UIL STATE MARIACHI FESTIVAL PACKET Important Information ...
Art UIL - Allen Independent School District UIL... · Baroque Era 1600-1750 •Religion was not as...
Transcript of Art UIL - Allen Independent School District UIL... · Baroque Era 1600-1750 •Religion was not as...
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{ Art UIL
Baroque Art
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Baroque Era 1600-1750
• Religion was not as an important focus in art. • The Netherlands became an important center for art. • The Dutch began to buy original works of art for their
homes. • They began to paint in the open market. • Landscapes became as important as people. • Baroque art has a great sense of movement and emotion. • You will usually see a strong contrast between light and
dark. • Towards the end of the period, the more delicate Rococo
style became popular with the wealthy. • Rococo art was graceful, decorative, fancy and frilly.”
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• This is the first painting we will study in the Baroque period.
• It was oil on wood. • Early still life artists wanted to create an image so
lifelike that viewers would feel as though they were seeing real objects.
• He did this painting by looking at previous sketches of individual flowers .
• Paintings like this cost less than the rare flowers they portrayed.
• Beert was one of the earliest still life painters in the city on Antwerp.
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• A sibyl is a woman with the ability to foretell future events.
• Scholars believe Gentileschi’s daughter posed for the painting.
• Notice the popular light and dark theme of the Baroque era.
• Tiny details and highlights bring this piece to life.
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• This artist’s original name was Claude Gelee. • He was most usually called Claude. • He sold his paintings all over Europe. • Claude was fascinated with the beauty of the countryside of Rome. • Ancient ruins like the small temple on the top of the rock are common features in his work.
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• Ribera created religious pieces to serve the needs of the Catholic Church.
• He often showed a single figure against a plain background.
• He used very active brushwork to make his cloth look real, his wrinkles, hairs on his head etc.
• Ribera was born in Spain and had the nickname “The Little Spaniard.”
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• This Dutch piece shows the landscape of the Netherlands.
• Notice the perspective of the ships that give depth.
• Historians aren’t sure how de Verwer received his training as an artist. He was a cabinet maker originally.
• He painted early views of Paris and created pen and ink drawings of French sea ports.
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• Cuyp never traveled out of the Netherlands.
• He was called “The Dutch Claude” after Claude Lorrain because of his warmly lit and peaceful landscapes.
• There is great depth and perspective in this painting. Light and shadows, warm colors, details and soft edges create a very lifelike piece of art.
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• Hunting with falcons or other birds of prey was a popular pastime for the Dutch nobility.
• The light shining from the left gives a clear impression of bright daylight.
• Pierson was educated to become a merchant. He was taught to paint by a friend.
• People were often fooled by the illusions he created.
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• The popularity of genre paintings began in the Netherlands quickly spread to other places.
• This small image would have been good for a private residence. It is created on a sheet of copper 9 inches high by 6 inches wide.
• Crespi’s sense of humor got him in trouble once. He had to leave town for a time after creating a cartoon showing an important man with a dead chicken.
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• Ricci was born in a smaller town, but moved to Venice as a teenager to study painting.
• He often worked with his nephew, Marco. For works they created together, Sebastiano painted the figures and Marco painted the architecture and landscapes.
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• The Rococo style developed in France showed subjects that were usually wealthy and the amusements and recreations they enjoyed.
• Lancret often used ballet or theater in his works.
• He created more than 700 paintings for wealthy and royal patrons during his career.
• Frederick the Great of Germany displayed 26 of Lancret’s paintings in his palace.
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