Ampero FX list - allaccess.co.jp

Descristion1 2 3 1 2 3 1

Sustain Output0-100 0-100

Controls the compressionamount

Controls the effect output volume

Sustain Attack Output Clipping0-100 0-100 0-100 0-100


Controls how soon the compressor startsto process the signal

Controls the effect output volume Controls the input sensivity

Sustain Attack Output0-100 0-100 0-100




Threshold Ratio Output Attack Release Tone0-100 0-100 0-100 0-100 0-100 0-100

Controls the compressionthreshold Controls the compression ratio Controls the effect output volume


Controls how soon the compressor startsto release the signal level back to normalafter the level drops below the threshold

Controls the effect tonebrightness

Gain Volume Bass Treble0-100 0-100 0-100 0-100

Controls the gain amount Controls the effect output volume Controls the low frequency amount Controls the high frequency amountGain Volume Bass Treble0-100 0-100 0-100 0-100

Controls the gain amount Controls the effect output volume Controls the low frequency amount Controls the high frequency amountGain Volume Bass Treble

0-100 0-100 0-100 0-100

Controls the gain amount Controls the effect output volume Controls the low frequency amount Controls the high frequency amount

Bass Treble Volume Low Cut0-100 0-100 0-100 Off/On

Controls the lowfrequency amount Controls the high frequency amount Controls the effect output volume

Switches the low cut (-6dB/oct @200Hz)filter on/off

+3dB Bright VolumeOff/On Off/On 0-100

Switches min. boostamount from 0dB to +3dB

Switches extra brightness on/off Controls the effect output volume

Body Top Volume Mode0-100 0-100 0-100 Standard/Jumbo/Enhanced/Piezo

Controls the bodyresonance

Controls the upper harmonics Controls the effect output

Switches from 4 modes:Standard: Simulates a standard acoustic

guitarJumbo: Simulates a jumbo acoustic guitar

Enhanced: Simulates an acoustic guitarwith enhanced attack

Pirzo: Simulates the sound of a piezopickup

Sens Res Decay0-100 0-100 0-100

Controls the sensitivity Controls the filter resonance Contols how fast the filter goes back tothe resting point

Sens Range Q Mix Mode0-100 0-100 0-100 0-100 Guitar/Bass

Controls the sensitivity Contols the filter center frequency range Controls the filter Q Controls the wet/dry signal ratio Switches from guitar/bass modes

Depth Rate Volume Low Q High Sync0-100 0-100 0-100 0-100 0-100 0-100 Off/On

Controls the effect depth Controls the effect speed Controls the effect output Controls the filter low frequency range Controls the filter Q Controls the filter highfrequency range

Switches Tap Tempo syncon/off

Range Q Volume0-100 0-100 0-100

Controls the filterfrequency range

Controls the filter Q Controls the effect output

Range Q Volume0-100 0-100 0-100



Acoustic guitar simulator designed for guitars

A special envelope filter (a.k.a. touch wah) designed for bassists, provides anatural, smooth sound full of analog feel

A wide ranged envelope filter (a.k.a. touch wah) designed for guitarists andbassists that is touch-sensitive and flexible

Providing a variable auto wah effect for both guitars and basses

Based on legendary VOX® V846* wah pedal

Based on legendary Dunlop® CryBaby®* wah pedal

Based on the legendary Ross™ Compressor

Based on the Keeley® C4 4-knob compressor*

Based on a legendary 3-knob VCA blue compressor/sustainer

Flexible, fully adjustable compressor effect

Based on famous Xotic® AC Booster* pedal

Based on famous Xotic® BB Preamp* pedal

Based famous on Xotic® RC Booster* pedal

Based on legendary green clip-on FET Preamp

Based on famous Xotic® EP Booster* pedal

FX Name

Comprosso

Comparoma 4

Blue Sustainer

Squeezer

Affinity Boost

Beefy Boost

Pristine Boost

FET Boost

Enhancer

AC Sim

Dynamic Basso

Toucher

Crier

Voxy Wah

Cry Wah

No.

1

2

3

4

5

6

7

8

9

1

2

3

4

5

6

Ampero FX List - FX1 (70)

Parameters & Range Page 2

Dynamic

Frequency

Range Q Volume0-100 0-100 0-100



Range Q Volume0-100 0-100 0-100



Range Q Volume0-100 0-100 0-100



Low Oct High Oct Dry0-100 0-100 0-100

Controls the lower octavevolume

Controls the higher octave volume Contols the dry signal level

Oct 1 Oct 2 Dry0-100 0-100 0-100



Hi Pitch Low Pitch Dry Hi Volume Low Volume0~+24 0~-24 0-100 0-100 0-100

Controls the lower pitchby half notes Controls the higher pitch by half notes Controls the dry singal level Controls the high pitch volume Controls the low pitch volume

Noise Shake0-100 0-100

Controls the backgroudnoise amount

Controls the sound vibration

Saturation Mix Output High Cut0-100 0-100 0-100 0-100

Controls the gain amount Controls the wet/dry signal ratio Controls the effect output Controls the effect high cut amountStep 1 Step 2 Step 3 Step 4 Rate Sync0-100 0-100 0-100 0-100 0-100 Off/On

Controls the effect speed Switches Tap Tempo syncon/off

Mix Krush Bit Hi Cut Lo Cut0-100 0-100 0-100 0-100 0-100

Contols the wet/dry signalratio

Controls the downsampling rate Controls the bit depth Controls the high cut amnount Controls the low cut amount

Mix Freq Fine Tone0-100 0-100 -50~0~+50 0-100


Controls the modulation frequency Fine tune the modulation frequency by1Hz

Controls the tone brightness

Gain Tone Volume0-100 0-100 0-100

Controls the gain amount Controls the tone brigntness Controls the effect output volume

Gain Volume0-100 0-100

Controls the gain amount Controls the effect output volume


Controls the gain amount Controls the tone brightness Controls the effect output volume



Gain Tone Volume Fat Air0-100 0-100 0-100 Off/On Off/On

Controls the gain amount Controls the tone brightness Controls the effect output volume Switches extra resonance on/off Switch extra presence on/off

Gain Tone Volume

0-100 0-100 0-100


Gain Tone Volume Mode

Based on the legendary 2-knob yellow overdrive pedal with thick, creamlike sound character, one of the earliest dirt pedals

Based on Providence® SOV-2 Stampede OD* overdrive pedal, deliveringnatural overdrive tone without affecting the sound character of your guitar

Based on the legendary 3-knob yellow overdrive pedal, reproducing thethick, warm sound produced by asymmetric overdrive circuitry

Classic overdrive Inspired by legendary TS-style overdrive served with itsmost enduring modification

Based on an legendary 3-knob Blues overdrive pedal providing full-rangeoverdriven sound, great for both guitars and basses

Based on legendary Fulltone® OCD®* V3 overdrive pedal

Provides polyphonic octave effect

Provides distorted polyphonic octave effect with distortion

Polyphonic pitch shifter/harmonizer based on Hotone Harmony

Simulates vintage telephone effect

Vintage tape saturation simulater providing analog warmth and naturaldistortion

A 4-step auto filter machine for creating synth-like sounds

Provides bitcrushing/sample reducing effect with musical fashion

A ring modulator for creating intresting inharmonic frequency spectra (likebells and chimes)

Based on legenary Ibanez® TS-808 Tube Screamer®* overdrive pedal

Based on famous Dunlop® CryBaby® JP95* wah pedal

Based on Hotone Soul Press (WAH mode)

Based on Hotone Bass Press (WAH mode)

Ring Mod

Green Drive

Yellow Drive

Swarm Drive

Super Drive

Screamood

Dr. Blues

Force Drive

Soul Press

Bass Press

Clean Octa

Dirty Octa

Harmony

Telephone Line

Satisfaction

Path Filter

Bit Krusher

Petrus Wah7

8

9

10

11

12

Controls filter center frequency of 4 filters (steps)

Overdrive/Distortion

13

14

15

16

17

1

2

3

4

5

6

7

0-100 0-100 0-100 LP/HP

Controls the gain amount Controls the tone brightness Controls the effect output volumeSelects from two sound characters:

LP: Neutral mode with natural responseHP: High Peak mode with more distortion


Controls the gain amount Controls the effect output volume Controls the low frequency amount Controls the high frequency amountGain Tone Volume Voice0-100 0-100 0-100 0-100

Controls the gain amount Controls the tone brightness Controls the effect output volume Controls the upper harmonics character

Gain Tone Volume Harmonics

0-100 0-100 0-100 Off/On

Controls the gain amount Controls the tone brightness Controls the effect output volume Switches extra harmonics on/off

Sustain Tone Volume0-100 0-100 0-100


Fuzz Volume0-100 0-100

Controls the gain amount Controls the effect output volumeFuzz Volume

0-100 0-100Controls the gain amount Controls the effect output volume

Gain Filter Volume

0-100 0-100 0-100

Controls the gain amount Conterclockwize controls the tonebrigntness



Controls the gain amount Controls the effect output volumeGain Tone Volume

0-100 0-100 0-100


Gain Volume Bass Middle Treble0-100 0-100 0-100 0-100 0-100

Controls the gain amount Controls the effect output volume Controls the low frequency amount Controls the mid frequency amount Controls the high frequency amountGain Tone Volume0-100 0-100 0-100

Controls the gain amount Controls the tone brightness Controls the effect output volumeGain Mode Volume Bass Middle Treble

0-100 Vintage/Modern 0-100 0-100 0-100 0-100

Controls the gain amount Selects from two different soundcharacters: vintage/modern

Controls the effect output volume Controls the low frequency amount Controls the mid frequency amount Controls the high frequencyamount

Gain Tone Volume Tight0-100 0-100 0-100 0-100

Controls the gain amount Controls the tone brightness Controls the effect output volume Controls the bottom resonance

Gain Blend Volume Bass Treble0-100 0-100 0-100 0-100 0-100

Controls the gain amount Controls the wet/dry signal ratio Controls the effect output volume Controls the low frequency amount Controls the high frequency amountGain Tone Volume Mode Blend0-100 0-100 0-100 Normal/Scoop/Edge 0-100


Selects from 3 different modes:Normal: Neutral mode

Scoop: Mid-scooped modeEdge: A mode with boosted highs

Controls the wet/dry signal ratio

Depth Rate Tone Sync0-100 0-100 0-100 Off/On

Controls the chorus depth Controls the chorus speed Controls the tone brightness Switches Tap Tempo sync on/off

Depth Rate Volume Sync0-100 0-100 0-100 Off/On

Controls the chorus depth Controls the chorus speed Controls the output volume Switches Tap Tempo sync on/off

A tight, thick, raw distortion inspired by the legendary "Brown Sound"

Based on a yellow bass overdrive pedal with wide tonal range

A bass drive with rich, solid sound and flexible tonal range

Based on legendary Arion® SCH-1* stereo chorus pedal, producing classic1980s chorus tone that loved by Eric Clapton and Michael Landau

Based on the legendary huge ensemble chorus pedal born in late 1970s(chorus mode), producing rich, shimmering vintage analog chorus tone

Based on legendary Electro-Harmonix® Big Muff Pi®* fuzz/distortionpedal

Based on legendary Dallas-Arbiter® Fuzz Face®* fuzz pedal

Based on legendary Sola Sound® Tone Bender® MkII* fuzz peal

Based on legendary ProCo™ The Rat* distortion (early LM308 OP-ampversion)

Based on MXR® M104 Distortion +* , reproducing the legendaryGermanium-powered soft clipping distortion

Based on the legendary 3-knob orange distortion released in late 1970s

Based on Marshall® Guv’Nor* distortion pedal

Based on MI Audio® Crunch Box®* distortion peal, providing classic UK-style high gain stack sound

Based on Wampler® Plexitortion* distortion pedal that inspired by UKPlexi-style amps


Based on legendary B. K. Butler® Tube Driver®* real tube overdrive pedal

Based on legendary Hermida® Zendrive®* overdrive pedal

Based on Barber® Direct Drive* overdrive with flat and natrural response

Crunchist

Purple Plexi

Panama Lead

Bass Crusher

Solid Steel

Aozora Chorus

Grand Choruium

Zen Garden

Direct Touch

Big Pie

Face Fuzz

Bend Fuzz

Black Tail

Plustortion

Smooth Dist

Governor

Force Drive

Tube Clipper

20

21

22

1

2

11

12

13

14

15

16

17

18

19

Modulation

7

8

9

10

Mode

1/2/3/4Selects from 4 sound

charactersMix Rate Filter Depth L Depth C Depth R Sync

0-100 0-100 0-100 0-100 0-100 0-100 Off/OnContols the wet/dry signal

ratioControls the chrous speed Controls the tone brightness Controls the chorus depth of left channel Controls the chorus depth of center

channelControls the chorus depth of

right channelSwitches Tap Tempo sync

on/offDepth Rate E.Level Sync0-100 0-100 0-100 Off/On

Controls the chorus depth Controls the chrous speed Controls the effect output volume Switches Tap Tempo sync on/off

Range Wet Dry

-50 Cents~+50Cents 0-100 0-100

Controls the detuneamounts by 1 cent Controls the effect output volume Controls the dry signal level

Depth Rate Pre Delay Feedback Sync0-100 0-100 0-100 0-100 Off/On

Controls the flanger depth Controls the effect speed Controls the pre delay time Controls the feedback amount Switches Tap Tempo sync on/offDepth Rate Pre Delay Feedback Sync0-100 0-100 0-100 0-100 Off/On


Controls the flanger depth Controls the effect speed Controls the pre delay time Controls the feedback amount Switches Tap Tempo sync on/offFlg Depth Flg Rate Feedback Trm Depth Trm Rate Flg Sync Trm Sync

0-100 0-100 0-100 0-100 0-100 Off/On Off/On

Controls the flanger depth Controls the flanging speed Controls the feedback amount Controls the tremolo depth Controls the tremolo speed Switches flanger Tap Temposync on/off

Switches tremolo Tap Temposync on/off

Depth Rate Sync0-100 0-100 Off/On

Controls the vibraro depth Controls the vibrato speed Switches Tap Tempo sync on/offDepth Rate E.Level Sync0-100 0-100 0-100 Off/On

Controls the vibrato depth Controls the vibrato speed Controls the output volume Switches Tap Tempo sync on/offDepth Rate Output Sync0-100 0-100 0-100 Off/On

Controls the vibrato depth Controls the vibrato speed Controls the output volume Switches Tap Tempo sync on/offSens Rate Output Sync0-100 0-100 0-100 Off/On

Counterclockwise controlsthe effect sensitivity

Controls the effect speed Controls the output volume Switches Tap Tempo sync on/off

Rate Sync0-100 Off/On

Controls the phaser speed Switches Tap Tempo sync on/offDepth Rate Sync0-100 0-100 Off/On

Contols the phaser depth Controls the phaser speed Switches Tap Tempo sync on/off

Depth Rate Level Notch 1 Notch 2 Notch 3 Sync0-100 0-100 0-100 0-100 0-100 0-100 Off/On

Contols the phaser depth Controls the phaser speed Controls the output volume Switches Tap Tempo syncon/off

Phaser Depth Phaser Rate Pan Depth Pan Rate Phs Sync Pan Sync0-100 0-100 0-100 0-100 Off/On Off/On

Controls the phaser depth Controls the phaser speed Controls the tremolo/pan depth Controls the tremolo speed (mono) orpanning speed (stereo)

Switches phaser Tap Tempo sync on/off Switches tremolo/pan TapTempo sync on/off


Controls the effect depth Controls the effect speed Switches Tap Tempo sync on/offDepth Rate Volume Mode Sync0-100 0-100 0-100 Chorus/Vibrato Off/On

Controls the effect depth Controls the effect speed Controls the output volume Selects from two sound characters:Chorus/Vibrato

Switches Tap Tempo sync on/off


Controls the tremolodepth

Controls the tremolo speed Switches Tap Tempo sync on/off

Depth Rate Volume Color Shape Bias Sync0-100 0-100 0-100 0-100 Sine/Triangle/Square/Sawtooth 0-100 Off/On

Controls the tremolodepth Controls the tremolo speed Controls the output volume Controls the effect tone

Selects fromsine/triangle/square/sawtooth tremolo

waveforms

Controls the waveform offsetamount


Based on a legendary 2-knob green phaser with sharp sound character

A highly flexible phaser effect with 3 adjustable notch filters

A special, subtle phaser combines tremolo/pan variations

Based on Voodoo Lab® Micro Vibe*

Based on legendary Shin-ei® Uni-Vibe®*

Based on legendary Demeter® TRM-1 Tremulator*, offering classical optotremolo sound

A custom tremolo with 4 different waveforms and super wide tonal range

Classsic flanging effect that is rich and natural

Classic flanging effect tuned for basses

A flanger with negative feedback, producing "underwater" style sound

Combines flanger and tremolo in one

Based on a BBD-based blue vibrato pedal, producing natural analogvibrato sound

Based on the legendary huge ensemble chorus pedal born in late 1970s(vibrato mode), producing rich, shimmering vintage analog vibrato tone

A classic vibrato effect with wide adjustable range

A special vibrato with touch-sensitive dynamic depth control

Based on legendary MXR® M101 Phase 90*

Based on a legendary 4-button purple stereo chorus pedal, providingdetailed rich chorus tone that expands sonic dimensions

A multi-dimensional chorus pedal producing rich surrounding chorussound, better playing with stereo sound systems

Based on the famous ensemble chorus unit tuned for bassists

Combines a slightly pitch shifted signal with original sound, producingchorus-like tone

Shiver T

90 Phaser

Green Phaser

Twirl N

Twirl P

Minivibe

Revolver

Helicopter

Custom Trem

Choruium B

Detune

Jetter

Jetter B

Jetter N

Trem Jet

Pulser

Grand Vibrato

Shiver

Liquid C

Aquaria M

16

17

18

19

20

21

22

7

8

9

10

11

12

13

14

15

3

4

5

6

Selects from two sound characters:LP: Neutral mode with natural response

HP: High Peak mode with more distortion

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners. The trademarks were used merely to identify the sound character of the products.



Controls the gain amount Controls the tone brigntness Controls the effect output volume


Controls the gain amount Controls the effect output volume





Gain Tone Volume Fat Air0-100 0-100 0-100 Off/On Off/On

Controls the gain amount Controls the tone brightness Controls the effect output volume Switches extra resonance on/off Switch extra presence on/off

Gain Tone Volume

0-100 0-100 0-100


Gain Tone Volume Mode0-100 0-100 0-100 LP/HP

Controls the gain amount Controls the tone brightness Controls the effect output volumeSelects from two sound characters:

LP: Neutral mode with natural responseHP: High Peak mode with more distortion


Controls the gain amount Controls the effect output volume Controls the low frequency amount Controls the high frequency amountGain Tone Volume Voice0-100 0-100 0-100 0-100

Controls the gain amount Controls the tone brightness Controls the effect output volume Controls the upper harmonics character

Gain Tone Volume Harmonics

0-100 0-100 0-100 Off/On

Controls the gain amount Controls the tone brightness Controls the effect output volume Switches extra harmonics on/off

Sustain Tone Volume0-100 0-100 0-100


Fuzz Volume0-100 0-100

Controls the gain amount Controls the effect output volumeFuzz Volume

0-100 0-100Controls the gain amount Controls the effect output volume

Gain Filter Volume

0-100 0-100 0-100

Controls the gain amount Conterclockwize controls the tonebrigntness



Controls the gain amount Controls the effect output volumeGain Tone Volume

0-100 0-100 0-100

Based on Barber® Direct Drive* overdrive with flat and natrural response

Based on legendary Electro-Harmonix® Big Muff Pi®* fuzz/distortionpedal

Based on legendary Dallas-Arbiter® Fuzz Face®* fuzz pedal

Based on legendary Sola Sound® Tone Bender® MkII* fuzz peal

Based on legendary ProCo™ The Rat* distortion (early LM308 OP-ampversion)

Based on MXR® M104 Distortion +* , reproducing the legendaryGermanium-powered soft clipping distortion


Based on legenary Ibanez® TS-808 Tube Screamer®* overdrive pedal

Based on the legendary 2-knob yellow overdrive pedal with thick, creamlike sound character, one of the earliest dirt pedals

Based on Providence® SOV-2 Stampede OD* overdrive pedal, deliveringnatural overdrive tone without affecting the sound character of your guitar

Based on the legendary 3-knob yellow overdrive pedal, reproducing thethick, warm sound produced by asymmetric overdrive circuitry

Classic overdrive Inspired by legendary TS-style overdrive served with itsmost enduring modification

Based on an legendary 3-knob Blues overdrive pedal providing full-rangeoverdriven sound, great for both guitars and basses


Based on legendary B. K. Butler® Tube Driver®* real tube overdrive pedal

Based on legendary Hermida® Zendrive®* overdrive pedal

FX Name

Green Drive

Yellow Drive

Swarm Drive

Super Drive

Screamood

Dr. Blues

Force Drive

Tube Clipper

Zen Garden

Direct Touch

Big Pie

Face Fuzz

Bend Fuzz

Black Tail

Plustortion

Smooth Dist

No.

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16


Parameters & RangePage 1 Page 2

Overdrive/Distortion



Controls the gain amount Controls the effect output volume Controls the low frequency amount Controls the mid frequency amount Controls the high frequency amountGain Tone Volume0-100 0-100 0-100

Controls the gain amount Controls the tone brightness Controls the effect output volumeGain Mode Volume Bass Middle Treble

0-100 Vintage/Modern 0-100 0-100 0-100 0-100

Controls the gain amount Selects from two different soundcharacters: vintage/modern

Controls the effect output volume Controls the low frequency amount Controls the mid frequency amount Controls the high frequencyamount

Gain Tone Volume Tight0-100 0-100 0-100 0-100

Controls the gain amount Controls the tone brightness Controls the effect output volume Controls the bottom resonance

Gain Blend Volume Bass Treble0-100 0-100 0-100 0-100 0-100

Controls the gain amount Controls the wet/dry signal ratio Controls the effect output volume Controls the low frequency amount Controls the high frequency amountGain Tone Volume Mode Blend0-100 0-100 0-100 Normal/Scoop/Edge 0-100


Selects from 3 different modes:Normal: Neutral mode

Scoop: Mid-scooped modeEdge: A mode with boosted highs

Controls the wet/dry signal ratio

Sustain Output0-100 0-100



Sustain Attack Output Clipping0-100 0-100 0-100 0-100



Controls the effect output volume Controls the input sensivity

Sustain Attack Output0-100 0-100 0-100




Threshold Ratio Output Attack Release Tone0-100 0-100 0-100 0-100 0-100 0-100

Controls the compressionthreshold Controls the compression ratio Controls the effect output volume


Controls how soon the compressor startsto release the signal level back to normalafter the level drops below the threshold



Controls the gain amount Controls the effect output volume Controls the low frequency amount Controls the high frequency amountGain Volume Bass Treble0-100 0-100 0-100 0-100

Controls the gain amount Controls the effect output volume Controls the low frequency amount Controls the high frequency amountGain Volume Bass Treble

0-100 0-100 0-100 0-100

Controls the gain amount Controls the effect output volume Controls the low frequency amount Controls the high frequency amount

Bass Treble Volume Low Cut0-100 0-100 0-100 Off/On

Controls the lowfrequency amount Controls the high frequency amount Controls the effect output volume

Switches the low cut (-6dB/oct @200Hz)filter on/off

+3dB Bright VolumeOff/On Off/On 0-100

Switches min. boostamount from 0dB to +3dB

Switches extra brightness on/off Controls the effect output volume








Based on famous Xotic® BB Preamp* pedal

Based famous on Xotic® RC Booster* pedal

Based on legendary green clip-on FET Preamp

Based on famous Xotic® EP Booster* pedal


Based on Wampler® Plexitortion* distortion pedal that inspired by UKPlexi-style amps

A tight, thick, raw distortion inspired by the legendary "Brown Sound"

Based on a yellow bass overdrive pedal with wide tonal range

A bass drive with rich, solid sound and flexible tonal range

Based on the legendary Ross™ Compressor

Based on the Keeley® C4 4-knob compressor*

Based on a legendary 3-knob VCA blue compressor/sustainer

Flexible, fully adjustable compressor effect

Based on famous Xotic® AC Booster* pedal


Based on Marshall® Guv’Nor* distortion pedal

Based on MI Audio® Crunch Box®* distortion peal, providing classic UK-style high gain stack sound

Squeezer

Affinity Boost

Beefy Boost

Pristine Boost

FET Boost

Enhancer

AC Sim

Governor

Crunchist

Purple Plexi

Panama Lead

Bass Crusher

Solid Steel

Comprosso

Comparoma 4

Blue Sustainer

Smooth Dist16

17

18

19

20

21

Dynamic

Frequency

22

1

2

3

4

5

6

7

8

9

1

Sens Res Decay0-100 0-100 0-100







Range Q Volume0-100 0-100 0-100



Range Q Volume0-100 0-100 0-100



Range Q Volume0-100 0-100 0-100



Range Q Volume0-100 0-100 0-100



Range Q Volume0-100 0-100 0-100






Oct 1 Oct 2 Dry0-100 0-100 0-100



























Based on legendary Dunlop® CryBaby®* wah pedal

Based on famous Dunlop® CryBaby® JP95* wah pedal

Based on Hotone Soul Press (WAH mode)

Based on Hotone Bass Press (WAH mode)









Based on legendary VOX® V846* wah pedal

Telephone Line

Satisfaction

Path Filter

Bit Krusher

Ring Mod

Aozora Chorus

Grand Choruium

Crier

Voxy Wah

Cry Wah

Petrus Wah

Soul Press

Bass Press

Clean Octa

Dirty Octa

Harmony

Dynamic Basso

Toucher

15

16

17

1

2

6

7

8

9

10

11

12

13

14


Modulation

2

3

4

5

Mode









Range Wet Dry

-50 Cents~+50Cents 0-100 0-100






0-100 0-100 0-100 0-100 0-100 Off/On Off/On



























waveforms























Shiver T

90 Phaser

Green Phaser

Twirl N

Twirl P

Minivibe

Revolver

Helicopter

Custom Trem

Choruium B

Detune

Jetter

Jetter B

Jetter N

Trem Jet

Pulser

Grand Vibrato

Shiver

Liquid C

Aquaria M

16

17

18

19

20

21

22

7

8

9

10

11

12

13

14

15

3

4

5

6





Shape0-100

Controls the detailedsound character








Sens Res Decay0-100 0-100 0-100










Oct 1 Oct 2 Dry0-100 0-100 0-100






















Designed for acoustic instruments, bringing you a more natural "woody"acoustic sound















FX Name

Acoustic Refiner

AC Sim

Dynamic Basso

Toucher

Crier

Clean Octa

Dirty Octa

Harmony

Telephone Line

Satisfaction

Path Filter

Bit Krusher

Ring Mod

Aozora Chorus

Grand Choruium2



Frequency


Modulation

No.

1

2

3

4

5

6

7

8

9

10

11

12

13

1

Mode









Range Wet Dry

-50 Cents~+50Cents 0-100 0-100






0-100 0-100 0-100 0-100 0-100 Off/On Off/On



























waveforms




















Twirl N

Twirl P

Minivibe

Revolver

Helicopter

Custom Trem




Jetter B

Jetter N

Trem Jet

Pulser

Grand Vibrato

Shiver

Shiver T

90 Phaser

Green Phaser

20

21

22

Liquid C

Aquaria M

Choruium B

Detune

Jetter

11

12

13

14

15

16

17

18

19

3

4

5

6

7

8

9

10




1 2 3 1 2 3

Volume Tone Output0-100 0-100 0-100

Controls the amppre gain

Controls the tonebrightness

Controls the amp output volume

Volume Presence Output Bass Middle Treble0-100 0-100 0-100 0-100 0-100 0-100


Controls the amppresence

Controls the amp output volume Controls the amp low frequency response Controls the amp midfrequency response

Controls the amp highfrequency response

Gain Master Bass Middle Treble0-100 0-100 0-100 0-100 0-100


Controls the amp outputvolume

Controls the amp low frequency response Controls the amp mid frequency response Controls the amp highfrequency response

Volume Tone Cut Master Bright0-100 0-100 0-100 Off/On


Conterclockwise controlsthe tone brightness

Controls the amp output volume Switches extra brightness on/off

Volume Tone0-100 0-100

Controls the ampoutput volume


Volume Bright Bass Middle Treble0-100 Off/On 0-100 0-100 0-100


Switches extra brightnesson/off


Gain Presence Master Bass Middle Treble0-100 0-100 0-100 0-100 0-100 0-100










Gain Presence Master Bass Treble0-100 0-100 0-100 0-100 0-100



Controls the amp output volume Controls the amp low frequency response Controls the amp highfrequency response

Gain Tone Cut Master Bass Middle Treble0-100 0-100 0-100 0-100 0-100 0-100













Gain Presence Master0-100 0-100 0-100



Controls the amp output volume






Description

Based on Fender® Tweed Deluxe* (bright channel, 5E3 version)

Based on Fender® ’59 Bassman®* (normal channel)

Based on Fender® ’65 Twin Reverb®*

Based on VOX® AC30HW* (normal channel)

Based on Supro® Dual-Tone 1624T* (clean tone)

Based on the legendary“Jazz Chorus”solid state combo

Based Matchless™ Chieftain 212 combo* (clean tone)

Based on Mesa/Boogie® Lone Star™ (CH1)

Based on Bogner ® Shiva* （20th Anniversary version, CH1)

Based on Dr. Z® Maz 38 Sr.* combo (clean sound)

Based on Grindrod® Pendragon PG20C* (Normal channel, bright off)

Based on Grindrod® Pendragon PG20C* (Normal channel, bright on)

Based on Bad Cat® Hot Cat 30* (clean channel)

Based on Soldano® SLO100* (normal channel, clean sound)

FX Name

Tweed Lux

Baseman Norm

Black Twin

Voxy 30HW Norm

Superb Dual Clean

Jazz Clean

Emperor Clean

Superstar Clean

Glacian Clean

Dr. 38 Clean

Pendragon Clean

Pendragon Clean+

Hot Kitty Clean

Soloist 100 Clean

No.

1

2

3

4

5

6 (7)

7 (8)

8 (10)

9 (11)

10 (12)

11 (13)

12 (14)

13 (15)

14 (16)

Ampero FX List - AMP (65)


Clean

Drive






Volume Tone Cut Master Bass Treble Char0-100 0-100 0-100 0-100 0-100 Cool/Hot



Controls the amp output volume Controls the amp low frequency response Controls the amp highfrequency response

Selects from 2 gain ranges

Volume 1 Tone 1 Volume 2 Tone 20-100 0-100 0-100 0-100

Controls the outputvolume of CH1

Controls the tonebrightness of CH1

Controls the output volume of CH2 Controls the tone brightness of CH2






Gain Tone Cut Master Bass Middle Treble

0-100 0-100 0-100 0-100 0-100 0-100




















Gain Presence Output Bass Middle Treble0-100 0-100 0-100 0-100 0-100 0-100















Gain Presence Output Bass Middle Treble0-100 0-100 0-100 0-100 0-100 0-100





Gain Presence Master Bass Edge Treble0-100 0-100 0-100 0-100 0-100 0-100



Controls the amp output volume Controls the amp low frequency response Controls the midfrequency character












Gain Presence Master Bass Middle Treble

Based on Marshall® JTM50* ("Jump" connection)

Based on Bad Cat® Hot Cat 30* (drive channel)

Based on Mesa/Boogie® Mark II C+™ (Lead channel) with 3 differentonboard switch combinations

Based on the Supro® Dual-Tone 1624T* (CH1+2, dirty tone)

Based on Matchless™ Chieftain 212 combo* (dirty tone)

Based on Dr. Z® Maz 38 Sr* combo (dirty tone)

Based on Mesa/Boogie® Lone Star™ (CH2)

Based on Marshall® JTM45* (normal channel)

Based on Marshall® JTM45* (High Treble channel)

Based on Marshall® JTM45* ("Jump" connection)

Based on Marshall® JTM50* (normal channel)

Based on Marshall® JTM50* (High Treble channel)

Based on Fender® ’59 Bassman®* (bright channel)

Based on VOX® AC30HW* (Top Boost channel)

Marshell 45 Jump

Marshell 50

Marshell 50+

Marshell 50 Jump

Hot Kitty Drive

Messe IIC+ 1

Messe IIC+ 2

Messe IIC+ 3

Baseman Bright

Voxy 30HW TB

Superb Dual Drive

Emperor Drive

Dr. 38 Drive

Superstar Drive

Marshell 45

Marshell 45+

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

0-100 0-100 0-100 0-100 0-100 0-100


Controls the amppresence Controls the amp output volume Controls the amp low frequency response

Controls the amp midfrequency response








































































Based on Diezel® VH4* (CH3, blue version)

Based on Diezel® VH4* (CH3, silver version)

Based on ENGL® Savage 120 E610* (CH4, contour off)

Based on ENGL® Savage 120 E610* (CH4, contour on)

Based on ENGL® Powerball II E645/2* (CH4)

Based on the famous“Brown Eye”UK-style boutique amp head(HBE channel) with 2 different onboard switch combinations

Based on Peavey® 5150® (LEAD channel)

Based on Mesa/Boogie® Mark II C+™ (Lead channel) with 3 differentonboard switch combinations

Based on Soldano® SLO100* (normal channel, dirty sound)

Based on Marshall® JCM800*

Based on Grindrod® Pendragon PG20C* (Drive channel)

Based on the famous“Brown Eye”UK-style boutique amp head (BEchannel) with 2 different onboard switch combinations

Based on Bogner ® Shiva* （20th Anniversary version, CH2)

Based on Marshall® JCM900* (Model 4100, channel B)

Engle Saga 2

Powerengle Lead

Fryman HB

Fryman HB+

Eddie 51

Marshell 800

Pendragon Drive

Fryman B1

Fryman B2

Glacian Drive

Marshell 900

Dizzle VH B

Dizzle VH S

Engle Saga 1

Messe IIC+ 3

Soloist 100 Crunch

2

3

4

5

6

7

8

9 (10)

HiGain

16

17

18

19

20

21

22

1

























Gain Master Bass Middle Treble0-100 0-100 0-100 0-100 0-100












































Volume Bright Bass Middle Treble0-100 Off/On 0-100 0-100 0-100


Switches extra brightnesson/off


Gain Bass Middle Midrange Treble Master0-100 0-100 0-100 220Hz/450Hz/800Hz/1.6kHz/3kHz 0-100 0-100


Controls the amp lowfrequency response

Controls the amp mid frequency response Selects from 5 mid frequency ranges Controls the amp highfrequency response


Based on Alembic™ F-2B* preamp

Based on Ampeg® SVT* bass amp

Based on Orange® Rockerverb 100™* (Dirty channel)

Based on Mesa/Boogie® Dual Rectifier® (CH3, vintage mode)

Based on Mesa/Boogie® Dual Rectifier® (CH3, modern mode)

Based on Diezel® VH4* (CH4, blue version)

Based on Diezel® VH4* (CH4, silver version)

Based on Bogner® Ecstasy* ("Blue" channel, Vintage mode)

Based on Bogner® Ecstasy* ("Blue" channel, Modern mode)

Based on Bogner® Ecstasy* ("Red" channel, Vintage mode)

Based on Bogner® Ecstasy* ("Red" channel, Modern mode)

Based on Peavey® 5150® (LEAD channel)

Based on Soldano® SLO100* (overdrive channel)

Based on Mesa/Boogie® Mark IV™ (Lead channel) with 3 differentonboard switch combinations

Alchemy Pre

Ampage Classic

Tangerine R100

Rector Dual V

Rector Dual M

Dizzle VH+ B

Dizzle VH+ S

Boger XT Blue V

Boger XT Blue M

Boger XT Red V

Boger XT Red M

Eddie 51

Soloist 100 Lead

Messe IV Lead 1

Messe IV Lead 2

Messe IV Lead 3

20 (22)

21 (23)

22 (24)

1

2

11 (13)

12 (14)

13 (15)

14 (16)

15 (17)

16 (18)

17 (19)

18 (20)

19 (21)

9 (10)

10 (12)

Bass

Volume Bass Treble0-100 0-100 0-100



Controls the amp high frequency response

Volume Bass Treble0-100 0-100 0-100



Controls the amp high frequency response

Volume Master Bass Middle Treble0-100 0-100 0-100 0-100 0-100




Volume Tone Balance EQ Freq EQ Q EQ Gain

0-100 0-100 0-100 0-100 0-100 0-100

Controls the outputvolume


Controls the tone control balance; turn to 0 todisable tone control

Controls the EQ center frequency from90Hz to 1.6kHz

Controls the EQbandwidth

Controls the EQ boost/cutamount

Volume Tone Balance EQ Freq EQ Q EQ Gain

0-100 0-100 0-100 0-100 0-100 0-100



Controls the tone control balance; turn to 0 todisable tone control

Controls the EQ center frequency from680Hz to 11kHz

Controls the EQbandwidth

Controls the EQ boost/cutamount

Based on Ampeg® B-15* "Flip Top"

Based on 1965 VOX®* AC-100* vintage bass amp

Based on Mesa/Boogie® Bass 400

Based on AER® Colourizer 2* acoustic preamp with 2 differentonboard switch combinations

Ampage Flip

Voxy Bass

Messe Bass 400

Acoustic Preamp 1

Acoustic Preamp 22

3

4

5

1


Acoustic

1 2 3 1 2 3 1 2 3 1 2 3 1 2 3

125Hz 400Hz 800Hz 1.6kHz 4kHz Volume

-50~0～+50 -50~0～+50 -50~0～+50 -50~0～+50 -50~0～+50 0-100


100Hz 500Hz 1kHz 3kHz 6kHz Volume

-50~0～+50 -50~0～+50 -50~0～+50 -50~0～+50 -50~0～+50 0-100


33Hz 150Hz 600Hz 2kHz 8kHz Volume

-50~0～+50 -50~0～+50 -50~0～+50 -50~0～+50 -50~0～+50 0-100


50Hz 120Hz 400Hz 800Hz 4.5kHz Volume

-50~0～+50 -50~0～+50 -50~0～+50 -50~0～+50 -50~0～+50 0-100


Band 1 Q 1 Gain 1 Band 2 Q 2 Gain 2 Band 3 Q 3 Gain 3 Band 4 Q 4 Gain 4 Lo Shelf Hi Shelf Volume

50Hz-400Hz 0.1-10 -12dB~+12dB 200Hz-1kHz-1.1kHz-2kHz 0.1-10 -12dB~+12dB 1kHz-10kHz 0.1-10 -12dB~+12dB 5kHz-16kHz 0.1-10 -12dB~+12dB -12dB~+12dB -12dB~+12dB 0-100

Controls the band 1center frequency

Controls the band 1 Qbandwidth

Boosts/cuts band 1 by±12dB

Controls the band 2 centerfrequency







Controls the band 4Q bandwidth

Boosts/cuts band 4 by ±12dB

Controls the low shelffilter boost/cut range

by ±12dB

Controls the high shelffilter boost/cut range

by ±12dB


31Hz 63Hz 125Hz 250Hz 500Hz 1kHz 2kHz 4kHz 8kHz 16kHz Volume

-12dB~+12dB -12dB~+12dB -12dB~+12dB -12dB~+12dB -12dB~+12dB -12dB~+12dB -12dB~+12dB -12dB~+12dB -12dB~+12dB -12dB~+12dB 0-100


80Hz 240Hz 750Hz 2.2kHz 6.6kHz-50~0～+50 -50~0～+50 -50~0～+50 -50~0～+50 -50~0～+50

Graphic EQ

V-EQ

Description

Equalizer designed for guitars

Equalizer designed for basses

4-band parametric EQ with low/high shelving filters suitable for any instrument

10-band graphic EQ suitable for any instrument

Based on the 5-band EQ module on Mesa/Boogie®* ampsBoosts/cuts the frequency bands shown as above


No.

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2

3

4

5

6

7

FX Title

Guitar EQ 1

Guitar EQ 2

Bass EQ 1

Bass EQ 2

Para EQ

Boosts/cuts the frequency bands shown as above





Ampero FX List - EQ (7)Parameters & Range

Page 1 Page 2 Page 3 Page 4 Page 5

1 2 3Threshold

0-100Controls the noise gate threshold

Threshold Mode0-100 I/II

Controls the noise gate thresholdSelects from two modes:Mode I: resopnds faster

Mode II: responds smootherThreshold Attack Release

0-100 0-100 0-100

Controls the noise gate threshold Controls how fast the noise gatestart to process signal

Controls the noise gaterelease time when

signal level reaches thethreshold

Ampero FX List - NR (3)All effects in this module are also available in FX1 and FX2 modules

Parameters & RangePage 1

*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners. The

trademarks were used merely to identify the sound character of the products.

No.

1

2

3

FX Title

Smart Gate

Fast Gate

Custom Gate

Description

Based on famous ISP® Decimator™*noise gate pedal

A 2-mode noise gate with fast response

Flexible noise gate with attack andrelease control

Based on

Custom modified Fender®* 2x12" cabinet

Two-Rock®* 2x12" cabinet

A custom 2x12" cabinet with Celestion® Alnico Blue* speakers

Fender® '59 Bassman®* 4x10" cabinet

Marshall® 1960AV* 4x12" cabinet

68 Marshall® Basketweave* 4x12" cabinet

Custom modified Marshall®* 4x12" cabinet

Vintage Marshall® 4x12" cabinet with Celestion® Greenback®* speakers

Vintage Fender® ’65 Twin Reverb* 2x12" cabinet

Marshall® 2550* 2x12" cabinet

A custom Fender® Tweed* 2x10" cabinet

A unique custom 2x12" cabinet

Vintgae Fender® "Piggyback" Bassman®* 2x12" cabinet

Supro® 1624T* 2x12 cabinet"

Matchless®* 2x12" cabinet

Mesa/Boogie® Lonestar* 2x12" cabinet

Fryette® Deliverance* 2x12" cabinet

Mesa/Boogie® Lonestar* 1x12" cabinet

Swart® Atomic Space* 1x12" cabinet

Fender® Tweed Deluxe* 1x12 cabinet

1980's Mesa/Boogie®* 1x12" cabinet

Morgan® AC-20 Deluxe* 1x12 cabinet

Marshall®* 1x12" cabinet

Vintage VOX® AC30* 2x12" cabinet

Matchless® Chieftain* 2x12" cabinet

Legendary "Jazz Chorus" 2x12" cabinet

Supro®* 1x6" cabinet with oval speaker

Vintage Fender® Champ* 1x8" cabinet

Vintage Fender® Princeton* 1x10" cabinet

Vintage Fender® Deluxe* 1x12" cabinet

Vintage Fender® Vibrolux* 1x12" cabinet

Carr® Roamer* 1x12" cabinet

Bogner® Shiva* 1x12" cabinet

Black Cat® Hot Cat* 1x12" cabinet

Vintage VOX® AC15* 1x12" cabinet

Freedom 2x12

Black Custom 2x12

Twin Rock 2x12

Bluesky 2x12

Baseman 4x10

UK Lead 4x12

UK Trad 2x12

UK Modern 4x12

UK Green 4x12

Jazz Twin 2x12

Black Twin 2x12

UK Green 2x12

Tweed Super 2x10

Boutique 2x12

Baseman 2x12

Superb 2x12

Match Twin 2x12

Superstar 2x12

Voxy 1x12

Dark Star 1x12

Atom Open 1x12

Tweed Lux 1x12

US Studio 1x12

Ace 20 1x12

UK G12M 1x12

Voxy 2x12

Emperor 2x12

FX Title

Super Zep 1x6

Tweed Chap 1x8

Tweed Prince 1x10

Black Lux 1x12

Black Vint 1x12

Routine 1x12

Glacian 1x12

Bad Kitty 1x12

27

28

29

30

31

32

33

34

35

18

19

20

21

22

23

24

25

26

Ampero FX List - CAB/IR (70)

All effects in this module (include user IRs) share the same parameters:Mic Type: Selects (or turn off) the different microphone simulations

Volume: Controls the output volumePosition X/Y/Z: Controls the mic mosition simulations; X/Y controls the microphone horizontal/vertical position, set X=Y=0 to set the

microphone on axis; Z controls the distance between microphone and speaker cap

Factory Cabinets

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17

*The manufacturers and product names mentioned above are trademarks or registered trademarks oftheir respective owners. The trademarks were used merely to identify the sound character of theproducts.

No. Name Based On Type1 OFF N/A N/A

Simulates a jumbo acoustic guitar

Simulates the iconic "H-Bird" acoustic guitar

Simulates a GA type acoustic guitar

Simulates a classical guitar

Simulates a mandolon

Simulates a fretless acoustic bass

Simulates a double bass

For loading 3rd party IR files

Mark Bass®* 4x10" bass cabinet

David Eden®* 4x10" bass cabinet

Ampeg® SVT-410HE* 4x10" bass cabinet

SWR® Workingman's* 4x10" bass cabinet

Hartke®* 4x12" bass cabinet

Ampeg SVT-810E* 8x10" bass cabinet

Dreadnought guitar simulation 1

Dreadnought guitar simulation 2

Simulates an OM type acoustic guitar

Dumble®* 4x12" cabinet

Diezel®* 4x12" cabinet

Hughes & Kettner® Triamp* 4x12" cabinet

Marshall®* 4x12" cabinet with Celestion® G12T-75* speakers

Mesa/Boogie® Road King®* 4x12" cabinet

David Eden®* 1x15" bass cabinet

SWR®* 1x15" bass cabinet

Ampeg® PF-115HE* 1x15" bass cabinet

Mesa/Boogie®* 2x10" bass cabinet

Mesa/Boogie® Rectifier®* 4x12" cabinet

Bogner®* 4x12" cabinet

ENGL®* 4x12" cabinet

Bogner® Uberkab* 4x12" cabinet

Soldano®* 4x12" caninet

Orange® PPC412* 4x12" cabinet

Vintage Hiwatt® SE4123* 4x12" cabinet

1968 Marshall®* 4x12" cabinet

Vintage WEM®* 4x12" cabinet

Peavey® 6505* 4x12" cabinet

Orchestal

Jumbo

Hum Bird

Auditorium

Classical

Mandolin

Fretless Bass

Double Bass

User IR X

US Bass 2x10

Mark 2x10

Adam 4x10

Ampage 4x10

Worker 4x10

Hacker 4x12

Ampage 8x10

Dreadnought 1

Dreadnought 2

The Way 4x12

Dumbell 4x12

Dizzle 4x12

Triple 4x12

UK T75 4x12

US King 4x12

Adam 1x15

Worker 1x15

Flip Top 1x15

Eddie 4x12

Rector 4x12

Boger 4x12

Engle 4x12

Urban 4x12

Soloist 4x12

Tang 4x12

Hiway 4x12

UK Black 4x12

63

64

65

66

67

68

69

70

71-80

54

55

56

57

58

59

60

61

62

45

46

47

48

49

50

51

52

53

36

37

38

39

40

41

42

43

44

Factory Acoustic Simulations

User IR

Mic Type List

2 Dyn 57 Shure® SM57 Dynamic3 Dyn 58 Shure® SM58 Dynamic4 Dyn 421 Sennheiser® MD421 Dynamic5 Dyn 16 Electro-Voice RE16 Dynamic7 Dyn 112 AKG® D112 Dynamic6 Dyn 609 Sennheiser® e609 Dynamic11 Con U67 Neumann® U67 Condenser8 Con 87A Shure® Beta 87A Condenser9 Con U87 Neumann® U87 Condenser10 Rib 121 Royal® R121 Ribbon

1 2 3 1 2 3 1 2 3Mix Feedback Time Sync Trail

0-100 0-100 20ms-4000ms Off/On Off/On


Controls the feedbackamount

Controls the delaytime


Switches effect trailon/off

Mix Feedback Time Sync Trail0-100 0-100 20ms-4000ms Off/On Off/On






















































Mix A FB A Time A Mix B FB B Time B A Sync B Sync Trail0-100 0-100 20ms-4000ms 0-100 0-100 20ms-4000ms Off/On Off/On Off/On

Contols the delay A wet/drysignal ratio

Controls the feedbackamount of delay A

Controls the delaytime of delay A

Contols the delay B wet/drysignal ratio

Controls thefeedback amount of

delay B

Controls the delaytime of delay B

Switches delay A TapTempo sync on/off

Switches delay BTap Tempo sync

on/off

Switches effecttrail on/off







Mix Feedback Time Tone Mode Sync Trail0-100 0-100 20ms-4000ms 0-100 1-12 Off/On Off/On





Selects from 12different head

variations

Switches Tap Temposync on/off


Mix Feedback Time Trail0-100 0-100 20ms-300ms Off/On




Switches effect trail on/off

Mix Feedback Time Mod Tone Sync Trail0-100 0-100 20ms-4000ms 0-100 0-100 Off/On Off/On




Controls the modulationamount

Controls themodulationbrightness



Mix Feedback Time Sweep Depth Sweep Rate Swp Sync Time Sync Trail0-100 0-100 20ms-4000ms 0-100 0-100 Off/On Off/On Off/On



Controls the delaytime Controls the sweeping depth

Controls thesweeping speed

Switches sweepingTap Tempo sync

on/off

Switches delay TapTempo sync on/off


Mix Feedback Time Trem Depth Trem Rate Trem Sync Time Sync Trail0-100 0-100 20ms-4000ms 0-100 0-100 Off/On Off/On Off/On



Controls the delaytime Controls the tremolo depth Controls

Switches tremoloTap Tempo sync

on/off

Switches delay TapTempo sync on/off


Mix Feedback Time Bit Krush Sync Trail0-100 0-100 20ms-4000ms 0-100 0-100 Off/On Off/On

Reproduces the sound of a vintage 1980's rack-mount delay machine with slightly sample-reducedfeedback

Producing a delay effect with sweeping filter modulated repeats

Producing a delay effect with tremolo altered repeats

Producing a delay effect with lo-fi'd repeats

Description

Based on the legendary 3-knob BBD analog delay pedal with "REPEAT RATE" control

Based on legendary Electro-Harmonix® Deluxe Memory Man®

Produce pure, precised delay sound

Produciing warm delay sound with analog feel

Based on Maxon® AD80 Analog Delay* (early MN3005 version) with great dynamics (due to 18V powersupply) and slightly lo-fi'd repets

Simulates solid-state tape echo sound

Simulates tube-driven tape echo sound

Based on Maxon® AD900 Analog Delay*, providing warm, accurate delay sound

Based on Maxon® AD999 Analog Delay* with slightly overdriven delay sound

Producing a special delay effect with reversed feedback

Producing a pure dual delay effect with separated L/R channel signal proessing

A ping-pong delay producing stereo feedbadk bounces back and forth between left and right channels

A multi tap delay that simulates a huge 4-head tape echo machine

Simulates the classic slapback echo effect

Vintage Rack

Sweep Eko

Trem Eko

Lofi Eko

FX Name

Sweetie

Recaller

Pure Eko

Analog Eko

Ekopress 80

Mag Eko

Tube Eko

Ekopress 900

Ekopress 999

Backmask

Dual Eko

Ping Pong

Multi Head

Slapback

15

16

17

18

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Ampero FX List - DLY (20)

Parameters & RangePage 1 Page 2 Page 3




Controls the effect bit depth Controls the effectdownsampling rate



Dly Mix Feedback Time Ring Mix Freq Tone Sync Trail0-100 0-100 20ms-4000ms 0-100 0-100 0-100 Off/On Off/On

Contols the delay wet/drysignal ratio



Contols the modulationwet/dry signal ratio

Controls the ringmodulationfrequency

Controls the ringmodulation tone



Dly Mix Feedback Time Rvb Mix Hi Cut Decay Sync Trail0-100 0-100 20ms-4000ms 0-100 0-100 0-100 Off/On Off/On

Contols the delay wet/drysignal ratio



Contols the reverb wet/drysignal ratio

Controls the reverbhigh cut amount

Controls the reverbdecay time



Combines delay and reverb in one

Producing a delay effect with lo-fi'd repeats

Producing a delay effect with ring modulated repeats

Ekoverb

Lofi Eko

Ring Eko

20

18

19


1 2 3 1 2 3Mix Pre Delay Decay Trail

0-100 0ms-100ms 0-100 Off/OnControls the wet/dry signal ratio Controls the pre delay time Controls the reverb decay time Switches effect trail on/off

Mix Pre Delay Decay Trail0-100 0ms-100ms 0-100 Off/On

Controls the wet/dry signal ratio Controls the pre delay time Controls the reverb decay time Switches effect trail on/offMix Pre Delay Decay Trail

0-100 0ms-100ms 0-100 Off/OnControls the wet/dry signal ratio Controls the pre delay time Controls the reverb decay time Switches effect trail on/off

Mix Decay High Damp Trail0-100 0-100 0-100 Off/On

Controls the wet/dry signal ratio Controls the reverb decay time Controls the high cut amount Switches effect trail on/offMix Decay Tone Trail

0-100 0-100 0-100 Off/On

Controls the wet/dry signal ratio Controls the reverb decay time Controls the effect tonebrightness


Mix Decay Trail0-100 0-100 Off/On

Controls the wet/dry signal ratio Controls the reverb decay time Switches effect trail on/offMix Decay Trail

0-100 0-100 Off/OnControls the wet/dry signal ratio Controls the reverb decay time Switches effect trail on/off

Mix Decay Trail0-100 0-100 Off/On

Controls the wet/dry signal ratio Controls the reverb decay time Switches effect trail on/offMix Pre Delay Decay Lo End Hi End Trail

0-100 0ms-100ms 0-100 -50~0~+50 -50~0~+50 Off/On

Controls the wet/dry signal ratio Controls the pre delay time Controls the reverb decay time Controls the effect lowfrequency amount

Controls theeffect highfrequencyamount


Mix Pre Delay Decay Lo End Hi End Trail0-100 0ms-100ms 0-100 -50~0~+50 -50~0~+50 Off/On

Controls the wet/dry signal ratio Controls the pre delay time Controls the reverb decay time Controls the effect lowfrequency amount

Controls theeffect highfrequencyamount


Shimmer

Description

Simulates the spaciousness of aroom

Simulates the spaciousness of aperformance hall

Simulates the spaciousness of achurch

Simulates the sound characterproduced by a vintage plate

reverberator

Simulates the sound characterproduced by a vintage spring

reverberator

Special-tuned reverb effect withliquid-like decays and deep low

ends

Special-tuned reverb effect withlush, bright decays

Special-tuned reverb effect withhuge, deep decays

Produces a modulated reverbeffect that is lush and sweet

Produce a rich, shimmering reverbeffect

Spring

Izumi

Northstar

Oceandeep

Sweet Space

FX Title

Room

Hall

Church

Plate

Ampero FX List - RVB (10)



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Ampero FX list - allaccess.co.jp

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Transcript of Ampero FX list - allaccess.co.jp