ANNA TROPICANA!

ANNA TROPICANA!

Book by Stephen Nolly Music by Ron Barnett

Lyrics by Stephen Nolly

Based on the play “Anna in the Tropics” by Nilo Cruz

CAST: Santiago Cheche Ofelia Marela

Conchita Palomo

Juan Julian

TIME: 1929

PLACE: A Cigar Factory in Ybor City, outside Tampa, Florida

MUSICAL NUMBERS

Act One

Script Int Score

1. Anna Kareniña 1 7

Marela (Soprano)

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Vocal Ranges

Santiago

Juan Julian

Cheche

Palomo

Merela

Conchita

Ofelia

Soprano

2nd Soprano/1st Alto

Alt

Second Tenor

Lyric Baritone

Tenor

Baritone

ACT TWO

Scene Three

A party to inaugurate the new cigar brand. WORKERS celebrate in their finest attire. The ENTIRE COMPANY, except MARELA, is present. The liquor flows freely and the everyone has plenty of rum in their bellies. SANTIAGO stands in front of everyone and prepares a toast.

SANTIAGOWell, senores y senoras, today we've taken time from work to drink and dance, and to celebrate the new cigar brand we are launching into the market.

(HE takes a cigar from his shirt pocket)This well-crafted cigar is wrapped in the finest leaves from Vuelta Abajo in Pinar del Rio, the tip of the island of Cuba. The length of this new cigar is six and one-eighth inches. The ring gauge is fifty-two... Where's Marela? She should be here.

(MARELA enters dressed in an elegant black gown. SHE is like Anna on the night of the ball.)

MARELAI'm here Papa.

SANTIAGOLet me look at you, my little blue sky.

OFELIABut my child, you look so beautiful.

SANTIAGOYou came just in time... I was about to say that since most cigars are named after women and romantic love stories, today we are baptizing our new cigar with the name Anna Kareniña! This cigar will sell for ten cents and we are hoping this new brand will bring us fortune and prosperity. So now that we are all gathered here, I would like to ask my beloved Ofelia to do us the honor of officially lighting the first Anna Kareniña.

(Applause from the CROWD. The cigar is passed to OFELIA. SANTIAGO lights it with a match. 1. Anna Kareniña.)

II-3-1

1

SANTIAGOTHIS CIGAR WILL BE LIKE NONE OTHER.

(HE lights her cigar)

OFELIADAME, PAPI. COME TO MOTHER.

(SHE tokes and then passes it to Marela)

MARELABLESS US, FATHER. HAIL MARY.

(SHE passes it to Cheche)

CHECHETHE SUBTLE KISS OF SOUR CHERRY.

(HE passes to Conchita)

CONCHITATHIS WILL BE OUR FINEST TORO.

(SHE passes to Palomo)

PALOMOA TRIBUTE TO OUR BOCA D'ORO.

(HE passes it to Juan Julian)

ALLANNA KARENIÑAAND SO THE STORY GOES...

CONCHITATHE LOVERS PLAY THE GAME.

PALOMOAND DANCE AROUND THE FLAME.

MARELAWE'RE OH SO GLAD YOU CAME.

ALLANNA KARENIÑAWILL FREE US FROM OUR WOES.

OFELIAALL PASSION HAS A PRICE.

SANTIAGOWHEN LOVE BECOMES A VICE

PALOMOIT'S ANYTHING BUT NICE.

II-3-2

2

CONCHITAWHEN LOVE COMES YOUR WAY YOU MUST GRAB IT.TO HELL WITH WHAT STANDS IN YOUR WAYIT FILLS YOU WITH FEAR TO BE EMPTY SO NEAR TO YOUR PASSION,

IT CALLS OUT ONE NAME:

ALLIT'S KARENIÑAWILL SET THE WORLD ON FIRE.

MARELAA BETTER LIFE ONE DAY.

SANTIAGOA FANTASY SOME SAY.

CHECHEIT ALL MUST END ONE WAY...

JUAN JULIANTHE LIT’RATURE IS LIKE LIQUOR. TAKE A SIP IF YOU PLEASE.

CONCHITAIGNITE A PASSION TO DANCE THROUGH THE NIGHT -

OFELIAEXCEPT THE GRINGO - THEY DANCE WITH NO KNEES

MARELAI TASTE THE WORLD THROUGH HIS STORIESI KEEP THEM LOCKED UP IN JARS.I CAN ESCAPE THERE ANY TIME I WANT,I LEAVE MY BODY AND DANCE WITH THE CZARS.

PALOMOJUST ONE THING TO REMEMBERTHE KNIFE CUTS BOTH WAYSIT FILLS YOU UP WITH WHAT YOU HAVE INSIDEAND YOUR SOUL HAS SEEN BETTER DAYS

CHECHETHERE’S A CAUSE TO YOUR SUFFERINGAND WE BOTH KNOW THE NAME.PUTS IDEAS IN OUR HEARTS AND OUR LOINS - AND WHO IS THERE TO BLAME?

II-3-3

3

ALLANNA KARENIÑAWILL FILL YOUR SOUL WITH FIRE.

OFELIALIKE DANCING IN THE RAIN

PALOMOSHE'LL DRIVE A MAN INSANE.

SANTIAGOJUST WATCH OUT FOR THAT TRAIN.

ALLANNA KARENIÑAWILL SOON COME TO AN END.

JUAN JULIANOUR STORIES ARE OUR LIFE.

CONCHITATO FIND LOVE AS A WIFE

PALOMOIT CUTS JUST LIKE A KNIFE.

CHECHEWHEN SOMETHING IS YOURS YOU MUST GRAB ITTO HELL WITH WHAT STANDS IN YOUR WAYTHE SCENT OF HER YEARS WHEN SHE’S STANDING SO NEAR

AND YOUR SUFFERING KNOWS JUST ONE NAME:

ALLIT'S KARENIÑAONE CHAPTER LEFT TO TELL.

(MARELA goes to Juan Julian and tugs on the book.)

MARELAPLEASE JUST ANOTHER LOOK.

JUAN JULIANI SEE THE STORY'S TOOK.

(HE gives the book to Marela.)JUST DON'T FORGET THE BOOK.

II-3-4

4

(MARELA holds the book to her chest, then sits.)

MARELATHE ENDING YOU FEAR WHEN YOU FEEL SOMETHING NEAR AND

UNHAPPINESS KNOWS YOU BY NAME:

(MARELA looks down at her book, then opens it to read.)

MARELA(sotto)

I'M KARENIÑA.

(CHECHE emerges from the shadows and wipes the sweat from his face. HE looks at Maria, his eyes full of lust and rage. SHE sees him approach. HE advances and grabs her arm as SHE shuts the book on a BLACKOUT.)

II-3-5

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Anna Kareniña(Company)

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SANTIAGO: …the first Anna Kareniña

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Anna Kareniña - 2

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Anna Kareniña - 3

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Anna Kareniña - 4

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Anna Kareniña - 5

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38 −œ œ œ œ −œ œ œ œpas sion, it calls out one

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Anna Kareniña - 6

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CHECHE:

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Anna Kareniña - 7

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grin go, they dance with no knees

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Anna Kareniña - 8

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56 ≈ œ œ œ œ œ œ ιœ −œI taste the world through his sto ries

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Anna Kareniña - 9

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66 ‰ œ œ œ œ œ ιœ −œThere's a cause to your suf fering

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68 ‰œ œ œ œ œ œ œ œ œ œ œPuts i de as in our hearts and our loins And


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who is there to blame?

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76 œ œ −˙œ œ −˙

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78 œ œ œ œ œ œ œ Œdanc ing in the rain

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Anna Kareniña - 11

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88 œ œ œ œ œ œ œ −œ œcuts just like a knife



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B α C/B α−œ œ œ œ −œ œ œ œ

stand ing so near and your

˙˙˙̇ ˙˙˙̇


B αMaj7 Gm6/B α-

%

Υ

%>

α

α

α

α

96 ∑

−œ œ œ œ −œ œ œ œsuf fer ing knows just one



B αMaj7

” ‰ Ιœœ œœ œœ œœ

It's Ka re ni

˙∀ ‰ Ιœœ œœ œœ œœname It's Ka re ni

˙˙̇̇∀ œœœœ Œ

œ œ œŒ

A7(α9)

CONCHITA/MARELA:OFELIA:

CHECHE:SANTIAGO/JUAN/PALOMO:

-

- -

- - --

-

=

=

Anna Kareniña - 14

20

%Υ

%>

αα

α

α

98 œœ œœ œœ −−˙̇ñaœœ œœ œœ −−˙̇ña


Dm

Œ ‰ ιœœ œœ œœ œœ œœ œœone chap ter left to tell

Œ ‰ Ιœœ œœ œœ œœ œœ œœone chap ter left to tell


-

--

-

%Υ

%>

αα

α

α

100 œœ œœ∀ ˙̇ Œœœ œœ∀ ˙̇ Œ


A7(α9)

” Œ ‰ ιœPlease,

∑


MARELA:

%Υ

%>

αα

α

α

102 œ œ œ œ œ œ œ Œjust an oth er look

” Œ ‰ ιœI



Gm9 C7

JUAN JULIAN:

∑

œ œ œ œ œ œ œ ‰ ιœsee the sto ry's took Just



FMaj9 B αMaj9

JUAN JULIAN gives Marela the book.

-

-

-

Anna Kareniña - 15

21

%Υ

%>

αα

α

α

104 ∑

œ œ œ œ œ œ œ −œ œdon't for get the book



Em7(b5) A7

” Œ ‰ ιœ∑

œœœœ∀ œœœœ œœœœ ≈ œœœœ œœœœ œœœœ Œ


Œ

MARELA:

- = = = = = =

= = = = = =

%

%>

α

α

α

106

−œ œ œ œ −œ œ œ œend ing you fear when you

˙˙̇ ˙˙̇

˙ ˙

B α C/B α

Ο

−œ œ œ œ −œ œ œ œfeel some thing near and un

˙˙˙̇ ˙˙˙̇

˙ ˙

B αMaj7 Gm6/B α- - -

%

%>

α

α

α

108 −œ œ œ œ −œ œ œ œhap pi ness knows you by


˙ ˙

B αMaj7

rit. ϖ∀name.

ϖϖϖϖ∀

ϖϖ

- -

Τ

Τ

Τ

Anna Kareniña - 16

22

%

%>

α

α

α

110 ” ‰ ιœ œ œI'm Ka re

∑∑

SHE opens the book and starts reading.ο ιœ −œ ”ni ña.

∑∑

∑

∑ϖϖÊ

ο

∑ϖϖϖϖϖ∀

ϖϖƒ

CHECHE approaches. MARELA shuts the book.

∑

∑

œœŒ ”

- - -

Τ

Τ

Τ

=

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ANNA TROPICANA!

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