B4fr

C#m4fr

G#m4fr

E6fr

D#sus46fr

D#

q = 121

Synth. Bass arr. for Guitar

[B]

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

5

Synth. Bass arr. for Gtr. Fig. 2 (below)

Piano arr. for Gtr.B

C#m

G#m

E

Fig. 1

11

1211

11 12 12

14

13

13

12 1114

1112

13

11 12 12

12

13

13

12 1114

9

1.Far

B

a way,

-

C#m

this ship

has tak

en- me

far

G#m

a way,

-

E

far

a way

- from the

Synth. Bass arr. for Gtr.

Fig. 2

2 2 2 2 2 2 2 4 4 4 4 4 4 2 4 66 6 6 6 6 6 6 2 2 2 2 2 2 1 2 4

20

STARLIGHTWords and Music by Matthew Bellamy

© 2005 Loosechord Limited Warner/Chappell Music Ltd, London W6 8BS

Notation of other guitar techniquesPicking hand techniques:

P.S.

6 6 6 6

0 4 5 7 0 XX 10

3 6 11

3 6 11

5 8 13

5 8 10

3 6 11

3 6 11

5 8 13

5 8

6 6 6 6

P.M. P.M.

P.M.

rake

rake

0

0

0

0

0

0

3

535

353366

35

XXXXX

35

353366

35

35

8XXXX3

022200

022100

1. 3.2. 4.

5. 6. 7. 8.

1. Down and up strokesThese symbols show that the first and third notes are to be playedwith a down stroke of the pick and the others up strokes.

2. Palm muteMute the notes with the palm of the picking hand by lightly touching the strings near the bridge.

3. Pick rakeDrag the pick across the indicated strings with a single sweep. Theextra pressure will often mute the notes slightly and accentuate thefinal note.

4. Arpeggiated chordsStrum across the indicated strings in the direction of the arrow headof the wavy line.

5. Tremolo pickingShown by the slashes on the stem of the note. Very fast alternatepicking. Rapidly and continuously move the pick up and down oneach note.

6. Pick scrapeDrag the edge of the pick up or down the lower strings to create ascraping sound.

7. Right hand tapping‘Tap’ onto the note indicated by a ‘+’ with a finger of the pickinghand. It is nearly always followed by a pull-off to sound the notefretted below.

8. Tap slideAs with tapping, but the tapped note is slid randomly up the fretboard, then pulled off to the following note.