Australian and New Zealand Art History … and New Zealand Art History Historiographical...

Journal of Art Historiography Number 4 June 2011

Australian and New Zealand Art History

Historiographical Bibliography

Incorporating the

Australian Art and Design History bibliography Including texts relating to interiors, architecture, furniture,

decorative arts and crafts; texts published pre-1995,

including certain primary sources

Prepared by Professor Peter McNeil

Compiled by Dr Benjamin Thomas

Thomas and McNeill Australian and New Zealand Art Historiography Bibliography

2

CONTENTS

ART HISTORIOGRAPHICAL

INDIVIDUAL ARTISTS, PATRONS, COLLECTORS – biography/ monographic studies

INDIGENOUS ART - Australian and New Zealand

GENERAL WORKS

- Colonial Period

- Victorian Period

- Australian Impressionist School

- Modernism

- Contemporary

- Collections

- Australian Landscape

- Cross - cultural influence

- Survey works

PHOTOGRAPHY

ART EDUCATION

WOMEN AND ART

ART MARKET

CONTEMPORARY ART

AUSTRALIAN ART AND DESIGN HISTORY prepared by Professor Peter McNeil

- relating to interiors, furniture, decorative arts and crafts, published pre 1995, including

certain primary sources

ORAL HISTORIES

THESES AND UNPUBLISHED MANUSCRIPTS


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ART HISTORIOGRAPHICAL

ANDERSON, Jaynie, ‗Smith of the Antipodes‘, Modern Painters, 1: 3, 1988, 91-2.

ANDERSON, Jaynie, ‗In homage to Ursula Hoff on her ninetieth birthday‘, Art in Australia, 38: 2,

1999, 250-57.

ANDERSON, Jaynie, ‗Art history‘s history in Melbourne: Franz Philipp in correspondence with

Arthur Boyd‘, Australian and New Zealand Journal of Art, 1: 2, 2000, 111-29.

ANDERSON, Jaynie, ‗Ursula Hoff, 1909-2005‘, Art and Australia, 43: 1, Spring 2005, 27.

ANDERSON, Jaynie, ‗Interrogating Joe Burke and His Legacy‘, Joseph Burke Lecture 2005,

published in Melbourne Art Journal, 8, 2005, 88-101.

BEILHARZ, Paul, ‗Bernard Smith – Imagining the Antipodes‘, Thesis Eleven: critical theory and

historical sociology, 38, May 1994, 93-103.

BRADLEY, Anthony and SMITH, Terry, Australian art and architecture: essays presented to

Bernard Smith, Melbourne: OUP, 1980.

BUTLER, Rex, A secret history of Australian art, St. Leonards: Craftsman House, 2002.

BUTLER, Rex, ed, What is appropriation?: an anthology of critical writings on Australian art in

the „80s and „90s, Sydney: Power Publications and Institute of Modern Art, 1996.

BUTLER, Rex, ed, Radical revisionism: an anthology of writings on Australian art, Fortitude

Valley: Institute of Modern Art, 2005.

BUTLER, Rex, and DONALDSON, A.D.S., ‗Outside in: Against a history of reception‘, Art and

Australia, 46: 3, Autumn 2009, 432-37.

COURSE, Laurence, Professor Emeritus Sir Joseph Burke, KBE: Foundation Professor of The

Herald Chair of Fine Arts at the University of Melbourne, 1947-1979, Melbourne: Victorian

Artists‘ Society, 1992.

EICHBERGER, Dagmar, ‗Ursula Hoff: a tribute‘, Melbourne Art Journal, 3, 1999, 3-4.

GALBALLY, Ann and PLANT, Margaret, ed, Studies in Australian art, Melbourne: Department of

Fine Arts, University of Melbourne, 1978.

HOFF, Ursula, ‗Comments on the London Art Scene‘, lecture delivered at the National Gallery of

Victoria, Melbourne, 25 August 1977.

HOFF, Ursula, ‗Observations on art history in Melbourne 1946-1964‘, Australian Journal of Art, 3,

1983, 5-9.

HOLDEN, Colin, ‗Insights from Ursula Hoff‘s Diaries while Felton Bequest Adviser‘, Melbourne

Art Journal, 8, 2005, 112-15.


4

HOLDEN, Colin, The Outsider: a portrait of Ursula Hoff, Melbourne: Australian Scholarly

Publishing, 2009.

KEITH, Hamish, The big picture: a history of New Zealand art from 1642, Auckland: Godwit,

2007.

LAUSCH, Monica, ‗Franz Philipp and the Vienna School of Art History in Australia‘, Melbourne

Art Journal, 8, 2005, 116-27.

LINGARD, Bob and CRAMER, Sue, eds, Institute of Modern Art: a documentary history 1975-

1989, Brisbane: Institute of Modern Art, 1989.

McCAUGHEY, Patrick, The Bright Shapes and the True Names: A memoir, Melbourne: The Text

Publishing Company, 2003.

McQUEEN, Humphrey, ‗Critic and Community, Some Recent Writings of Bernard Smith‘,

Meanjin, 36: 1, May 1977, 42-45.

MACDONALD, J.S., ‗Bernard Hall and the Victorian National Gallery School‘, Art in Australia, 3:

34, October-November 1930, 61-64.

MINCHIN, Jan, ‗Basil Burdett‘, Art and Australia, 17: 4, Winter 1980, 369-73.

MISSINGHAM, Hal, They‟ll Kill you in the End, Pymble: Angus and Robertson, 1973.

MOORE, William, The Story of Australian Art – From the earliest known art of the continent to the

art of to-day, 1, Sydney: Angus and Robertson, 1980 (first published 1934).

MOORE, William, The Story of Australian Art: from the earliest known art of the continent to the

art of to-day, 2, Sydney: Angus and Robertson, 1980 (first published 1934).

PALMER, Sheridan, ‗Dr Ursula Hoff: Museology and Masterpieces‘, Australian and New Zealand

Journal of Art, 6: 1, 2005, 115.

PALMER, Sheridan, ‗Ursula Hoff and the German Tradition‘, Melbourne Art Journal, 8, 2005,

102-11.

PALMER, Sheridan, Centre of the periphery: three European art historians in Melbourne, North

Melbourne: Australian Scholarly Press, 2008.

PALMER, Sheridan, ‗The importance of being Bernard Smith, Art and Australia, 46: 4, Winter

2009, 576-579.

PHILIPP, Franz and STEWART, June, eds, In Honour of Daryl Lindsay: essays and studies,

Melbourne: Oxford University Press, 1964.

PLANT, Margaret, ‗Professor Joseph Burke 1913-1992‘, Art Monthly Australia, 50, June

1992, 22.


5

SLATER, John, Through Artists‟ Eyes: Australian Suburbs and Their Cities 1919-1945,

Melbourne: Melbourne University Publishing, 2004.

SMITH, Bernard, Place, Taste and Tradition: A study of Australian Art since 1788, Melbourne:

Oxford University Press, 1979 (first published 1945).

SMITH, Bernard, ‗Modernism and Post-Modernism: Neo-Colonial Viewpoints – Concerning the

Sources of Modernism and Post-Modernism in the Visual Arts‘, Thesis Eleven, 38, May 1994, 104-

117.

SMITH, Bernard, A pavane for another time, Melbourne: MacMillan, 2002.

SMITH, Bernard, ‗On writing art history in Australia‘, Thesis Eleven, 82, August 2005, 5-15.

SMITH, Terry, ‗Writing the History of Australian Art: Its Past, Present and Possible Future‘,

Australian Journal of Art, 3, 1983, 10-29.

SMITH, Terry, Constructing the history of Australian art: eight critiques, Sydney: Power Institute

of Fine Arts, University of Sydney, 1986.

THOMAS, Benjamin, ‗Caught on film: the story of Melbourne‘s original visual archive‘,

Melbourne: emaj: online journal of art, 3, 2008.

THOMAS, Benjamin, Joe Burke‟s Legacy: the history of art history in Melbourne, exhibition

catalogue, Melbourne: University of Melbourne, 2008.

ZDANOWICZ, Irene, ‗Ursula Hoff, AO, OBE, 1909-2005‘, Art Bulletin of Victoria 45,

Melbourne: National Gallery of Victoria, 2005, 68.

INDIVIDUAL ARTISTS, PATRONS, COLLECTORS – biography/ monographic studies

BRADLEY, Anthony, The art of Justin O‟Brien, Sydney: Craftsman‘s Press, 1982.

BURKE, Joseph, The Paintings of Russell Drysdale, Sydney: Ure Smith, 1955.

CATALANO, Gary, The solitary watcher: Rich Amor and his art, Melbourne: Melbourne

University Press, 2001.

EAGLE, Mary, The oil paintings of Arthur Streeton in the National Gallery of Australia, Canberra:

National Gallery of Australia, 1994.

EAGLE, Mary and MINCHIN, Jan, The George Bell School: students, friends, influences,

Melbourne: Deutscher Art Publications; Sydney: Resolution Press, 1981.

EAGLE, Mary, The art of Rupert Bunny in the National Gallery of Australia, Canberra: National

Gallery of Australia, 1991.


6

EAGLE, Mary, Rupert Bunny: an Australian in Paris: an Australian National Gallery exhibition,

Canberra: National Gallery of Australia, 1991.

EAGLE, Mary, The oil paintings of E. Phillips Fox in the National Gallery of Australia, Canberra:


EAGLE, Mary, The oil paintings of Tom Roberts in the National Gallery of Australia, Canberra:


EAGLE, Mary, The oil paintings of Charles Conder in the National Gallery of Australia, Canberra:


EAGLE, Mary, Peter Purves Smith: a painter in peace and war, Roseville: Beagle Press, 2000.

FRY, Gavin, Rick Amor, Roseville: Beagle Press, 2010 (first published 2008).

FRY, Gavin, Albert Tucker, Roseville: Beagle Press, 2010 (first published 2006).

GALBALLY, Ann, The art of John Peter Russell, South Melbourne: Sun Books, 1977.

GALBALLY, Ann, Frederick McCubbin, Melbourne: Hutchinson Publishing, 1985 (first published

1981).

GALBALLY, Ann, Charles Conder: the last bohemian, Melbourne: Melbourne University Press,

2003.

GALBALLY, Ann, A remarkable friendship: Vincent van Gogh and John Peter Russell,

Melbourne: Melbourne University Publishing, 2008.

HELMER, June, George Bell: The Art of Influence, Melbourne: Greenhouse Publications, 1985.

HOFF, Ursula, Charles Conder: His Australian Years, Melbourne: National Gallery Society of

Victoria, 1960.

HOFF, Ursula, Charles Conder, Melbourne: Lansdowne Press, 1972.

HOLDEN, Colin, Lionel Lindsay in Spain: an antipodean abroad, Melbourne: Miegunyah Press,

2003.

JOHNSON, Heather, 'Manifestations of Sydney Modernism: the Later Australian Work of Roy de

Maistre 1925-1930', Australian Journal of Art, 6, 1987, 71-91.

JOHNSON, Heather, Roy de Maistre. The Australian Years 1894-1930, Roseville: Craftsman

House, 1988.

KLEPAC, Lou, James Gleeson: Landscape out of Nature, Roseville: Beagle Press, 1984.

KLEPAC, Lou, Judy Cassab: Artists and Friends, Roseville: Beagle Press, 1988.


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KLEPAC, Lou, Nora Heysen, Roseville: Beagle Press, 1989.

KLEPAC, Lou, Kenneth Jack: printmaker, Roseville: Beagle Press, 1998.

KLEPAC, Lou, ed, Australian Painters of the Twentieth Century, Roseville: Beagle Press, 2000.

KLEPAC, Lou, WACH, Ken, FREE, Renee and JAMES, Bruce, with selected writing by

GLEESON, James, James Gleeson, Roseville: Beagle Press, 2004.

KLEPAC, Lou, Horace Trenerry, Roseville: Beagle Press, 2009.

KOLENBERG, Hendrik, Lloyd Rees: Etchings and Lithographs, Roseville: Beagle Press, 1986.

MASKILL, David, ‗Imperial Lines: Harold Wright (1885-1961): Printmaking and Collecting at the

End of Empire‘, Melbourne Art Journal, 11/12, 2008-09, 86.

McCAUGHEY, Patrick, ‗Fred Williams and the Pilbara series‘, Studio International, 197: 1005,

1984, 30-31.

McCAUGHEY, Patrick, Voyage and landfall: the art of Jan Senbergs, Melbourne: Melbourne

University Publishing, 2006.

McCAUGHEY, Patrick, Fred Williams, Millers Point: Murdoch Books, 2008 (first published

1980).

McLEAN, Ian and BENNETT, Gordon, The art of Gordon Bennett, Roseville: Craftsman House,

1996.

McQUEEN, Humphrey, Tom Roberts, Sydney: MacMillan, 1996.

MENDELSSOHN, Joanna, The life and work of Sydney Long, Cremorne: Copperfield, 1979.

MENDELSSOHN, Joanna, The art of Sir Lionel Lindsay: Volume 1. Woodcuts, Brookvale,

Copperfield, 1982.

MENDELSSOHN, Joanna, The art of Sir Lionel Lindsay: Volume 2. Etchings, Brookvale:

Copperfield, c.1987.

MENDELSSOHN, Joanna, Lionel Lindsay: an artist and his family, London: Chatto and Windus,

1988.

MENDELSSOHN, Joanna, Letters & Liars: Norman Lindsay and the Lindsay family, Pymble:

Angus and Robertson, 1996.

MINCHIN, Jan, HAESE, Richard, Nolan, Sidney Nolan: the city and the plain, Melbourne:

National Gallery of Victoria, 1983.


8

MOLLISON, James, A singular vision: the art of Fred Williams, Canberra: Australian National

Gallery, c.1989.

MOLLISON, James, MINCHIN, Jan, Albert Tucker: a retrospective, Melbourne: National Gallery

of Victoria, 1990.

MULVANEY, John, and CALABY, John, ‗So Much That is New‟: Baldwin Spencer 1860-1929: A

Biography, Melbourne: Melbourne University Press, 1985.

PEARCE, Barry, Jeffrey Smart, Roseville: Beagle Press, 2006.

PEERS, Juliette, ‗Violet Teague – A Life for Art‘, in Felicty Druce and Jane Sutherland, Violet

Teague, Roseville: Beagle Press, 1999.

PHILIPP, Franz, Arthur Boyd, London: Thames and Hudson, 1967.

PIERSE, Simon, ‗Sir Kenneth Clark: Deus Ex Machina of Australian Art‘, Melbourne Art Journal,

11/12, 2008-09, 104-19.

PLANT, Margaret, John Perceval, Melbourne: Lansdowne, 1971.

REES, Jancis and Alan, Lloyd Rees: a source book, Roseville: Beagle Press, 1995.

ROTHENSTEIN, John, The life and death of Conder, London: Dent, 1938.

SAYERS, Andrew, Barry Humphries, Sara Engledow, The world of Thea Proctor, St. Leonards:

Craftsman House, 2005.

SMITH, Bernard, Noel Counihan: artist and revolutionary, Melbourne: Oxford University Press,

1993.

THANNHAUSER, Henry, ‗Van Gogh and John Russell: Some Unknown Letters and Drawings‘,

The Burlington Magazine for Connoisseurs, 73: 426, September 1938, 94-99, 102-104.

THOMAS, Daniel, Sali Herman, Melbourne: Georgian House, 1962.

THOMAS, Daniel, Grace Cossington Smith, Sydney: Art Gallery of New South Wales, 1973.

THOMAS, Daniel, Grace Cossington Smith: a life: from drawings in the collection of the National

Gallery of Australia, Canberra: National Gallery of Australia, c.1993.

TOPLISS, Helen, Tom Roberts, 1856-1931: a catalogue raisoneé, Melbourne: Oxford University

Press, 1985.

UNDERHILL, Nancy, Making Australian Art 1916-1914: Sydney Ure Smith: patron and publisher,

Melbourne: Oxford University Press, 1991.

UNDERHILL, Nancy and Barrett REID, eds, Letters of John Reed: defining Australian Cultural

Life 1920-1981, Ringwood: Viking, 2001.


9

WHEATLEY, Sarah, Charles Conder 1868-1909: a biographical sketch, Moorebank: Mallard,

1989.

ZDANOWICZ, Irena, ‗Paintings from the Inside Out: Fred Williams‘ Travels and His Relationship

to the European Tradition‘, Melbourne Art Journal, 8, 2005, 52-67.

ZUBANS, Ruth, E. Phillips Fox: his life and art, Melbourne: Miegunyah Press, 1995.

INDIGENOUS ART - Australian and New Zealand

ADAM, Leonhard, introduction, Primitive Art Exhibition, Melbourne: Public Library, Museums

and National Gallery of Victoria, 1943.

ADAM, Leonhard, ‗Has Australian Aboriginal Art a Future?‘, Angry Penguins, 1944, 42-50.

ALLEN, Lindy, ‗The Early Collection and Exhibition of Art Work by Aboriginal Artists‘, in C.

Rasmussen, ed, A Museum for the People, Melbourne: Scribe Publications, 2001, 142-43.

BROWN, Deidre and ELLIS, Ngarino (eds), Te Puna: Mãori art from Te Tai Tokerau Northland,

Auckland: Reed, 2007.

CORBALLY STOURTON, Patrick and CORBALLY STOURTON, Nigel, ed, Songlines and

dreamings: contemporary Australian Aboriginal painting: the first quarter-century of Papunya

Tula, London: Lund Humphries, 1996.

CRAMER, Sue, ed, Postmodernism: a consideration of the appropriation of Aboriginal imagery:

forum papers, Brisbane: Institute of Modern Art, 1989.

DE LORENZO, Catherine, and DYSART, Dinah, A Changing relationship: aboriginal themes in

Australian art c. 1938-1988, Sydney: S.H. Ervin Gallery, June-July 1988.

INGLIS, Alison and BARCLAY LLOYD, Joan, ‗Mosaic Dreaming: Materiality, Migration and

Memory‘, in J. Anderson, ed, Crossing Cultures: Conflict, Migration and Convergence: The

Proceedings of the 32nd Congress of the History of Art, Melbourne: Miegunyah Press, 2009, 398-

402.

ISAACS, Jennifer, Aboriginality: contemporary Aboriginal paintings & prints, St. Lucia:

University of Queensland Press, 1993 (first published 1989).

ISAACS, Jennifer, Spirit country: contemporary Australian Aboriginal art, exhibition catalogue of

an exhibition held in the San Francisco Museum of Modern Art, South Yarra: Hardie Grant, 1999.

ISAACS, Jennifer, Hernmannsburg potters: Aranda artists of central Australia, St. Leonards:



10

ISAACS, Jennifer, ‗International Exposure of Aboriginal Art 1970-2001‘, Art and Australia, 39: 4,

2002, 548-560.

ISAACS, Jennifer, Australian Aboriginal paintings, Sydney: New Holland, 2002 (first published

1989).

J.L.M., ‗Melbourne National Gallery and National Museum of Victoria: Primitive Art Exhibition,

1943‘, Man, 44, July-August, 1944, 98.

LESLIE, Donna, Aboriginal Art: Creativity and Assimilation, South Yarra: Macmillan Art

Publishing, 2008.

LESLIE, Donna, ‗Sacred Country: Ancient Footprints, New Pathways‘, Crossing Cultures:

Conflict, Migration and Convergence: The Proceedings of the 32nd Congress of the History of Art,

Jaynie ANDERSON, ed, Melbourne: Miegunyah Press, 2009, 398-402.

LOCK-WEIR, Tracy, The Art of Arnhem Land 1940s-1970s, Adelaide: Art Gallery of South

Australia, 2002.

LOWISH, Susan, ‗European Vision and Aboriginal art: Blindness and Insight in the work of

Bernard Smith‘, Thesis Eleven: critical theory and historical sociology, 82, August 2005, 62-72.

McLEAN, Ian, White Aborigines: identity politics in Australian art, Melbourne: Cambridge


McLEAN, Ian, How aborigines invented the idea of contemporary art: an anthology of writing on

aboriginal art 1980-2006, Sydney: Power Publications, 2011.

MANE-WHEOKI, Jonathan, '"Wakas on the Grand Canal!" Contemporary New Zealand Maori

artists at Venice', Sean Cubitt, Jonathan Mane-Wheoki, Brett Graham, Rachael Rakena, Alice

Hutchinson, eds, Aniwaniwa: Brett Graham, Rachael Rakena, Aotearoa New Zealand, Wellington,

Published on the occasion of the 52nd International Art Exhibition La Biennale di Venezia, 2007, 5-

11.

MANE-WHEOKI, Jonathan, Te Tai Tokerau and the contemporary Maori art movement' in Deidre

Brown and Ngarino Ellis, eds, Te Puna: Mãori art from Te Tai Tokerau Northland, Auckland:

Reed, 2007, 103-12.

MANE-WHEOKI, Jonathan, 'Ralph Hotere: Te Hono ki Muriwhenua', Ngahiraka Mason, ed,

Turuki! Turuki! Paneke! Paneke! When Maori art became contemporary, Auckland: Auckland Art

Gallery, 2008, 36-49.

MANE-WHEOKI, Jonathan, 'Introduction, Indigeneity/Aboriginality, Art/Culture and Institutions',

Crossing Cultures: Conflict, Migration and Convergence: The Proceedings of the 32nd Congress of

the History of Art, Jaynie Anderson, ed, Melbourne: Miegunyah Press, 2009, 770-772.

MAYNARD, Margaret, ‗Grassroots Style: Re-Evaluating Australian Fashion and Aboriginal Art in

the 1970s and 1980s‘, Journal of Design History, 13: 2, 2000, 137-150.


11

MICHAELS, Eric, Bad Aboriginal art: tradition, media and technological horizons, St. Leonards:

Allen and Unwin, 1994.

MORPHY, Howard, Aboriginal Art, London: Phaidon, 1998.

NEICH, Roger, Painted Histories: Early Maori Figurative Painting, Auckland: Auckland


PHILP, Angela, ‗Life and art? Relocating Aboriginal art and culture in the museum‘, paper

presented at the Collecting for a Nation symposium, Canberra: National Museum of Australia, 21

March 2006.

PRESTON, Margaret, ‗The Indigenous Art of Australia‘, Art in Australia, 3rd series, 11, March

1925, np.

PRESTON, Margaret, ‗The Application of Aboriginal Designs‘, Art in Australia, 3rd series, 31,

March 1930, np.

PRESTON, Margaret, ‗Aboriginal Art of Australia‘, Art of Australia, 1788-1941, New York:

Museum of Modern Art, 1941, 16-17.

RYAN, Judith, Paint up big: Warlpiri women‟s art of Lajamanu, Melbourne: National Gallery of

Victoria, 1990.

RYAN, Judith, Spirit in land: bark paintings from Arnhem Land in the National Gallery of

Victoria, Melbourne: National Gallery of Victoria, 1990.

RYAN, Judith and AKERMAN, Kim, Images of power: aboriginal art of the Kimberley,

Melbourne: National Gallery of Victoria, 1993.

RYAN, Judith, Indigenous Australian art: in the National Gallery of Victoria, Melbourne: National

Gallery of Victoria, 2002.

RYAN, Judith, Colour power: Aboriginal art post 1984 in the collection of the National Gallery of

Victoria, Melbourne: National Gallery of Victoria, 2004.

SAYERS, Andrew, with a foreword by Lin Onus and a chapter by Carol Cooper, Aboriginal artists

of the nineteenth century, Melbourne: Oxford University Press in association with the National

Gallery of Australia, Canberra, 1994.

SMITH, Terry, ‗Public Art between Cultures: The ―Aboriginal Memorial,‖ Aboriginality, and

Nationality in Australia‘, Critical Inquiry, 27: 4, Summer 2001, 629-661.

THOMAS, Daniel, ‗Aboriginal Art as Art‘, Art and Australia, 13: 3, January-March, 1976, 281-82.

TUCKSON, Tony, ‗Aboriginal Art and the Western World‘, in Berndt, R., Australian Aboriginal

Art, Sydney: Ure Smith, 1964, 60-68.


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GENERAL WORKS

- Colonial Period

APPLEYARD, RON, FARGHER, Barbara, RADFORD, Ron, S.T. Gill, the South Australian years

1839-1852, Adelaide: Art Gallery of South Australia, 1986.

INGLIS, Alison, ‗Aestheticism and Empire: the Grosvenor Gallery Intercolonial Art Exhibition‘, in

Seize the Day: Exhibitions, Australia and the World, Sydney: Monash University e-books, 2008,

16.1-16.17.

JORDAN, Caroline, ‗Progress versus the Picturesque: White Women and the Aesthetics of

Environmentalism in Colonial Australia 1820-60‘, Art History, 25: 3, September, 2002, 341-357.

JORDAN, Caroline, Picturesque Pursuits: Colonial Women Artists and the Amateur Tradition,

Melbourne: Melbourne University Press, 2005.

JORDAN, Caroline, ‗Mrs MacPherson in the ―Blacks‘ Camp‖ and other Australian Interludes: A

Scottish Lady Artist‘s Tour in New South Wales in 1856-7‘, in J. Pomeroy, ed, Intrepid Women:

Victorian Women Artists Travel, Aldershot: Ashgate, 2005.

McCULLOCH, Alan, Artists of the Australian gold rush, Melbourne: Lansdowne, 1977.

POUND, Francis, Frames on the land: early landscape painting in New Zealand, Auckland:

Collins, 1983.

RADFORD, Ron, and HYLTON Jane, Australian colonial art: 1800-1900, Adelaide: Art Gallery

Board of South Australia, 1995.

TURNBULL, Clive, ‗Early Colonial Art‘, Jubilee Exhibition of Australian Art, Commonwealth

Jubilee Celebrations Committee, 1951, 8-11.

GENERAL WORKS

- Victorian Period

ASTBURY, Leigh, ‗George Folingsby and Australian subject painting‘ in Ann GALBALLY and

Margaret PLANT, eds, Studies in Australian art, Melbourne: Department of Fine Arts, University

of Melbourne, 1978, 45-56.

INGLIS, Alison, ‗Cultural Acclimatization: Imperial perspectives on art in nineteenth-century

Australia‘ in J. Anderson, ed, The Cambridge Companion to Australian Art, Cambridge: Cambridge


JORDAN, Caroline, ‗Fletcher‘s of Collins Street: Melbourne‘s Leading Nineteenth century Art

Dealer, Alexander Fletcher‘, La Trobe Journal, 75, Autumn, 2005, 77-93.


13

JORDAN, Caroline, ‗Buying in the Boom: George Folingsby and Victoria‘s Nineteenth-century

Regional Art Galleries‘, Art and Australia, 45: 3, 2008, 459-463.

PERRY, Peter and SINCLAIR, Beth, R.W. Sturgess, water-colourist, 1892-1932, Castlemaine:

Castlemaine Art Gallery and Historical Museum, 1986.

GENERAL WORKS

- Australian Impressionist School

ASTBURY, Leigh, ‗The art of Frederick McCubbin and the impact of the First War‘, La Trobe

Library Journal, Frederick McCubbin issue, 6: 24, October 1979, 79-83.

ASTBURY, Leigh, City bushmen: the Heidelberg School and the rural mythology, Melbourne:

Oxford University Press, 1985.

ASTBURY, Leigh, Sunlight and shadow: Australian Impressionist painters 1880-1900, Sydney:

Bay Books, 1989.

ASTBURY, Leigh, ‗Memory and Desire: Box Hill 1885-88‘, in Terrence LANE, ed, Australian

Impressionism, Melbourne: National Gallery of Victoria, 2007, 49-56, 301.

ASTBURY, Leigh, ‗Tom Roberts‘ The breakaway: Myth and history‘, Bulletin of the Art Gallery of

South Australia, 38, 1980, 2-9.

ASTBURY, Leigh, ‗The Heidelberg School and the popular image‘, Art and Australia, 178: 3,

March 1980, 263-66.

GALBALLY, Ann, ‗Mythmaking in Australian art‘, La Trobe Library Journal, Frederick

McCubbin issue, 6: 24, October 1979, 65-68.

LANE, Terrance, Australian Impressionism, Melbourne: National Gallery of Victoria, 2007.

McCULLOCH, Alan, The golden age of Australian painting: impressionism and the Heidelberg

school, Melbourne: Lansdowne, Melbourne, 1977 (first published 1969).

MANTON, Jack, and McCAUGHEY, Patrick, Australian Painters of the Heidelberg school: the

Jack Manton collection, Melbourne: Oxford University Press, 1979.

McNEIL, Peter, ‗Family Ties: The Creation of Frederick McCubbin‘s Reputation, 1920-60‘, La

Trobe Journal, 50, Spring, 1992, 32-39.

TOPLISS, Helen, McDONALD, Frank, ed, The artists‟ camp: “plein air” painting in Australia,

Alphington: Hedley Australian Publications, 1992.

GENERAL WORKS


14

- Modernism

BORLASE, Nancy, ‗Three Decades of the Contemporary Art Society‘, Art and Australia, 6: 1, June

1968, 69-72.

BUTLER, Rex, and DONALDSON, A.D.S., ‗Douglas Cooper: Cubism and Australian art history‘,

Contemporary Visual Art & Culture Broadsheet, 39: 2, 2010, 131-33.

CHANIN, Eileen and MILLER, Steven, Degenerates and perverts: the 1939 Herald exhibition of

French and British Contemporary art, Melbourne: Miegunyah Press, 2005.

EAGLE, Mary, PHIPPS, Jennifer, eds, Australian modern painting between the wars 1914-1939,

Sydney: Bay Books, 1990.

HAESE, Richard, Rebels and Precursors: the revolutionary years of Australian art, Melbourne:

Penguin Books, 1981.

HARDING, Lesley and CRAMER, Sue, Cubism & Australian art, Melbourne: Miegunyah Press,

2009.

HENDERSON, Alan, ‗Contemporary Art Advances‘, Art in Australia, 3: 76, August 1939, 13-15.

LOCK-WEIR, Tracy, ed, Misty moderns: Australian tonalists 1915-1950, Adelaide: Art Gallery of

South Australia, 2008.

McQUEEN, Humphrey, The Black Swan of Trespass: the emergence of modernist painting in

Australia to 1944, Sydney: Alternative Publishing Cooperative, 1979.

PRESTON, Margaret, ‗Why I became a Convert to Modern Art‘, Home, 4: 2, June 1923, 20.

PROCTOR, Thea, ‗Modern Art in Sydney, Art in Australia, 3: 73, November 1938, 24-30.

SMITH, Bernard, ‗The new realism in Australian Art‘, Meanjin, 3: 1, Autumn 1944, 20-25.

STEPHEN, Ann, McNAMARA and Andrew, GOAD, Philip, eds, Modernism & Australia:

documents on art, design and architecture 1917-1967, Melbourne: Miegunyah Press, 2006.

STEPHEN, Ann, McNAMARA and Andrew, GOAD, Philip, eds, Modern Times: the untold story

of modernism in Australia, Melbourne: Miegunyah Press, 2008.

TOPLISS, Helen, Modernism and feminism: Australian women artists, 1900-1940, Roseville East:


WAKELIN, Roland, ‗Recollections of a Post-Impressionist‘, Art and Australia, 4: 4, March 1967,

290-91.

ZANDER, Alleyne, ‗Modern Art: an historical explanation‘, Manuscripts, 4, 28-34.


15

GENERAL WORKS

- Contemporary

BRADLEY, Anthony, ed, Contemporary art: a bibliography of publications by members of the

Power Institute 1968-1985, Sydney: Power Institute of Fine Arts, 1986.

BUTLER, Rex, An uncertain smile: Australian art in the „90s, Artspace Visual Arts Centre,

Wooloomooloo, 1996.

CATALANO, Gary, The years of hope: Australian art and criticism, 1959-1968, Melbourne:


CAUGHEY, Elizabeth and GOW, John, Contemporary New Zealand art, 1, Auckland: David

Bateman, 1997.


Bateman, 1999.


Bateman, 2002.

CAUGHEY, Elizabeth, Art New Zealand Today: sixty exhibiting New Zealand artists, Auckland:

Saint Publishing, 2002.


Bateman, 2005.


Bateman, 2008.

CHANIN, Eileen, ed, Contemporary Australian painting, Roseville: Craftsman House, 1990.

DIXON, Christine and SMITH, Terry, Aspects of Australian figurative painting 1942-1962:

dreams, fears and desires, Sydney: Power Institute of Fine Arts, University of Sydney in

association with the Biennale of Sydney, 1984.

GREEN, Charles, Peripheral vision: contemporary Australian Art, 1970-1994, Roseville East:


GREEN, Charles, The third hand: collaboration in art from conceptualism to postmodernism,

Sydney: University of New South Wales, 2001.

GREEN, Charles, ‗The Global Significance of Western Desert Painting‘, Aborigena, A.B. Oliva,

ed, Milan: Electa, 2001, 21-33.

GREEN, Charles, ed, Fieldwork: Australian Art 1968-2002, Melbourne: National Gallery of

Victoria, 2002.


16

GREEN, Charles and BARKER, Heather, ‗Bernard Smith, Cold Warrior‘, Thesis Eleven: critical

theory and historical sociology, 82, August 2005, 38-53.

GREEN, Charles, ed, Contemporary Commonwealth, Melbourne: National Gallery of Victoria,

2006.

GREEN, Charles, ed, Australian Culture Now, Melbourne: National Gallery of Victoria, 2004.

HEATHCOTE, Christopher, A Quiet Revolution: the rise of Australian art 1946-1968, Melbourne:

Text Publishing, 1995.

McCAUGHEY, Patrick, Australian abstract art, Melbourne: Oxford University Press, 1969.

McNEIL, Peter, ‗Gary Carsley: Looking at Works of Art in the Light of Other Works of Art‘,

Artspace Projects 2006, Sydney: Artspace 2007, 95-100.

SCOTT, Sarah, ‗Imaging a Nation: Australia‘s Representation at the Venice Biennale, 1958‘, in

Richard Nile, ed, Grit: Journal of Australian Studies, 78, St. Lucia: University of Queensland Press,

2003.

SMITH, Terry, Transformations in Australian art, St. Leonards: Craftsman House, 2002.

SMITH, Terry, ‗Contemporary Art and Contemporaneity‘, Critical Inquiry, 32: 4, Summer 2006,

681-707.

SMITH, Terry, What is contemporary art, Chicago: University of Chicago Press, 2009.

WAKELIN, Roland, ‗Contemporary Art‘, Jubilee Exhibition of Australian Art, Commonwealth

Jubilee Celebrations Committee, 1951, 16-19.

WATERLOW, Nick, ‗The creation of contemporary Australian art‘, Art and Australia, 47: 4,

Winter 2010, 666-67.

GENERAL WORKS

- Collections

AITKEN, Richard, ASTBURY, Leigh, CRAWFORD, Ashley, DAVIDSON, Graeme, NIALL,

Brenda, The Art of the Collection: State Library of Victoria Pictures Collection, Melbourne:

Melbouren University Press, 2007.

BURDETT, Basil, The Felton bequests: an historical record, 1904-1933, Melbourne: Felton

Bequests‘ Committee, 1934.

BURDETT, Basil, ‗Art in Australia: The National Gallery of Victorian in Melbourne‘, Apollo, 30:

177, September 1939, 116-20.


17

CARMODY, Shane, ‗History through art: paintings at the State Library‘, La Trobe Journal, 75,

Autumn 2005, 21-26.

COX, Leonard, The National Gallery of Victoria, 1861 to 1968: a search for a collection,

Melbourne: National Gallery of Victoria, 1970.

CHURCHER, Betty, Selected works from the Howard Hinton Collection at Kelvin Grove College

of Advanced Education, Brisbane: Kelvin Grove College of Advanced Education, 1978.

DOWNER, Christine, ‗Notes on Barry and the Origins of the Picture Collection‘, La Trobe Journal,

73, Autumn 2004, 95-100.

GALBALLY, Ann, The Collections of the National Gallery of Victoria, Melbourne: Oxford


GALBALLY, Ann and INGLIS, Alison, The First Collections: the Public Library and the National

Gallery of Victoria in the 1850s and 1860s, Melbourne: University Gallery, University of

Melbourne Museum of Art, 1992.

GALBALLY, Ann, ‗Sculpture and Casts‘ in A. Galbally and A. Inglis, The First Collections: the

Public Library and the National Gallery of Victoria in the 1850s and 1860s, Melbourne: University

Gallery, University of Melbourne Museum of Art, 1992.

GALBALLY, Ann, ‗Collecting Constable and plein air painting in Australia‘, in Constable:

Impressions of Land, Sea and Sky, Canberra: National Gallery of Australia, 2006, 85-93.

GOTT, Ted, BENSON, Laurie and MATTHIESSON, Sophie, eds, Modern Britain 1900-1960:

Masterworks from Australian and New Zealand Collections, Melbourne: National Gallery of

Victoria, 2007.

HOFF, Ursula, ed, Masterpieces of the National Gallery of Victoria, Melbourne, London: F.W.

Cheshire, 1949.

HOFF, Ursula and PLANT, Margaret, National Gallery of Victoria: painting, drawing, sculpture,

Melbourne: F.W. Cheshire, 1968.

HOFF, Ursula, with an introduction by Eric Westbrook, The National Gallery of Victoria, London:

Thames and Hudson, 1973.

HOFF, Ursula, The Felton Bequest: Its Founder and its Advisers, Melbourne: National Gallery of

Victoria, 1983.

INGLIS, Alison and POYNTER, John, ‗Desirable Things: The private collections of Alfred Felton‘,

Art Bulletin of Victoria, 44, Alfred Felton centenary issue, 2004, 1-15.

INGLIS, Alison, ‗The allure of Albion: collecting British Art in Adelaide‘, Art Monthly Australia,

181, July 2005, 22-27.


18

INGLIS, Alison, ‗The Gift of John Connell to the National Gallery of Victoria‘ in G. Vaughan and

A. Grimwade, eds, Great Philanthropists on trial: the art of the bequest, Melbourne: Miegunyah

Press in association with the National Gallery of Victoria, 2006, 67-82.

INGLIS, Alison, ‗Alfred Felton as a collector of art‘ in G. Vaughan and A. Grimwade, eds, Great

Philanthropists on trial: the art of the bequest, Melbourne: Miegunyah Press in association with the

National Gallery of Victoria, 2006, 67-82.

KIRKER, Anne and TOMORY, Peter, British Painting, 1800-1990: in Australian and New Zealand

public collections, Sydney: Beagle Press in conjunction with the British Council, 1997.

LINDSAY, Daryl, The Felton Bequest: An historical record, 1904-1959, Melbourne: Oxford


MACDONALD, James Stuart, ‗Purchasing for the Felton Bequest‘, Art in Australia, 26, December

1928, np.

MACGEORGE, Norman, ‗The New London buyer for the Felton Bequest‘, Art in Australia, 3: 34,

October-November 1930, 38.

MARSHALL, Christopher, A deep sonorous thing: the Newman College collection of art,

Melbourne: Newman College, University of Melbourne, 1993.

PAFFEN, Paul, ‘Everard Studley Miller and his bequest to the National Gallery of Victoria’, Art

Bulletin of Victoria, 35, 1994, 35-44.

POYNTER, John, Mr Felton‟s bequests, Melbourne: Miegunyah Press, 2003.

RADFORD, Ron, 19th-century Australian art: M.J.M. Carter Collection, Art Gallery of South

Australia, Adelaide: Art Gallery Board of South Australia, 1993.

SMITH, Bernard, Two centuries of Australian Art: from the collection of the National Gallery of

Victoria, Melbourne; Thames and Hudson in association with the National Gallery of Victoria,

2003.

THOMAS, Daniel, Outlines of Australian art: the Joseph Brown collection, South Melbourne:

Macmillan, 1980 (first published c.1973).

URE SMITH, Sydney, ‗Advisor to the Felton Bequest: a Vacancy of National Importance‘, Art in

Australia, 3: 63, May 1936, 16-18.

VAUGHAN, Gerard and GRIMWADE, Andrew, eds, Great philanthropists on trial: the art of the

bequest, Melbourne: Miegunuyah Press in association with the National Gallery of Victoria, 2006.

WATSON, Michael, ‗James Stewart MacDonald, Sir Sydney Cockerell and the Felton

Recommendations‘, Art and Australia, 27: 2, Summer 1989, 255-61.

WESTBROOK, Eric, Birth of a Gallery, Melbourne: MacMillan Australia, 1968.


19

GENERAL WORKS

- Australian Landscape

„You-beaut country‟: Australian landscape painting 1837-1964, Melbourne: National Gallery of

Victoria, 1964.

BONYHADY, Tim, Images in opposition: Australian landscape painting 1801-1890, Melbourne:

Oxford University Press, 1991 (first published 1985).

CATALANO, Gary, An intimate Australia: the landscape & recent Australian art, Sydney: Hale

and Iremonger, 1985.

McCAUGHEY, Patrick, Vision and experience in the Australian landscape, Christensen lecture,

1986, Perth: Christensen Fund, 1987.

MISSINGHAM, Hal, The Australian landscape in oils and watercolour, Sydney: John Brackenreg

for Australian Artists Editions, 1983.

RADFORD, Ron, Our Country: Australian federation landscapes 1900-1914, Adelaide: Art

Gallery of South Australia, 2001.

RADFORD, Ron, Ocean to outback: Australian landscape painting 1850-1950, Canberra: National

Gallery of Australia, 2007.

REED, John, Australian landscape painting, Melbourne: Longmans, 1965.

GENERAL WORKS

- Cross-cultural influence

ANDERSON, Jaynie, ed, Crossing Cultures: Conflict, Migration and Convergence: The

Proceedings of the 32nd Congress of the History of Art, Melbourne: Miegunyah Press, 2009, 398-

402.

SMITH, Bernard, ‗European Vision and the South Pacific‘, Journal of the Warburg and Courtauld

Institutes, 13: 1/2, 1950, 65-100.

SMITH, Bernard, ‗Coleridge‘s Ancient Mariner and Cook‘s Second Voyage‘, Journal of the

Warburg and Courtauld Institutes, 19: 1/2, 1956, 117-154.

SMITH, Bernard, European Vision and the South Pacific, New Haven: Yale University Press, 1985

(first published 1960).

GENERAL WORKS

- Survey works


20

ANDERSON, Jaynie, ed, The Cambridge Companion to Australian Art, Cambridge: Cambridge


BROWN, Gordon and KEITH, Hamish, An introduction to New Zealand painting, 1839-1967,

Auckland, London: Collins, 1969.

BROWN, Gordon, New Zealand painting 1900-1920: traditions and departures, Wellington:

Queen Elizabeth II Arts Council of New Zealand, 1972.

BROWN, Gordon, New Zealand painting 1920-1940: adaption and nationalism, Wellington:


BROWN, Gordon, New Zealand painting 1940-1960: conformity and dissension, Wellington:


BURKE, Joseph, Some Aspects of the Study of Tasmanian Art in the Colonial Phase, Hobart:

Tasmanian Museum, 1963.

CHURCHER, Betty, Understanding Art, Adelaide: Rigby, 1973.

CHURCHER, Betty, The Art of War, Melbourne: Melbourne University Press, 2006.

COLLETT, Dennice, and RIDDLE, Margaret, Changing hemispheres: two eras of Australian art

abroad, Melbourne: University Gallery, University of Melbourne, 1984.

EAGLE, Mary and JONES, John, A story of Australian painting, Sydney: Macmillan, c.1994

GENOCCHIO, Benjamin, The art of persuasion: Australian art criticism 1950-2001, St. Leonards:


GOTT, Ted, Backlash: the Australian drawing revival 1976-1986, Melbourne: National Gallery of

Victoria, 1986.

HAWORTH, Jennifer, The art of war: New Zealand war artists in the field, 1939-1945,

Christchurch: Hazard Press, 2007.

KERR, Joan, ed, The Dictionary of Australian artists: painters, sketchers, photographers and

engravers to 1870, Melbourne: Oxford University Press, 1992.

KIRKER, Anne, New Zealand women artists: a survey of 150 years, Tortola, BVI: Craftsman

House, 1993.

McCAUGHEY, Patrick, The pyramid in the waste: the search for meaning in Australian art,

Melbourne: Deakin University, 1983.

McCULLOCH, Alan, McCULLOCH, Susan and McCULLOCH CHILDS, Emily, eds, The new

McCulloch‟s encyclopedia of Australian art, Melbourne: Miegunyah Press in association with Aus

Art Editions, 2006 (first published 1968).


21

POUND, Francis, The invention of New Zealand: art and national identity, 1930-1970, Auckland:

Auckland: University Press, 2009.

RADFORD, Ron, RAP: recent Australian painting: a survey 1970-1983, Art Gallery of South

Australia, Adelaide: Art Gallery Board of South Australia, 1983.

RIDDLE, Margaret, Renaissance references in Australian Art, Melbourne: University Gallery,

University of Melbourne, 1985.

SAYERS, Andrew, 100 years of Australian drawing, Sydney: Bay Books, 1985.

SAYERS, Andrew, Drawings in Australia: drawings, water-colours, pastels and collages from the

1770s to the 1980s, Melbourne: Oxford University Press in association with the National Gallery of

Australia, 1989.

SAYERS, Andrew, Australian art, Oxford: Oxford University Press, 2001.

SMITH, Bernard, with additional chapters by Terry Smith and Christopher Heathcote, Australian

painting, 1788-2000, Melbourne: Oxford University Press, 2001 (first published 1962).

THOMAS, Daniel, and RADFORD, Ron, et. al., Creating Australia, 200 years of art 1788-1988,

Adelaide: International Cultural Corporation of Australia and Art Gallery Board of South Australia,

1988.

URE SMITH, Sydney, and LINDSAY, Lionel, The Exhibition of Australian Art in London 1923: a

record of the exhibition held at the Royal Academy and organised by the Society of Artists, Sydney:

Art in Australia, 1923.

PHOTOGRAPHY

CATO, Jack, The story of the camera in Australia, Melbourne: Institute of Australian Photography,

1977.

CROMBIE, Isobel, Athol Smith, photographer, Melbourne: Schwartz Publishing, 1989.

CROMBIE, Isobel, Susan VAN WYK, 2nd sight: Australian photography in the National Gallery

of Victoria, Melbourne: National Gallery of Victoria, 2002.

CROMBIE, Isobel, Body culture: Max Dupain, photography and Australian culture, 1919-1939,

Musgrave: Images Publishing Group in association with the National Gallery of Victoria, 2004.

DAVIES, Alan, and Peter STANBURY, with assistance from Con TANRA, The mechanical eye in

Australia: photography 1841-1900, Melbourne: Oxford University Press, 1985.

DAVIES, Alan, An eye for photography: the camera in Australia, Sydney: State Library of New

South Wales, 1985.


22

DAVIES, Alan, Sydney exposures: through the eyes of Sam Hood and his studio, 1925-1950,

Sydney: State Library of New South Wales, 1991.

ENNIS, Helen, with contributions from Kate DAVIDSON and Kylie SCROOPE, Photography –

150 years 1839-1989, Canberra: National Gallery of Australia, 1989.

ENNIS, Helen, Man with a camera: Frank Hurley overseas, Canberra: National Library of

Australia, 2002.

ENNIS, Helen, In a new light: Australian photography 1850s-1930s, Canberra: National Library of

Australia, 2003.

ENNIS, Helen, Intersections: photography, history and the National Library of Australia,

Canberra: National Library of Australia, 2004

ENNIS, Helen, Photography and Australia, London: Reaktion Books, 2007

ART MARKET

HUDA, Shireen, Pedigree and panache: a history of the art auction in Australia, Canberra:

Australian National University E Press, 2008.

JOHNSON, Heather, The Sydney Art Patronage System 1890-1940, Grey‘s Point: Bungoona

Technologies, 1997.

RUHEN, Carl, The Auctioneers. Lawson's - The First 100 Years, Sydney: Ayers and James

Heritage Books, 1984.

THOMAS, Benjamin, ‗Purveyor of Taste: W.R. Sedon and Melbourne‘s Sedon Galleries‘, La

Trobe Journal, 86, December 2010, 97-113.

VAN DEN BOSCH, Annette, The Australian art world: aesthetics in a global market, Crows Nest:

Allen and Unwin, 2005.

ART EDUCATION

BOUHTON, Doug, ‗The Changing Face of Australian Art Education: New Horizons or Sub-

Colonial Politics‘, Studies in Art Education, 30: 4, Summer 1989, 197-211.

BURKE, Joseph, ‗What is Art Training Worth?‘, Australian Artist, 1: 3, Autumn 1948, 18-21.

BURKE, Joseph, ‗Alfred Felton and his Bequest‘, Meanjin, 7: 2, Winter 1948, 95-104.

BURKE, Joseph, ‗Art and the Australian Community‘, in B. Smith, Education through Art in

Australia, Melbourne: Melbourne University Press, 1958, 1-8.


23

BURKE, Joseph, ‗Some Aspects of the Debate on Art Education in Australia‘, Studies in Art

Education, 5: 2, Spring 1964, 5-11.

BURKE, Joseph, ‗Some recollections of the post-war years in Australian painting: a lesson for the

future‘, The Sixth Sir William Dobell Memorial Lecture, Sir William Dobell Art Foundation, 1982.

LINDSAY, Daryl, ‗Art Education and the National Gallery of Victoria‘, in B. Smith, Education

through Art in Australia, Melbourne: Melbourne University Press, 1958, 39-42.

MEDLEY, John, ‗A Chair of Fine Arts‘, Society of Artists Book, 1945-46, Sydney: Ure Smith, 42-

43.

MORPHY, Howard, ‗Audiences for Art‘, in A. Curthoys, A. Martin, T. Rouse, eds, Australians: A

Historical Library, 5, ‗Australians from 1939‘, Broadway: Fairfax, Syme & Weldon Associates,

1987, 167-75.

PHILIPP, Franz, ‘University research in the history of art’, in A. Grenfell Price, ed, The Humanities

in Australia, Sydney: Angus and Robertson, 1959, 160-61.

SMITH, Bernard, ‗The Art Museum To-day‘, Meanjin, 5: 1, Autumn 1946, 129-32.

SMITH, Bernard, Education through Art in Australia, Melbourne: Melbourne University Press,

1958.

SMITH, Terry, ed, Art & Language: Australia 1975, Balmain: Art & Language Press, 1976.

WOMEN AND ART

HYDE, Melissa and MILAM, Jenifer, eds, Women, art and the politics of identity in eighteen-

century Europe, Ashgate: Aldershot, 2004.

KERR, Joan, ed, Heritage: the national women‟s art book, 500 works by 500 Australian women

artists from colonial times to 1955, Roseville East: Art and Australia, distributed by Craftsman

House, 1995.

KERR, Joan and HOLDER, Jo, eds, Past present: the national women‟s art anthology, North Ryde,


KERR, Joan, A singular voice: essays on Australian art and architecture, BRUCE, Candice,

DYSART, Dinah and HOLDER, Jo, eds, Sydney: Power Publications, 2009.

McNEIL, Peter, ‗‘Designing Women‘: Gender, Sexuality and the Interior Decorator, c1890-1940‘,

Art History, 17: 4, 631-57.

McNEIL, Peter, ‗Doing Women and Design History‘, in Women of Influence, Sydney: Ivan

Dougherty Gallery, College of Fine Arts, University of New South Wales, 2005.


24

MENZIES, Jackie, ‗Never the twain shall meet: Australian artists and the Orient‘, Art and

Australia, 31, Winter 1994, 516-525.

PEERS, Juliette, More than just gumtrees: a personal, social and artistic history of the Melbourne

Society of Women Painters and Sculptors, Melbourne: Melbourne Society of Women Painters and

Sculptors in association with Dawn Revival Press, 1993.

SPECK, Catherine, Painting ghosts: Australian women artists in wartime, Melbourne: Craftsman

House, 2004.

AUSTRALIAN ART and DESIGN HISTORY

Texts relating to interiors, furniture, decorative arts and crafts; texts published pre 1995,

including certain primary sources prepared by Professor Peter McNeil

Art Association of Australia Newsletter, 1976-present.

Art Deco Society Newsletter, 1990-present.

Art and Design, Ure Smith, 1st no., 1949.

Art and Industry. Australian Number, London, The Studio, February 1943.

Art in Australia, Sydney, 1: 1, 1916-August 1942 [until 1921 published by

Angus and Robertson, then until 1934 by Art in Australia Ltd., and from November 1934

Sydney Morning Herald].

The Australasian Antique Collector, 1, November 1966-76; then The Australian

Antique Collector, 18th ed., 1977-present.

Australia Beautiful: The Home Pictorial Annual, Sydney,'1927-October 1931 [four issues

in 1928, then twice yearly].

Australia. National Journal, Ure Smith, 1: 1, July-August 1939 – 9: 7, October 1947.

The Home, Sydney, 1, February 1920- 23: 9, September 1942 [prior to July

1924 quarterly, to January 1926 bi-monthly, then monthly; Sydney Ure Smith an editor

until 19: 11, November 1938].

The Home Annual, Sydney, October 1932-1941 [continues Australia Beautiful; Sydney

Ure Smith an editor until October 1938].

ABBOTT, J. H. M., et al., The Macquarie Book: The life and times of Governor Lachlan

Macquarie, Sydney: Art in Australia, 1921.

ALBRECHT, Kurt, Nineteenth Century Australian Gold and Silver Smiths, Richmond: Hutchinson,

1969.


25

AMBRUS, Caroline, Australian Women Artists. First Fleet to 1945: History, Hearsay and Her Say,

Woden: Irrepressible Press, 1992.

APPERLY, Richard E., review, 'Australian Architecture 1901-1951: Sources of

Modernism, Donald Leslie Johnson, Sydney: Sydney University Press, 1980', JRAHS, 67: 3,

December 1981, 288-89.

APPERLY, Richard, IRVING, Robert and REYNOLDS, Peter, A Pictorial Guide to Identifying

Australian Architecture. Styles and Terms from 1788 to the Present, Sydney: Angus and Robertson,

Sydney, 1989.

ARCHER, John, Building a Nation. A History of the Australian House, Sydney: William Collins,

1987.

ARONSON, F. B. [Zara Baar], XXth Century Cooking and Home Decoration, Sydney: William

Brooks, 1900.

BALMFORD, Peter and O'BRIEN, J.L., 'Dating Houses in Victoria', Historical Studies, 9: 36,

1961, 379-95.

BEIERS, George, Houses of Australia. A Survey of Domestic Architecture, Sydney: Ure Smith,

1948.

BOGLE, Michael, 'Tony Fry, Design History Australia' [review], Fabrications, 1, 1989, 98-99.

BOGLE, Michael, 'Australian Furniture: in part', Australian Antique Collector, 45th edition, Jan-

Jun 1993, 54-59.

BOYD, Robin, The Australian Ugliness, Melbourne: F.W. Cheshire, 1960.

BOYD, Robin, Australia's Home. Its Origins, Builders and Occupiers, Melbourne: Melbourne

University Press, 1952; Australia's Home. Why Australians built the way they did, 2nd edition,

Harmondsworth: Penguin, 1978; Australia's Home. Its Origins, Builders and Occupiers, new

edition, Melbourne: Melbourne University Press, 1987.

BRADLEY, Anthony and Smith, Terry, eds, Australian Art and Architecture. Essays presented to

Bernard Smith, Melbourne: Oxford University Press, 1980, 124-33.

BROADBENT, James, et al., For the Public Good. Crimes, Follies and Misfortunes. Demolished

Houses of New South Wales, Sydney: Historic Houses Trust, 1988.

BRODSKY, Isadore, The Streets of Sydney, Sydney: Old Sydney Free Press, 1962.

BRODSKY, Isadore, Sydney's Little World of Woolloomooloo, Sydney: Old Sydney Free Press,

1966.

BROMFIELD, David, ed, Aspects of Perth Modernism 1929-1942, Perth: University of Western

Australia, Centre for Fine Arts, 1986.


26

BROWN, Erica, Sixty Years of Interior Design. The World of McMillen, New York: Viking, 1982.

BUNNING, Walter, Homes in the Sun. The past, present and future of Australian housing, Sydney:

W. J. Nesbit, 1945.

BURES, Susan, The House of Wunderlich, Kenthurst: Kangaroo Press, 1987.

BURN, Ian, et al., The Necessity of Australian Art. An Essay about Interpretation, Sydney:

University of Sydney, Power Publications, 1988.

BURN, Ian, Dialogue. Writings in Art History, North Sydney: Allen and Unwin, 1991.

CANNON, Michael, ed, Australia's Upper Middle Class in the Edwardian Age, 2 volumes

[facsimile of Our Beautiful Homes. New South Wales, n.d.; Victoria's Representative Men at Home

by 'Lauderdale', Melbourne, Punch, n.d.], Melbourne: Today's Heritage, n.d. [1970s?].

COCHRANE, Grace, The Crafts Movement in Australia: A History, Kensington: University of

New South Wales Press, 1992.

CRAIG, Clifford, FAHY, Kevin and ROBERTSON, E. Graeme, Early Colonial Furniture in New

South Wales and Van Diemen's Land, Melbourne: Georgian House, 1972.

CRITTENDON, Victor, A History of Australian Gardening Books and a Bibliography 1806-

1950, Canberra: CAE Library, 1986.

CUFFLEY, Peter and CARNEY, Kevin, A Catalogue and History of Cottage Chairs in Australia,

Lilydale: Pioneer Design Studio, 1974.

DAVIDSON, Rodney, ed, Historic Houses, Canberra: Australian Council of National Trusts, 1982

[combined edition of Historic Public Buildings of Australia, 1971 and Historic Houses of Australia,

1974].

DEARING, Tyrone, 'Art Deco in Australia', Australian Antique Collector, 45th edition, Jan-Jun

1993, 51-3.

DEUTSCHER, Chris, et al., Thea Proctor. The Prints, Sydney: Resolution Press, 1980.

DOBREZ, Patricia, 'Martin Boyd's Aestheticism: a Late Victorian Legacy', Australasian Victorian

Studies Association, Brisbane Conference Papers, August 1978, 29-39.

DUNGAVELL, Ian, 'Moly-Sabata Dangar. The Pottery of Anne Dangar', Ceramics: Art and

Perception, 11, 1993, 16-18.

DUPAIN, Max et al., Georgian Architecture in Australia. With some examples of buildings of the

post-Georgian period, Sydney: Ure Smith, 1963.

DUTTON, Geoffrey, The Innovators. The Sydney alternatives in the rise of modern art, literature

and ideas, Crows Nest: Macmillan, 1986.


27

EAGLE, Mary, PHIPPS, Jennifer, ed, Australian Modern Painting Between the Wars 1914-1939,

Sydney: Bay Books, 1990.

EARNSHAW, John, Early Sydney Cabinet-Makers 1804-1870. A Directory with an Introductory

Survey, Surry Hills: Wentworth Books, 1971

EDWARDS, Deborah et al., Australian Decorative Arts, Sydney: Art Gallery of New South Wales,

c. 1991.

EVANS, Ian, Restoring Old Houses, South Melbourne: Macmillan, 1979 [reprinted 1985,

revised 1986, reprinted 1989 with new directory].

EVANS, Ian, The Australian Home, Glebe: Flannel Flower Press, 1983.

EVANS, Ian, Furnishing Old Houses. A Guide to Interior Restoration, South Melbourne:

Macmillan, 1983.

EVANS, Ian, LUCAS, Clive and STAPLETON, Ian, Colour Schemes for Old Australian Houses,

Glebe: Flannel Flower Press, 1984.

EVANS, Ian, The Federation House. A restoration guide, Glebe: Flannel Flower Press, Glebe,

1986.

FAHY, Kevin, 'Federation Furniture. An Australian Book of Designs', Australian Antique

Collector, 27th ed, Jan-Jun 1984, 97-101.

FAHY, Kevin, SIMPSON, Christina and SIMPSON, Andrew, Nineteenth Century Australian

Furniture, Sydney: David Ell, 1985.

FALKINER, Suzanne, ed, Leslie Wilkinson. A Practical Idealist, Woollahra: Valadon Publishing,

1982.

FORGE, Suzanne, Victorian Splendour. Australian Interior Decoration 1837-1901, Melbourne:


FRASER, Hugh and JOYCE, Ray, The Federation House. Australia's Own Style, Sydney: Weldon,

1989 [first edition, Landsdowne, 1986].

FREELAND, J.M., Architecture in Australia. A History, Hannondsworth: Penguin, 1968.

FREELAND, J. M., review, 'The Glebe: Portraits and Places, Freda MacDonnell, Ure Smith,

Sydney, 1975', JRAHS, 62: 3, December 1976, 214-16.

FREESTONE, Robert, ''The New Idea': The Garden City as an Urban Environmental Ideal 1910-

1930', JRAHS, 73: 2, October 1987, 94-108.

FRY, Tony, Design History Australia. A source text in methods and resources, Sydney: Hale and

Iremonger, 1988.


28

FRY, Tony, Old Worlds. New Visions, Sydney: Hale and Iremonger, 1989.

GALBALLY, Ann and PLANT, Margaret, eds, Studies in Australian Art, Melbourne: Department

of Fine Arts, University of Melbourne, 1978, 80-90.

GILBERT, Alan, 'The Roots of Anti-Suburbanism in Australia', Australian Cultural History, 4,

1985, 54-70.

GRASSICK, Patricia, 'Interiors in Australian painting in the 1880s', Art and Australia, 21: 3,

Autumn 1984, 346-51.

GRAY, S., ‗Mixing it Up; David McDiarmid, Peter Tully and the ecstatic space of the Paradise

Garage‘ in Adamson, Glenn, and Pavitt, Jane, eds, Postmodernism: Style and Subversion 1970-

1990, London: Victoria & Albert, 2011.

GRAY, S., ‗America and the Queer Diaspora: The Case of Artist David McDiarmid‘ in Deacon,

Desley, Woollacott, Angela, and Russell, Penny, eds, Looking Out: Australian Lives in the World,

Canberra: ANU E Press, 2007.

GRAY, S., ‗Crafting Hip and Cool: David McDiarmid‘s Handcrafted Lamb Suede Dancefloor

Outfits, 1980-1989‘, The Journal of Modern Craft, 3:1 March 2010, 37-54.

GRAY, S., ‗Reinterpreting a Textile Tradition – David McDiarmid;s Klub Kwilt‘, Textile History,

The Journal of the Pasold Research Fund, 38:2 November 2007, 198-210.

HAMANN, Conrad, 'Nationalism and Reform in Australian Architecture 1880-1920', Historical

Studies, 18: 72, April 1979, 393-411.

HARDING, Warren T. and LORIMER, David C., Australian Decor, Melbourne: Thomas Nelson,

1971.

HASLUCK, Paul N., ed, House Decoration Comprising Whitewashing, Paperhanging, Painting,

Etc. with numerous engravings and diagrams, Melbourne, Sydney, Adelaide: Cole's Useful Books,

n.d. [late 19th century?] Mitchell Library (Sydney) 698.1/1.

HERMAN, Morton, The Early Australian Architects and Their Work, Sydney: Angus and

Robertson, 1954.

HOFF, Ursula, 'Observations on Art History in Melbourne 1946-1964', Australian Journal of Art, 3,

1983, 5-9.

HOORN, Jeanette, 'Misogyny and Modernist Painting in Australia: How Male Critics made

Modernism their Own', Journal of Australian Studies, 32, March 1992, 7-17.

HOWE, Renate, ed, New Houses for Old. Fifty Years of Public Housing in Victoria 1938-1988,

Melbourne: Ministry of Housing and Construction, 1988.

HUGHES, Robert, The Art of Australia, Harmondsworth: Penguin, 1966.


29

INGRAM, Terry, A Question of Polish. The Antique Market in Australia, Sydney: Collins, 1979.

IOANNOU, Noris, The Culture Brokers: towards a redefinition of Australian contemporary craft,

Netley: State Publishing, 1989.

IOANNOU, Noris, ed, Craft in Society. An Anthology of Perspectives, South Fremantle: Fremantle

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