Andrea Tomaselli - ArtFolio 2013

Andrea Tomaselli Gnomonist - Artist - Designer - Project Manager

ARTFOLIO - Selected Projects 2013

Clockwise bottom right

Winged Screens -Warburton Primary School Sundial Wangaratta Primary School

Overview - Wangaratta Primary School Arts & Roots - Trentini Convention Australia

Sundial Padua College - Rosebud Sundial Italian Consulate Sydney

Sundial Grollo - Thornbury Sundial Marconi Club - Sydney

Overview - Marconi Club Work in Progress - Savoy Club Myrtleford

Sundial Savoy Club Myrtleford

Workshops and Community related ART Projects


Work in progress - La Rocca Riva del garda Restoration Sundial Frassilongo

Museum Craft and Tradition—S.Michele all’ Adige Madonna - Collaboration prof.G.Omezzolli

Preparation for canvas/oil restoration- Riva del Garda restorationTimber Tabernacle - Val del Vanoi

Via Crucis #4 - Collaboration Vinante Restoration studio Affresco S.Vindimian - Mezzano di Primiero

Work in Progress - Sundial Monastery St. Peter - Trento Detail - Cembra

Sundial restoration - S.Peter’s Church - Cembra

Restoration Ancient Frescos, paintings, stone and timber


Sundial Barozzi - Martignano Sundial Sartori - Telve

Sundial Mattivi– Levico Work in Progress—Samone

Sundial Samone Bank - Samone Sundial Pradel - Transacqua

Sundial Floriani - Retirement Village - Strigno Sundial Dolomatic– Lavis work in progress– Lavis

Sundial Primary School—Vigolo Vattaro Sundial Lardaro Town Hall - Lardaro Municipality

Sundials Selected private and public commission


Family and society - Mural Social Centre - Samone Work in progress—Samone

Casa Varner—Collaboration with Paola Demanincor - Lavis Detail - Words of Silk - Lavis

Work in progress - Lavis Mural Fire Brigade Station - Samone

Time - University JaoTong Xian China Community House - Darzo

Seasons - Caldonazzo Tracing Time - Trento

International projects and Art collaborations Murals, frescos


Curly Candelabra - South Yarra Modular outdoor furniture - Balwyn

Work in progress - Dandenong Scandal - Interior Design - South Yarra

Sofa#5 - Atom Interdesign The clocks - Interactive Clocks - Melbourne

Raff Unit - Melbourne Omega - Berwick Quadro - Berwick

Misuzu - Interior Design Detail - Misuzu

Interior Designex - Atom Interdesign Interior Designex -Deatil - Atom Interdesign

Design Custom made accessories and furniture


Foyer Olivetti - Dandenong BarCode - Shire Yarra Ranges

Dandenong Market - Dandenong City Council Winged - Banyule City Council

Piazza Italia@Argyle Square - Melbourne City Council The Game - Banyule City Council

The Game - Installation - Banyule City Council Memorial Park - Dandeong City Council

East Region Skate Park - City of Knox

PUBLIC ART Commission, Tenders and Expression of Interest

ARTIST

BACKGROUND

Andrea Tomaselli Artist - Designer - Gnomonist - Project Manager Andrea, over the past 30 years, has been involved in many solo and collaborative private and public art projects in Europe, Australia and the People’s Republic of China, this include sundials, murals, sculptures, 3D installations, furniture and accessories. The installation of Solar Clocks in many forms and using various mediums is the main focus of his professional art practice. As site related artwork, a Sundial includes the study of their history and evolution, philosophy and the various techniques together with keen sense of spatial issues and social/cultural environment of the site. A sundial is a timepiece that uses the sun to tell the solar time through the shadow that a Gnomon (rod or sculpture) casts on a design of lines and symbols painted or sculpted, in various size and me-diums. After graduation in 1985 was employed as structural and architectural designer in a project team for the DelFavero Building Company TRENTO (Italy) and he was involved in many national and Interna-tional building/design projects and tenders in Europe, Africa and in the Middle East. In 1990 following a strong artistic influence takes on a collaborative apprentice with the Laboratory of Restoration E.Vinante in Trento (Italy) and later with Prof. G.Omezzolli Arco (Italy). The outcome was a work/study training in the restorations of ancient frescos, sculptures and oil paintings followed by his private practice and the valuable experiences in collaborative projects with other muralists, sculptors, visual and multimedia artists. In 1994 he came to Australia continuing to expand his artistic professional development through the design and manufacturing of custom made private and public furniture, features, 3D installations and sculptures whilst introducing and developing the use of contemporary sundials in Australia. Since then has acquired a large network of contacts and an intricate knowledge of processes, materi-als and methods, this include design, painting, metalwork, woodwork, model making, mould casting and kiln forming in different mediums. Since 2000 the Andrea has been in contact with RMIT International Public Art unit, through study he completed the Diploma and Certificate of Art in Public Space and after the direct involvement in vari-ous project related to Solaris and Piazza Italia e completed the Master of Art in Public Space. Currently Andrea develops solo and collaborative Art projects to further enhance skills related to Project management with direct involvement in the development of design and manufacturing of Art-works in various mediums for private clients, Communities, Schools, associations, and local govern-ments.

Details

Born in Trento 20.01.1964

Address:

51 Gordon Grove

3072 PRESTON

Victoria - AUSTRALIA

Details:

Ph/Fax 0061 3 94719794

M 0403 424 074

email: [email protected]

Qualifications:

1985 Architectural/Engineering Design

Institute Gozzer Trento Italy

2002 Diploma Business Management

RMIT University - Bundoora

2004 Diploma Art in Public Space

RMIT University - Melbourne

2005 Certificate Art in Public Space


2006 Masters Art in Public Space


2010 Certificate 4 - Quarry Management

BOX HILL TAFE INSTITUTE

Selected Projects 2013 Werribee Open Range Zoo - CURRENT Shortlisted For the Main Entrance Sculpture RIVER CYPHER - Maribyrnong City Council Direct Commission - Shortlisted - ESSENDON 2012 SEEDS OF HOPES AND DREAMS- A series of 4 Sculptures for the St.Albans Precinct in collaboration with Dianne Beevers. St.Albans - Brimbank City Council 2009 ART & ROOTS - A series of Artistic Workshops involving Young Australians of Trentino origins in collaboration with P. De Manincor. Melbourne -Myrtleford- Sydney - Launching Place 2008 WINGED - Warburton primary School Arts Victoria - 2008 Artist in School Recipient Sculptural Entrance - St.Kilda Botanical Gardens Proposal for N. 2 Sculptural Gates - St. Kilda 2007 BARCODE Yarra Ranges - Winning Artwork EOI - Shortlisted - Commissioned - On Hold CURRENT - Council SHIRE YARRA RANGES

Dandenong Market Public Artwork - Shortlisted Dandenong City Council CURRENT on Hold by D.S.E. and VicUrban

2006 FRIENDSHIP - ART collaboration Wollongong City Council - Province of Trento

Mural / Mosaic on the House of Associations Municipality of Storo - Pro Loco Storo Community House / Museum - Italy

Knox Regional Skate Park - Knox City Council Consultancy - Proposal Public Artwork

400 Year Old Tree - Oakwood Park - Noble Park Dandenong City Council - Proposal Public Artwork

Dandenong Memorial Park - Commission EOI Proposal for a Memorial in Dandenong Park - City of Casey

2005 SOLARIS - Argyle Square Piazza Italia – Public Art Commission

City of Melbourne

MERIDIAN - Municipal Kindergarten - Public Art Tender Proposal - Ravina di Trento (Italy)

FAMILY - Olivetti Engineering Foyer - Melbourne Private Commission – Mural/Mixed Media

Urban Art Posters - TRAM Shelters Program City of Melbourne - Ad SHELL

2004 Public Art Consultation – Dallas Shopping Centre Commissioned by Hume City Council

Sundial S. Bartolomeo – Direct Commission Municipality of Vezzano – Italy

Sundial Fontanari – Private Commission Canzolino - Italy

Tracing Time – International Public Art Project Mural Collaboration - Province of Trento – Italy

SOLAR Sphere - Heathdale Glen Orden Wetlands Public Art Commission

Shortlisted – Wyndham City Council 2003 The GAME - MacLeod Netball Stadium Commission Public Art sculpture Banyule City Council SOLAR POND - St.Kilda Botanical Gardens City of Port Phillip Bay Short listed for the sculptural Public art Project OLD TIMBER PONDS - Sculpture Award Finalist - Heidelberg - City of Banyule

Rotary Clock Williamstown –City of Hobson Bay Short listed for the sculptural Public art Project

2002 WINGS - City of Banyule Watsonia Library Commission Public Art sculpture

ORIENT’ ATION - Counihan Gallery Brunswick. Group Exhibition in response to the Public art cultural exchange to XI’AN in RP of China

BIRDS - Spring Intervention – Festival of Public Art Rmit - Bundoora

2001 “ Words of Silk “ Municipality of Lavis / Museum of Contemporary art MART Trento / Winery LA VIS Project for a 180 sqm mural on a public space in collaboration with chinese artists Prof Wang. Yang and Wen an Paola De Manincor.

“Family and Society” Municipality of Samone Mural Commissioned fro the Multipurpose Centre

2000 JAO-TONG University -Architecture and Technology Collective Project for six paintings on canvas(2x3)m with Prof. Wang, Mr. Yang, Mr.Weng and Paola de Manincor. XI`AN - P.R. of China

1997 Project Mural for the Brunswick Music Festival with Paola de Manincor “Arte e musica” Brunswick

1996 Mural for Central Fire Brigade.Telve, Italy.

Mural “Le vie del Caffè “ Headquarters DOLOMATIC Collaboration P. de manincor Lavis, Italy.

Mural “Dalle radici ad oggi” collaboration P.de Manincor - Thornbury, Australia

1995 Sponsored by the Province of Trento, Italy, collaboration with Paola de Manincor , Artworks documenting Italian migration to Australia. Completed murals and Sudials at: Marconi Club in Sydney. Savoy Club, Myrtleford. Italian Consulate Gateway Building,Sydney. Wangaratta Primary School. Padua SecondaryCollege, Rosebud - Veneto Club Bulleen

1994 House Varner (south wall ) Sundial and mural collaboration with Paola De Manincor Lavis, Italy

1993 Installation “Il vino racconta” Cantina Sociale LAVIS in collaboration with P.de Manincor Lavis, Italy

Sundials - Selected Public and Private Commissions 2006 House Pradel – Transacqua – Italy House Osti – Strigno – Italy

2004 Sundial Migration Office - Trento - Italy S. Bartolomeo Church - Fraveggio - Italy 2001 House Cristofolini – Fornace – Italy Villa Pradel - Transacqua - Italy

1998 House Pradellano Bieno Italy Villa Castelpietra Tonadico Italy

1996 Villa Wattle View Hawthorn, Vic House Mattivi Levico T. Italy Villa Grollo Thornbury, Vic Bank of Samone, Italy Dolomatic Distribution Centre, Italy

1995 Municipality of Lardaro, Italy House of Sartori Telve, Italy Villa Montibeller, Trento, Italy Villa Tomassini, Tesero, Italy House of DeOliva St. Marys NSW Club Marconi NSW Padua College Rosebud, Vic. Nursing Home “R.Floriani”, Italy House of DeMarchi, Trento, Italy House of Marchesoni S.Martino Italy

1994 House of Cattani (3.8x1.6)m Martignano, Italy Restaurant al Sole, Caldonazzo, Italy House of Casillo Martignano, Italy Savoy Club Myrtleford, Vic Primary School Wangaratta, Vic

1993 House of Magnelli Lona, Italy Warehouse - Simoni. Borgo, Italy Villa Bianco. Strigno, Italy House of Medici. Telve, Italy Municipality of Telve, Italy House of Spagolla. Telve, Italy House of Varner. Lavis, Italy Winery Sorni Salorno, Laves, Italy

1985 - 1992

House Gasperotti - Villalagarina - Italy Restaurant Negritella. Trento, Italy Primary School. Vigolo, Italy House of Zacarioti. Strigno, Italy

Selected Projects

IN

TER

VENTION

Exhibition “ In (ter) vention

Public Art Commission RMIT Union Arts

Project duration 3 weeks

Budget: $ 5000 Site : RMIT Bundoora Campus - Bundoora

Various sizes plate mild steel

Plasma Cut / sculpted Enamel gloss Finish

Project related Multidisciplinary Tasks Site Visit/Inspections Resource Site History Related Documentation Desgn Proposed Artwork Manufacturing Artwork Project Management

Birds “ my intervention, like nature captures and moves feelings and emotions, it’s related to our contemporary destructive approach to life and nature itself. As self-appointed custodians of knowledge for all life forms on earth we create and destroy…. I have or so created and placed my birds… will they fly ?….

THE

CREEK

MARKERS

Project related Multidisciplinary Tasks Site Visit/Inspections Resource Site History Related Documentation Design Proposed Artwork Response Expression of Interest Preliminary Budget Methodology of Intervention

2002/03 Laneways Commission

Proposal Public Art Project City of Melbourne

Site: Celestial Avenue - Melbourne

Budget: $ 1500 Project Duration: 2 Weeks

Structure: 6 mm Stainless steel Cable (Kiln Formed Glass)

Stainless steel natural polished finish

Shadows, our time There is a silent movement that we encounter many times in our everyday life, shadows. This movement represent the passing of time, the passing of seasons… our life, the journey of the earth around the Sun and therefore from the Melbourne laneways to all the different parts of the world. To use the ancient solar clock, the Sundial, in a contempo-rary installation, as a unifying symbol of present, past and future, is to accept a special relationship with nature, our social and private environment, and time in it’s primary form. The concept is relatively simple, the shadow of the GNO-MOS (object which indicates with it’s shadow the time), in the Sun, moves during the day on a series of hourly lines marked by a numbers or symbols related to particular daily hours, the zodiac or the seasons. The Gnomos ( a glass sphere with metal shadow casting inserts ) will be installed in the middle of Celestial Avenue, the hourly lines will be painted on the horizontal area of the lane and on the walls in particular positions.

THE

CREEK

MARKERS

Project related Multidisciplinary Tasks Site Visit/Inspections Resource Site History Related Documentation Design Proposed Artworks Teamwork / Tender Response ( SITE - RMIT) Preliminary Budget Methodology of Intervention Model / Maquette

Moonee Ponds Creek MARKERS

Public Art Tender City of Moonee Ponds

Expression of Interest


Budget: $ 1500 Site : N. 3

Dimensions: Vary

12mm plate mild steel galvanised

Plasma Cut / sculpted Stone Cobbles/S.Steel Inlays

Recycled Red Gum Fixing

Travancore Reserve - Essendon The Essendon Community Gardens are the current social and economic connection to the former primary use of the land nearby the water stream. A sundial will be the central intervention in this second site, made of 12 mm steel plate and filled with colored textured concrete it symbolizes time passing, the seasons and cycles of life within the landscape's layers of history.

Boeing Reserve - Essendon

This is the last site proposed and the natural end of the intervention given its connection with nature.

The proximity of Essendon Airport and the view of the Rail-

way Bridge have symbolic links within the creek.

Travel and communication, traditionally a key uses of rivers

or water in general give rise to exploration and exchanges between different cultures stimulating different modes of

communication.

Debneys Park - Flemington The location of Debneys Park is the starting point of our pro-posed intervention with it's urban and technological environment manifest as a human created filter at the gateway of the city. A steel sculpture made of 12 mm steel plate rolled, sculpted and plasma cut will resemble the flow of water within this urban landscape.

EOI - Moonee Ponds Creek Conceptually, the work creates a visual and thematic link along the creek through its integration into the landscape and its environmental context. The emblematic essence of the totemic theme is expressed in a new horizontal context contrasting with the traditional verticality of the totem. Its marking nature is manifest in the location of the works at entrance points. There are 3 selected sites that the artist will be working within, however these sites will also be connected by smaller components creating a link between them.

ROTARY

CLOCK

Rotary Clock Williamstown

Public Art Commission Hobson Bay City Council

Rotary Club Williamstown

Shortlisted

Project duration 11 weeks Budget: $4500

Site : Ferguson Street - Williamstown

Dimensions: 7.5x5x2 meters

8 mm plate mild steel galvanised Plasma Cut / sculpted

Mosaic Tiles Red Gum

Project related Multidisciplinary Tasks Response Expression of Interest Site Visit/Inspections Resource Site History Related Documentation Attend Council Meetings x 1 Design Outline Proposed Artwork Shortlisted Preliminary Budget Methodology of Intervention Presentation to Project Advisory Committee Model / Maquette

Rotary Clock Williamstown The design approach is one which draws on the local charac-ter of Williamstown as an historical port and a modern working maritime centre. The planned design will incorporate artistic sculptural ele-ments and symbols which draw on maritime themes and structures and photographic images to further represent the working seaport. More subtle reference will be made to timekeeping in an historical and maritime context. This in the form of physical referencing of Timeball tower and an element including solar timekeeping.

CHAPELS - Public Art Seats

Proposal Public Art Project City of Stonnington

Site: Greyville Street - Prahran

Budget: $1500

Structure: 16 mm Stainless steel plate (plasma cut, rolled, sculpted, engraved)

Stainless steel natural polished finish

Seats: (100x40) mm Recycled Timber Beams red gum and Oregon

Coloured Glass inserts 6 mm Kiln formed toughened coloured glass

GREVILLE

Street

Project related Multidisciplinary Tasks Site Visit/Inspections Resource Site History Related Documentation Resource Materials Design Proposed Artworks Response Tender EOI Preliminary Budget Model / Maquette

GREVILLE ST. ART SEATS “ The Chapels” Proposal The concept behind my design proposal is “ to create within the art seats a series of intimate spaces ap-proachable by the public from any direction “. People walking through Greville Street will appreciate the seating for its sculptural quality whilst also feeling relaxed enough to engage with them in a useful way. An important factor, in the criteria used to prepare this con-ceptual proposal, was durability and low maintenance. A functional integration of sculptured stainless steel, which incorporates engraved inscriptions or words, in a stylish and ergonomic layout is the primary structure for the art seats. The subtle use of recycled timber for the seating is just opposed against the hard edge stainless steel and relates, in it’s design and forms as a symbolic recognition of the precinct evolution.

WOOL

MILL

GATES

GEELONG MILL MARKETS #1 Stage: Proposal N.4 Main Gates

The Old WOOL MILL

Redevelopment Project


Budget; $1500

Site : Mackey St. GEELONG

Dimensions: 6x4x0.20 meters


Recycled Red Gum Timber

Project related Multidisciplinary Tasks Site Visit/Inspections Resource Site History Related Documentation Resource Materials Design Proposed Artworks Response Tender EOI Preliminary Budget

FWM Gates The design of this gate follows a direct connection with the existing architecture of the buildings. In the source for the design, particular elements, as a guide, for the shape of the gates where, windows and doors, the use of steel riveted, machinery and timber doors. The structure of the gate will be a two sided plasma cut plate (3-5 mm) inserted in between, timber profiles. It is possible to have any finish and design cut and/or sculpted in the steel ( es. as reference of previous history of the precinct) , a logo. even in a minimalist presence can be inserted. Further developments in the design can include a series of public street furniture and accessories.

Comunity Hall SAMONE

Public Art Commission Municipality of Samone - Italy


Budget: $12,000

Site: Via Pastora 35 Samone (TN) Italy

Dimensions: 15 sqm

Silicate pigments lime solid plaster

C omu n I t y

of

A r t s

Project related Multidisciplinary Tasks Site Visit/Inspections Resource Site History Related Documentation Presentation Local Art Comitee Design Proposed Artwork Painting Artwork Project Management

Comunity of Arts The geographic, environmental, social characteristics of the site represent the collective patrimony and its connection with nature.. With the combination of colors the background of the Mural represents the landscape, the background, history, culture and philosophy of the people of Samone, it's relation with the natural envi-ronment, mountains, water... The nature and primary function of the Community Hall, as a place where social, cultural and creative activities are symbolised in the elements and symbols.

MERIDIANA

KINDERGARDEN of RAVINA

Public Art Tender Comune di Trento

Project duration: 5 weeks

Budget: $ 1500

Site: via Mase 3 Ravina - Trento ITALY

dimensions: 4000x3000x2000mm

Medium: Stainless Steel - Mosaic Tiles Epoxy Finish - Granite StonePebbles

Project related Multidisciplinary Tasks Site Visit/Inspections Resource Site History Related Documentation Design Proposed Artwork Response Expression of Interest Preliminary Budget Model / Maquette

Sculpture S.M. Ravina Lo scopo di quest’opera è invitare i bambini e i visitatori dell’asilo a percepire, attraverso forme nuove e contempo-ranee, la filosofia dell’orologio solare non solo come ele-mento principale di un progetto artistico ma come parte integrante di un insieme di materiali, figure e colori che sono in diretto rapporto con il sito in cui sono installati.

DALLAS

Development of concepts and Public Art plan for the

Dallas Shopping Centre

Project duration 2 weeks Budget: $ 1500

Site : Dallas Shopping Centre City of HUME

dimensions: n/a

Medium: Digital Printing

Artists part of the Project:

Pamela Jaup

Geoff Hogg Musaffar Hamir

Aslam Samte Andrea Tomaselli

Project related Multidisciplinary Tasks Site Visit/Inspections Resource Site History Related Documentation Attend Council Meetings x 1 Design Outline Proposed Artwork Methodology of Intervention Presentation Proposed Artwork

Dallas Shopping Centre A real sense of a middle eastern bazaar adapted to a Aus-tralian suburb. The The people makes the place, through demand and offer on a business and social canvas. I have chosen four main sites...

Heathdale Glen Orden Wetlands

Whyndham City Council Public art Project

Shortlisted

Project duration 4 weeks Budget: $2500 Dimension: n/a

Site : Heathdale Wetlands - Whyndham

Medium: Rolled/Engineered Galvanised Stainless Steel

Concrete / Natural Color Pigments Recycled Red Gum

HEATHDALE

2004

Project related Multidisciplinary Tasks Site Visit/Inspections Resource Site History Related Documentation Attend Council Meetings x 1 Design Outline Proposed Artwork Shortlisted Preliminary Budget Methodology of Intervention Presentation to Project Advisory Committee

Heathdale Glen Orden Wetlands My vision , responding as an artist to the site, the Heath-dale Glen Orden Wetlands and the project brief for the Major Commission 2003-04, is to create a sculptural art-work, a meeting point, visible from the major entrances, community facilities and areas of interest. The sculpture, as seen on the images attached, is a sphere, The sphere is emerging from a slightly elevated position compared to the surrounding, the sense of bonding and connection with the environment is created in a gradual and lightly landscaped series of pathways ( native plants, medium size rocks, sand and top soil). The lower part of the sphere is cast in the concrete plinth which identify and encourage access inside the artwork. The sculpture has a few interactive functions and mean-ings , it is a sundial, it has sound, echoes, and it is a shelter provides seating and a story to tell through the designs. The final layout and the landscape plan will be the evi-dence of community input/dialog with myself and the se-lected project team throughout the project.

LA VIS - WINERY

Collaborative Mural Project


Budget: $180,000 Site: 57, Via Fontanelle - Lavis (TN) Italy

Dimensions: 180 sqm

Silicate color pigments on

lime based solid plaster

Clients: Regione Trentino/Alto Adige Comune di Lavis

Chinese Consulate Rome Cantina LaVis

Provincia Autonoma di Trento Comune di Trento

Universita’ degli Studi di Trento International Public Art Unit RMIT

WORDS

on

SILK

Project related Multidisciplinary Tasks Resource Site History Related Documentation Site Visit/Inspections Translation on Actual Wall of Mural Design Spolvero Artwork Painting Artwork Attend Council Meetings x 4 International Liaison / Correspondence Collaborative Design Outline Proposed Artwork Methodology of Intervention Presentation to Project Advisory Committee Preliminary Budget Source Materials Surface Preparation Project Management

Words on Silk This Project is an opportunity to walk across an imaginary bridge that connects the east and western world in art, culture, history and the economy of our people. The Mural/fresco, represents the economic crisis and subsequent migration in the region of families working in the silk production and farmers during the mid 18 century . Project realised by 5 artists, Paola de Manincor Andrea Tomaselli Wang Xi Sheng, Yang Geng Xu Wen Jun It follows and complements a similar project undertaken by these group of artists in Xi’ An, China, October 2000.

SOLARIS

Piazza Italia @ ARGYLE Square SOLARIS

Major Public Art Commission

City of Melbourne

Project duration: 24 Months Managed Budget: $1.5 Million Site : Argyle Square - Carlton

dimensions: 1200 sqm

Medium: Porphyry Stone Sand Cast Bronze Panels

Stainless Stee Verdello Stonel

Artist Team:

Andrea Tomaselli Dianne Beevers

Client : Melbourne City Council

Project related Multidisciplinary Tasks Resource Site History Related Documentation Site Visit/Inspections Response Expression of Interest Shortlisted Coordinate Suppliers Materials/Subcontractors Methodology of Intervention Preliminary and Final Budget Design Central Artwork Bronze Moulding Manufacturing / Casting S.Steel Manufacturing Stonemasonry Shop Drawings Artwork Project Management CFMEU Liaison - Stonemasonry Workshops Attend Council Meetings x 16 Attend Site Meetings x 22 International Liaison / Correspondence Presentation to Project Advisory Committee Project Management

Solaris - Piazza Italia@ARGYLE Square Design concept Premise the Central paved quadrangle framed by green elements of golden elms, the design of the square revolve around a central fulcrum, the well. The Italian and Australian Porphyry ( Quarry face cobble-stones ) are laid together forming designing spirals, twirled shapes which weave and unite into its centre. Overall the design seeks a symmetric balance and offers to the visitor an harmonic and peaceful sense of welcome through the equilibrium of the curves and lines creating a natural flow (People). The cover of the Well is the core of the square, a bronze sculpted grid, in which design and text are moulded, en-graved, cut-in and etched to introduce the sundial and es-tablish the reading of the piazzas layout . The hourly lines emerging towards the southern side of the square from the centre are metal inlays, Stainless Steel adjoined with linear porphyry elements, that outline the sundial. The visitor standing in designated ( marked ) position, in the centre, is reading the time through the shadow cast by his/her silhouette and the hourly lines, our present time. Opposite, on the northern side, the lines, are inlays in Cor-ten Steel, they are representing past and future, our individual and social history. Through a series of symbols, text and other visual refer-ences embedded in bronze cobblestones, laser cut cobble-stones, Geographically is a metaphor for the two hemispheres, north and south their union, the need to seek and engage with each other. The design of the central part of the piazza is embellished, designed, telling a story, yet maintaining its simple but rich palette of colours and unique classical look. The outer rectangle, il passaggio, the circular passage, subtly frames, with the design of continuos arcs, the square adding depth and a sense of place,?? almost another di-mension to the overall visual impact. The pattern of continuous arcs links visually with the archi-tecture of many ancient civilizations however a natural pattern, a series of infinite layers of square quarry face cobblestone reclaims harmony with the surrounding envi-ronment, uniformity of Golden elms, clean linear paths, the steps heading towards Lygon Street and the pergola on the other end.

Olivetti Engineering Feature Wall

Private Commission Feature Wall - Interior Foyer

Site: 15 Mark Anthony Drive

Dandenong South Budget: $14,000

Project duration 2 months

Dimension: 3x4x10 meters

Mild Steel - Stainless Steel Enamel - Silicati

Hammered Finish

Client: Olivetti Engineering

FAMILIES

Project related Multidisciplinary Tasks Direct Commission Site Visit/Inspections Resource Site History Related Documentation Attend Council Meetings x 1 Design Outline Proposed Artwork Shortlisted Preliminary Budget Methodology of Intervention Source Materials Model / Maquette Project Management

Olivetti Engineering Foyer This feature wall represents through the differences in texture and finishes, the manufacturing process of metal products. From the ambers of melted iron, organic flat form to the polished finish of stainless steel stripes and the square shapes in different colours ( essentially the primary colours of welding ) are united in a earthy background.. where the mineral is found.

Tracing Time

Mural Artwork International Collaborative Project

Site: Piazza Dante—Trento ITALY

Project duration: 1 Year

Budget: $ 125000 Dimension: 6x13 meters

Silicate Colors - Stainless Steel

Mosaic Tiles ( gres) - Silicati

Clients: Provincia Autonoma di Trento

Rmit Alumni Association ISS - Institute Specialized Skills

Italian Institute of Culture – Melbourne MART - Gallery of Modern Art Trento

TRACING

TIME

Project related Multidisciplinary Tasks Resource Site History Related Documentation Site Visit/Inspections Translation on Actual Wall of Mural Design Spolvero Artwork Painting Artwork Attend Council Meetings x 4 International Liaison / Correspondence Collaborative Design Outline Proposed Artwork Methodology of Intervention Presentation to Project Advisory Committee Preliminary Budget Source Materials Surface Preparation Project Management

Tracing Time Dianne Beevers Paola deManincor Stefano Salizzoni Andrea Tomaselli Alison Peake Giuseppe Lampariello CULTURAL EXCHANGE VICTORIA AUSTRALIA / TRENTINO ITALY PUBLIC ART PROJECT MURAL / SOLAR CLOCK – TRENTO ITALY INTERNATIONAL SKILLS EXCHANGE INTERNATIONAL PROJECT MANAGEMENT EXHIBITION: TRENTINO EXHIBITION: MELBOURNE This is an artist generated project involving 6 Victorian artists and designers, and 3 Italian artists, working towards a collaborative artwork celebrating the cultural contribution of the Italian Trentino community in Victoria/Australia. Their migration stories are representative of all those who relocated to make Victoria their adopted home. This pro-ject launches an ongoing program of events and ex-changes between Victoria & Italy, commencing in the Trentino Region, and including a series of public artworks and exhibitions in both locations.

Sculpture WATSONIA LIBRARY

Public Art Commission Banjule City Council


Site : 117 Ibbotson St. WATSONIA

Budget: $ 25000 Dimensions: 70 sqm

8 mm plate mild steel

Plasma Cut / sculpted Epoxy gloss Finish

Steel Manufacturing: Olivetti Engeeniring

Client : Banjule City Council

WINGS

Project related Multidisciplinary Tasks Response Expression of Interest Resource Site History Related Documentation Site Visit/Inspections Preliminary Budget Methodology of Intervention Shortlisted Presentation to Project Advisory Committee Artwork Commissioned Source Materials Source Manufacturers Artwork Project Management Attend Council Meetings x 2 Attending Site Meeting x 2 Model / Maquette Project Management

Wings “The Wings of the Waa Mojety (Crow) from the Wurundjeri, native custodians, of the land of the precinct, is the center of the Sculpture . I see the overall form of the sculpture as an interpretation of music. The first sound.. drumbeat was a primordial form of social art and cultural challenge. The various symbols and elements represent different edu-cational and social art forms.They are united in a vortex, a spiral that absorbs, assimilates but at the same time projects thoughts, ideas,exchanges and interaction” The concept for the proposal is based on two steel sculptures that emerging from the garden, with a curved shape, connect with the two walls. Trajectories of bombshells a pathway, symbol of war, historic past and present ( Simpson Army Barracks ) for the area in which the library is providing the service. In the areas where the Sculptures are connected with the walls the steelwork will have symbols and elements cut, in-serted and sculpted. The elements and symbols of the steelwork in the fore-ground are designed and united with the painting on the walls as an explosion, a spiral that absorbs and assimilates but in the same time projects the sense of community around all the different activities that will take place in the Library and the Community Room. The images proposed are showing an example/idea of the dimensions and final impression of the two sculptures on the building and it’s surrounding. The shape of the sculptures emerging from the front garden coming from the roundabout on Ibbottson St. are indicative, there will be a study on a shape that for public safety will be approachable from any direction. In relation of the durability and maintanance of the artwork the materials used are Steel with a powdercoating finish and the paint ( see Document B ) is as well durable. For at least 20 years the sculptures and the paint will not need to be restored. In conclusion, only the study in detail of the design, in accor-dance with the Project Team in case of a positive response to the present Tender, will decide the final shape and dimen-sions of the sculptures.

THE

GAME

McLeod Netball Stadium

Public Art Commission Banyule City Council


Site : McLeod Banyule City Council

Dimensions: 8x6x4 meters

8 mm plate mild steel galvanized

Plasma Cut / sculpted SHS profiles

Client: Banyule City Council

Steel Manufacturer: Olivetti Engeeniring

Project related Multidisciplinary Tasks Direct Commission Resource Site History Related Documentation Site Visit/Inspections Preliminary Budget Methodology of Intervention Source Materials Source Manufacturers Artwork Project Management Attend Council Meetings x 1 Attending Site Meeting x 3 Model / Maquette Liaison with Secondary College Organisation N. 2 Workshops with Students Project Management

The Game “The primary forms and shapes of two hands are competing and struggling to hold a ball. In the layers forming the minimalist ball I see a symbol of the unity and spirit of a team. The design of the pedestal is created by red smooth sections representing , with two crossing white lines, a court, a playground arena. The l i nes a re marked by impr in ts o f s tu -den ts f rom McLeod Secondary Co l lege . Th is was n Ar t i s t d r i ven Pro jec t to connec t and re la te the a r twork , w i th the s i te and the commun i ty ”

IMMAGINI PER RACCONTARE

Mural Artwork International Collaborative Project

Site: Piazza Reggimento— DarzoITALY

Budget: $ 155000 Project duration 55 Days on site

5 months Development

Dimension: 240 Square Meters

GlassMosaic Tiles Colors KEIM Barite Stone Inlays/Applications

Clients: Provincia Autonoma di Trento

ProLoco Darzo Comune di Storo

Cassa Rurale Giudicarie

MURALES

DARZO

Project related Multidisciplinary Tasks Resource Site History Related Documentation Site Visit/Inspections Translation on Actual Wall of Mural Design Spolvero Artwork Painting Artwork Attend Council Meetings x 2 International Liaison / Correspondence Collaborative Design Outline Proposed Artwork Source Materials Surface Preparation

Immagini per Raccontare Paola deManincor Stefano Salizzoni Biancamaria Pasolli Andrea Tomaselli Il Murales vuole essere un racconto pittorico che narra il lavoro di donne e uomini nelle miniere di barite di Darzo, in val di chiese. Un racconto pittorico che si onora di poter testimoniare le vicessitudini, le fatiche , l’impegno di un lavoro duro, quello del minatore. Lavoro che ha consentito agli abitanti della zona di poter vivere nei propri paesi d’origine evitando l’esperienza dell emigrazione;lavoro duro sostenuto dall’orgoglio di poter essere minatory. Ed e’ cosi che il nostro lavoro sul muro della casa sociale di Darzo, fissa dei ricordi fatti di pezzi di vita, di sudore, di felicita, di difficolta’ ed intelligente competenza, di soli-darieta’, ricordi che potranno essere sbirciati, guardati ed osservati dale persone che lo desiderano passando nella piazza di Darzo.

DANDENONG

MARKET

Dandenong Market

Public Art Tender Shortlisted

Collaborative Project with Dianne Beevers


Budget: $ 5000 Site : Dandenong Market

Dandenong City Council

Dimensions: various


SHS profiles

Client: Dandenong City Council

Project related Multidisciplinary Tasks Response Expression of Interest Shortlisted Resource Site History Related Documentation Site Visit/Inspections Attend Council Meetings x 2 Collaborative Design Outline Proposed Artwork Methodology of Intervention Preliminary Budget Resource Materials Model / Maquette Presentation to Project Advisory Committee Project Cancelled by Stakeholder

Dandenong Market Public Artwork “Ra the r than p resent ing so lu t i ons ove r -whe lmed on the g round by the dynamics o f the marke t , we a re p ropos ing s t rong sus -pended e lements v i s ib le to the essent ia l l y pedes t r i an t ra f f i c , y i e ld ing a v i ta l nav iga -t i on re fe rence , mark ing the a rea be low, o f fe r i ng mee t ing po in ts……and main ta in ing a cons tan t p resence . I n non-marke t t imes , these a r t works w i l l o f fe r a key sense o f thea t re , i nhab i t i ng and embe l l i sh ing the spaces o f the marke t , t o enhance i t s i den t i t y as a s ign i f i can t commun i t y asse t , and ce leb ra t ing the exh i -b i t i on space i t i s . I n th i s respec t we have been in te res ted in the c rea t ion o f meet ing p laces w i th h igh v i s ib i l i t y and a d i f f e ren t amb ience f rom the s ta l l s and regu la r mar -ke t venues . The canop ied pav i l i ons a re des igned to fos te r a sense o f communi ty . A l though they re f l ec t upon Dandenong ’s ea r l y h i s to ry as a marke t p lace , the works as dynamic canop ies , s t range pav i l i ons ,

KNOX SKATE PARK

Public Art Consultation

Site: Gilbert Park Reserve Ferntree Gully Rd Knox

Budget: $ 4500

Project duration: 10 Weeks

Dimension: Various

Corten Steel Panels on Galvanized Steel RHS Profiles - Laser cutting

Epoxy Finish on Mild Steel

Client: Knox City Council

Knox

Skate

Park

Project related Multidisciplinary Tasks Direct Shortlisting Resource Site History Related Documentation Site Visit/Inspections Attend Council Meetings x 2 Design Artwork Methodology of Intervention Preliminary Budget Resource Materials Presentation to Project Advisory Committee

Knox Regional Skate Park The Main Entrance is located on the corner Ferntreegully Rd and Gilbert Park Drive, it is a highly visible and prominent area and it has the capac-ity if to address the site with a landmark Public Artwork. A recognizable symbol, on a high traffic corridor between central Melbourne and the Eastern suburbs to the Dandenong’s to create attention/interest and status. Attention/Interest referred to the culture, movements and aspirations of young mob/generations. This entrance site introduces the Sub Urban Theme.

400

Year

Tree

400 Years Old Tree

Public Art Proposal City of Greater Dandenong

Collaborative Project with Dianne Beevers Part

of the EASTlLINK Community Project Budget: $ 1500


Site : Oakwood Reserve

Noble Park

Dimensions: 10x10x4 meters

Red Gum Timber 8 mm plate mild steel galvanised

Reinstated Bricks - S.Steel Inlays


Project related Multidisciplinary Tasks Direct Shortlisting Resource Site History Related Documentation Site Visit/Inspections Attend Council Meetings x 1 Attend Meeting on Site x 2 Collaborative Design Outline Proposed Artwork Methodology of Intervention Preliminary Budget Resource Materials

400 Year Old Tree In order to establish the tree’s presence both as a marker and a destination, achieving high visibility from the immedi-ate residential neighbourhood and the middle distance of surrounding freeway traffic. The original integrity of the vertical alignment of the tree has the capacity to instil a sense of awe in the viewer, and to remember the height and magnitude of the tree. This proud verticality also suc-ceeds in underlining the fact that the life of the tree and its significance is marked, and continues in the community all be it on new terms.

MEMORIAL

PARK

DANDENONG MEMORIAL PARK

Public Art Consultancy Proposal for a Memorial


Site : Dandenong Park Dandenong City

Dimensions: N/A

Bronze Laminate on Galvanized Structure

Porphyry Cobblestones Stainless Steel Inlays


Project related Multidisciplinary Tasks Direct Shortlisting Resource Site History Related Documentation Site Visit/Inspections Attend Council Meetings x 2 Attend Meeting on Site x 2 Design Outline / Model Proposed Artwork Methodology of Intervention Preliminary Budget Resource Materials Model / Maquette Presentation to Project Advisory Committee Project on Hold by Stakeholder

DANDENONG MEMORIAL PARK My approach and response to the brief is based on the concept of a design that identifies the link between place, ritual and remembrance. The notion of place translates to the central Spine Avenue continuing on the paved design surrounding the artwork, where rituals and ceremonies of remembrance are created. It is very important to create for the visitor the linking ex-pectation of a place (where) to gather. A meaningful space becomes a place of identity (where) to engage in for personal, special occasions or collective social time. The site embraces a transaction between the individ-ual, the community and the space of memory. It has to be a natural and instinctive intuition delivered by use of colour, pattern and selected classic and durable mediums. My connection with Dandenong started when I first came to Australia, I lived in Dandenong (my first English classes with many new migrants, was at AEMS in Dandenong South, and this experience was an eye opener on Australia being a unique place) and my extended family has been part of this community for many years.

YARRA VALLEY THRESHOLD

Public Art Commission


Site: Maroondah / Warburton Hwy Intersection Lilydale

Budget: $ 6500 Project duration: Current

Dimension: 160 Square Meters

Mild Steel - Aluminum Sheet

Compressed Cement Panels - Keim Colors Fixings - Local Bluestone

Client : SHIRE YARRA RANGES

BARCODE

Project related Multidisciplinary Tasks Response Expression of Interest Shortlisted Resource Site History Related Documentation Site Visit/Inspections Attend Council Meetings x 2 Attend Meeting on Site x 2 Collaborative Design Outline Proposed Artwork Methodology of Intervention Preliminary Budget Source Materials Model / Maquette Presentation to Project Advisory Committee Awarded Commission Project Cancelled by Stakeholder

The Yarra Valley BARCODE We propose an integrated landscape treatment + art-work: BARCODE- a sculpture, interpreting the charac-ter of the region’s indigenous habitat

EARTH: Groundworks Strategies: mounding with berms developed to our design, to achieve a dynamic topography and circulation plan, lo-cating the driving visitor in an inhabited landscape, in-formed since the 19th century, by additional settlement from Europe and Asia, and later, from other continents. As such the northern hemisphere interventionist tendencies and conventions in the landscape are reconsidered and refer-enced en route, from land clearing for agriculture, horticul-ture, and viticulture, to develop a landscape which ac-knowledges our location in the Antipodes, with the spe-cifics of indigenous habitat, and a growing spirit of conser-vation. 3D Installation work extending the introduced typologies of fencing, walling and hedging, refreshed to account for a contemporary understanding of history, and ecology, and to elevate the reading of these utilitarian works as sculptural elements and significant graphic traces mapping the land-scape.

ENTRANCE SCULPTURAL GATES St.Kilda Botanical Gardens

Proposal Artwork


Site : St.Kilda Botanical Gardens Budget: N/A


Dimension: N/A

CORTEN Steel - Fibreglass - Fixings

Client : N/A

T H E

GATES

Project related Multidisciplinary Tasks Design Outline Proposed Artwork Methodology of Intervention Preliminary Budget Resource Materials Presentation

ENTRANCE - SCULPTURAL GATES St.Kilda Botanical Gardens From our site visits and considerations of the above, we recognise the proposed Osborne Street gate represents the primary entrance with its significant prospect through Palm Walk to the Bay. Here the sweeping ‘colonnade’ of palms emphasises verticality and deep perspective In relation to the adjacent and dominant 19th century signa-ture gates on the corner of Osborne and Gifford Streets, we envisage the 21st century gate in Osborne Street would benefit from a visual separation, ideally marked by a spatial inset of some two metres, following the suggestions of the existing stone edging. Designed to draw the visitor through to the dominant feature of the Palm walk, this entrance offers its own set of theatre. The Proposed Commission for the Gates to St. Kilda Bo-tanical Gardens is recognised as a design brief combining multiple functions of the gateway element, contributing PLACEMAKING attributes, and establishing an enhanced public profile for the gardens, which acknowledges the continuing heritage of the gardens. After 150 years, the new commission stands to contribute significant new ele-ments appropriate to our time, namely longevity, of charac-ter, identity, material and functionality of the gates de-signed.

WINGED

ARTS VICTORIA - 2008 ARTIST IN SCHOOL PROGRAM

WARBURTON PRIMARY SCHOOL

SCULPTURAL SCREENS

Project duration: 6 Months Sessions 4x 2 Weeks Each

Budget: $ 5500 Site : WARBURTON PRIMARY SCHOOL

WARBURTON

Dimensions: 10000 x 4000 x 4000

Mild Steel Piping and Rio Mesh - Structure Local HOIGAAMI Black Bamboo

Galvanized Steel Wire Plastic Marine Grade Colored Rope

Client: Arts Victoria

Project related Multidisciplinary Tasks Arts Victoria Proposal / EOI Resource Site History Related Documentation Site Visit/Inspections Attend Council/ School Meetings x 3 Attend Meeting on Site x 1 Attend Arts Victoria Briefing Design Outline Proposed Artwork Methodology of Intervention Preliminary Budget Source Materials Awarded Commission School Project Presentation Organization Students Workshops x 12

WINGED - Sculptural Screens Why do you want to be involved in this Artists in school project? My artistic professional practice has always been connected with the site and the people that revolve around it. The pro-posed land – art installation project provides an opportunity to work in a creative environment with the excitement and en-ergy of children. This is great motivation for me as an artist and as a person. Bringing cutting-edge art to the people… collaborative and team building - social and emotional gains for the children and sharing in a vision of connecting sustainable art practice with this wonderful learning environment. All of these ele-ments inspire me. Where I live is where I can best use my knowledge to ex-press my artistic view and Warburton primary is a perfect environment where the energy and dedication is inspiring and visionary. How do you think this project will benefit the students and the teachers? This project has the capacity to involve many people of differ-ent ages and abilities - like a woven rug has many threads each unique and valuable to hold together and share our lives. Already, students, teachers and parents are involved in a collective and collaborative process imagining this project. While I will be working directly with Grade 5 and 6’s, the school and the local community will be involved in the stages of development – the organising, digging, hammering, twin-ing, painting and celebration. The sense of achievement, the learning, being creative, the pride and self-esteem gained from experiencing the creative and collaborative process is priceless. The project will affirm what can be achieved by working together, overcoming ob-stacles, seeing a project through to completion and creating a living and sustainable piece of installation art. This is part of Warburton’s tradition. What are your expectations of: The Students are the direct beneficiaries from the Project. They will work collaboratively and receive instruction regard-ing their role, participation, and purpose. We will work to-gether and come to understand how art is part of everyday life and how they can create art from anything. The project, at different stages will involve smaller group activities and large group participation. Students will work on the project on many levels using and sharing different skills: They will search and source willow trees branches - form/dimension/unique or standard attributes. Recycled me-diums plastic/aluminium - colour/durability/environment -composition/colour/dimensions.

ART & ROOTS

A series of ART WORKSHOPS

Collaborative Project with P. de Manincor and N. 60 Youth representatives

Site Workshops: Melbourne - Launching Place

Sydney - Myrtleford Budget: $ 25000


Dimension: N. 5 Panels 1200x4000 mm

Venetian Glass Mosaic Rendered Multistrate Panels - Keim Colors

Client : Autonomous Province of Trento - Italy

COASIT - Melbourne Italian Institute of Culture Melbourne

ART

&

ROOTS

Project related Multidisciplinary Tasks International Liaison / Correspondence Collaborative Design Outline Proposed Artwork Methodology of Intervention Presentation proposal to Client/Stakeholders Preliminary Budget Resource Materials Surface Preparation Logistics Coordination Workshops Project Management

ART and ROOTS - Overview The Autonomous Province of Trento approved the proposal of the Trentino Club of Melbourne and has decided to send the artist Paola DeManincor to Australia from Ma rch to April 2009 to prepare the project and present this at the Convention of the Trentini in Australia (Melbourne 24 - 26 April). Paola has interpreted and shared the history and life of Trentino migrants in Australia and in other part of the world as friend and as an artist using her art and murals. Whilst in Australia Paola DeManincor would like to engage and connect directly with young people with Trentino origins in a series of art workshops coordinated by Andrea Tomaselli, the Trentino Club of Melbourne and other participant Trentino Clubs (Sydney, Myrtleford, Wollongong and Canberra). At these workshops a series of painted panels will be created. These will be then exhibited as a whole composition during the duration of the Conference in Melbourne. The panels will remain the prop-erty of the workshop participants.

Key points for the participation at the workshops: All young Australians of Trentino descendants are encouraged and invited to participate. Each participant will be asked to bring to the workshop a simple design or subject. Research, unearth among the family mem-oirs, books or internet, traditional and personal symbols of our families, towns, region and our valleys. (Amongst culture, art and the history, objects/symbols can be found, utensils, flowers, mountains, buildings that can be represented and painted or sculpted using various mediums) The participants will engage in a creative and educational and interpretative process through art, history and Trentino tradi-tions and symbols. The participants will be asked to follow the techniques and suggestions of Paola DeManincor on how to best produce the out-come of their research on the prepared panels using various mediums (Painting and mosaic using Silicate Keim Colors and traditional Italian glass mosaic tiles). Each participant will have, as a result of the workshop, a panel which will be exhibited with all other panels at the convention. Workshops will take place in venues determined by the host Clubs in relation to attendance at the workshops. A venue should be at least the size of a double garage 6x12 metres. In Melbourne we plan to organize 6 workshops in 3 venues (Launching Place, Dandenong and Heidelberg). Other club workshops are envisaged in Sydney (this venue could include Wollongong) , Myrtleford (this venue could include Canberra). We are open to discuss different options. Materials and Labour – Keim Colors, brushes, glues, glass mosaic and art supplies will be supplied by the Province of Trento. Host clubs to organize Venue and logistic (Tables, Drop sheets, Chairs and other items to be discussed prior commencement of workshops) Please feel free to forward suggestions, options and any questions related to this project and do not hesitate to contact me here in Melbourne. Andrea Tomaselli

SEEDS OF HOPES AND DREAMS

A series of 4 Sculptures


Site : St.Albans Shopping Precinct Budget: $ 250000

Project duration: 2 Years

Dimension: N/A

Mediums: Porphyry Stone - Mild Steel LED Lights

Client : Brimbank City Council

Manufacturers:

ABLE INDUSTRIES LIGHTSLIIGHTSLIGHTS

ITALIAN PORPHYRY MAZZA ELECTRICS

ST

ALBANS

Project related Multidisciplinary Tasks Collaborative Design Outline Proposed Artwork Methodology of Intervention Presentation proposal to Client/Stakeholders Preliminary Budget Resource Materials Surface Preparation Logistics Coordination Community Workshops Project Management Installation Sculptures Preparation Foundations Engineering Liaison

SEEDS OF HOPES AND DREAMS St.ALBANS Seeds of Hopes and Dreams incorporates four permanent public artworks across St Albans’ CBD. The artworks com-bine sculpture, lighting, paving and seating elements to celebrate the unique community of St Albans. The artists have drawn upon the indigenous yam daisy and other related plants as the central motifs of the project for their universal symbolism of hopes and dreams. These plants, migratory species that spread on the wind, are strong symbols for a richly diverse community proudly built on migration. The plants have a long connection with humankind. They have been traced throughout the ages as a food source and celebrated for medicinal properties. Most poignantly, the plants represent the aspirational realm of hopes and dreams through the action of blowing the seed head to make a wish. Seeds of Hopes and Dreams is part of Brimbank City Council’s vision and commitment to the revitalisation of its Town Centres and the building of community connected-ness within the municipality.

Andrea Tomaselli - ArtFolio 2013

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