Arcangelo Corelli   Related Links

Exerpt from "Famous Violinists of Today and Yesterday"

Arcangelo Corelli, whose name is recognised as one of the greatest in the history of violin playing and composition, and who laid the foundation for all future development of technique, was born in 1653, at Fusignano, near Imola, in the territory of Bologna.

He showed an early propensity for the violin, and studied under Bassani, a man of extensive knowledge and capabilities, while Mattei Simonelli was his instructor in counterpoint.

Corelli at one time sought fame away from home, and he is said to have visited Paris, where Lulli, the chief violinist of {31} that city, exhibited such jealousy and violence that the mild-tempered Corelli withdrew. In 1680 he went to Germany, where he was well received, and entered the service of the Elector of Bavaria, but he soon returned to Rome. His proficiency had now become so great that his fame extended throughout Europe, and pupils flocked to him. His playing was characterised by refined taste and elegance, and by a firm and even tone.ARCHANGE CORELLI

ARCHANGE CORELLI

When the opera was well established in Rome, about 1690, Corelli led the band. His chief patron in Rome was Cardinal Ottoboni, and it was at his house that an incident occurred which places Corelli at the head of those musicians who have from time to time boldly maintained the rights of music against conversation. He was playing a solo when he noticed the cardinal engaged in conversation with another person. He immediately laid down his violin, and,{32} on being asked the reason, answered that "he feared the music might interrupt the conversation."

Corelli was a man of gentle disposition and simple habits. His plainness of dress and freedom from ostentation gave the impression that he was parsimonious, and Handel says of him that "he liked nothing better than seeing pictures without paying for it, and saving money," He was also noted for his objection to riding in carriages.

He lived on terms of intimacy with the leading artists of his time, and had a great fondness for pictures, of which he had

a valuable collection. These he left at his death to Cardinal Ottoboni.

It was at Cardinal Ottoboni's that Corelli became acquainted with Handel, and at one of the musical evenings there a "Serenata," written by the latter, was performed. Corelli does not seem to have played it according to the ideas of the composer, for Handel,{33} giving way to his impetuous temper, snatched the fiddle out of Correlli's hand. Corelli mildly remarked, "My dear Saxon, this music is in the French style, with which I am not acquainted."

For many years Corelli remained at Rome, but at last he yielded to temptation and went to Naples, where Scarlatti induced him to play some of his concertos before the king. This he did in great fear, for he had not his own orchestra with him. He found Scarlatti's musicians able to play at first sight as well as his own did after rehearsals, and, the performance going off well, he was again admitted to play, this time one of his sonatas, in the royal presence. The king found the adagio so long and dry that he quitted the room, much to Corelli's mortification. But greater trouble was in store for the virtuoso. Scarlatti had written a masque, which was to be played before the king, but owing to the composer's{34} limited knowledge of the violin, Corelli's part was very awkward and difficult, and he failed to execute it, while the Neapolitan violinists played it with ease. To make matters worse, Corelli made an unfortunate mistake in the next piece, which was written in the key of C minor, and led off in C major. The mistake was repeated, and Scarlatti had to call out to him to set him right. His mortification was so great that he quietly left Naples and returned to Rome. He found here a new violinist, Valentini, who had won the admiration of the people, and he took it so much to heart that his health failed, and he died in January, 1713.

Corelli was buried in princely style in the Pantheon, not far from Raphael's tomb, and Cardinal Ottoboni erected a monument over his grave. During many years after his death a solemn service, consisting of selections from his own works, was performed in the Pantheon on the anniversary of his{35} funeral. On this occasion, the works were performed in a slow, firm, and distinct manner, just as they were written, without changing the passages in the way of embellishment, and this is probably the way in which he himself played them.

Corelli's compositions are remarkable for delicate taste and

pleasing melodies and harmonies. He must be considered as the author of the greatest improvement which violin music underwent at the beginning of the eighteenth century. These compositions are regarded as invaluable for the instruction of young players, and some of them may be frequently heard in the concert-room at the present day, two hundred years since they were written. Corelli's most celebrated pupils, Somis, Locatelli, Geminiani, and Anêt, settled respectively in Italy, Holland, England, and Poland.

RCANGELO CORELLI (1653-1713)Musical Tidbit: Corelli the Composer

Concerto Grosso no. 9, arr. Mark MoyaPlay   Download (2.7MB)

Born at Fusignano in 1653, Arcangelo Corelli was to become one of the most influential figures of the Baroque era. He is considered a pioneer of violin technique and originated the practice of sychronized bowing in the orchestra. Corelli studied in Bologna during his early years, moving to Rome during the last quarter of the 17th century. There he joined the Arcadian Academy, an exclusive club of sorts that included some of the most celebrated artists and intellectuals of the era, including Alessandro Scarlatti

and the mighty Handel. While at Rome, Corelli enjoyed enormous popularity, and his patrons included the queen of Sweden and Cardinal Ottoboni, for whom the famous Christmas Concerto was written. He was a master of the trio sonata, a form employed universally during the Baroque era and developed in the latter part of the 18th century into the Classical symphony. He was well-known throughout Europe for his technical mastery of the violin (some consider him a 17th century Paganini) and organized many large concerts that were widely successful. At one of these concerts, however, he made a host of blunders which hurt his reputation as a violinist somewhat, although his compositions remained the envy of lesser contemporaries for nearly a hundred years. At the time of his death in 1713, he was a very wealthy man and a musical icon. Corelli's influence is potently evident in much of the music of the 18th century, especially so in the works of Handel, one of his greatest students. His popularity remained strong even into the beginning of the 19th century--Thomas Jefferson took a special liking to Corelli's music. With the advent of the early music movement during the 20th century, interest in his work has experienced quite a resurgence, and his music serves as a model for a small but accomplished group of composers just as it did some 250 years ago.

-Mark Moya (August, 2000)

Arcangelo CORELLI17 February 1653 - 8 January 1713 (age 59)

Arcangelo Corelli, Italian late baroque composer. He has been called:- "The Father of the Concerto Grosso"- "Founder of Modern Violin Technique"- "The World's Greatest Violinist"

Family

Works

Concerto Grosso

Career

Links

4

Family

Born: 17 February 1653, Fusignano, nr Bologna, ItalyZodiac: AquariusParents: prosperous landownersSiblings: fifth childPartners: Never marriedChildren: None

Died: Rome. 8 January 1713Grave: Buried in the Pantheon, Rome, next to Raphael see findagrave

Works:

Period: Late BaroqueOutput: smallInfluenced by: LullyInfluenced: Albinoni, Handel, Pergolesi, Scarlatti, Telemann, VivaldiCompositions:- 48 trio sonatas- 12 Violin sonatas- 12 concerti grossi

Performed as the leading violinist of his day.Directed and conducted concerts on a regular basis. He was also an outstanding teacher. Antonio Vivaldi was his star student.

What is a Concerto Grosso?Corelli didn't invent the concerto grosso (plural = concerti grossi) but he did develop it, popularise it, teach it and write the first great works in that genre.It consists of two contrasting groups of players: a small group of lead instrumentalists or soloists - often two violins and a cello with maybe harpsichord and lute- and a full orchestra (like a modern backing group).In the video below you can see how this works.

Career- age 13 - 18 studied at Bologna. The Venetian Leonardo Brugnol was one of his teachers.- age 18 he went to Rome where he studied composition under Matteo Simonelli- He soon established himself as one of Rome's leading musicians and won the patronage of Queen Christina of Sweden who had moved to Rome following her abdication. - After she died he entered the service of Cardinal Pamphili who paid him well and gave him rooms at his palace.- When Pamphili moved from Rome the young Cardinal Ottoboni, the Pope's nephew, befriended him, employed him paying him even more. This was a position which he held for the rest of his life.- Corelli died an extremely wealthy man. He had accumulated a large and valuable art

collection. - He was very well known and respected throughout Europe for his music and had a great influence the future of music.

"La Follia"Alessandra Talamo, Accademia degli Astrusi

Christmas Concerto, Adagio Op. 6 No. 8by the San Francisco Early Music Ensemble Voices of Music

Sonata in F Major Op.5 No.4Hanneke van Proosdij, recorder

Concerto Grosso, Opus 6 No. 8

http://www.52composers.com/corelli.html