architectural portfolio 2011 - Theodore Svoronos

20
architecture student portolio 0001 theo [email protected] svoronos starting point

description

student of architecture - works

Transcript of architectural portfolio 2011 - Theodore Svoronos

Page 1: architectural portfolio 2011 - Theodore Svoronos

architecturestudentportolio

0001

theo [email protected]

svoronos

starting point

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architecture

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architecture

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wall house

personal work3rd semester

The residence is interpreted as a space in which 4 individuals form 1 family.Main goal of the project is to provide a calm and well defined center for the growth of family bonds, where as every member can enjoy the necessary privacy. As a result, the residence is organized in two zones around a patio: common spaces interact mainly with that element, while private spaces are isolated, with a view to the garden behind.

a

bc

plan ground level

the bedroomslooking to the garden

a rotating concrete element transforms the facade into a wall, providing privacy to the atrium or operating as

entrance when needed

a height corridor runs along the atrium. it is both an important common space for the children and the way to all bedrooms

elevationto the garden

elevationto the street

section c

section b

section a

bedroom corridor kitchen

bedroomcorridoratrium

kitchen common space

garden

garden

section c

a-farm-entblock

personal work4th semester

The project proposes a new way of collective housing in urban areas: public spaces invade the building which in this way becomes part of the city.

The block contains 8 apartments, a laundry-mat and a restaurant (that are located on ground level connected to the streets) and 2 public balconies/gardens.

The shape of the site is extruded in a large system of hydroponic agriculture. This system wraps both the apartments and the public spaces of the building, and becomes a screen for the urban environment, revealing a new way to see it and live in it.

A metallic 3d grid is filled with the boxes/apartments. A central core of vertical movement is connected to all of the boxes as well as with every point of the “screen” with a perimeter outdoor corridor.

section bsection a

The desired effect of the green 3d grid as the visitor crosses: frame from comic book “urbicante”.

Page 5: architectural portfolio 2011 - Theodore Svoronos

wall house

personal work3rd semester

The residence is interpreted as a space in which 4 individuals form 1 family.Main goal of the project is to provide a calm and well defined center for the growth of family bonds, where as every member can enjoy the necessary privacy. As a result, the residence is organized in two zones around a patio: common spaces interact mainly with that element, while private spaces are isolated, with a view to the garden behind.

a

bc

plan ground level

the bedroomslooking to the garden

a rotating concrete element transforms the facade into a wall, providing privacy to the atrium or operating as

entrance when needed

a height corridor runs along the atrium. it is both an important common space for the children and the way to all bedrooms

elevationto the garden

elevationto the street

section c

section b

section a

bedroom corridor kitchen

bedroomcorridoratrium

kitchen common space

garden

garden

section c

a-farm-entblock

personal work4th semester

The project proposes a new way of collective housing in urban areas: public spaces invade the building which in this way becomes part of the city.

The block contains 8 apartments, a laundry-mat and a restaurant (that are located on ground level connected to the streets) and 2 public balconies/gardens.

The shape of the site is extruded in a large system of hydroponic agriculture. This system wraps both the apartments and the public spaces of the building, and becomes a screen for the urban environment, revealing a new way to see it and live in it.

A metallic 3d grid is filled with the boxes/apartments. A central core of vertical movement is connected to all of the boxes as well as with every point of the “screen” with a perimeter outdoor corridor.

section bsection a

The desired effect of the green 3d grid as the visitor crosses: frame from comic book “urbicante”.

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level +6.00

level +0.00

level +3.00

elevations

level -3.00

section a

c

b

train station

a

train line

park

park

city center

section csection b

entranceperipheral corridormain hall

mediatheque library other

street access underground access

3 passages

entrance - ramp to the main hall

masses are related with the surroundings by being formed in typical Greek building scale

public passage with direct access to certain boxes

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level +6.00

level +0.00

level +3.00

elevations

level -3.00

section a

c

b

train station

a

train line

park

park

city center

section csection b

entranceperipheral corridormain hall

mediatheque library other

street access underground access

3 passages

entrance - ramp to the main hall

masses are related with the surroundings by being formed in typical Greek building scale

public passage with direct access to certain boxes

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plan +7.00entrance level

seafront

external gallery

entrancehall

external gallery

café

shop

opaque glass

museum ramp

glass skin

opaque glass blinds

car ramp

structure

plan +15.00exhibition box 2

plan +18.00exhibition box 3

plan +21.00central exhibition hall

plan +24.00atrium/restaurant

section aentrance slope and parking levels

section bexternal gallery, ramp and exhibition boxes

the way to the entrance frames, between the external galleries, the horizon

view as the visitor enters the city: a strong impression to form a landmark

plan +12.00exhibition box 1

entrance of exhibition box from the ramp

Page 9: architectural portfolio 2011 - Theodore Svoronos

plan +7.00entrance level

seafront

external gallery

entrancehall

external gallery

café

shop

opaque glass

museum ramp

glass skin

opaque glass blinds

car ramp

structure

plan +15.00exhibition box 2

plan +18.00exhibition box 3

plan +21.00central exhibition hall

plan +24.00atrium/restaurant

section aentrance slope and parking levels

section bexternal gallery, ramp and exhibition boxes

the way to the entrance frames, between the external galleries, the horizon

view as the visitor enters the city: a strong impression to form a landmark

plan +12.00exhibition box 1

entrance of exhibition box from the ramp

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urban design

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urban design

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team work with: Bounia Katerina Kaspaski Stefania Kourakos Giorgos Tzioras Konstantinos

the w.l.d.The project is the design of an experimental theater complex that could compete with Broadway and refresh the theatrical community.

We propose the concentration of the programs in a complex that is wrapped to become the INCUBATOR. In this way we have an urban object with qualities of smaller scale inside. “High line” penetrates this object and introduces it to the public.

The 4 wrapping surfaces are equal to the total surface of the site: 4 NY blocks. Manhattan grid becomes 3dimentional: we form a 3D BLOCK

The rest of the site becomes a park in which the element of the wavy line is paramount and suggests a hint of urban memory (the site is now a railway overnight storage). The curves of these lines form the theaters.

The name implies the different character of the area, the important role it can have as an urban factor and the consistency of its elements.

N.Y. Theater City Competition by Archmedium

6th semester

experimental model

urban park

team work with: Mourelatos Agis Papadimitriou Maria Kourakos Giorgos

4rth semester

A proposal for a deserted environmental park and former fields of almond trees in the heart of Athens. Main idea is to introduce the urban environment in the park and create an atmosphere that is, at the same time, familiar but new to the visitors.Elements as athletic facilities, an outdoor amphitheater, parkour and skate-boarding areas, running/bicycle tracks in the forest, fields that the visitor collects food and pays when he exits, cafes, a large platform infront of the lake and an environmental park are blend to achieve this new way of living the park.

student competition for the recreation of the park “Antonis Tritsis”, 2010

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team work with: Bounia Katerina Kaspaski Stefania Kourakos Giorgos Tzioras Konstantinos

the w.l.d.The project is the design of an experimental theater complex that could compete with Broadway and refresh the theatrical community.

We propose the concentration of the programs in a complex that is wrapped to become the INCUBATOR. In this way we have an urban object with qualities of smaller scale inside. “High line” penetrates this object and introduces it to the public.

The 4 wrapping surfaces are equal to the total surface of the site: 4 NY blocks. Manhattan grid becomes 3dimentional: we form a 3D BLOCK

The rest of the site becomes a park in which the element of the wavy line is paramount and suggests a hint of urban memory (the site is now a railway overnight storage). The curves of these lines form the theaters.

The name implies the different character of the area, the important role it can have as an urban factor and the consistency of its elements.

N.Y. Theater City Competition by Archmedium

6th semester

experimental model

urban park

team work with: Mourelatos Agis Papadimitriou Maria Kourakos Giorgos

4rth semester

A proposal for a deserted environmental park and former fields of almond trees in the heart of Athens. Main idea is to introduce the urban environment in the park and create an atmosphere that is, at the same time, familiar but new to the visitors.Elements as athletic facilities, an outdoor amphitheater, parkour and skate-boarding areas, running/bicycle tracks in the forest, fields that the visitor collects food and pays when he exits, cafes, a large platform infront of the lake and an environmental park are blend to achieve this new way of living the park.

student competition for the recreation of the park “Antonis Tritsis”, 2010

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pedestrian zone

team work with: Mourelatos Agis Kourakos Giorgos

5th semester

The proposal intends to unify two very important public spaces of Patras: the square of “Alonia” and the seafront lighthouse. The visitor has to define the qualities of the space by different proposed uses. The project is the design of a sequence of spaces that include movable stored urban equipment, accessible to the visitor. This sequel, gradually changes character: at first the element of exploration in a natural environment without visual supervision of space is dominant, while as we approach the seafront, the lighthouse becomes the main element and the environment visually and easily perceived.

sta

rt p

oin

tm

idd

le p

oin

te

nd

po

int

(se

afr

on

t)

vis

ua

l stim

ula

tio

ne

xlp

ora

tio

n

plan (area zoom in) moving urban equipment in the plateaux

section sequence

gradual opening of the plants/trees. the visitor

transcends the exploration stage to the opening of the seafront

section

time

time

Alonia square

lighthouseVisual supervision

of the whole project

school

tram station

kindergarden

everyday use great events

kozani square

with: .27 architectsThessaloniki

The existing square lacks unity of space and cannot be used as a place for great public gatherings or function as a landmark/center of the city of Kozani. The project focuses on a liquid urban factor, protected from the street and connected to a pedestrian zone.

The main idea is to combine the two levels of public use: everyday use and annual festivals/events. For this purpose, a thin net is placed above the square, defining its boundaries and bearing equipment (light, sound, boards) when needed.

In the two protective green zones that provide permanent seating, shade and some small commercial activity, portable seats are stored, that visitors can place freely in the square and form different density patterns.

plan ground level

masterplan net level

Panhellenic competition, 2010by the municipality of Kozani

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pedestrian zone

team work with: Mourelatos Agis Kourakos Giorgos

5th semester

The proposal intends to unify two very important public spaces of Patras: the square of “Alonia” and the seafront lighthouse. The visitor has to define the qualities of the space by different proposed uses. The project is the design of a sequence of spaces that include movable stored urban equipment, accessible to the visitor. This sequel, gradually changes character: at first the element of exploration in a natural environment without visual supervision of space is dominant, while as we approach the seafront, the lighthouse becomes the main element and the environment visually and easily perceived.

sta

rt p

oin

tm

idd

le p

oin

te

nd

po

int

(se

afr

on

t)

vis

ua

l stim

ula

tio

ne

xlp

ora

tio

n

plan (area zoom in) moving urban equipment in the plateaux

section sequence

gradual opening of the plants/trees. the visitor

transcends the exploration stage to the opening of the seafront

section

time

time

Alonia square

lighthouseVisual supervision

of the whole project

school

tram station

kindergarden

everyday use great events

kozani square

with: .27 architectsThessaloniki

The existing square lacks unity of space and cannot be used as a place for great public gatherings or function as a landmark/center of the city of Kozani. The project focuses on a liquid urban factor, protected from the street and connected to a pedestrian zone.

The main idea is to combine the two levels of public use: everyday use and annual festivals/events. For this purpose, a thin net is placed above the square, defining its boundaries and bearing equipment (light, sound, boards) when needed.

In the two protective green zones that provide permanent seating, shade and some small commercial activity, portable seats are stored, that visitors can place freely in the square and form different density patterns.

plan ground level

masterplan net level

Panhellenic competition, 2010by the municipality of Kozani

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other

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other

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flow

team work with: Mourelatos Agis Lafazani Marina Kourakos Giorgos

2nd semester

A video-art experimentation on the complex patterns of human behavior. The dance of two people getting to know each other and the flow of their essences.

Official entry in:Athens Video Art Festival 2010A.s.t.o. Video Art Festival 2010

cities of tomorrow

team work with: Mourelatos Agis Kourakos Giorgos

4rth semester

Starting point of the analysis was the iris of the human eye. Experimentation on organic/natural forms and qualities.

(sample pages from the final comic book)

experimentation on the qualities of the spaces created by linked forms...

new links...

exper. 1:

plane and sphere

...in a new composition...

...until the end...

Chapter 2:

dettached cubes

...are constantly developed...

exper. 2:

...and back to the begining

exper. 3:

...connected......in

movement...

...2 planes...

...and the organic ones...

...are totally different!

both from the inside and the outside...

the qualities

of the cubic links..

Conclusion...

Chapter 5:

Genesis

units appear...

...when the surface of the earth is still livable

mankind created cities in places no

one had dreamt before...

...and started linking them.

Chapter 6:

development

...it is trivial if the units

are located...

as the network expands...

...in a dump...

...a desert...

...a metropolis...

...or in some unknown

city.

geography is abolished as a

concept.

Chapter 7:

mutation

the network evolves and

mutates...

...from linear...

...to organic...

...a web, that covered the

surface of the planet and

became the new earth crust1 2 3

Page 19: architectural portfolio 2011 - Theodore Svoronos

flow

team work with: Mourelatos Agis Lafazani Marina Kourakos Giorgos

2nd semester

A video-art experimentation on the complex patterns of human behavior. The dance of two people getting to know each other and the flow of their essences.

Official entry in:Athens Video Art Festival 2010A.s.t.o. Video Art Festival 2010

cities of tomorrow

team work with: Mourelatos Agis Kourakos Giorgos

4rth semester

Starting point of the analysis was the iris of the human eye. Experimentation on organic/natural forms and qualities.

(sample pages from the final comic book)

experimentation on the qualities of the spaces created by linked forms...

new links...

exper. 1:

plane and sphere

...in a new composition...

...until the end...

Chapter 2:

dettached cubes

...are constantly developed...

exper. 2:

...and back to the begining

exper. 3:

...connected......in

movement...

...2 planes...

...and the organic ones...

...are totally different!

both from the inside and the outside...

the qualities

of the cubic links..

Conclusion...

Chapter 5:

Genesis

units appear...

...when the surface of the earth is still livable

mankind created cities in places no

one had dreamt before...

...and started linking them.

Chapter 6:

development

...it is trivial if the units

are located...

as the network expands...

...in a dump...

...a desert...

...a metropolis...

...or in some unknown

city.

geography is abolished as a

concept.

Chapter 7:

mutation

the network evolves and

mutates...

...from linear...

...to organic...

...a web, that covered the

surface of the planet and

became the new earth crust1 2 3

Page 20: architectural portfolio 2011 - Theodore Svoronos

1. non presencenon qualitynon place

2. movement produces (de)formation of space

3. location of kid above is projected as a moving light

to trigger movement

4. speed increases the scale of deformation

5. children explore the attributes of the newly

formed landscape

6. older bumps shrink down as new ones are formed

7. short term memory:spatial qualities last for a little

while

8. non presencenon qualitiesnon space

section

floor

ceilling

section

floor

ceilling

(Sense-Re)sponsivearchitecture workshop

Workshop theme:“...The next logical step is to put 'sense' to responsive architecture and create a context for the way space performs and the way it learns from the past: a sensponsive architecture.”

Kostis OungrinisMarianthi Liapi

http://senseresponsive.blogspot.com

team 3: traces

Chr. Gourdoukis, E. Koumpli, D. Mairopoulos, T. Pankratov, N. Papavasileiou, M. Paschidi, Z. Peari, V. Tsemetzis, J. Zhou

The objective was to visualize the impact of the childrens movement in space in a playful way to trigger the development of spatial perception. We decided to use the movement of the child both as an input for the sensponsive system, and as an output (that interacts with another child)