ARLAN N. SCHULTZarlanschultz.com/arlanschultz.com/Compositions_3_-_Scores_files/... · arlan n....
Transcript of ARLAN N. SCHULTZarlanschultz.com/arlanschultz.com/Compositions_3_-_Scores_files/... · arlan n....
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ARLAN N. SCHULTZ
KONTAKION (2007-8)
VIOLIN, CLARINET IN Bb, PIANO
WITH 5-CHANNEL SPATIALIZATION AND
COMPUTER PROCESSED AUDIO
SUPPORTED IN PART BY A GRANT FROM THE UNIVERSITY OF LETHBRIDGE RESEARCH FUND
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Instrumentation
Violin
Clarinet in Bb
Piano
Equipment
CPU running MAX/MSP version 4.6 or better; IRCAM Spat~ library; Digital Performer version 5 or better.
Digital Audio Interface (MOTU 896HD or equivalent)
Line Mixer
Two matched stereo-pair microphones (violin and piano) or one matched stereo-pair (piano) and one contact microphone (violin).
Five powered monitors (minimum 6 inches in diameter) arranged as noted below.
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Explanation of Symbols
B Quarter-tone flat
µ Quarter-tone sharp
s.v. Senza Vibrato
Ord. Ordinario – cancels any previous playing method.
Ord. Poco sul pont. Gradually move the bow from a “regular” playing position to “near the bridge” (over the specified duration). Arrow generally
indicates a transition from one playing technique to another.
| For piano – stop string with finger near the bridge at the most resonant location.
All trills begin on the primary pitch and are semitones unless indicated otherwise.
All grace notes begin before the beat.
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Event Sequencing
This piece is divided into 5 sections as follows:
Alternation between real-time spatialization and audio playback can be accomplished with one computer running MAX/MSP and the audio playback engine (MOTU Digital
Performer or equivalent) simultaneously.
Closing Violin Solo
Spatialized Real-Time
V
Opening Piano Solo
Spatialized Real-Time
I
Audio Playback – Ensemble Tacet
5-Channel Computer Processed Audio
II
Trio
No Spatialization – No Amplification
III
Audio Playback with Solo Violin Drone
5-Channel Computer Processed Audio
IV
Overlap Overlap
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Speaker Placement and Microphone Arrangement
The five audio channels should be placed
relative to an optimal central listening
position.
The violin should have either a single contact
microphone or a stereo pattern. The piano
should have a stereo microphone pattern
to capture the high and low registers of the
instrument.
Centre Channel
Left Channel Right Channel
30°
110° from centre
channel.
Right Surround Left Surround
The five audio output channels should be placed relative to
an optimal central listening position.
The violin should be captured with a single contact
microphone or two cardioid microphones in a stereo
configuration. The piano should be captured utilizing two
cardioid microphones in a stereo configuration which
appropriately reproduces the high and low registers of the
instrument.
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Notes on 5-Channel Audio Playback and Real-Time Spatialization Procedures
Playback
Audio playback requires a digital audio interface (MOTU 896HD or equivalent) as well as a digital reproduction engine (MOTU Digital Performer, ProTools HD or equivalent)
capable of assigning the five matched mono data files to the five corresponding outputs. Once initial levels have been set, no further adjustments are needed to the playback
volume.
Real-Time Spatialization
Spatialization of the first, fourth and final sections of the piece is accomplished by running the following patch designed in MAX/MSP. This patch utilizes the IRCAM Spat~
object for real-time control of the audio trajectory. The inputs to the patch are stereo only, therefore a line mixer should be used to route the output from the microphones at the
appropriate moments. The Circ.3 object (shown below) is the GUI for inputting the spatialization trajectory while the microphones are live.
The trajectories traced on the Circ.3 object during sections I, IV and V are to be improvised by the control technician based on 1) the specific acoustic properties of the
performance hall; 2) a desire for the sound to circulate seamlessly throughout the hall; and 3) circular and “star” (alternating diagonal) shaped tracing patterns.
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THE SCORE IS NOTATED IN CONCERT PITCH
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KONTAKION
Meditation I
for my friendsPeter, Deanna, and Peggy
e = 26
Arlan N. Schultz, 2008
l.v.
cresc.
© 2008 Arlan N. Schultz, Lethbridge, Alberta
Begin spatialization
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Begin audio playback here, as chord decays.
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Violin
Clarinet in Bb
Piano
Ÿ~~~~~~~~~~~3:2
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KONTAKIONCycles
l.v.l.v.
l.v.
subtones
sempre senza vibrato
sempre senza vibrato
l.v.
e = 42
e = 42
e = 42
Begin performing approximately 3 seconds after final chord in audio file. (No spatialization here)
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e = 52
e = 52
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Vln.
Bb Cl.
Pno.
Ÿ~~~~~~~~~~~~rall.
rall.
rall.
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6:4
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3:2
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l.v.
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e = 42
e = 42
e = 42
s.v. sempre
s.v. sempresubtones
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Vln.
Bb Cl.
Pno.
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6
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e = 52
e = 52
ord.
ord.
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&
&
&
?
86
86
86
86
85
85
85
85
Vln.
Bb Cl.
Pno.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~rall.
rall.
rall.
19 3:2
œ œœnn > œœ œb œn œb œb œn > .œ !
3:2
! œn +>! œœnn â ! Oœbb -
19
7:4
œn ® œb œn œn œn3:2
œb œn œ# œn œn
9:4
œb œn œn ® œn œn œb œn œb œn œn œn
3:2
! œ#â œ
3:2
œ œnâ œ .œn -
19
7:4
! . œnœn
œn œœœnb# - !
7:4
! ! . œb œb œbœn œb
œœœnnb- ®
7:4
œœnn . œœn# . ! . J
œb . œn .! .
œb œn œn - œ7:4
.œ ® œb . œb . œn .5:4
œb®
5:4
! ....œœœœnn#b -5:4
! ....œœœœnnnn -
3:2
œœœœœœœnnb -
œœœ !
5:4
‰œ# â
f " f " f F p sempre
p f " F f P f p ß p
F f p F "
f F"
7
LH Pizz.arco
sul IV
s.v. sempre
![Page 19: ARLAN N. SCHULTZarlanschultz.com/arlanschultz.com/Compositions_3_-_Scores_files/... · arlan n. schultz kontakion (2007-8) violin, clarinet in b b, piano with 5-channel spatialization](https://reader030.fdocuments.net/reader030/viewer/2022020306/5e1bb059c26afb6a1e094193/html5/thumbnails/19.jpg)
&
&
&
?
85
85
85
85
84
84
84
84
83
83
83
83
81
81
81
81
82
82
82
82
Vln.
Bb Cl.
Pno.
Ÿ~~~~~~~20 Obb JOœ
20 3:2
œn ! ‰ ‰ ‰ ‰
20
7:5
œn . œn . œb . !
œn œn œb œn3:2
œn œb !
5:4
.œ#œœœnbb -
5:4
œœœ œnœb œ# œb
5:4
œn! œn œn
5:4
œb !œn œb œb œn œn -
5:4
œ ®œœnn - ®
p F
pP F
..Oœ Oœ ..Oœ
"
"
"
# # #
!.œb - .œ œn
"
"
$ sempre
.#Oœnn
œ
"
"
! œ# -7:4
œ ! ! .
œ7:4
œ œb œ
‰7:4
! Ob - O
"
$
$
8
e = 42
e = 42
e = 42
subtones
![Page 20: ARLAN N. SCHULTZarlanschultz.com/arlanschultz.com/Compositions_3_-_Scores_files/... · arlan n. schultz kontakion (2007-8) violin, clarinet in b b, piano with 5-channel spatialization](https://reader030.fdocuments.net/reader030/viewer/2022020306/5e1bb059c26afb6a1e094193/html5/thumbnails/20.jpg)
&
&
&
?
83
83
83
83
85
85
85
85
Vln.
Bb Cl.
Pno.
Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~
Ÿ~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~ Ÿ~~~~~~~~
Ÿ~~~~~~~~~~~~~25
6:4
! œ# . ® œb . œb .
6:4
® œb . œ# . œn . œn . ®
25
7:4
œb œn . œn . œn . ‰ œb . œn .œn .
œn ..œn -
25
Ob ® œn - .œ œn - œn( )
5:4
œn -œb - œn -
œb - œb . œn . œn . œn . œœœœnn#b -
C
FC
f FC
P f
F f
! œ# - œ œ
œ œn œn œb -6:4
.œ ® ® œn -
6:4
œ œn . œn .œn . œn .
œ œœœbbb - ! œn - .œ œœn
b-
....œœœœ œœœœbbnn -œœœœ œœœœ œb .
œb . œb .œn . œn .
œb -
P
P
PF
5:4
.œœb- .œ
6:4
œ œn . œ# . ® œn œn œœnn3:2
œœœb œb( )
7:4œn . œn . œ# . œb - œb -3:2
œ œb -7:4
.œ ®
7:4
.
.œœ œb œn œn œn ®
œb - œn( ) œbœn œn œn -
7:4
œ
3:2
œn œb œn®
5:3
œœb - œn - œn -
œb -
f P
f p
" f
9
Pizz. arco
(ord.)e = 49
e = 49
e = 49
spicc.
ord.
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&
&
&
?
85
85
85
85
86
86
86
86
81
81
81
81
Vln.
Bb Cl.
Pno.
Ÿ~~~~~~~~~~~~~Ÿ~~~~~~~
Ÿ~~~~~~~~
~~~~~~~accel.
accel.
accel.
28
7:4
.œb œb œn œn œb
7:4
œn!
œnœn
œnœn
7:4
œn
3:2
œn œ# œn ® œn œ# ®
7:4
! ..œœnn > ® œœnb >
5:4
œœ œn - ! œb - œn( )
28
5:4
! . œb >
5:4
œ .œb - œb5:4
œ œn œn œb œb7:4
œ œb œb œbœn
œn .Jœn -
28
7:5
‰œn
œb œœœbbn - !
J
œn œ
œœn
n
b -
‰ . œnœn
œnœn
œn œœnn >
œœœnbb -œœnn - œœ œb - œ œb
œn œœb
f ƒ ƒ p
" f P f
P
F
f
P f
3:2
œb œb - œœb œn œb œb œn -
6:4
œ ! ® œœ> ..œœ ®
3:2
! œn +>! œœnn > ! œœnn >
3:2
œ œn - œ œ7:4
œ !
3:2
œb œn œn œn œb! œb .
7:4
! . œ# œb œb œn
7:4
œb œn ! . œœnn > !
œœœœnn#n > ! ®J
œbœn>
3:2
œnœœœœnn#b
>œœœœ
5:6
..œœ ® ! œœœœnn#b -! . œœœœnnnn
-!
œœœnnb >
3:4
œœœœ#>
f " f f f f
" f ƒ
P f
10
arco
e = 52
e = 52
e = 52
LH Pizz.
![Page 22: ARLAN N. SCHULTZarlanschultz.com/arlanschultz.com/Compositions_3_-_Scores_files/... · arlan n. schultz kontakion (2007-8) violin, clarinet in b b, piano with 5-channel spatialization](https://reader030.fdocuments.net/reader030/viewer/2022020306/5e1bb059c26afb6a1e094193/html5/thumbnails/22.jpg)
&
&
&
?
81
81
81
81
83
83
83
83
82
82
82
82
85
85
85
85
86
86
86
86
Vln.
Bb Cl.
Pno.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~30
® .œn
30
!
30 œœœœnn#b "
œ#
Ø
# # #
" œb - œ .œ œn
‰ ‰ " . On -
œ" ‰ ‰
$
%
# œb œ
œ œb
‰5:4
œbœb œn œœœnbn -
‰7:4
® œn œn ®3:2
œb œb œn œn
D
$
D
pD
P
P
œ
7:4
œ" " . ‰ ‰ ‰
œ œ
3:2
œ ‰ ‰ " . œb -
5:4
œœœ...œœœ##n - œb
5:4
œb œb ® œb - ®5:4
œn -® œœbb - œn -
7:4œœœnbb
- ...Jœœœbbb -
7:4
œnœb œn œb " œn
7:4
œnœn œn œn " .
œb œn œn œb
7:4
œn - "œb œn
œb > "œnœn
œnœn
œn >œn œn œn œb œnœn >
œn œb œn œœb
œb >
F
fP
f
fF
11
l.v.
e = 42
e = 42
e = 42
s.v. sempre
e = 49
e = 49
e = 49
s.v. sempresubtones
ord.
(sempre legato)
![Page 23: ARLAN N. SCHULTZarlanschultz.com/arlanschultz.com/Compositions_3_-_Scores_files/... · arlan n. schultz kontakion (2007-8) violin, clarinet in b b, piano with 5-channel spatialization](https://reader030.fdocuments.net/reader030/viewer/2022020306/5e1bb059c26afb6a1e094193/html5/thumbnails/23.jpg)
&
&
&
?
86
86
86
86
83
83
83
83
Vln.
Bb Cl.
Pno.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~accel.
accel.
accel.
34
7:4
®Jœn
œn! . !
7:4
! . œœnn > ! .7:4
œœnn >! . œb @ œn @
7:4
œb @ œb @ œn @ ®œn
œn .œb - œ œ .œn -
34
œb œ œ
3:2
œ !
7:4
! œn .® œb . !
7:4
œn . ®œb@ œn
@3:2
œn@
œn@ œb @ ® œn -
34 œœœbbbœb œn
œbœb œœœnnb
-
3:2
œœœ !
œœœœnn#n > ! œœœœnn#b >
3:2
! œœœœnn#b >! ® ....œœœœbnn# -
6:4
œœœœ ® ! œn
!œœœnnb -
3:2œœœ œœœœnnnb -
5:4
....œœœœ !
5:4
œ# >
‰J
œb
5:4
.œn >!
5:4
®œn >
f f f" F P f
N F p
f P F f P P
fF
œ œ5:4
.œ œb -
œ œn œn œb6:4
.œ ® ®œn
6:4
œn œn œn œn œn
3:2
œ œb
3:2
œœœbn - !
5:4
! . œbœn
œ® œn > œ œ ! .
" p
f " ƒ
f f
12
ord.
e = 62
e = 62
e = 62
flutter tongue ord.
![Page 24: ARLAN N. SCHULTZarlanschultz.com/arlanschultz.com/Compositions_3_-_Scores_files/... · arlan n. schultz kontakion (2007-8) violin, clarinet in b b, piano with 5-channel spatialization](https://reader030.fdocuments.net/reader030/viewer/2022020306/5e1bb059c26afb6a1e094193/html5/thumbnails/24.jpg)
&
&
&
?
82
82
82
82
83
83
83
83
82
82
82
82
Vln.
Bb Cl.
Pno.
36
7:4
.œb ®3:2
3:2
® œn - œ œ
36
7:4
‰
3:2
œn œn œbœb
7:4
œn œ# œn œn œb œb .œn œ œn - ®
36
5:4
œœœnnn ! œœœœnnnb -
œœœœ
5:4
œ# œn œ# œ# œn
3:2
œœœœnnn# - œœœœb#bn -
5:4
....œœœœ œœœœ® .
6:4
œb œn œn ® œn œnœn
f "
F
"
f F
œbœn
œnœn
7:4
.œ ® ®œn œb œb œ#
7:4
œn œn œn œn®
3:2
œn œn œ# œn œn
3:2
œn œn œb .œb œb - œb -
5:4
œb® œn .œb œn œn œb œœœœnn#b -
5:4
œœœœœœœœnnnb - œb œœnn
6:4
œb œn ® œœœ##n - !
6:4
® œnœn œb œn œn
ƒ" ƒ p " ƒ
p f
f ƒ F
f ƒ
‰ ®.œb -
#
‰ œn - œ
® ....œœœœnn#b -œœœœ œœœœ
œ.....
œœœœœ#nnnn - œœœœœ œœœœœ
$
ppp (sempre)
"
"
13
e = 38
e = 38
e = 38
s.v. sempre
s.v. sempresubtones
![Page 25: ARLAN N. SCHULTZarlanschultz.com/arlanschultz.com/Compositions_3_-_Scores_files/... · arlan n. schultz kontakion (2007-8) violin, clarinet in b b, piano with 5-channel spatialization](https://reader030.fdocuments.net/reader030/viewer/2022020306/5e1bb059c26afb6a1e094193/html5/thumbnails/25.jpg)
&
&
&
?
82
82
82
82
85
85
85
85
86
86
86
86
Vln.
Bb Cl.
Pno.
39
7:4
.! œbœn - œ
39
œn7:4
œœb - œ
39
œœœœnn#b
7:4
œœœœœœœœbnnb -
œœœœ
œœœœœ#nnnn7:4
œœœœœ œœœœbnnn - œœœœ
" sempre
" sempre
" sempre
" sempre
œ
5:4
œ .œb œ
5:4
œ œn
3:2
œ œn-
œ œ œ
5:4
œ œb -3:2
œ œb -
œœœœ
5:4
œœœœ.....
œœœœœ#nbnn -
-œœœœœ œœœœœ
3:2
œœœœœ œœœnnn --
œœœœ5:4
œœœœ
.....œœœœœ#nbnn œœœœœ œœœœœ
3:2
œœœœœ œœœ# nn
Ø
Ø
Ø
14
![Page 26: ARLAN N. SCHULTZarlanschultz.com/arlanschultz.com/Compositions_3_-_Scores_files/... · arlan n. schultz kontakion (2007-8) violin, clarinet in b b, piano with 5-channel spatialization](https://reader030.fdocuments.net/reader030/viewer/2022020306/5e1bb059c26afb6a1e094193/html5/thumbnails/26.jpg)
&
&
&
?
86
86
86
86
85
85
85
85
83
83
83
83
Vln.
Bb Cl.
Pno.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
rall.
rall.
rall.
41 .œnœœnn -
3:2
œœœb - œ
3:2
œ!
3:2
œb@
œn@ œb@
7:4
œ#@ œn
œn œn > œn œnœn œn - œn -
41
œb ! œn -3:2
!œb œn œ# œn œn- œ œ œ œn -
3:2
œœb -
41
7:4
œœœnnn! .œn
œnœn œb œb
7:4
œn œ# œb œb œn!
7:4
! .œb œn œn œnœœœœnn#n > !
7:4
œb œn œn® œ# œn .œn- œ œ ! .
5:4
...œœœ#nn
!
5:4
....œœœœnnnn -
!
5:4
®œœœnnb -
5:4
œœœ ‰ !
œ# >3:2
œœœœœnn#b -
E
f " fE
f P fE
f P F f "
f f F P
.œ œ œ
3:2
œ ! ‰ ‰ ‰ ‰
5:4
œn - œn -œn- œn - œb -
5:4
œ.œn -
5:4
œ œn - ® œb -
5:4
œ !œb -
5:4
œn - œb - !œn -
7:5
œœœœ !œœœbb# -
œn -œb -
3:2
! œb -œn - œb -
œb - œb -
" (sempre)
#
" (sempre)
p " (sempre)
3:2
œ œ# - œ œ
5:6
œn . ! œn . œn . œn -7:6
œb - œn - ® œn-œn - œn -
œn - ® œb -.œn -
œ œn - œ#- œn - œb -
"
15
e = 62
e = 62
e = 62
e = 42
e = 42
e = 42
ord.
sul pont. ord.
vib. espressivo
e = 49
e = 49
e = 49
ord.
![Page 27: ARLAN N. SCHULTZarlanschultz.com/arlanschultz.com/Compositions_3_-_Scores_files/... · arlan n. schultz kontakion (2007-8) violin, clarinet in b b, piano with 5-channel spatialization](https://reader030.fdocuments.net/reader030/viewer/2022020306/5e1bb059c26afb6a1e094193/html5/thumbnails/27.jpg)
&
&
&
?
82
82
82
82
83
83
83
83
85
85
85
85
82
82
82
82
86
86
86
86
Vln.
Bb Cl.
Pno.
!
44
œ# œ5:4
.œ œb -
44
.œn " œn œn œn œn
44
5:6
œn œb3:2
œn œb œb " œbœn œœnn
œb ® œœœœbb nn - œœœœ " œb œb œb œn œb
P
# P
P
7:4
œ.Jœn -
6:4
œ " œn œnœb
"
3:2
œœœ##n -œb œn œn œb
œnœœœ##n - "
œœœœnnnb -
5:4
œœœœœnn#b - œb œn
œn œnœn
œb œn œn œn >
f
F f
P f f
f
œ œ œb
‰ ‰ "œb -
œœœœ œœœœœœœœnnnn -
œn œœœœb
nn -
$ sempre
$ sempre
$ sempre
$ sempre
.œ5:4
œ œb- œ
.œ5:4
œ œn - œ
....œœœœ
5:4
œœœœ œœœœnbnn -
œœœœ
...œœœ5:4
œœœ œœœœœbn#nb - œœœœœ
œ œ œn -
œ œ œn -
œœœœœœœœ
œœœœnb#b -
œœœœœ œœœœœœœœœnnnb-
16
e = 42
e = 42
e = 42
sul tastos.v. sempre
s.v. sempresubtones
![Page 28: ARLAN N. SCHULTZarlanschultz.com/arlanschultz.com/Compositions_3_-_Scores_files/... · arlan n. schultz kontakion (2007-8) violin, clarinet in b b, piano with 5-channel spatialization](https://reader030.fdocuments.net/reader030/viewer/2022020306/5e1bb059c26afb6a1e094193/html5/thumbnails/28.jpg)
&
&
&
?
86
86
86
86
83
83
83
83
82
82
82
82
Vln.
Bb Cl.
Pno.
Ÿ~~~~~~~~~~
accel.
accel.
accel.
49
œn ! œ# -3:2
œ œb - ! ® .œn -
6:4
œ œb >œb > œn > œœn œœ œœnn ä
3:2
œœ œn -
49
7:4
œn !œb œn
3:2
œn œn œb ! œn - œ œ
3:2
œ œ# -
49
3:2
œœœœnb#b œœœœJ
œb œn - œ!
œœœœnn#n > !
7:4
œœœnnn- ! . œb œn
7:4
œb œb œb œn œbœb
œn
5:63:4
œœœœnnnbœ# - œ
!
œn œ# œ# œn
œœœnnb -! . œn œb œb
œn œnœœœœnnnn -
! ® ....œœœœnn# -
P p f
P " P
p F f P
P P f f
3:2
œ œœnn ä6:4
œœœn œb ®
œb œb œb
5:4
.œ œn-
7:4
œ .œn -3:2
œ œn -7:4
œ œb - œn - œn œb
7:4
œn3:2
œb œn œn œn œ œn - œn -
7:4
œb œn œn œb.œn
5:3
œœœœ œn - œœœœb#bn -œn -
œb -
F f f
f
f P
17
ord.
e = 52
e = 52
e = 52
ord.
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&
&
&
?
82
82
82
82
83
83
83
83
85
85
85
85
84
84
84
84
Vln.
Bb Cl.
Pno.
~~~~~~~~~~
Ÿ~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~
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51
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51
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f sempre subito p sempre
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18
poco sul pont.III
e = 62
e = 62
e = 62
Start Audio
fl. tongue
fl. tongue
ord.
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& 84 .. .. 88Vln.
54
œn œ œ œ œ œ œ œ
& 88 89Vln.
58
7:8
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& 89 84Vln.
59
3:2
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19
Meditation II
KONTAKION
sul tasto poco sul pont. sul pont.sul tasto(s. v.) vib. espr.IV III
IVe = 38
Repeat until Computer Processed Audio Ends
œµ BµB
IIIsenza vib.
sul tasto ord.
poco sul pont.
vib. ord.
sul tasto
senza vib.ord.
vib. ord.
µ µB
B
Gradually bring up mic and begin spatialization during the audio playback.
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& 84 85Vln.
60
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64
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µ
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BB B
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spicc.
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sul tastos.v.
ord.s.v.