Ar. Eero saarinen
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Transcript of Ar. Eero saarinen
ARCHITECT:
EERO SAARINEN
1.0 LIFE & LIFETIME1.1 BORN
1910, Kirkkonummi, Finland1.2 DIED
1961, Ann Arbor, Michigan1.3 FAMILY
Father : Eliel Saarinen (Architect)born 1873, Rantasalmi, Finlanddied 1950, Michigan
1.4 EDUCATIONFurniture & Sculpture Design Crankbrook Academy of ArtArchitecture Yale University, 1934
1.0 LIFE & LIFETIME1.5 PROFESSION
Architect1.Practiced under father Eliel Saarinen from 19372.Own practice started under the name of Eero Saarinen and Associates, 1950
Furniture DesignerUnder his father he designed and entered his furniture designs in competitions. Later were entered into production by the Knoll Furniture Company.
1.0 LIFE & LIFETIME1.6 INFLUENCES
1.Cranckbrook Academy of Art, MichiganHe grew up among the buildings of the university. Later on completed furniture and sculpture design from the university.
2.Eliel Saarinen His father who also taught in the Cranckbrook
Academy. His father was a propagandist of Art Nouveau at that time.
1.0 LIFE & LIFETIME
3.Yale UniversityHis formal education of architecture was
completed there.4.Travel
Visited he toured Europe and north Africa for a year and spent another year back in Finland, after which he returned to Cranbrook to work for his father.
2.0 PHILOSOPHY2.1 ARCHITECTURAL THEORIES/ STYLES/ PRINCIPLES/
CONCEPT/ BELIEF
The Company Headquarters were designed very much in the rationalist MIESIAN STYLE, in steel and glass.
Individual structures like TWA flight Centre and also his furniture designs were ORGANIC or ABSTRACT EXPRESSIONIST.
His design of USA embassy in London is considered to be an example of CLASSICAL ECLECTISM.
2.0 PHILOSOPHYHe was criticized by Vincet Scully in his own time for having no identifiable style.
Saarinen's work can be said to fit in with present-day concerns about pluralism of styles.
‘An explanation for this is that Saarinen adapted his modernist vision to each individual client and project, which were never exactly the same.’
2.0 PHILOSOPHY2.2 QUOTES
“ I feel strongly that modern architecture is in danger of falling into a mold too quickly- too rigid a mold. What was once a great hope for a great new period of architecture has some how become an automatic application of the same formula over and over again everywhere. I feel, therefore, a certain responsibility to examine problems with the specific enthusiasm of bringing out h particular problem the particular solution… in this sense, I align myself humbly with Le Corbusier and against Mies van der Rohe.”
3.0 WORKS3.1 MAJOR ARCHITECTURAL WORKS
3.1.1 JEFFERSON NATIONAL EXPANSION MEMORIAL
Took first prize in the design competition.
Place: St Louis, MissouriTime: 1948-1960
3.0 WORKS3.1.2 GENERAL MOTORS
TECHNICAL CENTRE
Place: Warren, MichiganTime: 1949-1955Style: Rationalist
Miesian StyleMaterials: Steel and Glass
Saarinen employed a consistent vocabulary of metal and glass curtain walls for the long elevations, and colourful, glazed brick walls on the short ends of simple rectangular volumes.
3.0 WORKS3.1.3 TWA TERMINAL
Place: John F.Kennedy Airport, New
YorkTime: 1956-1962Style: ExpressionistMaterials: Concrete, Glass and Metal
3.0 WORKS3.1.4 DULLES TERMINAL
Place: Chantilly, Virginia
Time: 1958-1963Style: ExpressionistMaterials: Concrete,
Glass and Metal
PLANS
VIEWS OF THE TERMINAL
3.0 CRONOLOGY OF WORKSTIME WORK REMARK
1940 Chair designed together with Charles Eames for the "OrganicDesign in Home Furnishings" competition
Won first prize
1948 Jefferson National Expansion, Memorial, St. Louis.
Won first prize, not completed till 1960
1949-1955
General motors technical centre First major architectural commission
3.0 CRONOLOGY OF WORKSTIME WORK REMARK
1949-1955
General motors technical centre First major architectural commission
1953 Kersge Auditorium, MIT
1955 MIT Chapel, Cambridge
1956-1962
John F. Kennedy Airport, New York The most internationally acclaimed work of his.
TIME WORK REMARK
1958-1963
Dulles terminal Another free flowing concrete shell.
He served on the jury for the Sydney Opera House commission and was crucial in the selection of the internationally-known design by Jørn Utzon.