Arvo Pärt - ollipostmodern.weebly.com fileStructure •Outer sections rooted by Bach Prelude in C,...
Transcript of Arvo Pärt - ollipostmodern.weebly.com fileStructure •Outer sections rooted by Bach Prelude in C,...
How can one fill the time
with notes worthy of
the preceding silence?
Fratres. 1977
Structure
• Outer sections rooted by Bach
Prelude in C, Ex. 1
• Central section uses
– 12-tone row based on perfect fifths,
ex. 2
– Plus aleatoric sections (See score,
next page), Ex. 3
Early Music
• Gregorian chant—
– Foundation of music for centuries
– Religious basis of music
• Notre Dame--Perotin
• Machaut
• Ars nova
• Netherlands Renaissance
– Ockeghem, Obrecht, Josquin
• Palestrina, Victoria
• Machaut, Kyrie I
• Part, Psalom
• Machaut, Kyrie II
• Perotin, Viderunt Omnes
• Machaut, Kyrie III
Modus: Sarah Was Ninety Years Old
1976
– Rhythmic patterns with no
designated pitch
– Melodic patterns with little
rhythmic differentiation
• Melodic phrase repeated but started at
different points
Best known works
– Fratres, 1977—earliest example of
relatively dissonant tintinnabuli
formation [pp104-6]
Arrangements
• Kronos Quartet, Ex. 1, 2
• Strings and percussion
• Violin, strings and percussion
• Wind octet
• Eight cellos
• Cello and piano, Ex. 1, 2
Berlin Mass, 1990
• Kyrie
• Alleluia
Miserere (1989)
• Structure
– Miserere, 1st 3 verses, soloists, Ex. 1,
2, 3
– Dies irae, 1st 7 verses, choir, Ex. 1
– Miserere, reamaining 16 verses,
soloists, Ex 1, 2 3
– Dies irae, verse 8, choir (plus SA soli),
Ex. 1
• Section I
– Recitation pitches on main stressed
syllables
– T voice a separate response to M
• Section II
– Mensuration canon, descending scales
in 5 tempi
– Each new verse heralded by timpani
• Section III
– Pitch changes on stressed syllable
• Interludes
– Instruments repeat vocal music
• Section IV
– Rising scale