Andromeda murano nastro digital catalogue
107
www.dreamlight.kiev.ua www.dreamlight.kiev.ua
-
Upload
wwwdreamlightkievua -
Category
Documents
-
view
225 -
download
2
description
Â
Transcript of Andromeda murano nastro digital catalogue
www.dre
amlig
ht.ki
ev.u
a
I sit here at my laptop and think. Can I put my thoughts together? I see a blue sky, 30 degrees and humid
but this isn’t a tropic island: why is it so hot? Why does my knee ache? Is being 40 years old as fascinating
as people keep telling me? I do go on, day in and day out.
A few days ago Gianluca suggested to me, “write anything at all”.
Wait, I think something moved inside my brain.
“Write anything at all!”. It could be the right suggestion!
I shift the line of sight from the almost blank page to the passageway right outside my office.
Alberto passes by, silently. I guess he is coming back from the frame shop. The clue being the roll of
technical drawings he carries.
Elio – face mask hanging around his neck – expresses some perplexity over the colour intensity he is trying
to reach in glass. Michela insists – her hand-painted colour charts in her hands. They spar a little.
A Nastro comprising five hundred and forty glass elements has to be installed over a staircase. The guys
are leaving. “But when will the micro Nastro be ready for the market?”, Denise asks while making some
photocopies, always seeking to tip off her clients. Actually, Silvia just put down on my desk the CAD
drawings to print in the catalogue.
The testing of smaller flexible metal elements was made late spring. The development took some time.
I close the door.
My first thought: my office faces a very crowded corridor.
Second thought: what happened?
NASTRO
www.dre
amlig
ht.ki
ev.u
a
It took a couple of years from very first launch of Nastro into market back in year 2000 to begin to see the
process by which its actual limits could be continually formed and reformed. The more questions, the more
specific preferences, the more information our Clients submitted really fired our imagination and led us to seriously
consider what might be created and actualised in new additional forms. We started wondering about the
preferences conveyed. Were they a reflection of the preferences of individuals involved in buying Nastro? Or were
they a reflection of cultural experiences and social circumstances? Or, again, were they a reflection of the nature
of the product itself?
From our own vantage point, we guessed they were a combination of all these factors.
Nastro’s Clients we had since the very beginning – interior designers or architects or private individuals – they are
people who experienced a specific need well before the majority. That’s why they have been so important to us.
They made it necessary to develop ideas or other practical ways to deal with their needs without changing the
essence of the design.
As it often happens when looking ahead, too busy and immersed in daily activities, we did not immediately
realize that we had just started the process of design research. In fact, our Client’s feedback began to have real
meaning as our designers responded.
What caught my attention and seemed interesting to me was that the role of our in-house design team was no
longer fixed, but was actually changing. Without even being conscious we asked them to take a more pro-active
perception in the development of Nastro. And this change, – to a large extent - influenced us all.
I now have the feeling that this was the real initiation of change in the man made glass products we make.
Once the essential design is determined, then more specifics of its forms can be conceived.
We are getting better and better in expanding the content of our product to match our understanding of design.
The earlier edition has focused primarily on usability (2000), then it moved to include pleasure and emotion
(2003), and now it includes broader issues and concepts.
You only know the non-existing context where to fit a Nastro fixture. You imagine it.
This is until now our only vision.
Environment changes. It is dynamic. Interiors are subject to change by human intervention, intended or
unintended. This meant – and still means – we have to seek to reconceptualize the existing, when talking about
Nastro collection.
It is a scenario-method of working, suited to generate possible specification-in-context and practices on a different
level of sophistication.
And what is a scenario but a “what if” story”?
The majority of our customized Nastro models – linear, multiple, circular … - often begin with analysis of the
context into which Nastro design must fit.
Pause. I need a break. 5
www.dre
amlig
ht.ki
ev.u
a
The coffee-corner is near my office. In the passageway, of course. Where else could it be? Turn left. Turn
right. The espresso machine is where I go to gather most of my thoughts. Whatever the situation I’m facing. I
stare at the hazel brown cream trickling down turning into black-brown. Is it just a matter of knowledge? Is it
the spectrum of expertise? Well, I believe that any kind of knowledge is personal and any personal knowledge is
rendered by expertise.
I slowly sip my coffee. As I contemplate – one by one – people working downstairs, at the furnace come to my
mind and then those at the grindstone and then those men in the assembly department. I walk down and look
at them going back and forth. Down the stairs the scent is different. Expertise here is not simply a matter of
“talent”, but is the result of dedication, motivation, concentration. No romanticism, I’m sorry. But the willingness
to work hard on improving performances. Here stands the other side of the nature of human creativity. It is here
that our understanding of “experience” is translated into the “look and feel” of our product. How many hours
Gianluca and the design team spend here, transmitting a concept, attending the creation of glass prototypes,
discussing feasibility. Through Nastro we first experienced the close collaboration between human resources.
Not only drawings going up and down the stairs but a process that offers the opportunity for critical discourses,
intellectual conversations, basic fundamentals on chemistry, arguments on aesthetics …
Such collaborative dialogue had the right effect on the evolution of Nastro as a piece of art. This approach implies
a direct experimental encounter with art. So far, I’m sure you will agree with me, we might look at these glass
artworks as objects of knowledge in their own right.
Being myself in charge of marketing I know that understanding a market is fundamentally different from
understanding what to design. I need to understand what people will buy and how people make their buying
decision; the design team instead need to understand what will fit into people’s lives. I believe there is only a
limited overlap between these questions.
Better for me to have a short walk outside the factory. At the end of the lane there’s the lighthouse. As I said
this is not a tropic island but Murano still is an island. I lean on the low wall facing the lagoon. It is still 30°
degrees and humid. I rest my mind focusing on the surface of the water.
Wait a minute … w a i t a m i n u t e … I don’t know what a Nastro element looks to you but, in this very moment,
it looks like curling surf to me (but please let that be our secret!).
Marzia Vianello
6
www.dre
amlig
ht.ki
ev.u
a
8
10
9/H
LS/8
5/A
L
JET
BLA
CK
www.dre
amlig
ht.ki
ev.u
a
10
9/W
S/0
2/A
L
AG
LO
W
11
www.dre
amlig
ht.ki
ev.u
a
12
109
/HLS
/11
6/A
L O
CE
AN
BLU
E
www.dre
amlig
ht.ki
ev.u
a
15
10
9/H
LS/9
6/A
L
DE
SE
RT
A
www.dre
amlig
ht.ki
ev.u
a
16
10
9/H
LL/0
2/A
L
AG
LO
W
www.dre
amlig
ht.ki
ev.u
a
19
10
9/H
LS/1
11/A
L
CIT
RU
S
www.dre
amlig
ht.ki
ev.u
a
21
10
9/W
S/1
13
/AL
SU
NST
ON
E
www.dre
amlig
ht.ki
ev.u
a
22
10
9/W
SS/1
10
/AL
NA
CA
RA
T
www.dre
amlig
ht.ki
ev.u
a
25
10
9/H
LS/1
18
/AL
KA
JAL
www.dre
amlig
ht.ki
ev.u
a
26
YO
GIS
CE
LE
ST
E
>
www.dre
amlig
ht.ki
ev.u
a
29
10
9/W
S/8
4/A
L
CO
CC
INE
OU
S
www.dre
amlig
ht.ki
ev.u
a
30
SU
BZ
ER
O
>
OC
EA
N B
LU
E
www.dre
amlig
ht.ki
ev.u
a
33
10
9/H
LL/1
08
/AL
TA
NG
ER
INE
www.dre
amlig
ht.ki
ev.u
a
35
AG
LO
W
RO
CK
CR
YST
AL
<
www.dre
amlig
ht.ki
ev.u
a
36
10
9/H
LS/1
17
/AL
CE
LE
ST
E www.dre
amlig
ht.ki
ev.u
a
39
10
9/H
LS/1
09
/AL
WIS
TA
RIA
www.dre
amlig
ht.ki
ev.u
a
41
CIT
RU
S
www.dre
amlig
ht.ki
ev.u
a
42
10
9/W
S/8
5/A
L
JE
T B
LA
CK
www.dre
amlig
ht.ki
ev.u
a
44
10
9/H
LL/7
9/A
S
LA
ZU
LIT
E
www.dre
amlig
ht.ki
ev.u
a
47
10
9/H
LS/1
08
/AL
TA
NG
ER
INE
www.dre
amlig
ht.ki
ev.u
a
48
10
9/H
LS/8
3/A
L
CLA
RE
T
www.dre
amlig
ht.ki
ev.u
a
51
NIM
BU
S
JET
BLA
CK
<
www.dre
amlig
ht.ki
ev.u
a
53
10
9/W
S/1
18
/AL
KA
JAL
www.dre
amlig
ht.ki
ev.u
a
55
10
9/H
LL/1
09
/AL
WIS
TA
RIA
www.dre
amlig
ht.ki
ev.u
a
www.dre
amlig
ht.ki
ev.u
a
58
109
/HLS
S/11
3/A
L S
UN
STO
NE
www.dre
amlig
ht.ki
ev.u
a
10
9/W
S/0
1/A
S
SU
BZ
ER
O
61
www.dre
amlig
ht.ki
ev.u
a
7
ner
o tr
aslu
cido
6662
SU
BZ
ER
O
OC
EA
N B
LU
E
>
www.dre
amlig
ht.ki
ev.u
a
65
109/
WS/
114/
AL
RO
CK
CR
YST
AL
www.dre
amlig
ht.ki
ev.u
a
67
TA
NG
ER
INE
<
109
/HLB
/85
/AB
J
ET
BLA
CK
www.dre
amlig
ht.ki
ev.u
a
69
10
9/H
LS/1
07
/AL
NIM
BU
S
www.dre
amlig
ht.ki
ev.u
a
10
9/H
LL/8
3/A
L
CLA
RE
T
70
www.dre
amlig
ht.ki
ev.u
a
72
109/
HLS
/114
/AL
RO
CK
CR
YSTA
L
www.dre
amlig
ht.ki
ev.u
a
75
10
9/W
S/1
11/A
L
CIT
RU
S
www.dre
amlig
ht.ki
ev.u
a
www.dre
amlig
ht.ki
ev.u
a
7979
LA
ZU
LIT
E
EA
U-D
E-N
IL
<
www.dre
amlig
ht.ki
ev.u
a
80
10
9/H
LSS/8
3
CO
CC
INE
OU
S
www.dre
amlig
ht.ki
ev.u
a
83
109
/WS/
116
/AL
OC
EA
N B
LUE
www.dre
amlig
ht.ki
ev.u
a
85
10
9/H
LL/8
0/A
S
YO
GIS
www.dre
amlig
ht.ki
ev.u
a
86
10
9/R
CSS/8
2/O
S
CH
ICH
I www.dre
amlig
ht.ki
ev.u
a
89
109/
HLS
S/11
6/A
L O
CEA
N B
LUE
www.dre
amlig
ht.ki
ev.u
a
91
109/
HLL
/85/
AL
JET B
LAC
K
www.dre
amlig
ht.ki
ev.u
a
93
SU
BZ
ER
O
www.dre
amlig
ht.ki
ev.u
a
94
WIS
TA
RIA
DE
SE
RT
A
>
www.dre
amlig
ht.ki
ev.u
a
97
109/R
CS/
84/A
S C
OC
CIN
EO
US
www.dre
amlig
ht.ki
ev.u
a
99
10
9/W
S/8
2/O
S
CH
ICH
I
www.dre
amlig
ht.ki
ev.u
a
100
DE
SE
RT
A
SU
NST
ON
E
>
www.dre
amlig
ht.ki
ev.u
a
102
109
/HLS
S/81
/AS
EA
U-D
E-N
IL
www.dre
amlig
ht.ki
ev.u
a
104
10
9/W
S/7
9/A
S
LA
ZU
LIT
E
www.dre
amlig
ht.ki
ev.u
a
107
10
9/R
CH
/110
/AL
NA
CA
RA
T
106
www.dre
amlig
ht.ki
ev.u
a
109
10
9/W
S/9
07
/AL
NIM
BU
S
www.dre
amlig
ht.ki
ev.u
a
111
10
9/H
LS/8
3/A
L
CLA
RE
T
www.dre
amlig
ht.ki
ev.u
a
10
9/H
LSS/8
1/A
S
EA
U-D
E-N
IL
113112
110
9/H
LSS/1
16
/AL
OC
EA
N B
LU
E
www.dre
amlig
ht.ki
ev.u
a
114
109/
WS/
108/
AL
TA
NG
ER
INE
www.dre
amlig
ht.ki
ev.u
a
CH
ICH
I
117
CO
CC
INE
OU
S
<
www.dre
amlig
ht.ki
ev.u
a
10
9/H
LS/0
1/A
L
SU
BZ
ER
O
119
www.dre
amlig
ht.ki
ev.u
a
120
10
9/H
LL/1
11/A
L
CIT
RU
S
www.dre
amlig
ht.ki
ev.u
a
122
10
9/H
LSS/8
6/A
L
CY
GN
ET
www.dre
amlig
ht.ki
ev.u
a
10
9/H
LSS/0
2/A
L
AG
LO
W
125
www.dre
amlig
ht.ki
ev.u
a
126
10
9/H
LL/8
3/A
L
CLA
RE
T
www.dre
amlig
ht.ki
ev.u
a
128
10
9/H
LSS/0
1/A
L
SU
BZ
ER
O
www.dre
amlig
ht.ki
ev.u
a
RO
CK
CR
YST
AL >
130
10
9/H
LB
/86
/AB
C
YG
NE
T www.dre
amlig
ht.ki
ev.u
a
10
9/H
LL/8
0/A
S
YO
GIS
133
www.dre
amlig
ht.ki
ev.u
a
135
10
9/W
S/1
17
/AL
CE
LE
ST
E
www.dre
amlig
ht.ki
ev.u
a
10
9/H
LS/0
2/A
L
AG
LO
W
136
www.dre
amlig
ht.ki
ev.u
a
www.dre
amlig
ht.ki
ev.u
a
141
109/
HLL
/114
/AL
RO
CK
CR
YSTA
L
www.dre
amlig
ht.ki
ev.u
a
10
9/W
S/1
12
/AL
MO
ND
AIN
E
142
www.dre
amlig
ht.ki
ev.u
a
145
10
9/W
S/9
6/A
L
DE
SE
RT
A
www.dre
amlig
ht.ki
ev.u
a
146
10
9/H
LSS/1
10
/AL
NA
CA
RA
T
www.dre
amlig
ht.ki
ev.u
a
149
10
9/W
S/1
09
/AL
WIS
TA
RIA
www.dre
amlig
ht.ki
ev.u
a
150
10
9/H
LS/0
2/A
S
AG
LO
W
www.dre
amlig
ht.ki
ev.u
a
152
109/
HLS
S/11
3/A
S R
OCK
CRY
STA
L
www.dre
amlig
ht.ki
ev.u
a
154
10
9/W
S/8
3/A
L
CLA
RE
T
www.dre
amlig
ht.ki
ev.u
a
10
9/H
LL/1
12
/AL
MO
ND
AIN
E
157
www.dre
amlig
ht.ki
ev.u
a
158
www.dre
amlig
ht.ki
ev.u
a
161
www.dre
amlig
ht.ki
ev.u
a
www.dre
amlig
ht.ki
ev.u
a
164
www.dre
amlig
ht.ki
ev.u
a
167
www.dre
amlig
ht.ki
ev.u
a
168
www.dre
amlig
ht.ki
ev.u
a
I’m particularly grateful to all the employees and
workers whose commitment and professionalism has
enabled Andromeda to achieve the results and to affect
the transformation into a professionally managed, well
diversified, international Company.
Marzia Vianello
Director of Marketing & Business Development
The past four years have confirmed to be an important
period in the history of Andromeda. Notwithstanding
the strong growth realized in the past and the difficult
economic environment, Andromeda continues its growth.
Organic growth was driven primarily by the Company’s
core business: contemporary design. In particular, the
Nastro collection continues to improve brand awareness
and an increasingly loyal customer base.
All of the Company’s collections have benefited
from management’s strategic focus on creativity;
evidenced by an extended product offering
including complimentary lines, and an increasingly
important flash products.
Also, the Company’s continued international
expansion program has been instrumental in
driving growth.
109/
CLB
/85/
AL
JET
BLA
CK
171170
www.dre
amlig
ht.ki
ev.u
a
Andromeda’s vision is to be leader in INNOVATION for the hand-made glass environment through
the KNOWLEDGE and EXPERTISE in design and production.
Our philosophy is founded on the commitment to achieve excellence, while satisfying the needs of
each Client and reaching solutions that respond to their context.
This vision is matched today by the exclusive co-operation and creativity of the world most
celebrated designers.
In our nearly thirty five years of practice we have undergone immense growth and significant
changes from classical Venetian tradition up to the extreme use of hand-made glass.
Today we are an entrepreneurial firm, flat and non-hierarchical, that emphasizes team work,
innovation and creation of real value. Andromeda today is comprised of people who steel feel the
passion and zeal of our original vision. We have organized ourselves around our Clients, and our
goal is to work effectively with them wherever they have a presence.
At Andromeda, design is not an abstract exercise in combining shapes, forms and materials.
Whatever a project’s size or budget, we are just as comfortable working with a retailer across the
street as we are enlightening an hospitality resort on the other side of the world.
The firm has conceived, designed, produced and fitted for corporate offices, banking and financial
institutions; government buildings; residential environments; leisure and hospitality industry;
public and private institutions.
The goal is to provide the highest level of quality and design for all of our Clients on each and
every project. The talents of our designers, backed by our company’s key teams give us the skill to
integrate the complex technical requirements with the more subjective aesthetic and psychological
perceptions of light.
Company’s Profile
www.dre
amlig
ht.ki
ev.u
a
50 St. JamesLondon ClubsLondon
174
www.dre
amlig
ht.ki
ev.u
a
177
www.dre
amlig
ht.ki
ev.u
a
178
www.dre
amlig
ht.ki
ev.u
a
181
www.dre
amlig
ht.ki
ev.u
a
182
www.dre
amlig
ht.ki
ev.u
a
Jewellery LeichtPforzheim (Germany)
Private Bank(U.S.A.)
Private Bank(U.S.A.)
Private houseMouille Point (South Africa)
Boutique Celleno Rome (Italy)
Private Bank (U.S.A.)
Hotel Ixian Grand Rhode (Greece)
Las Dunas HotelMarbella (Spain)
Hotel Ixian GrandRhode (Greece)
www.dre
amlig
ht.ki
ev.u
a
I believe understanding artistic research and the role it may
play in design is one of the key challenges of our times. The
combination of both helped me discover how my Company
could actually move forward a conceptual knowledge which
would enhance our overall quality production.
The natural emphasis on authenticity and originality which
permeates Andromeda’s way of working makes Nastro
available for the cult value of non-reproducible. This means
you should try to imagine a shape, to imagine a nuance.
Gianluca Vecchi
President
I was given a great deal of freedom in interpreting,
changing and improving Nastro.
Amused and perplexed at the same time, I kept true to the
glass element designed by Afra & Tobia Scarpa of course,
though clearly defining and affirming its existence in the
spatial environment: the world.
As an artist I approached the Nastro in terms of shape first:
the quality of such an “object” depends on the constant
relations of position and proportionate distance among
all the points composing its outline. From this point of
view Nastro offered me endless compositional possibilities
depending upon my mood, imagination, sense of discovery
and theory of colour.
To this latter, I applied my study and research, being the
colour a formal property of art and a property of object,
intended as a key component in picturing space and
therefore establishing space and shape in terms others than
dimension or with no explicit references to dimension.
My goal was to create a sort of colours palette. When you
dip and coalesce a paintbrush into a colour, or in more than
one colour, something amazing happens: this gesture is the
very new dimension of an artwork.
You see, a structure may suggest a colour but a colour may
suggest a zillion of worlds. Make yourself the question:
which is the limit of a shade of blue, or of a shade of
yellow? It looks like a koan zen as there’s no answer.
Colour goes always beyond the sign. And what happens if
you run after a shade? It happens that you will probably
see a world (a structure) no one else see, no one else even
imagine but that can be realized.
Michela Vianello
Painter & Sculptor
187
www.dre
amlig
ht.ki
ev.u
a
Technical session
www.dre
amlig
ht.ki
ev.u
a
80 81
117 118
86 87
111110
01 SUBZERO
02 AGLOW
79 LAZULITE
80 YOGIS
81 EAU-DE-NIL
82 CHICHI
83 CLARET
84 COCCINEOUS
85 JET BLACK
86 CYGNET
87 SATORI
96 DESERTA
107 NIMBUS
108 TANGERINE
109 WISTARIA
110 NACARAT
111 CITRUS
112 MONDAINE
113 SUNSTONE
114 ROCK CRYSTAL
116 OCEAN BLUE
117 CELESTE
118 KAJAL
82 83
96 107 108 109
Colours
01 02 79
114 116112 113
8584
www.dre
amlig
ht.ki
ev.u
a
NASTRO 109 - HLS
ITEM CODE:
SIZES:
BULBS:
Nr. OF GLASS NASTROs:
WEIGHT:
AVAILABLE FRAMES:
109 / HLS “NASTRO”
Ø 800 mm - 31” H 1000 mm - 39”
FROSTED CLASSE 1 - CE
USA: G9 - 12 x 40 W /110 V MAX
FROSTED CLASS 1 - UL LISTED
52
80 KG
SHINY NICKEL
OPAQUE NICKEL
OPAQUE GOLD
NASTRO 109 - HLL
ITEM CODE:
SIZES:
BULBS:
Nr. OF GLASS NASTROs:
WEIGHT:
AVAILABLE FRAMES:
109 / HLL “NASTRO”
Ø 1300 mm - 51” H 1800 mm - 70”
G9 - 20 x 40 W /220 V MAX
FROSTED CLASSE 1 - CE
USA: G9 - 20 x 40 W /110 V MAX
FROSTED CLASS 1 - UL LISTED
80
115 KG
SHINY NICKEL
OPAQUE NICKEL
OPAQUE GOLD
193192
www.dre
amlig
ht.ki
ev.u
a
NASTRO 109 - RCL
ITEM CODE:
SIZES:
BULBS:
Nr. OF GLASS NASTROs:
WEIGHT:
AVAILABLE FRAMES:
109 / RCL “NASTRO”
Ø1500 mm - 59” H 900 mm - 35”
G9 - 20 x 40 W /220 V MAX
FROSTED CLASSE 1 - CE
USA: G9 - 20 x 40 W /110 V MAX
FROSTED CLASS 1 - UL LISTED
80
100 KG
SHINY NICKEL
OPAQUE NICKEL
OPAQUE GOLD
NASTRO 109 - HLSS
ITEM CODE:
SIZES:
BULBS:
Nr. OF GLASS NASTROs:
WEIGHT:
AVAILABLE FRAMES:
109 / HLSS “NASTRO”
Ø 600 mm - 24” H 680 mm - 28”
G9 - 6 x 40 W /220 V MAX
FROSTED CLASSE 1 - CE
USA: G9 - 6 x 40 W /110 V MAX
FROSTED CLASS 1 - UL LISTED
18
15 KG
SHINY NICKEL
OPAQUE NICKEL
OPAQUE GOLD
195194
www.dre
amlig
ht.ki
ev.u
a
NASTRO 109 - RCSS
ITEM CODE:
SIZES:
BULBS:
Nr. OF GLASS NASTROs:
WEIGHT:
AVAILABLE FRAMES:
109 / RCSS “NASTRO”
Ø 450 mm - 18” H 200 mm - 4”
G9 - 4 x 40 W /220 V MAX
FROSTED CLASSE 1 - CE
USA: G9 - 4 x 40 W /110 V MAX
FROSTED CLASS 1 - UL LISTED
12
21 KG
SHINY NICKEL
OPAQUE NICKEL
OPAQUE GOLD
NASTRO 109 - RCS
ITEM CODE:
SIZES:
BULBS:
Nr. OF GLASS NASTROs:
WEIGHT:
AVAILABLE FRAMES:
109 / RCS “NASTRO”
Ø1000 mm - 39” H 600 mm - 24”
G9 - 12 x 40 W /220 V MAX
FROSTED CLASSE 1 - CE
USA: G9 - 12 x 40 W /110 V MAX
FROSTED CLASS 1 - UL LISTED
52
65 KG
SHINY NICKEL
OPAQUE NICKEL
OPAQUE GOLD
197196
www.dre
amlig
ht.ki
ev.u
a
NASTRO 109 - WSS
ITEM CODE:
SIZES:
BULBS:
Nr. OF GLASS NASTROs:
WEIGHT:
AVAILABLE FRAMES:
109 / WSS “NASTRO”
Ø 500 mm - 20”
H 500 mm - 20”
DEPTH 30 mm - 12”
G9 - 4 x 40 W /220 V MAX
FROSTED CLASSE 1 - CE
USA: G9 - 4 x 40 W /110 V MAX
FROSTED CLASS 1 - UL LISTED
8
9 KG
SHINY NICKEL
OPAQUE NICKEL
OPAQUE GOLD
NASTRO 109 - WS
ITEM CODE:
SIZES:
BULBS:
Nr. OF GLASS NASTROs:
WEIGHT:
AVAILABLE FRAMES:
109 / WS “NASTRO”
Ø 700 mm - 27”
H 700 mm - 27”
DEPTH 50 mm - 20”
G9 - 7 x 40 W /220 V MAX
FROSTED CLASSE 1 - CE
USA: G9 - 7 x 40 W /110 V MAX
FROSTED CLASS 1 - UL LISTED
18
20 KG
SHINY NICKEL
OPAQUE NICKEL
OPAQUE GOLD
199198
www.dre
amlig
ht.ki
ev.u
a
NASTRO 109 - HLF
ITEM CODE:
SIZES:
BULBS:
Nr. OF GLASS NASTROs:
WEIGHT:
AVAILABLE FRAMES:
109 / HLF “NASTRO”
Ø 900 mm - 35” H 2600 mm - 102”
G9 - 60 x 40 W /220 V MAX
FROSTED CLASSE 1 - CE
USA: G9 - 60x 40 W /110 V MAX
FROSTED CLASS 1 - UL LISTED
234
400 KG
SHINY NICKEL
OPAQUE NICKEL
OPAQUE GOLD
NASTRO 109 - HLB
ITEM CODE:
SIZES:
BULBS:
Nr. OF GLASS NASTROs:
WEIGHT:
AVAILABLE FRAMES:
109 / HLB “NASTRO”
Ø1600 mm - 63” H 2500 mm - 98”
G9 - 54 x 40 W /220 V MAX
FROSTED CLASSE 1 - CE
USA: G9 - 54 x 40 W /110 V MAX
FROSTED CLASS 1 - UL LISTED
192
350 KG
SHINY NICKEL
OPAQUE NICKEL
OPAQUE GOLD
201200
www.dre
amlig
ht.ki
ev.u
a
NASTRO 109 - CLB
ITEM CODE:
SIZES:
BULBS:
Nr. OF GLASS NASTROs:
WEIGHT:
AVAILABLE FRAMES:
109 / CLL “NASTRO”
L 1500 mm - 59”
H 800 mm - 31”
DEPTH 700 mm - 27”
G9 - 24 x 40 W /220 V MAX
FROSTED CLASSE 1 - CE
USA: G9 - 24 x 40 W /110 V MAX
FROSTED CLASS 1 - UL LISTED
80
120 KG
SHINY NICKEL
OPAQUE NICKEL
OPAQUE GOLD
NASTRO 109 - CLL
ITEM CODE:
SIZES:
BULBS:
Nr. OF GLASS NASTROs:
WEIGHT:
AVAILABLE FRAMES:
109 / CLB “NASTRO”
L 2700 mm - 106”
H 800 mm - 31”
DEPTH 700 mm - 27”
G9 - 36 x 40 W /220 V MAX
FROSTED CLASSE 1
USA: G9 - 36 x 40 W /110 V MAX
FROSTED CLASS 1 - UL LISTED
154
214 KG
SHINY NICKEL
OPAQUE NICKEL
OPAQUE GOLD
203202
www.dre
amlig
ht.ki
ev.u
a
NASTRO 109 - RCH
ITEM CODE:
SIZES:
BULBS:
Nr. OF GLASS NASTROs:
WEIGHT:
AVAILABLE FRAMES:
109 / RCH “NASTRO”
Ø EXT 2000 mm - 79”
Ø INT.
H 500 mm - 20”
G9 - 48 x 40 W /220 V MAX
FROSTED CLASSE 1 - CE
USA: G9 - 48 x 40 W /110 V MAX
FROSTED CLASS 1 - UL LISTED
144
230 KG
SHINY NICKEL
OPAQUE NICKEL
OPAQUE GOLD
205204
www.dre
amlig
ht.ki
ev.u
a
Creation and general coordinationDiego Lazzarini Design - [email protected]
General lay-outDiego Lazzarini Design - Venezia
Contributions byPietro Menozzi
Giovanni Lazzarini
Photographs by© Diego Lazzarini 2007 - all rights reserved
Diego Lazzarini Design - Venezia
TextsMarzia VianelloGianluca VecchiMichela Vianello
PrintGrafiche Veneziane - Venezia
Printed in Venice, January 2007
No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without permission in writing of copyright holders.
All the products of “Nasto” Collection are registered products of Andromeda International S.r.l.
NASTRO
DesignAfra & Tobia Scarpa
Artistic implementationMichela Vianello
Technical developmentAlberto FurtakSilvia Mormiro
Special thanks to50 Saint James’ – London Clubs
Boutique CellenoHotel Ixian GrandJewellery LeichtLas Dunas Hotel
Shutterstock
For information about Andromeda’s commercial network please browse our websitewww.andromedamurano.it
or write to:[email protected]
www.dre
amlig
ht.ki
ev.u
a
www.dre
amlig
ht.ki
ev.u
a
www.dre
amlig
ht.ki
ev.u
a
