AJB Spring Catalog

6
ALICE JAMES BOOKS has been May 2016 ISBN: 978-1-938584-18-3 paper • $15.95 Driving Without a License NEW TITLES Janine Joseph SPRING 2016 CATALOG “Janine Joseph writes with an open and easy intimacy. The language here is at once disruptive and familiar, political and sensual, and tinged by the melancholy of loss and the discomforting radiance of redemption. A strong debut.” —Chris Abani “We’ve never read a book like Janine Joseph’s Driving Without a License. By ‘We’ I mean all of us. With its ferocious formal range and deep compassion Joseph shows us the world we all live in but often choose to ignore. Here are the lives of mothers and fathers, teenagers and grandparents, all living under the threat of deportation. Here are people making a new home while holding onto the dignity and beauty of the place that they were once from. Joseph is that rare poet who makes a poem that devastates a reader while being entirely free from judgment. These are political poems because simply being alive in the United States is a political act. These are narrative poems because everyone has a story. At the heart of each poem is the lyric, that moment in which there is no separation between ourselves and the world Joseph lets bloom. This makes us citizens of these poems, which is a testament to Joseph’s staggering grace.” —Gabrielle Calvocoressi “These poems create a disquieting narrative of American immigration. . . . Joseph’s sensibility is as psychological as it is political, reminding us that concealment is more than a physical act; it is also a profoundly disruptive emotional and psychological position, one that informs not just the speaker’s sense of the world, but her sense of her self. Brilliantly crafted and intimate, Driving Without a License complicates the narrative of American immigration, creating from it a poetry of beauty and empathy.” —Kevin Prufer publishing poetry since 1973. The press was founded in Boston, Massachusetts as a cooperative wherein authors performed the day-to-day undertakings of the press. This collaborative element remains viable even today, as authors who publish with the press are also invited to become members of the editorial board and participate in editorial decisions at the press. The editorial board selects manuscripts for publication via the press’s annual, national competition, the Alice James Award. Alice James Books seeks to support women writers and was named for Alice James, sister to William and Henry, whose extraordinary gift for writing went unrecognized during her lifetime.

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Transcript of AJB Spring Catalog

ALICE JAMES BOOKS has been

May 2016ISBN: 978-1-938584-18-3

paper • $15.95

Driving Without a License

NEW TITLES

Janine Joseph

SPRING 2016 CATALOG

“Janine Joseph writes with an open and easy intimacy. The language here is at once disruptive and familiar, political and sensual, and tinged by the melancholy of loss and the discomforting radiance of redemption. A strong debut.”

—Chris Abani

“We’ve never read a book like Janine Joseph’s Driving Without a License. By ‘We’ I mean all of us. With its ferocious formal range and deep compassion Joseph shows us the world we all live in but often choose to ignore. Here are the lives of mothers and fathers, teenagers and grandparents, all living under the threat of deportation. Here are people making a new home while holding onto the dignity and beauty of the place that they were once from. Joseph is that rare poet who makes a poem that devastates a reader while being entirely free from judgment. These are political poems because simply being alive in the United States is a political act. These are narrative poems because everyone has a story. At the heart of each poem is the lyric, that moment in which there is no separation between ourselves and the world Joseph lets bloom. This makes us citizens of these poems, which is a testament to Joseph’s staggering grace.”

—Gabrielle Calvocoressi

“These poems create a disquieting narrative of American immigration. . . . Joseph’s sensibility is as psychological as it is political, reminding us that concealment is more than a physical act; it is also a profoundly disruptive emotional and psychological position, one that informs not just the speaker’s sense of the world, but her sense of her self. Brilliantly crafted and intimate, Driving Without a License complicates the narrative of American immigration, creating from it a poetry of beauty and empathy.”

—Kevin Prufer

publishing poetry since 1973. The press was founded in Boston, Massachusetts as a cooperative wherein authors performed the day-to-day undertakings of the press. This collaborative element remains viable even today, as authors who publish with the press are also invited to become members of the editorial board and participate in editorial decisions at the press. The editorial board selects manuscripts for publication via the press’s annual, national competition, the Alice James Award. Alice James Books seeks to support women writers and was named for Alice James, sister to William and Henry, whose extraordinary gift for writing went unrecognized during her lifetime.

NEW TITLES NEW TITLES

The Big Book of Exit Strategies

Alice James Books Farmington, Mainewww.alicejamesbooks.org

may

Poetry/$16.95

J a m a a l m a y ’ s poetry explores the tension between opposites to render a sonically rich argument for the interconnectivity of people, worlds, and ideas. He is the author of Hum (Alice James Books, 2013), and the recipient of several honors including a Lannan Foundation grant, American Library Association’s Notable Book Award, the Spirit of Detroit Award, the Wood Prize from Poetry, and a fellowships from the Civitella Ranieri Foundation, The Kenyon Review, and others. Jamaal co-directs OW! Arts with Tarfia Faizullah.

The Big Book of E

xit StrategiesT

he Big Book of Exit Strategies

T h e Big

Boo

k of Exit Strategies T h e Big

Boo

k of Exit Strategies

J A m A A l m Ay

BigBOOK_CVR-1.indd 1 1/11/16 9:47 AM

Previous Praise for Hum:

“Linguistically acrobatic [and] beautifully crafted. . . [Jamaal May’s] poems, exquisitely balanced by a sharp intelligence mixed with earnestness, makes his debut a marvel.”—Publishers Weekly

“Jamaal May is one of the finest poets in his generation.”—C. Dale Young

“Jamaal May’s debut collection, Hum, is concerned with what’s beneath the surfaces of things—the unseen that eats away at us or does the work of sustaining us. Reading these poems, I was reminded of Ellison’s ‘lower frequencies,’ a voice speaking for us all. May has a fine ear, acutely attuned to the sonic textures of everyday experience.”—Natasha Trethewey

April 2016978-1-938584-24-4 6 x 8 | 144 pages

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JAMAAL MAY

FRANCINE J. HARRISplay dead

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“This book talks smack. This book chews with its open mouth full of the juiciest words, the most indigestible images. This book undoes me. In play dead, francine j. harris brilliantly ransacks the poet’s toolkit, assembling art from buckets of disaster and shreds of hope. Nothing she lays her mind’s eye on escapes. You, too, will be captured by her work.”—Evie Shockley

“What francine j. harris does with language—diction, syntax, the line, the image—is unlike almost anything I know. I’m saying, they re-imagine and re-deploy language in an almost unspeakable way. I read these poems with my eyes and brain, I’m saying, but I read them with my heart and my gut, too. With my neck and the stuff between my vertebrae. My fingernails. I think you have to. I read these poems not knowing they were possible, I’m saying. Thinking stuff like my god. Do you know what I’m saying?”—Ross Gay

April 2016978-1-938584-25-17 x 9 | 96 pages

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PHILLIP B. WILLIAMSThief in the Interior

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November 2015978-1-938584-16-9

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Second EmpireRICHIE HOFMANN

DONALD REVELLDrought-Adapted Vine

Septemer 2015978-1-938584-13-85.5 x 8.5 | 96 pages

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“To experience [Phillip B. William’s] poetry is to encounter a lucid, unmitigated humanity, a voice for whom language is inadequate, yet necessarily grasped, shaped, and consumed. His devout and excruciating attention to the line and its indispensable music fuses his implacable understanding of words with their own shadows.”

—Rachel Eliza Griffiths, Boston Review

“Hofmann is relighting the torch that Crane extinguished when he committed suicide by leaping into the sea; he is taking the sexual longing that permeated Crane and laying it bare.”

—Publishers Weekly

“[Richie Hofmann] possesses an Old World eye, like a character out of Henry James, raised in our era.”

—Tupelo Quarterly

“Revell demonstrates his spontaneity and his unmediated, often delighted, relationship to nature …each [poem] is a momentary conjunction of faith with language, addressed with a pellucid power that invites even unprepared readers to join in.”

—Publishers Weekly, starred review

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