Audacity Tutorial by the Knight Digital Media Center

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/15/12 Audacity Tutorial | Audacity

ultimedia.journalism.berkeley.edu/tutorials/audacity/printfriendly/

Knight Digital Media Center Multimedia Training

Tutorial: Audacity

By Jeremy Rue

For updates and discussion on this tutorial, visit:

http://kdmc.berkeley.edu/tutorials/audacity/

Introduction

Audacity is a piece of sound-editing software that is widely

known for being open-source (free of charge) and offering cross-platform compatibility.

Because it is free, however, there are some drawbacks. Generally, Audacity is not as robust andpolished as some other professional sound-editing programs, and there are some bugs in the

software that can cause it to crash unexpectedly.

Some of the advantages of Audacity:

Free of charge

Compatible with Mac OSX, Windows, Linux and other operating systems

Lightweight and a relatively small program size

Open source with community support working to continually improve it

Some of the drawbacks of Audacity are:

Several known (and unknown) bugs exist that can cause the program to become unstable

The program is limited in its mixing capabilities

Some aspects are more complex, and not as user-friendly

The program is not as complete, as you will have to install plug-ins/encoders separately

Audacity can be downloaded at the following location:

http://audacity.sourceforge.net/download/

(This tutorial was written using Audacity for Mac OSX version 1.3.6 in November 2008. While the

screenshots and some menu items are Mac specific, it is written to cater to all platforms. Due to

Audacity's open-source nature, the program tends to update regularly, and some information

may become outdated. We will try to keep it updated when possible.)

Downloading, installing and setup

Download and install Audacity

http://audacity.sourceforge.net/download/

While the software makers allow users to download the latest "beta" versions of the program,

doing so may have some unexpected consequences. Generally "beta" software is still in a testing

mode and could be unstable. If working on production material, it is suggested that users


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Use the Browse... button to find the location of the LAME package file, either libmp3lame.dylib

(Mac) or lame_enc.dll (PC).

Click OK.

Workspace

Let's take a look at the Audacity workspace.

At the top are several buttons that allow you to play, stop, pause, fast-forward, rewind or

record a track.

To the right of that are some playback and record meters which show you the sound levels.

Since the volume at which you listen to your sound can vary depending on how load your


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speakers or headphones are, these meters are important as a visual way in determining theoverall levels of your sound.

Below (or to the right, depending on how wide your window is) are some playback speed

adjustment sliders. This is generally not used in most sound editing, but could be helpful in

transcribing dictation. Be careful that this adjustment is not changed before you export youraudio file.

Audacity also comes with an UNDO button. This feature is critical to undoing mistakes.

Everytime this button is pressed, the last previous actions are reversed in the order they

occurred. So pressing the undo button five times will undo the previous five actions.

Respectively, there is a redo button that will redo an action if you have already undone several

steps. As with most software these days, the shortcut key to undo is Ctrl-Z (PC) or Command-Z

(Mac).

Tools in Audacity

Audacity has six tools to choose from. The tool that is selected will determine how your cursor

interacts with the audio track. Always be aware of which tool is currently selected, as it will

affect each click on the audio track.

This is the primary selection tool which allows you to highlight portions of a track to copy or

paste.

This is the envelope tool, which allows you to change the volume of certain portions of your

audio track by visually shrinking it. You can use the tool to place anchor points around the track

to guide the sound level.

The drawing tool in Audacity is probably one of the least used tools. You have to be zoomed in

extremely close to the audio file-- so much so that you can view each individual sample of the

file (typically 44,100 per second). The drawing tool allows you to edit each of these samples,

which will appear as anchor points on the file. This can be a tedious process, but possibly useful


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when trying to edit out a spurious noise like a click.

The zoom tool simply zooms the view in or out of the track. To zoom out, right-click (PC) or

control-click (Mac) on the track. You can also click the vertical ruler at the front of the track to

zoom in vertically on the track. Where you click on the ruler will determine what part of the

track it will zoom in.

The time shift tool is used to move segments of audio within a track. In order to split a track,

you must first use the selection tool, then choose Split from the edit menu (new versions of

Audacity only).

The multi-tool in Audacity can either be one of the most useful, or one of the most confusing

tools in the program. Essentially the tool is a combination of the selection, envelope and time

shift tools, and its functionality is determined by what part of the track you click, and the

motions used to drag portions of the track.

Basic Audio Editing

Importing Audio

As a general rule of thumb, you should only import uncompressed audio into any sound editing

program. This means you should import .wav, .aiffor another lossless file type. While it is

technically possible to import compressed audio like mp3 files, you would likely see a decrease

in quality as you recompress it on export.

Every time a file is compressed, it loses some quality -- similar to that of making a copy on acopy machine. Recompressing is analogous to making a copy of a copy.

To import audio, click on the File menu and select import--> Audio.


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Once imported, you can use the space bar to play your audio file, or press the green play

button at the top.


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Using the Selection tool to edit audio

Use the selection tool to jump to various points in your track, or click and drag to select a

portion of the track. If you move the cursor to the very edge of a selection, a small hand with a

finger appears. This allows you to change the size of the current selection.

You can press the delete key on your keyboard to remove a highlighted portion of a track. Oryou can use the standard copy, cut and paste key combination to move around segments of

audio.

Whenever you remove a portion of the track, Audacity automatically slides the audio

immediately after the selection to fi ll in the gap left. If you do not want this to happen, use Split

Delete from the Edit menu instead.


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When using Split Delete, a gap is left in the audio track which will be heard as silence.

Split Delete only works with highlighted portions of audio. If you wish to simply split a track in

half without selecting it first, then use the Split option under the Edit menu.

You can use the time shift tool to move each piece throughout the track independently. Movingone block of audio to the other side of another segment is technically possible, but can be

difficult to do. The first option is to simply drag it to the other side, but in order for it to work

you must have enough room to accommodate the block on the other side. Also, you must be

able to see the other side from the view. If you can't, you may need to zoom out.

The other option is to copy and paste the block using the selection tool.

Zooming in and out

Audacity offers several different methods for manipulating the viewable workspace. We'll start


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with the zoom tool.

Horizontal Zoom

Using the zoom tool, simply click on the track to expand it horizontally.

To zoom out, simply right-click on the track with the zoom tool, or hold down the shift key to

change the zoom tool to a zoom out tool.

Vertical Zoom

To zoom on the track vertically, you should click the front of the track where the amplitude

measurements are displayed. But here's the trick: where you click on the ruler will determine

which portion of the track will be magnified.

Clicking on the top of the ruler will zoom vertically on the top portion of the track.


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If you click on the bottom of the ruler, you would zoom in on the bottom of the track.

To zoom out, follow the same steps as the horizontal zoom: either right-click on the ruler, or

hold the shift key and click on the ruler.

(Note: Audacity makes it easy to zoom in vertically by allowing you to click on the ruler with

any tool. The same effect will occur. You don't need to be on the zoom tool to cause it.)

Stretching the size of the track

You can easily change the size of the track itself by moving the mouse over the bottom edge of

the track and dragging down.

Using the Envelope Tool

The envelope tool is used to lower the volume at a particular point in the audio track. This is

useful for creating effects like fade-in and fade-outs.

Select the envelope tool from your toolbar, and you will see a blue line appear around your

track.


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The cursor will change into two small white arrows pointing up and down. This specifies the

region in which you can place an anchor point on the edge of your track. Click and drag the

edge of the waveform toward the middle.

Click other areas of the waveform to place white anchor points. Parts of the waveform that are

smaller, will play the sound quieter than parts that are larger. The waveform will shrink in

certain areas giving a visual representation of how the sound is being adjusted.

Adjusting the sound levels of the audio this way does not affect the quality, only the volume.

While it might seem that you are affecting the quality of the waveform, rest assured that this

visual representation is only affecting the loudness.


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To make a fade, drag the white anchor points all the way to the middle. A curve will form

allowing you to create fades.

To remove the anchor points, drag them to the left or right until they either combine with

another set, or are dragged completely off the track.

Selecting another tool will turn off the envelope function. A light gray color will still appear in the

background as a visual cue to how the track was affected.

Adding Labels to Identify Audio Segments

When working with any audio program, you should mark areas of your audio to help you identify

different segments of your track. Editing audio visually using an ambiguous waveform can be

difficult, especially with longer audio tracks.

Audacity, like many audio programs, includes a mechanism for labeling different areas of your

audio track and using those markers to help you edit.

To label a particular area of your audio track, first click on the part of your track that you want

to label with the selection tool, then select the Tracks menu and select Add Label At

Selection, or CTRL-B (PC) Command-B (Mac).


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A new special labels track will be created if you did not already have a labels track. Type in a

name for the label you just created.

Labels should describe that portion of the track. Keep it short, so you can add multiple labels.

Adding multiple labels also helps you in the editing process by marking particular segments, and

allowing you to select them.

Labels don't just have to mark a single spot, they can mark a span of audio with markers called

boundaries. To expand a label to include a span of audio, roll the mouse over the label to

highlight it first, then click and drag the boundary to the left.


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Dragging to the left will open the label to include a span of audio, but dragging the boundary to

the right will close the span or move the boundary to the right.

This span can be used to help you edit audio. Click on one of the boundaries with the selection

tool, then drag the selection to the other boundary. You can do this in either the audio track, or

the labels layer. If you highlight the audio track, then essentially you will be using the

boundaries as guides to selecting your audio. If you highlight the portion that is in the labelslayer (as seen below) you can use some special labels features to modify your audio.

Under the Edit menu, you will find the option for Labeled Regions. These pertain to regions of

the labels layer that are highlighted. These options will only appear if you have a section of your

labels layer highlighted.


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There are lots of other features you can do with labels, such as exporting segments of your track

to separate files using File --> Export Multiple. But those techniques are beyond the scope of

this tutorial. Check out the Official Audacity Wiki for more information on labels.

Filters and Cleaning up Audio

Audacity comes pre-packaged with a few third party f ilters to help you manipulate your audio

track. One of these tools is a noise remover filter that can remove sounds like hisses and

hums from your audio track.

The noise remover filter cannot remove distinct sounds, like a voice or interruption rather it ismeant to reduce constant sounds that affect large portions of your track.

To use the noise removal filter, you must first sample a portion of your audio track that has

only the noise you wish to reduce.

Step 1) Highlight a portion of your track that only has the noise. This is important, or else the

noise removal will sample your entire track.


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Step 2) Under the Effect menu select Utility --> Noise Removal --> Noise Removal...

(location may vary depending on the version of Audacity you are using)

Step 3) The noise removal dialogue will describe the two-step process. In this first step, click

Get Noise Profile, which will store a sample of the noise in the system.


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After you click Get Noise Profile, the filter will analyze the highlighted portion of your track and

learn what the "unwanted" noise sounds like.

Step 4) You should highlight the portions of your track that you want to remove the noise from.

Most of the time, this will be your entire track. You can select your entire track by clicking Ctrl-A

(pc) or Command-A (mac).

Step 5) Re-open the noise removal tool by clicking Effect --> Utility --> Noise Removal -->

Noise Removal...


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Play with the sliders at the bottom portion of the dialogue. Remember, despite its name, the

noise removal tool only reduces the unwanted noise. Adjust the top slider, Noise Reduction, to

specify the amount of reduction you want. The middle slider, Frequency smoothing, will

attempt to recover the audio you want at the risk of adding a metalic or hollow sound. The

attack/decay setting will also help recover some of the desired audio the noise reduction might

remove.

The process is not perfect. Play with the sliders and click the Preview button to sample a few

seconds of your audio to see how it is being affected. Once you are happy with the results, click

OK to process the track.

Workflow and Saving

For journalistic audio pieces, the typical workflow is to listen to each track first, and then "clean

it up" based on either a script or preferences of a producer. This could include removing clicks,

pops, smacks, or even portions of the audio track that you know wil l not become a part of the

final product.

After you clean up each track, it is good practice to export each "cleaned up file" as an

uncompressed .wav or .aifffile to your project folder. The reason for this is so you have a copy

of each edited track that is a part of your project.

Once you have exported each individual piece of audio, start a new Audacity project and import

these uncompressed files as various tracks to begin the second phase of audio editing which is

mixing your different tracks together.

Organization plays a big part in complex audio productions, and building good practices will

make the task of editing much easier.


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Exporting audio tracks

Exporting audio in Audacity is a pretty straight-forward process. From the File menu, you have

two options for exporting; you can either Export or Export Selection.

If you choose Export Selection, you will only export highlighted regions of your audio tracks.

This allows you to export only a certain segment of your audio. If no segments are highlighted,

then Audacity wil l automatically highlight your entire project.

The Export option will always export the entire project.

In the export dialogue box, you will be given the option to choose the audio format. If you are

exporting single tracks that have been cleaned up, it is highly recommended that you export in

either .WAV or .AIFF. Both are similar, the difference being that .WAV was made by IBM and is

now a standard on Windows PCs, and .AIFF was made specifically by Apple.

To ensure compatibility, it is recommended to choose .wav if you are on a PC or .aiff if you are

on a Mac.


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Saving your Audio Files

Once you have cleaned up and exported each audio track to your main project folder, you can

start your final Audacity audio project.

Import each track, and along the way, you should save your project to prevent losing any hard

work. Audacity only saves in its own proprietary format called Audacity Project (.AUP)

From the File menu click Save As... The first time you save, a warning message may come up

letting you know that the Audacity file format is not a audio file standard, but a file type that isonly for Audacity projects.

You can disable this warning from appearing in the future by checking the box.

A second dialogue box may also appear asking you about any connected media (this warning will

only appear if you have audio tracks imported into your project).

What this dialogue is asking is whether you want to copy the audio files that are a part of your

project into a special data folder that is near your Audacity (.AUP) project file. You can either


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Copy Selected Audio Into Project or Copy All Audio into Project, but either way it is highlyrecommended that you copy all connected media into your project. and keep it self-contained.

Audacity will create a special data folder named after the project name. For example, if your

project is named "test" the folder would appear as "test_data". This data folder contains

information about your project, and should always be in the same location as your audacity

(.AUP) project file. If you wish to transfer your project to another computer, you will have to

copy both the .aup project file and this data folder.

Remember to save often. Crashes do happen!

Mixing Tracks

One of the foundations of audio editing is the mixing phase. This is where you take several

edited individual tracks and mix them together to form a complete audio piece.

To begin mixing, import two or more audio tracks into your project. You can use the time shift

tool to move the tracks left or right to adjust the timing.

Generally, you would stack the audio tracks by level of importance or prominence. This means

narration or interviews would be on top; music or ambient sounds would be underneath; and

finally sound effects or room tone would be at the very bottom. You can adjust the order by

clicking on the drop down menu at the top of each track.

Once you have imported multiple tracks of audio, it is important to name each track to help

identify what is on them.


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Click on the drop-down menu just to the right of the close "X" button, and select name.

Identifying tracks is also important for times you want to come back to an old project.

You can use the envelope tool to create fades and adjust the volume of each track in relation to

the others.

It is good practice to bring in music and ambient sounds gradually. The goal of mixing is to keep

sound effects inconspicuous so as to not distract the listener from the primary narrative. Rather,

ambient sounds should support the narrative by adding dimension to the piece, not overpowering

it.

If you need to listen to only one track temporarily without the the distraction of the others, you

can use the mute and solo buttons which will temporarily shut off other tracks.


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Mute will turn off the current track, and solo will turn off all other track except the one that is

soloed. These are especially useful when mixing large projects with lots of tracks. (Remember to

turn all of your tracks back on before the final export. It is easy to forget about a track that was

muted)

Demystifying Stereo and Mono

Because of the way Audacity treats individual tracks, it is easy to get confused about the

difference between stereo and mono projects. First, a quick review on nomenclature in Audacity.

Tracks - Tracks are individual pieces of audio. They can be either stereo or mono.

Channel - Channels refer to either the right (R) or left (L) speaker.

Stereo - Stereo refers to a trackwhere there are two channels that are distinctly

different. It will appear as one track, but with two waveforms in it.

Mono - Where a single track is distributed to both channels.

The confusion comes in realizing that, in Audacity, each track can be specified to either the left

channel, right channel, mono or placed in a stereo-pair.

The next few sections will take you through a few different scenarios.

Changing mono tracks to output audio in mono

To change these settings, click the drop-down menu at the top of each track (where the track

name is).


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Most interviews are done with a single mono microphone. In these cases, you almost always

want to use the mono setting for each track. Setting the mono option on each track will ensurethat the audio is distributed evenly to both channels. If the track is set to either the right or left

channel, you will hear it come out of only one side during playback. If you notice this, set the

track to mono.

Changing stereo tracks to mono tracks

Some digital audio recorders have stereo microphones and will record two tracks of audio as a

stereo-pair. You will know you have this situation if you import your audio and you see a single

track, but with two waveforms, as in the image below.

Notice that the above image is one track of audio, despite the track having two distinct


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waveforms. This is called a stereo pair, and each of the waveforms is on a different channel

(the top waveform is the left channel). You cannot edit these channels individually. Any

adjustments you make will be done to both channels equally, including when you adjust the

sound envelope or cut the track during editing.

You first have to decide if you want your project to be a stereo project or mono project. A

stereo project might sound a little more realistic because it mimics how sound is interpreted in

real-life. However, the sound file will be twice as large and that can cause slow loading speeds

on the Internet.

Most serious journalistic radio organizations only use mono tracks. Stereo can interfere with the

way the story is perceived or be a distraction. Although, in some cases, it can also add

dimension to a project that puts the listener "right there." This choice is a subjective one,

sometimes even an ethical one. For general purposes, we recommend doing journalistic audio

pieces in mono.

There are two methods to convert a stereo track to a mono track.

Method 1) Splitting the stereo track and deleting one of the channels

To split the stereo track, click on the drop-down menu above the track and select split stereo

track.

This will split the channels into individual tracks. Once you have two tracks, you can simply

delete the track you do not want by clicking the close "X" button.


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Method 2) Merging the two channels of a stereo track into one track(preferred)

If you feel that you might need audio from both channels, then you can merge both channels into

one. This could occur if you recorded an interview in stereo, and one person might have been

closer to one side of the recorder and might sound louder on one channel.

Combining the channels ensures that sounds in both channels will be equally represented in the

track.

To convert, click on the track you want to combine, and from the track menu, select Stereo

Track to Mono.

There might be some slight quality loss in combining the channels, although if there is, it would

only be very slight.

Exporting Audio

The last step in audio production with Audacity is exporting your file.

To export, click on the File menu and select either Export or Export Selection. The export

selection choice will export only highlighted portions of your audio.


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In the save dialogue, you will have the option to pick the audio format and set additional options

based on that format.


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For the Format, we recommend you choose .mp3 if your intention is to put this audio up on the

Web. If you need an uncompressed copy, say for a presentation, and the size of the audio file

doesn't matter, then we recommend exporting in .wav (PC) or .aiff (mac). Unless there is a

specific need, you shouldn't have to select the other formats.

This tutorial will show the options for selecting .mp3, exporting for the Web. After choosing

.mp3, click the Options... button to view additional options regarding the file format. (Options

will only be clickable if you select a format that has additional options).

For the Bit Rate mode, we recommend choosing Constant, which wil l produce the best quality.

You can think of Bit Rate as the resolution of the audio. The higher it is, the crisper and cleaner

the sound will be.

Bit rates that are too low will have a metallic or garbled sound to them. The standard CD quality

is 128 kbps, which is what we generally recommend. If you are a stickler about sound quality,


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you can select 192 kbps for exceptional quality, but the end-user could expect slower loadingtimes if you have really long audio tracks. Expect an hour-long mono audio mp3 file to end up

around 30 megabytes if exported at 192 kbps.

For the Channel Mode, you will have the option to choosejoint stereo, or simply stereo. Joint

stereo combines certain frequencies from both channels to create a slightly smaller file. If you

have a mono project, you should choose joint stereo since it won't affect anything. If you

have a stereo project, it is also recommended you choose joint stereo, unless you specifically

need both channels to be separate.

The next dialogue box will ask you to type in some metadata in what is called an id3 tag.

Filling in this information is completely optional, but highly recommended. Most audio software,

such as iTunes and Window Media Player use this metadata to categorize audio files. While id3

tags are generally built to support music files, they can be useful even for journalistic pieces.

Longer files can take a while to export, an important fact to note when on deadline. Most of the

time you can expect the export to take anywhere from half to the full length of audio to process.


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Audacity Tutorial

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