Assignment 11 draft 6 part 3
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Transcript of Assignment 11 draft 6 part 3
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Shot list Final Draft Sanel
Time (secs)
Scene Type of shots Description Props/costumes needed
1-5 She walks down the steps (1)
• Establishg shot She walks down the steps
• Orange top• black skirt• Hoop earrings• Coat• Bag
6-10 Still walking down the steps (2)
• Full body shot She walks down the steps
• Orange top• black skirt• Hoop earrings• Coat• Bag
11-13 You just see a bag (3) • Close-up shot A close up shot is shown to the bag
• Orange top• black skirt• Hoop earrings• Coat• Bag
14-18 see her walking down the steps (4)
• Establishing shot
She is walking down the steps
• Orange top• black skirt• Hoop earrings• Coat• Bag
19-24 She is now walking along the pavement (5)
• Full body shot She carries on walking
• Orange top• black skirt• Hoop earrings• Coat• Bag
Time Scene Type of shots Description Props/costumes needed25-27 You just see the bag (6) • Close-up shot of
the bagA close-up shot of the bag is shown again
• Orange top• black skirt• Hoop earrings• Coat• Bag
28-33 She reaches to the house door (9)
• Full body shot She opens the door
• Orange top• black skirt• Hoop earrings• Coat• Bag
34-37 You see the bag (10) • Close-up shot A close-up shot of the bag is being shown
• Orange top• black skirt• Hoop earrings• Coat• Bag
38-39 You just see her hands (11)
• Close-up shot She opening her bedroom door
• Orange top• black skirt• Hoop earrings• Coat• Bag
40-45 She opens the door (12) • Mid shot See her entering into the bedroom
• Orange top• black skirt• Hoop earrings• Coat• Bag
Shot list Final Draft
Time Scene Type of shots Description Props/costumes needed
46-48 You just see the bag (13)
• Close-up shot Close-up shot of the bag being shown
• Orange top• black skirt• Hoop earrings• Bag
49-50 She lights up candles (14)
• Close-up shot She lights up the candles
• Orange top• black skirt• Hoop earrings
51-57 She starts to pray (15)
• Mid shot She begins to pray
• Orange top• black skirt• Hoop earrings
58-61 You just see her hands (16)
• Close-up shot Close-up shot of her hands touching the rosemary
• Orange top• black skirt• Hoop earrings
62-69 She get possessed (17)
• Mid shot She then gets possessed
• Orange top• black skirt• Hoop earrings
Shot list Final Draft
Time Scene Type of shots Description Props/costumes needed
46-48 You just see the bag (13)
• Close-up shot Close-up shot of the bag being shown
• Orange top• black skirt• Hoop earrings• Bag
49-50 She lights up candles (14)
• Close-up shot She lights up the candles
• Orange top• black skirt• Hoop earrings
51-57 She starts to pray (15)
• Mid shot She begins to pray
• Orange top• black skirt• Hoop earrings
58-61 You just see her hands (16)
• Close-up shot Close-up shot of her hands touching the rosemary
• Orange top• black skirt• Hoop earrings
62-69 She get possessed (17)
• Mid shot She then gets possessed
• Orange top• black skirt• Hoop earrings
Shot list Final Draft
Time Scene Type of shots Description Props/costumes needed
90-93 She starts to hear something (23)
• Mid shot She looks around as she can hear some whispering
• Orange top• black skirt• Hoop earrings
94-96 You see what was written on the paper (24)
• Close up shot You see that the paper says ‘the closet’
• Orange top• black skirt• Hoop earrings
97-99 She stares at something (25)
• Close-up shot She is staring at the cupboard
• Orange top• black skirt• Hoop earrings
100-103 You see the cupboard(26)
• Reverse shot You see she is staring at the cupboard
• Orange top• black skirt• Hoop earrings
104-107 She walks the cupboard (27)
• Mid shot She walks to the cupboard
• Orange top• black skirt• Hoop earrings
Shot list Final Draft
Shot list Final Draft Sanel
Time Scene Type of shots Description Props/costumes needed108-110 She still walks to the
cupboard (28)• Full body shot She is at the
cupboard • Orange top• black skirt• Hoop earrings
111-113 You see her face reaction (29)
• Close-up shot She is really scared
• Orange top• black skirt• Hoop earrings
114-117 You just see her hands (31)
• Close up shot Her hands our touching the cupboard handles
• Orange top• black skirt• Hoop earrings
118-120 You see her face reaction (32)
• Close-up shot She is scared • Orange top• black skirt• Hoop earrings
121-125 She looks around in the cupboard (33)
• Point of view She is looking inside the cupboard
• Orange top• black skirt• Hoop earrings
126-129 She leave the cupboard open (34)
• Full body shot She the is relieved and closes the cupboard
• Orange top• black skirt• Hoop earrings
Shot list Final Draft Sanel
Time (secs)
Scene Type of shots Description Props/costumes needed
130-137 She is walking passed the mirror and doesn’t see the first ghost but sees the second ghost in her mirror (35)
• Full body shot She walks pass the mirror and only see one of the ghost at the second mirror
• Orange top• black skirt• Hoop earrings
137-139 You see her face reaction (36)
• Close up shot She is really frightened
• Orange top• black skirt• Hoop earrings
140-142 You see the ghost (37) • Close up shot She sees the ghost when she turns
• Orange top• black skirt• Hoop earrings
143-145 See her face reaction (38)
• Close up shot She is really scared
• Orange top• black skirt• Hoop earrings
146-148 Ghost runs into the cupboard (39)
• Full body shot They run into the cupboard
• Orange top• black skirt• Hoop earrings
Shot list Final Draft Sanel
Time (secs)
Scene Type of shots Description Props/costumes needed
149-151 You see her walking to the cupboard (40)
• Mid shot She goes to the cupboard
• Orange top• black skirt• Hoop earrings
152-154 The cupboard opens (41)
• Mid shot She is scared as the cupboard opened by itself
• Orange top• black skirt• Hoop earrings
155-158 You see her face reaction (42)
• Close-up shot She is really scared
• Orange top• black skirt• Hoop earrings
159-161 You see the ghost (43) • Full body shot The ghost are telling her to come to her
• Orange top• black skirt• Hoop earrings
162-164 You see her facial expression (44)
• Close-up shot She is frightened
• Orange top• black skirt• Hoop earrings
Shot list Final Draft Sanel
Time (secs)
Scene Type of shots Description Props/costumes needed
164-166 You see her hands (45) • close up She is about to touch one of the ghost
• Orange top• black skirt• Hoop earrings
167-169 The ghost grabs her (46) • Close up The ghost grans her and pulls her in
• Orange top• black skirt• Hoop earrings
170-172 She falls into the cupboard (47)
• Mid shot She gets pulled into the cupboard
• Orange top• black skirt• Hoop earrings
173-175 You see the cupboard (48)
• Full shot You see the cupboard being shut and her locked in
• Orange top• black skirt• Hoop earrings
176-180 You see her and the other two ghost
• Close up shot She is locked into the cupboard and then uses her matches to light up and see and you see two ghost behind her.
• Orange top• black skirt• Hoop earrings
LKaya Enigma - How did they do it?
Insidious opening sequence
Mysterious observerThey show a point of view of someone walking around the house at night with a shadowed hint on the window
Mysterious/scary reflectionThey show a refection of the female making the audience want to know who she is and why she is there at night watching over people
Credits and shotsDuring the credits they show shots of things for example the inside of the house making the audience watch more in why these are significant and the titles because they portray ghost like things making the audience want to see more about ghosts
Enigma
How are we creating enigma in our opening sequences…
• By not telling the audience why these girls are haunting this room so their audience will want to find out more
• The audience will want to watch more to see what relevance the dolls have to this closet/house and why they’re always coming back
• At the ending of the opening sequence we build a climax to a sudden shock/scare getting the audience excited to watch more
• Finally to see what happens to Laura in the closet and further of how the ghosts disturb her
Kaya L
LEnigmaKaya
How have we improved from draft 1?...
• Since draft one we have improved greatly on how we can create enigma.
• We have gone through many ideas and various genres to create a very creative and versatile mind to what excited and interests our target audince
• By creating a questionnaire for our target audience to see what they find interesting and what they don’t
• Researching type of films and themes or concept grabs the audiences attention to watch more
• Watching many different genre of films opening sequences to understand what makes enigma and realising what does not
Target AudienceAge – 15 – 17
Gender – Female and Male
Ethnicity – British
Location – United Kingdom
Interests/Hobbies – local groups, precious memories
Lifestyle – Social, attends college/school, quite open minded
Why would our target audience be interested in our idea/plot?• Its based on real life, in London, so it will be familiar with the audience• Our target audience will be interested to learn about how spirits can play with our mind
throughout the film and interested of being scared.• The film is based in modern time and youth culture, use of slang in a closed narrative so they
can connect and relate to what they see in the film and leave thinking about the consequences
MSanel
M
Why would our target audience be interested in our film because of its form?• The use of editing in building up tension will interest the target audience, they may find
interesting when something is about to occur.
• The use of suspension type music will keep the audience at the edge of their seat imagining themselves in certain situations
Why would your target audience be interested in your film because of genre/conventions?• The target audience would be interested in how different spirits can act and play with
your mind so hopefully it would be interest them.
• The thrill of watching it would constantly keep the target audience interested at the edge of their seats
• The target audience could hopefully relate to the character while being interested imaging themselves in them kind of situations
Target AudienceSanel
Zoe
Sanel and Kaya
Feedback we received from our target audience
MSlide not improved
Sinead
Sanel and Kaya
Feedback we received from our target audience
MSlide not improved
Xheni
Sanel and Kaya
Feedback we received from our target audience
MSlide not improved
Sayana
Sanel and Kaya
Feedback we received from our target audience
MSlide not improved
Susan
Sanel and Kaya
Feedback we received from our target audience
MSlide not improved
Marcin
Sanel and Kaya
Feedback we received from our target audience
M
Kaya
Characters How have you developed your characters since draft 1?
• We developed our character to be less dark and a lot more relatable to a wider range of our target audience
• We made the character one age rather than a variety so its less confusing
• The clown and doll have been developed into a spiritual characters who rather than look like the dolls to 2 girls with a doll and clown toys.
N
Characters Kaya
Actor 1:Kaya Sumbland
Age:17
Character 1:Laura Hibbitt
Age:19
N
CharactersCostume and props
Kaya
Black eyes makeup Scarf across
waist
N
Black long skirt Patterned ‘gypsy’ style shirt
Ghost book
Matches
Candles
CharactersMise –en-scene
Kaya
Name – Laura Hibbit
Gender – Female
Age – 19
Costume – gypsy style shirt, scarf around waist, black long skirt
Props – book, candles, matches
Make-up – Mascara, tired eyes, blush, eyeliner
Stereotype – gypsy
Facial expression – Scared, shock
Body language – open
Representation – spiritual gypsy who is interested in other worls
NSlide not improved
Characters Kaya
Actor 2:Sanel Homer
Age:17
Character 2:Cilia Elizabeth Carter
Age:73
N