An Introduction to Macbeth by William Shakespeare, 1606.

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An Introduction to Macbeth by William Shakespeare, 1606

Transcript of An Introduction to Macbeth by William Shakespeare, 1606.

Page 1: An Introduction to Macbeth by William Shakespeare, 1606.

An Introduction to

Macbethby William Shakespeare, 1606

Page 2: An Introduction to Macbeth by William Shakespeare, 1606.

Macbeth in a NutshellSetting: ScotlandSource: Holinshed’s Chronicles of England, Scotland, and IrelandBest Known For: It’s supernatural creepinessMajor Characters:

Macbeth: A general in the king of Scotland’s armyLady Macbeth: His wifeThree WitchesKing Duncan of ScotlandMacduff: A Scottish Nobleman

One-Sentence Plot Encapsulation: Lady Macbeth encourages her husband to be more aggressive in pursuing career options.

Moral: What goes around comes around.Best Feature: Witches.Worst Feature: Theater people believe Macbeth to be cursed and

will only refer to it as “the Scottish play.”

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The “Real” Macbeth• 11th century Scottish king• Had a legitimate claim to King Duncan’s throne• Was supported by other nobles who were

dissatisfied with King Duncan• Ruled successfully for many years• King James was a Scot and claimed to be a direct

descendant of Banquo (Banquo’s son, Malcolm Canmore reigned as Malcolm III for 35 years founder of the house of Stuart).

Page 4: An Introduction to Macbeth by William Shakespeare, 1606.

The Curse of Macbeth

Is there an evil spell on this ill-starred play?

From Dina Tritsch, Showbill, April 1984

Page 5: An Introduction to Macbeth by William Shakespeare, 1606.

King James I

In 1604 Shakespeare reproduced a 17th

century black-magic ritual for the opening

scene of Macbeth’s Act IV in order to please

King James I (an authority on

demonology).

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The Art of Spell Casting

"Round around the cauldron go;In the poison'd entrails throw.

Toad, that under cold stoneDays and nights has thirty-oneSwelter'd venum sleeping got.Boil thou first i' the charmed

pot"

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The CurseWitches, unhappy with

Shakespeare’s negligent exposure of their craft, cast an everlasting spell on the play as punishment.

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1606: Actor Dies

Shakespeare is forced to play the role of

Lady Macbeth when the original actor died. King James I was so displeased that he banned the play for five years.

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1672: Murder occurs on stage

In Amsterdam, the actor playing

Macbeth substituted a real

dagger for the blunted stage

dagger and killed Duncan in full

view of the audience.

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Lady Macbeth: Lady of UNluckAs Lady Macbeth,

Sarah Siddons was nearly ravaged by a

disapproving audience in 1775;

Sybil Thorndike was almost strangled by

a burly actor in 1926; Diana

Wynyard sleepwalked off the

rostrum in 1948, falling down 15 feet.

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1849: Astor Place Riot

During its 1849 performance at New York's Astor Place, a riot broke out in which 31 people were trampled to

death.

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1937: Man in Audience Suffers Heart Attack

In 1937, when Laurence Olivier took on the

role of Macbeth, a 25 pound stage weight

crashed within an inch of him, and his sword which broke onstage

flew into the audience and hit a man who

later suffered a heart attack.

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1934: Actor and Replacement Get Sick

In 1934, British actor Malcolm Keen turned mute

onstage, and his replacement,

Alister Sim, like Hal Berridge before him,

developed a high fever and had to be

hospitalized.

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1942: 5 DieIn the 1942 Macbeth

production headed by John Gielgud, three actors --

Duncan and two witches -- died, and

the costume and set designer

committed suicide amidst his devilish Macbeth creations.

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1953: “…. pants on fire.”

The indestructible Charlton Heston, in an outdoor production

in Bermuda in 1953, suffered severe burns in his groin and leg

area from tights that were accidentally soaked in kerosene.

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1970-now: The Curse Continues

An actor's strike felled Rip Torn's 1970 production in New York City

Two fires and seven robberies plagued the 1971 version starring David Leary

In the 1981 production at Lincoln Center, J. Kenneth Campbell, who played Macduff, was mugged soon

after the play's opening.

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Of course, no explanations have been given for the seemingly inevitable toil and trouble that is part and parcel of this unlucky play. You don't, in fact,

ever refer to Macbeth or quote from it unless rehearsing or performing it. You

also don't, as explained to me by countless brave and talented actors

from Glenda Jackson to Ian McKellen, refer to this haunted play by name, but instead you call it That Scottish Play or simply That Play; everyone, it seems,

will get the message, in a flash.