And Hollywood MOVIES. EARLY HISTORY OF THE MOTION PICTURE INDUSTRY Highly competitive with easy...
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Transcript of And Hollywood MOVIES. EARLY HISTORY OF THE MOTION PICTURE INDUSTRY Highly competitive with easy...
EARLY HISTORY OF THE
MOTION PICTURE INDUSTRY
Highly competitive with easy access for new business:
interchangeable products smallness of buyers & sellers in relation to market absence of artificial restraints accessibility of resources
EARLY HISTORY OF THE MOTION PICTURE INDUSTRY
Thomas Edison (1894) The Kiss
The Lumiere Brothers (1895) Employees Leaving the Lumiere Factory Arrival of the Express at Lyons
Georges Melies (1902) A Voyage to the Moon
Edwin S. Porter (1903) The Great Train Robbery
THE MOTION PICTURE PATENTS COMPANY (MPPC)
Thomas Edison formed MPPC (the “Trust”) in 1908 as a PATENTS POOL cooperative of leading U.S. and French film
companies dominated the film industry from 1908-1915 Successfully excluded small companies
from the market
WHY did the MPPC fail?
Could not meet product demand Some independent producers bought film stock
from overseas Some independent producers moved operations
out of the NY and NJ area, eventually to California
Independent distributors set up a non-MPPC distribution network
Declared a monopoly in 1915 as the result of a 1912 anti-trust case brought by Fox
THE RISE OF THE HOLLYWOOD STUDIO SYSTEM (1925-1948)
From Monopoly (the MPPC) to Oligopoly (the Studio System)
The “Big Five” and the “Little Three”
The “Big Five” or the Majors: Warner Brothers Paramount 20th Century Fox Loew's (MGM) RKO (owned by RCA)
The “Little Three”
or the Minors: United
Artists Columbia Universal
How did the Big Five control all three levels of the industry?
VERTICAL INTEGRATION of:
-production
-distribution
-exhibition
How did the studios control exhibition?Run
First, second, thirdZone
Geographic coverage without overlapsClearance
Elapsed time between runsBlock Booking
Rental in packages of assorted films
High Sierra: A Case Study
An A feature, starring Bogart and LupinoStarts first run on January 25, 1941
Studio-run theaters in 100 large cities Ticket price=$1.00 to $1.25
Second run in May, 1941 Second run theaters (smaller cities) Ticket price=$.40 to $.75
Third run in Fall, 1941 Neighborhood and rural theaters Ticket price=$.25
Technology: Behind the Art of Movies
The movie industry is dependent on developing new technologies
As an example, let’s consider sound The Jazz Singer (1927) Singin’ in the Rain (1952)
GENRES: How Films Are Sold
GENRE= category in which conventions regarding similar characters, scenes, structures and themes reoccur
Regulated Difference: genres benefit the industry by allowing both product standardization and product differentiation
What are some Hollywood genres?
WHAT UNDERMINED THE STUDIO SYSTEM?
No one thing : four large factors came together in the late 1940s: The House Committee on Un-American
Activities The Paramount Decision of 1948 Postwar Changes in Society The Rise of Television
THE RED SCARE AND HUAC HEARINGS
Cold War paranoia about Communist messages in mass entertainment
Congress formed House UnAmerican Activities Committee (HUAC)
1941 and 1947 HUAC hearings were "witch hunts" to remove so-called subversives from the industry (led by Sen. Joseph McCarthy)
EFFECT OF HUAC HEARINGS
blacklisting of talented members of Hollywood community
tarnished the Hollywood “Dream Machine” image
created a climate of fear and dampened creativity within the industry
wounds continue even today (e.g. 1999 Elia Kazan Oscar controversy)
THE PARAMOUNT DECISION
In 1948, Supreme Court ruled the studios in violation of Sherman Anti-Trust Act, restricting fair trade
Court ordered the Big Five studios to divest their theatre chains
EFFECTS: studios cut their film production by half; opened the way for independent producers, though that opening was short-lived
POSTWAR CHANGES in SOCIETY returning soldiers baby boom suburbanization
and new lifestyle nuclear families
with young children
changing patterns of consumption
less disposable income
decreased attendance at downtown movie palaces
THE RISE OF TELEVISION
decline in motion picture attendance film industry’s technological gimmicks to
emphasize the spectacle of the big screen film industry cooperation with TV movies on TV became a continuous
competitor with theatre for film customers
HOLLYWOOD TODAY marriage of TV and movies: watching
movies now takes place on the home VCR and DVD player as well as at box office
new Hollywood studios produce TV shows as well as feature films
80-90% of new movies flop at box office, but losses recouped through video market
Sources of studio income today
box office revenues video sales and rentals distribution of films globally studio distribution of
independent films product placement in movies