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Transcript of Altai Sample
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his atlas is about the creation of cultural landscapesthrough the purposeful location of ancient monumentswithin the larger physical setting e materials devel-
oped here are drawn from our documentation of thousands ofstone structures and images found within the Altai Mountainsof Mongolia Our approach reflects our persuasion that whenpeople long ago constructed those monuments they did so witha conscious sense of the mountain ridges rivers directional-
ity and view sheds around them Embedded in their locationof standing stones altars burial mounds image stones andconcentrations of rock art was a deep sense of the significanceof natural elements of a natural order in the world and in thecosmos In order to consider this material we need to establisha conceptual framework of interconnected and embedded con-textsmdashchronological environmental and material e purposeof this chapter is to establish that framework by looking at thelarger paleoenvironment the chronology of relevant culturesand the nature of monument typologies within a chronologicalperspective In the last sections of the chapter we will introduceapproaches to the consideration of surface monuments in the
larger landscape these will be used to guide our consideration ofthe cultural landscapes within each basin and within the regionas a whole
For several reasons chronologies of ancient cultures in theMongolian Altai remain general ere are no written docu-ments that clearly relate to cultures earlier than that of the Tuumlrksand thus no objective means of naming cultures or locating theirepicenters Scientific analyses of organic materials may helpto assign dates to monuments but they do not give us namesto attach to those remains Furthermore across the high Altairegionmdashincluding northwest Mongolia the Altai Republic in
Russia northeastern Kazakhstan and northern Chinamdashthere isno general agreement regarding either the identity of archaeo-logically retrieved cultures or their dates Although there aresignificant archaeological parallels between what we find in the Altai and in other regions of Mongolia those parallels still sup-port little more than a general chronology and one that lacks theassignment of cultural names
On the other hand archaeological excavations of monu-ments in Mongoliarsquos central and northern aimag are begin-ning to result in a critical mass of comparable material and in arange of dates that may help to identify similar monuments inthe Altai Mountains is material added to that derived from
published archaeological explorations in the Russian republicsof Altai and Tuva and in northern China certainly suggests abroad chronological framework for specific monument types Inaddition studies of lakebed sediments on either side of the AltaiRidge have allowed scientists to reconstruct the succession ofplants and trees that dominated the region in prehistory with itsindication of habitat this material suggests which animals couldhave been found in our study area and when ese objectivepaleoenvironmental conditions can be associated with techno-logical and economic changes that appear in rock art and arereflected in excavated finds from burials Finally the styles inwhich humans represented themselvesmdashwhether hunting ani-mals driving carts or ridingmdashcan be used to relate large groupsof images to specific culture periods (ese relationships setwithin a chronological framework are more fully developed in
the charts in 23) In these ways and many others by workingback and forth between contingent materials it becomes possi-ble to propose a general chronology for northwestern Mongoliaone that acknowledges the variety and overlay of archaeologicalmonuments within our study area but also respects the chrono-logical framework established in other regions with reference tomonument typologies
Because the names of prehistoric cultures in North and
Central Asia refer to sites excavated outside the Mongolian Altaitheir usefulness in our study area is limited Our primary desig-nation of cultural periods will instead depend firstly on broadepochs defined by geological prehistory and secondarily on thecultural results embedded in new technologies and their eco-nomic consequences ese epochs include the Late Pleistocenewhich ended about eleven thousand years before the presentcoinciding with the disappearance of extensive glaciation andharsh steppe vegetation the Early and Middle Holocene whichsaw a gradual amelioration of climate and the extension of forestcover over a period of approximately 5000 years and the onsetof the Late Holocene (approximately 4500 years before the
present) coinciding with the beginning of a period of coolingand drying During this period (which is of course the geologicperiod in which we live) forests began to retreat and vegetationgradually returned to steppe species
Cultural periods like geological periods do not shiftabruptly change takes time measured in decades if not in cen-turies Terminology and the timelines by which we graph theseperiods should be understood as approximate at best with endsthat blur and shift only gradually Ancient populations of theEurasian steppe were notoriously fluidmdashboth in space and inethnic reference e variety within monument typologies that
we can associate with the Bronze Age for example and thatwithin rock art of the same broad period indicates that contem-poraneous populations in our study area must have been far moreheterogeneous than are acknowledged by single culture namesUnquestionably the preliminary chronologies presented in thefollowing pages will be disputed by others and modified manytimes over they are intended however to offer a basic frame-work for giving cultural and chronological order to the materialsreviewed in this volume
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21 Square khirigsuur Bronze Age
Drawing Lynn-Marie Kara
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I N A
63
35
41
52158
170
103
Oigor Gol
TsagaanGol
DayanNuur
Khoton-Khurgan
NuurKhovd Gol
Sagsay Gol
SogooGol
Elt Gol
Tsagaan Gol
Drainage basins of major rivers withinstudy area
81Number of features inventoried in eachsurveyed basin
MO N G O L I A
R U
S S I A
C H
I N A
908
393
386
283
5
271
189
408
17
Oigor Gol
TsagaanNuur
TsagaanGol
Elt Gol
DayanNuur
Khoton-Khurgan
Nuur Khovd Gol
SagsayGol
SogooGol
121
6845
14
212
62
328
24
Oigor Gol
Tsagaan
Gol
Khoton-Khurgan
Nuur KhovdGol
Sagsay Gol
DayanNuur
Elt Gol
Sogoo Gol
M O NG O L I A
R U
S S I A
C H
I N A
M O N G O L I A
R U
S S I A
C H
I N A
88
100
47
175
51
103115
14
OigorGol
TsagaanNuur
TsagaanGol
DayanNuur
Khoton-Khurgan
Nuur Khovd Gol
Sagsay Gol
SogooGol
Elt Gol
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Khirigsuur Standing stones
22 Inventory of feature counts within each basin
Mounds Turkic monuments
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Geologic Context
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1 0
0 0 Y e a r I n t e r v a l
5 0 0 Y e a r I n t e r v a l
Y e a r s B e f o r e
P r e s e n t
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he end of the Pleistocene and its cold harsh environ-ment spelled the end of the Paleolithic Period and thedisappearance of megafauna that appear in Paleolithic
rock art e Holocene was characterized by a gradually amelio-rating climate with the consequent spread of forests dominatedby larch and spruce throughout the western section of our studyarea e cultures of the early and mid-Holocene would havecorresponded to the Mesolithic and Neolithic periods but we
do not know how these periods should be dated or even whethersuch terms apply within the Mongolian Altai By approximatelyforty-five hundred years before the present however the climatewas again becoming drier and colder forests were retreatingand lake levels falling Given what we know of the emergenceof the Bronze Age across the Eurasian steppe and within North Asia we are safe in dating its inception to approximately twothousand 983138983139983141 and its duration into the early first millennium983138983139983141 Critical technological developments during this longperiod included the adoption of wheeled vehicles (probablyin the form of heavy carts 29) and somewhat later of horseand camel riding (124 126) ese changesmdashand particularly
the development of riding with its opportunities for large-scaleherdingmdashcombined with the effects of climate change to createa need for more frequent changes of pasture e result of these
environmental and cultural shifts was the appearance of a fullhorse-dependent semi-nomadism
Dated materials from heavy mounds and from the largestructures known as khirigsuur in other parts of the Altai-Sayanuplift and in north-central Mongolia suggest that their con-struction began sometime in the mid-Bronze Age and contin-ued through the late Bronze Age Once again we do not knowhow to name the culture or cultures responsible for these and all
other Bronze Age monuments in our study area Judging fromthe archaeological record in the Minusinsk Basin to the norththe North Asian tradition of erecting massive standing stonesmay have begun before the Bronze Age we propose that withinour study area the largest of these stones are Bronze Age in datethough probably not as early as the huge standing stones in theMinusinsk Basin On the other hand the imagery on deer stonesand certain image stones indicate that they should be dated noearlier than the Late Bronze Age at period is contemporane-ous with cultures that have been named in other parts of North Asiamdashthe Karasuk Culture for example but we cannot say iftheir contemporaries in our study area should be so named For
that reason they will here be referred to as people of the LateBronze Age
23 Concordance of paleoenvironment and culture
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P r e s e n t
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We are on more certain ground with a burial structureand imagery associated firmly with the Eurasian Scythian Cul-ture and dated to the Late Bronze and Early Iron agesmdashthatis between the eighth and third centuries 983138983139983141 During thatperiod there was a gradual shift from the use of bronze to thatof iron and thus no clear division between the eponymous agesnor was there a sudden emergence of the full horse dependencythat came to characterize these people For this reason the tran-
sition period encompassing the Late Bronze and Early Ironages will also be referred to as the period of the Early Nomadse Pazyryk phase of this culture centered in the Russian Altaimountains and dated to the fifth through third centuries 983138983139983141is securely rooted in the Iron Age After that however we arefaced with renewed uncertainty e impact of the Hsiung-nu(Xiongnu) confederacy across the eastern steppe does not seemto be reflected in Bayan Oumllgiy and the nature of culture andits archaeological monuments between the Early Iron Age andthe Turkic Period is uncertain Only with Turkic monumentsdo we return to a solid if still general chronology sixth throughthe ninth centuries with the Uighur hegemony dated to the last
century of that period With the end of the Turkic Period how-ever the Altai region seems to have receded from history untilthe modern period
24 Bear hunt Bronze Age This composition is a window into an
ancient hunt when men worked in bands and on foot with long bows
and spears In this composition several men surround the animal
Another figuremdashdone more recentlymdashrushes in from the left where a
piece of the boulder has been knocked off
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Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
S a g
s a
y
G o
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S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
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ock art is the general term for imagery pecked or paintedon natural rock surfaces In mountainous Bayan Oumllgiyaimag rock art occurs in the open air rather than within
caves and if there were ever any painted images they have longsince disappeared e rock art that has survived to the presentwas pecked-out with heavy stones or sharp metal instrumentsusing direct or indirect blows For the first several hundred yearsafter they were executed the images were white but over the
millennia most have darkened down from their original appear-ance Depending on the time of year and the sunrsquos angle theimages may stand out clearly or disappear from before our eyes
Within our focus region are located several of the largestand finest concentrations of rock art in North Asia includ-ing one in the upper Oigor drainage and another within thevalley of the upper Tsagaan Gol A smaller but important siteextends over three hills on the north shore of Khoton Nuur anda fourthmdashunknown until 2005mdashis located under the east flanksof Tsengel Khairkhan Uul Aral Tolgoi at the far northwesternend of Khoton Nuur is the smallest of these complexes but themost ancient In addition to these complexes many small con-
centrations of rock art exist throughout the region Taken alto-gether the complexes and sites attest to the desire of ancient Altai inhabitants to represent their world in visual imagery andto do so with an impressively realistic expression
e rock art of mountainous Bayan Oumllgiy includes individ-ual images as well as simple and complex compositions involvingup to more than one hundred elements In some valleys one findsthis material randomly pecked on the surfaces of granitic boul-ders left from the last major glacial advance is is true within
the upper valley of Khatuugiin Gol on the massive moraine alongKhoumlltsoumloumltiin Gol and across the rocky moraine known as KharBoumloumlroumlg at the east end of Khurgan Nuur Rocky outcroppingsat the top of high ridges offer the possibility of ancient imageryElegant examples exist on the high ridges between the Turegtiin
27 Predation scene Late Bronze Age
This fine representation of wolves attacking a deer
from Baga Oigor appears to have been pecked
over another earlier scene with wild goats
25 Hunter animals and birthing women
Early Bronze Age Tsagaan Salaa IV The frontal
hunter with a large weapon and static animals
indicate an early date Two frontal birthing
women arms raised are visible in the right-center
and may be earlier in date
26 Rock art concentrations
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riversmdashhere so isolated that one asks why gifted artists of theBronze Age should have chosen to leave their creations there
Winter dwellings nestled against rocky cliffs may offer cluesto the presence of rock art concentrations e appearance ofthese modest structures almost always indicates the millennia-old locations of winter habitation sites in protected places thusthe cliffs behind the snug wood and stone huts of today are oftenmarked by rock-pecked images dating back to the Bronze and
Early Iron ages Excellent examples of such sites and their rockart occur in the valleys of Khar Yamaa and Khargantyn Gol Ancient artists seem to have preferred the hard smoothed
surfaces of metamorphosed sandstone found along a few highriver valleys is stone has typically been scraped and polishedby ancient glaciers and darkened to a deep rose or mahoganyhue e time-hardened surfaces can take fine dense pecking aswell as elegant engraved lines As a result the sandstone outcrop-pings in the high Altai valleys contain an extraordinary pictorialrecord of cultures extending over thousands of years Among allsurface monuments rock art has a unique character while it ispossible to identify period styles and general cultural markers
we are also regularly struck by the individualizing nature of rep-resentation In this respect rock art brings us much closer to asense of real if anonymous individuals from a deep past
e varied subjects of Altai rock art offer a window into thelife and values of the people who lived here over many millen-nia Large animals in profile dominate rock art from the prendashBronze Age ey are almost always represented individuallymotionless and lacking any psychological interaction with otherimages (619 622) Early Bronze Age scenes of hunters hold-
ing cudgels and long bows may reflect the emergence of mythictraditions revolving around the heroic hunter (25) In rock artdatable by style and subject to the middle and late Bronze Agewe find many hunting scenes (24) but we also find herdingscenes scenes of men driving carts (29) and of families cara-vanning from one habitation site to another their children andhousehold goods packed onto massive yak (336) ese com-positions reveal developing patterns of transhumance as herd-
ing increasingly shaped peoplesrsquo lives Images of animals racingover the rock surfaces are also typical of the Bronze Age theyare often rendered with a keen sense of grace delight and evenwhimsy It is striking that elements clearly indicative of a spiritworld are remarkably few and these belong to the Bronze Ageor earlier (332)
Representations of scenes of combat and early representa-tions of horse and camel riding (124 126) can be dated tothe Bronze and Early Iron ages Animal imagery slowly beganto reveal a new conventionalization so that by the middle ofthe first millennium 983138983139983141 rock art had lost much of its formervitality During the Turkic Period the tradition enjoyed a brief
renaissance marked by images of warriors riders (28) and hunt-ing scenes ereafter and for reasons we do not yet understandrock art was forgotten as a form of collective expression ework of individual artists also lost its vitality as if visual represen-tation had been supplanted by some other means of individualcreativity Taken together however the materials from the largecomplexes and small petroglyphic sites of mountainous BayanOumllgiy constitute in effect an extraordinary documentation oftime long past
28 Rider on fast horse Turkic Period
The whitish patina of this image from the Upper
Tsagaan Gol Complex indicates that it is not as old
as the other images on this page The rider rsquos bow
headdress and style of riding are clear indications
of the Turkic Period
29 Cart with driver Bronze Age This image
from Tsagaan Salaa typifies the mixed perspective
with which carts were represented in Bronze Age
North Asia In this case the wheels are spoked and
the reins from the driverrsquos hands are barely visible
as thin lines
210 Hunter Late Bronze Age In this scene
from Tsagaan Salaa the artist has clearly rendered
the recurved bow and gorytus (quiver) typical of
weaponry developed in the early period of horse
riding Varied patinas indicate images done in
successive periods
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Dayan Nuur
TolboNuur
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K h o v d G o l Oumllgiy
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een from a distance the valleys of the Mongolian Altaiseem empty of signs of human culture One might spy faroff a cluster of yurts a single rider or animals accompa-
nied by a herder meandering up trails to high slopes and ridges An occasional wooden hut nestled into a hollow against a cliff suggests the potential presence of people but except in wintersuch dwellings are empty In all directions the view that stretchesbefore us suggests that ancient human cultures must have over-
looked this land discouraged perhaps by the harsh wind andcold and by a pitiless summer sun With closer examination the empty landscape begins to
reflect life and movement Marking passes bordering lakesand punctuating river terraces are countless stone monumentsindicating the paths of ancient peoples ese silent monumentsoffer a window into a deep past they enable us to repopulate theancient Altai
Of all the monuments khirigsuur are the largest structuresand in many ways the most puzzling Within the Mongolian Altai these elaborate even elegant constructions are typicallyfound on open plains or on terraces overlooking rivers singly
or in pairs or even in groups ey range in size from as smallas 10 m to greater than 50 m in diameter Originally their cen-tral mounds were much higher but with time they have settledalthough some retain impressive height (211) One kind ofkhirigsuur is marked by a round or squared surrounding frame(217) of low boulders Radii aligned with the cardinal direc-tions may connect the mound and surrounding wall A secondtype called platform looks like a flying saucer or a solid pave-ment its central mound is surrounded by a rounded or squaredstone skirt (213) ese khirigsuur do not of course have rays A third type of khirigsuur can be called a boulder khirigsuursince the central mound is either replaced by or forms a skirtaround a massive naturally occurring boulder (1143) Smallcircular altars constructed with low boulders are usually foundon the khirigsuurrsquos northern western and southern perimeterswhile the eastern edge of the frame may be marked by a kind ofentrance standing stone or mound
ere is a great variety in the basic structure type some khi-rigsuur are massive affairs others low and thin in appearanceSome are made with elegant white or rosy-hued boulders otherswith black boulders and some reflect an interest in a variety ofcolors e mounds themselves are often marked by one or moredepressions as if the stones had been purposely cleared perhapsto allow fire ceremonies
It is said that the word khirigsuur refers to the Mongolianname for a Kirghiz burial (Khirgis-khuur) but why that termshould be applied to this structure type is not clear e monu-ment type probably came into use sometime around the middleBronze Age (mid-second millennium 983138983139983141) and continued tobe built and used into the Early Iron Age (c 600 983138983139983141) In someregions of Mongolia and the pre-Baykal khirigsuur were used as
211 Massive khirigsuur Bronze Age
The deeply depressed mound of this khirigsuur
or collared mound originally rose approximately
35 m in height Small circular altars appear on the
north west and east sides but there is no external
frame The structure is located at the top of a pass
commanding a view of the wide Khovd valley
213 Mound or khirigsuur Bronze Age
The extended skirt of this mound suggests it is
a platform khirigsuur It is the only substantial
structure in the immediate area on a road leading
up from Buyant and over to Khargantyn Gol Its
isolated location at a pass suggests an ancientovoo a structure dedicated to the spirit of the
mountain rather than to a human burial
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212 Bronze Age structures
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simple burials with the body laid directly under the mound andwith few funerary objects In Tuva just north of our study region
and where a number of spectacular khirigsuur have been exca-vated there is no evidence they were used for burials We do notknow if the khirigsuur in the Mongolian Altai served as burialsor as altars To date none here or in the Russian Altai have beenexcavated It is easier to guess the function of the small circularaltars around the khirigsuur Excavations have revealed that forthousands of years they were used for burned offerings
e khirigsuur is not the only structure type that can beassociated with the Bronze Age roughout our study regionwe find a distinctive kind of stone mound composed of piles ofsharp talus or heavy boulders (216) ese structures are foundindividually on high points of land along terraces or spread inlarge numbers across elevated slopes Curiously most studies of Altai monuments have ignored these mounds yet their num-bers the massiveness of their construction and their locationssuggest they were connected to ceremonies relating to deathPerhaps because of the immovability of their settled stones themounds rarely have central depressions If they were used asburials the individual was probably laid directly on the surfaceof the ground and covered with bouldersmdashmuch as one findsin the case of isolated herdersrsquo burials today It is also possiblethat these mounds were the sites of sky burials or were used tocommemorate sky burials on the cliffs above If that were the
case then these mounds would more appropriately be consid-ered funerary altars or cenotaphs Whatever their function weare certain they are much earlier than the Early Iron Age becausetheir form does not match any known for postndashBronze Age cul-tures in this part of Asia
Scattered throughout the Mongolian Altai are small groupsof structures squared in form with unusual boulders of contrast-ing coloration marking their four corners and centers (214)Known as four-cornered mounds these structures are usuallyaligned to the cardinal directions Few have been excavated butthere is sufficient evidence to indicate they were Bronze Ageburials and for all the beauty of the stones with which the sur-
face structures were constructed it seems that the dead were laidin simple shallow pits with minimal grave goods
Another poorly understood structure here called dwellingtakes the form of a rectangular or rounded pattern laid out on
the surface of the earth in white grey and black stones (215)Such patterns sometimes occur in great numbers consistentlyoriented east to west and marked by entrances at both endsStanding boulders outside the east entrance indicate the par-ticular significance of that direction Double walls and interiorhearths call to mind present-day winter dwellings with chinkedlog and plank walls (119) ere is no evidence these structureswere ever used for underground burials they may rather havebeen intended to represent dwellings for the dead in the nextworld What happened to the bodies of the deceased is a mys-tery one must again consider the possibility that the dead weregiven sky burials perhaps in the cliffs that so often loom behindor above the fields of dwellings By reference to images of dwell-ings in rock art of the Bronze Age we can hypothesize that thesepatterns belong to the same period Also to this period must datethe curious long lines that so frequently stretch for many metersfrom the dwellings down to the river below or up to a mountainridge or in the direction of a sacred mountain We can surmisethat these lines somehow anchored the dwellings to a significant
zone of transition that they functioned in some way to assist thedead to travel to the realm of the spirits
214 Four-cornered mound Bronze Age This mound is one of
several on the high north side of the Sogoo valley Still visible are fine
white stones in the center and large corner stones of contrasting color
215 Dwellings and lines Bronze Age
The dwellings in this group within the middle
Tsagaan Gol valley are made from white and black
stones To the west they face out to the sacred
mountain Shiveet Khairkhan visible in the center
background On the left can be seen some of the
stone lines that also extend in that direction
216 Old mound Bronze Age This mound
above Khoumlltsoumloumltiin Gol is typical of so many in the
Mongolian Altai rough earthed-over and located
high above the river with a view shed to the east
and west At some point in the millennia since it
was built the huge boulder poised on the mound
rolled down from the cliff to the north
217 Square khirigsuur Bronze Age
This fine platform khirigsuur approximately 14 m
on each side stands on a terrace over KhoumlltsoumloumltiinGol its east side oriented to Sagsay Gol below
its west side to the sacred mou ntain Tsengel
Khairkhan Uul
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KAZAKHSTAN
M O N GO L I A
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ome Bronze Age structure types may have continued to bebuilt well into the Early Iron Age An example is a kindof thin khirigsuur frequently found in the vicinity of
Early Iron Age burial mounds and occasionally involving acomplex group of altars unlike anything easily related to Bronze Age monuments
ere are other structure types of which the functions liketheir date also remain unclear ese include a curious circularmonument surrounded by a wall of standing flat slabs slantingin toward the center (219) ey may also include small pavedstructures sometimes associated with certain khirigsuur (223)Several structures are reminiscent of burial types reported in adja-cent Altai-Sayan regions but their identification in the Mongolian Altai is uncertain
We are on more secure ground with the burial mounds ofthe Early Iron Age (sixth through third centuries 983138983139983141) eseare usually arranged in irregular rows of two to eight or moremounds extending roughly from north to south (222) Rowsof standing stones (balbal) may extend from the mounds to theeast for a distance of up to 30 meters (220) and small altars of
grey boulders and black standing slabs often occur on the westside of the mounds (221) Excavations of mounds through-out the Altai-Sayan region have revealed wooden chambers inwhich the dead were placed either in larch coffins or directly onthe south side of the chamber floor their heads to the east andtheir faces to the north ey were laid out with their householdgoods their finest clothing and even horsesmdashas if prepared forlife in the next world and for the journey there In the high Altaithe stone mounds of some burials have created a subsoil lensof permafrost that has effectively preserved the organic mate-rials in deeply buried wooden chambers Despite a few well-publicized excavations of frozen burials however the vast major-
ity of these chambers were plundered in antiquity Others arecuriously empty built but never used marked on the surfaceof the ground by their stone mounds ese burials are associ-ated with what is sometimes referred to as the Scythian Periodculture of early nomads or the Pazyryk Culturemdashthe culture ofthe Scythian Period specific to the Altai region However onenames the culture responsible for these burials they all belong toa relatively limited era
218 Late Bronze and Early Iron Age structures
219 Collared mound Late Bronze Age () This structure one of two above the left bank of Nutsgenii Gol is unusual within our region and has no
clear published analogies in neighboring regions It has a diameter of approximately 10 m
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220 Burial mounds Early Nomadic Period One long row of balbal stretches to the east from sunken burial mounds on the left bank of Sagsay Gol
221 Altar Early Nomadic Period
Within this altar from Tsagaan Asgat the round
light-colored boulders on the west are river
stones the standing black slabs on the east are
mountain stones This color pattern regularly
recurs in altars accompanying burials of the Early
Iron Age It suggests a concern for a symbolic
integration perhaps of mountains and rivers
deemed essential at death
222 Burials mounds Early Nomadic Period A row of five deeply sunken burial mounds on the left bank of Chigirtein Gol is seen here from the
north looking south to Dzhalangash Uul On the right (west side) one of the typical altars associated with Early Iron Age burials in the Altai is visible
223 Circular structure Late Bronze Age ()
The fine circular structure with a diameter of 11 mis made of carefully placed light and dark stones It
is one of several altar-like forms su rrounding a thin
khirigsuur at Tsagaan Asgat Its date is uncertain
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Nuur
Dayan Nuur
TolboNuur
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l
S o g o o
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l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983090983096
S983156983137983150983140983145983150983143 S983156983151983150983141983155oving from broad valleys into side draws or travel-ing over high ridges the traveler frequently thinks hesees another person standing quietly in the distance
Only on closer inspection is that figure revealed as a large stand-ing stone ese monoliths vary in size but may be of massiveproportions and the material from which they are carved isoften of unusual quality and color Over the millennia manyhave fallen but originally they were oriented with their sides tothe four quarters Deer stones are a particular kind of standingstone named for the images of deer and other animals oftenpecked on their surfaces A deer stone is typically carved withround earrings on the sides of its head a necklace of beads anda belt and hanging weapons (227) More rarely a human faceexplicitly conveys the stonersquos anthropomorphic reference (228)Deer stones usually occur singly but in one instance just aboveTsengel there are two tall stones one with a muted human face(511) At the famous site of Tsagaan Asgat there are more thaneighty standing stones or fallen fragments (75)
Whatever the size of the standing stones they all con- jure human figures in the case of deer stones that reference
was clearly intended and expressed Scholars have traditionallydivided North Asian deer stones into three broad stylistic typesroughly associated with north central Mongolia Tuva and theRussian Altai Within the Mongolian Altai however these stonetypes are often found in unusual combinations suggesting theconstant mix of populations within this large region
e dating of standing stones will always be approximateand dependent on size number location the stonesrsquo proximityto other datable monuments and the elements carved on thestonesrsquo surfaces With those criteria in mind we may proposethe following schema Massive standing stones always set withinframes and often accompanied on their east sides by small cir-
cular altars must have been erected in the Bronze Age On thebasis of the carvings on their sides and by comparison with deer
stones from other regions those of the Mongolian Altai can con-fidently be dated to the Late Bronze and Early Iron ages elatest standing stone type can be easily dated to the Early Iron Age Smaller than the massive Bronze Age stones but larger thanlater Turkic balbal these stonesmdashalso called balbalmdashappear inrows that stretch to the east from Early Iron Age burial mounds(220) Within the Mongolian Altai these stones are frequentlyshaped with the high narrow face to the east eir coloration
and richly textured mineralization recall stylized deer in flightey are certainly the last of the deer stone tradition
224 Standing stones
225 Standing stones Bronze Age
Within this group on the right bank of the Khar
Yamaa there were originally four or more standing
stones but over the centuries at least one has
toppled and broken The rectangular enclosing
frame has also been disrupted perhaps as a result
of the trampling of animals rubbing their backsagainst the stones These impressive monoliths
seen here from the southwest are set within a
wide valley easily visible from a great distance
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226 Leaning stones Bronze Age
Set within a still clear frame this finely quarried
pair of stones each approximately 110 m tall is
essentially hidden from view in a small draw on
the north side of Chigirtein Nuur Originally the
stones stood erect but over the millennia one
has slumped back against the other The stones
are seen here from the northeast
227 Deer stone Late Bronze or Early Iron Age This small deer
stone in the Upper Tsagaan Gol Complex is of the Altai type it lacks
animal imagery but is carved with a beaded necklace round earrings
and three parallel slashes to indicate a human face The dark grey stone
is unusual in being covered on its east side with drilled concavities often
referred to as cup marks The stone faces east within a large ritual site on
the left bank of Tsagaan Salaa
228 Image stone Late Bronze Age
The high side of this stone is carved with a now-
muted human face but other than its shape there
are no elements that allow it to be identified as a
deer stone Alone facing to the east and with a
height of 13 m the stone is located within a high
closed draw sloping down to Sogoo Gol for all
appearances the master of its hidden valley
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Khurgan
Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
S a
g s a
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G o
l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983088
T983157983154983147983145983139M983151983150983157983149983141983150983156983155
he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
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Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
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i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
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I A
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234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
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Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
Areas visible from artifact
0 10 km
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A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983091
an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
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M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
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burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
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his atlas is about the creation of cultural landscapesthrough the purposeful location of ancient monumentswithin the larger physical setting e materials devel-
oped here are drawn from our documentation of thousands ofstone structures and images found within the Altai Mountainsof Mongolia Our approach reflects our persuasion that whenpeople long ago constructed those monuments they did so witha conscious sense of the mountain ridges rivers directional-
ity and view sheds around them Embedded in their locationof standing stones altars burial mounds image stones andconcentrations of rock art was a deep sense of the significanceof natural elements of a natural order in the world and in thecosmos In order to consider this material we need to establisha conceptual framework of interconnected and embedded con-textsmdashchronological environmental and material e purposeof this chapter is to establish that framework by looking at thelarger paleoenvironment the chronology of relevant culturesand the nature of monument typologies within a chronologicalperspective In the last sections of the chapter we will introduceapproaches to the consideration of surface monuments in the
larger landscape these will be used to guide our consideration ofthe cultural landscapes within each basin and within the regionas a whole
For several reasons chronologies of ancient cultures in theMongolian Altai remain general ere are no written docu-ments that clearly relate to cultures earlier than that of the Tuumlrksand thus no objective means of naming cultures or locating theirepicenters Scientific analyses of organic materials may helpto assign dates to monuments but they do not give us namesto attach to those remains Furthermore across the high Altairegionmdashincluding northwest Mongolia the Altai Republic in
Russia northeastern Kazakhstan and northern Chinamdashthere isno general agreement regarding either the identity of archaeo-logically retrieved cultures or their dates Although there aresignificant archaeological parallels between what we find in the Altai and in other regions of Mongolia those parallels still sup-port little more than a general chronology and one that lacks theassignment of cultural names
On the other hand archaeological excavations of monu-ments in Mongoliarsquos central and northern aimag are begin-ning to result in a critical mass of comparable material and in arange of dates that may help to identify similar monuments inthe Altai Mountains is material added to that derived from
published archaeological explorations in the Russian republicsof Altai and Tuva and in northern China certainly suggests abroad chronological framework for specific monument types Inaddition studies of lakebed sediments on either side of the AltaiRidge have allowed scientists to reconstruct the succession ofplants and trees that dominated the region in prehistory with itsindication of habitat this material suggests which animals couldhave been found in our study area and when ese objectivepaleoenvironmental conditions can be associated with techno-logical and economic changes that appear in rock art and arereflected in excavated finds from burials Finally the styles inwhich humans represented themselvesmdashwhether hunting ani-mals driving carts or ridingmdashcan be used to relate large groupsof images to specific culture periods (ese relationships setwithin a chronological framework are more fully developed in
the charts in 23) In these ways and many others by workingback and forth between contingent materials it becomes possi-ble to propose a general chronology for northwestern Mongoliaone that acknowledges the variety and overlay of archaeologicalmonuments within our study area but also respects the chrono-logical framework established in other regions with reference tomonument typologies
Because the names of prehistoric cultures in North and
Central Asia refer to sites excavated outside the Mongolian Altaitheir usefulness in our study area is limited Our primary desig-nation of cultural periods will instead depend firstly on broadepochs defined by geological prehistory and secondarily on thecultural results embedded in new technologies and their eco-nomic consequences ese epochs include the Late Pleistocenewhich ended about eleven thousand years before the presentcoinciding with the disappearance of extensive glaciation andharsh steppe vegetation the Early and Middle Holocene whichsaw a gradual amelioration of climate and the extension of forestcover over a period of approximately 5000 years and the onsetof the Late Holocene (approximately 4500 years before the
present) coinciding with the beginning of a period of coolingand drying During this period (which is of course the geologicperiod in which we live) forests began to retreat and vegetationgradually returned to steppe species
Cultural periods like geological periods do not shiftabruptly change takes time measured in decades if not in cen-turies Terminology and the timelines by which we graph theseperiods should be understood as approximate at best with endsthat blur and shift only gradually Ancient populations of theEurasian steppe were notoriously fluidmdashboth in space and inethnic reference e variety within monument typologies that
we can associate with the Bronze Age for example and thatwithin rock art of the same broad period indicates that contem-poraneous populations in our study area must have been far moreheterogeneous than are acknowledged by single culture namesUnquestionably the preliminary chronologies presented in thefollowing pages will be disputed by others and modified manytimes over they are intended however to offer a basic frame-work for giving cultural and chronological order to the materialsreviewed in this volume
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21 Square khirigsuur Bronze Age
Drawing Lynn-Marie Kara
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63
35
41
52158
170
103
Oigor Gol
TsagaanGol
DayanNuur
Khoton-Khurgan
NuurKhovd Gol
Sagsay Gol
SogooGol
Elt Gol
Tsagaan Gol
Drainage basins of major rivers withinstudy area
81Number of features inventoried in eachsurveyed basin
MO N G O L I A
R U
S S I A
C H
I N A
908
393
386
283
5
271
189
408
17
Oigor Gol
TsagaanNuur
TsagaanGol
Elt Gol
DayanNuur
Khoton-Khurgan
Nuur Khovd Gol
SagsayGol
SogooGol
121
6845
14
212
62
328
24
Oigor Gol
Tsagaan
Gol
Khoton-Khurgan
Nuur KhovdGol
Sagsay Gol
DayanNuur
Elt Gol
Sogoo Gol
M O NG O L I A
R U
S S I A
C H
I N A
M O N G O L I A
R U
S S I A
C H
I N A
88
100
47
175
51
103115
14
OigorGol
TsagaanNuur
TsagaanGol
DayanNuur
Khoton-Khurgan
Nuur Khovd Gol
Sagsay Gol
SogooGol
Elt Gol
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Khirigsuur Standing stones
22 Inventory of feature counts within each basin
Mounds Turkic monuments
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7000
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9000
10000
12000
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1 0
0 0 Y e a r I n t e r v a l
5 0 0 Y e a r I n t e r v a l
Y e a r s B e f o r e
P r e s e n t
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he end of the Pleistocene and its cold harsh environ-ment spelled the end of the Paleolithic Period and thedisappearance of megafauna that appear in Paleolithic
rock art e Holocene was characterized by a gradually amelio-rating climate with the consequent spread of forests dominatedby larch and spruce throughout the western section of our studyarea e cultures of the early and mid-Holocene would havecorresponded to the Mesolithic and Neolithic periods but we
do not know how these periods should be dated or even whethersuch terms apply within the Mongolian Altai By approximatelyforty-five hundred years before the present however the climatewas again becoming drier and colder forests were retreatingand lake levels falling Given what we know of the emergenceof the Bronze Age across the Eurasian steppe and within North Asia we are safe in dating its inception to approximately twothousand 983138983139983141 and its duration into the early first millennium983138983139983141 Critical technological developments during this longperiod included the adoption of wheeled vehicles (probablyin the form of heavy carts 29) and somewhat later of horseand camel riding (124 126) ese changesmdashand particularly
the development of riding with its opportunities for large-scaleherdingmdashcombined with the effects of climate change to createa need for more frequent changes of pasture e result of these
environmental and cultural shifts was the appearance of a fullhorse-dependent semi-nomadism
Dated materials from heavy mounds and from the largestructures known as khirigsuur in other parts of the Altai-Sayanuplift and in north-central Mongolia suggest that their con-struction began sometime in the mid-Bronze Age and contin-ued through the late Bronze Age Once again we do not knowhow to name the culture or cultures responsible for these and all
other Bronze Age monuments in our study area Judging fromthe archaeological record in the Minusinsk Basin to the norththe North Asian tradition of erecting massive standing stonesmay have begun before the Bronze Age we propose that withinour study area the largest of these stones are Bronze Age in datethough probably not as early as the huge standing stones in theMinusinsk Basin On the other hand the imagery on deer stonesand certain image stones indicate that they should be dated noearlier than the Late Bronze Age at period is contemporane-ous with cultures that have been named in other parts of North Asiamdashthe Karasuk Culture for example but we cannot say iftheir contemporaries in our study area should be so named For
that reason they will here be referred to as people of the LateBronze Age
23 Concordance of paleoenvironment and culture
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We are on more certain ground with a burial structureand imagery associated firmly with the Eurasian Scythian Cul-ture and dated to the Late Bronze and Early Iron agesmdashthatis between the eighth and third centuries 983138983139983141 During thatperiod there was a gradual shift from the use of bronze to thatof iron and thus no clear division between the eponymous agesnor was there a sudden emergence of the full horse dependencythat came to characterize these people For this reason the tran-
sition period encompassing the Late Bronze and Early Ironages will also be referred to as the period of the Early Nomadse Pazyryk phase of this culture centered in the Russian Altaimountains and dated to the fifth through third centuries 983138983139983141is securely rooted in the Iron Age After that however we arefaced with renewed uncertainty e impact of the Hsiung-nu(Xiongnu) confederacy across the eastern steppe does not seemto be reflected in Bayan Oumllgiy and the nature of culture andits archaeological monuments between the Early Iron Age andthe Turkic Period is uncertain Only with Turkic monumentsdo we return to a solid if still general chronology sixth throughthe ninth centuries with the Uighur hegemony dated to the last
century of that period With the end of the Turkic Period how-ever the Altai region seems to have receded from history untilthe modern period
24 Bear hunt Bronze Age This composition is a window into an
ancient hunt when men worked in bands and on foot with long bows
and spears In this composition several men surround the animal
Another figuremdashdone more recentlymdashrushes in from the left where a
piece of the boulder has been knocked off
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ock art is the general term for imagery pecked or paintedon natural rock surfaces In mountainous Bayan Oumllgiyaimag rock art occurs in the open air rather than within
caves and if there were ever any painted images they have longsince disappeared e rock art that has survived to the presentwas pecked-out with heavy stones or sharp metal instrumentsusing direct or indirect blows For the first several hundred yearsafter they were executed the images were white but over the
millennia most have darkened down from their original appear-ance Depending on the time of year and the sunrsquos angle theimages may stand out clearly or disappear from before our eyes
Within our focus region are located several of the largestand finest concentrations of rock art in North Asia includ-ing one in the upper Oigor drainage and another within thevalley of the upper Tsagaan Gol A smaller but important siteextends over three hills on the north shore of Khoton Nuur anda fourthmdashunknown until 2005mdashis located under the east flanksof Tsengel Khairkhan Uul Aral Tolgoi at the far northwesternend of Khoton Nuur is the smallest of these complexes but themost ancient In addition to these complexes many small con-
centrations of rock art exist throughout the region Taken alto-gether the complexes and sites attest to the desire of ancient Altai inhabitants to represent their world in visual imagery andto do so with an impressively realistic expression
e rock art of mountainous Bayan Oumllgiy includes individ-ual images as well as simple and complex compositions involvingup to more than one hundred elements In some valleys one findsthis material randomly pecked on the surfaces of granitic boul-ders left from the last major glacial advance is is true within
the upper valley of Khatuugiin Gol on the massive moraine alongKhoumlltsoumloumltiin Gol and across the rocky moraine known as KharBoumloumlroumlg at the east end of Khurgan Nuur Rocky outcroppingsat the top of high ridges offer the possibility of ancient imageryElegant examples exist on the high ridges between the Turegtiin
27 Predation scene Late Bronze Age
This fine representation of wolves attacking a deer
from Baga Oigor appears to have been pecked
over another earlier scene with wild goats
25 Hunter animals and birthing women
Early Bronze Age Tsagaan Salaa IV The frontal
hunter with a large weapon and static animals
indicate an early date Two frontal birthing
women arms raised are visible in the right-center
and may be earlier in date
26 Rock art concentrations
R983151983139983147 A983154983156
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riversmdashhere so isolated that one asks why gifted artists of theBronze Age should have chosen to leave their creations there
Winter dwellings nestled against rocky cliffs may offer cluesto the presence of rock art concentrations e appearance ofthese modest structures almost always indicates the millennia-old locations of winter habitation sites in protected places thusthe cliffs behind the snug wood and stone huts of today are oftenmarked by rock-pecked images dating back to the Bronze and
Early Iron ages Excellent examples of such sites and their rockart occur in the valleys of Khar Yamaa and Khargantyn Gol Ancient artists seem to have preferred the hard smoothed
surfaces of metamorphosed sandstone found along a few highriver valleys is stone has typically been scraped and polishedby ancient glaciers and darkened to a deep rose or mahoganyhue e time-hardened surfaces can take fine dense pecking aswell as elegant engraved lines As a result the sandstone outcrop-pings in the high Altai valleys contain an extraordinary pictorialrecord of cultures extending over thousands of years Among allsurface monuments rock art has a unique character while it ispossible to identify period styles and general cultural markers
we are also regularly struck by the individualizing nature of rep-resentation In this respect rock art brings us much closer to asense of real if anonymous individuals from a deep past
e varied subjects of Altai rock art offer a window into thelife and values of the people who lived here over many millen-nia Large animals in profile dominate rock art from the prendashBronze Age ey are almost always represented individuallymotionless and lacking any psychological interaction with otherimages (619 622) Early Bronze Age scenes of hunters hold-
ing cudgels and long bows may reflect the emergence of mythictraditions revolving around the heroic hunter (25) In rock artdatable by style and subject to the middle and late Bronze Agewe find many hunting scenes (24) but we also find herdingscenes scenes of men driving carts (29) and of families cara-vanning from one habitation site to another their children andhousehold goods packed onto massive yak (336) ese com-positions reveal developing patterns of transhumance as herd-
ing increasingly shaped peoplesrsquo lives Images of animals racingover the rock surfaces are also typical of the Bronze Age theyare often rendered with a keen sense of grace delight and evenwhimsy It is striking that elements clearly indicative of a spiritworld are remarkably few and these belong to the Bronze Ageor earlier (332)
Representations of scenes of combat and early representa-tions of horse and camel riding (124 126) can be dated tothe Bronze and Early Iron ages Animal imagery slowly beganto reveal a new conventionalization so that by the middle ofthe first millennium 983138983139983141 rock art had lost much of its formervitality During the Turkic Period the tradition enjoyed a brief
renaissance marked by images of warriors riders (28) and hunt-ing scenes ereafter and for reasons we do not yet understandrock art was forgotten as a form of collective expression ework of individual artists also lost its vitality as if visual represen-tation had been supplanted by some other means of individualcreativity Taken together however the materials from the largecomplexes and small petroglyphic sites of mountainous BayanOumllgiy constitute in effect an extraordinary documentation oftime long past
28 Rider on fast horse Turkic Period
The whitish patina of this image from the Upper
Tsagaan Gol Complex indicates that it is not as old
as the other images on this page The rider rsquos bow
headdress and style of riding are clear indications
of the Turkic Period
29 Cart with driver Bronze Age This image
from Tsagaan Salaa typifies the mixed perspective
with which carts were represented in Bronze Age
North Asia In this case the wheels are spoked and
the reins from the driverrsquos hands are barely visible
as thin lines
210 Hunter Late Bronze Age In this scene
from Tsagaan Salaa the artist has clearly rendered
the recurved bow and gorytus (quiver) typical of
weaponry developed in the early period of horse
riding Varied patinas indicate images done in
successive periods
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een from a distance the valleys of the Mongolian Altaiseem empty of signs of human culture One might spy faroff a cluster of yurts a single rider or animals accompa-
nied by a herder meandering up trails to high slopes and ridges An occasional wooden hut nestled into a hollow against a cliff suggests the potential presence of people but except in wintersuch dwellings are empty In all directions the view that stretchesbefore us suggests that ancient human cultures must have over-
looked this land discouraged perhaps by the harsh wind andcold and by a pitiless summer sun With closer examination the empty landscape begins to
reflect life and movement Marking passes bordering lakesand punctuating river terraces are countless stone monumentsindicating the paths of ancient peoples ese silent monumentsoffer a window into a deep past they enable us to repopulate theancient Altai
Of all the monuments khirigsuur are the largest structuresand in many ways the most puzzling Within the Mongolian Altai these elaborate even elegant constructions are typicallyfound on open plains or on terraces overlooking rivers singly
or in pairs or even in groups ey range in size from as smallas 10 m to greater than 50 m in diameter Originally their cen-tral mounds were much higher but with time they have settledalthough some retain impressive height (211) One kind ofkhirigsuur is marked by a round or squared surrounding frame(217) of low boulders Radii aligned with the cardinal direc-tions may connect the mound and surrounding wall A secondtype called platform looks like a flying saucer or a solid pave-ment its central mound is surrounded by a rounded or squaredstone skirt (213) ese khirigsuur do not of course have rays A third type of khirigsuur can be called a boulder khirigsuursince the central mound is either replaced by or forms a skirtaround a massive naturally occurring boulder (1143) Smallcircular altars constructed with low boulders are usually foundon the khirigsuurrsquos northern western and southern perimeterswhile the eastern edge of the frame may be marked by a kind ofentrance standing stone or mound
ere is a great variety in the basic structure type some khi-rigsuur are massive affairs others low and thin in appearanceSome are made with elegant white or rosy-hued boulders otherswith black boulders and some reflect an interest in a variety ofcolors e mounds themselves are often marked by one or moredepressions as if the stones had been purposely cleared perhapsto allow fire ceremonies
It is said that the word khirigsuur refers to the Mongolianname for a Kirghiz burial (Khirgis-khuur) but why that termshould be applied to this structure type is not clear e monu-ment type probably came into use sometime around the middleBronze Age (mid-second millennium 983138983139983141) and continued tobe built and used into the Early Iron Age (c 600 983138983139983141) In someregions of Mongolia and the pre-Baykal khirigsuur were used as
211 Massive khirigsuur Bronze Age
The deeply depressed mound of this khirigsuur
or collared mound originally rose approximately
35 m in height Small circular altars appear on the
north west and east sides but there is no external
frame The structure is located at the top of a pass
commanding a view of the wide Khovd valley
213 Mound or khirigsuur Bronze Age
The extended skirt of this mound suggests it is
a platform khirigsuur It is the only substantial
structure in the immediate area on a road leading
up from Buyant and over to Khargantyn Gol Its
isolated location at a pass suggests an ancientovoo a structure dedicated to the spirit of the
mountain rather than to a human burial
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212 Bronze Age structures
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simple burials with the body laid directly under the mound andwith few funerary objects In Tuva just north of our study region
and where a number of spectacular khirigsuur have been exca-vated there is no evidence they were used for burials We do notknow if the khirigsuur in the Mongolian Altai served as burialsor as altars To date none here or in the Russian Altai have beenexcavated It is easier to guess the function of the small circularaltars around the khirigsuur Excavations have revealed that forthousands of years they were used for burned offerings
e khirigsuur is not the only structure type that can beassociated with the Bronze Age roughout our study regionwe find a distinctive kind of stone mound composed of piles ofsharp talus or heavy boulders (216) ese structures are foundindividually on high points of land along terraces or spread inlarge numbers across elevated slopes Curiously most studies of Altai monuments have ignored these mounds yet their num-bers the massiveness of their construction and their locationssuggest they were connected to ceremonies relating to deathPerhaps because of the immovability of their settled stones themounds rarely have central depressions If they were used asburials the individual was probably laid directly on the surfaceof the ground and covered with bouldersmdashmuch as one findsin the case of isolated herdersrsquo burials today It is also possiblethat these mounds were the sites of sky burials or were used tocommemorate sky burials on the cliffs above If that were the
case then these mounds would more appropriately be consid-ered funerary altars or cenotaphs Whatever their function weare certain they are much earlier than the Early Iron Age becausetheir form does not match any known for postndashBronze Age cul-tures in this part of Asia
Scattered throughout the Mongolian Altai are small groupsof structures squared in form with unusual boulders of contrast-ing coloration marking their four corners and centers (214)Known as four-cornered mounds these structures are usuallyaligned to the cardinal directions Few have been excavated butthere is sufficient evidence to indicate they were Bronze Ageburials and for all the beauty of the stones with which the sur-
face structures were constructed it seems that the dead were laidin simple shallow pits with minimal grave goods
Another poorly understood structure here called dwellingtakes the form of a rectangular or rounded pattern laid out on
the surface of the earth in white grey and black stones (215)Such patterns sometimes occur in great numbers consistentlyoriented east to west and marked by entrances at both endsStanding boulders outside the east entrance indicate the par-ticular significance of that direction Double walls and interiorhearths call to mind present-day winter dwellings with chinkedlog and plank walls (119) ere is no evidence these structureswere ever used for underground burials they may rather havebeen intended to represent dwellings for the dead in the nextworld What happened to the bodies of the deceased is a mys-tery one must again consider the possibility that the dead weregiven sky burials perhaps in the cliffs that so often loom behindor above the fields of dwellings By reference to images of dwell-ings in rock art of the Bronze Age we can hypothesize that thesepatterns belong to the same period Also to this period must datethe curious long lines that so frequently stretch for many metersfrom the dwellings down to the river below or up to a mountainridge or in the direction of a sacred mountain We can surmisethat these lines somehow anchored the dwellings to a significant
zone of transition that they functioned in some way to assist thedead to travel to the realm of the spirits
214 Four-cornered mound Bronze Age This mound is one of
several on the high north side of the Sogoo valley Still visible are fine
white stones in the center and large corner stones of contrasting color
215 Dwellings and lines Bronze Age
The dwellings in this group within the middle
Tsagaan Gol valley are made from white and black
stones To the west they face out to the sacred
mountain Shiveet Khairkhan visible in the center
background On the left can be seen some of the
stone lines that also extend in that direction
216 Old mound Bronze Age This mound
above Khoumlltsoumloumltiin Gol is typical of so many in the
Mongolian Altai rough earthed-over and located
high above the river with a view shed to the east
and west At some point in the millennia since it
was built the huge boulder poised on the mound
rolled down from the cliff to the north
217 Square khirigsuur Bronze Age
This fine platform khirigsuur approximately 14 m
on each side stands on a terrace over KhoumlltsoumloumltiinGol its east side oriented to Sagsay Gol below
its west side to the sacred mou ntain Tsengel
Khairkhan Uul
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ome Bronze Age structure types may have continued to bebuilt well into the Early Iron Age An example is a kindof thin khirigsuur frequently found in the vicinity of
Early Iron Age burial mounds and occasionally involving acomplex group of altars unlike anything easily related to Bronze Age monuments
ere are other structure types of which the functions liketheir date also remain unclear ese include a curious circularmonument surrounded by a wall of standing flat slabs slantingin toward the center (219) ey may also include small pavedstructures sometimes associated with certain khirigsuur (223)Several structures are reminiscent of burial types reported in adja-cent Altai-Sayan regions but their identification in the Mongolian Altai is uncertain
We are on more secure ground with the burial mounds ofthe Early Iron Age (sixth through third centuries 983138983139983141) eseare usually arranged in irregular rows of two to eight or moremounds extending roughly from north to south (222) Rowsof standing stones (balbal) may extend from the mounds to theeast for a distance of up to 30 meters (220) and small altars of
grey boulders and black standing slabs often occur on the westside of the mounds (221) Excavations of mounds through-out the Altai-Sayan region have revealed wooden chambers inwhich the dead were placed either in larch coffins or directly onthe south side of the chamber floor their heads to the east andtheir faces to the north ey were laid out with their householdgoods their finest clothing and even horsesmdashas if prepared forlife in the next world and for the journey there In the high Altaithe stone mounds of some burials have created a subsoil lensof permafrost that has effectively preserved the organic mate-rials in deeply buried wooden chambers Despite a few well-publicized excavations of frozen burials however the vast major-
ity of these chambers were plundered in antiquity Others arecuriously empty built but never used marked on the surfaceof the ground by their stone mounds ese burials are associ-ated with what is sometimes referred to as the Scythian Periodculture of early nomads or the Pazyryk Culturemdashthe culture ofthe Scythian Period specific to the Altai region However onenames the culture responsible for these burials they all belong toa relatively limited era
218 Late Bronze and Early Iron Age structures
219 Collared mound Late Bronze Age () This structure one of two above the left bank of Nutsgenii Gol is unusual within our region and has no
clear published analogies in neighboring regions It has a diameter of approximately 10 m
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220 Burial mounds Early Nomadic Period One long row of balbal stretches to the east from sunken burial mounds on the left bank of Sagsay Gol
221 Altar Early Nomadic Period
Within this altar from Tsagaan Asgat the round
light-colored boulders on the west are river
stones the standing black slabs on the east are
mountain stones This color pattern regularly
recurs in altars accompanying burials of the Early
Iron Age It suggests a concern for a symbolic
integration perhaps of mountains and rivers
deemed essential at death
222 Burials mounds Early Nomadic Period A row of five deeply sunken burial mounds on the left bank of Chigirtein Gol is seen here from the
north looking south to Dzhalangash Uul On the right (west side) one of the typical altars associated with Early Iron Age burials in the Altai is visible
223 Circular structure Late Bronze Age ()
The fine circular structure with a diameter of 11 mis made of carefully placed light and dark stones It
is one of several altar-like forms su rrounding a thin
khirigsuur at Tsagaan Asgat Its date is uncertain
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Nuur
Dayan Nuur
TolboNuur
S a g
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S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983090983096
S983156983137983150983140983145983150983143 S983156983151983150983141983155oving from broad valleys into side draws or travel-ing over high ridges the traveler frequently thinks hesees another person standing quietly in the distance
Only on closer inspection is that figure revealed as a large stand-ing stone ese monoliths vary in size but may be of massiveproportions and the material from which they are carved isoften of unusual quality and color Over the millennia manyhave fallen but originally they were oriented with their sides tothe four quarters Deer stones are a particular kind of standingstone named for the images of deer and other animals oftenpecked on their surfaces A deer stone is typically carved withround earrings on the sides of its head a necklace of beads anda belt and hanging weapons (227) More rarely a human faceexplicitly conveys the stonersquos anthropomorphic reference (228)Deer stones usually occur singly but in one instance just aboveTsengel there are two tall stones one with a muted human face(511) At the famous site of Tsagaan Asgat there are more thaneighty standing stones or fallen fragments (75)
Whatever the size of the standing stones they all con- jure human figures in the case of deer stones that reference
was clearly intended and expressed Scholars have traditionallydivided North Asian deer stones into three broad stylistic typesroughly associated with north central Mongolia Tuva and theRussian Altai Within the Mongolian Altai however these stonetypes are often found in unusual combinations suggesting theconstant mix of populations within this large region
e dating of standing stones will always be approximateand dependent on size number location the stonesrsquo proximityto other datable monuments and the elements carved on thestonesrsquo surfaces With those criteria in mind we may proposethe following schema Massive standing stones always set withinframes and often accompanied on their east sides by small cir-
cular altars must have been erected in the Bronze Age On thebasis of the carvings on their sides and by comparison with deer
stones from other regions those of the Mongolian Altai can con-fidently be dated to the Late Bronze and Early Iron ages elatest standing stone type can be easily dated to the Early Iron Age Smaller than the massive Bronze Age stones but larger thanlater Turkic balbal these stonesmdashalso called balbalmdashappear inrows that stretch to the east from Early Iron Age burial mounds(220) Within the Mongolian Altai these stones are frequentlyshaped with the high narrow face to the east eir coloration
and richly textured mineralization recall stylized deer in flightey are certainly the last of the deer stone tradition
224 Standing stones
225 Standing stones Bronze Age
Within this group on the right bank of the Khar
Yamaa there were originally four or more standing
stones but over the centuries at least one has
toppled and broken The rectangular enclosing
frame has also been disrupted perhaps as a result
of the trampling of animals rubbing their backsagainst the stones These impressive monoliths
seen here from the southwest are set within a
wide valley easily visible from a great distance
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226 Leaning stones Bronze Age
Set within a still clear frame this finely quarried
pair of stones each approximately 110 m tall is
essentially hidden from view in a small draw on
the north side of Chigirtein Nuur Originally the
stones stood erect but over the millennia one
has slumped back against the other The stones
are seen here from the northeast
227 Deer stone Late Bronze or Early Iron Age This small deer
stone in the Upper Tsagaan Gol Complex is of the Altai type it lacks
animal imagery but is carved with a beaded necklace round earrings
and three parallel slashes to indicate a human face The dark grey stone
is unusual in being covered on its east side with drilled concavities often
referred to as cup marks The stone faces east within a large ritual site on
the left bank of Tsagaan Salaa
228 Image stone Late Bronze Age
The high side of this stone is carved with a now-
muted human face but other than its shape there
are no elements that allow it to be identified as a
deer stone Alone facing to the east and with a
height of 13 m the stone is located within a high
closed draw sloping down to Sogoo Gol for all
appearances the master of its hidden valley
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Khurgan
Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
S a
g s a
y
G o
l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983088
T983157983154983147983145983139M983151983150983157983149983141983150983156983155
he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
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Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
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i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
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I N A
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I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983090
M983151983150983157983149983141983150983156983155 983145983150983156983144983141 L983137983150983140983155983139983137983152983141
234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
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Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
Areas visible from artifact
0 10 km
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A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983091
an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
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M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
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burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
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his atlas is about the creation of cultural landscapesthrough the purposeful location of ancient monumentswithin the larger physical setting e materials devel-
oped here are drawn from our documentation of thousands ofstone structures and images found within the Altai Mountainsof Mongolia Our approach reflects our persuasion that whenpeople long ago constructed those monuments they did so witha conscious sense of the mountain ridges rivers directional-
ity and view sheds around them Embedded in their locationof standing stones altars burial mounds image stones andconcentrations of rock art was a deep sense of the significanceof natural elements of a natural order in the world and in thecosmos In order to consider this material we need to establisha conceptual framework of interconnected and embedded con-textsmdashchronological environmental and material e purposeof this chapter is to establish that framework by looking at thelarger paleoenvironment the chronology of relevant culturesand the nature of monument typologies within a chronologicalperspective In the last sections of the chapter we will introduceapproaches to the consideration of surface monuments in the
larger landscape these will be used to guide our consideration ofthe cultural landscapes within each basin and within the regionas a whole
For several reasons chronologies of ancient cultures in theMongolian Altai remain general ere are no written docu-ments that clearly relate to cultures earlier than that of the Tuumlrksand thus no objective means of naming cultures or locating theirepicenters Scientific analyses of organic materials may helpto assign dates to monuments but they do not give us namesto attach to those remains Furthermore across the high Altairegionmdashincluding northwest Mongolia the Altai Republic in
Russia northeastern Kazakhstan and northern Chinamdashthere isno general agreement regarding either the identity of archaeo-logically retrieved cultures or their dates Although there aresignificant archaeological parallels between what we find in the Altai and in other regions of Mongolia those parallels still sup-port little more than a general chronology and one that lacks theassignment of cultural names
On the other hand archaeological excavations of monu-ments in Mongoliarsquos central and northern aimag are begin-ning to result in a critical mass of comparable material and in arange of dates that may help to identify similar monuments inthe Altai Mountains is material added to that derived from
published archaeological explorations in the Russian republicsof Altai and Tuva and in northern China certainly suggests abroad chronological framework for specific monument types Inaddition studies of lakebed sediments on either side of the AltaiRidge have allowed scientists to reconstruct the succession ofplants and trees that dominated the region in prehistory with itsindication of habitat this material suggests which animals couldhave been found in our study area and when ese objectivepaleoenvironmental conditions can be associated with techno-logical and economic changes that appear in rock art and arereflected in excavated finds from burials Finally the styles inwhich humans represented themselvesmdashwhether hunting ani-mals driving carts or ridingmdashcan be used to relate large groupsof images to specific culture periods (ese relationships setwithin a chronological framework are more fully developed in
the charts in 23) In these ways and many others by workingback and forth between contingent materials it becomes possi-ble to propose a general chronology for northwestern Mongoliaone that acknowledges the variety and overlay of archaeologicalmonuments within our study area but also respects the chrono-logical framework established in other regions with reference tomonument typologies
Because the names of prehistoric cultures in North and
Central Asia refer to sites excavated outside the Mongolian Altaitheir usefulness in our study area is limited Our primary desig-nation of cultural periods will instead depend firstly on broadepochs defined by geological prehistory and secondarily on thecultural results embedded in new technologies and their eco-nomic consequences ese epochs include the Late Pleistocenewhich ended about eleven thousand years before the presentcoinciding with the disappearance of extensive glaciation andharsh steppe vegetation the Early and Middle Holocene whichsaw a gradual amelioration of climate and the extension of forestcover over a period of approximately 5000 years and the onsetof the Late Holocene (approximately 4500 years before the
present) coinciding with the beginning of a period of coolingand drying During this period (which is of course the geologicperiod in which we live) forests began to retreat and vegetationgradually returned to steppe species
Cultural periods like geological periods do not shiftabruptly change takes time measured in decades if not in cen-turies Terminology and the timelines by which we graph theseperiods should be understood as approximate at best with endsthat blur and shift only gradually Ancient populations of theEurasian steppe were notoriously fluidmdashboth in space and inethnic reference e variety within monument typologies that
we can associate with the Bronze Age for example and thatwithin rock art of the same broad period indicates that contem-poraneous populations in our study area must have been far moreheterogeneous than are acknowledged by single culture namesUnquestionably the preliminary chronologies presented in thefollowing pages will be disputed by others and modified manytimes over they are intended however to offer a basic frame-work for giving cultural and chronological order to the materialsreviewed in this volume
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21 Square khirigsuur Bronze Age
Drawing Lynn-Marie Kara
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63
35
41
52158
170
103
Oigor Gol
TsagaanGol
DayanNuur
Khoton-Khurgan
NuurKhovd Gol
Sagsay Gol
SogooGol
Elt Gol
Tsagaan Gol
Drainage basins of major rivers withinstudy area
81Number of features inventoried in eachsurveyed basin
MO N G O L I A
R U
S S I A
C H
I N A
908
393
386
283
5
271
189
408
17
Oigor Gol
TsagaanNuur
TsagaanGol
Elt Gol
DayanNuur
Khoton-Khurgan
Nuur Khovd Gol
SagsayGol
SogooGol
121
6845
14
212
62
328
24
Oigor Gol
Tsagaan
Gol
Khoton-Khurgan
Nuur KhovdGol
Sagsay Gol
DayanNuur
Elt Gol
Sogoo Gol
M O NG O L I A
R U
S S I A
C H
I N A
M O N G O L I A
R U
S S I A
C H
I N A
88
100
47
175
51
103115
14
OigorGol
TsagaanNuur
TsagaanGol
DayanNuur
Khoton-Khurgan
Nuur Khovd Gol
Sagsay Gol
SogooGol
Elt Gol
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Khirigsuur Standing stones
22 Inventory of feature counts within each basin
Mounds Turkic monuments
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1 0
0 0 Y e a r I n t e r v a l
5 0 0 Y e a r I n t e r v a l
Y e a r s B e f o r e
P r e s e n t
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he end of the Pleistocene and its cold harsh environ-ment spelled the end of the Paleolithic Period and thedisappearance of megafauna that appear in Paleolithic
rock art e Holocene was characterized by a gradually amelio-rating climate with the consequent spread of forests dominatedby larch and spruce throughout the western section of our studyarea e cultures of the early and mid-Holocene would havecorresponded to the Mesolithic and Neolithic periods but we
do not know how these periods should be dated or even whethersuch terms apply within the Mongolian Altai By approximatelyforty-five hundred years before the present however the climatewas again becoming drier and colder forests were retreatingand lake levels falling Given what we know of the emergenceof the Bronze Age across the Eurasian steppe and within North Asia we are safe in dating its inception to approximately twothousand 983138983139983141 and its duration into the early first millennium983138983139983141 Critical technological developments during this longperiod included the adoption of wheeled vehicles (probablyin the form of heavy carts 29) and somewhat later of horseand camel riding (124 126) ese changesmdashand particularly
the development of riding with its opportunities for large-scaleherdingmdashcombined with the effects of climate change to createa need for more frequent changes of pasture e result of these
environmental and cultural shifts was the appearance of a fullhorse-dependent semi-nomadism
Dated materials from heavy mounds and from the largestructures known as khirigsuur in other parts of the Altai-Sayanuplift and in north-central Mongolia suggest that their con-struction began sometime in the mid-Bronze Age and contin-ued through the late Bronze Age Once again we do not knowhow to name the culture or cultures responsible for these and all
other Bronze Age monuments in our study area Judging fromthe archaeological record in the Minusinsk Basin to the norththe North Asian tradition of erecting massive standing stonesmay have begun before the Bronze Age we propose that withinour study area the largest of these stones are Bronze Age in datethough probably not as early as the huge standing stones in theMinusinsk Basin On the other hand the imagery on deer stonesand certain image stones indicate that they should be dated noearlier than the Late Bronze Age at period is contemporane-ous with cultures that have been named in other parts of North Asiamdashthe Karasuk Culture for example but we cannot say iftheir contemporaries in our study area should be so named For
that reason they will here be referred to as people of the LateBronze Age
23 Concordance of paleoenvironment and culture
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We are on more certain ground with a burial structureand imagery associated firmly with the Eurasian Scythian Cul-ture and dated to the Late Bronze and Early Iron agesmdashthatis between the eighth and third centuries 983138983139983141 During thatperiod there was a gradual shift from the use of bronze to thatof iron and thus no clear division between the eponymous agesnor was there a sudden emergence of the full horse dependencythat came to characterize these people For this reason the tran-
sition period encompassing the Late Bronze and Early Ironages will also be referred to as the period of the Early Nomadse Pazyryk phase of this culture centered in the Russian Altaimountains and dated to the fifth through third centuries 983138983139983141is securely rooted in the Iron Age After that however we arefaced with renewed uncertainty e impact of the Hsiung-nu(Xiongnu) confederacy across the eastern steppe does not seemto be reflected in Bayan Oumllgiy and the nature of culture andits archaeological monuments between the Early Iron Age andthe Turkic Period is uncertain Only with Turkic monumentsdo we return to a solid if still general chronology sixth throughthe ninth centuries with the Uighur hegemony dated to the last
century of that period With the end of the Turkic Period how-ever the Altai region seems to have receded from history untilthe modern period
24 Bear hunt Bronze Age This composition is a window into an
ancient hunt when men worked in bands and on foot with long bows
and spears In this composition several men surround the animal
Another figuremdashdone more recentlymdashrushes in from the left where a
piece of the boulder has been knocked off
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ock art is the general term for imagery pecked or paintedon natural rock surfaces In mountainous Bayan Oumllgiyaimag rock art occurs in the open air rather than within
caves and if there were ever any painted images they have longsince disappeared e rock art that has survived to the presentwas pecked-out with heavy stones or sharp metal instrumentsusing direct or indirect blows For the first several hundred yearsafter they were executed the images were white but over the
millennia most have darkened down from their original appear-ance Depending on the time of year and the sunrsquos angle theimages may stand out clearly or disappear from before our eyes
Within our focus region are located several of the largestand finest concentrations of rock art in North Asia includ-ing one in the upper Oigor drainage and another within thevalley of the upper Tsagaan Gol A smaller but important siteextends over three hills on the north shore of Khoton Nuur anda fourthmdashunknown until 2005mdashis located under the east flanksof Tsengel Khairkhan Uul Aral Tolgoi at the far northwesternend of Khoton Nuur is the smallest of these complexes but themost ancient In addition to these complexes many small con-
centrations of rock art exist throughout the region Taken alto-gether the complexes and sites attest to the desire of ancient Altai inhabitants to represent their world in visual imagery andto do so with an impressively realistic expression
e rock art of mountainous Bayan Oumllgiy includes individ-ual images as well as simple and complex compositions involvingup to more than one hundred elements In some valleys one findsthis material randomly pecked on the surfaces of granitic boul-ders left from the last major glacial advance is is true within
the upper valley of Khatuugiin Gol on the massive moraine alongKhoumlltsoumloumltiin Gol and across the rocky moraine known as KharBoumloumlroumlg at the east end of Khurgan Nuur Rocky outcroppingsat the top of high ridges offer the possibility of ancient imageryElegant examples exist on the high ridges between the Turegtiin
27 Predation scene Late Bronze Age
This fine representation of wolves attacking a deer
from Baga Oigor appears to have been pecked
over another earlier scene with wild goats
25 Hunter animals and birthing women
Early Bronze Age Tsagaan Salaa IV The frontal
hunter with a large weapon and static animals
indicate an early date Two frontal birthing
women arms raised are visible in the right-center
and may be earlier in date
26 Rock art concentrations
R983151983139983147 A983154983156
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riversmdashhere so isolated that one asks why gifted artists of theBronze Age should have chosen to leave their creations there
Winter dwellings nestled against rocky cliffs may offer cluesto the presence of rock art concentrations e appearance ofthese modest structures almost always indicates the millennia-old locations of winter habitation sites in protected places thusthe cliffs behind the snug wood and stone huts of today are oftenmarked by rock-pecked images dating back to the Bronze and
Early Iron ages Excellent examples of such sites and their rockart occur in the valleys of Khar Yamaa and Khargantyn Gol Ancient artists seem to have preferred the hard smoothed
surfaces of metamorphosed sandstone found along a few highriver valleys is stone has typically been scraped and polishedby ancient glaciers and darkened to a deep rose or mahoganyhue e time-hardened surfaces can take fine dense pecking aswell as elegant engraved lines As a result the sandstone outcrop-pings in the high Altai valleys contain an extraordinary pictorialrecord of cultures extending over thousands of years Among allsurface monuments rock art has a unique character while it ispossible to identify period styles and general cultural markers
we are also regularly struck by the individualizing nature of rep-resentation In this respect rock art brings us much closer to asense of real if anonymous individuals from a deep past
e varied subjects of Altai rock art offer a window into thelife and values of the people who lived here over many millen-nia Large animals in profile dominate rock art from the prendashBronze Age ey are almost always represented individuallymotionless and lacking any psychological interaction with otherimages (619 622) Early Bronze Age scenes of hunters hold-
ing cudgels and long bows may reflect the emergence of mythictraditions revolving around the heroic hunter (25) In rock artdatable by style and subject to the middle and late Bronze Agewe find many hunting scenes (24) but we also find herdingscenes scenes of men driving carts (29) and of families cara-vanning from one habitation site to another their children andhousehold goods packed onto massive yak (336) ese com-positions reveal developing patterns of transhumance as herd-
ing increasingly shaped peoplesrsquo lives Images of animals racingover the rock surfaces are also typical of the Bronze Age theyare often rendered with a keen sense of grace delight and evenwhimsy It is striking that elements clearly indicative of a spiritworld are remarkably few and these belong to the Bronze Ageor earlier (332)
Representations of scenes of combat and early representa-tions of horse and camel riding (124 126) can be dated tothe Bronze and Early Iron ages Animal imagery slowly beganto reveal a new conventionalization so that by the middle ofthe first millennium 983138983139983141 rock art had lost much of its formervitality During the Turkic Period the tradition enjoyed a brief
renaissance marked by images of warriors riders (28) and hunt-ing scenes ereafter and for reasons we do not yet understandrock art was forgotten as a form of collective expression ework of individual artists also lost its vitality as if visual represen-tation had been supplanted by some other means of individualcreativity Taken together however the materials from the largecomplexes and small petroglyphic sites of mountainous BayanOumllgiy constitute in effect an extraordinary documentation oftime long past
28 Rider on fast horse Turkic Period
The whitish patina of this image from the Upper
Tsagaan Gol Complex indicates that it is not as old
as the other images on this page The rider rsquos bow
headdress and style of riding are clear indications
of the Turkic Period
29 Cart with driver Bronze Age This image
from Tsagaan Salaa typifies the mixed perspective
with which carts were represented in Bronze Age
North Asia In this case the wheels are spoked and
the reins from the driverrsquos hands are barely visible
as thin lines
210 Hunter Late Bronze Age In this scene
from Tsagaan Salaa the artist has clearly rendered
the recurved bow and gorytus (quiver) typical of
weaponry developed in the early period of horse
riding Varied patinas indicate images done in
successive periods
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een from a distance the valleys of the Mongolian Altaiseem empty of signs of human culture One might spy faroff a cluster of yurts a single rider or animals accompa-
nied by a herder meandering up trails to high slopes and ridges An occasional wooden hut nestled into a hollow against a cliff suggests the potential presence of people but except in wintersuch dwellings are empty In all directions the view that stretchesbefore us suggests that ancient human cultures must have over-
looked this land discouraged perhaps by the harsh wind andcold and by a pitiless summer sun With closer examination the empty landscape begins to
reflect life and movement Marking passes bordering lakesand punctuating river terraces are countless stone monumentsindicating the paths of ancient peoples ese silent monumentsoffer a window into a deep past they enable us to repopulate theancient Altai
Of all the monuments khirigsuur are the largest structuresand in many ways the most puzzling Within the Mongolian Altai these elaborate even elegant constructions are typicallyfound on open plains or on terraces overlooking rivers singly
or in pairs or even in groups ey range in size from as smallas 10 m to greater than 50 m in diameter Originally their cen-tral mounds were much higher but with time they have settledalthough some retain impressive height (211) One kind ofkhirigsuur is marked by a round or squared surrounding frame(217) of low boulders Radii aligned with the cardinal direc-tions may connect the mound and surrounding wall A secondtype called platform looks like a flying saucer or a solid pave-ment its central mound is surrounded by a rounded or squaredstone skirt (213) ese khirigsuur do not of course have rays A third type of khirigsuur can be called a boulder khirigsuursince the central mound is either replaced by or forms a skirtaround a massive naturally occurring boulder (1143) Smallcircular altars constructed with low boulders are usually foundon the khirigsuurrsquos northern western and southern perimeterswhile the eastern edge of the frame may be marked by a kind ofentrance standing stone or mound
ere is a great variety in the basic structure type some khi-rigsuur are massive affairs others low and thin in appearanceSome are made with elegant white or rosy-hued boulders otherswith black boulders and some reflect an interest in a variety ofcolors e mounds themselves are often marked by one or moredepressions as if the stones had been purposely cleared perhapsto allow fire ceremonies
It is said that the word khirigsuur refers to the Mongolianname for a Kirghiz burial (Khirgis-khuur) but why that termshould be applied to this structure type is not clear e monu-ment type probably came into use sometime around the middleBronze Age (mid-second millennium 983138983139983141) and continued tobe built and used into the Early Iron Age (c 600 983138983139983141) In someregions of Mongolia and the pre-Baykal khirigsuur were used as
211 Massive khirigsuur Bronze Age
The deeply depressed mound of this khirigsuur
or collared mound originally rose approximately
35 m in height Small circular altars appear on the
north west and east sides but there is no external
frame The structure is located at the top of a pass
commanding a view of the wide Khovd valley
213 Mound or khirigsuur Bronze Age
The extended skirt of this mound suggests it is
a platform khirigsuur It is the only substantial
structure in the immediate area on a road leading
up from Buyant and over to Khargantyn Gol Its
isolated location at a pass suggests an ancientovoo a structure dedicated to the spirit of the
mountain rather than to a human burial
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212 Bronze Age structures
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simple burials with the body laid directly under the mound andwith few funerary objects In Tuva just north of our study region
and where a number of spectacular khirigsuur have been exca-vated there is no evidence they were used for burials We do notknow if the khirigsuur in the Mongolian Altai served as burialsor as altars To date none here or in the Russian Altai have beenexcavated It is easier to guess the function of the small circularaltars around the khirigsuur Excavations have revealed that forthousands of years they were used for burned offerings
e khirigsuur is not the only structure type that can beassociated with the Bronze Age roughout our study regionwe find a distinctive kind of stone mound composed of piles ofsharp talus or heavy boulders (216) ese structures are foundindividually on high points of land along terraces or spread inlarge numbers across elevated slopes Curiously most studies of Altai monuments have ignored these mounds yet their num-bers the massiveness of their construction and their locationssuggest they were connected to ceremonies relating to deathPerhaps because of the immovability of their settled stones themounds rarely have central depressions If they were used asburials the individual was probably laid directly on the surfaceof the ground and covered with bouldersmdashmuch as one findsin the case of isolated herdersrsquo burials today It is also possiblethat these mounds were the sites of sky burials or were used tocommemorate sky burials on the cliffs above If that were the
case then these mounds would more appropriately be consid-ered funerary altars or cenotaphs Whatever their function weare certain they are much earlier than the Early Iron Age becausetheir form does not match any known for postndashBronze Age cul-tures in this part of Asia
Scattered throughout the Mongolian Altai are small groupsof structures squared in form with unusual boulders of contrast-ing coloration marking their four corners and centers (214)Known as four-cornered mounds these structures are usuallyaligned to the cardinal directions Few have been excavated butthere is sufficient evidence to indicate they were Bronze Ageburials and for all the beauty of the stones with which the sur-
face structures were constructed it seems that the dead were laidin simple shallow pits with minimal grave goods
Another poorly understood structure here called dwellingtakes the form of a rectangular or rounded pattern laid out on
the surface of the earth in white grey and black stones (215)Such patterns sometimes occur in great numbers consistentlyoriented east to west and marked by entrances at both endsStanding boulders outside the east entrance indicate the par-ticular significance of that direction Double walls and interiorhearths call to mind present-day winter dwellings with chinkedlog and plank walls (119) ere is no evidence these structureswere ever used for underground burials they may rather havebeen intended to represent dwellings for the dead in the nextworld What happened to the bodies of the deceased is a mys-tery one must again consider the possibility that the dead weregiven sky burials perhaps in the cliffs that so often loom behindor above the fields of dwellings By reference to images of dwell-ings in rock art of the Bronze Age we can hypothesize that thesepatterns belong to the same period Also to this period must datethe curious long lines that so frequently stretch for many metersfrom the dwellings down to the river below or up to a mountainridge or in the direction of a sacred mountain We can surmisethat these lines somehow anchored the dwellings to a significant
zone of transition that they functioned in some way to assist thedead to travel to the realm of the spirits
214 Four-cornered mound Bronze Age This mound is one of
several on the high north side of the Sogoo valley Still visible are fine
white stones in the center and large corner stones of contrasting color
215 Dwellings and lines Bronze Age
The dwellings in this group within the middle
Tsagaan Gol valley are made from white and black
stones To the west they face out to the sacred
mountain Shiveet Khairkhan visible in the center
background On the left can be seen some of the
stone lines that also extend in that direction
216 Old mound Bronze Age This mound
above Khoumlltsoumloumltiin Gol is typical of so many in the
Mongolian Altai rough earthed-over and located
high above the river with a view shed to the east
and west At some point in the millennia since it
was built the huge boulder poised on the mound
rolled down from the cliff to the north
217 Square khirigsuur Bronze Age
This fine platform khirigsuur approximately 14 m
on each side stands on a terrace over KhoumlltsoumloumltiinGol its east side oriented to Sagsay Gol below
its west side to the sacred mou ntain Tsengel
Khairkhan Uul
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ome Bronze Age structure types may have continued to bebuilt well into the Early Iron Age An example is a kindof thin khirigsuur frequently found in the vicinity of
Early Iron Age burial mounds and occasionally involving acomplex group of altars unlike anything easily related to Bronze Age monuments
ere are other structure types of which the functions liketheir date also remain unclear ese include a curious circularmonument surrounded by a wall of standing flat slabs slantingin toward the center (219) ey may also include small pavedstructures sometimes associated with certain khirigsuur (223)Several structures are reminiscent of burial types reported in adja-cent Altai-Sayan regions but their identification in the Mongolian Altai is uncertain
We are on more secure ground with the burial mounds ofthe Early Iron Age (sixth through third centuries 983138983139983141) eseare usually arranged in irregular rows of two to eight or moremounds extending roughly from north to south (222) Rowsof standing stones (balbal) may extend from the mounds to theeast for a distance of up to 30 meters (220) and small altars of
grey boulders and black standing slabs often occur on the westside of the mounds (221) Excavations of mounds through-out the Altai-Sayan region have revealed wooden chambers inwhich the dead were placed either in larch coffins or directly onthe south side of the chamber floor their heads to the east andtheir faces to the north ey were laid out with their householdgoods their finest clothing and even horsesmdashas if prepared forlife in the next world and for the journey there In the high Altaithe stone mounds of some burials have created a subsoil lensof permafrost that has effectively preserved the organic mate-rials in deeply buried wooden chambers Despite a few well-publicized excavations of frozen burials however the vast major-
ity of these chambers were plundered in antiquity Others arecuriously empty built but never used marked on the surfaceof the ground by their stone mounds ese burials are associ-ated with what is sometimes referred to as the Scythian Periodculture of early nomads or the Pazyryk Culturemdashthe culture ofthe Scythian Period specific to the Altai region However onenames the culture responsible for these burials they all belong toa relatively limited era
218 Late Bronze and Early Iron Age structures
219 Collared mound Late Bronze Age () This structure one of two above the left bank of Nutsgenii Gol is unusual within our region and has no
clear published analogies in neighboring regions It has a diameter of approximately 10 m
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220 Burial mounds Early Nomadic Period One long row of balbal stretches to the east from sunken burial mounds on the left bank of Sagsay Gol
221 Altar Early Nomadic Period
Within this altar from Tsagaan Asgat the round
light-colored boulders on the west are river
stones the standing black slabs on the east are
mountain stones This color pattern regularly
recurs in altars accompanying burials of the Early
Iron Age It suggests a concern for a symbolic
integration perhaps of mountains and rivers
deemed essential at death
222 Burials mounds Early Nomadic Period A row of five deeply sunken burial mounds on the left bank of Chigirtein Gol is seen here from the
north looking south to Dzhalangash Uul On the right (west side) one of the typical altars associated with Early Iron Age burials in the Altai is visible
223 Circular structure Late Bronze Age ()
The fine circular structure with a diameter of 11 mis made of carefully placed light and dark stones It
is one of several altar-like forms su rrounding a thin
khirigsuur at Tsagaan Asgat Its date is uncertain
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Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
S a g
s a
y
G o
l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983090983096
S983156983137983150983140983145983150983143 S983156983151983150983141983155oving from broad valleys into side draws or travel-ing over high ridges the traveler frequently thinks hesees another person standing quietly in the distance
Only on closer inspection is that figure revealed as a large stand-ing stone ese monoliths vary in size but may be of massiveproportions and the material from which they are carved isoften of unusual quality and color Over the millennia manyhave fallen but originally they were oriented with their sides tothe four quarters Deer stones are a particular kind of standingstone named for the images of deer and other animals oftenpecked on their surfaces A deer stone is typically carved withround earrings on the sides of its head a necklace of beads anda belt and hanging weapons (227) More rarely a human faceexplicitly conveys the stonersquos anthropomorphic reference (228)Deer stones usually occur singly but in one instance just aboveTsengel there are two tall stones one with a muted human face(511) At the famous site of Tsagaan Asgat there are more thaneighty standing stones or fallen fragments (75)
Whatever the size of the standing stones they all con- jure human figures in the case of deer stones that reference
was clearly intended and expressed Scholars have traditionallydivided North Asian deer stones into three broad stylistic typesroughly associated with north central Mongolia Tuva and theRussian Altai Within the Mongolian Altai however these stonetypes are often found in unusual combinations suggesting theconstant mix of populations within this large region
e dating of standing stones will always be approximateand dependent on size number location the stonesrsquo proximityto other datable monuments and the elements carved on thestonesrsquo surfaces With those criteria in mind we may proposethe following schema Massive standing stones always set withinframes and often accompanied on their east sides by small cir-
cular altars must have been erected in the Bronze Age On thebasis of the carvings on their sides and by comparison with deer
stones from other regions those of the Mongolian Altai can con-fidently be dated to the Late Bronze and Early Iron ages elatest standing stone type can be easily dated to the Early Iron Age Smaller than the massive Bronze Age stones but larger thanlater Turkic balbal these stonesmdashalso called balbalmdashappear inrows that stretch to the east from Early Iron Age burial mounds(220) Within the Mongolian Altai these stones are frequentlyshaped with the high narrow face to the east eir coloration
and richly textured mineralization recall stylized deer in flightey are certainly the last of the deer stone tradition
224 Standing stones
225 Standing stones Bronze Age
Within this group on the right bank of the Khar
Yamaa there were originally four or more standing
stones but over the centuries at least one has
toppled and broken The rectangular enclosing
frame has also been disrupted perhaps as a result
of the trampling of animals rubbing their backsagainst the stones These impressive monoliths
seen here from the southwest are set within a
wide valley easily visible from a great distance
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226 Leaning stones Bronze Age
Set within a still clear frame this finely quarried
pair of stones each approximately 110 m tall is
essentially hidden from view in a small draw on
the north side of Chigirtein Nuur Originally the
stones stood erect but over the millennia one
has slumped back against the other The stones
are seen here from the northeast
227 Deer stone Late Bronze or Early Iron Age This small deer
stone in the Upper Tsagaan Gol Complex is of the Altai type it lacks
animal imagery but is carved with a beaded necklace round earrings
and three parallel slashes to indicate a human face The dark grey stone
is unusual in being covered on its east side with drilled concavities often
referred to as cup marks The stone faces east within a large ritual site on
the left bank of Tsagaan Salaa
228 Image stone Late Bronze Age
The high side of this stone is carved with a now-
muted human face but other than its shape there
are no elements that allow it to be identified as a
deer stone Alone facing to the east and with a
height of 13 m the stone is located within a high
closed draw sloping down to Sogoo Gol for all
appearances the master of its hidden valley
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M O N G O L I A
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Khurgan
Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
S a
g s a
y
G o
l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983088
T983157983154983147983145983139M983151983150983157983149983141983150983156983155
he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
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Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
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i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
MO NG O L I A
C H
I N A
R U S S
I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983090
M983151983150983157983149983141983150983156983155 983145983150983156983144983141 L983137983150983140983155983139983137983152983141
234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
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Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
Areas visible from artifact
0 10 km
MO NG O L I A
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I N A
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I A
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983091
an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
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M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
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burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
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M O N G O L I A
R U
S S I A
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I N A
63
35
41
52158
170
103
Oigor Gol
TsagaanGol
DayanNuur
Khoton-Khurgan
NuurKhovd Gol
Sagsay Gol
SogooGol
Elt Gol
Tsagaan Gol
Drainage basins of major rivers withinstudy area
81Number of features inventoried in eachsurveyed basin
MO N G O L I A
R U
S S I A
C H
I N A
908
393
386
283
5
271
189
408
17
Oigor Gol
TsagaanNuur
TsagaanGol
Elt Gol
DayanNuur
Khoton-Khurgan
Nuur Khovd Gol
SagsayGol
SogooGol
121
6845
14
212
62
328
24
Oigor Gol
Tsagaan
Gol
Khoton-Khurgan
Nuur KhovdGol
Sagsay Gol
DayanNuur
Elt Gol
Sogoo Gol
M O NG O L I A
R U
S S I A
C H
I N A
M O N G O L I A
R U
S S I A
C H
I N A
88
100
47
175
51
103115
14
OigorGol
TsagaanNuur
TsagaanGol
DayanNuur
Khoton-Khurgan
Nuur Khovd Gol
Sagsay Gol
SogooGol
Elt Gol
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983089983097
Khirigsuur Standing stones
22 Inventory of feature counts within each basin
Mounds Turkic monuments
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Geologic Context
11000
2000
2500
3000
3500
4000
4500
5000
6000
7000
8000
9000
10000
12000
1000
1500
1 0
0 0 Y e a r I n t e r v a l
5 0 0 Y e a r I n t e r v a l
Y e a r s B e f o r e
P r e s e n t
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983090983088
he end of the Pleistocene and its cold harsh environ-ment spelled the end of the Paleolithic Period and thedisappearance of megafauna that appear in Paleolithic
rock art e Holocene was characterized by a gradually amelio-rating climate with the consequent spread of forests dominatedby larch and spruce throughout the western section of our studyarea e cultures of the early and mid-Holocene would havecorresponded to the Mesolithic and Neolithic periods but we
do not know how these periods should be dated or even whethersuch terms apply within the Mongolian Altai By approximatelyforty-five hundred years before the present however the climatewas again becoming drier and colder forests were retreatingand lake levels falling Given what we know of the emergenceof the Bronze Age across the Eurasian steppe and within North Asia we are safe in dating its inception to approximately twothousand 983138983139983141 and its duration into the early first millennium983138983139983141 Critical technological developments during this longperiod included the adoption of wheeled vehicles (probablyin the form of heavy carts 29) and somewhat later of horseand camel riding (124 126) ese changesmdashand particularly
the development of riding with its opportunities for large-scaleherdingmdashcombined with the effects of climate change to createa need for more frequent changes of pasture e result of these
environmental and cultural shifts was the appearance of a fullhorse-dependent semi-nomadism
Dated materials from heavy mounds and from the largestructures known as khirigsuur in other parts of the Altai-Sayanuplift and in north-central Mongolia suggest that their con-struction began sometime in the mid-Bronze Age and contin-ued through the late Bronze Age Once again we do not knowhow to name the culture or cultures responsible for these and all
other Bronze Age monuments in our study area Judging fromthe archaeological record in the Minusinsk Basin to the norththe North Asian tradition of erecting massive standing stonesmay have begun before the Bronze Age we propose that withinour study area the largest of these stones are Bronze Age in datethough probably not as early as the huge standing stones in theMinusinsk Basin On the other hand the imagery on deer stonesand certain image stones indicate that they should be dated noearlier than the Late Bronze Age at period is contemporane-ous with cultures that have been named in other parts of North Asiamdashthe Karasuk Culture for example but we cannot say iftheir contemporaries in our study area should be so named For
that reason they will here be referred to as people of the LateBronze Age
23 Concordance of paleoenvironment and culture
C983144983154983151983150983151983148983151983143983161 983151983142 A983150983139983145983141983150983156 C983157983148983156983157983154983141983155
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1000
1500
Y e a r s B e f o r e
P r e s e n t
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983090983089
We are on more certain ground with a burial structureand imagery associated firmly with the Eurasian Scythian Cul-ture and dated to the Late Bronze and Early Iron agesmdashthatis between the eighth and third centuries 983138983139983141 During thatperiod there was a gradual shift from the use of bronze to thatof iron and thus no clear division between the eponymous agesnor was there a sudden emergence of the full horse dependencythat came to characterize these people For this reason the tran-
sition period encompassing the Late Bronze and Early Ironages will also be referred to as the period of the Early Nomadse Pazyryk phase of this culture centered in the Russian Altaimountains and dated to the fifth through third centuries 983138983139983141is securely rooted in the Iron Age After that however we arefaced with renewed uncertainty e impact of the Hsiung-nu(Xiongnu) confederacy across the eastern steppe does not seemto be reflected in Bayan Oumllgiy and the nature of culture andits archaeological monuments between the Early Iron Age andthe Turkic Period is uncertain Only with Turkic monumentsdo we return to a solid if still general chronology sixth throughthe ninth centuries with the Uighur hegemony dated to the last
century of that period With the end of the Turkic Period how-ever the Altai region seems to have receded from history untilthe modern period
24 Bear hunt Bronze Age This composition is a window into an
ancient hunt when men worked in bands and on foot with long bows
and spears In this composition several men surround the animal
Another figuremdashdone more recentlymdashrushes in from the left where a
piece of the boulder has been knocked off
7172019 Altai Sample
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M O N G O L I A
R U
S S I A
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ock art is the general term for imagery pecked or paintedon natural rock surfaces In mountainous Bayan Oumllgiyaimag rock art occurs in the open air rather than within
caves and if there were ever any painted images they have longsince disappeared e rock art that has survived to the presentwas pecked-out with heavy stones or sharp metal instrumentsusing direct or indirect blows For the first several hundred yearsafter they were executed the images were white but over the
millennia most have darkened down from their original appear-ance Depending on the time of year and the sunrsquos angle theimages may stand out clearly or disappear from before our eyes
Within our focus region are located several of the largestand finest concentrations of rock art in North Asia includ-ing one in the upper Oigor drainage and another within thevalley of the upper Tsagaan Gol A smaller but important siteextends over three hills on the north shore of Khoton Nuur anda fourthmdashunknown until 2005mdashis located under the east flanksof Tsengel Khairkhan Uul Aral Tolgoi at the far northwesternend of Khoton Nuur is the smallest of these complexes but themost ancient In addition to these complexes many small con-
centrations of rock art exist throughout the region Taken alto-gether the complexes and sites attest to the desire of ancient Altai inhabitants to represent their world in visual imagery andto do so with an impressively realistic expression
e rock art of mountainous Bayan Oumllgiy includes individ-ual images as well as simple and complex compositions involvingup to more than one hundred elements In some valleys one findsthis material randomly pecked on the surfaces of granitic boul-ders left from the last major glacial advance is is true within
the upper valley of Khatuugiin Gol on the massive moraine alongKhoumlltsoumloumltiin Gol and across the rocky moraine known as KharBoumloumlroumlg at the east end of Khurgan Nuur Rocky outcroppingsat the top of high ridges offer the possibility of ancient imageryElegant examples exist on the high ridges between the Turegtiin
27 Predation scene Late Bronze Age
This fine representation of wolves attacking a deer
from Baga Oigor appears to have been pecked
over another earlier scene with wild goats
25 Hunter animals and birthing women
Early Bronze Age Tsagaan Salaa IV The frontal
hunter with a large weapon and static animals
indicate an early date Two frontal birthing
women arms raised are visible in the right-center
and may be earlier in date
26 Rock art concentrations
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riversmdashhere so isolated that one asks why gifted artists of theBronze Age should have chosen to leave their creations there
Winter dwellings nestled against rocky cliffs may offer cluesto the presence of rock art concentrations e appearance ofthese modest structures almost always indicates the millennia-old locations of winter habitation sites in protected places thusthe cliffs behind the snug wood and stone huts of today are oftenmarked by rock-pecked images dating back to the Bronze and
Early Iron ages Excellent examples of such sites and their rockart occur in the valleys of Khar Yamaa and Khargantyn Gol Ancient artists seem to have preferred the hard smoothed
surfaces of metamorphosed sandstone found along a few highriver valleys is stone has typically been scraped and polishedby ancient glaciers and darkened to a deep rose or mahoganyhue e time-hardened surfaces can take fine dense pecking aswell as elegant engraved lines As a result the sandstone outcrop-pings in the high Altai valleys contain an extraordinary pictorialrecord of cultures extending over thousands of years Among allsurface monuments rock art has a unique character while it ispossible to identify period styles and general cultural markers
we are also regularly struck by the individualizing nature of rep-resentation In this respect rock art brings us much closer to asense of real if anonymous individuals from a deep past
e varied subjects of Altai rock art offer a window into thelife and values of the people who lived here over many millen-nia Large animals in profile dominate rock art from the prendashBronze Age ey are almost always represented individuallymotionless and lacking any psychological interaction with otherimages (619 622) Early Bronze Age scenes of hunters hold-
ing cudgels and long bows may reflect the emergence of mythictraditions revolving around the heroic hunter (25) In rock artdatable by style and subject to the middle and late Bronze Agewe find many hunting scenes (24) but we also find herdingscenes scenes of men driving carts (29) and of families cara-vanning from one habitation site to another their children andhousehold goods packed onto massive yak (336) ese com-positions reveal developing patterns of transhumance as herd-
ing increasingly shaped peoplesrsquo lives Images of animals racingover the rock surfaces are also typical of the Bronze Age theyare often rendered with a keen sense of grace delight and evenwhimsy It is striking that elements clearly indicative of a spiritworld are remarkably few and these belong to the Bronze Ageor earlier (332)
Representations of scenes of combat and early representa-tions of horse and camel riding (124 126) can be dated tothe Bronze and Early Iron ages Animal imagery slowly beganto reveal a new conventionalization so that by the middle ofthe first millennium 983138983139983141 rock art had lost much of its formervitality During the Turkic Period the tradition enjoyed a brief
renaissance marked by images of warriors riders (28) and hunt-ing scenes ereafter and for reasons we do not yet understandrock art was forgotten as a form of collective expression ework of individual artists also lost its vitality as if visual represen-tation had been supplanted by some other means of individualcreativity Taken together however the materials from the largecomplexes and small petroglyphic sites of mountainous BayanOumllgiy constitute in effect an extraordinary documentation oftime long past
28 Rider on fast horse Turkic Period
The whitish patina of this image from the Upper
Tsagaan Gol Complex indicates that it is not as old
as the other images on this page The rider rsquos bow
headdress and style of riding are clear indications
of the Turkic Period
29 Cart with driver Bronze Age This image
from Tsagaan Salaa typifies the mixed perspective
with which carts were represented in Bronze Age
North Asia In this case the wheels are spoked and
the reins from the driverrsquos hands are barely visible
as thin lines
210 Hunter Late Bronze Age In this scene
from Tsagaan Salaa the artist has clearly rendered
the recurved bow and gorytus (quiver) typical of
weaponry developed in the early period of horse
riding Varied patinas indicate images done in
successive periods
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een from a distance the valleys of the Mongolian Altaiseem empty of signs of human culture One might spy faroff a cluster of yurts a single rider or animals accompa-
nied by a herder meandering up trails to high slopes and ridges An occasional wooden hut nestled into a hollow against a cliff suggests the potential presence of people but except in wintersuch dwellings are empty In all directions the view that stretchesbefore us suggests that ancient human cultures must have over-
looked this land discouraged perhaps by the harsh wind andcold and by a pitiless summer sun With closer examination the empty landscape begins to
reflect life and movement Marking passes bordering lakesand punctuating river terraces are countless stone monumentsindicating the paths of ancient peoples ese silent monumentsoffer a window into a deep past they enable us to repopulate theancient Altai
Of all the monuments khirigsuur are the largest structuresand in many ways the most puzzling Within the Mongolian Altai these elaborate even elegant constructions are typicallyfound on open plains or on terraces overlooking rivers singly
or in pairs or even in groups ey range in size from as smallas 10 m to greater than 50 m in diameter Originally their cen-tral mounds were much higher but with time they have settledalthough some retain impressive height (211) One kind ofkhirigsuur is marked by a round or squared surrounding frame(217) of low boulders Radii aligned with the cardinal direc-tions may connect the mound and surrounding wall A secondtype called platform looks like a flying saucer or a solid pave-ment its central mound is surrounded by a rounded or squaredstone skirt (213) ese khirigsuur do not of course have rays A third type of khirigsuur can be called a boulder khirigsuursince the central mound is either replaced by or forms a skirtaround a massive naturally occurring boulder (1143) Smallcircular altars constructed with low boulders are usually foundon the khirigsuurrsquos northern western and southern perimeterswhile the eastern edge of the frame may be marked by a kind ofentrance standing stone or mound
ere is a great variety in the basic structure type some khi-rigsuur are massive affairs others low and thin in appearanceSome are made with elegant white or rosy-hued boulders otherswith black boulders and some reflect an interest in a variety ofcolors e mounds themselves are often marked by one or moredepressions as if the stones had been purposely cleared perhapsto allow fire ceremonies
It is said that the word khirigsuur refers to the Mongolianname for a Kirghiz burial (Khirgis-khuur) but why that termshould be applied to this structure type is not clear e monu-ment type probably came into use sometime around the middleBronze Age (mid-second millennium 983138983139983141) and continued tobe built and used into the Early Iron Age (c 600 983138983139983141) In someregions of Mongolia and the pre-Baykal khirigsuur were used as
211 Massive khirigsuur Bronze Age
The deeply depressed mound of this khirigsuur
or collared mound originally rose approximately
35 m in height Small circular altars appear on the
north west and east sides but there is no external
frame The structure is located at the top of a pass
commanding a view of the wide Khovd valley
213 Mound or khirigsuur Bronze Age
The extended skirt of this mound suggests it is
a platform khirigsuur It is the only substantial
structure in the immediate area on a road leading
up from Buyant and over to Khargantyn Gol Its
isolated location at a pass suggests an ancientovoo a structure dedicated to the spirit of the
mountain rather than to a human burial
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212 Bronze Age structures
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simple burials with the body laid directly under the mound andwith few funerary objects In Tuva just north of our study region
and where a number of spectacular khirigsuur have been exca-vated there is no evidence they were used for burials We do notknow if the khirigsuur in the Mongolian Altai served as burialsor as altars To date none here or in the Russian Altai have beenexcavated It is easier to guess the function of the small circularaltars around the khirigsuur Excavations have revealed that forthousands of years they were used for burned offerings
e khirigsuur is not the only structure type that can beassociated with the Bronze Age roughout our study regionwe find a distinctive kind of stone mound composed of piles ofsharp talus or heavy boulders (216) ese structures are foundindividually on high points of land along terraces or spread inlarge numbers across elevated slopes Curiously most studies of Altai monuments have ignored these mounds yet their num-bers the massiveness of their construction and their locationssuggest they were connected to ceremonies relating to deathPerhaps because of the immovability of their settled stones themounds rarely have central depressions If they were used asburials the individual was probably laid directly on the surfaceof the ground and covered with bouldersmdashmuch as one findsin the case of isolated herdersrsquo burials today It is also possiblethat these mounds were the sites of sky burials or were used tocommemorate sky burials on the cliffs above If that were the
case then these mounds would more appropriately be consid-ered funerary altars or cenotaphs Whatever their function weare certain they are much earlier than the Early Iron Age becausetheir form does not match any known for postndashBronze Age cul-tures in this part of Asia
Scattered throughout the Mongolian Altai are small groupsof structures squared in form with unusual boulders of contrast-ing coloration marking their four corners and centers (214)Known as four-cornered mounds these structures are usuallyaligned to the cardinal directions Few have been excavated butthere is sufficient evidence to indicate they were Bronze Ageburials and for all the beauty of the stones with which the sur-
face structures were constructed it seems that the dead were laidin simple shallow pits with minimal grave goods
Another poorly understood structure here called dwellingtakes the form of a rectangular or rounded pattern laid out on
the surface of the earth in white grey and black stones (215)Such patterns sometimes occur in great numbers consistentlyoriented east to west and marked by entrances at both endsStanding boulders outside the east entrance indicate the par-ticular significance of that direction Double walls and interiorhearths call to mind present-day winter dwellings with chinkedlog and plank walls (119) ere is no evidence these structureswere ever used for underground burials they may rather havebeen intended to represent dwellings for the dead in the nextworld What happened to the bodies of the deceased is a mys-tery one must again consider the possibility that the dead weregiven sky burials perhaps in the cliffs that so often loom behindor above the fields of dwellings By reference to images of dwell-ings in rock art of the Bronze Age we can hypothesize that thesepatterns belong to the same period Also to this period must datethe curious long lines that so frequently stretch for many metersfrom the dwellings down to the river below or up to a mountainridge or in the direction of a sacred mountain We can surmisethat these lines somehow anchored the dwellings to a significant
zone of transition that they functioned in some way to assist thedead to travel to the realm of the spirits
214 Four-cornered mound Bronze Age This mound is one of
several on the high north side of the Sogoo valley Still visible are fine
white stones in the center and large corner stones of contrasting color
215 Dwellings and lines Bronze Age
The dwellings in this group within the middle
Tsagaan Gol valley are made from white and black
stones To the west they face out to the sacred
mountain Shiveet Khairkhan visible in the center
background On the left can be seen some of the
stone lines that also extend in that direction
216 Old mound Bronze Age This mound
above Khoumlltsoumloumltiin Gol is typical of so many in the
Mongolian Altai rough earthed-over and located
high above the river with a view shed to the east
and west At some point in the millennia since it
was built the huge boulder poised on the mound
rolled down from the cliff to the north
217 Square khirigsuur Bronze Age
This fine platform khirigsuur approximately 14 m
on each side stands on a terrace over KhoumlltsoumloumltiinGol its east side oriented to Sagsay Gol below
its west side to the sacred mou ntain Tsengel
Khairkhan Uul
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ome Bronze Age structure types may have continued to bebuilt well into the Early Iron Age An example is a kindof thin khirigsuur frequently found in the vicinity of
Early Iron Age burial mounds and occasionally involving acomplex group of altars unlike anything easily related to Bronze Age monuments
ere are other structure types of which the functions liketheir date also remain unclear ese include a curious circularmonument surrounded by a wall of standing flat slabs slantingin toward the center (219) ey may also include small pavedstructures sometimes associated with certain khirigsuur (223)Several structures are reminiscent of burial types reported in adja-cent Altai-Sayan regions but their identification in the Mongolian Altai is uncertain
We are on more secure ground with the burial mounds ofthe Early Iron Age (sixth through third centuries 983138983139983141) eseare usually arranged in irregular rows of two to eight or moremounds extending roughly from north to south (222) Rowsof standing stones (balbal) may extend from the mounds to theeast for a distance of up to 30 meters (220) and small altars of
grey boulders and black standing slabs often occur on the westside of the mounds (221) Excavations of mounds through-out the Altai-Sayan region have revealed wooden chambers inwhich the dead were placed either in larch coffins or directly onthe south side of the chamber floor their heads to the east andtheir faces to the north ey were laid out with their householdgoods their finest clothing and even horsesmdashas if prepared forlife in the next world and for the journey there In the high Altaithe stone mounds of some burials have created a subsoil lensof permafrost that has effectively preserved the organic mate-rials in deeply buried wooden chambers Despite a few well-publicized excavations of frozen burials however the vast major-
ity of these chambers were plundered in antiquity Others arecuriously empty built but never used marked on the surfaceof the ground by their stone mounds ese burials are associ-ated with what is sometimes referred to as the Scythian Periodculture of early nomads or the Pazyryk Culturemdashthe culture ofthe Scythian Period specific to the Altai region However onenames the culture responsible for these burials they all belong toa relatively limited era
218 Late Bronze and Early Iron Age structures
219 Collared mound Late Bronze Age () This structure one of two above the left bank of Nutsgenii Gol is unusual within our region and has no
clear published analogies in neighboring regions It has a diameter of approximately 10 m
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220 Burial mounds Early Nomadic Period One long row of balbal stretches to the east from sunken burial mounds on the left bank of Sagsay Gol
221 Altar Early Nomadic Period
Within this altar from Tsagaan Asgat the round
light-colored boulders on the west are river
stones the standing black slabs on the east are
mountain stones This color pattern regularly
recurs in altars accompanying burials of the Early
Iron Age It suggests a concern for a symbolic
integration perhaps of mountains and rivers
deemed essential at death
222 Burials mounds Early Nomadic Period A row of five deeply sunken burial mounds on the left bank of Chigirtein Gol is seen here from the
north looking south to Dzhalangash Uul On the right (west side) one of the typical altars associated with Early Iron Age burials in the Altai is visible
223 Circular structure Late Bronze Age ()
The fine circular structure with a diameter of 11 mis made of carefully placed light and dark stones It
is one of several altar-like forms su rrounding a thin
khirigsuur at Tsagaan Asgat Its date is uncertain
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S983156983137983150983140983145983150983143 S983156983151983150983141983155oving from broad valleys into side draws or travel-ing over high ridges the traveler frequently thinks hesees another person standing quietly in the distance
Only on closer inspection is that figure revealed as a large stand-ing stone ese monoliths vary in size but may be of massiveproportions and the material from which they are carved isoften of unusual quality and color Over the millennia manyhave fallen but originally they were oriented with their sides tothe four quarters Deer stones are a particular kind of standingstone named for the images of deer and other animals oftenpecked on their surfaces A deer stone is typically carved withround earrings on the sides of its head a necklace of beads anda belt and hanging weapons (227) More rarely a human faceexplicitly conveys the stonersquos anthropomorphic reference (228)Deer stones usually occur singly but in one instance just aboveTsengel there are two tall stones one with a muted human face(511) At the famous site of Tsagaan Asgat there are more thaneighty standing stones or fallen fragments (75)
Whatever the size of the standing stones they all con- jure human figures in the case of deer stones that reference
was clearly intended and expressed Scholars have traditionallydivided North Asian deer stones into three broad stylistic typesroughly associated with north central Mongolia Tuva and theRussian Altai Within the Mongolian Altai however these stonetypes are often found in unusual combinations suggesting theconstant mix of populations within this large region
e dating of standing stones will always be approximateand dependent on size number location the stonesrsquo proximityto other datable monuments and the elements carved on thestonesrsquo surfaces With those criteria in mind we may proposethe following schema Massive standing stones always set withinframes and often accompanied on their east sides by small cir-
cular altars must have been erected in the Bronze Age On thebasis of the carvings on their sides and by comparison with deer
stones from other regions those of the Mongolian Altai can con-fidently be dated to the Late Bronze and Early Iron ages elatest standing stone type can be easily dated to the Early Iron Age Smaller than the massive Bronze Age stones but larger thanlater Turkic balbal these stonesmdashalso called balbalmdashappear inrows that stretch to the east from Early Iron Age burial mounds(220) Within the Mongolian Altai these stones are frequentlyshaped with the high narrow face to the east eir coloration
and richly textured mineralization recall stylized deer in flightey are certainly the last of the deer stone tradition
224 Standing stones
225 Standing stones Bronze Age
Within this group on the right bank of the Khar
Yamaa there were originally four or more standing
stones but over the centuries at least one has
toppled and broken The rectangular enclosing
frame has also been disrupted perhaps as a result
of the trampling of animals rubbing their backsagainst the stones These impressive monoliths
seen here from the southwest are set within a
wide valley easily visible from a great distance
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226 Leaning stones Bronze Age
Set within a still clear frame this finely quarried
pair of stones each approximately 110 m tall is
essentially hidden from view in a small draw on
the north side of Chigirtein Nuur Originally the
stones stood erect but over the millennia one
has slumped back against the other The stones
are seen here from the northeast
227 Deer stone Late Bronze or Early Iron Age This small deer
stone in the Upper Tsagaan Gol Complex is of the Altai type it lacks
animal imagery but is carved with a beaded necklace round earrings
and three parallel slashes to indicate a human face The dark grey stone
is unusual in being covered on its east side with drilled concavities often
referred to as cup marks The stone faces east within a large ritual site on
the left bank of Tsagaan Salaa
228 Image stone Late Bronze Age
The high side of this stone is carved with a now-
muted human face but other than its shape there
are no elements that allow it to be identified as a
deer stone Alone facing to the east and with a
height of 13 m the stone is located within a high
closed draw sloping down to Sogoo Gol for all
appearances the master of its hidden valley
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he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
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Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
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W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
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a t u
u g i i n
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a a n
S a l a
a
View shown in photo above
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234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
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Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
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o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
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i
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i
North
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an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
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240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
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burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
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he end of the Pleistocene and its cold harsh environ-ment spelled the end of the Paleolithic Period and thedisappearance of megafauna that appear in Paleolithic
rock art e Holocene was characterized by a gradually amelio-rating climate with the consequent spread of forests dominatedby larch and spruce throughout the western section of our studyarea e cultures of the early and mid-Holocene would havecorresponded to the Mesolithic and Neolithic periods but we
do not know how these periods should be dated or even whethersuch terms apply within the Mongolian Altai By approximatelyforty-five hundred years before the present however the climatewas again becoming drier and colder forests were retreatingand lake levels falling Given what we know of the emergenceof the Bronze Age across the Eurasian steppe and within North Asia we are safe in dating its inception to approximately twothousand 983138983139983141 and its duration into the early first millennium983138983139983141 Critical technological developments during this longperiod included the adoption of wheeled vehicles (probablyin the form of heavy carts 29) and somewhat later of horseand camel riding (124 126) ese changesmdashand particularly
the development of riding with its opportunities for large-scaleherdingmdashcombined with the effects of climate change to createa need for more frequent changes of pasture e result of these
environmental and cultural shifts was the appearance of a fullhorse-dependent semi-nomadism
Dated materials from heavy mounds and from the largestructures known as khirigsuur in other parts of the Altai-Sayanuplift and in north-central Mongolia suggest that their con-struction began sometime in the mid-Bronze Age and contin-ued through the late Bronze Age Once again we do not knowhow to name the culture or cultures responsible for these and all
other Bronze Age monuments in our study area Judging fromthe archaeological record in the Minusinsk Basin to the norththe North Asian tradition of erecting massive standing stonesmay have begun before the Bronze Age we propose that withinour study area the largest of these stones are Bronze Age in datethough probably not as early as the huge standing stones in theMinusinsk Basin On the other hand the imagery on deer stonesand certain image stones indicate that they should be dated noearlier than the Late Bronze Age at period is contemporane-ous with cultures that have been named in other parts of North Asiamdashthe Karasuk Culture for example but we cannot say iftheir contemporaries in our study area should be so named For
that reason they will here be referred to as people of the LateBronze Age
23 Concordance of paleoenvironment and culture
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We are on more certain ground with a burial structureand imagery associated firmly with the Eurasian Scythian Cul-ture and dated to the Late Bronze and Early Iron agesmdashthatis between the eighth and third centuries 983138983139983141 During thatperiod there was a gradual shift from the use of bronze to thatof iron and thus no clear division between the eponymous agesnor was there a sudden emergence of the full horse dependencythat came to characterize these people For this reason the tran-
sition period encompassing the Late Bronze and Early Ironages will also be referred to as the period of the Early Nomadse Pazyryk phase of this culture centered in the Russian Altaimountains and dated to the fifth through third centuries 983138983139983141is securely rooted in the Iron Age After that however we arefaced with renewed uncertainty e impact of the Hsiung-nu(Xiongnu) confederacy across the eastern steppe does not seemto be reflected in Bayan Oumllgiy and the nature of culture andits archaeological monuments between the Early Iron Age andthe Turkic Period is uncertain Only with Turkic monumentsdo we return to a solid if still general chronology sixth throughthe ninth centuries with the Uighur hegemony dated to the last
century of that period With the end of the Turkic Period how-ever the Altai region seems to have receded from history untilthe modern period
24 Bear hunt Bronze Age This composition is a window into an
ancient hunt when men worked in bands and on foot with long bows
and spears In this composition several men surround the animal
Another figuremdashdone more recentlymdashrushes in from the left where a
piece of the boulder has been knocked off
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ock art is the general term for imagery pecked or paintedon natural rock surfaces In mountainous Bayan Oumllgiyaimag rock art occurs in the open air rather than within
caves and if there were ever any painted images they have longsince disappeared e rock art that has survived to the presentwas pecked-out with heavy stones or sharp metal instrumentsusing direct or indirect blows For the first several hundred yearsafter they were executed the images were white but over the
millennia most have darkened down from their original appear-ance Depending on the time of year and the sunrsquos angle theimages may stand out clearly or disappear from before our eyes
Within our focus region are located several of the largestand finest concentrations of rock art in North Asia includ-ing one in the upper Oigor drainage and another within thevalley of the upper Tsagaan Gol A smaller but important siteextends over three hills on the north shore of Khoton Nuur anda fourthmdashunknown until 2005mdashis located under the east flanksof Tsengel Khairkhan Uul Aral Tolgoi at the far northwesternend of Khoton Nuur is the smallest of these complexes but themost ancient In addition to these complexes many small con-
centrations of rock art exist throughout the region Taken alto-gether the complexes and sites attest to the desire of ancient Altai inhabitants to represent their world in visual imagery andto do so with an impressively realistic expression
e rock art of mountainous Bayan Oumllgiy includes individ-ual images as well as simple and complex compositions involvingup to more than one hundred elements In some valleys one findsthis material randomly pecked on the surfaces of granitic boul-ders left from the last major glacial advance is is true within
the upper valley of Khatuugiin Gol on the massive moraine alongKhoumlltsoumloumltiin Gol and across the rocky moraine known as KharBoumloumlroumlg at the east end of Khurgan Nuur Rocky outcroppingsat the top of high ridges offer the possibility of ancient imageryElegant examples exist on the high ridges between the Turegtiin
27 Predation scene Late Bronze Age
This fine representation of wolves attacking a deer
from Baga Oigor appears to have been pecked
over another earlier scene with wild goats
25 Hunter animals and birthing women
Early Bronze Age Tsagaan Salaa IV The frontal
hunter with a large weapon and static animals
indicate an early date Two frontal birthing
women arms raised are visible in the right-center
and may be earlier in date
26 Rock art concentrations
R983151983139983147 A983154983156
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riversmdashhere so isolated that one asks why gifted artists of theBronze Age should have chosen to leave their creations there
Winter dwellings nestled against rocky cliffs may offer cluesto the presence of rock art concentrations e appearance ofthese modest structures almost always indicates the millennia-old locations of winter habitation sites in protected places thusthe cliffs behind the snug wood and stone huts of today are oftenmarked by rock-pecked images dating back to the Bronze and
Early Iron ages Excellent examples of such sites and their rockart occur in the valleys of Khar Yamaa and Khargantyn Gol Ancient artists seem to have preferred the hard smoothed
surfaces of metamorphosed sandstone found along a few highriver valleys is stone has typically been scraped and polishedby ancient glaciers and darkened to a deep rose or mahoganyhue e time-hardened surfaces can take fine dense pecking aswell as elegant engraved lines As a result the sandstone outcrop-pings in the high Altai valleys contain an extraordinary pictorialrecord of cultures extending over thousands of years Among allsurface monuments rock art has a unique character while it ispossible to identify period styles and general cultural markers
we are also regularly struck by the individualizing nature of rep-resentation In this respect rock art brings us much closer to asense of real if anonymous individuals from a deep past
e varied subjects of Altai rock art offer a window into thelife and values of the people who lived here over many millen-nia Large animals in profile dominate rock art from the prendashBronze Age ey are almost always represented individuallymotionless and lacking any psychological interaction with otherimages (619 622) Early Bronze Age scenes of hunters hold-
ing cudgels and long bows may reflect the emergence of mythictraditions revolving around the heroic hunter (25) In rock artdatable by style and subject to the middle and late Bronze Agewe find many hunting scenes (24) but we also find herdingscenes scenes of men driving carts (29) and of families cara-vanning from one habitation site to another their children andhousehold goods packed onto massive yak (336) ese com-positions reveal developing patterns of transhumance as herd-
ing increasingly shaped peoplesrsquo lives Images of animals racingover the rock surfaces are also typical of the Bronze Age theyare often rendered with a keen sense of grace delight and evenwhimsy It is striking that elements clearly indicative of a spiritworld are remarkably few and these belong to the Bronze Ageor earlier (332)
Representations of scenes of combat and early representa-tions of horse and camel riding (124 126) can be dated tothe Bronze and Early Iron ages Animal imagery slowly beganto reveal a new conventionalization so that by the middle ofthe first millennium 983138983139983141 rock art had lost much of its formervitality During the Turkic Period the tradition enjoyed a brief
renaissance marked by images of warriors riders (28) and hunt-ing scenes ereafter and for reasons we do not yet understandrock art was forgotten as a form of collective expression ework of individual artists also lost its vitality as if visual represen-tation had been supplanted by some other means of individualcreativity Taken together however the materials from the largecomplexes and small petroglyphic sites of mountainous BayanOumllgiy constitute in effect an extraordinary documentation oftime long past
28 Rider on fast horse Turkic Period
The whitish patina of this image from the Upper
Tsagaan Gol Complex indicates that it is not as old
as the other images on this page The rider rsquos bow
headdress and style of riding are clear indications
of the Turkic Period
29 Cart with driver Bronze Age This image
from Tsagaan Salaa typifies the mixed perspective
with which carts were represented in Bronze Age
North Asia In this case the wheels are spoked and
the reins from the driverrsquos hands are barely visible
as thin lines
210 Hunter Late Bronze Age In this scene
from Tsagaan Salaa the artist has clearly rendered
the recurved bow and gorytus (quiver) typical of
weaponry developed in the early period of horse
riding Varied patinas indicate images done in
successive periods
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een from a distance the valleys of the Mongolian Altaiseem empty of signs of human culture One might spy faroff a cluster of yurts a single rider or animals accompa-
nied by a herder meandering up trails to high slopes and ridges An occasional wooden hut nestled into a hollow against a cliff suggests the potential presence of people but except in wintersuch dwellings are empty In all directions the view that stretchesbefore us suggests that ancient human cultures must have over-
looked this land discouraged perhaps by the harsh wind andcold and by a pitiless summer sun With closer examination the empty landscape begins to
reflect life and movement Marking passes bordering lakesand punctuating river terraces are countless stone monumentsindicating the paths of ancient peoples ese silent monumentsoffer a window into a deep past they enable us to repopulate theancient Altai
Of all the monuments khirigsuur are the largest structuresand in many ways the most puzzling Within the Mongolian Altai these elaborate even elegant constructions are typicallyfound on open plains or on terraces overlooking rivers singly
or in pairs or even in groups ey range in size from as smallas 10 m to greater than 50 m in diameter Originally their cen-tral mounds were much higher but with time they have settledalthough some retain impressive height (211) One kind ofkhirigsuur is marked by a round or squared surrounding frame(217) of low boulders Radii aligned with the cardinal direc-tions may connect the mound and surrounding wall A secondtype called platform looks like a flying saucer or a solid pave-ment its central mound is surrounded by a rounded or squaredstone skirt (213) ese khirigsuur do not of course have rays A third type of khirigsuur can be called a boulder khirigsuursince the central mound is either replaced by or forms a skirtaround a massive naturally occurring boulder (1143) Smallcircular altars constructed with low boulders are usually foundon the khirigsuurrsquos northern western and southern perimeterswhile the eastern edge of the frame may be marked by a kind ofentrance standing stone or mound
ere is a great variety in the basic structure type some khi-rigsuur are massive affairs others low and thin in appearanceSome are made with elegant white or rosy-hued boulders otherswith black boulders and some reflect an interest in a variety ofcolors e mounds themselves are often marked by one or moredepressions as if the stones had been purposely cleared perhapsto allow fire ceremonies
It is said that the word khirigsuur refers to the Mongolianname for a Kirghiz burial (Khirgis-khuur) but why that termshould be applied to this structure type is not clear e monu-ment type probably came into use sometime around the middleBronze Age (mid-second millennium 983138983139983141) and continued tobe built and used into the Early Iron Age (c 600 983138983139983141) In someregions of Mongolia and the pre-Baykal khirigsuur were used as
211 Massive khirigsuur Bronze Age
The deeply depressed mound of this khirigsuur
or collared mound originally rose approximately
35 m in height Small circular altars appear on the
north west and east sides but there is no external
frame The structure is located at the top of a pass
commanding a view of the wide Khovd valley
213 Mound or khirigsuur Bronze Age
The extended skirt of this mound suggests it is
a platform khirigsuur It is the only substantial
structure in the immediate area on a road leading
up from Buyant and over to Khargantyn Gol Its
isolated location at a pass suggests an ancientovoo a structure dedicated to the spirit of the
mountain rather than to a human burial
M983141983149983151983154983145983137983148S983156983154983157983139983156983157983154983141983155B983154983151983150983162983141 A983143983141
212 Bronze Age structures
7172019 Altai Sample
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simple burials with the body laid directly under the mound andwith few funerary objects In Tuva just north of our study region
and where a number of spectacular khirigsuur have been exca-vated there is no evidence they were used for burials We do notknow if the khirigsuur in the Mongolian Altai served as burialsor as altars To date none here or in the Russian Altai have beenexcavated It is easier to guess the function of the small circularaltars around the khirigsuur Excavations have revealed that forthousands of years they were used for burned offerings
e khirigsuur is not the only structure type that can beassociated with the Bronze Age roughout our study regionwe find a distinctive kind of stone mound composed of piles ofsharp talus or heavy boulders (216) ese structures are foundindividually on high points of land along terraces or spread inlarge numbers across elevated slopes Curiously most studies of Altai monuments have ignored these mounds yet their num-bers the massiveness of their construction and their locationssuggest they were connected to ceremonies relating to deathPerhaps because of the immovability of their settled stones themounds rarely have central depressions If they were used asburials the individual was probably laid directly on the surfaceof the ground and covered with bouldersmdashmuch as one findsin the case of isolated herdersrsquo burials today It is also possiblethat these mounds were the sites of sky burials or were used tocommemorate sky burials on the cliffs above If that were the
case then these mounds would more appropriately be consid-ered funerary altars or cenotaphs Whatever their function weare certain they are much earlier than the Early Iron Age becausetheir form does not match any known for postndashBronze Age cul-tures in this part of Asia
Scattered throughout the Mongolian Altai are small groupsof structures squared in form with unusual boulders of contrast-ing coloration marking their four corners and centers (214)Known as four-cornered mounds these structures are usuallyaligned to the cardinal directions Few have been excavated butthere is sufficient evidence to indicate they were Bronze Ageburials and for all the beauty of the stones with which the sur-
face structures were constructed it seems that the dead were laidin simple shallow pits with minimal grave goods
Another poorly understood structure here called dwellingtakes the form of a rectangular or rounded pattern laid out on
the surface of the earth in white grey and black stones (215)Such patterns sometimes occur in great numbers consistentlyoriented east to west and marked by entrances at both endsStanding boulders outside the east entrance indicate the par-ticular significance of that direction Double walls and interiorhearths call to mind present-day winter dwellings with chinkedlog and plank walls (119) ere is no evidence these structureswere ever used for underground burials they may rather havebeen intended to represent dwellings for the dead in the nextworld What happened to the bodies of the deceased is a mys-tery one must again consider the possibility that the dead weregiven sky burials perhaps in the cliffs that so often loom behindor above the fields of dwellings By reference to images of dwell-ings in rock art of the Bronze Age we can hypothesize that thesepatterns belong to the same period Also to this period must datethe curious long lines that so frequently stretch for many metersfrom the dwellings down to the river below or up to a mountainridge or in the direction of a sacred mountain We can surmisethat these lines somehow anchored the dwellings to a significant
zone of transition that they functioned in some way to assist thedead to travel to the realm of the spirits
214 Four-cornered mound Bronze Age This mound is one of
several on the high north side of the Sogoo valley Still visible are fine
white stones in the center and large corner stones of contrasting color
215 Dwellings and lines Bronze Age
The dwellings in this group within the middle
Tsagaan Gol valley are made from white and black
stones To the west they face out to the sacred
mountain Shiveet Khairkhan visible in the center
background On the left can be seen some of the
stone lines that also extend in that direction
216 Old mound Bronze Age This mound
above Khoumlltsoumloumltiin Gol is typical of so many in the
Mongolian Altai rough earthed-over and located
high above the river with a view shed to the east
and west At some point in the millennia since it
was built the huge boulder poised on the mound
rolled down from the cliff to the north
217 Square khirigsuur Bronze Age
This fine platform khirigsuur approximately 14 m
on each side stands on a terrace over KhoumlltsoumloumltiinGol its east side oriented to Sagsay Gol below
its west side to the sacred mou ntain Tsengel
Khairkhan Uul
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Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
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s a
y
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l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983090983094
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ome Bronze Age structure types may have continued to bebuilt well into the Early Iron Age An example is a kindof thin khirigsuur frequently found in the vicinity of
Early Iron Age burial mounds and occasionally involving acomplex group of altars unlike anything easily related to Bronze Age monuments
ere are other structure types of which the functions liketheir date also remain unclear ese include a curious circularmonument surrounded by a wall of standing flat slabs slantingin toward the center (219) ey may also include small pavedstructures sometimes associated with certain khirigsuur (223)Several structures are reminiscent of burial types reported in adja-cent Altai-Sayan regions but their identification in the Mongolian Altai is uncertain
We are on more secure ground with the burial mounds ofthe Early Iron Age (sixth through third centuries 983138983139983141) eseare usually arranged in irregular rows of two to eight or moremounds extending roughly from north to south (222) Rowsof standing stones (balbal) may extend from the mounds to theeast for a distance of up to 30 meters (220) and small altars of
grey boulders and black standing slabs often occur on the westside of the mounds (221) Excavations of mounds through-out the Altai-Sayan region have revealed wooden chambers inwhich the dead were placed either in larch coffins or directly onthe south side of the chamber floor their heads to the east andtheir faces to the north ey were laid out with their householdgoods their finest clothing and even horsesmdashas if prepared forlife in the next world and for the journey there In the high Altaithe stone mounds of some burials have created a subsoil lensof permafrost that has effectively preserved the organic mate-rials in deeply buried wooden chambers Despite a few well-publicized excavations of frozen burials however the vast major-
ity of these chambers were plundered in antiquity Others arecuriously empty built but never used marked on the surfaceof the ground by their stone mounds ese burials are associ-ated with what is sometimes referred to as the Scythian Periodculture of early nomads or the Pazyryk Culturemdashthe culture ofthe Scythian Period specific to the Altai region However onenames the culture responsible for these burials they all belong toa relatively limited era
218 Late Bronze and Early Iron Age structures
219 Collared mound Late Bronze Age () This structure one of two above the left bank of Nutsgenii Gol is unusual within our region and has no
clear published analogies in neighboring regions It has a diameter of approximately 10 m
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220 Burial mounds Early Nomadic Period One long row of balbal stretches to the east from sunken burial mounds on the left bank of Sagsay Gol
221 Altar Early Nomadic Period
Within this altar from Tsagaan Asgat the round
light-colored boulders on the west are river
stones the standing black slabs on the east are
mountain stones This color pattern regularly
recurs in altars accompanying burials of the Early
Iron Age It suggests a concern for a symbolic
integration perhaps of mountains and rivers
deemed essential at death
222 Burials mounds Early Nomadic Period A row of five deeply sunken burial mounds on the left bank of Chigirtein Gol is seen here from the
north looking south to Dzhalangash Uul On the right (west side) one of the typical altars associated with Early Iron Age burials in the Altai is visible
223 Circular structure Late Bronze Age ()
The fine circular structure with a diameter of 11 mis made of carefully placed light and dark stones It
is one of several altar-like forms su rrounding a thin
khirigsuur at Tsagaan Asgat Its date is uncertain
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l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983090983096
S983156983137983150983140983145983150983143 S983156983151983150983141983155oving from broad valleys into side draws or travel-ing over high ridges the traveler frequently thinks hesees another person standing quietly in the distance
Only on closer inspection is that figure revealed as a large stand-ing stone ese monoliths vary in size but may be of massiveproportions and the material from which they are carved isoften of unusual quality and color Over the millennia manyhave fallen but originally they were oriented with their sides tothe four quarters Deer stones are a particular kind of standingstone named for the images of deer and other animals oftenpecked on their surfaces A deer stone is typically carved withround earrings on the sides of its head a necklace of beads anda belt and hanging weapons (227) More rarely a human faceexplicitly conveys the stonersquos anthropomorphic reference (228)Deer stones usually occur singly but in one instance just aboveTsengel there are two tall stones one with a muted human face(511) At the famous site of Tsagaan Asgat there are more thaneighty standing stones or fallen fragments (75)
Whatever the size of the standing stones they all con- jure human figures in the case of deer stones that reference
was clearly intended and expressed Scholars have traditionallydivided North Asian deer stones into three broad stylistic typesroughly associated with north central Mongolia Tuva and theRussian Altai Within the Mongolian Altai however these stonetypes are often found in unusual combinations suggesting theconstant mix of populations within this large region
e dating of standing stones will always be approximateand dependent on size number location the stonesrsquo proximityto other datable monuments and the elements carved on thestonesrsquo surfaces With those criteria in mind we may proposethe following schema Massive standing stones always set withinframes and often accompanied on their east sides by small cir-
cular altars must have been erected in the Bronze Age On thebasis of the carvings on their sides and by comparison with deer
stones from other regions those of the Mongolian Altai can con-fidently be dated to the Late Bronze and Early Iron ages elatest standing stone type can be easily dated to the Early Iron Age Smaller than the massive Bronze Age stones but larger thanlater Turkic balbal these stonesmdashalso called balbalmdashappear inrows that stretch to the east from Early Iron Age burial mounds(220) Within the Mongolian Altai these stones are frequentlyshaped with the high narrow face to the east eir coloration
and richly textured mineralization recall stylized deer in flightey are certainly the last of the deer stone tradition
224 Standing stones
225 Standing stones Bronze Age
Within this group on the right bank of the Khar
Yamaa there were originally four or more standing
stones but over the centuries at least one has
toppled and broken The rectangular enclosing
frame has also been disrupted perhaps as a result
of the trampling of animals rubbing their backsagainst the stones These impressive monoliths
seen here from the southwest are set within a
wide valley easily visible from a great distance
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226 Leaning stones Bronze Age
Set within a still clear frame this finely quarried
pair of stones each approximately 110 m tall is
essentially hidden from view in a small draw on
the north side of Chigirtein Nuur Originally the
stones stood erect but over the millennia one
has slumped back against the other The stones
are seen here from the northeast
227 Deer stone Late Bronze or Early Iron Age This small deer
stone in the Upper Tsagaan Gol Complex is of the Altai type it lacks
animal imagery but is carved with a beaded necklace round earrings
and three parallel slashes to indicate a human face The dark grey stone
is unusual in being covered on its east side with drilled concavities often
referred to as cup marks The stone faces east within a large ritual site on
the left bank of Tsagaan Salaa
228 Image stone Late Bronze Age
The high side of this stone is carved with a now-
muted human face but other than its shape there
are no elements that allow it to be identified as a
deer stone Alone facing to the east and with a
height of 13 m the stone is located within a high
closed draw sloping down to Sogoo Gol for all
appearances the master of its hidden valley
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Nuur
Dayan Nuur
TolboNuur
S a
g s a
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S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983088
T983157983154983147983145983139M983151983150983157983149983141983150983156983155
he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
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Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
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i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
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I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983090
M983151983150983157983149983141983150983156983155 983145983150983156983144983141 L983137983150983140983155983139983137983152983141
234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
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Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
Areas visible from artifact
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A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983091
an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
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240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
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burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
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We are on more certain ground with a burial structureand imagery associated firmly with the Eurasian Scythian Cul-ture and dated to the Late Bronze and Early Iron agesmdashthatis between the eighth and third centuries 983138983139983141 During thatperiod there was a gradual shift from the use of bronze to thatof iron and thus no clear division between the eponymous agesnor was there a sudden emergence of the full horse dependencythat came to characterize these people For this reason the tran-
sition period encompassing the Late Bronze and Early Ironages will also be referred to as the period of the Early Nomadse Pazyryk phase of this culture centered in the Russian Altaimountains and dated to the fifth through third centuries 983138983139983141is securely rooted in the Iron Age After that however we arefaced with renewed uncertainty e impact of the Hsiung-nu(Xiongnu) confederacy across the eastern steppe does not seemto be reflected in Bayan Oumllgiy and the nature of culture andits archaeological monuments between the Early Iron Age andthe Turkic Period is uncertain Only with Turkic monumentsdo we return to a solid if still general chronology sixth throughthe ninth centuries with the Uighur hegemony dated to the last
century of that period With the end of the Turkic Period how-ever the Altai region seems to have receded from history untilthe modern period
24 Bear hunt Bronze Age This composition is a window into an
ancient hunt when men worked in bands and on foot with long bows
and spears In this composition several men surround the animal
Another figuremdashdone more recentlymdashrushes in from the left where a
piece of the boulder has been knocked off
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ock art is the general term for imagery pecked or paintedon natural rock surfaces In mountainous Bayan Oumllgiyaimag rock art occurs in the open air rather than within
caves and if there were ever any painted images they have longsince disappeared e rock art that has survived to the presentwas pecked-out with heavy stones or sharp metal instrumentsusing direct or indirect blows For the first several hundred yearsafter they were executed the images were white but over the
millennia most have darkened down from their original appear-ance Depending on the time of year and the sunrsquos angle theimages may stand out clearly or disappear from before our eyes
Within our focus region are located several of the largestand finest concentrations of rock art in North Asia includ-ing one in the upper Oigor drainage and another within thevalley of the upper Tsagaan Gol A smaller but important siteextends over three hills on the north shore of Khoton Nuur anda fourthmdashunknown until 2005mdashis located under the east flanksof Tsengel Khairkhan Uul Aral Tolgoi at the far northwesternend of Khoton Nuur is the smallest of these complexes but themost ancient In addition to these complexes many small con-
centrations of rock art exist throughout the region Taken alto-gether the complexes and sites attest to the desire of ancient Altai inhabitants to represent their world in visual imagery andto do so with an impressively realistic expression
e rock art of mountainous Bayan Oumllgiy includes individ-ual images as well as simple and complex compositions involvingup to more than one hundred elements In some valleys one findsthis material randomly pecked on the surfaces of granitic boul-ders left from the last major glacial advance is is true within
the upper valley of Khatuugiin Gol on the massive moraine alongKhoumlltsoumloumltiin Gol and across the rocky moraine known as KharBoumloumlroumlg at the east end of Khurgan Nuur Rocky outcroppingsat the top of high ridges offer the possibility of ancient imageryElegant examples exist on the high ridges between the Turegtiin
27 Predation scene Late Bronze Age
This fine representation of wolves attacking a deer
from Baga Oigor appears to have been pecked
over another earlier scene with wild goats
25 Hunter animals and birthing women
Early Bronze Age Tsagaan Salaa IV The frontal
hunter with a large weapon and static animals
indicate an early date Two frontal birthing
women arms raised are visible in the right-center
and may be earlier in date
26 Rock art concentrations
R983151983139983147 A983154983156
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riversmdashhere so isolated that one asks why gifted artists of theBronze Age should have chosen to leave their creations there
Winter dwellings nestled against rocky cliffs may offer cluesto the presence of rock art concentrations e appearance ofthese modest structures almost always indicates the millennia-old locations of winter habitation sites in protected places thusthe cliffs behind the snug wood and stone huts of today are oftenmarked by rock-pecked images dating back to the Bronze and
Early Iron ages Excellent examples of such sites and their rockart occur in the valleys of Khar Yamaa and Khargantyn Gol Ancient artists seem to have preferred the hard smoothed
surfaces of metamorphosed sandstone found along a few highriver valleys is stone has typically been scraped and polishedby ancient glaciers and darkened to a deep rose or mahoganyhue e time-hardened surfaces can take fine dense pecking aswell as elegant engraved lines As a result the sandstone outcrop-pings in the high Altai valleys contain an extraordinary pictorialrecord of cultures extending over thousands of years Among allsurface monuments rock art has a unique character while it ispossible to identify period styles and general cultural markers
we are also regularly struck by the individualizing nature of rep-resentation In this respect rock art brings us much closer to asense of real if anonymous individuals from a deep past
e varied subjects of Altai rock art offer a window into thelife and values of the people who lived here over many millen-nia Large animals in profile dominate rock art from the prendashBronze Age ey are almost always represented individuallymotionless and lacking any psychological interaction with otherimages (619 622) Early Bronze Age scenes of hunters hold-
ing cudgels and long bows may reflect the emergence of mythictraditions revolving around the heroic hunter (25) In rock artdatable by style and subject to the middle and late Bronze Agewe find many hunting scenes (24) but we also find herdingscenes scenes of men driving carts (29) and of families cara-vanning from one habitation site to another their children andhousehold goods packed onto massive yak (336) ese com-positions reveal developing patterns of transhumance as herd-
ing increasingly shaped peoplesrsquo lives Images of animals racingover the rock surfaces are also typical of the Bronze Age theyare often rendered with a keen sense of grace delight and evenwhimsy It is striking that elements clearly indicative of a spiritworld are remarkably few and these belong to the Bronze Ageor earlier (332)
Representations of scenes of combat and early representa-tions of horse and camel riding (124 126) can be dated tothe Bronze and Early Iron ages Animal imagery slowly beganto reveal a new conventionalization so that by the middle ofthe first millennium 983138983139983141 rock art had lost much of its formervitality During the Turkic Period the tradition enjoyed a brief
renaissance marked by images of warriors riders (28) and hunt-ing scenes ereafter and for reasons we do not yet understandrock art was forgotten as a form of collective expression ework of individual artists also lost its vitality as if visual represen-tation had been supplanted by some other means of individualcreativity Taken together however the materials from the largecomplexes and small petroglyphic sites of mountainous BayanOumllgiy constitute in effect an extraordinary documentation oftime long past
28 Rider on fast horse Turkic Period
The whitish patina of this image from the Upper
Tsagaan Gol Complex indicates that it is not as old
as the other images on this page The rider rsquos bow
headdress and style of riding are clear indications
of the Turkic Period
29 Cart with driver Bronze Age This image
from Tsagaan Salaa typifies the mixed perspective
with which carts were represented in Bronze Age
North Asia In this case the wheels are spoked and
the reins from the driverrsquos hands are barely visible
as thin lines
210 Hunter Late Bronze Age In this scene
from Tsagaan Salaa the artist has clearly rendered
the recurved bow and gorytus (quiver) typical of
weaponry developed in the early period of horse
riding Varied patinas indicate images done in
successive periods
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een from a distance the valleys of the Mongolian Altaiseem empty of signs of human culture One might spy faroff a cluster of yurts a single rider or animals accompa-
nied by a herder meandering up trails to high slopes and ridges An occasional wooden hut nestled into a hollow against a cliff suggests the potential presence of people but except in wintersuch dwellings are empty In all directions the view that stretchesbefore us suggests that ancient human cultures must have over-
looked this land discouraged perhaps by the harsh wind andcold and by a pitiless summer sun With closer examination the empty landscape begins to
reflect life and movement Marking passes bordering lakesand punctuating river terraces are countless stone monumentsindicating the paths of ancient peoples ese silent monumentsoffer a window into a deep past they enable us to repopulate theancient Altai
Of all the monuments khirigsuur are the largest structuresand in many ways the most puzzling Within the Mongolian Altai these elaborate even elegant constructions are typicallyfound on open plains or on terraces overlooking rivers singly
or in pairs or even in groups ey range in size from as smallas 10 m to greater than 50 m in diameter Originally their cen-tral mounds were much higher but with time they have settledalthough some retain impressive height (211) One kind ofkhirigsuur is marked by a round or squared surrounding frame(217) of low boulders Radii aligned with the cardinal direc-tions may connect the mound and surrounding wall A secondtype called platform looks like a flying saucer or a solid pave-ment its central mound is surrounded by a rounded or squaredstone skirt (213) ese khirigsuur do not of course have rays A third type of khirigsuur can be called a boulder khirigsuursince the central mound is either replaced by or forms a skirtaround a massive naturally occurring boulder (1143) Smallcircular altars constructed with low boulders are usually foundon the khirigsuurrsquos northern western and southern perimeterswhile the eastern edge of the frame may be marked by a kind ofentrance standing stone or mound
ere is a great variety in the basic structure type some khi-rigsuur are massive affairs others low and thin in appearanceSome are made with elegant white or rosy-hued boulders otherswith black boulders and some reflect an interest in a variety ofcolors e mounds themselves are often marked by one or moredepressions as if the stones had been purposely cleared perhapsto allow fire ceremonies
It is said that the word khirigsuur refers to the Mongolianname for a Kirghiz burial (Khirgis-khuur) but why that termshould be applied to this structure type is not clear e monu-ment type probably came into use sometime around the middleBronze Age (mid-second millennium 983138983139983141) and continued tobe built and used into the Early Iron Age (c 600 983138983139983141) In someregions of Mongolia and the pre-Baykal khirigsuur were used as
211 Massive khirigsuur Bronze Age
The deeply depressed mound of this khirigsuur
or collared mound originally rose approximately
35 m in height Small circular altars appear on the
north west and east sides but there is no external
frame The structure is located at the top of a pass
commanding a view of the wide Khovd valley
213 Mound or khirigsuur Bronze Age
The extended skirt of this mound suggests it is
a platform khirigsuur It is the only substantial
structure in the immediate area on a road leading
up from Buyant and over to Khargantyn Gol Its
isolated location at a pass suggests an ancientovoo a structure dedicated to the spirit of the
mountain rather than to a human burial
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212 Bronze Age structures
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simple burials with the body laid directly under the mound andwith few funerary objects In Tuva just north of our study region
and where a number of spectacular khirigsuur have been exca-vated there is no evidence they were used for burials We do notknow if the khirigsuur in the Mongolian Altai served as burialsor as altars To date none here or in the Russian Altai have beenexcavated It is easier to guess the function of the small circularaltars around the khirigsuur Excavations have revealed that forthousands of years they were used for burned offerings
e khirigsuur is not the only structure type that can beassociated with the Bronze Age roughout our study regionwe find a distinctive kind of stone mound composed of piles ofsharp talus or heavy boulders (216) ese structures are foundindividually on high points of land along terraces or spread inlarge numbers across elevated slopes Curiously most studies of Altai monuments have ignored these mounds yet their num-bers the massiveness of their construction and their locationssuggest they were connected to ceremonies relating to deathPerhaps because of the immovability of their settled stones themounds rarely have central depressions If they were used asburials the individual was probably laid directly on the surfaceof the ground and covered with bouldersmdashmuch as one findsin the case of isolated herdersrsquo burials today It is also possiblethat these mounds were the sites of sky burials or were used tocommemorate sky burials on the cliffs above If that were the
case then these mounds would more appropriately be consid-ered funerary altars or cenotaphs Whatever their function weare certain they are much earlier than the Early Iron Age becausetheir form does not match any known for postndashBronze Age cul-tures in this part of Asia
Scattered throughout the Mongolian Altai are small groupsof structures squared in form with unusual boulders of contrast-ing coloration marking their four corners and centers (214)Known as four-cornered mounds these structures are usuallyaligned to the cardinal directions Few have been excavated butthere is sufficient evidence to indicate they were Bronze Ageburials and for all the beauty of the stones with which the sur-
face structures were constructed it seems that the dead were laidin simple shallow pits with minimal grave goods
Another poorly understood structure here called dwellingtakes the form of a rectangular or rounded pattern laid out on
the surface of the earth in white grey and black stones (215)Such patterns sometimes occur in great numbers consistentlyoriented east to west and marked by entrances at both endsStanding boulders outside the east entrance indicate the par-ticular significance of that direction Double walls and interiorhearths call to mind present-day winter dwellings with chinkedlog and plank walls (119) ere is no evidence these structureswere ever used for underground burials they may rather havebeen intended to represent dwellings for the dead in the nextworld What happened to the bodies of the deceased is a mys-tery one must again consider the possibility that the dead weregiven sky burials perhaps in the cliffs that so often loom behindor above the fields of dwellings By reference to images of dwell-ings in rock art of the Bronze Age we can hypothesize that thesepatterns belong to the same period Also to this period must datethe curious long lines that so frequently stretch for many metersfrom the dwellings down to the river below or up to a mountainridge or in the direction of a sacred mountain We can surmisethat these lines somehow anchored the dwellings to a significant
zone of transition that they functioned in some way to assist thedead to travel to the realm of the spirits
214 Four-cornered mound Bronze Age This mound is one of
several on the high north side of the Sogoo valley Still visible are fine
white stones in the center and large corner stones of contrasting color
215 Dwellings and lines Bronze Age
The dwellings in this group within the middle
Tsagaan Gol valley are made from white and black
stones To the west they face out to the sacred
mountain Shiveet Khairkhan visible in the center
background On the left can be seen some of the
stone lines that also extend in that direction
216 Old mound Bronze Age This mound
above Khoumlltsoumloumltiin Gol is typical of so many in the
Mongolian Altai rough earthed-over and located
high above the river with a view shed to the east
and west At some point in the millennia since it
was built the huge boulder poised on the mound
rolled down from the cliff to the north
217 Square khirigsuur Bronze Age
This fine platform khirigsuur approximately 14 m
on each side stands on a terrace over KhoumlltsoumloumltiinGol its east side oriented to Sagsay Gol below
its west side to the sacred mou ntain Tsengel
Khairkhan Uul
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ome Bronze Age structure types may have continued to bebuilt well into the Early Iron Age An example is a kindof thin khirigsuur frequently found in the vicinity of
Early Iron Age burial mounds and occasionally involving acomplex group of altars unlike anything easily related to Bronze Age monuments
ere are other structure types of which the functions liketheir date also remain unclear ese include a curious circularmonument surrounded by a wall of standing flat slabs slantingin toward the center (219) ey may also include small pavedstructures sometimes associated with certain khirigsuur (223)Several structures are reminiscent of burial types reported in adja-cent Altai-Sayan regions but their identification in the Mongolian Altai is uncertain
We are on more secure ground with the burial mounds ofthe Early Iron Age (sixth through third centuries 983138983139983141) eseare usually arranged in irregular rows of two to eight or moremounds extending roughly from north to south (222) Rowsof standing stones (balbal) may extend from the mounds to theeast for a distance of up to 30 meters (220) and small altars of
grey boulders and black standing slabs often occur on the westside of the mounds (221) Excavations of mounds through-out the Altai-Sayan region have revealed wooden chambers inwhich the dead were placed either in larch coffins or directly onthe south side of the chamber floor their heads to the east andtheir faces to the north ey were laid out with their householdgoods their finest clothing and even horsesmdashas if prepared forlife in the next world and for the journey there In the high Altaithe stone mounds of some burials have created a subsoil lensof permafrost that has effectively preserved the organic mate-rials in deeply buried wooden chambers Despite a few well-publicized excavations of frozen burials however the vast major-
ity of these chambers were plundered in antiquity Others arecuriously empty built but never used marked on the surfaceof the ground by their stone mounds ese burials are associ-ated with what is sometimes referred to as the Scythian Periodculture of early nomads or the Pazyryk Culturemdashthe culture ofthe Scythian Period specific to the Altai region However onenames the culture responsible for these burials they all belong toa relatively limited era
218 Late Bronze and Early Iron Age structures
219 Collared mound Late Bronze Age () This structure one of two above the left bank of Nutsgenii Gol is unusual within our region and has no
clear published analogies in neighboring regions It has a diameter of approximately 10 m
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220 Burial mounds Early Nomadic Period One long row of balbal stretches to the east from sunken burial mounds on the left bank of Sagsay Gol
221 Altar Early Nomadic Period
Within this altar from Tsagaan Asgat the round
light-colored boulders on the west are river
stones the standing black slabs on the east are
mountain stones This color pattern regularly
recurs in altars accompanying burials of the Early
Iron Age It suggests a concern for a symbolic
integration perhaps of mountains and rivers
deemed essential at death
222 Burials mounds Early Nomadic Period A row of five deeply sunken burial mounds on the left bank of Chigirtein Gol is seen here from the
north looking south to Dzhalangash Uul On the right (west side) one of the typical altars associated with Early Iron Age burials in the Altai is visible
223 Circular structure Late Bronze Age ()
The fine circular structure with a diameter of 11 mis made of carefully placed light and dark stones It
is one of several altar-like forms su rrounding a thin
khirigsuur at Tsagaan Asgat Its date is uncertain
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S983156983137983150983140983145983150983143 S983156983151983150983141983155oving from broad valleys into side draws or travel-ing over high ridges the traveler frequently thinks hesees another person standing quietly in the distance
Only on closer inspection is that figure revealed as a large stand-ing stone ese monoliths vary in size but may be of massiveproportions and the material from which they are carved isoften of unusual quality and color Over the millennia manyhave fallen but originally they were oriented with their sides tothe four quarters Deer stones are a particular kind of standingstone named for the images of deer and other animals oftenpecked on their surfaces A deer stone is typically carved withround earrings on the sides of its head a necklace of beads anda belt and hanging weapons (227) More rarely a human faceexplicitly conveys the stonersquos anthropomorphic reference (228)Deer stones usually occur singly but in one instance just aboveTsengel there are two tall stones one with a muted human face(511) At the famous site of Tsagaan Asgat there are more thaneighty standing stones or fallen fragments (75)
Whatever the size of the standing stones they all con- jure human figures in the case of deer stones that reference
was clearly intended and expressed Scholars have traditionallydivided North Asian deer stones into three broad stylistic typesroughly associated with north central Mongolia Tuva and theRussian Altai Within the Mongolian Altai however these stonetypes are often found in unusual combinations suggesting theconstant mix of populations within this large region
e dating of standing stones will always be approximateand dependent on size number location the stonesrsquo proximityto other datable monuments and the elements carved on thestonesrsquo surfaces With those criteria in mind we may proposethe following schema Massive standing stones always set withinframes and often accompanied on their east sides by small cir-
cular altars must have been erected in the Bronze Age On thebasis of the carvings on their sides and by comparison with deer
stones from other regions those of the Mongolian Altai can con-fidently be dated to the Late Bronze and Early Iron ages elatest standing stone type can be easily dated to the Early Iron Age Smaller than the massive Bronze Age stones but larger thanlater Turkic balbal these stonesmdashalso called balbalmdashappear inrows that stretch to the east from Early Iron Age burial mounds(220) Within the Mongolian Altai these stones are frequentlyshaped with the high narrow face to the east eir coloration
and richly textured mineralization recall stylized deer in flightey are certainly the last of the deer stone tradition
224 Standing stones
225 Standing stones Bronze Age
Within this group on the right bank of the Khar
Yamaa there were originally four or more standing
stones but over the centuries at least one has
toppled and broken The rectangular enclosing
frame has also been disrupted perhaps as a result
of the trampling of animals rubbing their backsagainst the stones These impressive monoliths
seen here from the southwest are set within a
wide valley easily visible from a great distance
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226 Leaning stones Bronze Age
Set within a still clear frame this finely quarried
pair of stones each approximately 110 m tall is
essentially hidden from view in a small draw on
the north side of Chigirtein Nuur Originally the
stones stood erect but over the millennia one
has slumped back against the other The stones
are seen here from the northeast
227 Deer stone Late Bronze or Early Iron Age This small deer
stone in the Upper Tsagaan Gol Complex is of the Altai type it lacks
animal imagery but is carved with a beaded necklace round earrings
and three parallel slashes to indicate a human face The dark grey stone
is unusual in being covered on its east side with drilled concavities often
referred to as cup marks The stone faces east within a large ritual site on
the left bank of Tsagaan Salaa
228 Image stone Late Bronze Age
The high side of this stone is carved with a now-
muted human face but other than its shape there
are no elements that allow it to be identified as a
deer stone Alone facing to the east and with a
height of 13 m the stone is located within a high
closed draw sloping down to Sogoo Gol for all
appearances the master of its hidden valley
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he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
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Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
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i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
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I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983090
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234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
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Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
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an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
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M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
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burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
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ock art is the general term for imagery pecked or paintedon natural rock surfaces In mountainous Bayan Oumllgiyaimag rock art occurs in the open air rather than within
caves and if there were ever any painted images they have longsince disappeared e rock art that has survived to the presentwas pecked-out with heavy stones or sharp metal instrumentsusing direct or indirect blows For the first several hundred yearsafter they were executed the images were white but over the
millennia most have darkened down from their original appear-ance Depending on the time of year and the sunrsquos angle theimages may stand out clearly or disappear from before our eyes
Within our focus region are located several of the largestand finest concentrations of rock art in North Asia includ-ing one in the upper Oigor drainage and another within thevalley of the upper Tsagaan Gol A smaller but important siteextends over three hills on the north shore of Khoton Nuur anda fourthmdashunknown until 2005mdashis located under the east flanksof Tsengel Khairkhan Uul Aral Tolgoi at the far northwesternend of Khoton Nuur is the smallest of these complexes but themost ancient In addition to these complexes many small con-
centrations of rock art exist throughout the region Taken alto-gether the complexes and sites attest to the desire of ancient Altai inhabitants to represent their world in visual imagery andto do so with an impressively realistic expression
e rock art of mountainous Bayan Oumllgiy includes individ-ual images as well as simple and complex compositions involvingup to more than one hundred elements In some valleys one findsthis material randomly pecked on the surfaces of granitic boul-ders left from the last major glacial advance is is true within
the upper valley of Khatuugiin Gol on the massive moraine alongKhoumlltsoumloumltiin Gol and across the rocky moraine known as KharBoumloumlroumlg at the east end of Khurgan Nuur Rocky outcroppingsat the top of high ridges offer the possibility of ancient imageryElegant examples exist on the high ridges between the Turegtiin
27 Predation scene Late Bronze Age
This fine representation of wolves attacking a deer
from Baga Oigor appears to have been pecked
over another earlier scene with wild goats
25 Hunter animals and birthing women
Early Bronze Age Tsagaan Salaa IV The frontal
hunter with a large weapon and static animals
indicate an early date Two frontal birthing
women arms raised are visible in the right-center
and may be earlier in date
26 Rock art concentrations
R983151983139983147 A983154983156
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riversmdashhere so isolated that one asks why gifted artists of theBronze Age should have chosen to leave their creations there
Winter dwellings nestled against rocky cliffs may offer cluesto the presence of rock art concentrations e appearance ofthese modest structures almost always indicates the millennia-old locations of winter habitation sites in protected places thusthe cliffs behind the snug wood and stone huts of today are oftenmarked by rock-pecked images dating back to the Bronze and
Early Iron ages Excellent examples of such sites and their rockart occur in the valleys of Khar Yamaa and Khargantyn Gol Ancient artists seem to have preferred the hard smoothed
surfaces of metamorphosed sandstone found along a few highriver valleys is stone has typically been scraped and polishedby ancient glaciers and darkened to a deep rose or mahoganyhue e time-hardened surfaces can take fine dense pecking aswell as elegant engraved lines As a result the sandstone outcrop-pings in the high Altai valleys contain an extraordinary pictorialrecord of cultures extending over thousands of years Among allsurface monuments rock art has a unique character while it ispossible to identify period styles and general cultural markers
we are also regularly struck by the individualizing nature of rep-resentation In this respect rock art brings us much closer to asense of real if anonymous individuals from a deep past
e varied subjects of Altai rock art offer a window into thelife and values of the people who lived here over many millen-nia Large animals in profile dominate rock art from the prendashBronze Age ey are almost always represented individuallymotionless and lacking any psychological interaction with otherimages (619 622) Early Bronze Age scenes of hunters hold-
ing cudgels and long bows may reflect the emergence of mythictraditions revolving around the heroic hunter (25) In rock artdatable by style and subject to the middle and late Bronze Agewe find many hunting scenes (24) but we also find herdingscenes scenes of men driving carts (29) and of families cara-vanning from one habitation site to another their children andhousehold goods packed onto massive yak (336) ese com-positions reveal developing patterns of transhumance as herd-
ing increasingly shaped peoplesrsquo lives Images of animals racingover the rock surfaces are also typical of the Bronze Age theyare often rendered with a keen sense of grace delight and evenwhimsy It is striking that elements clearly indicative of a spiritworld are remarkably few and these belong to the Bronze Ageor earlier (332)
Representations of scenes of combat and early representa-tions of horse and camel riding (124 126) can be dated tothe Bronze and Early Iron ages Animal imagery slowly beganto reveal a new conventionalization so that by the middle ofthe first millennium 983138983139983141 rock art had lost much of its formervitality During the Turkic Period the tradition enjoyed a brief
renaissance marked by images of warriors riders (28) and hunt-ing scenes ereafter and for reasons we do not yet understandrock art was forgotten as a form of collective expression ework of individual artists also lost its vitality as if visual represen-tation had been supplanted by some other means of individualcreativity Taken together however the materials from the largecomplexes and small petroglyphic sites of mountainous BayanOumllgiy constitute in effect an extraordinary documentation oftime long past
28 Rider on fast horse Turkic Period
The whitish patina of this image from the Upper
Tsagaan Gol Complex indicates that it is not as old
as the other images on this page The rider rsquos bow
headdress and style of riding are clear indications
of the Turkic Period
29 Cart with driver Bronze Age This image
from Tsagaan Salaa typifies the mixed perspective
with which carts were represented in Bronze Age
North Asia In this case the wheels are spoked and
the reins from the driverrsquos hands are barely visible
as thin lines
210 Hunter Late Bronze Age In this scene
from Tsagaan Salaa the artist has clearly rendered
the recurved bow and gorytus (quiver) typical of
weaponry developed in the early period of horse
riding Varied patinas indicate images done in
successive periods
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l
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KAZAKHSTAN
M O N GO L I A
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een from a distance the valleys of the Mongolian Altaiseem empty of signs of human culture One might spy faroff a cluster of yurts a single rider or animals accompa-
nied by a herder meandering up trails to high slopes and ridges An occasional wooden hut nestled into a hollow against a cliff suggests the potential presence of people but except in wintersuch dwellings are empty In all directions the view that stretchesbefore us suggests that ancient human cultures must have over-
looked this land discouraged perhaps by the harsh wind andcold and by a pitiless summer sun With closer examination the empty landscape begins to
reflect life and movement Marking passes bordering lakesand punctuating river terraces are countless stone monumentsindicating the paths of ancient peoples ese silent monumentsoffer a window into a deep past they enable us to repopulate theancient Altai
Of all the monuments khirigsuur are the largest structuresand in many ways the most puzzling Within the Mongolian Altai these elaborate even elegant constructions are typicallyfound on open plains or on terraces overlooking rivers singly
or in pairs or even in groups ey range in size from as smallas 10 m to greater than 50 m in diameter Originally their cen-tral mounds were much higher but with time they have settledalthough some retain impressive height (211) One kind ofkhirigsuur is marked by a round or squared surrounding frame(217) of low boulders Radii aligned with the cardinal direc-tions may connect the mound and surrounding wall A secondtype called platform looks like a flying saucer or a solid pave-ment its central mound is surrounded by a rounded or squaredstone skirt (213) ese khirigsuur do not of course have rays A third type of khirigsuur can be called a boulder khirigsuursince the central mound is either replaced by or forms a skirtaround a massive naturally occurring boulder (1143) Smallcircular altars constructed with low boulders are usually foundon the khirigsuurrsquos northern western and southern perimeterswhile the eastern edge of the frame may be marked by a kind ofentrance standing stone or mound
ere is a great variety in the basic structure type some khi-rigsuur are massive affairs others low and thin in appearanceSome are made with elegant white or rosy-hued boulders otherswith black boulders and some reflect an interest in a variety ofcolors e mounds themselves are often marked by one or moredepressions as if the stones had been purposely cleared perhapsto allow fire ceremonies
It is said that the word khirigsuur refers to the Mongolianname for a Kirghiz burial (Khirgis-khuur) but why that termshould be applied to this structure type is not clear e monu-ment type probably came into use sometime around the middleBronze Age (mid-second millennium 983138983139983141) and continued tobe built and used into the Early Iron Age (c 600 983138983139983141) In someregions of Mongolia and the pre-Baykal khirigsuur were used as
211 Massive khirigsuur Bronze Age
The deeply depressed mound of this khirigsuur
or collared mound originally rose approximately
35 m in height Small circular altars appear on the
north west and east sides but there is no external
frame The structure is located at the top of a pass
commanding a view of the wide Khovd valley
213 Mound or khirigsuur Bronze Age
The extended skirt of this mound suggests it is
a platform khirigsuur It is the only substantial
structure in the immediate area on a road leading
up from Buyant and over to Khargantyn Gol Its
isolated location at a pass suggests an ancientovoo a structure dedicated to the spirit of the
mountain rather than to a human burial
M983141983149983151983154983145983137983148S983156983154983157983139983156983157983154983141983155B983154983151983150983162983141 A983143983141
212 Bronze Age structures
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simple burials with the body laid directly under the mound andwith few funerary objects In Tuva just north of our study region
and where a number of spectacular khirigsuur have been exca-vated there is no evidence they were used for burials We do notknow if the khirigsuur in the Mongolian Altai served as burialsor as altars To date none here or in the Russian Altai have beenexcavated It is easier to guess the function of the small circularaltars around the khirigsuur Excavations have revealed that forthousands of years they were used for burned offerings
e khirigsuur is not the only structure type that can beassociated with the Bronze Age roughout our study regionwe find a distinctive kind of stone mound composed of piles ofsharp talus or heavy boulders (216) ese structures are foundindividually on high points of land along terraces or spread inlarge numbers across elevated slopes Curiously most studies of Altai monuments have ignored these mounds yet their num-bers the massiveness of their construction and their locationssuggest they were connected to ceremonies relating to deathPerhaps because of the immovability of their settled stones themounds rarely have central depressions If they were used asburials the individual was probably laid directly on the surfaceof the ground and covered with bouldersmdashmuch as one findsin the case of isolated herdersrsquo burials today It is also possiblethat these mounds were the sites of sky burials or were used tocommemorate sky burials on the cliffs above If that were the
case then these mounds would more appropriately be consid-ered funerary altars or cenotaphs Whatever their function weare certain they are much earlier than the Early Iron Age becausetheir form does not match any known for postndashBronze Age cul-tures in this part of Asia
Scattered throughout the Mongolian Altai are small groupsof structures squared in form with unusual boulders of contrast-ing coloration marking their four corners and centers (214)Known as four-cornered mounds these structures are usuallyaligned to the cardinal directions Few have been excavated butthere is sufficient evidence to indicate they were Bronze Ageburials and for all the beauty of the stones with which the sur-
face structures were constructed it seems that the dead were laidin simple shallow pits with minimal grave goods
Another poorly understood structure here called dwellingtakes the form of a rectangular or rounded pattern laid out on
the surface of the earth in white grey and black stones (215)Such patterns sometimes occur in great numbers consistentlyoriented east to west and marked by entrances at both endsStanding boulders outside the east entrance indicate the par-ticular significance of that direction Double walls and interiorhearths call to mind present-day winter dwellings with chinkedlog and plank walls (119) ere is no evidence these structureswere ever used for underground burials they may rather havebeen intended to represent dwellings for the dead in the nextworld What happened to the bodies of the deceased is a mys-tery one must again consider the possibility that the dead weregiven sky burials perhaps in the cliffs that so often loom behindor above the fields of dwellings By reference to images of dwell-ings in rock art of the Bronze Age we can hypothesize that thesepatterns belong to the same period Also to this period must datethe curious long lines that so frequently stretch for many metersfrom the dwellings down to the river below or up to a mountainridge or in the direction of a sacred mountain We can surmisethat these lines somehow anchored the dwellings to a significant
zone of transition that they functioned in some way to assist thedead to travel to the realm of the spirits
214 Four-cornered mound Bronze Age This mound is one of
several on the high north side of the Sogoo valley Still visible are fine
white stones in the center and large corner stones of contrasting color
215 Dwellings and lines Bronze Age
The dwellings in this group within the middle
Tsagaan Gol valley are made from white and black
stones To the west they face out to the sacred
mountain Shiveet Khairkhan visible in the center
background On the left can be seen some of the
stone lines that also extend in that direction
216 Old mound Bronze Age This mound
above Khoumlltsoumloumltiin Gol is typical of so many in the
Mongolian Altai rough earthed-over and located
high above the river with a view shed to the east
and west At some point in the millennia since it
was built the huge boulder poised on the mound
rolled down from the cliff to the north
217 Square khirigsuur Bronze Age
This fine platform khirigsuur approximately 14 m
on each side stands on a terrace over KhoumlltsoumloumltiinGol its east side oriented to Sagsay Gol below
its west side to the sacred mou ntain Tsengel
Khairkhan Uul
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K h o v d G o l Oumllgiy
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KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983090983094
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ome Bronze Age structure types may have continued to bebuilt well into the Early Iron Age An example is a kindof thin khirigsuur frequently found in the vicinity of
Early Iron Age burial mounds and occasionally involving acomplex group of altars unlike anything easily related to Bronze Age monuments
ere are other structure types of which the functions liketheir date also remain unclear ese include a curious circularmonument surrounded by a wall of standing flat slabs slantingin toward the center (219) ey may also include small pavedstructures sometimes associated with certain khirigsuur (223)Several structures are reminiscent of burial types reported in adja-cent Altai-Sayan regions but their identification in the Mongolian Altai is uncertain
We are on more secure ground with the burial mounds ofthe Early Iron Age (sixth through third centuries 983138983139983141) eseare usually arranged in irregular rows of two to eight or moremounds extending roughly from north to south (222) Rowsof standing stones (balbal) may extend from the mounds to theeast for a distance of up to 30 meters (220) and small altars of
grey boulders and black standing slabs often occur on the westside of the mounds (221) Excavations of mounds through-out the Altai-Sayan region have revealed wooden chambers inwhich the dead were placed either in larch coffins or directly onthe south side of the chamber floor their heads to the east andtheir faces to the north ey were laid out with their householdgoods their finest clothing and even horsesmdashas if prepared forlife in the next world and for the journey there In the high Altaithe stone mounds of some burials have created a subsoil lensof permafrost that has effectively preserved the organic mate-rials in deeply buried wooden chambers Despite a few well-publicized excavations of frozen burials however the vast major-
ity of these chambers were plundered in antiquity Others arecuriously empty built but never used marked on the surfaceof the ground by their stone mounds ese burials are associ-ated with what is sometimes referred to as the Scythian Periodculture of early nomads or the Pazyryk Culturemdashthe culture ofthe Scythian Period specific to the Altai region However onenames the culture responsible for these burials they all belong toa relatively limited era
218 Late Bronze and Early Iron Age structures
219 Collared mound Late Bronze Age () This structure one of two above the left bank of Nutsgenii Gol is unusual within our region and has no
clear published analogies in neighboring regions It has a diameter of approximately 10 m
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220 Burial mounds Early Nomadic Period One long row of balbal stretches to the east from sunken burial mounds on the left bank of Sagsay Gol
221 Altar Early Nomadic Period
Within this altar from Tsagaan Asgat the round
light-colored boulders on the west are river
stones the standing black slabs on the east are
mountain stones This color pattern regularly
recurs in altars accompanying burials of the Early
Iron Age It suggests a concern for a symbolic
integration perhaps of mountains and rivers
deemed essential at death
222 Burials mounds Early Nomadic Period A row of five deeply sunken burial mounds on the left bank of Chigirtein Gol is seen here from the
north looking south to Dzhalangash Uul On the right (west side) one of the typical altars associated with Early Iron Age burials in the Altai is visible
223 Circular structure Late Bronze Age ()
The fine circular structure with a diameter of 11 mis made of carefully placed light and dark stones It
is one of several altar-like forms su rrounding a thin
khirigsuur at Tsagaan Asgat Its date is uncertain
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M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983090983096
S983156983137983150983140983145983150983143 S983156983151983150983141983155oving from broad valleys into side draws or travel-ing over high ridges the traveler frequently thinks hesees another person standing quietly in the distance
Only on closer inspection is that figure revealed as a large stand-ing stone ese monoliths vary in size but may be of massiveproportions and the material from which they are carved isoften of unusual quality and color Over the millennia manyhave fallen but originally they were oriented with their sides tothe four quarters Deer stones are a particular kind of standingstone named for the images of deer and other animals oftenpecked on their surfaces A deer stone is typically carved withround earrings on the sides of its head a necklace of beads anda belt and hanging weapons (227) More rarely a human faceexplicitly conveys the stonersquos anthropomorphic reference (228)Deer stones usually occur singly but in one instance just aboveTsengel there are two tall stones one with a muted human face(511) At the famous site of Tsagaan Asgat there are more thaneighty standing stones or fallen fragments (75)
Whatever the size of the standing stones they all con- jure human figures in the case of deer stones that reference
was clearly intended and expressed Scholars have traditionallydivided North Asian deer stones into three broad stylistic typesroughly associated with north central Mongolia Tuva and theRussian Altai Within the Mongolian Altai however these stonetypes are often found in unusual combinations suggesting theconstant mix of populations within this large region
e dating of standing stones will always be approximateand dependent on size number location the stonesrsquo proximityto other datable monuments and the elements carved on thestonesrsquo surfaces With those criteria in mind we may proposethe following schema Massive standing stones always set withinframes and often accompanied on their east sides by small cir-
cular altars must have been erected in the Bronze Age On thebasis of the carvings on their sides and by comparison with deer
stones from other regions those of the Mongolian Altai can con-fidently be dated to the Late Bronze and Early Iron ages elatest standing stone type can be easily dated to the Early Iron Age Smaller than the massive Bronze Age stones but larger thanlater Turkic balbal these stonesmdashalso called balbalmdashappear inrows that stretch to the east from Early Iron Age burial mounds(220) Within the Mongolian Altai these stones are frequentlyshaped with the high narrow face to the east eir coloration
and richly textured mineralization recall stylized deer in flightey are certainly the last of the deer stone tradition
224 Standing stones
225 Standing stones Bronze Age
Within this group on the right bank of the Khar
Yamaa there were originally four or more standing
stones but over the centuries at least one has
toppled and broken The rectangular enclosing
frame has also been disrupted perhaps as a result
of the trampling of animals rubbing their backsagainst the stones These impressive monoliths
seen here from the southwest are set within a
wide valley easily visible from a great distance
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226 Leaning stones Bronze Age
Set within a still clear frame this finely quarried
pair of stones each approximately 110 m tall is
essentially hidden from view in a small draw on
the north side of Chigirtein Nuur Originally the
stones stood erect but over the millennia one
has slumped back against the other The stones
are seen here from the northeast
227 Deer stone Late Bronze or Early Iron Age This small deer
stone in the Upper Tsagaan Gol Complex is of the Altai type it lacks
animal imagery but is carved with a beaded necklace round earrings
and three parallel slashes to indicate a human face The dark grey stone
is unusual in being covered on its east side with drilled concavities often
referred to as cup marks The stone faces east within a large ritual site on
the left bank of Tsagaan Salaa
228 Image stone Late Bronze Age
The high side of this stone is carved with a now-
muted human face but other than its shape there
are no elements that allow it to be identified as a
deer stone Alone facing to the east and with a
height of 13 m the stone is located within a high
closed draw sloping down to Sogoo Gol for all
appearances the master of its hidden valley
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K h o v d G o l Oumllgiy
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A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983088
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he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
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Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
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i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
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234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
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Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
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an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
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240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
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burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
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riversmdashhere so isolated that one asks why gifted artists of theBronze Age should have chosen to leave their creations there
Winter dwellings nestled against rocky cliffs may offer cluesto the presence of rock art concentrations e appearance ofthese modest structures almost always indicates the millennia-old locations of winter habitation sites in protected places thusthe cliffs behind the snug wood and stone huts of today are oftenmarked by rock-pecked images dating back to the Bronze and
Early Iron ages Excellent examples of such sites and their rockart occur in the valleys of Khar Yamaa and Khargantyn Gol Ancient artists seem to have preferred the hard smoothed
surfaces of metamorphosed sandstone found along a few highriver valleys is stone has typically been scraped and polishedby ancient glaciers and darkened to a deep rose or mahoganyhue e time-hardened surfaces can take fine dense pecking aswell as elegant engraved lines As a result the sandstone outcrop-pings in the high Altai valleys contain an extraordinary pictorialrecord of cultures extending over thousands of years Among allsurface monuments rock art has a unique character while it ispossible to identify period styles and general cultural markers
we are also regularly struck by the individualizing nature of rep-resentation In this respect rock art brings us much closer to asense of real if anonymous individuals from a deep past
e varied subjects of Altai rock art offer a window into thelife and values of the people who lived here over many millen-nia Large animals in profile dominate rock art from the prendashBronze Age ey are almost always represented individuallymotionless and lacking any psychological interaction with otherimages (619 622) Early Bronze Age scenes of hunters hold-
ing cudgels and long bows may reflect the emergence of mythictraditions revolving around the heroic hunter (25) In rock artdatable by style and subject to the middle and late Bronze Agewe find many hunting scenes (24) but we also find herdingscenes scenes of men driving carts (29) and of families cara-vanning from one habitation site to another their children andhousehold goods packed onto massive yak (336) ese com-positions reveal developing patterns of transhumance as herd-
ing increasingly shaped peoplesrsquo lives Images of animals racingover the rock surfaces are also typical of the Bronze Age theyare often rendered with a keen sense of grace delight and evenwhimsy It is striking that elements clearly indicative of a spiritworld are remarkably few and these belong to the Bronze Ageor earlier (332)
Representations of scenes of combat and early representa-tions of horse and camel riding (124 126) can be dated tothe Bronze and Early Iron ages Animal imagery slowly beganto reveal a new conventionalization so that by the middle ofthe first millennium 983138983139983141 rock art had lost much of its formervitality During the Turkic Period the tradition enjoyed a brief
renaissance marked by images of warriors riders (28) and hunt-ing scenes ereafter and for reasons we do not yet understandrock art was forgotten as a form of collective expression ework of individual artists also lost its vitality as if visual represen-tation had been supplanted by some other means of individualcreativity Taken together however the materials from the largecomplexes and small petroglyphic sites of mountainous BayanOumllgiy constitute in effect an extraordinary documentation oftime long past
28 Rider on fast horse Turkic Period
The whitish patina of this image from the Upper
Tsagaan Gol Complex indicates that it is not as old
as the other images on this page The rider rsquos bow
headdress and style of riding are clear indications
of the Turkic Period
29 Cart with driver Bronze Age This image
from Tsagaan Salaa typifies the mixed perspective
with which carts were represented in Bronze Age
North Asia In this case the wheels are spoked and
the reins from the driverrsquos hands are barely visible
as thin lines
210 Hunter Late Bronze Age In this scene
from Tsagaan Salaa the artist has clearly rendered
the recurved bow and gorytus (quiver) typical of
weaponry developed in the early period of horse
riding Varied patinas indicate images done in
successive periods
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een from a distance the valleys of the Mongolian Altaiseem empty of signs of human culture One might spy faroff a cluster of yurts a single rider or animals accompa-
nied by a herder meandering up trails to high slopes and ridges An occasional wooden hut nestled into a hollow against a cliff suggests the potential presence of people but except in wintersuch dwellings are empty In all directions the view that stretchesbefore us suggests that ancient human cultures must have over-
looked this land discouraged perhaps by the harsh wind andcold and by a pitiless summer sun With closer examination the empty landscape begins to
reflect life and movement Marking passes bordering lakesand punctuating river terraces are countless stone monumentsindicating the paths of ancient peoples ese silent monumentsoffer a window into a deep past they enable us to repopulate theancient Altai
Of all the monuments khirigsuur are the largest structuresand in many ways the most puzzling Within the Mongolian Altai these elaborate even elegant constructions are typicallyfound on open plains or on terraces overlooking rivers singly
or in pairs or even in groups ey range in size from as smallas 10 m to greater than 50 m in diameter Originally their cen-tral mounds were much higher but with time they have settledalthough some retain impressive height (211) One kind ofkhirigsuur is marked by a round or squared surrounding frame(217) of low boulders Radii aligned with the cardinal direc-tions may connect the mound and surrounding wall A secondtype called platform looks like a flying saucer or a solid pave-ment its central mound is surrounded by a rounded or squaredstone skirt (213) ese khirigsuur do not of course have rays A third type of khirigsuur can be called a boulder khirigsuursince the central mound is either replaced by or forms a skirtaround a massive naturally occurring boulder (1143) Smallcircular altars constructed with low boulders are usually foundon the khirigsuurrsquos northern western and southern perimeterswhile the eastern edge of the frame may be marked by a kind ofentrance standing stone or mound
ere is a great variety in the basic structure type some khi-rigsuur are massive affairs others low and thin in appearanceSome are made with elegant white or rosy-hued boulders otherswith black boulders and some reflect an interest in a variety ofcolors e mounds themselves are often marked by one or moredepressions as if the stones had been purposely cleared perhapsto allow fire ceremonies
It is said that the word khirigsuur refers to the Mongolianname for a Kirghiz burial (Khirgis-khuur) but why that termshould be applied to this structure type is not clear e monu-ment type probably came into use sometime around the middleBronze Age (mid-second millennium 983138983139983141) and continued tobe built and used into the Early Iron Age (c 600 983138983139983141) In someregions of Mongolia and the pre-Baykal khirigsuur were used as
211 Massive khirigsuur Bronze Age
The deeply depressed mound of this khirigsuur
or collared mound originally rose approximately
35 m in height Small circular altars appear on the
north west and east sides but there is no external
frame The structure is located at the top of a pass
commanding a view of the wide Khovd valley
213 Mound or khirigsuur Bronze Age
The extended skirt of this mound suggests it is
a platform khirigsuur It is the only substantial
structure in the immediate area on a road leading
up from Buyant and over to Khargantyn Gol Its
isolated location at a pass suggests an ancientovoo a structure dedicated to the spirit of the
mountain rather than to a human burial
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212 Bronze Age structures
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simple burials with the body laid directly under the mound andwith few funerary objects In Tuva just north of our study region
and where a number of spectacular khirigsuur have been exca-vated there is no evidence they were used for burials We do notknow if the khirigsuur in the Mongolian Altai served as burialsor as altars To date none here or in the Russian Altai have beenexcavated It is easier to guess the function of the small circularaltars around the khirigsuur Excavations have revealed that forthousands of years they were used for burned offerings
e khirigsuur is not the only structure type that can beassociated with the Bronze Age roughout our study regionwe find a distinctive kind of stone mound composed of piles ofsharp talus or heavy boulders (216) ese structures are foundindividually on high points of land along terraces or spread inlarge numbers across elevated slopes Curiously most studies of Altai monuments have ignored these mounds yet their num-bers the massiveness of their construction and their locationssuggest they were connected to ceremonies relating to deathPerhaps because of the immovability of their settled stones themounds rarely have central depressions If they were used asburials the individual was probably laid directly on the surfaceof the ground and covered with bouldersmdashmuch as one findsin the case of isolated herdersrsquo burials today It is also possiblethat these mounds were the sites of sky burials or were used tocommemorate sky burials on the cliffs above If that were the
case then these mounds would more appropriately be consid-ered funerary altars or cenotaphs Whatever their function weare certain they are much earlier than the Early Iron Age becausetheir form does not match any known for postndashBronze Age cul-tures in this part of Asia
Scattered throughout the Mongolian Altai are small groupsof structures squared in form with unusual boulders of contrast-ing coloration marking their four corners and centers (214)Known as four-cornered mounds these structures are usuallyaligned to the cardinal directions Few have been excavated butthere is sufficient evidence to indicate they were Bronze Ageburials and for all the beauty of the stones with which the sur-
face structures were constructed it seems that the dead were laidin simple shallow pits with minimal grave goods
Another poorly understood structure here called dwellingtakes the form of a rectangular or rounded pattern laid out on
the surface of the earth in white grey and black stones (215)Such patterns sometimes occur in great numbers consistentlyoriented east to west and marked by entrances at both endsStanding boulders outside the east entrance indicate the par-ticular significance of that direction Double walls and interiorhearths call to mind present-day winter dwellings with chinkedlog and plank walls (119) ere is no evidence these structureswere ever used for underground burials they may rather havebeen intended to represent dwellings for the dead in the nextworld What happened to the bodies of the deceased is a mys-tery one must again consider the possibility that the dead weregiven sky burials perhaps in the cliffs that so often loom behindor above the fields of dwellings By reference to images of dwell-ings in rock art of the Bronze Age we can hypothesize that thesepatterns belong to the same period Also to this period must datethe curious long lines that so frequently stretch for many metersfrom the dwellings down to the river below or up to a mountainridge or in the direction of a sacred mountain We can surmisethat these lines somehow anchored the dwellings to a significant
zone of transition that they functioned in some way to assist thedead to travel to the realm of the spirits
214 Four-cornered mound Bronze Age This mound is one of
several on the high north side of the Sogoo valley Still visible are fine
white stones in the center and large corner stones of contrasting color
215 Dwellings and lines Bronze Age
The dwellings in this group within the middle
Tsagaan Gol valley are made from white and black
stones To the west they face out to the sacred
mountain Shiveet Khairkhan visible in the center
background On the left can be seen some of the
stone lines that also extend in that direction
216 Old mound Bronze Age This mound
above Khoumlltsoumloumltiin Gol is typical of so many in the
Mongolian Altai rough earthed-over and located
high above the river with a view shed to the east
and west At some point in the millennia since it
was built the huge boulder poised on the mound
rolled down from the cliff to the north
217 Square khirigsuur Bronze Age
This fine platform khirigsuur approximately 14 m
on each side stands on a terrace over KhoumlltsoumloumltiinGol its east side oriented to Sagsay Gol below
its west side to the sacred mou ntain Tsengel
Khairkhan Uul
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ome Bronze Age structure types may have continued to bebuilt well into the Early Iron Age An example is a kindof thin khirigsuur frequently found in the vicinity of
Early Iron Age burial mounds and occasionally involving acomplex group of altars unlike anything easily related to Bronze Age monuments
ere are other structure types of which the functions liketheir date also remain unclear ese include a curious circularmonument surrounded by a wall of standing flat slabs slantingin toward the center (219) ey may also include small pavedstructures sometimes associated with certain khirigsuur (223)Several structures are reminiscent of burial types reported in adja-cent Altai-Sayan regions but their identification in the Mongolian Altai is uncertain
We are on more secure ground with the burial mounds ofthe Early Iron Age (sixth through third centuries 983138983139983141) eseare usually arranged in irregular rows of two to eight or moremounds extending roughly from north to south (222) Rowsof standing stones (balbal) may extend from the mounds to theeast for a distance of up to 30 meters (220) and small altars of
grey boulders and black standing slabs often occur on the westside of the mounds (221) Excavations of mounds through-out the Altai-Sayan region have revealed wooden chambers inwhich the dead were placed either in larch coffins or directly onthe south side of the chamber floor their heads to the east andtheir faces to the north ey were laid out with their householdgoods their finest clothing and even horsesmdashas if prepared forlife in the next world and for the journey there In the high Altaithe stone mounds of some burials have created a subsoil lensof permafrost that has effectively preserved the organic mate-rials in deeply buried wooden chambers Despite a few well-publicized excavations of frozen burials however the vast major-
ity of these chambers were plundered in antiquity Others arecuriously empty built but never used marked on the surfaceof the ground by their stone mounds ese burials are associ-ated with what is sometimes referred to as the Scythian Periodculture of early nomads or the Pazyryk Culturemdashthe culture ofthe Scythian Period specific to the Altai region However onenames the culture responsible for these burials they all belong toa relatively limited era
218 Late Bronze and Early Iron Age structures
219 Collared mound Late Bronze Age () This structure one of two above the left bank of Nutsgenii Gol is unusual within our region and has no
clear published analogies in neighboring regions It has a diameter of approximately 10 m
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220 Burial mounds Early Nomadic Period One long row of balbal stretches to the east from sunken burial mounds on the left bank of Sagsay Gol
221 Altar Early Nomadic Period
Within this altar from Tsagaan Asgat the round
light-colored boulders on the west are river
stones the standing black slabs on the east are
mountain stones This color pattern regularly
recurs in altars accompanying burials of the Early
Iron Age It suggests a concern for a symbolic
integration perhaps of mountains and rivers
deemed essential at death
222 Burials mounds Early Nomadic Period A row of five deeply sunken burial mounds on the left bank of Chigirtein Gol is seen here from the
north looking south to Dzhalangash Uul On the right (west side) one of the typical altars associated with Early Iron Age burials in the Altai is visible
223 Circular structure Late Bronze Age ()
The fine circular structure with a diameter of 11 mis made of carefully placed light and dark stones It
is one of several altar-like forms su rrounding a thin
khirigsuur at Tsagaan Asgat Its date is uncertain
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S983156983137983150983140983145983150983143 S983156983151983150983141983155oving from broad valleys into side draws or travel-ing over high ridges the traveler frequently thinks hesees another person standing quietly in the distance
Only on closer inspection is that figure revealed as a large stand-ing stone ese monoliths vary in size but may be of massiveproportions and the material from which they are carved isoften of unusual quality and color Over the millennia manyhave fallen but originally they were oriented with their sides tothe four quarters Deer stones are a particular kind of standingstone named for the images of deer and other animals oftenpecked on their surfaces A deer stone is typically carved withround earrings on the sides of its head a necklace of beads anda belt and hanging weapons (227) More rarely a human faceexplicitly conveys the stonersquos anthropomorphic reference (228)Deer stones usually occur singly but in one instance just aboveTsengel there are two tall stones one with a muted human face(511) At the famous site of Tsagaan Asgat there are more thaneighty standing stones or fallen fragments (75)
Whatever the size of the standing stones they all con- jure human figures in the case of deer stones that reference
was clearly intended and expressed Scholars have traditionallydivided North Asian deer stones into three broad stylistic typesroughly associated with north central Mongolia Tuva and theRussian Altai Within the Mongolian Altai however these stonetypes are often found in unusual combinations suggesting theconstant mix of populations within this large region
e dating of standing stones will always be approximateand dependent on size number location the stonesrsquo proximityto other datable monuments and the elements carved on thestonesrsquo surfaces With those criteria in mind we may proposethe following schema Massive standing stones always set withinframes and often accompanied on their east sides by small cir-
cular altars must have been erected in the Bronze Age On thebasis of the carvings on their sides and by comparison with deer
stones from other regions those of the Mongolian Altai can con-fidently be dated to the Late Bronze and Early Iron ages elatest standing stone type can be easily dated to the Early Iron Age Smaller than the massive Bronze Age stones but larger thanlater Turkic balbal these stonesmdashalso called balbalmdashappear inrows that stretch to the east from Early Iron Age burial mounds(220) Within the Mongolian Altai these stones are frequentlyshaped with the high narrow face to the east eir coloration
and richly textured mineralization recall stylized deer in flightey are certainly the last of the deer stone tradition
224 Standing stones
225 Standing stones Bronze Age
Within this group on the right bank of the Khar
Yamaa there were originally four or more standing
stones but over the centuries at least one has
toppled and broken The rectangular enclosing
frame has also been disrupted perhaps as a result
of the trampling of animals rubbing their backsagainst the stones These impressive monoliths
seen here from the southwest are set within a
wide valley easily visible from a great distance
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226 Leaning stones Bronze Age
Set within a still clear frame this finely quarried
pair of stones each approximately 110 m tall is
essentially hidden from view in a small draw on
the north side of Chigirtein Nuur Originally the
stones stood erect but over the millennia one
has slumped back against the other The stones
are seen here from the northeast
227 Deer stone Late Bronze or Early Iron Age This small deer
stone in the Upper Tsagaan Gol Complex is of the Altai type it lacks
animal imagery but is carved with a beaded necklace round earrings
and three parallel slashes to indicate a human face The dark grey stone
is unusual in being covered on its east side with drilled concavities often
referred to as cup marks The stone faces east within a large ritual site on
the left bank of Tsagaan Salaa
228 Image stone Late Bronze Age
The high side of this stone is carved with a now-
muted human face but other than its shape there
are no elements that allow it to be identified as a
deer stone Alone facing to the east and with a
height of 13 m the stone is located within a high
closed draw sloping down to Sogoo Gol for all
appearances the master of its hidden valley
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he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
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Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
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i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
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234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
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Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
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an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
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240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
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burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
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een from a distance the valleys of the Mongolian Altaiseem empty of signs of human culture One might spy faroff a cluster of yurts a single rider or animals accompa-
nied by a herder meandering up trails to high slopes and ridges An occasional wooden hut nestled into a hollow against a cliff suggests the potential presence of people but except in wintersuch dwellings are empty In all directions the view that stretchesbefore us suggests that ancient human cultures must have over-
looked this land discouraged perhaps by the harsh wind andcold and by a pitiless summer sun With closer examination the empty landscape begins to
reflect life and movement Marking passes bordering lakesand punctuating river terraces are countless stone monumentsindicating the paths of ancient peoples ese silent monumentsoffer a window into a deep past they enable us to repopulate theancient Altai
Of all the monuments khirigsuur are the largest structuresand in many ways the most puzzling Within the Mongolian Altai these elaborate even elegant constructions are typicallyfound on open plains or on terraces overlooking rivers singly
or in pairs or even in groups ey range in size from as smallas 10 m to greater than 50 m in diameter Originally their cen-tral mounds were much higher but with time they have settledalthough some retain impressive height (211) One kind ofkhirigsuur is marked by a round or squared surrounding frame(217) of low boulders Radii aligned with the cardinal direc-tions may connect the mound and surrounding wall A secondtype called platform looks like a flying saucer or a solid pave-ment its central mound is surrounded by a rounded or squaredstone skirt (213) ese khirigsuur do not of course have rays A third type of khirigsuur can be called a boulder khirigsuursince the central mound is either replaced by or forms a skirtaround a massive naturally occurring boulder (1143) Smallcircular altars constructed with low boulders are usually foundon the khirigsuurrsquos northern western and southern perimeterswhile the eastern edge of the frame may be marked by a kind ofentrance standing stone or mound
ere is a great variety in the basic structure type some khi-rigsuur are massive affairs others low and thin in appearanceSome are made with elegant white or rosy-hued boulders otherswith black boulders and some reflect an interest in a variety ofcolors e mounds themselves are often marked by one or moredepressions as if the stones had been purposely cleared perhapsto allow fire ceremonies
It is said that the word khirigsuur refers to the Mongolianname for a Kirghiz burial (Khirgis-khuur) but why that termshould be applied to this structure type is not clear e monu-ment type probably came into use sometime around the middleBronze Age (mid-second millennium 983138983139983141) and continued tobe built and used into the Early Iron Age (c 600 983138983139983141) In someregions of Mongolia and the pre-Baykal khirigsuur were used as
211 Massive khirigsuur Bronze Age
The deeply depressed mound of this khirigsuur
or collared mound originally rose approximately
35 m in height Small circular altars appear on the
north west and east sides but there is no external
frame The structure is located at the top of a pass
commanding a view of the wide Khovd valley
213 Mound or khirigsuur Bronze Age
The extended skirt of this mound suggests it is
a platform khirigsuur It is the only substantial
structure in the immediate area on a road leading
up from Buyant and over to Khargantyn Gol Its
isolated location at a pass suggests an ancientovoo a structure dedicated to the spirit of the
mountain rather than to a human burial
M983141983149983151983154983145983137983148S983156983154983157983139983156983157983154983141983155B983154983151983150983162983141 A983143983141
212 Bronze Age structures
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simple burials with the body laid directly under the mound andwith few funerary objects In Tuva just north of our study region
and where a number of spectacular khirigsuur have been exca-vated there is no evidence they were used for burials We do notknow if the khirigsuur in the Mongolian Altai served as burialsor as altars To date none here or in the Russian Altai have beenexcavated It is easier to guess the function of the small circularaltars around the khirigsuur Excavations have revealed that forthousands of years they were used for burned offerings
e khirigsuur is not the only structure type that can beassociated with the Bronze Age roughout our study regionwe find a distinctive kind of stone mound composed of piles ofsharp talus or heavy boulders (216) ese structures are foundindividually on high points of land along terraces or spread inlarge numbers across elevated slopes Curiously most studies of Altai monuments have ignored these mounds yet their num-bers the massiveness of their construction and their locationssuggest they were connected to ceremonies relating to deathPerhaps because of the immovability of their settled stones themounds rarely have central depressions If they were used asburials the individual was probably laid directly on the surfaceof the ground and covered with bouldersmdashmuch as one findsin the case of isolated herdersrsquo burials today It is also possiblethat these mounds were the sites of sky burials or were used tocommemorate sky burials on the cliffs above If that were the
case then these mounds would more appropriately be consid-ered funerary altars or cenotaphs Whatever their function weare certain they are much earlier than the Early Iron Age becausetheir form does not match any known for postndashBronze Age cul-tures in this part of Asia
Scattered throughout the Mongolian Altai are small groupsof structures squared in form with unusual boulders of contrast-ing coloration marking their four corners and centers (214)Known as four-cornered mounds these structures are usuallyaligned to the cardinal directions Few have been excavated butthere is sufficient evidence to indicate they were Bronze Ageburials and for all the beauty of the stones with which the sur-
face structures were constructed it seems that the dead were laidin simple shallow pits with minimal grave goods
Another poorly understood structure here called dwellingtakes the form of a rectangular or rounded pattern laid out on
the surface of the earth in white grey and black stones (215)Such patterns sometimes occur in great numbers consistentlyoriented east to west and marked by entrances at both endsStanding boulders outside the east entrance indicate the par-ticular significance of that direction Double walls and interiorhearths call to mind present-day winter dwellings with chinkedlog and plank walls (119) ere is no evidence these structureswere ever used for underground burials they may rather havebeen intended to represent dwellings for the dead in the nextworld What happened to the bodies of the deceased is a mys-tery one must again consider the possibility that the dead weregiven sky burials perhaps in the cliffs that so often loom behindor above the fields of dwellings By reference to images of dwell-ings in rock art of the Bronze Age we can hypothesize that thesepatterns belong to the same period Also to this period must datethe curious long lines that so frequently stretch for many metersfrom the dwellings down to the river below or up to a mountainridge or in the direction of a sacred mountain We can surmisethat these lines somehow anchored the dwellings to a significant
zone of transition that they functioned in some way to assist thedead to travel to the realm of the spirits
214 Four-cornered mound Bronze Age This mound is one of
several on the high north side of the Sogoo valley Still visible are fine
white stones in the center and large corner stones of contrasting color
215 Dwellings and lines Bronze Age
The dwellings in this group within the middle
Tsagaan Gol valley are made from white and black
stones To the west they face out to the sacred
mountain Shiveet Khairkhan visible in the center
background On the left can be seen some of the
stone lines that also extend in that direction
216 Old mound Bronze Age This mound
above Khoumlltsoumloumltiin Gol is typical of so many in the
Mongolian Altai rough earthed-over and located
high above the river with a view shed to the east
and west At some point in the millennia since it
was built the huge boulder poised on the mound
rolled down from the cliff to the north
217 Square khirigsuur Bronze Age
This fine platform khirigsuur approximately 14 m
on each side stands on a terrace over KhoumlltsoumloumltiinGol its east side oriented to Sagsay Gol below
its west side to the sacred mou ntain Tsengel
Khairkhan Uul
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S o g o o
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ome Bronze Age structure types may have continued to bebuilt well into the Early Iron Age An example is a kindof thin khirigsuur frequently found in the vicinity of
Early Iron Age burial mounds and occasionally involving acomplex group of altars unlike anything easily related to Bronze Age monuments
ere are other structure types of which the functions liketheir date also remain unclear ese include a curious circularmonument surrounded by a wall of standing flat slabs slantingin toward the center (219) ey may also include small pavedstructures sometimes associated with certain khirigsuur (223)Several structures are reminiscent of burial types reported in adja-cent Altai-Sayan regions but their identification in the Mongolian Altai is uncertain
We are on more secure ground with the burial mounds ofthe Early Iron Age (sixth through third centuries 983138983139983141) eseare usually arranged in irregular rows of two to eight or moremounds extending roughly from north to south (222) Rowsof standing stones (balbal) may extend from the mounds to theeast for a distance of up to 30 meters (220) and small altars of
grey boulders and black standing slabs often occur on the westside of the mounds (221) Excavations of mounds through-out the Altai-Sayan region have revealed wooden chambers inwhich the dead were placed either in larch coffins or directly onthe south side of the chamber floor their heads to the east andtheir faces to the north ey were laid out with their householdgoods their finest clothing and even horsesmdashas if prepared forlife in the next world and for the journey there In the high Altaithe stone mounds of some burials have created a subsoil lensof permafrost that has effectively preserved the organic mate-rials in deeply buried wooden chambers Despite a few well-publicized excavations of frozen burials however the vast major-
ity of these chambers were plundered in antiquity Others arecuriously empty built but never used marked on the surfaceof the ground by their stone mounds ese burials are associ-ated with what is sometimes referred to as the Scythian Periodculture of early nomads or the Pazyryk Culturemdashthe culture ofthe Scythian Period specific to the Altai region However onenames the culture responsible for these burials they all belong toa relatively limited era
218 Late Bronze and Early Iron Age structures
219 Collared mound Late Bronze Age () This structure one of two above the left bank of Nutsgenii Gol is unusual within our region and has no
clear published analogies in neighboring regions It has a diameter of approximately 10 m
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220 Burial mounds Early Nomadic Period One long row of balbal stretches to the east from sunken burial mounds on the left bank of Sagsay Gol
221 Altar Early Nomadic Period
Within this altar from Tsagaan Asgat the round
light-colored boulders on the west are river
stones the standing black slabs on the east are
mountain stones This color pattern regularly
recurs in altars accompanying burials of the Early
Iron Age It suggests a concern for a symbolic
integration perhaps of mountains and rivers
deemed essential at death
222 Burials mounds Early Nomadic Period A row of five deeply sunken burial mounds on the left bank of Chigirtein Gol is seen here from the
north looking south to Dzhalangash Uul On the right (west side) one of the typical altars associated with Early Iron Age burials in the Altai is visible
223 Circular structure Late Bronze Age ()
The fine circular structure with a diameter of 11 mis made of carefully placed light and dark stones It
is one of several altar-like forms su rrounding a thin
khirigsuur at Tsagaan Asgat Its date is uncertain
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Dayan Nuur
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KAZAKHSTAN
M O N GO L I A
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S983156983137983150983140983145983150983143 S983156983151983150983141983155oving from broad valleys into side draws or travel-ing over high ridges the traveler frequently thinks hesees another person standing quietly in the distance
Only on closer inspection is that figure revealed as a large stand-ing stone ese monoliths vary in size but may be of massiveproportions and the material from which they are carved isoften of unusual quality and color Over the millennia manyhave fallen but originally they were oriented with their sides tothe four quarters Deer stones are a particular kind of standingstone named for the images of deer and other animals oftenpecked on their surfaces A deer stone is typically carved withround earrings on the sides of its head a necklace of beads anda belt and hanging weapons (227) More rarely a human faceexplicitly conveys the stonersquos anthropomorphic reference (228)Deer stones usually occur singly but in one instance just aboveTsengel there are two tall stones one with a muted human face(511) At the famous site of Tsagaan Asgat there are more thaneighty standing stones or fallen fragments (75)
Whatever the size of the standing stones they all con- jure human figures in the case of deer stones that reference
was clearly intended and expressed Scholars have traditionallydivided North Asian deer stones into three broad stylistic typesroughly associated with north central Mongolia Tuva and theRussian Altai Within the Mongolian Altai however these stonetypes are often found in unusual combinations suggesting theconstant mix of populations within this large region
e dating of standing stones will always be approximateand dependent on size number location the stonesrsquo proximityto other datable monuments and the elements carved on thestonesrsquo surfaces With those criteria in mind we may proposethe following schema Massive standing stones always set withinframes and often accompanied on their east sides by small cir-
cular altars must have been erected in the Bronze Age On thebasis of the carvings on their sides and by comparison with deer
stones from other regions those of the Mongolian Altai can con-fidently be dated to the Late Bronze and Early Iron ages elatest standing stone type can be easily dated to the Early Iron Age Smaller than the massive Bronze Age stones but larger thanlater Turkic balbal these stonesmdashalso called balbalmdashappear inrows that stretch to the east from Early Iron Age burial mounds(220) Within the Mongolian Altai these stones are frequentlyshaped with the high narrow face to the east eir coloration
and richly textured mineralization recall stylized deer in flightey are certainly the last of the deer stone tradition
224 Standing stones
225 Standing stones Bronze Age
Within this group on the right bank of the Khar
Yamaa there were originally four or more standing
stones but over the centuries at least one has
toppled and broken The rectangular enclosing
frame has also been disrupted perhaps as a result
of the trampling of animals rubbing their backsagainst the stones These impressive monoliths
seen here from the southwest are set within a
wide valley easily visible from a great distance
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226 Leaning stones Bronze Age
Set within a still clear frame this finely quarried
pair of stones each approximately 110 m tall is
essentially hidden from view in a small draw on
the north side of Chigirtein Nuur Originally the
stones stood erect but over the millennia one
has slumped back against the other The stones
are seen here from the northeast
227 Deer stone Late Bronze or Early Iron Age This small deer
stone in the Upper Tsagaan Gol Complex is of the Altai type it lacks
animal imagery but is carved with a beaded necklace round earrings
and three parallel slashes to indicate a human face The dark grey stone
is unusual in being covered on its east side with drilled concavities often
referred to as cup marks The stone faces east within a large ritual site on
the left bank of Tsagaan Salaa
228 Image stone Late Bronze Age
The high side of this stone is carved with a now-
muted human face but other than its shape there
are no elements that allow it to be identified as a
deer stone Alone facing to the east and with a
height of 13 m the stone is located within a high
closed draw sloping down to Sogoo Gol for all
appearances the master of its hidden valley
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l
K h o v d G o l Oumllgiy
CH INA
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KAZAKHSTAN
M O N GO L I A
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T983157983154983147983145983139M983151983150983157983149983141983150983156983155
he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
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Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
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W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
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234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
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Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
Areas visible from artifact
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A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983091
an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
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M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
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burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
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simple burials with the body laid directly under the mound andwith few funerary objects In Tuva just north of our study region
and where a number of spectacular khirigsuur have been exca-vated there is no evidence they were used for burials We do notknow if the khirigsuur in the Mongolian Altai served as burialsor as altars To date none here or in the Russian Altai have beenexcavated It is easier to guess the function of the small circularaltars around the khirigsuur Excavations have revealed that forthousands of years they were used for burned offerings
e khirigsuur is not the only structure type that can beassociated with the Bronze Age roughout our study regionwe find a distinctive kind of stone mound composed of piles ofsharp talus or heavy boulders (216) ese structures are foundindividually on high points of land along terraces or spread inlarge numbers across elevated slopes Curiously most studies of Altai monuments have ignored these mounds yet their num-bers the massiveness of their construction and their locationssuggest they were connected to ceremonies relating to deathPerhaps because of the immovability of their settled stones themounds rarely have central depressions If they were used asburials the individual was probably laid directly on the surfaceof the ground and covered with bouldersmdashmuch as one findsin the case of isolated herdersrsquo burials today It is also possiblethat these mounds were the sites of sky burials or were used tocommemorate sky burials on the cliffs above If that were the
case then these mounds would more appropriately be consid-ered funerary altars or cenotaphs Whatever their function weare certain they are much earlier than the Early Iron Age becausetheir form does not match any known for postndashBronze Age cul-tures in this part of Asia
Scattered throughout the Mongolian Altai are small groupsof structures squared in form with unusual boulders of contrast-ing coloration marking their four corners and centers (214)Known as four-cornered mounds these structures are usuallyaligned to the cardinal directions Few have been excavated butthere is sufficient evidence to indicate they were Bronze Ageburials and for all the beauty of the stones with which the sur-
face structures were constructed it seems that the dead were laidin simple shallow pits with minimal grave goods
Another poorly understood structure here called dwellingtakes the form of a rectangular or rounded pattern laid out on
the surface of the earth in white grey and black stones (215)Such patterns sometimes occur in great numbers consistentlyoriented east to west and marked by entrances at both endsStanding boulders outside the east entrance indicate the par-ticular significance of that direction Double walls and interiorhearths call to mind present-day winter dwellings with chinkedlog and plank walls (119) ere is no evidence these structureswere ever used for underground burials they may rather havebeen intended to represent dwellings for the dead in the nextworld What happened to the bodies of the deceased is a mys-tery one must again consider the possibility that the dead weregiven sky burials perhaps in the cliffs that so often loom behindor above the fields of dwellings By reference to images of dwell-ings in rock art of the Bronze Age we can hypothesize that thesepatterns belong to the same period Also to this period must datethe curious long lines that so frequently stretch for many metersfrom the dwellings down to the river below or up to a mountainridge or in the direction of a sacred mountain We can surmisethat these lines somehow anchored the dwellings to a significant
zone of transition that they functioned in some way to assist thedead to travel to the realm of the spirits
214 Four-cornered mound Bronze Age This mound is one of
several on the high north side of the Sogoo valley Still visible are fine
white stones in the center and large corner stones of contrasting color
215 Dwellings and lines Bronze Age
The dwellings in this group within the middle
Tsagaan Gol valley are made from white and black
stones To the west they face out to the sacred
mountain Shiveet Khairkhan visible in the center
background On the left can be seen some of the
stone lines that also extend in that direction
216 Old mound Bronze Age This mound
above Khoumlltsoumloumltiin Gol is typical of so many in the
Mongolian Altai rough earthed-over and located
high above the river with a view shed to the east
and west At some point in the millennia since it
was built the huge boulder poised on the mound
rolled down from the cliff to the north
217 Square khirigsuur Bronze Age
This fine platform khirigsuur approximately 14 m
on each side stands on a terrace over KhoumlltsoumloumltiinGol its east side oriented to Sagsay Gol below
its west side to the sacred mou ntain Tsengel
Khairkhan Uul
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M O N G O L I A
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Khurgan
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Nuur
Dayan Nuur
TolboNuur
S a g
s a
y
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l
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l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
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M983141983149983151983154983145983137983148S983156983154983157983139983156983157983154983141983155L983137983156983141 B983154983151983150983162983141 983137983150983140E983137983154983148983161 I983154983151983150 A983143983141983155
ome Bronze Age structure types may have continued to bebuilt well into the Early Iron Age An example is a kindof thin khirigsuur frequently found in the vicinity of
Early Iron Age burial mounds and occasionally involving acomplex group of altars unlike anything easily related to Bronze Age monuments
ere are other structure types of which the functions liketheir date also remain unclear ese include a curious circularmonument surrounded by a wall of standing flat slabs slantingin toward the center (219) ey may also include small pavedstructures sometimes associated with certain khirigsuur (223)Several structures are reminiscent of burial types reported in adja-cent Altai-Sayan regions but their identification in the Mongolian Altai is uncertain
We are on more secure ground with the burial mounds ofthe Early Iron Age (sixth through third centuries 983138983139983141) eseare usually arranged in irregular rows of two to eight or moremounds extending roughly from north to south (222) Rowsof standing stones (balbal) may extend from the mounds to theeast for a distance of up to 30 meters (220) and small altars of
grey boulders and black standing slabs often occur on the westside of the mounds (221) Excavations of mounds through-out the Altai-Sayan region have revealed wooden chambers inwhich the dead were placed either in larch coffins or directly onthe south side of the chamber floor their heads to the east andtheir faces to the north ey were laid out with their householdgoods their finest clothing and even horsesmdashas if prepared forlife in the next world and for the journey there In the high Altaithe stone mounds of some burials have created a subsoil lensof permafrost that has effectively preserved the organic mate-rials in deeply buried wooden chambers Despite a few well-publicized excavations of frozen burials however the vast major-
ity of these chambers were plundered in antiquity Others arecuriously empty built but never used marked on the surfaceof the ground by their stone mounds ese burials are associ-ated with what is sometimes referred to as the Scythian Periodculture of early nomads or the Pazyryk Culturemdashthe culture ofthe Scythian Period specific to the Altai region However onenames the culture responsible for these burials they all belong toa relatively limited era
218 Late Bronze and Early Iron Age structures
219 Collared mound Late Bronze Age () This structure one of two above the left bank of Nutsgenii Gol is unusual within our region and has no
clear published analogies in neighboring regions It has a diameter of approximately 10 m
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220 Burial mounds Early Nomadic Period One long row of balbal stretches to the east from sunken burial mounds on the left bank of Sagsay Gol
221 Altar Early Nomadic Period
Within this altar from Tsagaan Asgat the round
light-colored boulders on the west are river
stones the standing black slabs on the east are
mountain stones This color pattern regularly
recurs in altars accompanying burials of the Early
Iron Age It suggests a concern for a symbolic
integration perhaps of mountains and rivers
deemed essential at death
222 Burials mounds Early Nomadic Period A row of five deeply sunken burial mounds on the left bank of Chigirtein Gol is seen here from the
north looking south to Dzhalangash Uul On the right (west side) one of the typical altars associated with Early Iron Age burials in the Altai is visible
223 Circular structure Late Bronze Age ()
The fine circular structure with a diameter of 11 mis made of carefully placed light and dark stones It
is one of several altar-like forms su rrounding a thin
khirigsuur at Tsagaan Asgat Its date is uncertain
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Nuur
Dayan Nuur
TolboNuur
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s a
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l
S o g o o
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l
K h o v d G o l Oumllgiy
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RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983090983096
S983156983137983150983140983145983150983143 S983156983151983150983141983155oving from broad valleys into side draws or travel-ing over high ridges the traveler frequently thinks hesees another person standing quietly in the distance
Only on closer inspection is that figure revealed as a large stand-ing stone ese monoliths vary in size but may be of massiveproportions and the material from which they are carved isoften of unusual quality and color Over the millennia manyhave fallen but originally they were oriented with their sides tothe four quarters Deer stones are a particular kind of standingstone named for the images of deer and other animals oftenpecked on their surfaces A deer stone is typically carved withround earrings on the sides of its head a necklace of beads anda belt and hanging weapons (227) More rarely a human faceexplicitly conveys the stonersquos anthropomorphic reference (228)Deer stones usually occur singly but in one instance just aboveTsengel there are two tall stones one with a muted human face(511) At the famous site of Tsagaan Asgat there are more thaneighty standing stones or fallen fragments (75)
Whatever the size of the standing stones they all con- jure human figures in the case of deer stones that reference
was clearly intended and expressed Scholars have traditionallydivided North Asian deer stones into three broad stylistic typesroughly associated with north central Mongolia Tuva and theRussian Altai Within the Mongolian Altai however these stonetypes are often found in unusual combinations suggesting theconstant mix of populations within this large region
e dating of standing stones will always be approximateand dependent on size number location the stonesrsquo proximityto other datable monuments and the elements carved on thestonesrsquo surfaces With those criteria in mind we may proposethe following schema Massive standing stones always set withinframes and often accompanied on their east sides by small cir-
cular altars must have been erected in the Bronze Age On thebasis of the carvings on their sides and by comparison with deer
stones from other regions those of the Mongolian Altai can con-fidently be dated to the Late Bronze and Early Iron ages elatest standing stone type can be easily dated to the Early Iron Age Smaller than the massive Bronze Age stones but larger thanlater Turkic balbal these stonesmdashalso called balbalmdashappear inrows that stretch to the east from Early Iron Age burial mounds(220) Within the Mongolian Altai these stones are frequentlyshaped with the high narrow face to the east eir coloration
and richly textured mineralization recall stylized deer in flightey are certainly the last of the deer stone tradition
224 Standing stones
225 Standing stones Bronze Age
Within this group on the right bank of the Khar
Yamaa there were originally four or more standing
stones but over the centuries at least one has
toppled and broken The rectangular enclosing
frame has also been disrupted perhaps as a result
of the trampling of animals rubbing their backsagainst the stones These impressive monoliths
seen here from the southwest are set within a
wide valley easily visible from a great distance
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226 Leaning stones Bronze Age
Set within a still clear frame this finely quarried
pair of stones each approximately 110 m tall is
essentially hidden from view in a small draw on
the north side of Chigirtein Nuur Originally the
stones stood erect but over the millennia one
has slumped back against the other The stones
are seen here from the northeast
227 Deer stone Late Bronze or Early Iron Age This small deer
stone in the Upper Tsagaan Gol Complex is of the Altai type it lacks
animal imagery but is carved with a beaded necklace round earrings
and three parallel slashes to indicate a human face The dark grey stone
is unusual in being covered on its east side with drilled concavities often
referred to as cup marks The stone faces east within a large ritual site on
the left bank of Tsagaan Salaa
228 Image stone Late Bronze Age
The high side of this stone is carved with a now-
muted human face but other than its shape there
are no elements that allow it to be identified as a
deer stone Alone facing to the east and with a
height of 13 m the stone is located within a high
closed draw sloping down to Sogoo Gol for all
appearances the master of its hidden valley
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Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
S a
g s a
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l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983088
T983157983154983147983145983139M983151983150983157983149983141983150983156983155
he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
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Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
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i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
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A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983090
M983151983150983157983149983141983150983156983155 983145983150983156983144983141 L983137983150983140983155983139983137983152983141
234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
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Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
Areas visible from artifact
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A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983091
an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
7172019 Altai Sample
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M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
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burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
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Nuur
Dayan Nuur
TolboNuur
S a g
s a
y
G o
l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983090983094
M983141983149983151983154983145983137983148S983156983154983157983139983156983157983154983141983155L983137983156983141 B983154983151983150983162983141 983137983150983140E983137983154983148983161 I983154983151983150 A983143983141983155
ome Bronze Age structure types may have continued to bebuilt well into the Early Iron Age An example is a kindof thin khirigsuur frequently found in the vicinity of
Early Iron Age burial mounds and occasionally involving acomplex group of altars unlike anything easily related to Bronze Age monuments
ere are other structure types of which the functions liketheir date also remain unclear ese include a curious circularmonument surrounded by a wall of standing flat slabs slantingin toward the center (219) ey may also include small pavedstructures sometimes associated with certain khirigsuur (223)Several structures are reminiscent of burial types reported in adja-cent Altai-Sayan regions but their identification in the Mongolian Altai is uncertain
We are on more secure ground with the burial mounds ofthe Early Iron Age (sixth through third centuries 983138983139983141) eseare usually arranged in irregular rows of two to eight or moremounds extending roughly from north to south (222) Rowsof standing stones (balbal) may extend from the mounds to theeast for a distance of up to 30 meters (220) and small altars of
grey boulders and black standing slabs often occur on the westside of the mounds (221) Excavations of mounds through-out the Altai-Sayan region have revealed wooden chambers inwhich the dead were placed either in larch coffins or directly onthe south side of the chamber floor their heads to the east andtheir faces to the north ey were laid out with their householdgoods their finest clothing and even horsesmdashas if prepared forlife in the next world and for the journey there In the high Altaithe stone mounds of some burials have created a subsoil lensof permafrost that has effectively preserved the organic mate-rials in deeply buried wooden chambers Despite a few well-publicized excavations of frozen burials however the vast major-
ity of these chambers were plundered in antiquity Others arecuriously empty built but never used marked on the surfaceof the ground by their stone mounds ese burials are associ-ated with what is sometimes referred to as the Scythian Periodculture of early nomads or the Pazyryk Culturemdashthe culture ofthe Scythian Period specific to the Altai region However onenames the culture responsible for these burials they all belong toa relatively limited era
218 Late Bronze and Early Iron Age structures
219 Collared mound Late Bronze Age () This structure one of two above the left bank of Nutsgenii Gol is unusual within our region and has no
clear published analogies in neighboring regions It has a diameter of approximately 10 m
7172019 Altai Sample
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A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983090983095
220 Burial mounds Early Nomadic Period One long row of balbal stretches to the east from sunken burial mounds on the left bank of Sagsay Gol
221 Altar Early Nomadic Period
Within this altar from Tsagaan Asgat the round
light-colored boulders on the west are river
stones the standing black slabs on the east are
mountain stones This color pattern regularly
recurs in altars accompanying burials of the Early
Iron Age It suggests a concern for a symbolic
integration perhaps of mountains and rivers
deemed essential at death
222 Burials mounds Early Nomadic Period A row of five deeply sunken burial mounds on the left bank of Chigirtein Gol is seen here from the
north looking south to Dzhalangash Uul On the right (west side) one of the typical altars associated with Early Iron Age burials in the Altai is visible
223 Circular structure Late Bronze Age ()
The fine circular structure with a diameter of 11 mis made of carefully placed light and dark stones It
is one of several altar-like forms su rrounding a thin
khirigsuur at Tsagaan Asgat Its date is uncertain
7172019 Altai Sample
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0 40 km
M O N G O L I A
R U
S S I A
C H
I N A
Khurgan
Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
S a g
s a
y
G o
l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983090983096
S983156983137983150983140983145983150983143 S983156983151983150983141983155oving from broad valleys into side draws or travel-ing over high ridges the traveler frequently thinks hesees another person standing quietly in the distance
Only on closer inspection is that figure revealed as a large stand-ing stone ese monoliths vary in size but may be of massiveproportions and the material from which they are carved isoften of unusual quality and color Over the millennia manyhave fallen but originally they were oriented with their sides tothe four quarters Deer stones are a particular kind of standingstone named for the images of deer and other animals oftenpecked on their surfaces A deer stone is typically carved withround earrings on the sides of its head a necklace of beads anda belt and hanging weapons (227) More rarely a human faceexplicitly conveys the stonersquos anthropomorphic reference (228)Deer stones usually occur singly but in one instance just aboveTsengel there are two tall stones one with a muted human face(511) At the famous site of Tsagaan Asgat there are more thaneighty standing stones or fallen fragments (75)
Whatever the size of the standing stones they all con- jure human figures in the case of deer stones that reference
was clearly intended and expressed Scholars have traditionallydivided North Asian deer stones into three broad stylistic typesroughly associated with north central Mongolia Tuva and theRussian Altai Within the Mongolian Altai however these stonetypes are often found in unusual combinations suggesting theconstant mix of populations within this large region
e dating of standing stones will always be approximateand dependent on size number location the stonesrsquo proximityto other datable monuments and the elements carved on thestonesrsquo surfaces With those criteria in mind we may proposethe following schema Massive standing stones always set withinframes and often accompanied on their east sides by small cir-
cular altars must have been erected in the Bronze Age On thebasis of the carvings on their sides and by comparison with deer
stones from other regions those of the Mongolian Altai can con-fidently be dated to the Late Bronze and Early Iron ages elatest standing stone type can be easily dated to the Early Iron Age Smaller than the massive Bronze Age stones but larger thanlater Turkic balbal these stonesmdashalso called balbalmdashappear inrows that stretch to the east from Early Iron Age burial mounds(220) Within the Mongolian Altai these stones are frequentlyshaped with the high narrow face to the east eir coloration
and richly textured mineralization recall stylized deer in flightey are certainly the last of the deer stone tradition
224 Standing stones
225 Standing stones Bronze Age
Within this group on the right bank of the Khar
Yamaa there were originally four or more standing
stones but over the centuries at least one has
toppled and broken The rectangular enclosing
frame has also been disrupted perhaps as a result
of the trampling of animals rubbing their backsagainst the stones These impressive monoliths
seen here from the southwest are set within a
wide valley easily visible from a great distance
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1420
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983090983097
226 Leaning stones Bronze Age
Set within a still clear frame this finely quarried
pair of stones each approximately 110 m tall is
essentially hidden from view in a small draw on
the north side of Chigirtein Nuur Originally the
stones stood erect but over the millennia one
has slumped back against the other The stones
are seen here from the northeast
227 Deer stone Late Bronze or Early Iron Age This small deer
stone in the Upper Tsagaan Gol Complex is of the Altai type it lacks
animal imagery but is carved with a beaded necklace round earrings
and three parallel slashes to indicate a human face The dark grey stone
is unusual in being covered on its east side with drilled concavities often
referred to as cup marks The stone faces east within a large ritual site on
the left bank of Tsagaan Salaa
228 Image stone Late Bronze Age
The high side of this stone is carved with a now-
muted human face but other than its shape there
are no elements that allow it to be identified as a
deer stone Alone facing to the east and with a
height of 13 m the stone is located within a high
closed draw sloping down to Sogoo Gol for all
appearances the master of its hidden valley
7172019 Altai Sample
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M O N G O L I A
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C H
I N A
Khurgan
Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
S a
g s a
y
G o
l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983088
T983157983154983147983145983139M983151983150983157983149983141983150983156983155
he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
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Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
7172019 Altai Sample
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i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
MO NG O L I A
C H
I N A
R U S S
I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983090
M983151983150983157983149983141983150983156983155 983145983150983156983144983141 L983137983150983140983155983139983137983152983141
234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
7172019 Altai Sample
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Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
Areas visible from artifact
0 10 km
MO NG O L I A
C H
I N A
R U S S
I A
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983091
an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
7172019 Altai Sample
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A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983092
M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
7172019 Altai Sample
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burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
7172019 Altai Sample
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220 Burial mounds Early Nomadic Period One long row of balbal stretches to the east from sunken burial mounds on the left bank of Sagsay Gol
221 Altar Early Nomadic Period
Within this altar from Tsagaan Asgat the round
light-colored boulders on the west are river
stones the standing black slabs on the east are
mountain stones This color pattern regularly
recurs in altars accompanying burials of the Early
Iron Age It suggests a concern for a symbolic
integration perhaps of mountains and rivers
deemed essential at death
222 Burials mounds Early Nomadic Period A row of five deeply sunken burial mounds on the left bank of Chigirtein Gol is seen here from the
north looking south to Dzhalangash Uul On the right (west side) one of the typical altars associated with Early Iron Age burials in the Altai is visible
223 Circular structure Late Bronze Age ()
The fine circular structure with a diameter of 11 mis made of carefully placed light and dark stones It
is one of several altar-like forms su rrounding a thin
khirigsuur at Tsagaan Asgat Its date is uncertain
7172019 Altai Sample
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0 40 km
M O N G O L I A
R U
S S I A
C H
I N A
Khurgan
Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
S a g
s a
y
G o
l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983090983096
S983156983137983150983140983145983150983143 S983156983151983150983141983155oving from broad valleys into side draws or travel-ing over high ridges the traveler frequently thinks hesees another person standing quietly in the distance
Only on closer inspection is that figure revealed as a large stand-ing stone ese monoliths vary in size but may be of massiveproportions and the material from which they are carved isoften of unusual quality and color Over the millennia manyhave fallen but originally they were oriented with their sides tothe four quarters Deer stones are a particular kind of standingstone named for the images of deer and other animals oftenpecked on their surfaces A deer stone is typically carved withround earrings on the sides of its head a necklace of beads anda belt and hanging weapons (227) More rarely a human faceexplicitly conveys the stonersquos anthropomorphic reference (228)Deer stones usually occur singly but in one instance just aboveTsengel there are two tall stones one with a muted human face(511) At the famous site of Tsagaan Asgat there are more thaneighty standing stones or fallen fragments (75)
Whatever the size of the standing stones they all con- jure human figures in the case of deer stones that reference
was clearly intended and expressed Scholars have traditionallydivided North Asian deer stones into three broad stylistic typesroughly associated with north central Mongolia Tuva and theRussian Altai Within the Mongolian Altai however these stonetypes are often found in unusual combinations suggesting theconstant mix of populations within this large region
e dating of standing stones will always be approximateand dependent on size number location the stonesrsquo proximityto other datable monuments and the elements carved on thestonesrsquo surfaces With those criteria in mind we may proposethe following schema Massive standing stones always set withinframes and often accompanied on their east sides by small cir-
cular altars must have been erected in the Bronze Age On thebasis of the carvings on their sides and by comparison with deer
stones from other regions those of the Mongolian Altai can con-fidently be dated to the Late Bronze and Early Iron ages elatest standing stone type can be easily dated to the Early Iron Age Smaller than the massive Bronze Age stones but larger thanlater Turkic balbal these stonesmdashalso called balbalmdashappear inrows that stretch to the east from Early Iron Age burial mounds(220) Within the Mongolian Altai these stones are frequentlyshaped with the high narrow face to the east eir coloration
and richly textured mineralization recall stylized deer in flightey are certainly the last of the deer stone tradition
224 Standing stones
225 Standing stones Bronze Age
Within this group on the right bank of the Khar
Yamaa there were originally four or more standing
stones but over the centuries at least one has
toppled and broken The rectangular enclosing
frame has also been disrupted perhaps as a result
of the trampling of animals rubbing their backsagainst the stones These impressive monoliths
seen here from the southwest are set within a
wide valley easily visible from a great distance
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1420
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983090983097
226 Leaning stones Bronze Age
Set within a still clear frame this finely quarried
pair of stones each approximately 110 m tall is
essentially hidden from view in a small draw on
the north side of Chigirtein Nuur Originally the
stones stood erect but over the millennia one
has slumped back against the other The stones
are seen here from the northeast
227 Deer stone Late Bronze or Early Iron Age This small deer
stone in the Upper Tsagaan Gol Complex is of the Altai type it lacks
animal imagery but is carved with a beaded necklace round earrings
and three parallel slashes to indicate a human face The dark grey stone
is unusual in being covered on its east side with drilled concavities often
referred to as cup marks The stone faces east within a large ritual site on
the left bank of Tsagaan Salaa
228 Image stone Late Bronze Age
The high side of this stone is carved with a now-
muted human face but other than its shape there
are no elements that allow it to be identified as a
deer stone Alone facing to the east and with a
height of 13 m the stone is located within a high
closed draw sloping down to Sogoo Gol for all
appearances the master of its hidden valley
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M O N G O L I A
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S S I A
C H
I N A
Khurgan
Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
S a
g s a
y
G o
l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983088
T983157983154983147983145983139M983151983150983157983149983141983150983156983155
he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
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Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
7172019 Altai Sample
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i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
MO NG O L I A
C H
I N A
R U S S
I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983090
M983151983150983157983149983141983150983156983155 983145983150983156983144983141 L983137983150983140983155983139983137983152983141
234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
7172019 Altai Sample
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Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
Areas visible from artifact
0 10 km
MO NG O L I A
C H
I N A
R U S S
I A
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983091
an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
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M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
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burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
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M O N G O L I A
R U
S S I A
C H
I N A
Khurgan
Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
S a g
s a
y
G o
l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983090983096
S983156983137983150983140983145983150983143 S983156983151983150983141983155oving from broad valleys into side draws or travel-ing over high ridges the traveler frequently thinks hesees another person standing quietly in the distance
Only on closer inspection is that figure revealed as a large stand-ing stone ese monoliths vary in size but may be of massiveproportions and the material from which they are carved isoften of unusual quality and color Over the millennia manyhave fallen but originally they were oriented with their sides tothe four quarters Deer stones are a particular kind of standingstone named for the images of deer and other animals oftenpecked on their surfaces A deer stone is typically carved withround earrings on the sides of its head a necklace of beads anda belt and hanging weapons (227) More rarely a human faceexplicitly conveys the stonersquos anthropomorphic reference (228)Deer stones usually occur singly but in one instance just aboveTsengel there are two tall stones one with a muted human face(511) At the famous site of Tsagaan Asgat there are more thaneighty standing stones or fallen fragments (75)
Whatever the size of the standing stones they all con- jure human figures in the case of deer stones that reference
was clearly intended and expressed Scholars have traditionallydivided North Asian deer stones into three broad stylistic typesroughly associated with north central Mongolia Tuva and theRussian Altai Within the Mongolian Altai however these stonetypes are often found in unusual combinations suggesting theconstant mix of populations within this large region
e dating of standing stones will always be approximateand dependent on size number location the stonesrsquo proximityto other datable monuments and the elements carved on thestonesrsquo surfaces With those criteria in mind we may proposethe following schema Massive standing stones always set withinframes and often accompanied on their east sides by small cir-
cular altars must have been erected in the Bronze Age On thebasis of the carvings on their sides and by comparison with deer
stones from other regions those of the Mongolian Altai can con-fidently be dated to the Late Bronze and Early Iron ages elatest standing stone type can be easily dated to the Early Iron Age Smaller than the massive Bronze Age stones but larger thanlater Turkic balbal these stonesmdashalso called balbalmdashappear inrows that stretch to the east from Early Iron Age burial mounds(220) Within the Mongolian Altai these stones are frequentlyshaped with the high narrow face to the east eir coloration
and richly textured mineralization recall stylized deer in flightey are certainly the last of the deer stone tradition
224 Standing stones
225 Standing stones Bronze Age
Within this group on the right bank of the Khar
Yamaa there were originally four or more standing
stones but over the centuries at least one has
toppled and broken The rectangular enclosing
frame has also been disrupted perhaps as a result
of the trampling of animals rubbing their backsagainst the stones These impressive monoliths
seen here from the southwest are set within a
wide valley easily visible from a great distance
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226 Leaning stones Bronze Age
Set within a still clear frame this finely quarried
pair of stones each approximately 110 m tall is
essentially hidden from view in a small draw on
the north side of Chigirtein Nuur Originally the
stones stood erect but over the millennia one
has slumped back against the other The stones
are seen here from the northeast
227 Deer stone Late Bronze or Early Iron Age This small deer
stone in the Upper Tsagaan Gol Complex is of the Altai type it lacks
animal imagery but is carved with a beaded necklace round earrings
and three parallel slashes to indicate a human face The dark grey stone
is unusual in being covered on its east side with drilled concavities often
referred to as cup marks The stone faces east within a large ritual site on
the left bank of Tsagaan Salaa
228 Image stone Late Bronze Age
The high side of this stone is carved with a now-
muted human face but other than its shape there
are no elements that allow it to be identified as a
deer stone Alone facing to the east and with a
height of 13 m the stone is located within a high
closed draw sloping down to Sogoo Gol for all
appearances the master of its hidden valley
7172019 Altai Sample
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0 40 km
M O N G O L I A
R U
S S I A
C H
I N A
Khurgan
Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
S a
g s a
y
G o
l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983088
T983157983154983147983145983139M983151983150983157983149983141983150983156983155
he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
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Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1720
i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
MO NG O L I A
C H
I N A
R U S S
I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983090
M983151983150983157983149983141983150983156983155 983145983150983156983144983141 L983137983150983140983155983139983137983152983141
234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1820
Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
Areas visible from artifact
0 10 km
MO NG O L I A
C H
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R U S S
I A
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983091
an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
7172019 Altai Sample
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M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 2020
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983093
burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
7172019 Altai Sample
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226 Leaning stones Bronze Age
Set within a still clear frame this finely quarried
pair of stones each approximately 110 m tall is
essentially hidden from view in a small draw on
the north side of Chigirtein Nuur Originally the
stones stood erect but over the millennia one
has slumped back against the other The stones
are seen here from the northeast
227 Deer stone Late Bronze or Early Iron Age This small deer
stone in the Upper Tsagaan Gol Complex is of the Altai type it lacks
animal imagery but is carved with a beaded necklace round earrings
and three parallel slashes to indicate a human face The dark grey stone
is unusual in being covered on its east side with drilled concavities often
referred to as cup marks The stone faces east within a large ritual site on
the left bank of Tsagaan Salaa
228 Image stone Late Bronze Age
The high side of this stone is carved with a now-
muted human face but other than its shape there
are no elements that allow it to be identified as a
deer stone Alone facing to the east and with a
height of 13 m the stone is located within a high
closed draw sloping down to Sogoo Gol for all
appearances the master of its hidden valley
7172019 Altai Sample
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M O N G O L I A
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I N A
Khurgan
Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
S a
g s a
y
G o
l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983088
T983157983154983147983145983139M983151983150983157983149983141983150983156983155
he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
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Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
7172019 Altai Sample
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i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
MO NG O L I A
C H
I N A
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I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983090
M983151983150983157983149983141983150983156983155 983145983150983156983144983141 L983137983150983140983155983139983137983152983141
234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1820
Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
Areas visible from artifact
0 10 km
MO NG O L I A
C H
I N A
R U S S
I A
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983091
an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1920
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983092
M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 2020
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983093
burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1520
0 40 km
M O N G O L I A
R U
S S I A
C H
I N A
Khurgan
Khoton Nuur
Nuur
Dayan Nuur
TolboNuur
S a
g s a
y
G o
l
S o g o o
G o
l
K h o v d G o l Oumllgiy
CH INA
RU S S IA
KAZAKHSTAN
M O N GO L I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983088
T983157983154983147983145983139M983151983150983157983149983141983150983156983155
he most visible monuments associated with the Tuumlrksinclude burial mounds rectilinear altars called enclo-sures and a variety of standing stones including small
balbal false image stones and true image stones Turkic burialstake the form of mounds (229) usually greater in height and lessearthed-over than the much older mounds of the Early Iron AgeNot infrequently one can find a wooden stake or what lookslike the base of a tree protruding from the west or north sideof the mound is is all that remains of what may have been apole carrying the flayed body of a horsemdasha virtual steed for theperson buried beneath the mound Within mountainous BayanOumllgiy the most curious aspect of Turkic burial mounds is thatthey are so infrequently encountered is circumstance suggeststhat here the dead were disposed of in some other manner thanburial their lives and deaths rather than their bodies memorial-ized through the ubiquitous enclosures
Turkic enclosures (233) are box-like structures defined bylong slabs laid on their sides and abutting at the enclosurersquos cor-ners e space within the enclosure is piled with light-coloredboulders and dark slabs e enclosures may occur individually
or in groups of between two and seven In many cases their dif-ferent sizes suggest memorial structures for a family or a groupof related individuals eir sides are always roughly aligned withthe cardinal directions often there will be a row of small balbalextending to the east (11116) Less common are enclosures sur-rounded by a low trench and an outer dike ese forms arecertainly the remains of more elaborate memorial structures
229 Burial Turkic Period Within the
Mongolian Altai Turkic burial mounds are
relatively infrequent They may appear individually
or in clustered groups This mound in the Elt basin
has the remains of a wooden post protruding from
its west side Small mounds of boulders lost in
deep grass around the large mound suggest the
remains of followers of the individual buried here
230 Turkic memorials
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1620
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983089
Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1720
i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
MO NG O L I A
C H
I N A
R U S S
I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983090
M983151983150983157983149983141983150983156983155 983145983150983156983144983141 L983137983150983140983155983139983137983152983141
234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1820
Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
Areas visible from artifact
0 10 km
MO NG O L I A
C H
I N A
R U S S
I A
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983091
an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1920
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983092
M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 2020
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983093
burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1620
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983089
Excavations of enclosures in the Russian Altai and Tuva haverevealed the presence of central pits within which may be foundthe remains of a lower tree trunk e placement of a larch polewithin the pit has suggested that the Turkic memorial rituals alsoinvolved erecting a virtual tree that may have represented the axisbetween this world and the next or perhaps the path along whichthe dead personrsquos soul was conducted from this world to the landof the spirits Bones of sheep and horses and occasional finds ofsilver cups also indicate that funerary rites involved burned offer-ings and drinking ceremonies
In addition to the lines of small balbal a larger standingstone or a stone partially or fully carved to represent a manoften stands outside the east frame of the enclosure or withinthe enclosure but facing east (232) Uncarved standing stonesor stones carved in the most rudimentary way are substitutes fortrue image stones (233) but the fully carved image stones areamong the most interesting of all Altai antiquities ey rangefrom crude to detailed and refined Hundreds of such figuresare known from Tuva Russian Altai and Mongolia Withinmountainous Bayan Oumllgiy scholars have recorded more than
115 most still in their original positions e images are typi-cally carved with mustaches and small beards ears and fine ear-
231 Stone image Uighur Period This fine
image discussed in the chapter on Sagsay Gol
typifies the Uighur image type Its head is massive
its expression solemn its heavy body dressed in a
long robe faces out to the east With both hands
the image holds a vessel in front of its chest The
figure looks out over a rocky plain as if affirming
his ancient authority
232 Image stone Turkic Period This figure is one of four standing
together in a large ritual site The bird guano covering its head does not
hide the fine carving par ticularly of the manrsquos arms and hands With a
height of 090 m he faces east Upper Tsagaan Gol
233 Enclosures and false image stone Turkic Period These two enclosures from Khargantyn Gol typify the structure
type with heavy slab walls and interiors filled by boulders and broken slabs In this case the southernmost enclosure is fronted
on its east side by a roughly shaped standing stonemdasha false image stone The view here is to the northwest
rings large collared and belted jackets and small purses on theirright hips With his right hand each figure holds a goblet infront of his chest while his left hand clasps a sword hanging fromhis belt At their most impressive the images are solemn andcompelling gazing steadfastly to the east e figures associatedwith the late Turkic or Uighur Period are similar to those of theTuumlrks but with decisive differences they are not associated withenclosures and their figure type is more massive than that of theTuumlrks (231) Typically they wear long Central Asian robes andwith both hands they hold large vessels before their chests
ere is general agreement that the Turkic images must rep-resent honored dead but the meaning of the balbal that extendto the east before them is less certain Some argue on the basis ofold Turkic texts that balbal refer to specific enemies slain by thedeceased warrior others argue that they refer to a generic enemyand indicate an abstract honoring of the dead
In the case of the Turkic and Uighur materials as with thoseof much earlier periods within each specific typology we find sig-nificant variations in both style and quality Clearly the culturalnorm was constantly subjected to individual creative impulses
that we can perceive even if we cannot identify the individual orlineage responsible for that innovation
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1720
i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
MO NG O L I A
C H
I N A
R U S S
I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983090
M983151983150983157983149983141983150983156983155 983145983150983156983144983141 L983137983150983140983155983139983137983152983141
234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1820
Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
Areas visible from artifact
0 10 km
MO NG O L I A
C H
I N A
R U S S
I A
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983091
an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1920
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983092
M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 2020
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983093
burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1720
i
W e s t
StandingStones
Shiveet Khairkhan
3349 m
K h a r
S a l a
a
T s
a g a a n
G o l
T y d y k
G o l
BagaKhatuugiinNuur
D e z rsquo
G o l
B a g a
K h
a t u
u g i i n
G o l
T s a g
a a n
S a l a
a
View shown in photo above
Areas visible from artifact
0 5 km
MO NG O L I A
C H
I N A
R U S S
I A
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983090
M983151983150983157983149983141983150983156983155 983145983150983156983144983141 L983137983150983140983155983139983137983152983141
234Standing stones Bronze Age When
closely approached these stonesmdasha little over
10 m in heightmdashcan be seen to frame the snowy
mountain Shiveet Khairkhan rising at the west
end of Tsagaan Gol valley Seen from a greater
distance as here the side valley within which the
stones are located and the round altars on t heir
east are clearly visible
ust as archaeological monuments reveal significant spacethrough their directional orientations so their locationssuggest ancient understandings of important landmarks in
their physical world is spatial imperative conveys an expres-sive depth that cannot be understood by simple drawings of themonuments themselves nor is it revealed to the viewer by look-ing only at the monuments It is rather essential that we lookaway from the monument out at the surrounding landscapeand particularly in the direction indicated by the monumentrsquosorientation In doing so we begin to sense that monuments weredeliberately placed in relationship to specific rivers and theirflows to snow-crested ridges and mountains e monumentseems to borrow the power of the physical feature or to set up areverberation of reference between the eternal natural element
and the time-bound human-erected stones is recurring rela-tionship between monument and physical feature becomes obvi-ous to the observer in the field it can be recreated in a virtualform by photography and through the delineation of the monu-mentrsquos view shed
Regular principles of placement and view shed are partic-ularly apparent in the case of massive standing stones is isexemplified by a pair of standing stones in a hidden draw alongthe Tsagaan Gol (234) e stones are fronted on the east bythree circular altars to the west they frame the sacred moun-tain Shiveet Khairkhan Further to the west a stone erectedhigh above the valley floor and invisible from below directs onersquos
attention east and downriver (237) An impressive example of
235 View shed from standing stones in 234
(view looking west)
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1820
Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
Areas visible from artifact
0 10 km
MO NG O L I A
C H
I N A
R U S S
I A
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983091
an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1920
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983092
M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 2020
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983093
burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1820
Oumlndoumlr Khairkhan Uul 3914 m
I k h GolT ur geni i
K h
o v d
G o l
G o l
G o d o n
K h a r g a
n t y n
G o l
T s a g
a a n
A s g
a t
KhurganNuur
DayanNuur
K h o t o n
N u u r
i
South
i
North
View shown in photo above
Areas visible from artifact
0 10 km
MO NG O L I A
C H
I N A
R U S S
I A
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983091
an extended view shed is offered by two stones one now fallenabove the left bank of Mogoityn Gol (238) e stone pair wasraised in a high closed draw off any track or trail But the stoneslook out over the large plain of Ketnes with its huge khirigsuurquite visible in the distance and beyond to the glaciated ridge atthe border of China on the south
In the case of khirigsuur the view shed often becomes circu-lar and the shape of the monument echoes that of the mountain-encircled plain in which it is found is effect is clearly visible
in the case of the large khirigsuur scattered over Ketnes (915) Asomewhat different kind of view shed is offered by a fine khirig-suur at the confluence of Khovd and Godon gol (236) isround structure marks that confluence as significant tipped tothe south on its slope it directs our attention to the high peakson the south side of Khurgan Nuur thus joining confluence todistant mountains
By contrast to Bronze Age monuments Turkic memorialenclosures are bound above all to the easterly direction and notto large features in the landscape Occasionally however eastcoincides with an unusually impressive physical feature and the
memorial structure seems to take advantage of that spot to bor-row added meaning
236 Round khirigsuur Late Bronze Age This khirigsuur at the
confluence of Godon and Khovd gol shifts our attention to the south and
to Oumlndoumlr Khairkhan Uul one of the highest peaks on the Chinese border
237 Standing stone Bronze Age Located on a high and protected
terrace above Tsagaan Salaa this stone is virtually invisible unlessapproached from above However the stone seems to have been placed
with careful intention for it looks directly east down to Shiveet Khairkhan
and the glacial stream that feeds Tsagaan Gol
238 Standing stones Bronze Age One of these two massive stones has now fallen and the frame is broken but the
view from the site is spectacular In the far mid-ground are visible several large khirigsuur on Ketnes The high mountains at the
Chinese border rise in the distance The standing stone measures 138 m the fallen stone measures 165 m
239 View shed from standing stones in 238 looking south
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1920
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983092
M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 2020
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983093
burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 1920
A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983145 983150 983156 983144 983141 M 983151 983150 983143 983151 983148 983145 983137 983150 A 983148 983156 983137 983145983091983092
M983151983150983157983149983141983150983156983155 W983145983156983144983145983150 S983152983137983139983141
240 Old circle Bronze Age () This muted
circle set on a high terrace on the east face of the
sacred mountain Shiveet Khairkhan may have
been constructed in the Bronze Age It seems
intended to carry our attention out to the east and
the flow of the milky Tsagaan Gol
241 Square khirigsuur Bronze Age
Set within the large plain known as Ketnes and
surrounded by mountains the round mound of
the khirigsuur is contrasted by its squared frame
At each of the four corners small altars reaffirm
the cardinal directions
242 Standing stones Bronze Age
These four massive stones each of varying
coloration are set within a rectangular frame
oriented from north to south Not only do thestones insist on the four directions they also point
down slope to a number of large khirigsuur and
beyond to the marshy valley of the middle Khovd
he surface structures and standing stones reviewed inthese pages encode ancient understandings of meaning-ful space Even if we cannot say for certain what those
understandings were analogies with other elaborate spatial dia-grams allow us to infer that they were intended and loaded withcultural significance
A round khirigsuur obviously has no specific spatial orien-tation with or without rays it suggests a concern for the pos-sibility of infinite extension from the center (246) With theaddition of rays to the four quarters circularity is integrated withthe indication of earthly directionality When the khirigsuur issquared (241) the same integration occurs through the cen-tral mound and external frame As a whole the khirigsuur thusbecomes a supreme sacred diagram by analogy to later Chineseor Tibetan formulations it suggests a deliberate figurative join-ing of Heaven and Earth of eternal and delimited time Whenan entrance standing stone or altar is added on the east side ofthe frame (1125) one senses that the cosmic integration of cir-cle and square has been qualified and that the direction east car-ried some overriding importance with reference to the afterlife
Variations on these themes may be expressed in the heavymounds with collars and adjoining altars (412 1126) as wellas in the four-cornered mounds of the Bronze Age Massivestanding stones set within rectangular frames offer a somewhatdifferent spatial configuration (242) Stones and frames affirmthe four cardinal directions but when there are multiple stones
together they add an insistence on a north-south axis as wellas on the vertical axis implicating infinite extension above andbelow Deer stones reflect a similarly encoded space but theyinsist on east as the dominant direction (75) With the rows of
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 2020
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983093
burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara
7172019 Altai Sample
httpslidepdfcomreaderfullaltai-sample 2020
A 983154 983156 A 983154 983139 983144 983137 983141 983151 983148 983151 983143 983161 983137 983150 983140 L 983137 983150 983140 983155 983139 983137 983152 983141 983091983093
burial mounds from the Early Iron Age (243) we find an evengreater complication of familiar patterns e rounded moundsrecall the circularity affirmed by the khirigsuur but their spatial
distribution indicates an ancient preoccupation with the polarityof north and south at axial order is balanced by the altars onthe west side of the mounds and the balbal extending to the easte regularly recurring layout of mounds and their adjacent ele-ments indicates that each direction must have had its own mean-ing within the cosmology of the Early Nomads and that east wasprobably related to renewal and west and north to death
243 Burial mounds Early Nomadic Period
There are seventeen burials within this long line
of mounds extending from north to south on the
sloping terrace of Khara Zharyg On the west side
of the mounds are visible several altars of black and
white stones A single line of black balbal extends
to the east from one of the more northern mounds
right background
244 Image enclosure and balbal Turkic
Period This memorial grouping is located in the
valley of Sogoo Gol The simple image looks out to
the east and toward the sacred mountain Khuren
Khairkhan Uul
245 Thin khirigsuur and altars Bronze Age The mound
and paved disk of the khirigsuur are so low that they are difficult to
distinguish Outside the disk one can see some of the altars indicated inthe diagram on the right as well as modern Kazakh burials and a large
khirigsuur mound in the background
When we come to the memorial enclosures images andbalbal of the Turkic Period it is certain that the cosmos was con-ceived in terms of the orderly extension of the four quarters and
that eastmdashthe direction toward which the images face and thebalbal extend (244)mdashmust have been associated with a prin-ciple of renewal e diagram encoded in the Turkic memorialstructures suggests an understanding of the cosmos in terms thatwere bound to principles of order and delimitation and withinwhich the infinite cosmic extension expressed in the khirigsuurwas eschewed
246 Diagram of khirigsuur Bronze Age
The disposition of a variety of altars around a thin
khirigsuur (245) demonstrates the extreme senseof spatial organization embedded in many of the
ancient monumentsDrawing Lynn-Marie Kara