AP Art History · This packet of student samples labeled A - G includes two copies of each sample.*...

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2020 ® AP Art History Sample Student Responses and Scoring Commentaries Aligned with the 2020 Rubric © 2020 The College Board. College Board, Advanced Placement, AP, AP Central, and the acorn logo are registered trademarks of the College Board. Visit the College Board on the web: collegeboard.org. AP Central is the official online home for the AP Program: apcentral.collegeboard.org. From the 2018 Scoring Pilot

Transcript of AP Art History · This packet of student samples labeled A - G includes two copies of each sample.*...

Page 1: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

2020

®

AP Art History Sample Student Responses and Scoring Commentaries Aligned with the 2020 Rubric

© 2020 The College Board. College Board, Advanced Placement, AP, AP Central, and the acorn logoare registered trademarks of the College Board. Visit the College Board on the web: collegeboard.org.

AP Central is the official online home for the AP Program: apcentral.collegeboard.org.

From the 2018 Scoring Pilot

Page 2: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

Key to Highlight colors:

ID = yellow Thesis = green Evidence 1 = blue Evidence 2 = pink Analysis/Reasoning = purple Complexity = orange

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This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response with no additional marking. The second of these two samples includes highlighting that indicates where each point was earned in the response. The below key indicates which color correlates to each of the points. *There is no highlighted version of sample G.
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AP Art History Question 2 Student Responses from 2018 Pilot, Based on 2016 Question 2
Page 3: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

2018 PILOT AP® ART HISTORY FREE-RESPONSE QUESTION

Name:�

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Page 4: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

A 2 of 2

Page 5: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

2018 PILOT AP® ART HISTORY FREE-RESPONSE QUESTION

Name:�

In f, u E' CSTc;, S � G ¾ S0, 1 n � "'Te'<' ·e Sc1 "'" , � (),,

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Page 6: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

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Page 7: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

2018 PILOT AP® ART HISTORY FREE-RESPONSE QUESTION

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Page 8: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

B 2 of 3

Page 9: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

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Page 10: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

2018 PILOT AP® ART HISTORY FREE-RESPONSE QUESTION

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Page 11: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

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Page 12: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

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Page 13: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

2018 PILOT AP® ART HISTORY FREE-RESPONSE QUESTION

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Page 14: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

C 2 of 2

Page 15: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

2018 PILOT AP® ART HISTORY FREE-RESPONSE QUESTION

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Page 16: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

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Page 17: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

2018 PILOT AP® ART HISTORY FREE-RESPONSE QUESTION

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Page 18: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

D 2 of 2

Page 19: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

2018 PILOT AP® ART HISTORY FREE-RESPONSE QUESTION

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Page 20: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

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Page 21: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

2018 PILOT AP® ART HISTORY FREE-RESPONSE QUESTION

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Page 22: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

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Page 23: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

2018 PILOT AP® ART HISTORY FREE-RESPONSE QUESTION

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Page 24: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

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Page 25: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

2018 PILOT AP® ART HISTORY FREE-RESPONSE QUESTION

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Page 26: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

2018 PILOT AP® ART HISTORY FREE-RESPONSE QUESTION

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Page 27: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

2018 PILOT AP® ART HISTORY FREE-RESPONSE QUESTION

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Page 28: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

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Page 29: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

AP Art History Question 2

2020 Scoring Commentaries (Applied to Student Responses from 2018 Pilot, Based on 2016 Question 2)

Index of Scores for Samples: Question 2

Sample Reference

Row A Row B Row C Row D Row E

A 1 1 2 1 1 B 1 1 2 1 1 C 1 1 2 1 1 D 1 1 2 1 0 E 0 1 2 1 0 F 1 0 2 0 0 G 0 0 0 0 0

Page 30: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

AP Art History Question 2

2020 Scoring Commentaries (Applied to Student Responses from 2018 Pilot, Based on 2016 Question 2)

Sample A 6/6 Points Row A: Identification - 1/1 The response earns one point for correct identification: “Gian Lorenzo Bernini” and c.1647-1652. Row B: Claim/Thesis - 1/1 The response earns one point for clearly asserting a claim/ thesis statement, which is located in the first paragraph: “Bernini’s sculpture utilizes light in ‘Ecstasy of Saint Teresa’ to represent religion, and more specifically, the grace of God.” Row C: Evidence - 2/2 The response earns one point for citing a specific example of contextual evidence relevant to the prompt in the first paragraph: “This artwork was created during the Baroque period, which took place at the same time as the counter-reformation, which was about bringing people back to the Catholic Church.” The response earns one point for citing a second specific example of visual evidence relevant to the prompt in the first paragraph: “In the sculpture, behind Teresa and the angel, golden rods come down appearing as rays of light shining on the scene.” Additional visual evidence follows, such as: “There was a hidden window in the sculpture, and so real light is lighting the scene as well.” Row D: Analysis and Reasoning - 1/1 The response earns one point for using visual and/ or contextual evidence to justify the claim being asserted. The response accomplishes this by discussing and connecting the artist’s decision-making, historical context, and the intent/ purpose of the work: “The scene itself depicts an angel, about to stab Teresa with an arrow, symbolizing the love of God. The dramatic lighting of this scene is showing the presence of God in order to attract people back to the Catholic church.” Row E: Complexity - 1/1 The response earns this point because it demonstrates a more complex understanding by explaining nuance of the topic though its discussion of the drama of the Baroque period as a contextual variable, how this shaped the creation of the selected work, and how these both work together to elicit a response: “One characteristic of Baroque art is the drama they are associated with. By making religion dramatic and flashy, people will want to return to the Catholic church. Lighting is a huge part of the dramatization of ‘Ecstasy of St. Teresa.’……The central component of this religious drama creation is the light above, shining like a spotlight on Teresa and the angel. The light in ‘Ecstasy of Saint Teresa’ is symbolizing God’s grace and presence, which goes hand-in-hand with the Catholic church’s need to draw people back in.”

Page 31: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

AP Art History Question 2

2020 Scoring Commentaries (Applied to Student Responses from 2018 Pilot, Based on 2016 Question 2)

Sample B 6/6 Points Row A: Identification - 1/1 The response earns one point for correct identification: The response provides two accurate identifiers: Gothic and Limestone/Stained glass. Row B: Claim/Thesis - 1/1 The response earns one point for clearly asserting a claim/ thesis statement which appears in the second sentence of the first paragraph: “the architect used light to gave [sic] sense of heaven on earth.” The claim is also more strongly present in the last paragraph: “The use of light creates a sense of divinity on earth and allows worshippers to experience the change in their experience when going through the narthex to the apse.” Although a claim appears in this response twice, it only needs to appear once in order to earn a point for claim/thesis. Row C: Evidence - 2/2 The response earns one point for citing a specific example of contextual evidence relevant to the prompt by the discussion of flying buttresses at the top of page 2. “Flying buttresses . . . allowed more light and glass.” The response earns one point for citing a second specific example of visual evidence relevant to the prompt by the discussion of Lux Nova in the second paragraph of page 2. “This construction allowed more light to com[ing] called Lux Nova which is a colorful light representing heaven on earth and expresses divinity through light.” The response also provides additional evidence with the discussion of the blue color of the stained glass that follows immediately after. Row D: Analysis and Reasoning - 1/1 The response earns this point because it explains how the evidence cited supports the argument by explaining how artistic decisions elicit a response by describing how “light and dark spaces of [the] building are also used to enhance the emotional responses of worshippers. The light in the cathedral wasn’t static but it shifts with the time of day and season of the year which changes the experience of interior space.” Row E: Complexity - 1/1 The response earns this point because it demonstrates a complex understanding through the relevant and thoughtful explanation of the relationship between its claim and the evidence provided in support of that claim by detailing the spiritual importance of light to medieval Christians. The response cites the creation of light in Genesis, the use of light imagery to signify the divine in medieval mysticism and by understanding that “the use of light showed material culture could be both intellectual and emotional.”

Page 32: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

AP Art History Question 2

2020 Scoring Commentaries (Applied to Student Responses from 2018 Pilot, Based on 2016 Question 2)

Sample C 6/6 Points Row A: Identification - 1/1 The response earns one point for correct identification because four correct identifiers are provided (only two are required to earn the point): Oil painting, Caravaggio, 1600 and Baroque. Row B: Claim/Thesis - 1/1 The response earns one point for clearly asserting a claim/ thesis statement. The claim is present in the second paragraph: “Caravaggio used light – specifically tenebrism – to create a dramatic effect.” This would be the absolute minimum acceptable thesis for this point. This response goes on to flesh out the claim by stating that “He sought to bring the biblical story to life and connect with practicing or non-practicing Catholics. The ultimate goal was to bring people back into the church after the Protestant Reformation.” Row C: Evidence - 2/2 The response earns one point for citing a specific example of visual evidence relevant to the prompt that appears at the beginning of the third paragraph: “In the artwork, the light shines on Matthew who is a tax collector”; this is sufficient to earn a visual evidence point. The response earns one point for citing a second specific example of visual evidence relevant to the prompt that appears at the end of the third paragraph: “This theme was intended for people who had lost sight of God or who had left the church during the Protestant Reformation” is sufficient to earn a contextual evidence point about the Protestant and Counter-Reformation. Row D: Analysis and Reasoning - 1/1 The response earns one point for using visual evidence to justify the claim being asserted. The response earns the point through the statement that “In this painting it is clear that Matthew was counting money prior to Jesus’ arrival. The fact that Matthew is highlighted – despite his sinful nature – shows the general public that even a sinner can be saved or find goodness if they practice Catholicism.” The response provides sufficient justification that the light is used in this work to show paths for salvation in a Counter Reformational context. Row E: Complexity - 1/1 The response demonstrates a sufficiently complex understanding of the prompt through its insightful explanation of the relationship between the evidence and the claim. The response does this by showing that in his use of light, Caravaggio uses it in two distinctly separate ways; highlighting Matthew as the focus of the work and to point out the potential for being ‘saved’ (hence the light), and also highlighting “God as light” to make the meaning of the work clear. The response explains how Caravaggio is showing Jesus as the ‘light in the darkness’ and in so doing is making a distinct choice to

Page 33: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

AP Art History Question 2

2020 Scoring Commentaries (Applied to Student Responses from 2018 Pilot, Based on 2016 Question 2)

show “God as light” for the express purpose of bringing people back to the church in the context of the Reformation, thereby fulfilling the artist’s ‘main goal’.

The response makes two strong points – both about the light. The response first connects the light to Matthew, describing how light shines on Matthew and explaining the implications of what that means, namely Matthew’s path to salvation. The second point is that the light is connected to the figure of Jesus and the light is showing the divinity of Jesus. The light provides two different ways to understand divinity. This is an example where complexity is earned through analyzing multiple variables.

Page 34: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

AP Art History Question 2

2020 Scoring Commentaries (Applied to Student Responses from 2018 Pilot, Based on 2016 Question 2)

Sample D 5/6 Points Row A: Identification - 1/1 The response earns one point for correct identification: “Carrivaggio” and “oil on canvas painting.” Row B: Claim/Thesis - 1/1 The response earns one point for clearly asserting a thesis/ claim statement. This is stated somewhat weakly at the beginning of the response (“uses light to symbolize salvation through Christianity”), but it is more firmly asserted at the end of the response (“Carrivaggio uses light in ‘The Calling of Saint Matthew’ to show the importance of Christianity. He shows Matthew being saved from sin and shows Christ as the light of the world.”) Row C: Evidence - 2/2 The response earns one point for citing a specific example of visual evidence relevant to the prompt that appears at the beginning of the second paragraph: “Matthew is shown sitting at a long tavern table along with several other figures. Christ is shown entering the room with a few followers from the right side. The light source of the painting is coming from the right side of the room, just behind Christ and his followers.” The response earns one point for citing a second specific example of visual evidence relevant to the prompt that appears at the beginning of the third paragraph: “Of the gentlemen sitting at the table, Matthew is the only one in the light…. The other figures at the table are not touched by the light of Christ, some do not even look at him.” Row D: Analysis and Reasoning - 1/1 The response earns one point for using visual evidence to justify the claim being asserted. It accomplishes this by discussing and connecting the artist’s decision to illuminate Matthew to shape the content and message of the work of art: “Carrivaggio illuminates Matthew to show Christ has appeared to guide him out of a life of sin. The others do not notice Christ because they are consumed in their sins.” Row E: Complexity - 0/1 The response does not earn a point for this task because it does not demonstrate a sufficiently complex understanding of the subject using the foundation laid in the rest of the essay. This could be accomplished by sufficiently discussing the influence of the historical context (Baroque period/ Counter-Reformation period) on shaping the creation and meaning of the work or how the work elicits a response from the audience. Additional visual detail provided in the response is not sufficient in this case to earn a complexity point, as in this response it restates information that was used to earn other points.

Page 35: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

AP Art History Question 2

2020 Scoring Commentaries (Applied to Student Responses from 2018 Pilot, Based on 2016 Question 2)

Sample E 4/6 Points Row A: Identification - 0/1 The response does not earn a point for correct identification due to errors in the response. Although marble is a correct identifier, “Boromini” is an incorrect identifier. Row B: Claim/Thesis - 1/1 The response earns one point for asserting a thesis/claim statement: “Boromini uses the light in this work to let the viewer feel a sense of holiness as Saint Teresa did herself.” The response earns a point even though the claim is less clearly asserted and has an error (the artist’s name is incorrect). Row C: Evidence - 2/2 The response earns one point for citing a specific example of visual evidence relevant to the prompt in the third sentence: “In his planning, the artist had put a window behind it, where you weren’t able to see, to create some natural light for the piece.” The response earns one point for citing a second specific example of visual evidence relevant to the prompt that appears in the fifth sentence: “Another way he used light is with gold. Light may reflect off of it and/or just shine by itself.” Row D: Analysis and Reasoning - 1/1 The response earns one point for using visual and/ or contextual evidence to justify the claim being asserted. This is accomplished by discussing and connecting the viewer’s interaction with and response to the work and the artist’s decision-making: “The viewer is most likely attracted to this [the use of light from window and gold] and they become engaged. Both these factors engage the viewer and give them a sense of reality and holiness… When the viewer sees this piece, you expect to start to hear angels singing as you would envision heaven to be like.” Row E: Complexity - 0/1 The response does not earn a point for this task because it does not attempt to demonstrate a complex understanding based on the foundation laid in the rest of the essay. This could be accomplished by sufficiently discussing the influence of the historical context (Baroque period/ Counter-Reformation period) on shaping the creation and meaning of the work or how the work inspires the viewers to devote themselves to the Catholic church.

Page 36: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

AP Art History Question 2

2020 Scoring Commentaries (Applied to Student Responses from 2018 Pilot, Based on 2016 Question 2)

Sample F 3/6 Points Row A: Identification - 1/1 The response earns one point for correct identification: “Carravagio” and “oil paint.” Row B: Claim/Thesis - 0/1 The response does not earn this point because it attempts to assert a claim/ thesis statement, but does not establish it sufficiently, therefore no point is earned. Stating that the artist “uses light very effectively in order to get the meaning of the paint across.” does not adequately state a claim, and the statement does not communicate sufficient or clear information. Row C: Evidence - 2/2 The response earns one point for citing a specific example of visual evidence relevant to the prompt that appears in the second sentence: “Caravaggio uses a very deep tenebrism to express the gloominess and sketchiness of the back room of the bar.” The use of light and lack of light in the work is described. The response earns one point for citing a second specific example of visual evidence relevant to the prompt that appears in the fifth sentence: “The tenebrism also highlights certain points in the artwork. First, while you can see the other figures, the light highlights Matthew.” Row D: Analysis and Reasoning - 0/1 The response does not earn a point for using visual and/ or contextual evidence to justify the claim being asserted. Instead, the response offers a visual description of the work. Row E: Complexity - 0/1 The response does not earn a point for this task because it does not demonstrate a complex understanding in response to the prompt. This could be accomplished by sufficiently discussing the influence of the historical context (Baroque period/ Counter-Reformation period) on shaping the creation and meaning of the work or how the work inspires the viewers to devote themselves to the Catholic church.

Page 37: AP Art History · This packet of student samples labeled A - G includes two copies of each sample.* The first of these two samples is the original version of the student response

AP Art History Question 2

2020 Scoring Commentaries (Applied to Student Responses from 2018 Pilot, Based on 2016 Question 2)

Sample G 0/6 Points Row A: Identification - 0/1 The response does not earn a point for correct identification because it offers no identifying information beyond the title of the work. Row B: Claim/Thesis - 0/1 The response does not earn a point for thesis/ claim because it attempts to assert a thesis/ claim statement but does not establish it sufficiently. The response neither adequately defines an argument position nor communicates sufficient or clear information. Row C: Evidence - 0/2 The response does not earn a point because its evidence lacks sufficient specificity. Row D: Analysis and Reasoning - 0/1 The response does not earn a point for using visual and/ or contextual evidence to justify the claim being asserted. There is not enough specific evidence in the response to support a claim. Row E: Complexity - 0/1 The response does not earn a point for this task because it does not demonstrate a complex understanding of the prompt. The response’s discussion lacks specificity and content that is relevant to the prompt. Since there is no accurate claim made, there is no way that this point could be earned by developing complexity of an incorrect or inaccurate claim.