Smarthometechshort 13304126815608-phpapp01-120228010616-phpapp01
arteconceptual-100109141453-phpapp01
Transcript of arteconceptual-100109141453-phpapp01
![Page 1: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/1.jpg)
ARTE CONCEPTUAL
Néstor Martínez Celis
![Page 2: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/2.jpg)
Bicicleta, 1913 Fuente,1917Air de Paris
(50 cc of Paris Air), 1919
Marcel Duchamp
![Page 3: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/3.jpg)
Ad Reinhart. Abstract Painting, 1960-66
![Page 4: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/4.jpg)
Sol Le Witt. 49 Three Part Variations on Three Different Kinds of Cubes, 1967-72
![Page 5: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/5.jpg)
Sol Le Witt. Wall Drawing #146, September 1972
![Page 6: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/6.jpg)
En el arte conceptual la idea o el concepto es la parte más importante del trabajo. Cuando un artista utiliza una forma conceptual de arte, significa que todo el planteamiento y las decisiones están hechos de antemano; la ejecución es un asunto superficial. La idea se convierte en una máquina que hace el arte.
Sol LeWitt, "Párrafos sobre arte conceptual", Artforum, de junio de 1967.
![Page 7: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/7.jpg)
Sol Le Witt. Lines from the midoints of lines, 1975
![Page 8: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/8.jpg)
Sol Lewitt. A square divided horizontally and vertically into four equal parts, each with a different direction of alternating parallel bands of lines, 1982
![Page 9: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/9.jpg)
Joseph Kosuth. One and Three Chairs, 1965
![Page 10: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/10.jpg)
"Todo arte (después de Duchamp) es conceptual (en la naturaleza), porque el arte sólo existe conceptualmente ".
Joseph Kosuth."Arte después de la Filosofía", 1969,
![Page 11: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/11.jpg)
Joseph Kosuth. One and Three Chairs, 1965
![Page 12: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/12.jpg)
Joseph Kosuth. One and Three Lamps, 1965
![Page 13: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/13.jpg)
Joseph Kosuth. One and Three Pans, 1965
Joseph Kosuth. One and Three Saws, 1965
![Page 14: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/14.jpg)
Joseph Kosuth. Four Words Four Colors, 1965
![Page 15: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/15.jpg)
Joseph Kosuth. Five words in green neon, 1966
![Page 16: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/16.jpg)
Joseph Kosuth. One and eight - a description, 1966
![Page 17: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/17.jpg)
Joseph Kosuth. Titled (Art as Idea as Idea) First Investigations, 1967
![Page 18: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/18.jpg)
Joseph Kosuth. Art as Idea. Nothing, 1968
![Page 19: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/19.jpg)
Art & Language (Terry Atkinson, David Bainbridge, Michael Baldwin, and Harold Hurrell). Index 01, 1972
![Page 20: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/20.jpg)
Art & Language (Terry Atkinson, David Bainbridge, Michael Baldwin, and Harold Hurrell). 77 sentences, 1974
![Page 21: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/21.jpg)
Art & Language (Terry Atkinson, David Bainbridge, Michael Baldwin, and Harold Hurrell). 77 sentences, 1974
![Page 22: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/22.jpg)
Art & Language (Terry Atkinson, David Bainbridge, Michael Baldwin, and Harold Hurrell). Incident in a Museum, Madison Avenue, 1986.
![Page 23: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/23.jpg)
Robert Barry. Untitled, 1974
![Page 24: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/24.jpg)
Robert Barry. Untitled, 1978
![Page 25: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/25.jpg)
Robert Barry. Otherwise, 1981
![Page 26: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/26.jpg)
Robert Barry. Vista exposición, Brescia Italia, 2005
![Page 27: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/27.jpg)
Lawrence Weiner. Small Piles of those things that fall through the cracks in the floor, 1989
![Page 28: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/28.jpg)
Lawrence Weiner. Untitled, 1968
![Page 29: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/29.jpg)
Lawrence Weiner. Two blocks of tempered steel, 1993
![Page 30: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/30.jpg)
Víctor Burgin. Performative-narrative, 1971
![Page 31: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/31.jpg)
Lawrence Weiner. Statement 020, 1967-8
’THREE MINUTES OF FORTY POUND PRESSURESPRAY OF WHITE HIGHWAY PAINT UPON A WELL TENDEDLAWN. THE LAWN IS ALLOWED TO GROW AND NOT TENDEDUNTIL THE GRASS IS FREE OF ALL VESTIGES OF WHITEHIGHWAY PAINT.’
TRES MINUTOS DE UNA PRESIÓN DE CUARENTA LIBRAS EL AEROSOL DE LA PINTURA BLANCA DE LA CARRETERA SOBRE LA SUPERFICIE DEL CÉSPED. EL CÉSPED SE PERMITE CRECER Y NO SE ATIENDE HASTA QUE LA HIERBA ESTÉ LIBRE DE TODOS LOS VESTIGIOS DE LA PINTURA BLANCA DE LA CARRETERA.
![Page 32: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/32.jpg)
Douglas Huebler. Duration Piece Nº 31, 1973
"El mundo está lleno de objetos, más o menos interesantes. No quiero seguir añadiendo más objetos a los existentes. Prefiero simplemente plantear la existencia de cosas en términos de tiempo y espacio".
![Page 33: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/33.jpg)
Hanne Darboven. Construction Drawing, 1968
![Page 34: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/34.jpg)
Roman Opalka. 1965/-∞ (Detail 1-35327). 196 x 135 cm.
![Page 35: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/35.jpg)
On Kawara. 18 feb. 1973 - mar. 14. 1973
![Page 36: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/36.jpg)
On Kawara. Date Paintings. Mar. 11, 1967
![Page 37: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/37.jpg)
On Kawara. Date Paintings. May 31 1980, July 24 1980
![Page 38: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/38.jpg)
On Kawara. Installation view, 1989
![Page 39: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/39.jpg)
On Kawara. II got up at 8.01 a.m, 1974
![Page 40: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/40.jpg)
On Kawara. Un millón de años (pasado y futuro) desde 1970 (Documenta XI)
![Page 41: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/41.jpg)
Marcel Broodthaers, White Cabinet and White Tables, 1965
![Page 42: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/42.jpg)
Marcel Broodthaers,
Le corbeau et le renard, 1968
![Page 43: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/43.jpg)
Marcel Broodthaers, Paintings, 1973
![Page 44: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/44.jpg)
Marcel Broodthaers, Enseignment Agricole Les Animaux de la Ferme (A-B), 1974
![Page 45: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/45.jpg)
Marcel Broodthaers, Musée d'Art Moderne, Département des Aigles, Section des Figures Der Adler von Oligozän bis Heute, 1968-1972
![Page 46: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/46.jpg)
Daniel Buren. De la Coureur de la Matière, 1945
![Page 47: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/47.jpg)
![Page 48: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/48.jpg)
Daniel Buren. Three light boxes for One Wall, 1989
![Page 49: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/49.jpg)
Daniel Buren. The Rotating Square - In and Out of the Frame, 1989
![Page 50: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/50.jpg)
Daniel Buren. Cabane éclatée deux fois, 1990-1
Todos los actos son políticos, y si uno es consciente o no, la presentación de su trabajo artístico no escapa de esta regla.
Daniel Buren
![Page 51: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/51.jpg)
Daniel Buren.
En el Guggenheim, marzo 26 2005
Daniel Buren.
Painting-Sculpture -work in situ- Geggenheim, N.Y., 1971
![Page 52: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/52.jpg)
John Baldessari. Pure Beauty, 1967-68
![Page 53: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/53.jpg)
John Baldessari. What Is Painting,1967-68
![Page 54: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/54.jpg)
John Baldessari. PRIMA FACIE, 2005
![Page 55: arteconceptual-100109141453-phpapp01](https://reader031.fdocuments.net/reader031/viewer/2022020417/55cf9908550346d0339b267b/html5/thumbnails/55.jpg)
ARTE CONCEPTUAL
Néstor Martínez Celis