Art Alchemy - Gettynews.getty.edu/images/9036/alchemyreproletter(3).pdf · Anton Eisenhoit (German,...

4
The J. Paul Getty Trust Communications Department 1200 Getty Center Drive, Suite 400 Los Angeles, CA 90049-1681 Tel 310-440-7360 Fax 310-440-7722 Reproduction Permission May 5, 2016 Editor Re: Reproduction Permission Dear Editor , Thank you for your recent request for image(s) from the J. Paul Getty Trust and its operating programs (collectively "Getty"). This is a one-time permission for use of the image(s) for the article in your publication and/or for the article/listing on your Web site for a period of up to one year, and for these purposes only. Any further usage will require an additional permission. Image(s) are to be used in their entirety and are not to be cropped, altered or manipulated in any way. All image(s) are either the property of the Getty or are licensed to the Getty for the uses set forth herein. All copyright and collection credits must appear on the same or facing page(s) as the image(s). If noted, identified photographer(s) must be credited. Please refer to the next page(s) for proper notation of image caption(s) and credit(s). Images prepared for web use should use 72dpi resolution. Please let us know if you have any questions or need additional materials. We would appreciate one copy of the publication or article and/or notification of the URL address in which the image(s) appear for our files. Once again, thank you for your interest in the Getty. Sincerely, Amy Hood Communications Department (310) 440-6427 [email protected] The J. Paul Getty Trust Attachments

Transcript of Art Alchemy - Gettynews.getty.edu/images/9036/alchemyreproletter(3).pdf · Anton Eisenhoit (German,...

Page 1: Art Alchemy - Gettynews.getty.edu/images/9036/alchemyreproletter(3).pdf · Anton Eisenhoit (German, 1553/4–1603) Engraving in Michele Mercati, Metallotheca Vaticana (Rome, 1717),

The J. Paul Getty TrustCommunications Department

1200 Getty Center Drive, Suite 400Los Angeles, CA 90049-1681Tel 310-440-7360Fax 310-440-7722

Reproduction Permission

May 5, 2016

Editor

Re: Reproduction Permission

Dear Editor ,

Thank you for your recent request for image(s) from the J. Paul Getty Trust and its operating programs(collectively "Getty").

This is a one-time permission for use of the image(s) for the article in your publication and/or for the article/listingon your Web site for a period of up to one year, and for these purposes only. Any further usage will require anadditional permission. Image(s) are to be used in their entirety and are not to be cropped, altered or manipulatedin any way.

All image(s) are either the property of the Getty or are licensed to the Getty for the uses set forth herein. Allcopyright and collection credits must appear on the same or facing page(s) as the image(s). If noted, identifiedphotographer(s) must be credited. Please refer to the next page(s) for proper notation of image caption(s) andcredit(s). Images prepared for web use should use 72dpi resolution.

Please let us know if you have any questions or need additional materials. We would appreciate one copy of thepublication or article and/or notification of the URL address in which the image(s) appear for our files.

Once again, thank you for your interest in the Getty.

Sincerely,

Amy Hood Communications Department(310) [email protected] The J. Paul Getty Trust Attachments

Page 2: Art Alchemy - Gettynews.getty.edu/images/9036/alchemyreproletter(3).pdf · Anton Eisenhoit (German, 1553/4–1603) Engraving in Michele Mercati, Metallotheca Vaticana (Rome, 1717),

TheArtAlchemy

of

TRUST/horizontal.ai6/8 point

7/9 point

8/10 point

9/11 point

10/12 point

The J. Paul Getty TrustCommunications Department

1200 Getty Center Drive, Suite 403Los Angeles, CA 90049-1681

Tel 310 440 7360www.getty.edu

[email protected]

The J. Paul Getty TrustCommunications Department

1200 Getty Center Drive, Suite 403Los Angeles, CA 90049-1681

Tel 310 440 7360www.getty.edu

[email protected]

The J. Paul Getty TrustCommunications Department

1200 Getty Center Drive, Suite 403Los Angeles, CA 90049-1681

Tel 310 440 7360www.getty.edu

[email protected]

The J. Paul Getty TrustCommunications Department

1200 Getty Center Drive, Suite 403Los Angeles, CA 90049-1681

Tel 310 440 7360www.getty.edu

[email protected]

The J. Paul Getty TrustCommunications Department

1200 Getty Center Drive, Suite 403Los Angeles, CA 90049-1681

Tel 310 440 7360www.getty.edu

[email protected]

3. 4.

1. 2.Mercuryca. 1570–1580Johann Gregor van der Schardt (Netherlandish, ca. 1530–after1581)BronzeLent by the J. Paul Getty Museum, Los Angeles95.SB.8

Mercury, “The Hypocritical Planet”IstanbulWatercolor in Zakariya ibn Muhammad al-Qazwini, “Kitāb al-´ajā´ib wa´l-gharā´ib” (Book of Wonders and Oddities), 1553, pp. 29–30Gift of Lawrence J. SchoenbergThe Getty Research Institute2010.M.65

Hermes Trismegistos Teaching Ptolemy the World SystemEastern Mediterranean, ca. 500–600Silver plateLent by the J. Paul Getty Museum, Los Angeles83.AM.342

Art as the Mirror of All NatureMatthaus Merian the Elder (Swiss, 1593–1650)Engraving in Robert Fludd, Utriusque cosmi maioris scilicet et minoris . . . historia (Oppenheim, 1617–1621), vol. 1, pl. after p. 3The Getty Research Institute1378-183.v1

Page 3: Art Alchemy - Gettynews.getty.edu/images/9036/alchemyreproletter(3).pdf · Anton Eisenhoit (German, 1553/4–1603) Engraving in Michele Mercati, Metallotheca Vaticana (Rome, 1717),

10.9.

7. 8.

5. 6.

The Body as Alchemical LaboratoryEngraving in Joachim Becher, Physica subterranea (Leipzig, 1738), frontispieceThe Getty Research Institute1386-575.c2

The Perfection of the WorkHand-colored engraving with gilding in Johann Michael Faust, Compendium alchymist[ae] novum sive Pandora . . . (Frankfurt, 1706), plate TThe Getty Research Institute1385-531

The Chemical Wedding of Hermes and AphroditeMatthaus Merian the Elder (Swiss, 1593–1650)Engraving in Michael Maier, Scrutinium chymicum (Frankfurt, 1687), pp. 96–97The Getty Research Institute1380-908

Calculating Celestial MovementPeter Hille (German, d. 1574)Engraving in Leonhard Thurneisser zum Thurn, [Der Planeten] Circkel und Lauff (Berlin, 1575), fol. 3The Getty Research Institute92-F166

Allegory of DistillationClaudio de Domenico Celentano di Valle Nove (Neapolitan, active ca. 1606)Watercolor in Claudio de Domenico Celentano di Valle Nove, [Book of Alchemical Formulas] (Naples, 1606), pp. 6-7The Getty Research Institute950053.3

The Ripley ScrollEngland, ca. 1700WatercolorThe Getty Research Institute950053.6

Page 4: Art Alchemy - Gettynews.getty.edu/images/9036/alchemyreproletter(3).pdf · Anton Eisenhoit (German, 1553/4–1603) Engraving in Michele Mercati, Metallotheca Vaticana (Rome, 1717),

13.

12.11. The Doctor of FoolsTheodor de Bry (Franco-Flemish, 1528–1598)Engraving in Jacques Lagniet, Recueil des plus illustres proverbes, divises en trois livres (Paris, 1657–1663), pl. 15The Getty Research Institute87-B9592

Strip-Mining Sulfur at PozzuoliAnton Eisenhoit (German, 1553/4–1603)Engraving in Michele Mercati, Metallotheca Vaticana (Rome, 1717), pl. after p. 78The Getty Research Institute2915-542

Liquid Crystal SoulsErnst Haeckel (German, 1834–1919)Chromolithograph in Ernst Haeckel, Kristallseelen (Leipzig, 1917), frontispieceLent by a private collection, Los Angeles2016.E.14