AUDIOVISUAL SUPPORT AS THE GLUE OF EUROPEAN CINEMA ILSE SCHOONEKNAEP iMinds-SMIT-VUB ECREA 2014.
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Transcript of AUDIOVISUAL SUPPORT AS THE GLUE OF EUROPEAN CINEMA ILSE SCHOONEKNAEP iMinds-SMIT-VUB ECREA 2014.
AUDIOVISUAL SUPPORT AS THE GLUE OF EUROPEAN CINEMA
ILSE SCHOONEKNAEPiMinds-SMIT-VUB
ECREA 2014
1.INTRODUCTION
Does the audiovisual support system MEDIA strengthen the cross border circulation of European
Audiovisual productions?
2.SETTING THE SCENE
“The euros learn English with a Hollywood accent”
“IF CONTENT IS KING THAN DISTRIBUTION IS KING KONG”
“EUROPE AS A PATCHWORK OF INDIVIDUAL WAYS OF ENTERTAINMENT”
3.DISTRIBUTION ENHANCING EU POLICIES
MEDIA I1991-1995
MEDIA II1996-2000
MEDIA Plus2001-2007
MEDIA 20072007-2013
Film Distribution in Cinemas
Film & Video Distribution
Cinema Distribution Encourage distribution
Distribution Video & TV
Circulation of TV programs
Distribution off-line Improve circulation
Multilingualism Promoting companies
TV broadcasting Promote transnational dissemination
Development of markets
Distribution on-line Encourage digitisation
Encourage cinema
Overall budget of 200 m
Overall budget of 400 m
Overall budget of 513 m
Overall budget of 755 m
43% for distribution 62% for distribution 57;5% for distribution
55% for distribution
Amount of MEDIA supported films in Top EU 25 (European Audiovisual Observatory 2006-2013)
BELGIUMBELGIUM
DENMARKDENMARK
UNITED KINGDOMUNITED KINGDOM
Type of films and their distributors
4.CONCLUSIONS
"The European film industry has fought to establish, maintain and revive a place in the international film business “