All my engagements will construe to thee.

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All my engagements will construe to thee by @mprove #wudhh14

description

Talk at World Usability Day Hamburg 2014 The Engagement – die Verlobung. Das Engagement als die Beschäftigung eines Schauspielers am Theater. Soziales Engagement – die ehrenamtliche Tätigkeit für das Gemeinwohl oder die Umwelt. Und was könnte das alles mit User Experience für Produkte und Services zu tun haen?

Transcript of All my engagements will construe to thee.

Page 1: All my engagements will construe to thee.

All my engagements will construe to thee

by @mprove #wudhh14

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Laterale Betrachtungen zu Beziehungen

zwischen Menschen, Initiativen und Brands

All my engagements will construe to thee

Matthias Müller-Prove mprove.de uxhh.de uxcamphh.org raumschiffer.de @mprove @uxhh @uxcmphh @raumschifferde

201413. November 2014 - Making life easy!

Hamburg

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BRUTUS: O ye gods,

Render me worthy of this noble wife!

Knock within

Hark, hark! One knocks. Portia, go in awhile.

And by and by thy bosom shall partake

The secrets of my heart.

All my engagements I will construe to thee,

All the charactery of my sad brows.

Leave me with haste.

Julius Caesar by Shakespeare, 1599, 2. Akt, 2. Szene http://nfs.sparknotes.com/juliuscaesar/page_72.html

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The ghost of Caesar taunts Brutus about his imminent defeat.

(Copperplate engraving by Edward Scriven from a painting by Richard

Westall: London, 1802.)

http://en.wikipedia.org/wiki/Julius_Caesar_(play)

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The Globe Theatre, London Photo: mprove

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Mad Men: Don’s Proposal to Megan Photo: Michael Yarish / AMC via http://latimesblogs.latimes.com/showtracker/2011/08/production-finally-begins-on-mad-men-season-5.html

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Macintosh 128K Motherboard (cc) via http://en.wikipedia.org/wiki/Macintosh_128K

Jobs’ Vater zu Steve: „Aber Du wirst wissen, dass der Zaun auch von der Rückseite gestrichen ist.“

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Mac team signatures inside the Mac case http://www.cultofmac.com/122408/signed-by-steve-jobs-co-signatures-inside-the-original-macintosh-case/

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Liebe zum detail

- visual design

- industrial design

- interaction design ie. microinteractions

- usability • user experience

- User Centered Design

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Jim Henson and Kermit

(c) Apple

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Collier’s Year Book 1971

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Collier’s Year Book 1971

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Big Bird (Bibo) aus der Seesamstraße http://muppet.wikia.com/wiki/File:BigBirdABC-DEF-GHI1980%27s.jpg

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Big Bird Design Sketch by Jim Henson

http://muppet.wikia.com/wiki/Big_Bird

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User Model vs. System Model

http://entertainment.howstuffworks.com/muppet.htm

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Carrol Spinney spielt Bibo http://parade.com/303742/iraphael/vintage-sesame-street-photos-from-the-documentary-i-am-big-bird/

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Carrol Spinney I am Big Bird http://parade.com/303742/iraphael/vintage-sesame-street-photos-from-the-documentary-i-am-big-bird/

Umgeschnallter Monitor, damit der Puppenspieler eine Außensicht hat.

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Kermit and Jim Henson

http://comicstheblog.com/2011/05/20/youre-welcome-internet-may-16-20-2011/

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engagement

- Vertrag eines Schauspielers

- Verlobung

- versprechen fuer den anwender

software und services zu gestalten

- Passion und persoenlicher einsatz

jenseits und über den Beruf hinaus

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Raum Schiff Erde 2010 Thomas Madsen-Mygdal - Video: http://raumschiffer.de/media/2010/rebooting.html http://www.mprove.de/art/10/rse.html

Wir als Designer haben das Know-How unsere Welt zu verbessern. Damit sind wir auch moralisch aufgefordert es zu tun.

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BRUTUS: O ye gods,

Render me worthy of this noble wife!

Knock within

Hark, hark! One knocks. Portia, go in awhile.

And by and by thy bosom shall partake

The secrets of my heart.

All my engagements I will construe to thee,

All the charactery of my sad brows.

Leave me with haste.

Julius Caesar by Shakespeare, 1599, 2. Akt, 2. Szene http://nfs.sparknotes.com/juliuscaesar/page_72.html

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BRUTUS: Oh, gods, make me worthy of this noble wife!

A knocking sound offstage. Listen! Someone knocks. Portia, go inside awhile, and soon enough you’ll share the secrets of my heart. I’ll explain all that I have committed to do and all the reasons for my sad face. Leave me quickly.

Julius Caesar by Shakespeare, 1599, 2. Akt, 2. Szene http://nfs.sparknotes.com/juliuscaesar/page_72.html

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The ENDphoto (cc) mprove http://www.23hq.com/mprove/photo/14190417