted study, yet within easy reach of New
York City’s vibrant cultural (and culinary) riches.
Bard College hosts concerts throughout the year, offering music for every taste, from
classical to jazz, opera, cabaret, rock, and folk music. The Bard Music Festival,
founded in 1990, offers an in-depth look at the world of a prominent composer
through a two-weekend program of performances, panel discussions, and lectures.
A rugby game on the Seth Goldfine Memorial Field in front of the Stevenson, Hoffman, and
Kellogg Libraries
bard.edu/conservatory 15
ABOUT BARD COLLEGE
Founded in 1860, Bard is an independent, nonsec-
tarian, residential, coeducational college offering a
four-year B.A. program in the liberal arts and sci-
ences and a five-year B.S./B.A. degree in econom-
ics and finance, as well as The Conservatory of
Music’s dual B.M./B.A. and graduate degrees. Bard
and its affiliated institutions also grant the following
degrees: A.A. at Bard High School Early College, a
public school with campuses in New York City
(Manhattan and Queens) and Newark, New Jersey;
A.A. and B.A. at Bard College at Simon’s Rock: The
Early College, in Great Barrington, Massachusetts,
and through the Bard Prison Initiative at five penal
institutions in New York State; M.A. in curatorial
studies, and M.S. in environmental policy and in cli-
mate science and policy at the Annandale campus;
M.F.A. and M.A.T. at multiple campuses; and M.A.,
M.Phil., and Ph.D. in the decorative arts, design his-
tory, and material culture at the Bard Graduate
Center in Manhattan. Internationally, Bard confers
dual B.A. degrees at the Faculty of Liberal Arts and
Sciences, St. Petersburg State University, Russia
(Smolny College), and American University of
Central Asia in Kyrgyzstan; and dual B.A. and
M.A.T. degrees at Al-Quds University in East
Jerusalem.
Bard offers nearly 50 academic programs in four
divisions. Total enrollment for Bard College and its
affiliates is approximately 3,900 students. The
undergraduate college has an enrollment of more
than 1,900 and a student-to-faculty ratio of 10:1.
For more information about Bard College, visit
www.bard.edu.
top
Stone Row (residence halls)
above
The Gabrielle H. Reem and Herbert J.
Kayden Center for Science and
Computation (László Z. Bitó ’60
Auditorium and the Lynda and
Stewart Resnick Science Laboratories)
bard.edu/conservatory
1 Albee (offices, classrooms, and laboratories)
2 Alumni Houses (residence halls): Bluecher,
Bourne, Honey, Leonard, Obreshkove,
Rovere, Rueger, Shafer, Shelov, Steinway,
Wolff
3 Annandale Hotel (Publications and Public
Relations Offices) (off map)
4 Annandale House (Residential Life,
Multicultural Affairs)
5 Aspinwall (classrooms and faculty offices)
6 Bard College Field Station
7 Bard Hall (recital space)
8 Bertelsmann Campus Center (bookstore,
café, post office, Weis Cinema, Career
Development and Student Activities Offices)
9 Blithewood (Levy Economics Institute)
10 Blum Institute (Bard College Conservatory
of Music offices) and Ottaway Film Center
at Avery Arts Center
11 Brook House (residence hall)
12 Buildings and Grounds, Financial Aid Office,
and Student Accounts
13 Carriage House (Central Services)
14 Center for Curatorial Studies and Hessel
Museum of Art
15 Chapel of the Holy Innocents
16 Community Garden
17 Cruger Village (residence halls): Bartlett, Keen
North, Keen South, Maple, Mulberry, New
Cruger, Oberholzer, Sawkill, Spruce,
Stephens, Sycamore
V Fairbairn (faculty offices, residence): see
Warden’s Hall
18 Feitler House (residence hall) (off map)
19 Fisher Annex (MFA Program offices)
20 The Richard B. Fisher Center for the
Performing Arts (Theater and Dance
Programs)
21 Fisher Studio Arts Building
22 The Gabrielle H. Reem and Herbert J.
Kayden Center for Science and Computation
23 Gahagan (residence hall)
24 Hegeman Hall (Bard CEP)
25 Henderson Computer Resources Center
26 Henderson Technology Laboratories
27 Hirsch Hall (residence hall)
28 Hopson Cottage (Admission Office)
V Hopson (faculty offices, residence): see
Warden’s Hall
29 Anna Jones Memorial Garden
30 Kline Commons (dining facility)
31 Libraries (Stevenson, Hoffman, Kellogg)
32 Lorenzo Ferrari Soccer Complex
33 Ludlow (administrative offices)
34 Abigail Lundquist Botstein Nursery School,
Bard Community Children’s Center
35 Old Gym (Safety and Security Office, student
activity spaces)
36 Franklin W. Olin Hall (auditorium) and
Humanities Building
37 F. W. Olin Language Center
38 Jim and Mary Ottaway Gatehouse for
International Study (IILE and Human
Rights Project offices)
39 Parliament of Reality by Olafur Eliasson
40 President’s House
41 Preston (classrooms, offices)
42 Robbins House (residence hall, Student
Health and Counseling Service)
43 David Rose Science Laboratories
44 Sands House (residence hall)
V Seymour (Bard Music Festival Office): see
Warden’s Hall
45 Shafer House (faculty offices) (off map)
46 Sottery Hall (BRAVE, Institute for Writing and
Thinking, Office of Program Development)
47 South Hall (residence hall)
48 Stevenson Gymnasium
49 Stone Row (Academic Resources Center,
BEOP, residence halls): North Hoffman, South
Hoffman, McVickar, Potter
50 Tewksbury Hall (residence hall)
51 Tremblay Hall (residence hall)
52 Village Dormitories
53 Ward Manor (residence hall, Manor House
Café)
54 Ward Manor Gatehouse (Graduate Vocal
Arts Program)
55 Warden’s Hall (faculty and program offices,
residences): Fairbairn, Hopson, Seymour*
56 Woods Studio (Photography Program)
THE BARD COLLEGE CONSERVATORY OF MUSIC
PROGRAMS
Undergraduate Study
Graduate Vocal Arts Program
Graduate Conducting Program
Preparatory Division
Postgraduate Collaborative Piano Fellows Program
Artist-Fellow Program
Hungarian Visiting Fellows Program
For faculty biographies and information on admission, curriculum requirements,
fees and expenses, financial aid, graduate and additional programs, and more,
visit www.bard.edu/conservatory.
Application deadline: January 1
The Bard College Conservatory of MusicPO Box 5000
Annandale-on-Hudson, NY 12504-5000
845-758-7196
Cover photo: The Richard B. Fisher Center for the Performing Arts at Bard College
Published by the Bard College Publications Office. ©2011 Bard College. All rights reserved.Photography Peter Aaron ’68/Esto: cover, 12 (center), 14, 15 ; Scott Barrow: 7 (bottom); Courtesy of the Bard CollegeConservatory: 4 (top); Samuel Joseph: 10; Don Hamerman: 7 (center); Karl Rabe: 2, 6, 7 (top), 8, 9, 12 (top and bottom),13, back cover; Noah Sheldon: 12; Cory Weaver: inside front cover–1, 4 (bottom), 5. Illustration Mark Hess: 16–inside back cover
The Bard College Conservatory of MusicAnnandale-on-Hudson, New York
Ida Kavafian and Luosha Fang ’11