Get the Attention You Deserve: Advertise In The Sacramento Ballet's Performance Programs
Advertise Where You Get Results
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PLSN MK 0821 • 32,056 Qualified Subscribers* • 47.77% of PLSN subscribers are presidents/ owners or are in management.* • 87.5% of PLSN subscribers recommend or make final purchasing decisions.** • 40.6% of PLSN subscribers have — as a direct result of viewing an ad — purchased a product and 79.3% have visited an advertiser’s website.*** • 34.2% of PLSN subscribers indicate a future spending level on entertainment technology for themselves or their company in excess of $100k*** Advertise Where You Get Results Visual Presentation Editorial Visual Presentation Audience www.plsn.com/mediakit * Publisher’s Sworn Circulation Statement, August 2021 ** Publisher’s Own Research from subscription cards *** Publisher’s Reader Survey Simply put, PLSN works! PLSN has been an essential partner in helping us communicate our brand for years and because it is the ‘go to’ resource for lighting pros in our industry, at all levels, we know we’ll be seen and get results. The team at PLSN has always been incredibly responsive, alerting us to opportunities and working with us across all their platforms to be more effective and efficient with our marketing dollars. Larry Beck, PR & Communications — Elation Professional As Thomas Jefferson said ‘The man who stops advertising to save money is like the man who stops the clock to save time.’ Time is the mainstay of life on our planet just as advertising is a key element of the Robe marketing mosaic. Cooperating with PLSN as one of the most important and long established industry media portals, is fundamental to both our printed and digital advertising strategies, not only in North America but worldwide. Pavel Němec, International Marketing Manager — ROBE Lighting Advertising in PLSN has been key to CHAUVET’s branding and successful crossover into the production and rental markets. PLSN is one of very few publications in this industry with editorial credibility. It attracts the kind of potential buyers we seek: discerning and educated readers, savvy designers and installers. Berenice Chauvet, Vice President — CHAUVET 2021 MEDIA KIT I ’ve now been in this wacky business of live entertainment for 45 years. I originally became interested in this business as an audio guy at a young age, learning my craft in college and working in clubs. Eventually I saw the light of day, literally speaking, as I was around when the advent of moving light technology came around, and I jumped ship permanently, squinting at bright lights the rest of my life. Over the course of my career, I’ve become friends with most of the major players in our industry, from production managers to lighting designers, gaffers, riggers and anyone else hanging a light. Most of these people have probably done a gig with me over the years somewhere. It’s been said that I was the one to have lit the Last Supper. But I’m slowly putting those days behind me. Six years ago, I picked up this gig as the editor at PLSN. In this time, I have amassed a whole new collection of friends that, prior to taking this job, I had no idea existed — the marketing teams, the writers of press releases and the friends that send me their latest news from all over the world. Over the course of these correspondence, I have cemented relationships with so many people that I now live in a lifestyle that has two jobs and two distinctly different sets of friends. The ones that make the news, and the others that report it to me. After 15 long months it’s been an uplifting experience to watch as live entertainment comes back. While moving slowly at first, by August it seems like anyone who owns a guitar is ready to hit the road. New gear is harder to find due to import problems and the lack of items to stock the shelves. If there was ever an important time to get the word out on the services as well as gear you can service our industry with, it’s right now. We at PLSN are excited to write about the plethora of famous acts of all genres we are looking at covering in the upcoming issues. Corporate theater, trade shows, House of Worship installs and so much more just add to our stories on live concerts we produce. To add to PLSN, we have folded Stage Directions into our issues. On top of our usual stories a special section on theater, helmed by the infamous Michael Eddy, will be featured monthly making us more diverse than ever. We are always looking to hear from our readers about potential articles we could write about recent shows that would interest our readers. Feel free to reach out to me so we can work together on getting your news out to all. Nook, a Parnelli Award recipient for LD of the Year, also continues to serve as production designer for several touring acts while editing PLSN. He resides in the culturally diverse city of Minneapolis with his family. His wife works on producing corporate events, and the two often collaborate on projects. They look after two boys. EDITOR’SPROFILE NookSchoenfeld 2022 MEDIA KIT
Transcript of Advertise Where You Get Results
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• 32,056 Qualified Subscribers*
• 47.77% of PLSN subscribers are presidents/owners or are in management.*
• 87.5% of PLSN subscribers recommend or make final purchasing decisions.**
• 40.6% of PLSN subscribers have — as a direct result of viewing an ad — purchased a product and 79.3% have visited an advertiser’s website.***
• 34.2% of PLSN subscribers indicate a future spending level on entertainment technology for themselves or their company in excess of $100k***
Advertise Where You Get Results Visual Presentation
Editorial Visual Presentation
Audience
www.plsn.com/mediakit
* Publisher’s Sworn Circulation Statement, August 2021 ** Publisher’s Own Research from subscription cards *** Publisher’s Reader Survey
Simply put, PLSN works! PLSN has been an essential partner in helping us communicate our brand for years and because it is the ‘go to’ resource for lighting pros in our industry, at all levels, we know we’ll be seen and get results. The team at PLSN has always been incredibly responsive, alerting us to opportunities and working with us across all their platforms to be more effective and efficient with our marketing dollars.
Larry Beck, PR & Communications — Elation Professional
As Thomas Jefferson said ‘The man who stops advertising to save money is like the man who stops the clock to save time.’ Time is the mainstay of life on our planet just as advertising is a key element of the Robe marketing mosaic. Cooperating with PLSN as one of the most important and long established industry media portals, is fundamental to both our printed and digital advertising strategies, not only in North America but worldwide.
Pavel Němec, International Marketing Manager — ROBE Lighting
Advertising in PLSN has been key to CHAUVET’s branding and successful crossover into the production and rental markets. PLSN is one of very few publications in this industry with editorial credibility. It attracts the kind of potential buyers we seek: discerning and educated readers, savvy designers and installers.
Berenice Chauvet,Vice President — CHAUVET
2021 MEDIA KIT I’ve now been in this wacky business of live entertainment for 45 years. I originally became interested in this business as an audio guy at a
young age, learning my craft in college and working in clubs. Eventually I saw the light of day, literally speaking, as I was around when the advent of moving light technology came around, and I jumped ship
permanently, squinting at bright lights the rest of my life.Over the course of my career, I’ve become friends with most of the major
players in our industry, from production managers to lighting designers, gaffers, riggers and anyone else hanging a light. Most of these people have probably done a gig with me over the years somewhere. It’s been said that I was the one to have lit the Last Supper. But I’m slowly putting those days behind me.
Six years ago, I picked up this gig as the editor at PLSN. In this time, I have amassed a whole new collection of friends that, prior to taking this job, I had no idea existed — the marketing teams, the writers of press releases and the friends that send me their latest news from all over the world. Over the course of these correspondence, I have cemented relationships with so many people that I now live in a lifestyle that has two jobs and two distinctly different sets of friends. The ones that make the news, and the others that report it to me.
After 15 long months it’s been an uplifting experience to watch as live entertainment comes back. While moving slowly at first, by August it seems like anyone who owns a guitar is ready to hit the road. New gear is harder to find due to import problems and the lack of items to stock the shelves. If there was ever an important time to get the word out on the services as well as gear you can service our industry with, it’s right now.
We at PLSN are excited to write about the plethora of famous acts of all genres we are looking at covering in the upcoming issues. Corporate theater, trade shows, House of Worship installs and so much more just add to our stories on live concerts we produce.
To add to PLSN, we have folded Stage Directions into our issues. On top of our usual stories a special section on theater, helmed by the infamous Michael Eddy, will be featured monthly making us more diverse than ever.
We are always looking to hear from our readers about potential articles we could write about recent shows that would interest our readers. Feel free to reach out to me so we can work together on getting your news out to all.
Nook, a Parnelli Award recipient for LD of the Year, also continues to serve as production designer for several touring acts while editing PLSN. He resides in the culturally diverse city of Minneapolis with his family. His wife works on producing corporate events, and the two often collaborate on projects. They look after two boys.
EDITOR’SPROFILE NookSchoenfeld
2022 MEDIA KIT
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Year Issue Focus Special Feature Bonus Distribution Ad Due Dates
2022
Jan. New Year - New Gear Seasonal Shows Winter NAMM/ISE December 28, 2021
Feb. Theater Issue Theater Makers, Productions and Technology USITT January 24, 2022
March Staging Issue We chat with some staging companies February 21, 2022
April TV and Film Issue Interviews with top DP's and LD's in the Film/TV world
NAB/ ProLight+Sound March 21, 2022
May Corporate Events New gear from overseas- Report from PL+S Frankfurt April 28, 2022
June AV Issue Video Directors interviewed InfoComm May 16, 2022
July Festival Issue So many festivals, so many types. June 28, 2022
Aug. Concert Touring In depth report on the summer touring season PLASA July 25, 2022
Sept. House of Worship The latest technology hits your local church August 22, 2022
Oct. Tools of the Trade Installations LDI September 26, 2022
Nov. LDI LDI Show Report on all the latest new gear October 24, 2022
Dec. Holiday Issue Coverage of Holiday Productions and Gold Star Awards
November 21, 2022
2022 EDITORIAL CALENDAR
Industry News PLSN provides the industry with an inde-pendent editorial voice, covering the industry like no other news source.
Global News Concert touring, theatre and architectural lighting news from around the world.
New Products What’s new and on the market? PLSN has it covered.
On the Move Who’s who in the industry, and where they’re heading, plus the latest informa-tion of companies in transition.
Showtime PLSN readers get a chance to see their own work in print. They send us gig shots, crew credits and details about the gear they used.
Stage Directions Covering theater production and design - academic, regional, Broadway and opera.
Feeding the Machines A veteran lighting programmer shares practical tips leavened with humorous observations of the joys and tribulations of life on the road.
Designer Watch Debi Moen checks in with designers throughout the world to report on their latest projects and where they are, helping readers keep up-to-date with their friends and peers in the industry.
LD-at-Large Humor and wisdom at the end of the day — on each issue’s last page.
Inside Theater Topical discussions with the leading lights in the world of theater, on and off Broadway.
Production Profile A look at the design team’s concepts for a touring production and the lighting, video, staging and rigging systems they use to give each new tour a fresh vibe.
Designer Insights Lighting, video and set designers share their perspectives on top touring productions, speaking directly to the readers in their own words.
Installations The artistry and engineering embodied within the venues themselves, and the people who make them happen.
Company 411 Every manufacturer that has risen to prominence in our industry has done so against huge odds. Here are their stories.
Buyers Guide A no-hype-allowed zone for industry professionals making critical buying decisions.
Road Test Sizing up a piece of gear on a trade show floor is one thing. Actually putting it to work on a real-world production is another. Here’s where industry pros put the rubber to the road.
Interviews and Chats PLSN speaks with the legends behind the scenes as they chat about life and the productions they have been involved in.
Projection Connection A unique magazine-within-a-magazine format covering video projection and the latest LED video display elements within touring productions and fixed installations.
Video Digerati Observations and insights from a working video programmer.
IN-DEPTH and COMPREHENSIVE EDITORIAL COVERAGE
MONTHLY EDITORIAL SCHEDULED ISSUE EDITORIAL
SALE
S C
ON
TACT
S Greg Gallardo PublisherTel: 702.932.5585 [email protected]
Terry LowePresidentTel: [email protected]
Matt HuberAccount ManagerTel: 702.932.5585 [email protected]
Judy WangThe Greater ChinaWorldwide Focus MediaTel: [email protected]
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So what is Stage Directions in PLSN magazine? It is a dedicated section to covering theater makers, theatrical projects, highlighting relevant news for
the theater industry, as well as spotlighting the new products and technologies aimed at the theaters. Just as all live entertainment has undergone changes that will be evident throughout 2022, the theater segment
is no exception, and this will be reflected in the coverage throughout the SD section of PLSN. Stage Directions may have a new home but it is still committed to in-depth coverage of the range of theater makers from across all the truly dynamic, diverse, and vibrant professional, regional, and academic theaters.
Having been privileged to cover the theater market for the past five years as Editor-in-Chief at Stage Directions, I can assure you that in-depth coverage of all the incredible theater makers, interesting productions, and innovative technol-ogy and products will continue to be at the heart of our coverage as SD in PLSN. We will be the center of the theatrical technology conversations covering the lighting, scenic, projection, video, staging, costume, and props production dis-ciplines. Speaking to designers, technicians, stagehands, production managers, technical directors, theater maker artisans, and shops, SD in PLSN is the place to share and find the technical solutions needed by production professionals and decision makers as well as to participate in the most current conversations about the state of theater technology.
No matter what segment of the theater technology industry you’re looking to reach SD in PLSN is able to put the spotlight on you, your company and your message. SD in PLSN plays a vital role at the center of the conversation between designers, technicians, and theater makers with the manufacturers and vendors to the theater technology industry. SD in PLSN is uniquely positioned to amplify your message as we reach our readership with coverage that interests, edu-cates, and inspires their work. PLSN is truly unmatched in being able to reach YOUR customers!
SD in PLSN, just as Stage Directions, reaches theater professionals at every level—our readers will be turning to the Stage Directions section in PLSN to inform them about the latest advances in theatrical technology—and they are still the ones who are making or recommend purchasing decisions!
Today’s theater landscape reflects the need to be well informed and able to crossover and work in the wider live entertainment industry. This means that SD in PLSN’s coverage is certainly timely and relevant to the entire PLSN reader-ship, which now welcomes the theater community of Stage Directions. So when you advertise with SD in PLSN you are now reaching the Stage Directions’ read-ers, but also the many PLSN readers. Making connections between designers, technicians, and theater artisans and manufacturers and vendors has always been among the most important mission of Stage Directions magazine and that will still be a priority going forward as Stage Directions in PLSN.
I am excited to be part of this next stage of theater coverage and look for-ward to the opportunities we can find together in Stage Directions in PLSN.
Michael S. Eddy Theater Editor, Stage Directions in PLSN Magazine
SD EDITOR Michael S. EddyDEICATED EDITORIAL COVERAGE
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Type: Par shapedIP Rating: IP65Lamp Source: Custom 75W COB LEDsPower Consumption: 75WWhite Color Temp: variableOperating Temp Range: NABeam Angles: 10°, 25°, 40°, 60°Exterior Finish: Machined air-craft-grade aluminum housing.
Weight: 6.3 lbs.Size: 6.5 x 6 x 8.96”Accessories: Gel holder/frame includedMSRP: $548Notes: Made in USA; can use standard or wireless 75W PAR 38 bulb; optional Edison or GU24 base.
Type: LED PARIP Rating: 65Lamp Source: RGBA LEDPower Consumption: 63 WattsWhite Color Temp: 1,000-10,000 KOperating Temp Range: -4F-104 FBeam Angle: 19°Exterior Finish: Black
Weight: 9.5 lbs.Size: 8.5 x: 10.5 x 9”Accessories: Wireless IR Re-mote, Color Frame included.MSRP: $860Notes: This luminaire features the same innovative homoge-nized beam, as the Color One 100 only with nearly 60% more output.
Type: Flood or accent lightIP Rating: IP65Lamp Source: 42 Osram LEDsPower Consumption: 320W maxWhite Color Temp: TunableOperating Temp Range: -25° C to 50° CBeam Angles: 15°, 25°, 35°Exterior Finish: Polished aluminum or jet blackWeight: 50.7 lbs.
Size: 20.6 x 15.7 x 10”Accessories: Optional hanging adapterMSRP: Contact dealerNotes: They fit Osram Ostar Stage high-performance multichip LEDs, coupled with a unique Claypaky optical system. Odeon Flood lights come in three models: Maxi (320W), Medium (250W) and Mini (175W).
Type: LED Wash LightIP Rating: IP65Lamp Source: 24 Osram Ostar Stage N RGBW LEDPower Consumption: 400 VA maxWhite Color Temp: Linearly variable: 2700-8000KOperating Temp Range: 14° to 104°FBeam Angles: 8°, 20°, 40°, 60° x 10°
Exterior Finish: Epoxy paint, black finishWeight: 22 lbs.Size: 17.24 x 10.03 x 6.29” (WxHxD)Accessories: Holographic filters includedMSRP: $1,890Notes: Users can adjust beam angles quickly
Type: Variable beamIP Rating: IP65Lamp Source: 12 10W LEDs (RGBW)Power Consumption: 180WWhite Color Temp: 6500°Operating Temp Range: 14 to 113 FBeam Angles: Native 6.5°, variable with optional filtersExterior Finish: Black
Weight: 24 lbs.Size: 41.2 x 7.3 x 4.7Accessories: Omega brackets, safety included.MSRP: $1,540Notes: Two weather-proof enclosures for elliptical or symmetrical holographic filters allow LDs to adapt ARCALINE 3 to a wide variety of applica-tions.
Type: Outdoor architecturalIP Rating: 65Lamp Source: 18 10W LEDsPower Consumption: 83WWhite Color Temp: 2700-3000KOperating Temp Range: 10°F-104 °FBeam Angle: 25°Exterior Finish: Durable Cast
AluminumWeight: 9 lbs.Size: 39.8 x 2.7 x 4Accessories: IP rated AC power input cord with cable cap, 3-pin extended IP rated DMX in/out plugs, and a set of IP rated DMX in/out cables included.MSRP: $449.99
There’s a fine line between entertainment and architectural lighting. They even invented the term “archi-tainment” for such a reason. There
comes a time in every lighting vendor’s life where they are asked, “Can you get me some weatherproof lights to wash these banners at an outdoor show?” In the past, some hard research had to be done, or cov-ers for fixtures had to be invented. Nowadays, almost everyone making entertainment lights has an archi-tectural division. Here are the names you know and trust, with some great options for exterior lighting fixtures. All of the ones featured here offer color mix-ing along with a range of white color temperatures and weatherproof ratings.
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Apollo Design Avere 6 Par Can
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Ayrton ArcaLine 3 Blizzard Lighting Motif Vignette
Exterior Architectural Lights By NookSchoenfeld
FEATURED LISTING
Type: STATS
IP Rating: Info
Lamp Source: Info
Power Consumption: Info
White Color Temp: Info
Operating Temp Range: Info
Beam Angles: Info
Exterior Finish: Info
Weight: Info
Size: Info
Accessories: Ut tincidunt vehicula lorem,
a cursus tortor feugiat vulputate.
MSRP: $0,000
companywebsite.com • 000-000-0000
Company Product NameLorem ipsum dolor sit amet, con-sectetur adipiscing elit. In dictum dolor vitae mollis tristique. Duis felis ex, fermentum in mi a, lobortis facilisis felis. Nulla nunc diam, facili-sis sit amet odio in, facilisis blandit ipsum. Ut at bibendum ante. Ali-quam hendrerit laoreet convallis. Duis iaculis sem eget nisi tempus sagittis. Ut efficitur posuere turpis, ac tincidunt leo placerat nec. Morbi sed viverra nisi, at pellentesque orci. Pellentesque nulla quam, euismod conse-quat est non, luctus ultrices nulla. Praesent in augue dignissim, hendrerit nisl in, ultricies metus. Praesent vestibulum tellus non nisi porttitor rhon-cus. Pellentesque tempus, dolor ultrices facilisis mattis, nisl nulla tincidunt velit, in dapibus ante felis fringilla ex. Vestibulum nec arcu euismod, vo-lutpat lacus et, hendrerit odio. Ut tincidunt vehicula lorem, a cursus tortor feugiat vulputate. Quisque porttitor, eros eget bibendum imperdiet, odio leo semper orci, id cursus quam mi quis lorem.
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Greg Gallardo Publisher
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A PLSN Featured Listing is:
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Market Place Advertising4-Color Only 1X 3X 6X 9X 12X1/4 Page $1,130 $1,075 $1,020 $905 $8201/6 Page $830 $815 $750 $665 $6051/12 Page $500 $470 $445 $335 $3601/24 Page $370 $345 $330 $295 $265
TABLOID PAGE SIZES4-Color 1x 3x 6x 13xTab Spread $7,370 $7,180 $6,800 $6,475Full Page Tab $4,500 $4,295 $4,100 $3,9153/4 Tab $3,985 $3,870 $3,715 $3,5251/2 Tab $3,595 $3,450 $3,305 $3,2001/3 Tab $2,700 $2,545 $2,475 $2,4001/4 Tab $2,295 $2,185 $2,090 $1,935JUNIOR PAGE SIZES4-Color 1x 3x 6x 13xJr. Full Page $3,680 $3,520 $3,355 $3,2602/3 Jr. Page $2,750 $2,695 $2,625 $2,5501/2 Jr. Page $2,295 $2,185 $2,090 $1,9351/3 Jr. Page $1,890 $1,845 $1,755 $1,6851/4 Jr. Page $1,420 $1,380 $1,305 $1,2451/6 Jr. Page $ 985 $ 950 $ 845 $805PREMIUM AD POSITIONS4-Color Only 1x 3x 6x 13xFront Cover Showcase Ad $5,000 $4,800 $4,610 $4,430
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RATECARD ADSPECS
1/4 Horz1/4 Ve
rt
1/6 Ve
rt
1/6 Horz
1/6 PageVert2.375 W x 4.75 H
1/4 Page Horz4.85 W x 3.5 H
1/24 Page2.375 W x 1.5 H
1/12 Page2.375 W x 2.0 H
Full Tab Spreadw/21.75 x h/14.5
With Bleedw/22 x h/14.75
Full Page Tabw/10.875 x h/14.5
With Bleedw/11.125 x h/14.75
3/4 Tab Verticalw/7.365 x h/13.5
With Bleedw/7.9896 x h/14.75
1/2 Tab Verticalw/4.85 x h/13.5
With Bleedw/5.475 x h/14.75
1/2 Tab Horz.w/9.9375 x h/6.65
With Bleedw/ 11.125 x h/7.275
1/3 Tab Horz.w/9.9375 x h/4.325
With Bleedw/11.125 x h/4.95
1/4 Tab Verticalw/2.375 x h/13.5
With Bleedw/2.9688 x h/14.75
Junior Full Pagew/7.375 x h/9.75
With Bleedw/7.9896 x h/10.375
1/4 Tab Horz.w/9.9375 X h/3.5
With Bleedw/11.125 x h/4.125
2/3 Jr. Vertical4.85 x 9.75
2/3 Jr. Horz.7.375 x 6.5
1/2 Jr. Horz.7.375 x 4.875
1/3 Jr. Vertical2.375 x 9.75
FULL PAGE TAB FULL TABSPREAD
3/4 TA
B VER
TICAL
1/2 TA
B VER
TICAL
1/2 TABHORIZONTAL
1/3 TAB HORZ
1/4 TA
B VER
TICAL
JUNIORFULL PAGE
2/3 Jr.
VERT
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1/4 TAB HORIZONTAL
2/3 Jr. HORZ
1/2 Jr. HORZ
1/3 Jr. Square4.85 x 4.85
1/2 Jr. Vertical4.85 x 7.5
1/3 Jr. SQUARE
1/2 Jr. VERT
1/4 Jr. Vertical2.375 x 7.0 1/3
Jr. VE
RT
1/4 Jr.
VERT
1/4 Jr. Horizontal4.85 x 3.5
1/6 Jr. Vertical2.375 x 4.75
1/6 Jr. Horizontal4.85 x 2.51/4
Jr. HORZ
1/6 Jr. HORZ
1/6
Jr. VE
RT
Greg Gallardo PublisherTel: [email protected]
Terry LowePresidentTel: 702.932.5585 [email protected]
Matt HuberAccount ManagerTel: 702.932.5585 [email protected]
Judy WangThe Greater ChinaWorldwide Focus MediaTel: [email protected]
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AD SUBMISSION WEBSITE: www.timeless-com.com/ads/ (100MB Max)
SALES CONTACTS
All ads must be submitted in digital format. Preferred file submission: CMYK or grayscale, high resolution (300dpi or greater) Photoshop or Illustrator-compatible EPS, TIFF, JPEG or PDF files. If supplying layered files, all support images and fonts must be included with all fonts converted to outlines. IMPORTANT PRINT NOTE: All SPOT, RGB, & LAB COLORS SHOULD BE CONVERTED TO CMYK to avoid any color conversion/transparency flattening issues. In addition, if a pdf file is supplied, all text must be converted to outlines.PUBLISHER IS NOT LIABLE FOR INFERIOR OUTCOME IF GUIDELINES ARE NOT FOLLOWED.This publication prints in a web offset, CMYK format and to SWOP standards. For color critical ads two digital color proofs must be provided, created from the supplied digital file on a contract-quality, digital halftone proofing system in accordance with SWOP standards (Imation Digital Matchprint, Kodak Approval, Iris, Rainbow, etc.)
Fractional ads, use the non-bleed dimensions as your live area. Do not allow any essential type or art to fall outside this area. For spread ads, do not place any essential type or images across the gutter (center line) without adding .125” space on each side of the fold for safety (total .25”).
1/4 Page Vert2.375 W x 7.0 H 1/6 PageHorz
4.85 W x 2.5 H
PLSN
MK 0
821
CUSTOM E-MAIL BLAST ................................ $1,500/per email blast
This is the best way to deliver your “personalized message” straight to the desks of the decision- makers throughout the entire visual presentation industry. You have total control over the infor-mation in the message (text, photos, etc.)…everything is focused on you! This is sent in a HTML format and will link directly to any where on your website that you want.
• This is great for a new product introduction, special programs, clients you have done work for or any other important information you want the market to know about your company.
• Drive traffic to your web site
• You can also use it before a trade show to inform attendees what you will be exhibiting at your booth along with your booth num-ber. You can invite attendees to contact you before the show to arrange a specific time (set an appointment) that works with their schedule to stop by your booth to discuss ways you can help them. When someone calls you before a show you can get detailed infor-mation on what they do and what their needs are so you are well prepared when they come to your booth for the arranged appoint-ment…and that much closer to making a sale!
EXAMPLES OF CUSTOM E-BLASTS THAT OTHER CLIENTS HAVE DONE ARE AVAILABLE UPON REQUEST
SPEC NOTE: Pre-designed email (html) - provide html code in .txt or .html file. Please be sure to use absolute, full paths to images and links.
• All styling is inline (no css or styling in header)
• Do not include scripting of any sort (i.e., no javascript)
• Table-based layouts will provide the most consistent display for all email clients and programs
• Design for a width of 600 pixels wide. There is no restriction on height using this option.
ONLINE NEWSLETTER E-BLASTS
CREATIVE BRANDING
WEBSITE ADVERTISING NEWSLETTER ADVERTISING EMAIL ADVERTISING
ADVERTISING
WEB BANNERS SPECS
NEWSLETTER SPECS
Acceptable Formats: .jpg, .gif Size requirements: around 40KWe do not allow audio.
Acceptable Formats: .jpg, .gif Size requirements: around 200KNo Flash, and all newsletter spots are EXCLUSIVE.
468x60 EXCLUSIVE PAGE FOLD $1,350/month
468x60 HEADER EXCKLUSIVE $1,200/month
234x60 EXCLUSIVE SIDEBAR $900/month
468x60 EXCLUSIVE PAGE FOLD $900/month
160x160 EXCLUSIVE SIDEBAR $850/month
This ad appears on ALL pages in the site and is EXCLUSIVE to the client.
Subject to availability.
468x60 ROTATING PAGE HEAD $880/month
VIDEO INSERT/VIDEO OF THE WEEK $1,500/month
• BELLY BANDS
• INSERTS
• ADVERTORIALS
• POLY-BAG
• GATE FOLDS
• BELLY BAND DELUXE SPREADS
This ad appears on ALL pages in the site and is SHARED. Limited availability.
Subject to availability.These ads are all EXCLUSIVE to the client. The Left side banners appear on ALL pages in the site and Right side banners appear on most pages WITHOUT articles. Placement may vary and there are multiple sizes available:
Subject to availability.
Stacking order may alternate.
RICH MEDIAIf you are interested in Rich Media advertisement, we will consider it on an individual basis.
160x160 Tile .......................................................................................... $750/month
160x600 Skyscraper ....................................................................... $1,250/month
FOLLOWUP SURVEY .......................................................................... $750
Five-question survey sent out to respondents of your orginal blast
468x60 ROTATING PAGE HEAD
468x60 EXCLUSIVE PAGE FOLD 234x60 EXCLUSIVE SIDEBAR
160x160 TILE
468x60 HEADER EXCLUSIVE
468x60 EXCLUSIVE PAGE FOLD
160x160 EXCLUSIVE SIDEBAR
160x600 SKYSCRAPER
Looking for a unique way for PLSN readers to remember you?
Ask your sales rep for a quote today!
