ANNUAL REPORT

of the

ART GALLERY OF SOUTH AUSTRALIA

for the year

1 July 2002–30 June 2003

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The Hon. Mike Rann MP, Minister for the Arts Sir, I have the honour to present the sixty-second Annual Report of the Art Gallery Board of South Australia for the Gallery’s 122nd year, ended 30 June 2003. Michael Abbott QC, Chairman Art Gallery Board 2002–2003

Chairman Michael Abbott QC

Members Mr Max Carter AO Mrs Susan Cocks Mr David McKee Mrs Candy Bennett Mr Richard Cohen Ms Virginia Hickey Mrs Sue Tweddell Mr Adam Wynn

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TABLE OF CONTENTS Principal Objectives 5

Major Achievements 2002-2003 6

Issues and Trends 9

Major Objectives 2003–2004 11

Resources and Administration 13

Collections 21

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APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 26

Appendix B1 Art Gallery Board 28

Appendix B2 Members of the Art Gallery of South Australia Foundation Council and Friends of the Art Gallery of South Australia Committee

28

Appendix B3 Art Gallery Organisational Chart 29

Appendix B4 Art Gallery Staff and Volunteers 30

Appendix C Staff Public Commitments 34

Appendix D Conservation 37

Appendix E Donors, Funds, Sponsorships 38

Appendix F Acquisitions 39

Appendix G Inward Loans 51

Appendix H Outward Loans 54

Appendix I Exhibitions and Public Programs 56

Appendix J Schools Support Services 62

Appendix K Gallery Guide Tour Services 62

Appendix L Gallery Publications 63

Appendix M Annual Attendances 65

Information Statement 66

Appendix N Financial Statements 67

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PRINCIPAL OBJECTIVES The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act, 1939 and can be described as follows:

• To collect heritage and contemporary works of art of aesthetic

excellence and art historical or regional significance. • To display the collections. • To program temporary exhibitions. • To ensure the preservation and conservation of Gallery collections. • To research and evaluate the collections, and to make the collections

and documentation accessible to others for the purposes of research, as a basis for teaching and communication.

• To document the collections within a central cataloguing system. • To provide interpretative information about collection displays and

temporary exhibitions and other public programs. • To promote the Gallery’s collections and temporary exhibitions. • To ensure that the Gallery’s operations, resources and commercial

programs are managed efficiently, responsibly and profitably. • To advise the South Australian Government on the allocation of

South Australian resources to works of art, art collections, art museums and art associations.

These objectives can be summarised as: preservation, research and communication. They are consistent with the objectives of all major art museums and galleries throughout the world.

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ART GALLERY OF SOUTH AUSTRALIA

MAJOR ACHIEVEMENTS 2002–2003 • The Gallery received a record number of gifts of works of art. • The value of gifts and purchases of works of art is nearly $4.8 million. • Heading the list of major international heritage acquisition are a large Renaissance

altarpiece by Passerotti, a twelfth century sculpture of a Jain saint, a sculpture by the French nineteenth century sculptor Carpeaux, a rare watercolour design and a valuable handknotted William Morris carpet, a collection of Japanese woodcuts and a significant collection of ancient Islamic ceramics. Major twentieth century and contemporary acquisitions include works by Stella Bowen, Horace Trenerry, Clarice Beckett, Jeffrey Smart, Tony Tuckson, Robert Hunter, Marcel Breuer, Donald Judd, Robert Rooney, Juan Davila, Patricia Piccinini, Fiona Hall and John Mowanjul.

• For the second year fifty-seven percent of the Gallery’s more than $13,808,000 in cash revenue, donated works of art and in-kind sponsorship was raised privately or through the Gallery’s commercial activities. This is a much higher proportion of self-funding than other art institutions.

• The Gallery has received acquisition bequest funds amounting to nearly $1.6

million, a record amount. • The Gallery’s large collection has been officially revalued and is now worth

approximately $540 million, $200 million more than the last official valuation five years ago; The Art Gallery of South Australia is the state’s single most valuable asset.

• Over 460,000 people visited the Gallery, the third highest Australian Gallery

visitation (after Melbourne and Sydney). • 60,000 people visited Gallery touring exhibitions. • There was a record number of visits to the Gallery’s website of over 1.2 million

and for the first time the Gallery introduced virtual tours of exhibitions. • The Gallery staged a well-balanced and successful program of nine exhibitions,

most of which were curated by the Gallery. They included Arid Arcadia: Art of the Flinders Ranges, Stella Bowen, Morris & Co., Art of Arnhem Land: 1940s–

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1970s, SEEING THE CENTRE: The art of Albert Namatjira, JOURNEY TO NOW: John Kaldor Art Projects & Collection and The Morgan Thomas Bequest Centenary Exhibition.

• In its third year, the post-graduate Art History Course, which the Gallery conducts

jointly with the University of Adelaide, achieved record enrolments. • The Gallery reviewed and updated its risk management policies. • The Gallery reviewed Occupational Health, Safety and Welfare policies, improved

Occupational Health, Safety and Welfare systems and upgraded facilities at the Unley Store to meet requirements.

• Plans were developed for a refurbishment and expansion of the Bookshop and the

creation of a fundraising lounge. • The Gallery completed a review of its Public Programs section and implemented

major changes. • Nearly 4,234 digital images were added to the Gallery’s collections database

making a total of 14, 685 representing almost half of the Gallery’s collect on. • The Gallery stock-checked the European and Australian painting collections and

European and Australian ceramic collections. • The international tour of the Gallery’s exhibition Love & Death: Art in the Age of

Queen Victoria was completed this year. • A new benefactors’ group was successfully launched for contemporary art called

the Contemporary Collectors. • The Gallery toured its Lionel Lindsay exhibition to Carrick Hill and to four South

Australian regional galleries. • The Gallery continued to build on its reputation as a major art publisher and

published two major books including its most elaborately illustrated book Morris & Co. with a broad international market.

• The Gallery’s publications Morris & Co. and The Encounter 1802 both won

national prizes for printing. • The Gallery won the Golden Service Award for excellent cleaning of a public

institution.

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• As an initiative of the State Government, solar panels were installed on the roof of

the Gallery to help reduce electricity consumption.

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ISSUES AND TRENDS

• The Gallery’s enhanced collection displays, exhibitions, publications and marketing

program have continued to result in increases in attendances and visitor enjoyment. • There has been a steady increase in international and interstate tourists visiting the

Gallery making it one of the State’s major tourist attractions. • There is growing support for the Gallery both within South Australia and interstate

resulting in the steady increase in gifts of money and works of art. • The Gallery now operates in an environment of intense competition in the ‘leisure and

entertainment industry’ and is having to compete with many more events to keep and develop its audience.

• The national and international trend of declining attendances to paid exhibitions

continues, mainly through significant changes in work and leisure patterns. • The costs of staging exhibitions, including insurance, has increased markedly over

the last five years. • The Gallery’s unique self-funded exhibition program faces difficulties absent in other

state capitals, including a smaller audience base, lower average income, a diminishing number of Adelaide-based corporations to provide sponsorship, no Government funding for exhibitions and fierce competition from other arts, entertainment and sporting organisations.

• Cultural institutions are becoming increasingly aware that they need to attract more diverse audiences.

• The community now has greater expectations of state-owned cultural resources such as the Gallery.

• There is some pressure from the community for the Gallery to remain open every day

of the week as well as to open later on weekends and one evening per week. • There is demand from other galleries for the Gallery’s travelling exhibitions. • There is an international demand to borrow the Gallery’s major works for important

overseas exhibitions. • Declining rates of return have effectively reduced the income from the Gallery’s

Foundation and other investment funds by more than 50% over the last decade or so.

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• Over the last five years the falling value of the Australian dollar has decreased

opportunities for acquiring major works overseas. • There is an ever-growing demand for popular and scholarly publications on the

Gallery’s collections and exhibitions. • The Gallery has a growing reputation as a prestigious art publisher both in Australia

and abroad. • There is burgeoning demand for the Gallery’s postcards, greeting cards and

reproductions of works in the Gallery's collection. • There is increasing demand to disseminate information about the collections through

lectures, seminars, special guided tours and the internet. • The Gallery increasingly relies on funds generated through its commercial activities,

sponsorship and fund-raising activities to support major aspects of its operation. • The Gallery continues to find it difficult to meet rising salary costs from the

government’s salary allocation and only meets its budget by saving by long delays in filling staff vacancies.

• The diminishing maintenance grant for the Gallery’s heritage buildings is inadequate

to maintain the Gallery at an acceptable standard. • There is increasing pressure to reduce the security and cleaning budget. • Increased emphasis is being placed on risk management and planning contingencies

in South Australian institutions. • There is increased emphasis on Occupational Health, Safety and Welfare issues and

greater time being expended on staff training in this area.

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MAJOR OBJECTIVES 2003–2004 • To continue to implement the three-year plan. • To continue to implement the Ten-Year Acquisition Strategy and to acquire the

highest quality works of art relevant to the Gallery’s permanent collection display. • To continue to plan an extensive, balanced and high quality exhibitions program for

the next three years and beyond. • To stage at least nine temporary exhibitions. • To tour the Australian Surrealism: The Agapitos/Wilson Collection and Clifford

Possum Tjapaltjarri Retrospective exhibitions. • To continue to research and document the Gallery’s collections. • To continue the Gallery’s role as a prestigious art publisher in Australia and produce

the following publications: John Glover and the Colonial Picturesque 20th Century Style: Furniture Clifford Possum Tjapaltjarri Retrospective Morris & Co. Design and Pattern Book Ivor Francis Autobiography 2004 Adelaide Biennial Reprint of Modern Australian Women: paintings and prints 1925–1945 Japanese Print booklet

• To continue the market research programs to assist in audience development. • To broaden and increase the Gallery’s audience through a wide range of Gallery

exhibitions and programs including: Family Days, Spring Lecture series, seminars, school holiday programs, Eye Spy Club tours and Tuesday lunch-time floor talks.

• To maintain corporate sponsorship for exhibitions and public programs. • To continue to develop a revenue stream from the Gallery’s commercial operations in

support of the Gallery’s exhibition and other programs. • To continue to implement and monitor the new occupational health and safety

policies and procedures. • To increase fundraising by constructing a donors’ lounge within the Gallery building.

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• To extend and refurbish the Bookshop. • To upgrade the electronic security system. • To upgrade the Gallery’s web site and further explore its marketing potential. • To continue to press for funds to complete the relighting program of the Elder and

Melrose Wings. • To continue the redisplay program of the European collection in the Melrose Wing

with the refurbishment and redisplay of gallery 13. • To continue the program for high-quality sculpture pedestals throughout the Gallery,

in particular for the sculptures by Rodin. • To continue to upgrade storage at the Unley Store and improve occupational health

and safety conditions throughout the Gallery. • To continue the retro-conversion of the collection databases and expand the image

bank on the collections database by 25%. • To stock-check the Gallery’s European and Australian decorative arts (other than

ceramics) collection. • To review the Gallery’s photographic services and image processing systems.

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RESOURCES AND ADMINISTRATION

LEGISLATIVE RESPONSIBILITY AND THE ART GALLERY BOARD

The role and function of the Art Gallery of South Australia is described in the Art Gallery Act, 1939. The Art Gallery Board is a body corporate and consists of nine members appointed by the Minister for the Arts.

Members of the Board as at 30 June 2003 were:

Mr Michael Abbott QC (Chairman), Mrs Candy Bennett, Mr Max Carter AO, Mrs Susan Cocks, Mr David McKee, Mr Richard Cohen, Ms Virginia Hickey, Mrs Sue Tweddell and Mr Adam Wynn.

FINANCIAL MANAGEMENT AND RESOURCES

Operating Revenues Sales $1,126,000 Fees for services and admissions $717,000 Interest $457,000 Bequests and Donations $2,798,000 Other revenue $1,080,000 Grant from State Government - operations $5,725,000 - capital Total Operating Revenues $14,346,000

ACCOUNT PAYMENT PERFORMANCE

Particulars Number of accounts

paid

% of Total accounts paid

Value in $A of accounts paid

% of Total accounts paid

Paid by due date 3,177 71% $3,302,865 75%Paid late & paid <30 days from due date 975 22% $861,143 20%Paid late & paid >30 days from due date 290 7% $208,125 5%Total 4,442 100% $4,372,133 100%

SPONSORSHIP, GRANTS, DONATIONS AND FOUNDATION DEVELOPMENT

All commercial sponsorship and development activities undertaken by the Art Gallery are divided into four areas of equal importance: commercial Sponsorship, Grants, Foundation Development and direct gifts of money for acquisitions.

Total sponsorship, grants and in-kind support received during 2002–2003 was $875,000. The Art Gallery of South Australia sought to enlist the support of many partners for its programs. Support secured during the 2002–2003 financial year included: CASH: (AS PER FINANCIAL STATEMENT)

Santos Bank SA Ord Minnett Thales Philip Bacon AGL SA Tourism Commission

$40,900 $75,000 $40,000 $50,000 $22,727 $50,000

$7,500

Total cash sponsorship 2002–2003 as at 30 June 2003: $270,855

IN-KIND:

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Hyatt Adelaide Channel 9 Radio 5AA Boral Scaffolding Solver The Advertiser Van Gastel Printing Integrated Vision Yalumba Wines Penny’s Hill Vineyards

Total in-kind sponsorship 2002–2003 as at 30 June 2003: $269,690

GRANTS:

Gordon Darling Foundation Health Promotion through the Arts Australia Council: 2004 Biennial

$34,727 $20,000 $80,000

Total grants 2002–2003 as at 30 June 2003: $134,727

DONATIONS FOR ACQUISITIONS

There was a total of $1,492,589 in direct gifts and bequests of money for acquisitions apart from money given to the Foundation.

SELF-INSURANCE/INDEMNIFICATION

The Gallery’s fund for self-insurance against minor claims below $20,000 was maintained at satisfactory levels.

ORGANISATIONAL STRUCTURE AND SENIOR GALLERY MANAGEMENT

The Art Gallery of South Australia, founded in 1881, is governed by the Art Gallery Board of South Australia. The Gallery comprises four distinct divisions: Collection Curators, Public Programs, Administration and Security Services.

STAFF

Belinda Powles resigned from the position of Bookshop Assistant in March 2003. Veronika Emamy resigned from the position of Library Assistant in February 2003. Elspeth Reid resigned from the position of Publications Officer in May 2003. Alisa Bunbury resigned from the position of Associate Curator of Prints, Drawings and Photographs in October 2002. Jane Messenger commenced in the position of Associate Curator of Prints, Drawings and Photographs in November 2002. Jon Grotto commenced in the position of Library Assistant/Publications Assistant in May 2003. Sue Smith commenced in the position of Collection Database Assistant in July 2002. Miranda Starke commenced in the position of Public Relations and Communications Manager in February 2003.

FRAUD

There have been no instances of fraud detected.

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OVERSEAS TRAVEL

No. of employees Destination Reasons for travel Total cost

1 - Ron Radford Auckland and Wellington, New Zealand

Speak at opening of Art Gallery of South Australia exhibition Love & Death, meet with Director, Auckland Art Gallery, and Director, Te Papa Tongarewa Museum of New Zealand, to discuss possible exhibition exchanges

$2,835

1 - Tracey Lock-Weir Los Angeles, Washington, New York, London, Paris and Rome

Gordon Darling Travel Grant $12,000 (no cost to AGSA)

3 - Jan Robison, Adam Free, Tracey Lock-Weir

Auckland New Zealand Courier Love & Death exhibition $9,615

1 – Sarah Thomas Auckland, New Zealand Courier Stanley Spencer works $1,893 (no cost to AGSA)

1 – Adam Free The Netherlands Courier of J.W. Waterhouse, Circe Invidiosa

$2,700 (no cost to AGSA)

DISABILITY ACTION PLAN The Art Gallery endeavors to support the plan in the following manner:

ENSURE ACCESSIBILITY TO SERVICES All patrons are encouraged to avail themselves of disability services including wheelchair access, wheelchair lifters, toilets for the disabled and disability reserved car parking

ENSURE INFORMATION ABOUT THE ART GALLERY IS INCLUSIVE OF THOSE WITH DISABILITIES Information was available to those with disabilities via the website, printed guides to the Art Gallery, telephone enquiry services

PROVIDE SERVICES WITH AWARENESS AND UNDERSTANDING OF ISSUES AFFECTING PEOPLE WITH DISABILITIES

The Art Gallery provided guided tours for persons with disabilities and also conducted public events that were accompanied by Auslan sign language interpretation for people with hearing disability.

OPPORTUNITIES FOR CONSULTATION The Art Gallery consulted with the Royal Society for the blind and service provision and also conducted a disability audit.

ENERGY EFFICIENCY ACTION PLAN The Art Gallery has put systems into place to monitor energy consumptions. Metering systems have been improved to isolate electricity consumption from the other North Terrace cultural institutions. Detailed and reliable energy consumption data will become available for the next financial year.

EQUAL EMPLOYMENT OPPORTUNITY The Art Gallery upholds Equal Employment Opportunity principles.

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AGE PROFILE OF STAFF

Age Group Number of employees % of all agency employees

% of Australian Workforce

% of Australian Population

Male Female Total

15-19 - - - 0.0 8.0 7.0

20-24 - 3 3 6.25 11.4 7.0

25-29 1 8 9 18.75 11.9 7.5

30-34 1 7 8 16.7 11.9 7.5

35-39 3 6 9 18.75 11.8 7.6

40-44 1 3 4 8.3 12.3 7.6

45-49 1 4 5 10.4 11.5 7.0

50-54 4 3 7 14.6 9.9 6.6

55-59 2 0 2 4.2 6.7 5.1

60-64 - - - 0.0 3.1 4.1

65+ - 1 1 2.08 1.6 12.5

WORKFORCE DIVERSITY

Total employees

Female employees

% of employees who are female

Number of employees

identifying as indigenous

Number of employees

with a permanent disability

Number of employees accessing

family related workplace

policies

Executives 1 0 0 0 1 0

Senior Managers

1 0 0 0 0 1

Middle Managers

7 4 57 0 1 2

First line supervisors

2 1 50 0 0 0

Others 36 31 86 0 0 7

TOTAL 47 36 76 0 2 10

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EXECUTIVE EMPLOYMENT, STAFF EMPLOYMENT AND OTHER HUMAN RESOURCES MATTERS

PUBLIC SECTOR MANAGEMENT ACT EMPLOYEES BY STREAM, LEVEL, APPOINTMENT TYPE AND GENDER as at June 2003

Ongoing Contract Short Term

Contract Long Term

Casual Total STREAM

M F

Tot

al M F

Tot

al M F

Tot

al M F

Tot

al M F

Tot

al

Administrative Services

ASO1 3 1 9 1 12 13 ASO2 8 8 8 ASO3 5 5 5 ASO4 2 2 2 ASO5 2 2 2 ASO6 1 1 1 ASO7 ASO8 1 1 1 MAS1 MAS2 MAS3 Total Administrative Services

4 17 9 30

Operational Services

OPS1 OPS2 5 5 5 OPS3 1 1 1 1 2 OPS4 OPS5 OPS6 OPS7 Total Operational Services

6 1 6 1 7

Professional Services

PSO1 2 2 2 PSO2 4 4 4 PSO3 2 2 2 2 4 PSO4 PSO5 Total Professional Services

2 8 10

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EXECUTIVE

Ongoing Contract

Short Term

Contract

Long Term

Total STREAM

M F Total M F Total M F Total M F Total

Executives

EL -2 1 1 1

The number of employees whose remuneration was over $100,000 fell within the following bands:

Number of Employees 2003 Number of Employees 2002

$160 000 – 169 999 0 1

$170 000 – 179 999 1 0

BUILDING RESOURCES

The Gallery continued with its program of minor building improvements and maintenance. The focus this year was on Occupational Health, Safety & Welfare issues. A crate store, loading bay, furniture store and additional textile racking were constructed at the Unley Store.

ART GALLERY CAFÉ

The operator of the Art Gallery Café Patika Pty Ltd continued to operate successfully and profitably. The Café continued to attract strong patronage and bookings for catered functions.

STAFF DEVELOPMENT AND TRAINING

The Gallery continued its programs of staff training in a range of areas including Database Management, Business Office Administration and Occupational Health and Safety Training. Considerable informal leadership and management development occurred via the mechanisms of delivering a highly challenging exhibition program and public programs specifically in the areas of:

• Working with community groups • Working with indigenous communities • Dealing with media • Dealing with national and other arts organizations

OCCUPATIONAL HEALTH AND SAFETY

The Art Gallery continues to address this issue through the Art Gallery’s Occupational Health and Safety Committee, chaired by Manager Physical Resources, Syd Bower. Syd Bower, together with Kaj Lindstrom, General Manager, were the Art Gallery’s representatives on the Arts SA OHS&W Central Consultation Committee (ACCC). The ACCC is the body set up to ensure that Arts SA divisions conform to the new system and audit requirements of WorkCover for self-insurers. The Gallery continues to review its OHS&W policies and procedures and work practices.

FACILITIES HIRE

The Gallery continued to be a popular hire venue for a wide range of functions. This year 240 functions were held in the Gallery including cocktail parties, formal dinners, wedding receptions, conferences, award presentations, product launches and concerts.

CLEANING CONTRACT

The contract for the provision of cleaning services to the Gallery continues to be provided by Tempo Services Ltd.

SECURITY

The contract for the provision of Security Services to the Gallery continues to be provided by Group 4 Securitas, a division of Tempo Services Ltd.

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ART GALLERY OF SOUTH AUSTRALIA FOUNDATION

This financial year the Art Gallery, through the Foundation has been endowed with many major donations of both financial gifts and works of art, combined they total $2.02 million. The Collectors’ Club for 2002 was again a great success for the Foundation, with the annual dinner being hosted on 16th August in Gallery one in the MJM Carter Gallery of the historic Elder Wing. Nineteen members joined at $5,000 each and with additional donations $106,000 was raised. Five important works of art were acquired for our collection through this initiative. At the Annual General Meeting of the Foundation on 15 October 2002, Mr Max Carter AO retired from the position of Chairman after three very successful years in the role. Justice John Mansfield was elected as Chairman for the Foundation for the ensuing year. Foundation Chairman, John Mansfield hosted a benefactor’s ‘thank you’ lunch on 5 December 2002. This small gathering (approx 20 guests) was held for the Foundation’s major benefactors during 2002 and to thank the former Chairman. On 15 February 2003 the Foundation hosted a fundraising lecture with international celebrity Sir Roy Strong attended by an audience of 550 people. Following the lecture a buffet dinner for 300 people was held at the Gallery. Twenty thousand dollars was raised and the event was also successful in bringing many non-members to the lecture, dinner and into the Gallery. In addition to the $20,000 raised, a further $12,000 was received with in-kind sponsorships. The Centenary of the Morgan Thomas Bequest was celebrated with a Foundation fundraising dinner and exhibition launch on 23 May 2003. This special black tie dinner was held in the exhibition space and was attended by sixty-two guests. Mrs Diana Ramsay AO generously sponsored this celebratory dinner. The event raised $20,000 for which funds will be put towards the purchase of the rare William Morris watercolour design for the wallpaper Wreath (in conjunction with the balance of the Morgan Thomas fund and the Mary Overton gift fund). In March 2003 the Foundation Executive Officer, Kerry deLorme was also appointed Executive Officer of the new fundraising initiative Contemporary Collectors.

At 30 June 2003, membership of the Foundation was as follows:

Membership/Fundraising income for the financial year 2002/2003:

Founders 11 General Subscriptions $53, 220 Governors 7 Donations $286, 633 Principals 10 The Mayne Contemporary Art Fund $25,000 Guardians 10 Executive Fund $140,000 Benefactors 30 The Collectors Club $93,000 Fellows 112 Investment Income $222,244 Members 494 Function Income $35,646 Collectors Club 2002 19 Tiffany Windows Fund $100,000 TOTAL CASH RECEIVED $955, 743 TOTAL MEMBERSHIP 693 In-Kind sponsorships $14,000 Gifts of Works of Art (waiting on values) $966,235 TOTAL RAISED $1,935,978

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FRIENDS OF THE ART GALLERY

In the year 2002-2003 the Friends held a successful membership drive in conjunction with the major exhibitions Arid Arcadia: Art of the Flinders Ranges, Burke & Wills: From Melbourne to Myth and SEEING THE CENTRE: The Art of Albert Namatjira resulting in 150 new memberships. The Friends presented a total of fifty-one functions and three interstate tours. Functions included curatorial talks, after-hours viewings, lectures, collaborative events with Friends of Carrick Hill and the Fleurieu Art Prize, visits to other museums and galleries and a new series of Conversations with leading artists, collectors, donors and administrators. Tours travelled to Melbourne for The Italians exhibition and to visit regional galleries on the Mornington Peninsula; to Sydney for the exhibitions Picasso:the last decades and Islamic Art and Patronage and to the Flinders Ranges in association with the exhibition Arid Arcadia: Art of the Flinders Ranges guided by curator Alisa Bunbury. At the end of the financial year the membership of the Friends comprised: Friends Memberships Corporate Memberships Life Benefactor and Supporting Donor Memberships Honorary members New Member Drive Memberships TOTAL MEMBERSHIP

1,682 4

179 100 293

2,258

CONTEMPORARY COLLECTORS

The Contemporary Collectors was successfully launched on 11 June as a new initiative for the Art Gallery to raise funds for the purchase of contemporary Art and foster appreciation of Contemporary art. This committee chaired by Richard Frolich and is a sub-committee under the Art Gallery Board (run independently of Foundation and Friends). Kerry DeLorme has been appointed as Executive officer for the first 12-month period. It has been very successful in obtaining new interest to the Gallery and many members. Membership at 30 June was 82. Total funds raised through membership was about $30,000.

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COLLECTIONS

COLLECTIONS DEVELOPMENT

It has been another very significant year for major acquisitions. The Gallery acquired 313 works, of which 237 were gifts, 74 were purchased and 2 were bequeathed. Of these 227 were European, Asian and Australian heritage works produced before 1960 and 86 were works produced after 1960. The total value of gifts and purchases this year was approximately $4,833,311 million.

ACQUISITIONS OF AUSTRALIAN ART

The Gallery’s Australian art collection was greatly strengthened this year. Significant colonial acquisitions included an engraving after John Eyre, an etching by Benjamin Duterrau, a photograph by J.W. Lindt and an early Bertram Mackennal bust. South Australian material included an 1849-55 sketchbook donated by Barbara and Douglas Mullins, and an album of photographs by E.G. Tims and others, donated by Michael Abbott. Major acquisitions from the twentieth century included paintings by Clarice Beckett, Stella Bowen, Jeffrey Smart, Horace Trenerry and Dusan Marek, two major drawings by Tony Tuckson, a drawing by Russell Drysdale, a woodcut by Thea Proctor, and two photographs by C.P. Mountford. Two sculptures by Marjorie Fletcher was acquired from the artist’s family. The decorative arts collection continued to be strengthened in the areas of jewellery, textiles, metalware, ceramics and particularly furniture and glass. The early South Australian Biedermeier style Barossa Valley Bench, c1850, a treasured long-term loan to the gallery, was gifted to the collection by Janet & Jack Grace. Late 1920s Angorichina furniture and contemporary furniture by South Australian born, Enlai Hooi, were also added to the collection. The Hon. Diana Laidlaw, MLC, gifted an important glass vessel, Aragunu, 2002, by Stephen Procter and Klaus Moje. Many major contemporary acquisitions were made, including paintings by Robert Rooney and Gordon Bennett, and significant three dimensional works by Fiona Hall, Sally Smart and Mike Parr, a suite of six screenprints by Juan Davila, photographs by Patricia Piccinini, Rosemary Laing, Anne Zahalka, Julie Rrap and Samantha Small, and prints by Torres Strait Islander artists Victor Motlop and Dennis Nona. Other Aboriginal works were acquired from the Santos Fund for Aboriginal Art including an important bark painting by John Mawurndjul.

ACQUISITIONS OF EUROPEAN ART

The most outstanding acquisition in European art this year was made possible by funds provided from the generous bequest of the late Mary Overton. The bequest enabled the Gallery to purchase Bartolomeo Passerotti’s late Renaissance altarpiece, The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist, c.1580. The Gallery’s collection of Flemish painting has acquired greater depth with the gift by Miss Dorothy Spry of Village kermis, c. 1660, a large, festive canvas by Gillis van Tilborgh. A fine neo-classical bust, Portrait of a woman, c.1840s, by John Gibson and an important sculpture by Jean-Baptiste Carpeaux (a gift of William Bowmore), have enhanced the nineteenth century sculpture collection. Contemporary acquisitions include two etchings by Russian artist Maxim Kantor. The Gallery’s displays were enhanced by the major long-term loan a copy of the Nuremberg Chronicle from Carolyn Corkindale. The most remarkable acquisitions of Eureopean decorative arts this year are the significant Morris & Co. additions. These include a superb Hammersmith Carpet, c.1884, a rare pair of Rose & lily curtains (designed 1893) and an original design by William Morris for the wallpaper Wreath c.1876. Several notable items of furniture were acquired, including a 1936 Long chair by the Bauhaus designer and architect, Marcel Breuer, and two Chairs (2003, designed 1983) by American artist Donald Judd.

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ACQUISITIONS OF ASIAN ART

The Asian collection has greatly expanded with many major gifts. These include a pair of sculptures Lion Conquering an Elephant, dated to the ninth century; a very significant and rare twelfth century sculpture of the Jain saint, Abhinandanatha, the fourth Tirthankara – a gift of Michael and Mary Abbott who have also generously added to the Gallery’s growing collection of south-east Asian textiles. Also received was an important gift of forty-three major Japanese prints. A very significant gift of forty-five ancient Islamic ceramic objects from William Bowmore now forms the fine nucleus of Australia’s first museum collection of Islamic art.

COLLECTION MAINTENANCE & CONSERVATION

Four European paintings, two European sculptures, 108 Australian paintings, 17 Australian sculptures, 59 decorative arts items and 218 works on paper were treated by Artlab this financial year. A full list appears in Appendix D.

RE-FRAMING AND PEDESTALS PROGRAM

The Gallery continued an active program of reframing and pedestal construction and improvement. Thirty-nine Australian paintings were reframed: seven pedestals for sculptures, thirty-two platforms and several other pieces of construction undertaken for exhibitions.

COLLECTIONS MANAGEMENT

The Collections Database Project received a significant boost with the appointments of Sue Smith, the new Collections Database Assistant and David Zeelen, Records and Data Management Coordinator. Some of the project’s highlights this year included: • re-design of the data editing process. • addition of 4,287 digital images to the database (total of 14,287). • replacement of the Gallery’s EMu database server. • intranet access to the collection’s database for all Gallery staff. • location details updated for art objects on the EMu database, at Unley store, the Crypt and the

Decorative Arts store. • generation of appropriate reports from the EMu database in support of the valuation process, stock-

checks and a variety of other administrative tasks. • purchase of a new scanner, printer and special purpose mobile photographic unit. The annual high value items, the Painting collection and the Australian and European Ceramic collection stock-checks were completed. The construction of a new crates store at Unley was commenced in order to address storage, access and Occupational Health, Safety and Welfare issues.

ACCESS TO COLLECTIONS & RESOURCES

For conservation reasons the Gallery’s collection of prints, drawings, watercolours and photographs are stored in darkness mostly in boxes in the works on paper store and individual works are available for inspection by appointment. There was a total of 165 visitors by appointment to the Print Viewing Room, including school students, tertiary students and individual scholars undertaking research. These were supervised by the Assistant Curator of Prints, Drawings and Photographs or by the Education Officer. Access to other areas of the collection was provided by the Registration Section and relevant curators.

OFFSITE STORE

Over the year a total of 3,100 works were moved to and from the offsite store, being required for changes to the permanent display and for curatorial research, conservation, reframing, outward loans, photography and public access.

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REPRODUCTION AND PHOTOGRAPHY

Rights & Reproductions received a total of 150 requests: 106 formal requests from publishers to reproduce 192 images from the Gallery’s collection; twenty-six formal requests from Gallery visitors purchasing forty-one photographic prints of works in the collection; and eighteen requests for 120 slides were purchased for research and educational purposes. New acquisitions and other works were photographed for the Gallery Newsletter, exhibition catalogues, Foundation Annual Report, lectures and for overseas valuations. Images were provided to Australian and international magazines and newspapers for the promotion of the Gallery’s collections and exhibition program. Many images were supplied free of charge for curatorial, educational and promotional purposes as another means of providing access to the Gallery’s collection. Rights and Reproductions received numerous complimentary copies of these publications which were added to the Gallery Library collection.

RESEARCH LIBRARY

Twenty-four bays of recycled shelving were added to the Library to accommodate the growing book and catalogue collection, which this year was enhanced by the archives of the Llewellyn Galleries donated by Richard and Becky Llewellyn, and the generous bequest of items from the personal library of Shirley Cameron Wilson. The number of catalogued volumes stands at over 26,000.

Healthy loan statistics and increased reference enquiries, especially from Art History students researching for their Masters theses, indicate a steady rise in usage of library resources. This year the Librarian undertook the second 5-year valuation of the library stock and conducted a stocktake. The Library collection is now valued at $1,482,000. Library Assistant Veronika Emamy resigned in February after 12 years’ service, and is replaced by Jon Grotto. The Library continues to benefit from the contribution of its team of volunteers, one of whom – Judy Gall – was named the Gallery’s Volunteer of the Year.

GRADUATE STUDIES IN ART HISTORY

The collaborative program of Graduate Studies in Art History between the Gallery and Adelaide University is now in its third year. The program is based in the Department of History in the Faculty of Humanities and Social Sciences and offers students Professional Certificate, Graduate Certificate, Graduate Diploma and Master of Arts qualifications. Dr Catherine Speck is the full-time co-ordinating lecturer. In accordance with the agreement between the two institutions, a third of the teaching of the following courses was conducted by the Gallery’s curatorial staff and Director with the Gallery’s collection: Enrolments: 2002 Studies in Japanese Art 13 Studies in Contemporary Art 14 2003 Studies in Australian Art 28 Studies in European Art 23 Studies in Japanese Art 18 Studies in Contemporary Art 29 Curators have supervised eight students who have undertaken curatorial placements: seven students are currently enrolled in the Masters program.

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PUBLIC PROGRAMS

This year the Art Gallery presented a program of nine exhibitions, six of which were curated by the Gallery. All exhibitions were supported by activities and programs which enhanced both the visitor experience and attendances. Two Gallery exhibitions toured South Australia and interstate: Love & Death: Art in the Age of Queen Victoria toured after Sydney to Queensland Art Gallery and Auckland City Art Gallery; The Art of Lionel Lindsay was developed for regional touring after Carrick Hill, showing at Millicent Art Gallery, Riddoch Art Gallery, Port Pirie Regional Art Gallery and the Walter Nichols Gallery in Port Lincoln. Appendix I contains a full list of exhibitions and Public Programs activities.

PUBLICATIONS & INTERPRETATION

The Gallery continued its publishing program this year producing two major books and a variety of smaller booklets and brochures. Arid Arcadia: Art of the Flinders Ranges was produced to accompany the exhibition. The most elaborate book that the Gallery has yet produced this year was undoubtedly Morris & Co. Showcasing the works of art this lavish edition has been eagerly sought after by our international distributor and is now being sold worldwide. More modest publications were produced for the exhibitions Art of Arnhem Land, JOURNEY TO NOW: John Kaldor Art Projects & Collection and for the Lionel Lindsay exhibition tour. Details of all publications are listed in Appendix L. The Gallery again was rewarded for its efforts, receiving two National Print Awards for Morris & Co. and The Encounter 1802. Van Gastel Printing continued its generous sponsorship of the Gallery’s newsletter ensuring that the magazine format was retained. The Gallery joined the Australian Publishers Association which offers support and many networking opportunities for publishers. The Gallery continued its distribution arrangements with Thames & Hudson in Australia and Woodstocker Books in the United States (who have been bought out by the international distributor Weatherhill).

THE BOOKSHOP

The 2002-2003 financial year provided a number of successes for the Bookshop. The Exhibitions - Stella Bowen Art Love and War, Morris & Co., SEEING THE CENTRE: the art of Albert Namatjira - all produced good sales, enabling the Bookshop to meet its target for this financial year. A special shop was established for the Morris & Co. exhibition with many products sourced overseas as well as in Australia. The Bookshop’s Annual May Sale was again very successful with the first day achieving another record in sales.

ART GALLERY WEBSITE

The Gallery’s website provides information about the Gallery’s collections, exhibitions and programs, education services and membership. It promotes the Gallery’s bookshop, publications, conference and café facilities. Outstanding high quality virtual tours of recent Gallery exhibitions and on-line education kits are a new feature of the site this year. Use of the site has increased this year with recorded ‘hits’ numbering 1,201,990.

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EDUCATION SERVICES

The Education Officer, John Neylon was reappointed for a three year DECS secondment contract term of three years from January 2003. The Education Officer presented a diverse range of schools services with administrative support provided by Megan Henschke and Yvonne Collison (to January 2003) and Karina Morgan (appointed Schools Support Officer from January 2003). Demand for school support services came from all levels (preschool to senior secondary) and across a wide range of learning areas, particularly Visual Arts and Society and Environment. Over 3,800 students participated in booked–out Gallery based Come Out 03 projects.

TEACHING & GUIDING The Education Officer presented an extended menu of structured learning sessions for booked school groups ranging from ‘Meet the Gallery’ sessions to syllabus-specific floor lectures and tutorials related to all areas of the Gallery’s collection and seven temporary exhibitions. The significant contribution of volunteer Education Guides ensured that groups with priority needs, particularly primary groups without access to in-school art educators and country schools, had ready access to guided tours.

TEACHER PROFESSIONAL DEVELOPMENT Teacher Briefings were presented for; Stella Bowen: Art, Love and War, Arid Arcadia: Art of the Flinders Ranges, Art of Arnhem Land, Aboriginal Bark paintings from the 1940s to the 1970s, SEEING THE CENTRE:The Art of Albert Namatjira and JOURNEY TO NOW John Kaldor Art Projects and Collection. A total of 510 teachers participated in these Briefings. This program was supplemented by after-hours (Sundown Sessions) professional development for staff groups and an advisory service for individual teachers.

CURRICULUM RESOURCES Education kits were produced for six temporary exhibitions. These hard copy kits were also delivered on-line through the Art Gallery website. The first in a series of holiday and weekend activity sheets, Look and Learn adventures for family groups was launched in January. Several Topic Trails were developed in response to schools’ demand with the Outback Trail and the Water Trail proving very popular.

VISITOR INFORMATION DESK The sixty-one Information Desk volunteers continued to provide a valuable service to visitors and a reception service for the Gallery. Four new volunteers received individual training to ensure the continuing high standard of customer service. Information Desk volunteers were regularly provided with updated information. There were 22,526 enquiries at the Visitor Information Desk.

TICKET SELLERS The fifty-one Ticket Seller volunteers continued to provide a high level of service to Gallery visitors attending exhibitions. Eighteen new volunteers received individual training to maintain the provision of ticket sellers.

GALLERY GUIDES In 2002-2003, the volunteer Gallery Guides conducted 1108 tours for 11,018 patrons. General tours of the Gallery were offered twice daily. Exhibition tours for MORRIS & Co and SEEING THE CENTRE: The art of Albert Namatjira were offered 4 times per week and proved very popular. The Guides also led 17 casual tours (71 patrons) and 35 specially booked groups (594 patrons). The Guides continued to conduct introductory tours for new members of the Friends and participated in Family Day. The popularity of Eye Spy Club continued with demand for the second tour per month exceeding expectations. The Guides provided additional services in supporting a variety of after-hours functions whilst additionally facilitating a high quality training program consisting of curatorial talks, presentations by guest speakers, gallery visits, workshops and attendance at the national AAGGO conference. At the end of June 2003 there were fifty-five active Gallery Guides.

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APPENDIX A

CHARTER AND GOALS OF THE ART GALLERY OF SOUTH AUSTRALIA

To enable the South Australian and the wider community to experience directly high-quality works of visual art; to ensure that the experience is enlivening and enriching; and to demonstrate that a significant expression of South Australian life can be experienced in South Australian works of art.

GOALS COLLECTION The Gallery should identify and hold historically important works of art of aesthetic excellence and of regional significance in accordance with the Gallery's collections policies. Works on loan to the Gallery's collections should also be subject to those policies. PRESERVATION The Gallery should ensure the preservation and conservation of its collections by maintaining them in standard environmentally controlled conditions, by handling them safely and by ensuring their security at all times. The Gallery should stabilise or restore deteriorating or damaged works in its collections. Works temporarily in the Gallery's custody should receive the same environmental safeguards, safe handling and security as works in the Gallery's collections. DOCUMENTATION The Gallery should fully document its collections with a central catalogue system that includes complete visual as well as written records. Undocumented works temporarily in the Gallery's custody should also receive written and visual documentation. RESEARCH The Gallery should research and evaluate its collections (and related material) so that the collections' display, interpretation and promotion are carried out with integrity. The Gallery should make its collections and associated documentation accessible to others for the purposes of research.

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DISPLAY The Gallery should display its collections and program its temporary exhibitions in ways which enhance appreciation of the collections; displays should provide pleasure and education by being visually pleasing as well as appropriate for the particular public for whom they are intended; displays should be devised for the special interests of the specialist visual arts community as well as for the general public. Temporary exhibitions should be programmed to provide displays of works of art belonging to categories poorly represented in South Australia's collections. The Gallery should provide accurate and intelligible labels for works on display. Within normal security and conservation constraints, and provided there is clear public benefit, the Gallery should make works from its collections available for display elsewhere. INTERPRETATION The Gallery should provide easily accessible interpretative information about the collection displays and the temporary exhibitions in the form of signs and wall texts as well as public programs of publications, films, lectures, seminars and the services of Education Officers, Gallery Guides and other communicators. Interpretative services should be provided at various levels relevant to the Gallery’s various publics, from the specialist visual arts community to the least informed general public. PROMOTION The Gallery should promote its collections and temporary exhibitions, should promote in the community an awareness of art museum functions and of what can be gained from works of art, and should evaluate and act on the public's needs and responses to the Gallery's activities. ADVICE The Gallery should responsibly exercise its legislative function of advising the South Australian Government on the allocation of South Australian resources to works of art, art collections, art museums and art associations. REVIEW The Gallery should frequently evaluate and review its goals and tasks and the effectiveness of their implementation.

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Appendix B1

ART GALLERY BOARD There were eight ordinary meetings of the board during the year, attended as indicated.

Mr Michael Abbott QC (Chairman) 8/8Mr Max Carter AO, BSc 8/8Mrs Susan Cocks 8/8Mr David McKee 6/8Mrs Candy Bennett, BA, DipEd 6/8Mr Richard Cohen 6/8Ms Virginia Hickey, LLB, BA, FAICD 6/8Mrs Sue Tweddell 7/8Mr Adam Wynn, BAgSc, DipOen 6/8

APPENDIX B2

ART GALLERY OF SOUTH AUSTRALIA FOUNDATION COUNCIL 2002–2003: Chairman: Deputy Chairs: Representing Founders: Representing Governors: Representing Principals: Representing Guardians: Representing Benefactors: Representing Fellows: Representing Ordinary Members: Appointed Members: Ex Officio:

Hon. Justice John R Mansfield Charles Bagot, Deborah Hamilton, Julie Mitchell (also representing Governors) Diana Ramsay AO, Max Carter AO Mary Abbott, Lesley Lynn Christina Litt Hiroko Gwinnett Colin Taylor (representing Bank SA), Rob Patterson Kathy Booth John Kiosoglous MBE, KSA Loene Furler, Richard Hayward, Richard Walsh Michael Abbott QC, Chairman, Art Gallery Board, Kerry DeLorme, Executive Officer, Ron Radford AM, Director

FRIENDS OF THE ART GALLERY OF SOUTH AUSTRALIA COMMITTEE 2002–2003: Kay Scanlon (Chair), Kathy Crockett (Treasurer), Catherine Buddle (from November 2002) George Fenwick (to December 2002), Conxita Ferrer, Phillip Graham, Peter Jackson, Dr Gerald Laurence, Joan Lea, Patrick Mangan, Michelle White (to November 2002)

Director

General Manager

Assistant to General Manager Registry Clerk

Registrar - Exhibitions

Registration Assistant

Physical Resources Manager

Senior Registration

Officer

Installation Team

Security Services

Workshop - Carpenter

Painter

Librarian

Library Assistant

Library Technician

Assistant to Director

Curator of Australian Art Curator of Asian Art

Curator of European Paintings & Sculpture Curator of European & Australian Decorative Arts

Curator Prints, Drawings & Photographs Associate Curator Australian Paintings & Sculptures Associate Curator Prints, Drawings & Photographs

Marketing & Public Relations

Manager

Exhibitions & Public Programs

Manager Publications Manager

Curators’ Secretary

Exhibitions Officer

Public Programs Assistant

Programs Officer -Friends

Visitor Services

Coordinator

Education Officer

Information Services

Coordinator

Bookshop Manager

Exhibition Shop Staff

Bookshop Staff

Commercial Assistant

Rights & Reproductions

Officer

Foundation Executive Officer

AR

T GA

LLERY

OF SO

UTH

AU

STRA

LIA

OR

GA

NISA

TIO

NA

L C

HA

RT

Friends Assistant

Registrar – Collections Management

Records & Data

Management Coordinator

Photographer/ Installation

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APPENDIX B4 ART GALLERY STAFF

SENIOR MANAGEMENT Ron Radford AM, DipFA, Director Kaj Lindstrom, BA (Hons), GradDipLIS, General Manager COLLECTION CURATORS Alisa Bunbury, (BA (Hons), Postgrad. Diploma Art Curatorial Studies, MA), Associate Curator of Prints, Drawings & Photographs (resigned September 2003) Adam Free, BA, MA (Courtauld), GradDipHistArt, Curator of European Paintings and Sculptures Tracey Lock-Weir, BA (Visual art), Grad. Dip. Ed, Associate Curator of Australian Paintings and Sculpture Jane Messenger, BA (Hons), MA (ArtCurStud), Assistant Curator of Prints, Drawings & Photographs (commenced November 2002) Robert Reason, BA, Postgrad DipArtCurStud, MA (Hons), Associate Curator of European and Australian Decorative Arts Julie Robinson, BA, MA prelim., GradDipMusStud, Curator of Prints, Drawings & Photographs Sarah Thomas, B.A., (Hons), GradDipMusStud. Curator of Australian Art Cherie Prosser, B.Sc, GDHN, AdvDip VisArt, Postgraduate DipArtHistory (ongoing), Project Officer, Adelaide Biennial (casual, commenced December 2002) PUBLIC PROGRAMS/EDUCATION/FRIENDS David O’Connor, DipT (Fine Arts), BEd (Fine Art), GradDipArtsAdmin, Exhibitions & Public Program Manager Miranda Starke, BA Hons (French), Grad. Dip Art History, Manager, Public Relations and Communications Joanna Parkes, BA, GradDipLib, GradDip. Communication Mgt., Programs Officer – Friends Cate Parkinson, Information Services Officer Megan Henschke, Exhibition and Public Programs Officer Wendy Hudson, Volunteer Desk Coordinator Karina Morgan, Education Support Officer (from February 2003) (part-time) Yvonne Anderson, Bookings and Membership Officer (from February 2003) Miranda Comyns, Friends Assistant (temporary)(to March 2003) John Neylon, BEd, Dip Art, Education Officer (seconded from the Department for Education & Children’s Services)

Vicki Petrusevics, BA (Visual Arts), Grad Dip Management Art, Exhibitions Officer until February 2003 Clare Tizard, DipT, BEd, GradDipArtsAdmin, Friends Administrator (on leave), until February 2003 PUBLICATIONS Antonietta Itropico, BA, Publications Manager Georgia Hale, BA (Des Ceramics), AssDipGraphicDes, Rights & Reproductions Officer PUBLIC RELATIONS Miranda Starke, BA (Hons) (French), GradDip (Art History, Public Relations and Communications Manager (commenced 4 February) REGISTRATION AND ART SERVICES Jan Robison, BA (Hons), GradDipEd MSc, Registrar Exhibitions Ivana Kotasek, BA LibStud, Registrar Collections David Zeelen, BIT, Records and Data Management Coordinator Sue Smith, Collection Database Assistant Saul Steed, Registration Officer: Digital Documentation John O'Rielley, Senior Registration Officer James Davenport, Registration Officer John Webster, Registration Officer Noel White, Registration Officer WORKSHOP Geoffrey Hodder, Painter and Decorator Nick Didenko, Carpenter LIBRARY Jin Whittington, BMus (Hons), GradDipLibStud, Librarian Ju Phan, AssocDipLibTech, Library Technician (part-time) ADMINISTRATIVE SERVICES Lindsay Brookes, Assistant to Director Margaret Bicknell, Assistant to General Manager Heather Brooks, Curators’ Secretary (part-time) Lynn Bryant, Registry Clerk Miranda Comyns, Curators’ Secretary (part-time) Veronika Emamy, Library Assistant (resigned 17 February 2003) Anne Wright, Registration Assistant BOOKSHOP Letitia Ashworth, Bookshop Manager Suzanne Mitchell, Bookshop Supervisor Anika Williams, Bookshop Assistant Megan Case, Bookshop Assistant (casual) Anna Burdin, Bookshop Assistant (casual) Lorinda Curnow, Bookshop Assistant (casual) Rosanne Tobin, Bookshop Assistant (casual) Alicia Kaye, Bookshop Assistant (casual)

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Sally Deluca, Bookshop Assistant (casual) Nathan Farrant, Bookshop Assistant (casual) Jaslyn Menz, Bookshop Assistant (casual) Sarah Bailes, Bookshop Asisstant (casual) Heidi Chamberlain, Bookshop Assistant (casual) ART GALLERY FOUNDATION Kerry deLorme, Executive Officer PHYSICAL RESOURCES Syd Bower, Physical Resources Manager

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VOLUNTEERS Of the 204 Gallery volunteers, many generously continued to contribute to the Gallery in more than one capacity. Twenty-four volunteers attended Volunteers Day 2003 Celebration at Adelaide Festival Centre, hosted by Mike Rann, Premier of South Australia and Minister for Volunteers. The Gallery’s Volunteer of the Year was awarded to Judy Gall. A group of retired Gallery Guides continue to enjoy an active association with the Gallery, meeting monthly for talks.

GALLERY GUIDES

Executive Committee Jenni Scrymgour Coordinator Laurel Laurence Vice Coordinator John Brooking Secretary Elizabeth Cant Treasurer Jennifer Harris Program Coordinator Mary Rivett Newsletter Coordinator Beverly Jager Trainee Educator Judith Lloyd Trainee Educator Joan Allister Booking Officer & Assistant Betty McIwham Eye Spy Coordinator Christine Wigg GETSMART Coordinator Laurel Laurence GETSMART Coordinator Joan Lea AGSA Friends Representative John Murrie AAGGO Representative Michael Shepherd Filing Officer Laurel Laurence Archivist Gordon Goulding Coffee Monitor

GALLERY GUIDES

Robyn Aitchison, Hasmik Balayance, Ann Bensted, Sarah Black, Ann Blandford, Christine Bowman, John Brooking, Angela Burford, Elizabeth Cant, Max Carter, Annette Chalmers, Delwyn Clark, Rosemary Collins, Robyn Cowan, Kathleen Crockett, Anne Davidson, Gillian Davis, Perdita Eldridge, Estelle Farewell, Carmel Floreani (retired January 2003), Lorraine Franzin, Jessica Gosnell, Gordon Goulding, Ann Guster, Judith Hale, Rita Hall, Jennifer Harris, Eric Hillwood, Della Hodgett, John Hown, Beverly Jager, Jenny Jarvis, Jenifer Klenner, Philip LaForgia, Laurel Laurence, Joan Lea, Helga Linnert, Judith Lloyd, Betty McIllwham, Jan McKinlay Moss, Violetta Mount, John Murrie, Christopher Nance, Barbara Prowse, Marion Queale, Mary Rivett, Jenni Scrymgour, Michael Shepherd, Eileen Taylor, Janet Taylor, Terry Teusner, Di Townsend (retired February 2003), Lorraine Trotter Jones, Margo Vaughan, Merry Wickes, Christine Wigg, Gwen Wilkinson TRAINEE GUIDES – GRADUATED DECEMBER 2002 Sarah Black, Annette Chalmers, Rosemary Collins, Kathy Crockett, Gillian Davis, Ann Guster, Rita Hall, Vi Mount, Christopher Nance, Marion Queale, Eileen Taylor, Terry Teusner.

GALLERY GUIDES ASSISTANT Joan Allister

CURATORIAL Max Carter, Tansy Curtin, Barbara Fargher, Cate Filsell, Cherie Prosser, Julia Warren, Jane Wright-Gryst Kellyanne Capuano, Terry Teusnet, Annette Chalmers

EDUCATION GUIDES

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Catherine Bagot, Kim Beaman, Perdita Eldridge, Joy Harvey, James Hay, Lesley Jorgensen, Sue Kent, Kirsty Kurlinkus, Paula Lebedew, Jim Loudon, Jane Newland, Ann Noble, Ann Preston-Flint, Barbara Tanner, Trish Roche, Merry Wickes.

EDUCATION SERVICES VOLUNTEERS Jennifer Cook (research, Morris & Co. Education Pack), Lindy Neilsen (research, JOURNEY TO NOW John Kaldor Art Projects and Collection Education Pack), Tansy Curtin (JOURNEY TO NOW John Kaldor Art Projects and Collection Education Pack), Jane Crosby, Margaret Strathearne

FOUNDATION Mel Ashdown

FRIENDS Catherine Buddle, Kathy Crockett, George Fenwick, Conxita Ferrer, Phillip Graham, Dr Gerald Laurence, Joan Lea, Patrick Mangan, Kay Scanlon, Michelle White.

INFORMATION DESK Val Allen, Bev Anderson, Margaret Bevan, Patricia Church, Adrienne Clarkson, Vicki Clonan, Joan Conley, William Cronin, Kathy Crosby, Lynn Crosby, Betty Cross, Alan Cross, Barbara Day, Bice Della Putta, Perdita Eldridge, Conxita Ferrer, Stella Fielding, Jarmila Flaherty, Genevieve Forster, Harvey Foster, Ann Fuss, Kay Gill, David Giraud, David Gosnell, Diane Hall, Beverley Harding, Mollie Hartley, James Hay, Betty Hoar, Mary Hogan, Dianne Hunt, Geraldine Jennings, Joan Key, Caroline Laurence, Marion Ligertwood, Jim Loudon, Patricia McGaffin, Vivienne McMahon, Barbara Mellor, Peggy Molloy, Sarah Moulds, Violetta Mount, Christine O'Connor, Janet Parlett, Gill Pitchon, Bert Prowse, Marion Queale, Neta Reubenicht, Diana Roberts, Margaret Shaw, Iris Skujins, Anita Smith, Martina Taeker, Angela Tizard, Glynis Varvounis, Mimma Vettori, Benita Wheeler, Lorraine White, Bill Whitson, Anne Wilson, Pauline Wood.

LIBRARY Betty Cartmel, Val Essery, Judy Gall, Pat Howard, Lesley Lynn, Annette Masters, Peggy Molloy, Joan Newman, Zaiga Sudrabs

PUBLIC PROGRAMS Margaret Strathearn, William Cronin

REGISTRATION Lexie Badge, William Cronin, Conxita Ferrer, Peter King, Jane Wright-Gryst

RIGHTS AND REPRODUCTION Anthony Corso, Nathan Farrant, David Gill

TICKET SELLERS Rowena Allert, Anna Austin, Douglas Baker, Juliet Barnett, Patsy Brebner, Francis Brett, Suzanne Butterworth, Heidi Chamberlain, Coralie Cox, Kathy Crockett, William Cronin, Josephine Csaky, Elaine Davey, Dianne Davie, Pat Davies, Romana Dolinsky, Nicole Dowling, Louise Easton Bell, Conxita Ferrer, Vicki Foote, Lew Guy, Neil Haley, Beverley Harding, Mollie Hartley, Maureen Heaver, Enid Hills, Michelle Ianni, Geraldine Jennings, Aileen Kearns, Brenda Keen, Peter King, Phillip Koch, Margaret Lord, Ruth Lucke, Lynette Mackay, Naomi Matson, Margaret Neville, Christine O'Connor, Barbara Phillip, Bert Prowse, Erin Quinn, Annalise Rees, Michael Reid, Ruth Retallack, Sandra Richardson, Ulita Sersts, Marcella Urbasius, Marg Venning, Maxie Walker, Anne Wilson, Sharon Wilson

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APPENDIX C

STAFF PUBLIC COMMITMENTS RON RADFORD Ten lectures for the Art History Course Two public lectures Four lunchtime talks on the collection One talk to Gallery Guides Six radio interviews Two television interviews Opened three exhibitions Judged the Centenary of Women’s Suffrage sculpture award, Canberra COMMITTEES: Affiliate Professor, University of Adelaide Deputy Chair, National Portrait Gallery Board, Canberra Trustee, Gordon Darling Foundation Member, National Collections Advisory Forum Member, Memorial Sculpture Selection Committee, Centenary of Women’s Suffrage, Canberra Chair, Public Art Review Panel, North Terrace Redevelopment Project Campus Design Panel, University of Adelaide Council of Australian Art Museum Directors Department for the Arts and Cultural Development Senior Management Group PUBLICATIONS: Three catalogue forewords: Arid Arcadia: Art of the Flinders Ranges Morris & Co. Journey to Now: John Kaldor Art Projects and Collection OVERSEAS VISITS: Auckland and Wellington, New Zealand. Speak at opening of Art Gallery of South Australia exhibition Love & Death, meet with Director, Auckland Art Gallery, and Director, Te Papa Tongarewa Museum of New Zealand, to discuss possible exhibition exchanges

KAJ LINDSTROM One talk to Gallery Guides COMMITTEE: Graduate Studies in Art History Joint Committee

JULIE ROBINSON Five lectures/workshops for Graduate Studies in Art History One ‘Spring Lecture’ Two lunchtime talks Two newspaper interviews One interview for television documentary Supervisor, Masters student, Graduate Studies in Art History COMMITTEES:

Assessment Panel, Adelaide Central School of Art, Bachelor of Visual Arts Artists’ Week 2004 Advisory Group PUBLICATIONS: ‘Mike Parr: Aether/Awe’, Imprint, vol. 38, no. 1, Autumn 2003, pp. 1-2

SARAH THOMAS Four lunchtime talks One talk to Gallery Friends Two talks to Gallery Guides Seven newspaper interviews Two television interviews Three radio interviews Five floor talks Six lectures / workshops, Art History Course COMMITTEES: Contemporary Collectors Committee Adelaide City Council Public Art Committee Art for Public Places, Arts SA University of South Australia Art Museum Advisory Committee Leadership and International Assessment Panel, Arts SA North Terrace Redevelopment Public Art Review Panel South Australian School of Art Advisory Committee Research Centre for Gender Studies Advisory Committee, University of South Australia Art Association of Australia (SA) PUBLICATIONS: ‘Translations from Building to Drawing: Jonathan Dady’s Construction Drawings 02:2003’, Broadsheet, 32/2, 2003 OVERSEAS VISITS: Courier Stanley Spencer works to New Zealand

ADAM FREE Six lunchtime talks One lecture and two exhibition floor talks for Journey to Now One lecture for Spring Lecture series Two lectures and three seminars for Graduate Studies in Art History Three radio interviews One TV interview Three talks to Gallery guides One talk for the Friends Three floor talks Attended Ozeculture On-line 2002 conference, Sydney COMMITTEES:

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Board of the Centre for British Studies, Adelaide University Joint Committee of Management, Graduate Studies in Art History (AGSA & Department of History, Adelaide University) Contemporary Collectors Committee, Art Gallery of South Australia PUBLICATIONS: Journey to Now: John Kaldor art projects & collection, AGSA, 2003 OVERSEAS VISITS: Courier Love & Death exhibition to New Zealand Courier Circe Invidiosa to the Netherlands

ROBERT REASON Five lectures for Graduate Studies in Art History Assisted with one lecture for the Graduate Studies in Art History Six lunchtime talks Two talks to the Gallery Guides Six floor talks Three radio interviews Two television interviews Presented paper at the Morris & Co. symposium Presented paper at the Campbelltown Bicentennial Art Gallery, NSW: The Australian New Zealand Context: Ceramics exhibition & symposium PUBLICATIONS: ‘Anne Dangar’, biographical entry in Australian Art in the National Gallery of Australia, NGA 2002. ‘Ceramics in the Australian & New Zealand Context’, Ceramics: Art and Perception, no. 52, 2003, pp.49-56

TRACEY LOCK-WEIR Six lunchtime talks Six lectures/workshops for Graduate Studies in Art History Two slide talks to Gallery Guides Three radio interviews Six television interviews Two newspaper interviews Opened one exhibition One talk for the Friends of the Art Gallery Two public talks Two teachers’ previews PUBLICATIONS: Art of Arnhem Land: 1940s-1970s, brochure, AGSA, 2002 ‘Clifford Possum Tjapaltjarri: The divine navigator’ Art and Australia - special 40th anniversary issue, vol. 40. No. 4, June 2003, p. 602-609. OVERSEAS VISITS: Gordon Darling Travel Grant to the USA, France, England and Italy Courier Love & Death exhibition to New Zealand

JANE MESSENGER Two lunchtime talks Two lectures to Graduate Studies in Art History

ALISA BUNBURY Two lunchtime talks Seven radio interviews Three television interviews Five newspaper interviews One lecture for Graduate Studies in Art History One talk to Guides One teacher’s preview Talk to Friends of Carrick Hill Guided tour of Friends of the Art Gallery to Flinders Ranges COMMITTEES: Joint Committee of Management, Graduate Studies in Art History (AGSA & Department of History, Adelaide University) Committee Member, Museums Australia (SA Branch) EXHIBITIONS: Arid Arcadia: Art of the Flinders Ranges The Art of Lionel Lindsay: prints, drawings and bookplates, Carrick Hill and touring 2002-03 PUBLICATIONS: Arid Arcadia: Art of the Flinders Ranges, Adelaide: AGSA, 2002 The Art of Lionel Lindsay: prints, drawings and bookplates, Adelaide: AGSA, 2002 “The Flinders Ranges: The ‘Artist’s Country’, The World of Antiques and Art, July-Dec. 2002, pp.145-149

DAVID O’CONNOR Three lunchtime talks Two Eye Spy tours COMMITTEES: SALA Week Board Executive Arts In Health Steering Committee: Flinders Medical Centre Organisations Grants Assessment Panel Member – Arts SA AGSA Representative, Friends of the Art Gallery Member OH&S Committee, AGSA

JAN ROBISON Attended: Australian Registrars Committee Conference COMMITTEES: Member of Australian Registrars Committee OVERSEAS VISITS: Courier Love & Death exhibition to New Zealand

IVANA KOTASEK COMMITTEES: Registration Steering Committee Collection Data Management Group

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JOANNA PARKES COMMITTEES: Member, Nexus Multicultural Arts Centre, Inc. Board Member, National Panel, APRA/Australian Music Centre Classical Music Awards Chair, Heather Gell Dalcroze Foundation

JOHN NEYLON Five lunchtime talks Two Gallery Guide exhibition workshops Two Art History Course lectures (Public Art, Installation Art, Art & Text) Keynote speaker South Australian Visual Art Education Association annual general meeting State conference presentations: Early Childhood & History Teachers COMMITTEES & MEMBERSHIP: Member, Outreach Education Promotion Committee Member, Adelaide Festival of Arts 2004 Artists’ Week Advisory Group Consultant, Arts SA Arts Industry Visual Arts Consultancy Attended ‘Museums as sites of communication’ Art Museums Symposium, Canberra PUBLICATIONS: Education Packs produced for: Arid Arcadia: Art of the Flinders Ranges, Art of Arnhem Land, Aboriginal Bark Paintings from the late 1940s to the 1970s, Morris & Co., SEEING THE CENTRE, The art of Albert Namatjira and JOURNEY TO NOW John Kaldor Art Projects and Collection. Monthly exhibition reviews, The Adelaide Review. Catalogue essay, ‘Wishful thinking’, Hossein Valamanesh Recent Work, Drill Hall Gallery, Canberra, June 2003

GEORGIA HALE One talk to the Adelaide Embroiders Guild - Copyright

JIN WHITTINGTON COMMITTEE: National Treasurer, ARLIS/ANZ State Treasurer, ARLIS/ANZ (SA Chapter) Deputy Staff Representative, Occupational Health, Safety & Welfare Committee, AGSA PUBLICATION: Art houses: the Art Gallery of South Australia Research Library in Bibliofile, vol. 10, no. 4, August 2002.

KERRY DELORME COMMITTEES: Member, Fundraising Institute of Australia, Council Art Gallery of SA Foundation Committee: Contemporary Collectors

SYD BOWER COMMITTEES: Chairman, Occupational Health, Safety & Welfare Committee, AGSA Adelaide Business Watch

LYNN BRYANT COMMITTEE: Art Gallery Representative, Public Service Association

MARGARET BICKNELL COMMITTEE: Staff Representative, Occupational Health, Safety & Welfare Committee, AGSA

APPENDIX D

CONSERVATION AUSTRALIAN PAINTINGS 89 bark paintings required treatment and

exhibition preparation ET, MP, CP

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93 paintings required storage preparation ET, CP, MP

AUSTRALIAN SCULPTURES Fiona Hall, Occupied Territory Bert Flugelman, Torso pot plant Five sculptures required storage preparation Five sculptures required exhibition preparation

EUROPEAN PAINTINGS Luca Ferrari, Venus preventing her son Aeneas from killing Helen of Troy ET, MP, CP Gerhard Richter, Abstract painting no. 424 MP William Luker, Springtime, Burnham Beeches GL Joseph Farquharson, On a clear eve, when the November sky grew red GL

EUROPEAN SCULPTURES Duane Hanson, Woman with a laundry basket JG John Gibson, Portrait of a woman RR, JB

DECORATIVE ARTS Morris & Co., Daisy tile panel AT, JD Morris & Co., Mantel border KP, LM (Liz Mayfield) Morris & Co., Bird pelmet BF Morris & Co., Swan tiles RT Morris & Co., Adjustable back chair JG William Morris, Wreath FF Nick Mount, Spoons (3) JD William De Morgan, Tiles (16) AT, JD, RR, JG, ET Angorichina Furniture workshop, Two easy chairs JG, KP W.F. Dalziel, Writing table JG Salopian Porcelain, Vase AT Fred Lowen, Lounge chair JG Bow Porcelain, Spring – Four Seasons AT John Perceval, Angel Winkie AT, RR G. Reynolds, Music cabinet JG Henry Steiner, Centrepiece RR Byram Mansell, Amaroo table JG, AT Roger Fry, Cabinet JG, RR, AT, JD, BF, SP Eighteen decorative art items required exhibition preparation Eight decorative art items required storage preparation WORKS ON PAPER Tony Tuckson, Untitled FF, VH, HH

Nikolaus Lang, Varrioota’s daydreams after his Escape from Aroona Homestead KP Mount cutting and framing of works on paper in preparation for exhibitions and collection displays, as well as general collections maintenance, has continued to be an ongoing process. This year 218 works on paper underwent preparation or conservation. Key to Conservators FF Fred Francisco KP Kristin Phillips VH Vicki Humphrey HH Helen Halley JG Justin Gare RR Renita Ryan AT Ann Taddeo JD Jo Dawe BF Bee Flynn SP Sophie Parker LM Liz Mayfield ET Eugene Taddeo MP Marek Pacyna CP Chris Payne GL Gillian Leahy

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APPENDIX E DONORS, FUNDS, SPONSORSHIPS

DONORS OF WORKS OF ART Michael and Mary Abbott, Sculpture, Western India 1182AD Michael Abbott QC, Photograph attributed to Edward George Tims, Collection of 22 Asian Textiles, Decorative Art Item by an unknown artist. Anonymous Donor, Folio of seven lithographs by Ulrich Rüchriem, 10 Drawings by Ulrich Rüchriem Anonymous Donor, Forty-three Prints by various Japanese artists Michael Bennett, Silver Cup by C.E Firnhaber Edward and Jane Booth, Two Drawings by Stanislaw Ostoja-Kotkowski, Five Photographs by Stanislaw Ostoja-Kotkowski, Three Archival Photographs by Stanislaw Ostoja-Kotkowski Dr William Bowmore, Sculpture by Jean-Baptiste Carpeaux, Collection of 45 Asian Ceramics Estate of Barbara Brash, Print by Mary MacQueen, Print by George Bell and Two Prints by Barbara Brash Suzanne Brookman, Painting by Stella Bowen Lee Cataldi, Painting by Liddy Nakamarra Nelson Graham and Elizabeth Cocks, Tea and Coffee service with tray by J.M. Wendt Mrs J.H. Dodd, Ceramic piece by Jodol Pottery John Dowie, Painting by Alexander Iacovleff Ivan Durrant, Painting by Ivan Durrant Max and Barbara Fargher, Painting by Unknown Artist Dr Margaret Fereday, Painting by Thomas Playford Jane and Jack Grace, Furniture piece by an Unknown Barossa Valley maker Rossalyn Gresshoff, Painting by G.H. Williams Hamish Grosse, Decorative Art piece by Morris & Co Haslam and Whiteway Ltd, Four Decorative Art pieces by Morris & Co Barrie and Judith Heaven, Sculpture, India c9th century Enlai Hooi, Furniture piece by Enlai Hooi Paul Hyde-Thomas, Twelve Paintings by Sarah Kay Keith James, Decorative Art piece by Timo Sarpaneva Clive Jones, Ian Jones and Bob Dickens, Painting by Robert Hunter, Painting by Trevor Vickers Hon. Diana Laidlaw, Decorative Art piece by Stephen Proctor and Klaus Moje Jenny Legoe, Jewellery by Henry Steiner, Pair of curtains by Morris & Co

R and L Maddison, Decorative Art piece by Matthew Larwood Dante Marioni, Decorative Art piece by Dante Marioni Deane Miller, Painting by Frances Cotterell Greg Morley, Painting by Bertha Nakamarra Dickson Mina Muecke, Print by Gustave Barnes Douglas and Barbara Mullins, Painting by Clarice Beckett, Sketchbook of 33 drawings by Walter G Light, Painting by Horace Trenerry Diana Ramsay, Sculpture by Edgar Bertram MacKennal, Sculpture by John Perceval, Decorative Art piece by Georg Jensen, Furniture by Unknown maker, England, Decorative Art piece by Frank Bauer, Decorative art piece by, Eric Car, Decorative Art piece by John Hale, Drawing by Russell Drysdale, Print by Thea Proctor, Print by Ichiyusai Kunisada, Print by Kitao Shigemasa Don and Meredyth Sarah, Furniture piece by Fler Furniture Margaret Joan Skipper, Two Paintings by John Michael Skipper Graeme Smith, Six Prints by Juan Davila Dorothy Spry, Painting by Gillis van Tilborgh Angus Trumble, Sculpture by Paul Quinn Margaret Tuckson, Two Drawings by Tony Tuckson Rhianon Vernon-Roberts Memorial Collection, Decorative Art piece by Helen Britton The Watt Family, Painting by Andrew MacCormac Janet Worth, Painting by Walter Ebatarinja

DONORS OF PURCHASE FUNDS Art Gallery of South Australia Foundation AGSA Foundation Collectors’ Club Mayne Contemporary Art Fund Mary Overton Gift Fund Public Donations Fund Ron Radford Gift Fund James and Diana Ramsay Fund Santos Fund for Aboriginal Art South Australian Government Grant

BEQUEST FUNDS Dora Chapman Bequest Fund, Ellen Christensen Bequest Fund, J.C. Earl Bequest Fund, Mary Overton Bequest Fund, Morgan Thomas Bequest Fund

APPENDIX F

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ACQUISITIONS AUSTRALIAN PAINTINGS

Christine Aerfeldt, Australia, born 1958, Little playmates Erika and Rolf by the house in the woods, 2002, Adelaide, oil on canvas, Mayne Contemporary Art Fund 2002 Clarice Beckett, Australia, 1887-1935, Beach scene, c.1932, Beaumaris, Victoria, oil on canvas board, Gift of Douglas and Barbara Mullins 2003 Gordon Bennett, Australia, born 1955, Notes to Basquiat (City), 2002, Brisbane, synthetic polymer paint on linen, South Australian Government Grant 2002 Stella Bowen, Australia, 1893-1947, Reclining nude, 1927, Paris, oil on woodpanel, Gift of Mrs Suzanne Brookman 2003 James Cochran, Australia, born 1973, The artist's tears, 2002, Adelaide, oil and aerosol enamel on canvas, Mayne Contemporary Art Fund 2003 Francis Cottrell, Great Britain/Australia, 1847-1886, The musicians, 1884 or 1886, Adelaide, oil on canvas, Gift of Mr Dean Miller in memory of Kezia Clarke (1860-1945) widow of the artist 2002 Bertha N. Dickson, Australia, born 1950s, Ngurlu Jukurrpa, 1987, Ernabella, South Australia, synthetic polymer paint on canvas board, Gift of Greg Morley 2003 Ivan Durrant, Australia, born 1947, Stars and stripes, 1997, Melbourne, synthetic polymer paint on composition board, Gift of Ivan Durrant 2003 Loene Furler, Australia, born 1944, The answer lies within 3, 2002, Adelaide, oil on linen; The answer lies within 4, 2002, Adelaide, oil on linen; The answer lies within 5, 2002, Adelaide, oil on linen, Mayne Contemporary Art Fund 2002 Robert Hunter, Australia, born 1947, Untitled, 1978, Melbourne, synthetic polymer paint, cotton canvas thread on canvas, Gift of Clive Jones, Ian Jones, and Bob Dickens 2003 Shirley Keene, Australia, born 1924, New roof, 1949, Adelaide, oil on canvas, Dora Chapman Bequest Fund 2002

Andrew MacCormac, Australia, 1826-1918, Portrait study (Wilhelmina (Minnie) Watt), 1859, Adelaide, oil on canvas, Gift of the Watt family 2002 Attributed to Charles Mardigan, Australia, 1926-1986, Untitled, early 1960s, Wadeye (Port Keats), Northern Territory, natural ochres on eucalyptus bark, South Australian Government Grant 2002 John Mawurndjul, Australia, born 1952, Billabong at Milmilngkan, 2002, Milmilngkan, near the Mann River, Central Arnhem Land, Northern Territory, natural ochres on bark, Santos Fund for Aboriginal Art 2003 Boxer Milner, Australia, born c.1935, Kundawarra, 2001, Balgo Hills, Western Australia, synthetic polymer paint on canvas, Santos Fund for Aboriginal Art 2002 Ivan Namirrkki, Australia, born 1960, Wind Dreaming-Gungura, 2002, Maningrida, Central Arnhem Land, Northern Territory, ochre pigments on stringy bark, South Australian Government Grant 2003 Liddy N. Nelson, Australia, born c.1929, Warpurtarlikirli: The Battle of Yumurrpa, 1987, Yuendumu, Northern Territory, synthetic polymer paint on canvas, Gift of Lee Cataldi 2003 Jeffrey Queama, Australia, born 1947, Hilda Moodoo, Australia, born 1952, Untitled I, 2002, Oak Valley, South Australia, synthetic polymer paint on canvas;Untitled II, 2002, Oak Valley, South Australia, synthetic polymer paint on canvas, Santos Fund for Aboriginal Art 2002 Scott Redford, Australia, born 1962, Surf Painting /SURF, 2001, Golf Coast, Queensland, styrofoam coated with resin and fibreglass, South Australian Government Grant 2003

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Robert Rooney, Australia, born 1937, The man in the black mask, 2002, Melbourne, synthetic polymer paint on canvas, South Australian Government Grant 2002 Jeffrey Smart, Australia, born 1921, Erosion, 1944, near Hawker, Flinders Ranges, South Australia, and Adelaide, oil on canvas on composition board, Gift of Geoffrey Hackett-Jones in memory of his brother Frank through the Art Gallery of South Australia Foundation 2003 Horace Trenerry, Australia, 1899-1958, The road to Maslins, 1940, Aldinga, South Australia, oil on cardboard, Gift of Douglas and Barbara Mullins 2002 Trevor Vickers, Australia, born 1943, Untitled, 1971, Melbourne, synthetic polymer paint on six canvases, Gift of Clive Jones, Ian Jones and Bob Dickens 2003 G.H. Williams, Australia, 1877–1964, Self portrait, c.1960, Adelaide, synthetic polymer paint on board, Gift of Rosalyn Gresshoff 2003 Gulumbu Yunupingu, Australia, born c.1945, Ganyu series, 2002, Yirrkala, Northern Territory, natural ochres on bark, South Australian Government Grant 2003

AUSTRALIAN SCULPTURES

Marjorie Fletcher, Australia, 1912-1988; Lewis, 1934, Sydney, painted plaster; Kathleen, 1932 (cast 2001), Sydney, bronze, Gift of Margaret Bennett, Ranald McGregor and Ken Price through the Art Gallery of South Australia Foundation Collector's Club 2002 Fiona Hall, Australia, born 1953, Cell culture, 2002, Adelaide, glass, silver, plastic, South Australian Government Grant 2002 Edgar Bertram Mackennal, Australia, 1863-1931, Head of a lady, c.1883, London, terracotta, Gift of Diana Ramsay 2003 Paul Quinn, Australia, born 1962, PhD Fashion 1 – 15, 1995, Melbourne, fabric, silicone, synthetic polymer paint, Gift of Angus Trumble 2003 Sally Smart, Australia, born 1960, Conversation Piece #11, 2002, Melbourne, synthetic polymer paint on felt, South Australian Government Grant 2002

AUSTRALIAN DRAWINGS WATERCOLOURS AND PASTELS Russell Drysdale, Australia, 1912-1981, Post office, c.1941, New South Wales, pen & ink, coloured crayon, pastel on paper, Gift of Diana Ramsay 2003 Walter Ebatarinja, Australia, 1915-1968, (Central Australian landscape), c.1950s, Northern Territory, watercolour on paper, Gift of Janet Worth in memory of her father Frank Worth 2002 Sarah Kay, Australia, working 1880s, Thelymitra antennifera, Glossodia major, Caladenia carnea, c.1880, South Australia, watercolour on paper; Pimelia stricta, c.1880, South Australia, watercolour on paper; Pimelia - Sismay's Gully 4th Sep 1880, 1880, South Australia, watercolour on paper; Briza Maxima, c1880, South Australia, watercolour on paper; Hakea Lemoptera, c.1880, South Australia, watercolour on paper; Leprospermum scoparium, c.1880, South Australia, watercolour on paper; Cheiranthera linearis, c1880, South Australia, watercolour on paper; Clianthus Dampierii, c.1880, South Australia, watercolour on paper; Caledenia Patersonii, c.1880, South Australia, watercolour on paper; Astroloma sonostepioides, c.1880, South Australia, watercolour on paper; Tetratheca pilosa, 1880, South Australia, watercolour on paper; Briza minor, Pimelia glauca, Goodenia ovata, c.1880, South Australia, watercolour on paper, Gift of Mr Paul Hyde-Thomson in memory of his South Australian grandparents, William Briggs Sells 1835-1902 and Francis Eleanor (Fanny) Sells, nee Blyth 1855-1935, 2002 Walter G. Light, Great Britain/Australia, South Australian sketchbook, 1849-55, South Australia & Victoria, pencil drawings on paper, Gift of Barbara and Douglas Mullins 2003 Stanislaw Ostoja-Kotkowski, Australia, 1922–1994, [Abstract composition], 1949, pen & ink on paper; [Abstract composition], c.1950s - 60s, Melbourne, gouache, cut paper on paper, Gift of Edward and Jane Booth 2003 Thomas Playford, Australia, 1795-1873, Self portrait - after the Battle of Waterloo, after 1815?, England, watercolour on paper, Gift of Dr Margaret Fereday 2002 John M. Skipper, Australia, 1815-1883, Hunting Emu, South Australia 1845, 1845, Adelaide, watercolour on paper; Hunting kangaroos, South

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Australia 1845, 1845, Adelaide, watercolour on paper, Bequest of Margaret Joan Skipper 2002 Tony Tuckson, Australia, 1921-1973, Untitled, 1961, Sydney, brush & wash on paper; Untitled, 1957, Sydney, charcoal on card, Gift of Margaret Tuckson 2002 Unknown, Australia, Blinman South, c.1870, Blinman, Flinders Ranges, South Australia, watercolour on paper, Gift of Max & Barbara Fargher and the estate of John Branch 2003

AUSTRALIAN PRINTS

Tony Ameneiro, Australia, born 1959, Location II, 2002, New South Wales, etching, drypoint in black and brown inks on paper; linocut print on chine collé on paper, Print Council of Australia Member Print 2002 Gustave Barnes, Great Britain/Australia, 1878-1921, Shepherd, c 1909, Adelaide, etching on paper, Gift of Mina Muecke 2003 George Bell, Australia, 1878-1966, Woman and frog, c1947, Melbourne, linocut on paper, Gift of the Estate of Barbara Brash 2002 Barbara Brash, Australia, 1925-1998, Native dancer, 1953, Melbourne, colour linocut on paper; Constellation, 1971, Melbourne, screenprint, printed in black, white and grey, on paper, Gift of the Estate of Barbara Brash 2002 Juan Davila, Australia, born 1946, Disappointment all round, 2001, Victoria, screenprint in colour on two sheets of paper; Woomera, 2002, Victoria, colour screenprint on two sheets of paper; Adrift, 2002, Victoria, colour screenprint on two sheets of paper; Detained, 2001, Victoria, colour screenprint on two sheets of paper; Election 2001, 2002, Victoria, colour screenprint on two sheets of paper; Lost, 2002, Victoria, colour screenprint on two sheets of paper, Gift of Professor Graeme Smith 2003 Benjamin Duterrau, Australia, 1767-1851, Tanleboueyer, 1835, Hobart, etching, J.C. Earl Bequest Fund 2003 After Benjamin Duterrau, Australia, 1767-1851, Tasmanian Aborigines (The Conciliation), 1835, Hobart, lithograph; Aborigines making and straightening spears, 1835, Hobart, lithograph, J. C. Earle Bequest Fund 2003

After John Eyre, (designer), Great Britain/Australia, Walter Preston (engraver), Great Britain/Australia, 1771-1819, Botany Bay Harbour, in New South Wales: with a view of the Heads, 1812, published by Absalom West, Sydney, engraving hand-coloured with watercolour on paper, Gift of Frances Gerard, Geoffrey Hackett-Jones, Michael Hayes and Peter LeMessurier through the Art Gallery of South Australia Foundation Collectors' Club 2002 Franz Kempf, Australia, born 1926, Winter, 1958, London, black ink drypoint on cream paper, Public Donations Fund 2002 Mary Macqueen, Great Britain/Australia, 1912-1994, Ghost town, 1964, Melbourne, colour lithograph on paper, Gift of the Estate of Barbara Brash 2002 Victor Motlop, Australia, born 1961, Seven blind brothers, 2001, Mualgau Minaral Artist Collective, Mua Island, Torres Strait, two colour linocuts on paper, Public Donations Fund 2002 Dennis Nona, Australia, Born 1973, Lag Dapparr aw whural ar idal, 2000, Mualgau Minaral Artist Collective, Mua Island, Torres Strait, hand-coloured linocut on paper, Public Donations Fund 2002 Jenny Peterson, Great Britain/Australia, born 1957, Helmet, 2002, Victoria, colour etching, drypoint, aquatint on paper, Print Council of Australia Member Print 2002 Thea Proctor, Australia, 1879-1966, 1875, c 1920s, Sydney, woodcut on paper, Gift of Diana Ramsay 2003 Brett Whiteley, Australia, 1939–1992, 10 Rillington Place WII (still from a proposed 16 millimetre film), 1964, London, colour screen print on paper, Public Donations Fund 2003

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AUSTRALIAN PHOTOGRAPHS

Mark Kimber, Australia, born 1953, Portrait of Hossein Valamanesh, 2003, Adelaide, type C photograph on paper, Mayne Contemporary Art Fund 2003 Rosemary Laing, Australia, born 1959, bulletproofglass #3, 2002, Sydney, type C photograph on metallic paper, South Australian Government Grant 2002 J.W. Lindt, Australia, 1845 – 1926, Portrait of an Aboriginal man, c.1873-74, Grafton, New South Wales, albumen silver photograph, J.C. Earl Bequest Fund 2003 C.P. Mountford, Australia, 1890 – 1976, Matinya seated on the edge of Uluru rockhole, watching for signs of the mythical snake, 1940, Uluru, central Australia, Northern Territory, gelatin silver photograph, Public Donations Fund 2003 C.P. Mountford, Australia, 1890-1976, Battle-scarred, 1937, Australia, gelatin silver photograph, Public Donations Fund 2003 Stanislaw Ostoja-Kotkowski, Australia, 1922 – 1994, Laser-Chromosome, 1972, Adelaide, gelatin silver photograph; Projected laser beam, c.1976, Adelaide, direct positive colour photograph; [Laser light composition], c1982-84, Adelaide, direct positive colour photograph; [Laser-kinetic projection], c1982-84, Adelaide, direct positive colour photograph, Gift of Edward and Jane Booth 2003 Patricia Piccinini, Australia, born 1965, Laboratory procedures, 2002, Melbourne, type C photograph, South Australian Government Grant 2002 Julie Rrap, Australia, Born 1950, Camouflage #5 (Catherine), 2000, Sydney, type C photograph, South Australian Government Grant 2003 Samantha Small, Australia, Living room, 2002, Adelaide, type C photograph, Mayne Contemporary Art Fund 2003 Attributed to Edward George Tims, Australia, Photo album: Adelaide and its environs, c.1870-76, Adelaide, albumen photographs on paper in an album, Gift of Michael Abbott QC 2003 Martin Walch, Australia, born 1964, Mount Lyell Project Stereoscopic Crate series (no. 3), 2001,

Hobart, three stereographs and stereoscopes in travel crate, South Australian Government Grant 2002 Anne Zahalka, Australia, born 1957, Star city casino (after Breughel), 1998, Sydney, type C photograph, South Australian Government Grant 2003

AUSTRALIAN CERAMICS AND GLASS

John De Burgh Perceval, Australia, 1923-2000, Angel Winkie, 1959, Murrumbeena, Melbourne, earthenware, sang-de-boeuf glaze, Gift of Diana Ramsay 2003 Brian Hirst, Australia, born 1956, Votive bowl & shadow plate, 2002, Annandale, New South Wales, glass, platinum, stainless steel, Gift of Susan Cocks, Justice Kemeri Murray, Skye McGregor and David McKee through the Art Gallery of South Australia Foundation Collector's Club 2002 Jodol Pottery, Australia, 1952-1968, John Dodd, Australia, 1892-1968, Vase, 1958, Adelaide, earthenware, Gift of Mrs J.H. Dodd 2002 Matthew Larwood, Australia, born 1968, Untitled, 2001, Jam Factory Contemporary Craft and Design Centre, Adelaide, encalmo glass, Gift of R & L Maddison 2002 Stephen Procter, Australia, 1946-2001, Klaus Moje, Australia, Born 1936, Aragunu, 2002, Canberra, blown and cut glass, Gift of the Hon. Diana Laidlaw through the Art Gallery of South Australia Foundation 2003

AUSTRALIAN FURNITURE

Angorichina Furniture Workshop, Australia, 1928-1938, Easy Chair, c.1928, Angorichina, Flinders Ranges, red gum, leather upholstery; Easy chair, c1928, Angorichina, Flinders Ranges, red gum, leather upholstery, Ron Radford Gift Fund 2002 Enlai Hooi Group, Australia, Est. 2000, manufacturer, Enlai Hooi, Australia, born 1979, designer; Asterisk table, 2002, Fitzroy, Melbourne, polypropylene; Shell 1, 2002, Fitzroy, Melbourne, paper, wire, South Australian Government Grant 2002

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Enlai Hooi Group, Australia, Est. 2000, manufacturer, Enlai Hooi, Australia, born 1979, designer, My friendly little extrovert, 2002, Fitzroy, Melbourne, polypropylene, wire, Gift of the artist 2002 Fler Furniture, Australia, 1946-1968, manufacturer, Fred Lowen, Australia, born 1919, designer, SC58 [Lounge chair], 1962, Melbourne, Vanikoro Kauri(?), wool upholstery, Gift of Mr Don & Mrs Meredyth Sarah 2002 Unknown maker, Australia, Bench, c.1850, Barossa Valley, South Australia, pine, red gum (Eucalyptus camaldulensis), Gift of Janet and Jack Grace 2003 Gray Hawk, Australia, born 1956, SCY Chair [prototype no. 2], 2003, Adelaide, jarrah, suede upholstery, Gift of Urban Cultures (Australia) Pty Ltd 2003

AUSTRALIAN DECORATIVE ARTS OTHER THAN CERAMICS GLASS AND FURNITURE

Mabel Anaka-anaburra, Australia, Necklace, 2002, Maningrida, Northern Territory, red bead tree seeds (Adenanthera pavonina), tusk shells (Dentalium sp.), nylon, South Australian Government Grant 2003 Frank Bauer, Australia, born 1942, Brandy saucepan and stand, 1979, Adelaide, sterling silver, Gift of Diana Ramsay 2003 Helen Britton, Australia, born 1966, Flower necklace, 2002, Munich, gold, paint. linen, Rhianon Vernon-Roberts Memorial Collection 2002 August L. Brunkhorst, Australia, 1877-1915, maker of chain, Henry Steiner, Adelaide, 1846-1919, maker of pendant, Fob chain with pendant, c.1884, Australia, gold, sharks tooth, Morgan Thomas Bequest Fund 2002 Eric Car, Australia, born 1936, Soup ladle, c 1977, Perth, sterling silver, Gift of Diana Ramsay 2003 John Hale, Australia, 1927-1996, Shallow bowl, 1991, Adelaide, sterling silver, Gift of Diana Ramsay 2003 Kay Lindjuwanga, Australia, Necklace, 2002, Maningrida, Northern Territory, small dark seeds (Cassia sp. of Acacia sp.), tiny red and orange

seeds (Crotalaria goreensis), cotton, South Australian Government Grant 2003 Nayirrya, Australia, Necklace, 2002, Nhulunbuy, Northern Territory, necklace shells (Clithon oualaniensis), grass stems (Leptoehloea fasca), nylon, South Australian Government Grant 2003 Lena Pwerle, Australia, born c.1925, Goanna and bush tucker, 2002, Utopia, silk batik, South Australian Government Grant 2002 Henry Steiner, Australia, 1835-1914, Bracelet, c1884, Adelaide, Gold, Gift of Jenny Legoe through the Art Gallery of South Australia Foundation 2003 Zoe J. Veness, Australia, born 1973, Small diamond brooch, 2002, Callala Beach, Sydney, architectural drafting film, sterling silver, steel pin, Public Donations Fund 2003 Warru, Australia, Necklace, 2002, Nhulunbuy, Northern Territory, necklace shells (Clithon oualaniensis), medium shells, big black seeds(?) (Mucuna gigantea), nylon, South Australian Government Grant 2003 C. E. Firnhaber, Germany/Australia, 1806 – 1880, J Claude, engraver, Ottaway cup, c1853, Adelaide, silver, gilt interior, wood, 25.4 cm, 12.2 cm (diam), Gift of Michael Bennett in memory of his wife Maria Bennett 2003 J.M. Wendt, Australia, 1830 – 1917, Tea and coffee service with tray, c.1900, Adelaide, silver, bone, gilt, wick, Gift of Graham and Elizabeth Cocks 2003 Unknown, Yidaki [Didgeridoo], c.1963, Yirrkala, north-east Arnhem Land, Northern Territory, natural ochres on wood, Gift of Brian and Barbara Crisp through the Art Gallery of South Australia Foundation 2003

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EUROPEAN PAINTINGS

Alexander Iacovleff, Great Britain, 1887-1938, Mohammed Rafi, 1931, Kashgar, Russia, pastel on paper, Gift of John Dowie in memory of Vi Johns 2002 Bartolomeo Passerotti, Italy, 1529-1592, The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist, c.1580, Bologna, Italy, oil on canvas, Mary Overton Bequest Fund 2003 Gillis Van Tilborgh, Flanders, 1625-1678, Village kermis, c.1660, Brussels, oil on canvas, Gift of Dorothy Spry 2003

EUROPEAN SCULPTURES

John Gibson, Great Britain, 1790-1866, Portrait of a woman, c.1850, Rome, marble; Gift of Max Carter, Geoffrey Hackett-Jones, Justice Kemeri Murray, Delcie Norton and Lady Porter through the Art Gallery of South Australia Foundation Collectors' Club 2002 Jean-Baptiste Carpeaux, France 1827–1875, La négresse (The negress), 1868 (reproduced 1874?), Paris, terracotta, Gift of Dr. William Bowmore AO OBE Jean-Baptiste Carpeaux, France, 1827 – 1875, La négresse, 1868, Paris, terracotta, Gift of Dr. William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003

EUROPEAN PRINTS

Maxim Kantor, Russia, born 1957, Lonely Crowd, 1999-2000, Printed by Artichoke Print Workshop, London, etching, aquatint, plate tone printed in black ink; relief printed in red ink on paper; Sinking into snow, 1999-2000, Printed by Artichoke Print Workshop, London, aquatint, etching printed in black ink; relief printed in red ink on paper, South Australian Government Grant 2002 Ulrich Rückreim, Germany, born 1938, Illustrationen zu einem denkmal, 1982, folio of seven lithographs, Gift of an anonymous donor 2003

EUROPEAN DRAWINGS, WATERCOLOURS AND PASTELS

Ulrich Rückreim, Germany, born 1938, [Elevations of the sculpture 'Untitled'], 1986, pencil drawing on detail paper, Gift of an anonymous donor 2003; Drawing A [Elevations

with measurements of the sculpture 'Untitled'], 1986, pencil drawing on detail paper; My dream of my last piece, 1986, pencil drawing on thin cream wove paper; [Drawing for the sculpture 'Untitled'], 1986, pencil drawing on detail paper; Drawing B [for the sculpture 'Untitled],' 1986, pencil drawing on detail paper; [Three dimensional view of the sculpture 'Untitled'], 1986, pencil drawing on thin cream wove paper; [Corner view of the sculpture 'Untitled'], 1986, pencil drawing on thin cream wove paper; Elevations of the sculpture 'Untitled'], 1986, pencil drawing on detail paper; [Elevations& three dimensional view of the sculpture 'Untitled'], 1986, pencil drawing on detail paper; [Elevations of the sculpture 'Untitled'], 1986, pencil drawing on detail paper, Gift of an anonymous donor 2003

EUROPEAN DECORATIVE ARTS

Attributed to Artek, Finland, est. 1935, manufacturer, Alvar Aalto, Helsinki, 1898-1976, designer, Bench, c.1935, Finland, laminated birch, Morgan Thomas Bequest Fund 2002 Isokon Furniture Co, London, Great Britain, 1931-1939, Marcel Breuer, Hungary/United States, 1902-1981, designer, Long chair, 1936, London, plywood, upholstery, Gift of the James and Diana Ramsay Fund 2003 Georg Jensen, Denmark, 1866-1935, Fruit dish, 1922, Copenhagen, sterling silver, Gift of Diana Ramsay 2003 Morris & Company, Great Britain, 1861-1940, manufacturer, William Morris, Great Britain, 1834-1896, designer, Daisy tile panel, c.1870s, London, earthenware tiles, hand painted, Mrs Mary Overton Gift Fund 2002 Morris & Company, Great Britain, 1861-1940, manufacturer, William Morris, Great Britain, 1834-1896, designer, Daisy tiles (fragment), c.1870s, London, earthenware tiles hand painted, Gift of Haslem & Whiteway Ltd 2002 Morris & Company, Great Britain, 1861-1940, publisher, Jeffrey & Company, Great Britain, 1836-1930, printer, Wallpaper pattern book [Robert Barr Smith], c.1893, London, colour woodcuts on paper, cloth bound, string binding, Mrs Mary Overton Gift Fund 2002 Morris & Company, Great Britain, 1861-1940, manufacturer, William Morris, Great Britain, 1834-1896, designer, Wreath, c.1876, London,

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gouache, pencil on paper, Morgan Thomas Bequest Fund, Mary Overton Gift Fund and Art Gallery of South Australia Foundation 2003 Morris & Company, Great Britain, 1861-1940, manufacturer, J. H. Dearle, Great Britain, 1860-1932, designer, Jeffrey & Company, London, 1836-1930, printer, Celandine wallpaper, c.1900, Great Britain, colour woodcut on paper, Ellen Christensen Bequest Fund 2002 Morris & Company, Great Britain, 1861-1940, manufacturer, attributed to William Morris, Great Britain, 1834-1896, designer, Carpet, c.1884, London, hand-knotted wool pile, Ellen Christensen Bequest Fund assisted by Hamish Gosse 2003 Morris & Company, Great Britain, 1861-1940, manufacturer, William Morris, Great Britain, 1834-1896, designer, Jeffrey & Company, Great Britain, 1836-1930, printer; Willow boughs wallpaper, designed 1887, London, colour woodcut on paper; Bird pelmet, designed 1878, London, woven woollen double cloth; Apple wallpaper (blue), designed 1877, London, colour woodcut on paper, Gift of Haslem & Whiteway Ltd 2002 Morris & Company, Great Britain, 1861-1940, manufacturer, William Morris, Great Britain, 1834-1896, designer, Philip Webb, Great Britain, 1831-1915, designer of birds, Jeffrey & Company, Great Britain, 1836-1930, printer, Trellis wallpaper, c 1900, London, colour woodcut on paper, Ellen Christensen Bequest Fund 2002 Morris & Company, Great Britain, 1861-1940, manufacturer, J. H. Dearle, Great Britain, 1860-1932, designer, Rose and lily curtain (pair), designed 1893, London, woven silk and wool, silk and cotton fringe, Gift of Jenny Legoe through the Art Gallery of South Australia Foundation 2003 Timo Sarpaneva, Born 1926, Vase (i-series for Iittala), c1965, Helsinki, Gift of Keith James 2003 Unknown Maker, Great Britain, Pair of chairs, c. 1800, England, satinwood, caned, painted, Gift of Diana Ramsay 2003 CF Voysey, Great Britain, 1857-1941, designer, GP & J Baker, Great Britain, manufacturer, Poppies curtain, c.1900, London, printed velveteen, Ellen Christensen Bequest Fund 2003

ASIAN SCULPTURES

India, Abhinandanatha, the fourth Tirthankara, 1182, Western India, black stone, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 India, c9th century AD, Lion Conquering An Elephant, a pair of opposing images, Uttar Pradesh, India, sandstone, Gift of Barrie and Judith Heaven 2003 ASIAN PRINTS

Ikeda (keisai) Eisen (yeisan), Japan, 1790-1848, Bijin holding a samisen, c.1810, Japan, colour woodcut on paper, Gift of an anonymous donor 2003 Kikukawa Eizan, Japan, 1787-1867, Geisha walking in snow, c.1820, Japan, colour woodcut on paper, Gift of an anonymous donor 2003 (ando) (ichiryusai) (utagawa) Hiroshige, Japan, 1797-1858 [Country landscape view], c 1840s-50s, Japan, colour woodcut on paper; Fujieda, c1843-6, Japan, colour woodcut on paper; Shimida, c 1843-6, Japan, colour woodcut on paper; Seki, c 1843-6, Japan, colour woodcut on paper; Ejiri, c1843-6, Japan, colour woodcut on paper; Promenade with pine and tea houses, c1840, Japan, colour woodcut on paper; Banks of the Oi river (Shimada), 1834, Japan, colour woodcut on paper The Heavenly Dragon (Tenryu) River (Mitsuke-Jenrju? gawn zu), 1833-4, Japan, colour woodcut on paper; Ide Tama River, Yamashiro Province, 1857, Japan, colour woodcut on paper; Iki Province, 1856, Japan, colour woodcut on paper; Valley of Yamabushi, Mimasaka Province (Mimasaka yamabushidani), 1853, Japan, colour woodcut on paper; New Years Eve Fox Fires at the Nettle Tree Oji ( Oji, Shozoku-euoki, omisoka no kitsumebi), 1857, Japan, colour woodcut on paper; Monkey Plateau (Futakawa Sarugababa), 1833-4, Japan, colour woodcut on paper; Fuji from the left (Yoshiwara, hidari Fuji), c1833-4, Japan, colour woodcut on paper, Gift of an anonymous donor 2003

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(ando) (ichiryusai) (utagawa) Hiroshige, Japan, 1797-1858,Yokogawa Takejiro (hirotake), Japan , 19th century, Mt Haruna in the Snow - from the Kotsuke Province (Kotsuke harunazan setchu), 1853, Japan, colour woodcut on paper, Gift of an anonymous donor 2003 Katsushika Hokusai, Japan, 1760-1849, Horse shells (Umagai), 1822, Japan, full colour (nishiki-e) woodcut on paper with brass and silver dust, Gift of an anonymous donor 2003 Ichiyusai Kunisada, Japan, 1786-1865, Brocade pictures of the Green room/ second part, 1811, Japan, colour woodcut on paper, Gift of Diana Ramsay 2003 Utagawa (toyokuni Iii) Kunisada, Japan, 1786-1865, White (Shiro), c1844, Japan, colour woodcut on paper; Portrait of a Kabuki actor from the Hanshio family., 1860, Japan, colour woodcut on paper; Sisho Nagon: poetess from Heian Court, c 1842, Japan, colour woodcut on paper, Gift of an anonymous donor 2003 Utagawa (toyokuni Iii) Kunisada, Japan, 1786-1865, Hori Take, Japan, Ichikawa Danjiro VII as Arahishi Otakonasuke weilding a folded fan, 1852, Japan, colour woodcut on paper, Gift of an anonymous donor 2003 Ichiyusai (utagawa) Kuniyoshi, Japan, 1798-1861 Saito kuranoshin Toshikazu. Lord of the castle of Ikuchiyama in the Province of Tamba, c1850, Japan, colour woodcut on paper; After a verse by Takamura (Sargi no Takamura), c1840-42, Japan, colour woodcut on paper; O-anamuchi no Mikoto fighting a giant eagle, c1830, Japan, colour woodcut on paper; The last stand of the Kusunoki clan at Shijo-nawate (Nanke yushi shijo-nawate nite uchijini), c 1851-2, Japan, colour woodcut on paper; Hatsuhana under the Gongen waterfall at Hokone, c1842, Japan, colour woodcut on paper Benki the fighting monk, c1849-50, Japan, colour woodcut on paper, Gift of an anonymous donor 2003 Kawanabe (gyosai) Kyosai (chikamaro), Japan, 1831-1889, The Tomb of Urashima (Go-joraku Tokaido), c.1863, Japan, colour woodcut on paper, Gift of an anonymous donor 2003 Hishikawa (ryokuku Hitsu) Ryujoju (shungyosai), Japan, Bijin, c 1800, Japan, colour woodcut on paper, Gift of an anonymous donor 2003

Kitao Shigemasa, Japan, 1739-1820, The cultivation of the silkworm (Kaiko Yashimai gusa), 1776, Japan, colour woodcut on paper, Gift of Diana Ramsay 2003 Kitao Shigemasa, Japan, 1739-1820, Girl preparing Mulberry leaves, 1776, Japan, colour woodcut on paper, Gift of an anonymous donor 2003 Ohara Shoson (koson), Japan, 1877-1945, [Owl on a branch in the moonlight], c.1897-1912, Japan, colour woodcut on paper; Two monkeys, c.1920-30, Japan, colour woodcut on paper, Gift of an anonymous donor 2003 Attributed To Kubo Shumman, Japan, 1757-1820, [Saddle, sword and riding gear], c1810, Japan, colour woodcut on paper, Gift of an anonymous donor 2003 Katsukawa Shunko, Japan, 1743-1812, [Portrait of the kabuki actor, Onoe Matsuke I], c 1780, Japan, colour woodcut on paper, Gift of an anonymous donor 2003 Katsukawa Shunsho, Japan, 1726-1793 The actor Sawamura Soguro III, c1780, Edo (Tokyo), colour woodcut on paper; Girl weaving, c.1780s, Japan, colour woodcut on paper; Gift of an anonymous donor 2003 Kitagawa Utamaro, Japan, 1750-1806, Cooling off by the river bank [Okawa-hata Yuryo], c.1795-6, Japan, Colour woodcut on paper, Gift of an anonymous donor 2003 Tsukioka (yoshioka) Yoshitoshi, Japan, 1839-1892, Chokusan, Japan, engraver, Minamoto no Yorisitsu about to kill the Earth Spider (Minimoto no Yorimitsu tschuigumo o kiru zu), 1891, Japan, colour woodcut on paper, Gift of an anonymous donor 2003

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Tsukioka (yoshioka) Yoshitoshi, Japan, 1839-1892 The midnight moon at Mt Yoshino, 1886, Japan, colour woodcut on paper; The Peony Lantern (Botan doro), 1891, Japan, colour woodcut on paper; Fujiwara no Arihira visiting Murakame the Emperor, 1882, Japan, colour woodcut on paper; The Fox-Priest (Konkai: Hokuzo-Shu), 1886, Japan, colour woodcut on paper, Gift of an anonymous donor 2003

ASIAN CERAMICS

Iran, Bowl, 9th-10th century, Nishapur, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 10th-11th century, Nishapur, incised and pierced decoration under the glaze earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Plate, 12th century, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 13th century, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Jug, 12th century, underglaze decorated earthenware, Willliam Bowmore Collection Iran, Jug, 11th-12th century, Rayy, glazed earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 11th-12th century, Rayy, incised underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Plate, 11th-12th century, Rayy, glazed earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 13th century, Kashan, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003

Iran, Ewer, 12th century, glazed earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Jug, 12th century, glazed earthenware, 21.6 cm (height), Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 9th-10th century, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 14th century, Kashan or Sultanabad, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Jug, 12th century, Kashan, moulded, carved and pierced earthenware, with underglaze blue highlights, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bottle, 12th century, Kashan, miniature style, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, century, gold and underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 12th century, Kashan, miniature style, gold overglaze and underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 13th century, pierced and underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 10th-11th century, Kashan-style lustre decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 12th century, Kashan, lustre glazed earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 13th century, Kashan, lustre decorated earthenware, Gift of Mr William Bowmore AO

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OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 13th century, Kashan, lustre and underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 9th-10th century, earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 12th century, Kashan, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 13th century, Sultanabad?, pierced and underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 10th-11th century, Kashan, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 10th-11th century, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 13th-14th century, Sultanabad, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Saucer, 17th century, Kashan?, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 17th century, Isfahan?, pierced and underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 17th century, Isfahan?, pierced and underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Glazed tile, 19th century, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003

Turkey, Dish, 16th century, Isnic, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 10th century, Nishapur, earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Turkey, Dish, 16th century, Isnic, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Turkey, Glazed tiles, 16th century, Isnik, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Turkey, Tiled stove, 19th century, Isnic, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Syria, Glazed tiles, 16th century, Damascus, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Morocco, Bowl, 19th century, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 France, 'Isnik Revival' plate, 19th-20th century, Laghenal, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 11th-12th century, Nishapur, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 11th-12th century, Nishapur, glazed and incised earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 10th-11th century, underglaze decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 10th-11th century, underglaze decorated earthenware, Gift of Mr William

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Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003 Iran, Bowl, 10th-11th century, Kashan, underglaze incised decorated earthenware, Gift of Mr William Bowmore AO OBE through the Art Gallery of South Australia Foundation 2003

ASIAN DECORATIVE ARTS OTHER THAN CERAMICS AND FURNITURE

Bali, Wall Hanging, c.1930, Negara district, cotton, supplementary warp, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Bali, Mortuary cloth, c 1930, East Bali, hand spun cotton, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Bali or Nusa Penida, Wrapper, c 1920, Bali or Nusa Penida, hand spun cotton, stripe pattern, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Sumatra, Cushion cover or a section of a wall hanging, c 1900, Aceh, silk, cotton, cotton velvet, gold foil and thread, Islamic influenced design, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Sumatra, Cushion cover or a section of a wall hanging, c.1900, Aceh, silk, cotton, cotton velvet, gold foil and thread, Islamic influenced design, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Sumatra, Cushion cover or a section of a wall hanging, c.1900, Aceh, silk, cotton, cotton velvet, gold foil and thread, Islamic influenced design, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Sumatra, Cushion cover or a section of a wall hanging, c.1900, Aceh, silk, cotton, cotton velvet, gold foil and thread, Islamic influenced design, backing make from antique central Javanese batik, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Sumatra, Kain Panjang, ‘Long Cloth’, c.1920, Jambi, cotton, Patola pattern, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Java, Kain Panjang, ‘Long Cloth’, c.1920, North coast of Java, cotton, floral and abstract organic

design, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Java, Kain Panjang, ‘Long Cloth’, c.1930, Lasem, cotton, bird pattern, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Java, Sarung, c.1930, Cerebon, European and Chinese influenced design, cotton, bird, insect and floral pattern, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Java, Kain Panjang, ‘Long Cloth’, c.1932, North Jakarta, geometric pattern with bird design, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Java, Selendang, ‘shoulder cloth’, c 1950, Imogiri, cotton, Nitik geometric pattern, Art Gallery of South Australia Foundation 2003 Java, Bed canopy, c.1930, North coast of Java, cotton, European influenced design with tulip border, flowers in a vase and geometric patterns, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Sumatra, Selendang, ‘shoulder cloth’, c 1930, Jambi, cotton, wings, geometric and floral pattern, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Java, Kain Panjang, ‘Long Cloth’, c.1950, Pekalongan, cotton, abstract floral and shell pattern, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003

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Malay Penisular, Sarong, c.1900, Malay Penisular, 'Songket', supplementary weft, silk, gold thread, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Malay Penisular, Sarong, c.1900, Malay Penisular, 'Songket, supplementary weft, silk, gold thread, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Malay Penisular, Sarong, c.1900, Malay Penisular, 'Songket', supplementary weft, silk, gold thread, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Malay Penisular, Furnishing cloth, c.1900, Malay Penisular, cotton velvet, sequins, crescent moon, star and coconut palm design, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Kalimanten, Set of wall and door hangings, c. 1880, Royal Palace, Sambas, cotton velvet, gold, silver or copper foil and thread, tin, mica, glass beads, Malay-European designs of bold flowers and tendrils, some with crowns and monograms of the Sultans, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003 Furnishing fabric, c.1880, copper roller printed, Floral and architectural design with gas lamps, peacock feathers, wheat, ships and 'thousand flower' design, Gift of Michael and Mary Abbott through the Art Gallery of South Australia Foundation 2003

INTERNATIONAL DECORATIVE ARTS

Donald Judd, United States, 1928-1994, designer, Chair, 2003, San Luis Obispo, California, Douglas fir Chair, 2003, San Luis Obispo, California, Douglas fir, South Australian Government Grant 2003 Dante Marioni, United States, born 1964, Wine glass, 2002, Adelaide, glass, Gift of the artist 2002

ARCHIVAL

George Bell And Sons, Great Britain, publisher, Chiswick Press, Great Britain, est. 1811, printer, Messrs. Bell's Christmas List [Promotional cover - The Art of William Morris: An illustrated record

by Aymer Vallance], 1896-97, London, paper, cotton, Ellen Christensen Bequest Fund 2002 Frank Hollings, Great Britain, Kelmscott books, 1897, London, paper, Ellen Christensen Bequest Fund 2002 H C. Marillier, Great Britain, author, Constable And Company Limited, Great Britain, publisher, Chiswick Press, Great Britain, eat. 1811, printer, History of the Merton Abbey Tapestry Works: Founded by WIlliam Morris, 1927, London, paper, cloth bound, Ellen Christensen Bequest Fund 2002 Morris & Company, London, Great Britain, 1861-1940, House decorating and furnishing by Morris and Coy. Decorators Ltd, c.1912, London, paper, Ellen Christensen Bequest Fund 2002 Stanislaw Ostoja-Kotkowski, Australia, 1922–1994, Laser-Kinetic Supershow, 1984, Adelaide, direct positive colour photograph on paper; Laser-Kinetics, 1982, Adelaide, direct positive colour photograph on paper; [Laser Kinetic Supershow with the artist], c.1982-84, Adelaide, direct positive colour photograph on paper, Gift of Edward and Jane Booth 2003

DEACCESSIONS

John Charles Dollman, Great Britain, 1851–1934, And some fell by the wayside, c.1910, oil on canvas, Gift of Capt. Guy Dollman, 1936

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APPENDIX G

INWARD LOANSDuring the year 186 works were borrowed for exhibitions and three for collection display.

INWARD LOANS TO THE COLLECTION

Carolyn Corkindale, Anton Koberger, Hartmann Schedel, Michael Wohlegmuth & Wilhelm Pleydenwurff, Nuremberg Chronicle (Liber chronicarum) Keith and Renee Free, John Gibson, Bust of Woman Kim Allan Pegler and Marcelo Bibiano, Unknown Greek artist 200BC, Hellenistic Head

INWARD LOANS TO EXHIBITIONS

For the exhibition, Lionel Lindsay, 1 August 2002 to 31 May 2003: The Cedars, Hahndorf, SA: Harold Cazneaux, Photograph of Lionel Lindsay For the exhibition, SALA Week, 3 August 2002 to 11 August 2002: Nick Mount, Goodwood, SA: Nick Mount, Murrini form; Decanter & funnel; Black Sung Vase For the exhibition, Arid Arcadia, 30 August 2002 to 3 November 2002: Art Gallery of New South Wales, Sydney, NSW: Hans Heysen, Hill of the creeping shadow; Horace Trenerry, Hawker, Flinders Ranges; Jeffrey Smart, The Wasteland II The Cedars, Hahndorf, SA: Hans Heysen, Brachina Gorge Dr Brian Crisp, Adelaide, SA: Max Ragless, Melrose Lynn Dalgarno, Redfern, NSW: James Cant, Boy and the Butterfly Nicholas Folland, Adelaide, SA: Nicholas Folland, Mount Hopeless (two hot rocks) Barrie Goddard, Adelaide, SA: Barrie Goddard, 36 views of Patawerta Antony Hamilton, Adelaide, SA: Antony Hamilton, Roy Rogers double crease Akubra

Nikolaus & Celia Lang, Germany: Nikolaus Lang, Roadkill National Gallery of Australia, Canberra, ACT: Jessie Traill, Mirage; Hans Heysen, In the Flinders Far North National Library of Australia, Canberra, ACT: William Westall, Views of the south coast of Australia: Spencer’s Gulf, a view at the head of the Gulf; Spencer’s Gulf, a view at the head of the Gulf; S.T. Gill, Camp in desert, Sept 1st; Country NW of tableland, Aug.22; (Grassy hills at the head of Spencer Gulf); (Looking north from Flinders Ranges); Looking SW to Spencers Gulf; Mt. Brown from camp looking NNE., Augst 20th; Waterplace, Depot Creek, Augst. 27th; S.I. (salt lake) Looking SW Dept. 1st Phillip Bacon Galleries, Fortitude Valley, Queensland: Jeffrey Smart, Erosion Stavros Pippos, Adelaide, SA: Stavros Pippos, Serrated peaks, Arkaroola Riddoch Art Gallery, Mount Gambier, SA: Barrie Goddard, Gum – just another bark painting Sally Smart, North Melbourne, Vic: Sally Smart, Tree House (The Unhomely Body) For the exhibition, Art of Arnhem Land 1940s-1970s, 20 October 2002 to 23 February 2003: Professor Paul Carter, Carlton, Vic: Ruark Lewis, [silhouette drawing]; Ruark Lewis, [silhouette drawing]; Ruark Lewis, [silhouette drawing]; Ruark Lewis, [silhouette drawing] David & Clara Lewis, Bellevue Hill, NSW: Ruark Lewis, [silhouette drawing]; Ruark Lewis, [silhouette drawing] Lewis Ruark, Paddington, NSW: Ruark Lewis, [silhouette drawing]; Ruark Lewis, [silhouette drawing]; Ruark Lewis, [silhouette drawing];Ruark Lewis, [silhouette drawing]; Ruark Lewis, [silhouette drawing]; Ruark Lewis, [silhouette drawing] State Library of South Australia, Adelaide, SA: C.P. Mountford, Art of Yirrkala, vol.3…; C.P. Mountford, Art of Oenpelli, vol.5 (part 2); C.P.

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Mountford, Art of Groote Eylandt, vol.1…;C.P. Mountford, Art of Groote Eylandt, Milinimbi and Roper River…; Bessie L. Mountford, vol 67, Journals 2/52 – diary

For the exhibition, Morris & Co, 22 November 2002 to 30 March 2003: Ayers House, Adelaide, SA: …. Morris & Company, St James pair of curtains; Morris & Company, Pelmet Barr Smith Library, Adelaide, SA:: Rossetti, Ballads and narrative poem…; Rossetti, Sonnets and lyrical poems; William Morris, The water of the wondrous isle…;William Morris, Some hints on pattern designing…; Aymer Vallance, William Morris, his writings and his public life… Carrick Hill, Springfield, SA: Morris & Co., Three fold Screen: Pomegranate, Vine, Apple Mr & Mrs J.G. Gosse, Lisarow, NSW: Morris & Company, [Rug]; [Book] Hamish Gosse, Mintaro, SA: Morris & Company, Carpet Mr & Mrs C.J. Legoe, Adelaide, SA: Morris & Company, Brer Rabbit [two lengths of fabric]; Morris & Company, Tudor rose cushion; Morris & Company, Cushion; Morris & Co, Rug Peter Morgan, Walkerville, SA: Morris & Co, Edward Burne-Jones, designer, J.H. Dearle, designer, Flora (tapestry) Kristin Phillips, Adelaide, SA: Morris & Co, Crown Imperial Curtain State Library of South Australia, Adelaide: Wilfrid Scawen Blunt, The love-lyrics & songs of Proteus; William Morris, The defence of Guenevere: and other poems; William Shakespeare, The poems of William Shakespeare…; William Morris, Gothic architecture: a lecture for the Arts…; William Morris, Child Christopher and Goldilind the Fair; Geoffrey Chaucer, The works of Geoffrey Chaucer Mrs D.A. Simpson, Burnside, SA: Morris & Co, Adelaide [two panels from a screen]; Morris & Co, Table cover; Morris & Co, Orchard / Fruit Garden portiere For the exhibition Albert Namatjira, 7 March 2003 to 4 May 2003:

Marjory Edwards, Albert Namatjira, Central Australian landscape; Central Australian landscape Barbara & Doug Mullins, Glen Osmond, SA: Albert Namatjira, Untitled – Portrait of River Red Gum Tree For the exhibition Journey to Now: John Kaldor Art Projects & Collection, 18 April 2003 to 6 July 2003: John Kaldor, Woolwich, NSW: Nam June Paik, TV Buddha; Vanessa Beecroft, JK Art Project at MCA; Christo, Two Wrapped trees; Thomas Demand, Flares; [Gilbert & George performing 'Underneath the Arches']; Francis Alys, Three Men in Cravats Triptych; Francis Alys, Sleepers II, 2001; Francis Alys, New York Triptych; Carl Andre, Steel-copper plain; Carl Andre, The way north, south and west; Bernd Becher, Winding towers; Bernd Becher, Framed Houses; Paddy Bedford, Motorcar Yard; Vanessa Beecroft,JK Artwork Project at MCA; Christo, Packed coast, one million square feet…; Christo, Packed coast, projected for Australia…; Christo, Packed coast, project for Australia…; Christo, Central Park Gates; Christo, Show Window; Christo, Surrounded Island: Project for Biscane Bay; Christo, Purple/black package; Christo, Wrapped paintings; Christo, Running fence, project for Sonoma and Marin; Christo, Wrapped Roses; Christo, Wrapped bottle; Christo, The umbrellas, project for Japan and Western; Aleks Danko, Art stuffing; Thomas Demand,Copyshop; Thomas Demand, Flares; Thomas Demand, Modell; Thomas Demand,Gangway; Gilbert & George, Underneath the arches; Gilbert & George The general jungle; Andreas Gursky, Dusseldorf Flughafen II; Andreas Gursky, Centre Pompidou, Paris; Andreas Gursky, Ohne Title XII (No.3) [Untitled XII (No.3); Andreas Gursky Chicago, mercantile exchange; Donald Judd, Untitled; Jeff Koons, Flowers; Jeff Koons, White terrier; Jeff Koons, [photo of puppy]; Jeff Koons, Basketball; Michael Landy, Michael Landy's (Lifestyle) Destruction…; Michael Landy, Michael Landy's (Lifestyle) Household Contents; Sol LeWitt, Incomplete Open Cube No.5-6; Sol LeWitt, Non-Geometric Form (Splotch); Sol LeWitt, Non-Geometric Form (Splotch); Sol LeWitt, Non-Geometric Form (Splotch); Sol LeWitt, Non-Geometric Form (Splotch); Sol LeWitt, Non-Geometric Form (Splotch); Sol LeWitt, Incomplete Open Cube No.4-5; Sol LeWitt, Six geometric figures; Sol LeWitt, Non-Geometric Form (Splotch); Sol LeWitt, Incomplete open cube 5/8; Sol LeWitt, Box with drawing series 1, 2, 3, 4

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(series A); Sol LeWitt, 2.2.3 (4 parts); Sol LeWitt, Incomplete open cube 7/21; Sol LeWitt, Six two part drawings using single lines; Roy Lichtenstein, Peanut butter cup; Richard Long, River Avon mud circle; Richard Long, A straight hundred mile walk in Australia; Richard Long, A moved line in Japan; Richard Long,River Avon mud circle; Richard Long, Spring showers circle; Barry McGee, Untitled (Man with Baseball Hat); Mario Merz, L'Architetto; Nam June Paik, TV cello; Paul Pfeiffer, Goethe's Message To The New Negroes; Paul Pfeiffer, GOETHS'S MESSAGE TO THE…;Richard Prince, Untitled (Cowboy; Richard Prince, Untitled (joke painting);Robert Rauschenberg, Yellow visor glut; Robert Rauschenberg, Photem series I (7); Robert Rauschenberg, Nugget (Jammer series); Robert Rauschenberg, Newborn/Indian River; Robert Rauschenberg, Dylaby; Robert Rauschenberg Bologna frost (Hoarfrost series); Ugo Rondinone, If There Were Anywhere But Desert. Saturday; Ugo Rondinone, No 267; Ugo Rondinone, No 210; Ugo Rondinone, If There Were Anywhere But Desert; Ugo Rondinone, No 173; Ugo RondinoneNo 219; Ugo Rondinone, Echoes Down The Corridor; Ugo Rondinone, All Moments Stop Here And Together…;Frank Stella, Untitled; Thomas Struth, Chiesa dei Frari; Thomas Struth, Stanze di Raffaello II, Roma; Thomas Struth, Pergamon Museum 2; Thomas Struth, Chicago Board of Trade I, Chicago; George Tjungurrayi, Untitled; Bill Viola, Memoria (Edition 3 of 5); Bill Viola Six Heads; Bill Viola, Incrementation; Wolfgang Volz Wrapped Reichstag, Berlin; Wolfgang Volz Running fence, Sonama Marin county; Wolfgang Volz, Surrounded islands, greater Miami, Florida; Wolfgang Volz, The Umbrellas, Japan – USA; Wolfgang Volz, The Umbrellas, Japan - USA For the exhibition Surrealism in Australia, The James Agapitos & Ray Wilson Collection, 25 July 2003 to 12 October 2003: Mrs Jenny Legoe, Unley Park, SA: G.H. Williams, In the blues For the exhibition Clifford Possum Tjapaltjarri Retrospective, 31 October 2003 to 26 January 2003: Araluen Centre, Alice Springs, NT: Clifford Possum Tjapaltjarri, Mulga Seed Dreaming; Ringalintjita Worm Dreaming

Stephen Grant, Redfern, NSW: Clifford Possum Tjapaltjarri, Two Jangalas Jinta Desert Art, Sydney, NSW: Clifford Possum Tjapaltjarri, [wood carving] Jane Johnson, Chatswood, NSW: Clifford Possum Tjapaltjarri, Possum dreaming at Napperby Tim Johnson, Camperdown, NSW: Clifford Possum Tjapaltjarri, Love Story Mr Peter Los, Research, Vic: Clifford Possum Tjapaltjarri, Emu Corroboree Man James & Elaine Mead, Altona, Vic: Clifford Possum Tjapaltjarri, Good Friday; Man’s Love Story Milanka Sullivan, Warrandyte, Victoria: Clifford Possum Tjapaltjarri, Larumba; Man’s Love Story (Ngarlu) Sophie Ullin Fine Art, Toorak, Vic: Clifford Possum Tjapaltjarri, Love (Sun) Dreaming Westpac Corporate Art Collection, Sydney, NSW: Clifford Possum Tjapaltjarri, Kerrinyarra Di Yerbury, Sydney, NSW: Clifford Possum Tjapaltjarri, Fish Dreaming (Napperby Lakes)

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APPENDIX H OUTWARD LOANS

LOANS FROM THE COLLECTION

During the year thirty-nine works were lent to seventeen exhibitions, four of which wre major national touring exhibitions nd two of which were major international touring exhibitions.

LOANS TO EXHIBITIONS Adelaide, JamFactory Contemporary Craft and Design, SA, Wild Nature in Contemporary Australian Art and Craft exhibition, JamFactory, 21 September 2002 to 10 November 2002; Mildura Arts Centre, 14 March 2003 to 20 April 2003; Object Gallery, 24 May 2003 to 27 July 2003; Lake Macquarie Regional Art Gallery, 7 August 2003 to 21 September 2003; Tamworth City Gallery, 28 February 2004 to 28 March 2004; Queensland University of Technology Art Museum, 9 April 2004 to 13 June 2004; Noosa Regional Gallery, 18 July 2004 to 24 August 2004; Cairns Regional Gallery, 3 September 2004 to 24 October 2004; Rockhampton Art Gallery, 1 November 2004 to 7 December 2004: Lola Greeno, Necklace Lena Pwerle, Goanna and bush tucker (to September 2003 only) Adelaide, Carrick Hill, SA display during the French Festival, 2 November 2002 to 3 November 2003: Pierre Auguste Renoir, Coco Adelaide, Carrick Hill, SA, William Dobell – the early works exhibition, Carrick Hill, 5 March 2003 to 29 June 2003: William Dobell, Study of a horse

William Dobell, Study for ‘The Yellow Glove’ William Dobell, Self portrait William Dobell, Portrait of Hedley Marston William Dobell, Portrait of Hedley Marston William Dobell, Bowler hatted man with cane

William Dobell, The fair-haired boy William Dobell, The yellow glove

Brisbane, Queensland Art Gallery, Asia Pacific Triennial 2002 exhibition, Queensland Art Gallery, 12 September 2002 to 26 January 2003: Howard Taylor, Sun Figure

Bulleen, Museum of Modern Art at Heide, Vic, Good Vibrations: Op Art and its legacy exhibition, Museum of Modern Art, 7 October 2002 to 24 November 2002: Martin Sharp, Mr Tambourine Man Canberra, National Library of Australia, ACT, The Great Masters by Mortimer Menpes exhibition, National Library of Australia, 24 July 2002 to 7 October 2002: Mortimer Menpes, Self portrait Dunedin Public Art Gallery, New Zealand, Stanley Spencer: Angels and Dirt exhibition, Auckland Art Gallery, Toi O Tamaki, 5 July 2003 to 19 October 2003, Te Papa Tongarewa Museum of New Zealand, 8 November 2003 to 29 February 2004, Dunedin Public Art Gallery, 20 March 2004 to 16 May 2004: Stanley Spencer, Self portrait Stanley Spencer, Hilda Welcomed Stanley Spencer, Garden view, Cookham Dene Groningen, Groninger Museum, Netherlands, Femme Fatale exhibition, Groninger Museum, 18 January 2003 to 4 May 2003; Royal Museum of Fine Arts, Antwerp, Belgium, 17 May 2003 to 17 August 2003: J.W. Waterhouse, Circe Invidiosa Melbourne, National Gallery of Victoria, Sidney Nolan: Desert and Drought exhibition, 6 June 2003 to 17 August 2003: Sidney Nolan, MacDonnell Ranges Sidney Nolan, Near Birdsville Sidney Nolan, The Temptation of St Anthony Newcastle, Newcastle Region Art Gallery, NSW, Jon Molvig, Expressionist exhibition, Newcastle Region Art Gallery, 10 August 2002 to 22 September 2002; Brisbane City Hall Art Gallery, 17 October 2002 to 15 December 2002; Drill Hall Gallery, The Australian National University, 6 February 2003 to 16 March 2003; Monash Gallery of Art, Mount Waverley, 4 April 2003 to 11 May 2003: Jon Molvig, Portrait of Charles Blackman

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Paddington, Roslyn Oxley9Gallery, NSW, Fiona Hall exhibition, Museum of Contemporary Art, 10 October 2002 to 16 November 2002: Fiona Hall, Cell Culture Perth, Heytesbury Pty Ltd, WA, Rover Thomas: I want to paint exhibition, National Gallery of Victoria, 3 June 2003 to 17 August 2003, Bendigo Art Gallery, 13 December 2003 to 26 January 2004, Art Gallery of South Australia, 24 September 2004 to 28 November 2004; Art Gallery of Western Australia, 18 December 2004 to 6 March 2005: Rover Thomas, Lake Paruku Sydney, The Art Gallery of New South Wales, Machine Organic: The Art of Robert Klippel exhibition, Art Gallery of New South Wales, 18 August 2002 to 13 October 2002: Robert Klippel, Metal Sculpture Sydney, Museum of Contemporary Art, NSW, Dancing Up Country, the work of Dorothy Napangardi, 10 December 2002 to 9 March 2003: Dorothy Napangardi, Salt on Mina Mina Sydney, Historic Houses Trust of New South Wales, Lure of the Southern Seas: the Voyages of Dumont d’Urville, 21 December 2002 to 27 April 2003: Fiona Hall, Cell Culture Sydney, Art Gallery of New South Wales, James Fairfax Exhibition, Art Gallery of New South Wales, 17 April 2003 to 20 July 2003: Joseph Vernet, The four times of day: Morning Joseph Vernet, The four times of day: Midday Joseph Vernet, The four times of day: Evening Joseph Vernet, The four times of day: Night Sydney, Art Gallery of New South Wales, Charles Conder Retrospective Exhibition, Art Gallery of New South Wales, 14 June 2003 to 17 August 2003, National Gallery of Victoria, 6 September 2003 to 9 November 2003, Art Gallery of South Australia, 21 November 2003 to 26 Janauary 2004:

Charles Conder, Les premiers conseils Charles Conder, A holiday at Mentone Charles Conder, How we lost poor Flossie Charles Conder, Tea-time Charles Conder, Dandenongs from Heidelberg Charles Conder, All on a summer’s day Charles Conder, A Dream of Handel’s Largo Charles Conder, Hayfield, France

FURNISHING LOANS

Government House, Adelaide: Louis McCubbin, Spring landscape Department of the Premier and Cabinet,

Adelaide: James Cant, Grasses Sonda Turner Nampitjinpa, Watiawannu Makinti Minutjukur, Anangu waltjapiti ngura waltjangka nyinantja Alby Stockman, Japanangka, Caterpillar Dreaming Ian W. Abdulla, Picking red berries Paddy Sims Japaltjarri, Yanjilypiri Dreaming Annette Bezor, Heads Above Water III Gloria Petyarre, Mountain Devil Dreaming Hermann Hohaus, Girl undressing Horace Trenerry, Winter landscape Lawrence Daws, Man listening to the sky II Ken Searle, Bowden, Brompton Mandy Martin, Flat-top Michael Atira Atira, Mulayangu William Robinson, Josephine, Rosie and other Jacko Gordon Jakamarra, Floodwater Dreaming Harper Morris Tjungarrayi, Untitled Minister Terry Roberts, Adelaide: Phyllis Williams Naparrula, Possum Dreaming Nyukana Baker, Mulayangu Munu Ikarka Minister John Hill, Adelaide: James Cant, Summer at Aldinga Geoffrey Wilson, Hills Road and Aldinga Minister Patrick Conlon, Adelaide: Ronnie Lawson Jakamarra, Water Dreaming Ronnie Tjampitjinpa (Pintupi tribe), Two women of the Dreamtime Minister Weatherill, Adelaide: Jacko Gordon Jakamarra, Floodwater Dreaming Harper Morris Tjungarrayi, Untitled

APPENDIX I

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EXHIBITIONS AND PUBLIC PROGRAMS Burke & Wills: from Melbourne to Myth 22 June – 18 August 2002 Gallery: 23 Admission: Adult $10, Concession $8, Member $6, Family $20, Children under 16 free, Student $4, School Classes $20 Guided tours: Thursday at 2:30 pm, Saturday & Sunday at 2 pm Opening Speaker: Dr Tim Flannery, Director, South Australia Museum Consultant Curator for the National Library of Australia: Tim Bonyhady Art Gallery of South Australia Curator: Sarah Thomas, Curator of Australian Art Major Sponsors: Santos, Bank SA Media Sponsors: NWS Channel 9, MIX 102.3, The Advertiser, Adshel Wine Sponsors: Jansz, Hamilton’s Ewell Vineyards, Penny’s Hill Stella Bowen: Art, Love & War 19 July – 29 September 2002 Gallery: 22 Admission: Adult $6, Concession $5, Member $4, Student $3, Children under 16 free, Veterans, War Widows, Defence Force members & families & Anzac Foundation free Guided tours: Until 4 August at 2 pm on Wednesday, Thursday, Friday, Saturday & Sunday, after 7 August at 12 noon on Wednesday, Thursday, Friday & 2 pm on Saturday & Sunday for the duration of the exhibition Opening Speaker: Marilyn Darling, Chair, National Portrait Gallery, Deputy Chair, Gordon Darling Foundation Australian War Memorial Curator: Lola Wilkins Art Gallery of South Australia Curator: Sarah Thomas, Curator of Australian Art Major Sponsors: Bank SA, Hyatt Media Sponsors: NWS Channel 9, The Advertiser, Five AA Wine Sponsors: Jansz, Penny’s Hill, Hamilton’s South Australian Living Artist’s Week 2 – 11 August 2002 Gallery: 9 Admission: free Opening Speakers: The Hon. John Hill MP & artist, John Barbour Curators: Sarah Thomas, Curator of Australian Art & Robert Reason, Associate Curator, European & Australian Decorative Arts Supported by the Government of South Australia through Arts SA Arid Arcadia: Art of the Flinders Ranges 30 August – 3 November 2002 Gallery: 23, 24 & 25 Admission: Adult $10, Concession $8, Member $6, Children under 16 free, Student $4, School Classes $20 Guided tours: Wednesday, Thursday, Saturday & Sunday at 1 pm. Opening Speaker: The Hon. Dr Jane Lomax-Smith MP Curator: Alisa Bunbury, Associate Curator Prints, Drawings & Photographs Major Sponsor: Bank SA Media Sponsors: Channel 9, The Advertiser, Five AA Wine Sponsors: Jansz, Penny’s Hill, Hamilton’s Art of Arnhem Land: 1940s – 1970s 18 October 2002 – 23 February 2003 Gallery: 22 Admission: Gold coin Guided tours: Wednesday at 12 noon, Saturday & Sunday at 2 pm Opening Speaker: Banduk Marika

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Curator: Tracey Lock-Weir, Associate Curator Australian Paintings & Sculpture Major Sponsor: Bank SA Media Sponsors: Channel 9, The Advertiser, Five AA Wine Sponsors: Jansz, Penny’s Hill, Hamilton’s Morris & Co. 22 November 2002 – 30 March 2003 Gallery: 23 & 24 Admission: Adult $10, Concession $8, Member $6, Child under 16 free, Student $4, School Classes $20 Guided tours: Wednesday, Thursday, Saturday & Sunday at 1 pm Opening Speaker: The Hon. Alexander Downer MP Organising Curator: Christopher Menz, Senior Curator, Decorative Arts (International) at the National Gallery of Victoria Art Gallery of South Australia Curator: Robert Reason, Associate Curator, European & Australian Decorative Art Major Sponsor: Bank SA Media Sponsors: Channel 9, The Advertiser, Five AA Wine Sponsors: Jansz, Penny’s Hill, Hamilton’s SEEING THE CENTRE: the art of Albert Namatjira 1902 – 1959 7 March – 4 May 2003 Gallery: 22 Admission: Adult $10, Concession $8, Member $6, Child under 16 free, Student $4, School Classes $20 Guided tours: Wednesday, Thursday, Saturday & Sunday at 2 pm Opening Speaker: The Hon. Mike Rann MP Curators: Roger Butler, NGA, Alison French AGSA Curator: Tracey Lock-Weir, Associate Curator Australian Paintings & Sculpture Major Sponsor: MARSH, Australian Air Express, Bank SA Media Sponsors: Channel 9, The Advertiser, Five AA Wine Sponsors: Jansz, Penny’s Hill, Rymill Coonawarra JOURNEY TO NOW: John Kaldor Art Projects & Collection 18 April – 6 July 2003 Gallery: 23, 24 & 25 Admission: Adult $5, Concession $4, Member $3, Child under 16 free, School Classes $20 Guided tours: Wednesday, Thursday, Saturday & Sunday at 1pm Opening Speaker: Daniel Thomas Curator: Adam Free, Curator of European Art Major Sponsors: Bank SA, Integrated Vision Media Sponsors: Channel 9, The Advertiser, Five AA Wine Sponsors: Jansz, Penny’s Hill, Rymill Coonawarra Jonathan Dady Construction Drawings 02: 2003 14 May - 24 June 2003 Temporary sculptural installation, North Terrace lawns Admission: free Curator: Sarah Thomas, Curator of Australian Art Installation sponsors: Boral Fornwork & Scaffolding, Solver Paints Major Sponsor: Bank SA Media Sponsors: Channel 9, The Advertiser, Five AA The Morgan Thomas Bequest Centenary Exhibition 27 May – 27 July 2003 Gallery: 22 Admission: Gold coin Guided tours: Saturday & Sunday at 2 pm

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Curator: Robert Reason, Associate Curator, European & Australian Decorative Arts Major Sponsor: Bank SA Media Sponsors: Channel 9, The Advertiser, Five AA Wine Sponsors: Jansz, Penny’s Hill, Rymill Coonawarra The Nuremberg Chronicle, ongoing exhibition from 4 February Gallery: 12 The Silhouettes, drawings by Ruark Lewis Gallery: 25 Curator: Sarah Thomas 5 November – 23 February Namatjira Treasure Days, 11 April and 2 May 2003

COLLECTION DISPLAY EXHIBITIONS

SALA Week display, 2-11 August 2002, gallery 9 British Regency: Decorative Arts from the collection, 11 March 2002 – 16 February 2003, gallery 19 International Photography of the 1970s and 80s, 7 August – 23 September 2002, gallery 8 Mike Parr: Head on a plate, 24 September 2002 – 12 January 2003, gallery 8 English and Australian Arts & Crafts from the collection, 25 October 2002 – 28 April 2003, gallery 18 Watercolourists of Central Australia: the legacy of Albert Namatjira, 13 March – 30 May 2003, gallery 8 Australian Performance Art of the 1970s, 18 January – 2 February, gallery 8 Contemporary South Australian Video, 3 February – 17 February, gallery 8 Australian Video Now, 18 February – 9 March, gallery 8 Contemporary International Photography, from 2 June 2003, gallery 8 Wedgwood from the Decorative Arts collection, 20 February – current, gallery 19

EXHIBITIONS TOURING Love & Death: Art in the Age of Queen Victoria This ambitious touring exhibition travelled to Queensland Art Gallery (30 May–28 July 2002) and the Toi O Tamaki Auckland Art Gallery (24 August–24 November 2002). Attendance: Queensland Art Gallery 29,000 Toi O Tamaki Auckland Art Gallery 20,332 The art of Lionel Lindsay Tour venues are Carrick Hill (1 August–29 September 2002), Millicent Art Gallery (11 October-24 November 2002), Riddoch Art Gallery (29 November-19 January 2003), Port Pirie Regional Art Gallery (25 January-2 March 2003), Walter Nichols Gallery, Port Lincoln (1 May-31 May 2003) Attendance: Carrick Hill 5,020 Millicent Art Gallery 1,143 Riddoch Art Gallery 1,356 Port Pirie Regional Art Gallery 1,270 Walter Nichols Gallery 1,498

LUNCHTIME TALKS A total of eighty-five talks were presented, comprised of seventy lunchtime talks by curators, artists and guest speakers, nine talks by contemporary South Australian artists throughout SALA Week and 3 guest presentations during the Feast Festival. Overall attendance: 3,506 Lunchtime talks included many exhibition floor talks:

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Burke & Wills: From Melbourne to Myth (2) Stella Bowen: Art Love & War (5), three by artists (“The Artist’s Eye”) Arid Arcadia: Art of the Flinders Ranges (12), three by guests (“In the Public Eye”) Art of Arnhem Land 1940s – 1970s (7), four by guest speakers including artist Ruark Lewis Morris & Co. (6) Seeing the Centre: The art of Albert Namatjira (2) Journey to Now: John Kaldor Art Projects and Collection (11) 10 by contemporary South Australian artists (“The Artist’s Voice”) Morgan Thomas Bequest Centenary (1)

SYMPOSIA Morris & Co. Sunday 23 March 2003 9 am – 7 pm. Registration: $80, $70 members Speakers: Ron Radford, Christopher Menz, Dr Chiaki Ajioka, Robert Reason, Christine Dixon, Lesley Baker and Dr Alison Inglis. Attendance: 76

LECTURES Saturday 17 August Inside Melbourne to Myth Speaker: Tim Fisher Attendance: 45 Sunday 25 August Painting Ghosts: Stella Bowen Speaker: Cathy Speck Attendance: 25 Saturday 14 September Majesty, Myth & Mystery (Arid Arcadia) Speaker: Alisa Bunbury Attendance: 20 Wednesday 18 September The war artist today Speaker: Peter Churcher Attendance: 54 Wednesday 28 September Arid Arcadia Speaker: Sally Smart Attendance: 20 Saturday 8 February Central Arnhem Land: small barks big stories Speaker: Susan Jenkins Attendance: 20 Thursday 13 March Beneath the Horizons Speaker: Greg Johns Attendance 42 Saturday 29 March The heritage of Namatjira Speaker: Ruth Megaw Attendance: 25 Saturday 5 April

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Albert Namatjira (with slides) Speaker: Alison French Attendance: 40 Saturday 21 June Journey to Now Speaker: Adam Free Attendance: 30

SPRING LECTURE PROGRAM Tuesday 15 October Head on a Plate Speaker: Mike Parr, artist Attendance: 80 Tuesday 22 October Art of Arnhem Land Speaker: Banduk Marika, Rirratjingu artist and elder from Yirrkala Attendance: 37 Tuesday 29 October The Nuremberg Chronicle 1493 Speakers: Susan Woodburn, Special Collections Librarian, Barr-Smith Library, University of Adelaide and Julie Robinson, Curator of Prints, Drawings and Photographs Attendance: 67 Tuesday 5 November Like a Virgin Speaker: Adam Free. Curator of European Art Attendance: 40 Venue: AGSA Auditorium at 6.15 pm Admission: $8 per lecture or series $30 Overall attendance: 224

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OTHER EVENTS AND PROGRAMS School Holiday Arts & Craft Program Art & Craft activities related to exhibition themes were held during each school holiday period. Presented by qualified arts and crafts tutors, the activities for children included calligraphy, drawing, painting and printing, jewellery-making and various other forms of art and craft. Attendance: 1,181 Family Drop in days Sunday 28 July, 25 August, 22 September, 24 November, 23 February, 23 March, 27 April, 25 May and 22 June 12 noon–3 pm Nine family drop in days continued throughout the year offering entertainment, tours for families and art & craft activities for children. Approximately 250 children attended activities. Family Fun Day Sunday 27 October The Gallery’s Annual Family Day featured live music performances, Eye Spy Club tours, storytelling, art and craft activities, free sample bags, face painting, sausage sizzle and free admission to the exhibition Arid Arcadia: Art of the Flinders Ranges with talks held in the exhibition. Supported by Bank SA, ETSA, Five AA, Sanitarium, Health Promotions SA, Art Gallery Café. Attendance: 2, 000 participants Easter In The Gallery Friday 18 April at 11 am & 2 pm Art for Good Friday The Most Reverend Ian George, Anglican Archbishop of Adelaide gave two tours of the collection accompanied by the Corinthian Singers. Attendance: 265 Monday 21 April at 11 am Art for Easter Monday Father Anthony Kain, Parish Priest of Kingswood conducted an informative tour of historical and contemporary art works within the Gallery’s collections. Attendance: 65 An extensive program of free films which related to the Gallery’s exhibitions was held throughout the year. Highlights included a selection of from the Yirrkala Film Project shown in conjunction with the Art of Arnhem Land 1940s – 1970s exhibition. The films shown during the exhibition SEEING THE CENTRE: The art of Albert Namatjira attracted large groups each day.

Many of the films and videos were made available with the support of the SA Video and Film Collection and Australian Centre for the Moving Image.

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APPENDIX J

SCHOOLS SUPPORT SERVICES

EDUCATION SERVICES (SCHOOLS)

GROUP VISITS/INQUIRIES Total student numbers 26,161Individual research inquiries 135Total (all students) 26,296 TEACHER INSERVICING Teacher briefings (exhibitions) 510Individual teacher assistance 120Conferences/Lectures 350Graduate teachers 145Total (all teachers) 1,125

ANNUAL ATTENDANCES 1998–2002 Schools 2002-2003 2001–2002 2000–2001 1999–2000 1998–1999 26,296 26,366 24,331 20,062 21,295 Client Use–Percentage Analysis

Government (DECS)

Catholic (CEO)

Independent (ISB)

2002-2003 68% 13% 19% 2001–2002 61% 18% 21% 2000–2001 62% 16% 22% 1999–2000 66% 14% 20% 1998–1999 61% 19% 20%

APPENDIX K

GALLERY GUIDE TOUR SERVICES

Total number of tours conducted including regular booked groups, Eye-Spy and corporate function tours

1,108

Total of tours conducted in previous year 1,430 Total number of persons toured to end June 2003 11,018 Persons toured previous year 15,445

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APPENDIX L

GALLERY PUBLICATIONS

BOOKS

Arid Arcadia: Art of the Flinders Ranges Author: Alisa Bunbury 208 pp, 85 colour illustrations, 150 black & white illustrations, hardback ISBN 0 7308 3021 7 Designer: Antonietta Itropico Morris & Co. Author: Christopher Menz 188 pp, 138 colour illustrations, 29 black & white illustrations, hardback ISBN 0 7308 3029 2 Sponsor: Philip Bacon Designer: Antonietta Itropico Art of Arnhem Land 1940s – 1970s Author: Tracey Lock-Weir 8pp folder, 8 colour illustrations, paperback Designer: Antonietta Itropico Journey to Now: John Kaldor Art Projects and Collection Author: Adam Free 16 pp, 9 colour illustrations, 1 black & white illustrations, paperback Sponsor: Bank SA, Channel 9, The Advertiser, Five AA Designer: David Zhu Design The art of Lionel Lindsay: prints, drawings & bookplates Author: Alisa Bunbury 6pp folder, 8 black & white illustrations, paperback Designer: Antonietta Itropico

Annual Report of the Art Gallery of South Australia 2001–2002 Authors: Chairman, Director and staff 75pp, ISSN 0728–7925

22nd Annual Report of the Art Gallery of South Australia Foundation 2001–2002 Authors: Max Carter, Ron Radford, assisted by Kerry de Lorme 32 pp, 13 colour illustrations Designer: Antonietta Itropico

NEWSLETTER

August/September 2002, vol.11, no.4; October/November 2002, vol. 11, no. 5, December 2002/January 2003, vol. 11, no. 6; February/March 2003, vol. 12, no. 1; April/May 2003, vol. 12, no. 2; June/July 2003, vol. 12, no. 3; ISSN 1448–062X. Sponsor: van Gastel Printing Pty Ltd Designer: Antonietta Itropico

MERCHANDISE

A new product was launched this year with the help of van Gastel Printing that has proved very popular with our customers. A range of nine Japanese woodcut prints and a selection of eleven Albrecht Dürer prints were reproduced onto watercolour paper, using a new process which allows the Gallery to print on demand. The quality is exceptional and the outlay minimal. A further four greeting cards and eight post cards were also printed.

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EPHEREMA

Various leaflets and brochures promoting exhibitions were produced for distribution to the public, schools, sponsors, the Friends and the Foundation.

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APPENDIX M

ANNUAL ATTENDANCES

TOTAL 2002–2003

Gallery day attendance 412,345

Gallery after hours attendance 22,264

Gallery School attendance 26,296

Visits to Gallery temporary exhibitions 60,000

TOTAL 520,905

There was a record number of visits to the Gallery’s newly designed website totalling 1,201,990 hits. There were 22,526 enquiries at the Visitor Information Desk.