Analysing and using 'the artist model'
Transcript of Analysing and using 'the artist model'
Analysing Artist Models
Level 2/3
Analysing and Using the ‘Artist Model’
Barry McGee Jean Michel Basquiat
Antonio Tapies
Cy Twombly, ‘Coronation of
Sesostris.’Cy Twombly, Crossing
Homenatge a joan prats, lithographyAntonio Tapies
Antonio Tapies
Barry McGee
Using artist models, compare and annotate, similarities & differences:
Use headings like:
Subject Matter
Content
Media
Technique
Composition
Colours
Light
Style
William Sutton, 1950, ‘Nor’wester in the Cemetry,’ oil on canvas, 152.0 x 183.0 cm
Compare & Contrast
Compare & contrast: Create a word bank using key words
Hotere, 34Smither, 1969-70, cross for Rita Angus
EXPLICIT ARTIST MODEL
Stanley Palmer
Stanley Palmer
Implicit
Colin McCahon
Implicit
‘Four Waterfalls’
1964, pva on board, mounted on board, 63x63 cm
Colin McCahon
Charles Heaphy, Main Entrance to Queen Charlotte Sound, 1848
Charles Heaphy, Off Point Jackson, Cook Strait, Part 1, 1848
Explicit
Gregory O’Brien, 1867, Otago Harbour & Peninsula,
Explicit
Michel Smither (1969-70) Cross For Rita Angus, oil on board, 77X76
Implicit/Explicit
Implicit
McCahon, Red & Black Landscape,
1959, enamel paint & sand on hardboard, 673mm x 441mm
Draw this Gregory O’Brien landscape.
Gregory O’Brien, 1848, Dunedin Harbour from Flagstaff.
Colin McCahon, 1958, commercial oil-based paint 8 unstretched canvas panels .
Draw this McCahon landscape. Annotate using formal art terms to describe elements.
Compare & Contrast, Note similarities & differences
Use formal language:CompositionFormToneColourArtist intentions
Level 3 Analysis page
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