/

UNIVERSITY OF JAMMU

It is hereby notified for: the informoiion of oll concerned thot ihe Vice-

Choncellor, in onticipotion to ihe opprovol of ihe Acodemic Council, is pleosed to

outhorize the odopiion of the revised Syllobi iasubject Music of Mosiers Degree

progromme lsi to lVth Semesters for the exominotion to be held in the yeor os under

olongwith %oge of chonge:-

Adoplion of revised svllqbi of M.A. I to lV semeslerM.A. lst Semester for lhe exqminolion to be held in ihe yeo(s) Dec. 2010,2011, 2012

Course No. Title

Applied Theory-lHistory of lndion Music-lStoge Performonce-lProcticolTest-l

Tooqe of chonqe

Chonge is less thon l0%No chongeChonge is less thon l0%Chonge is less thon l0%

Toooe of chonoe

Chonge is less thqn 10%Chonge is less thon l0%Chonge is less lhon l07oChonge is less thon l0%

40040r402403

M.A. llnd

Course No.

450451

452453

Semester for the exominotion lo be held in the yeor(s) Moy 201 1,2012 & 2013

Iitle Tooqe ol cho'noe

Applied Theory-ll Chonge is less thon l0%History of lndion Music-ll No chongeStoge Performonce'll Chonge is less thon l0%ProcticolTest-ll Chonge is less thon l0%

M.A. lllrd Semesfer for the exominolion to be held in the yeo(s) Dec. 20]0,2011'2012

M.A. lvth Semester for ihe exqminotion lo be held in the yeo(s) Moy 201 'l , 2012 & 2013

Course No. Title

500501502503

Course Nq

550551

552503

Applied Theory-lllHistory of lndion Music-lllStoge Performonce-lllProcticql Test-lll

Title %oqe qf chonqe

Aesfhetics Chonge is less lhon '10%

Music from Vedic Period to Preseni Chonge is less thon l0%Times ond Regionol Folk MusicStoge Performonce Chonge is less thon 10%

ProcticolTesl Chonge is less thqn 10%

(1O/June/ ADP/21)

Conld.

The olternotive question popers ore required io be se- :s oer theregulotion given os under:-

University

i). lf ihe chonge in the Syllobi ond Courses of Study is less thon 25%, no olternotilQuesiion poper will be sel.

ii). if the chonge is 25% ond obove bul below 50% otternstive Qurestion Poper be set forone yeor.

iii)' lf the chonge is 50% ond obove on whole sctherne is chonqed ofternstive euestionPoper ore set for two yeors.

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5d.(0m.. P-5' PA'lli'1''1lA.F,{I A}

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MASTER DEGREE PROGRAMME IN MUSIC

SCH EM E:

The following courses of study ,r. pr"r.ribed for the 1-s and 2nd Semesters of Master Oegiee

Programme in Music:-

FIRST SEMESTER:

COURSE NO.

400

401

402

1{}3

AJI mrrus amc c@mrydsqry

srcmfrrqE;Egb

450

451

452

453

All courses are compulsory

DISTRIBUTION OF MARKS

THEORY

4- Credit Course

STAG E PERFORMANCE/PRACTICALS

Applied Theory -l 4

History of lndian Music - I

Stage Performance - I (Practicals)

Practical Test - |

lp$dils't -r

History of lndian Music - ll

Stage Performance -ll (Practicals)

Practical Test - ll

SEMESTER EXAMIf{ATION

80 marks

CREDITS

4

4

4

4

I

4

4

4

SESSIONAL ASSESSMENT

20 marks

TITLE

l:,,r1ai1,

4-Credit Course 50 marks 50 marks

9**

tr

SESSIONAL ASSESSMENT

ZA % of marks in each theory paper and 50 % in practical paper shall be reserved for sessional

assessment. ln case of regular students,internal assessment received from the colleges will be

added to the marks obtained by them in the university examination and in case of Frirnte

candidates marks obtained by them in the University emmination shall be increased

p ro portio n ately i n accorda n ce with th e U n iversity Statutes/Regu lati ons-

L ,y-

FIRST SEMESTER

Course No

Credit : 4

Duration of Examination

Course No:400 Title: Applied Theory-l

Credit :4 Maximum Marks :100

Duration of Examination r Z%hrl a)Semester Examination : 80

b)Sessional Assessment : 20

Syllabus for the examinations to be held in December Z.OLO,}OL1- &z0tz

SYTLABUS

UNIT-I

1.1: Detailed description of notations (vilambit and drut khayal)or {maseet khani,raza khani gat)

of ragas {i)Yaman(ii)Ahir Bhairav(iii)Darbari Kandra{iv)Adana(v)Des (vi)Mian Malhar with alaaps

and tans or-'tdas in different layakaries.

.2: ErlU[a s'hi.rcf-{ otr ragro as descrilihec ab@u,e

l-3: Cornpansim and ontrast d fifFerent tdc ,nrrilig &Em h ffinem b1eiel(B-[aal,Char Taal, Dhamar,Deepchandi)

UNIT II

ll.1: Detailed study of Gharanas of Vocal music.

ll.2: Historical development of following ragas: Bhairav,Kandra and Malhar.

ll.3: Principles of compositiorfrrind vadan and vrind gaan.

UNIT III

lll.1: Biographical sketch of the following musicians:

(a) Ustad Ab{r-din Khan {b) Ustad Bade Gulam Ali Khan (c} Ustad Bismillah Khan (d)

Bhim Sen Joshi (e) Kishori Amonkar (f) Pandit Shiv Kumar Sharma

lll.2: Detailed study of Gamak and its kinds

lll.3: Knowledge of the following musicalterms with examples:

N ayas,Al patav-Ba hutav,Avi rbhav-Ti robhav,Va d i-Sa mvadi.

Pandit

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NOTE FOR PAPER SETTING

The question paper will contain two questions from unit -l and three questions each from unit-

ll and Unit-lll.Total number of questions to be set in the question paper will be FrgfrLThe

candidate will be required to attempt four questions selecting atleast one $restflon frorn each

unit. All questions shall carry equal mark.

Boo,ks Recommended:

1. Kramik pustak malika by V.l{.Ehatkfiandey.

2. Malhar Ke Prakar byJ.TShahY

3. Kandf Ke Prakar by J.TShah

4. Sarang Ke Prakar by J.T.Shah

5. Bhairav Ke Prakar by J.T.Shah

6. Sangeet Ke Gharanon lO Charcfia by S.KChau@

7. Swaron Aur Rago Ke Vikas Mein Vadyon Ka Yogdan by lndrani Chakrmrti-

8. Dhwani Aur Sangeet by l-alit Kishore Sirgft

9. Sitar Marg by Shri Pad Bando Padhlaya

10. Tansen Aur Saini Gharano Ki Parampara by Sunita Dhar

11. Hindustani Shastriya sangeet Ke Gharana Parampara by Shambu Nath Mishra.

? g

FIRST SEMESTER

Course No : 401

Credit- : 4

Duration of Examination :

: History of lndian Music-l

Maximum Marks :100

a)Semester Examination : g0

b) Sessional Assessment : 20Dece m ber 20LA,2OLL &2012

Title

2%hrs.

t

hr

Syllabus for the examinations to be held in

SYLTABUS

UNIT-I

1.1:Music in Vedic period.

1.2:Music in Ramayana,Mahabharat and puran.

|.3:Music in Drama and Mahakavyas of Kalidas.1.4:Music in Budhas and Jain treatises.

UHTT.II

frl.Lil'tistory of Mursic in ancfrent period (third to thirteen century)

s2il crfticd study d 3 grrns ard descritin d rnorttwrathe rrriry of Lmrrrana b fternusicians d irodern Times.

ll.3:Knowledge of following Gra nthas:

(a) Natya 5hastra........ Bharat

{b) Sangeet Makrand & Nardhiya Shiksha .....Narad(c) Brihat Deshi ..... Matang Muni

uNtT- lil

lll.l:Study of Dhrupad style of singing

lll'2:Rag Vargikaran from ancient to modern times (according to ancient,medieval & scholi'i! ofmodern times).

lll.3:study of Nibadh & Anibadh

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NOTE FOR PAPER SETTING

The question paper will contain two questions from unit jand three questions eadl frorn unit-ll and Unit-lll.Total number of questions to be set in the question paper will be F€htThecandidat€ will be required to attempt four questions selecting adeast one questiqn fu-orn each

unit"All questions shall carry equal marks.

B(X)I(S RECOM}IEI*D€D

{1) Rise of il{usic in Anciemt Wmfld hV Ctrt Sachs

{2) l-listory of Mrlsicail lnstrurnemts hy Crrrt Sadrs

{3) Flistorical Derc{oprnerut of Indlan Musna by kajnamard Sffiamd

t4) Bhartifa Sar€eet l(a tthas W SS.PranFpe

{5} Bhartifa Sargeet Ka fthas bV UrneshJoshi

(61 Natya Shastna bV Bharat

t7) Bhrit Deshi by Matang

{8} Sangeet Ratanakar bySharang Dev

(9) Bhartiya Sangeet Vadaya by Lal Mani Mishra

(10) Short Historical Survey of Music by V.N.Bhatkhandey

(11)Sangeet Chintaman by Acharya Brihaspati

(12)Sangeet Shastra Praveen by J.N.Pathak

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FIRST SEMESTER

Course No :402

Credit : 4

Duration of Examination :

Minutes for each student.

Title : Stage Performance -l

Maximum Marks :100

a) Semester Examination : 50

b) Sessional Assessment : 50

30 to 45

Syllabus for the examinations to be held in December 201:O,20LL &2OL2

SYLTABUS

1. Demonstration of a raga selected from prescribed syllabus along with Alaap jod '

Maseet Khani,Raza Khani gat with todas and jhalas for instrumentalists .

Alaap Bada Khayal,ChotaKhayal with proper gayaki,Tarana for vocalist.

----Marks 35

2Ability to sing one DFrrupad or Dhamar for vocalislOne dhun for instrumentalis.

nilarks-15

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F

FIRST SEMESTER

Course No : zl03

Credit : 4

Trtle : PrasticalTest -l

Duration of Examination : 3O to 45

Minutes for each student-

Maximlun'n lk{anks :1@

alSernester Emrnrlrmation : 50

b) Sessfronall Assesslrrent ; 5fl

Syllabts forr tl're exanmfrmations to be held in Decernben 2010,201f &2012

stLlAEl,Js

1" Tr.rning of lntrumenrt.

2. Following ragas are prescribed for practical paper

(i)Yaman(iilAhir Bhairav{iii}Darbari$f Kandra(iv}Adana(v)Des (vi)Mian Malhar

From above ragas any 4 ragas be selected for detailed study out of which 3 Slow Khayal orMaseet Khani Gat and all the six for Drut Khayal or Raza Khani Gat.

Demonstration of following talas playing on hand with different layakaries:(i)Ek Tal (ii)Char Tal (iiilsul Tal (iv)Dhamar {v)Deep Chandi (vi)Jhumara

(vii)PunjabiTal

Comparative studies of the ragas.

Practical file

3.

4.

5.

\#9/

sEcohtD SEMESTER

Course No :450 Title : Applied Theory -ll

Duration of Examination: 2%hrs.

Maximum Marks :100

alSemester Examination : 80

b) SessionalAssessment : 20

Syllabus for the examinations to be held in May 20L1,2012 &2013

SYTLABUS

UNIT-I

t.1: Detailed descriptiqn of notations lVilambit and Drut Khayal] or [Maseet

Khani,Raza Khanil of the Ragas(i)Maru Bihag{ii}Desi(iii)Gour Malhar(iv)Todi {v)

tvluhani( vilBageshwri with alaaps and tans or todas in different layakaries.

fl-2:cnrfrtir=il stttdv d ragps desoriibed ahotre'

1.3:Comparison and Contrast of differenttalaswritirgttern in ditrerent k4fakari6

(ilJhaptal(iilRupak {iii)Ga1'jhampa iv}Jhumara v}Punjabi Tal

UNIT-II

ll.1:Study.of Gharanas in lnstrumental Music (Sitar)

ll.2:Classification of lndian lnstruments and detailed study of the following instruments

(a) Sitar (b)Vichitra Veena (c) Sarod

ll.3:Knowledge of musical terms with examples:

Mee nd, ka na,ghaseet, mu rki,functions of jawari,

Zamzama,al a n ka r,va geya ka r

uNlT-1il

lll.1:Biographical sketch of the following musicians

{a} Swami Haridas (b)Tansen (c) Pandit omkar Nath Thakur

(dlUstad Mushtaq Ali Khan {e)Dr"l-al Mani Mishna (f)Pandit Ravi Shanker {g}Girja Devi

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lll.2:Detailed study of Voice Culture"

lll.3:Define concept of Drone,Principle of musical Drone(Tanpura)

NOTE FOR PAPfR SETNNG

The question paper will contain two questions from unit - I and thnee questioris eactr frornunit-ll and Unit-lll.Tstal number of questions to be set in the question paper willil be Elght.Thecandidate will be required to attenxpt four questions selecting adeast one qr.rcstion fnom eachunit.All questions shall canry equal rnanks.

BOOI(S RECOMMET{DED

(1) Kramik pustak malika by V.N.Bhatkhandey.(2) Malhar Ke Frakar by J"T"Shah

(3) Kandra Ke Prakar by J.T.Shah

(4) Sarang Ke Prakar by J.T.Shah

{5) Sangeet Ke Gharaon ke Charcha byS.K.Chaubey

(6) Sawaron Aur Ragon ke vikas me Vadyon ka yogdan by lndrani Chakravarti(7) DhwaniAur Sangeet by Lalit Kishore Singh

(8) Sitar Marg by Shri Pad Bando Padhyaya

{9) Tansen aur Saini Giarana Ke parampara by Sunita Dhar(10) Hindustani shastriya sangeet Gharana parampara by shambhu Nath Mishra

r*l

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SECOND SEMESTER

Course No :451

Credit : 4

Title : History of lndian Music -ll

Duration of Examination : 2%his.Maximum Marks :100

a) Semester Examination : 80b) Sessional Assessment : 2O

Syllabus for the examinations to be held in May 2011,2012 &2013

SYIIABUS

uNtT-r

1.l:History of lndian music of medieval period from 13th to lgth century

1.2:Knowledge of following Granthas

{a) Sangeet Ratanakm........Sharang Dev(b) Swar Male Kalanidhi.....Ramamatya

{c} Sangeet Parijat.-..,.....".. Pand it Ahoba I

(dl Cfratur Dandi Prakastrika-.Vayankat MakhilJ I ttu ard wtlyae<'scU iltilrsicd krda reeftcFd & drangEd drlry maderral period-

ttrr-t

ll.1: Establishment of swaras on 2|Shrutis from ancientto modern times according todifferent scholars with relation to vibrations of string on the length of veena.ll.2: Time theory of Ragas. tts Origin and development.ll.3: origin of notation system along with its merits and demerits.

uNrT-ilt

lll.1: Detailed Study of Khayal style of singing, Survey & evolution of Thumri & maincharacteristics of purvab & punjab ang Ki Thumri.lll.2: Evoluiion of thatas ud,

lll'3:Qualifications and disqualifications of Vocatists and lnstrumentalists.

i't(.

NOTE FOR PAPER SETTING

lT::::::: ::::r_*',,:oyn two suestions from unit _r and three que,srjons each from unit_

:"lli::tlll,t:iiT.::::" questions to be set in the quesrion paper.wiilr he Eight"rheL15,t Et" t ilc

::::T:::l::-.1''"d to anempt four questions serecting atreast me question from eachunit.All guestions shalt carry equal marks.

tsOOI$ RE@MMENIDED

t!.) Rise olf Mtrsic in Ancient World By Curt Sachsf2) N-llstory sf h,lusicai lnstruments by Curt Sachs{3) Flistoricar Dweropment of lndian Music by prajnanand swarni.{4) tshartifa Sangeet Xa I'thas by Umesh Josh!.(5) ilatfa Shastra by Bharat(5) Bhrit Deshiby Marang(7) Sangeet Ratankar by Sharang Dev(8) thartiya Sangeet Vadaya by tal Mani Mishra(9) Short Historical Survey of Music by V N Bhatkhandey(10) Sangeet Chintamani by Acharya Bhristata.(11) BharatKaSangeetSidhantbyAcharyaBhrispat(LZl Sangeet Shastra praveen byJ.N.pathak

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IJ

Duration of Examination : 30 to 45 mintuesFor each student.

SECOIVD SEMESTER

Course No :452Credit : 4

Title : Stage performance -llMaximum Marks :100

a) Semester Examination : 50b) Sessional Assessment : 50

Syllabus for the examinations to be held in

SYttABUS

May 201L,2012 &2013

1) Demonstration of ragas selected from prescribed syllabus arong with:i Alaap,jod.

li Maseet Khani,Raza Khani,gat with todas and and jhalas for instrumentalists.

I Alaap,Bada Khayal,Chota Khayalwith proper gayakili Tarana for vocalists.

...Marks 35

2l Ahflilry *o mg qre Dtnpd c Dtsrsfuuursrs, prryirydq* dhun fwinstnmentalHs ... Marks 15

r3

:l

SECOND SEMESTER

Course No:453Credit :4

Title : Practical Test JtMaximum Marls :l0O

Duration of Examination : 30 to 45 mintuesFor each student. a) Senwter Fnrnination : 5O

bl Sersional Assessrnent :5Oslhbus forthe examinations to be held in May zo11.zo12 &2013

stu.ABts

1) Tuning of insbumefit2) Following ragas are.prescriH for practicals(i)Maru Bihag{ii)Desi(iii) Garr Mathd iv}Todi (v) lytuttan( vi}Bageshwari

From above ragas any 4 ragas be selected for detailed study out of which 3 slow Khayal orMaseet Khani Gat and allthe six for Drut Khayal or Raza Khani Gat.

3) Comparative studies of ragas

Demonstration of foilowing tatas praying on hand with different rayakaries(i)Jhaptal(ii)Ru pak { iii)Gajjhampa ivlhumara v)punjabi rar

Practicalfile

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lr

SEMESTER COURSES

FOR

MASTER'S DE€REE PR*GRAIVIME

rilrMuSl€

of study are presc.ribed far the 3'd and 4th Semesters of Master's Degree

THIRD SEMESTER

The following courses

Programme in Music :-

COURSE NO.

s00501502s03

All Courses are comPulsory.

@rrRsE llo.

550551

5s2s53

TITLE

Applied Theory -lllHistory of lndian Music-lll

Stage Performance -lllPractical Test-lll

CREDTTS

4

4

4

4

FOURTH SEMESTER

TITI,"E

Aesthetics

Music from Vedic Period to Present

And Regional Folk Music

Stage Performance -lllPracticalTest-lll

SEt\4ESTER EXAMINATIONS

80 Marks

SESSIONAL ASSESSMENT

20 Marks

CRHXTS

4

44

4

L5

An (pev5eo ave c.o-'1"'^l+rr)

DISTRIBUTION OF MA'RKS

THEORY

4 Credit Course

4 Credit Course 50 Marks 50 Marks

SESSIONIAL ASSESSMENT

?a% at the marks in each thecry paper and 50% marks in stage perfcrmance and practical paper

shail be reserue,J fo;' sessicriai assessmeni lil case c,f regular students, i*ter*al assessnlefit

received fn*rn the college rviii be added t* the r.:":arks obte ined by thern in the unive;'sit'/ exarnination

and in case of private candidates marks obtained by them in the university examinatiorr shall be

increased pr"oscrtiorrateiy in eccorda*ce u;iih ti:e Staiuieslreguiaticn:'

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COURSE NO.sOO

CREDITS :4DURATION OF EXAMS: 2%hrs.

THIRD SEMEST'FR

DFTAILED SYTLABUS

TITLE: APPLTED THEORY-l ll

MAX. MARKS: 100

a) Semester Exam : 80 Marks' b) Sessional Assessment : 2O Marks

SYLI3BUS FOR THE EXAMINANOHS TO 3E HE1D IN THE DEC. 2O1O.2tn1&AN:I

SYIIABUS

ut{]T - |

1,1: Writirg in Bhat Khandey l{otatirn System Vilambit Khyal,Chob KhyaUMaseetKhaniGat Raza Khani Gat in Ragas(slrudh Sarangshyam Kalyan,Bhatiyar,Komat

Rishabh Asawari,talitMarwa,Ragesttwari)& Talas(SwariJat) in sirgle and doublelayakaries with definition .

1.2: Compare & contrast the ragas & talas mentioned above including the ragas andtalas prescribed in first and second semester courses.

UNIT_ II

il.L: Elementary knowledge of Western Music, Harmony, Melody, Swar, Scale Equally temperedScale, Diatonic Scale, Major tone. Minor tone, Semi-tone, Free Vibration, Forced Vibration, AbsolutePitch.

ll.2: Western Notation System.

ll.3: Bio-graphical sketches of the following:- Mozard, Beethoven, Handel.

WIT-!Xh

lll.L :Dekshini Taal Padpti

lll.2 :Comparative study in Ragas of Carnatak & Hindustani Sangeet padhati

lll.3:Classification of the instruments of Hindustaniand Carnatak music.

t&

sgrE FoR PAPER SETTING

The question paper will contain 2 Qtrestions from Unit - I and 3 Questions each from Unit -ll& Unit -ltl. Total number of questions to be set in the question paper will be fight. ihe

candidates will be required to attempt four questions selecting atleast one question from

, each unit. All questions shall carry equal marks.

BOOKS RECOMMENDED:

1) Sangeet Manual by Dr.Maritunjay Sharma& Ram Narayan Tripathi

2\ Bhartiya Sangeet Sangrah by Shalinder Kumar Goswami

3) Sangeet Subodh by Dr.Devinder Kour

4\ Sangeet Saar by Veena Mankaran

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couRsE No.501CREDITS :4DURATION OF EXAMS: 2%hrs.

THIRD SEMESTER

DETAILED SYLISEUS' TITLE: HISTORY OF |HDIAN MUStCJfi

MAX. MARKS:1ffia) Semester Exam :8[) Marksb) Sessional Assessrnent : 20 Marts

SYTjjBUS FOR TTIE ExAMTiIAilOflS TO B€ HE[I! IT{ THE T}Ec. UNO. EIIII & IItrJT

5Yu-A8U5

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1.1: History of lndian Music frrom 18m C-entury onrmrds.1.2: contribution of Pt. v.N- Bhat Khandev & pt- v.D. paluskar in the field of Music.

UNIT-II

ll.1: Classification of taalas

ll.2: lmportant aspects of Prabandh, Dhatu, Angas, Jaaties, Varieties of prabandhas

ll.3: Writing of Hindustani taals in Karnataki Padhati & Karnataki Taals in HindustaniPadhati.

ll.4: Detailed study of Rabinder Sangeet.

UNIT -III ESSAYS

lll.1: Kaanth Sadhana, Relation of Music with other fine Arts, Music & Religion, Role of Mediain development of lndian Classical Music, Music in Society, Shastria Sangeet & Folk Sangeet.

NOTE FOR PAPER SETTING

The question paper will contain 2 Questions from Unit - I and 3 euestions each from Unit _lt

& Unit -lll. Total number of questions to be set in the question paper will be fighti thecandidates wili be required to attempt four questions selecting atleast one question fromeach unit. All questions shall carry equal marks.

SCISKS RE€OMMENDED:

li Bhariiya Taaloan Ka Shastriya Vivachan by Dr.Arun Kumar Sen

2i Sange*t Vishared by Vasant

tE,rnofi'

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THIRD SEMESTER

DETAILED SYLLABUS

COURSE NO.5O2 TITLE: STAGE PERFORMANCE-III

CREDITS:4 MAX. MARKS : 100

DURATION OF EXAMS: 30-45 MlN. FOR EACH CANDIATE a)Semester Exam :80 Marksb)Sessional Assessment : 20 Marks

SYLLABUS FOR THE EXAMINATIONS TO BE HELD IN THE DEC. 2010. 20T.1 & 2012

SY1IABUS

One ilbef{dnni Gaq orre Razaltani Gat willt aln4, JoqTodas Jhalas for lnslnrnenbkard One Bara Xhayal, One chhota ftayal with frtll qryaki forVocalists

ln any one of the ragas prescribed in course No.SS.

Elementary knowledge of Playing slow or fast compostion on Harmonium.

NOTE:- The candidates may not be interrupted during performance.

tt

1.

2.

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i

couRSE NO.503

CREDITS:4DURATION OF D(AMS: 3G45 MIN.

THIRD SEMESTER

DETAILED SYLLABUS

. TITLE: PRACilCALTEST-|||

MAX. MARKS: 10O

FOR EACH CANDIATE a)Semester Exam :5O Marks

b) Sessional Assessment : 50 Marks

snrSls

1- TunitEof hrtnrrstr2. capacitv to phy d|eras of Teenbal , $n@al, R$alg Kehava on TaHa-

3- Demonstration of folkrwing talas in single & douHe Layalarie$ srari" Jat

4. Following Ragas for Practical detail Study:-

Shudh sarang, shayam Kallyan,Bhatiyar Komal, Rishabh Asawari, Lalit,Marwa,

Rageshwari,

5. One Thumri or Dadra for Vocalists in Ragas:- Kafi, Bhairvi, Khamaj

Or

One Gat other than Teen taal for lirstrumentalists'I

h,l

l'11

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COURSE NO.55O

CREDITS :4DURATION OF EXAMS: 2%hrs.

rouR'IrtlEMEsIEg

DETAILED SYLLABUS

TITLI:AESTHETICS

MAX. MARKS: 100

a)Semester Exam : 80 Marks

b) Sessional Assessment : 20 Marks

SYTLABUS FOR THE EXAMINATIONS TO BE HELD IN THE MAV. 2011, 2012 & 2013

SYLLABUS

UNIT- I

1.1": Aesthetics and its applications in Music and fine Arts"

1.2: lmportance of Aesthetics in lndian music.

1.3: Art as a forrn of expression.

[,ruT- n

Itt lfisbrbl ouffiplAristotb & Plab

_11.2: lmportance of Navrasas in lndian Classical Music.

ll.3: The four facets of Aesthetics in Art Kala , Art & Craft.

uNtT-lll

lll.1: Classification of Art.

!11.2: Feelings and emotions in Music

lll.3: Aesthetics as theory of fine art and its appreciation.

NOTE FOR PAPER SETTING,4

The question paper will contain 2 Questions from Unit - I and 3 Questions each from Unit -ll& Unit -lli. Total number of questions to be set in the question paper will be Eight. The

cendidates will be required to attempt four questions selecting atleast one question from

each unlt. All questions shall carry equal rnarks.

"\

;Ft$l:,'t;

I

BOOKS RECOMMENDED:

1. Asethetical Essay by S.K. Sexsena

7. Hindustani Music & Aesthetic concept of furm by Anjali Mittal

3, Bhartiya Sangeet & Aesthetic by Madhurhta Bhattnagar

4. Accoustizl Perspective on Raga and RasaTheory bySayarnabta Rao

5. Studies -rn Music Aesthetic by Sitansu Rry

6- Historbl Studyof lndian [lrxt b,y Strrat Chander far$pe7 - Tradttbnal Music of Xatrnir by Sunita Dhar

Yg9-"?>

>3

COURSE NO.551

CREDITS :4DURATION OF EXAMS: 2%hrs.

FOURTH SEIIIESTER

DETAII-ID SYLLABUS

TITLE: Music from Vedic Period to Present & Regional Folk Music

MAX. MARKS: 100

a) Semester Exam : 80 Marks

b) SessionalAssessment : 20 Marks

SYLLABUS

UNIT_ I

1.1: Study of Musical forms frorn Vedic period to Present Period, Samgaan, Dhruva gaan,

Mahagitika

l-2: Concept of Geet , Anibadh Ragaalap, Rupakalap, Prabandh, Alapti

rttm-l[

It.t Ashat O$ap Panampara Mein Saryeet

ll-2: lmpact of gayan on lnstrumental Music

ll.3: lmportance of Music in lndian Society.

It.4:Role of computers and internet in promotion of lndian Music.

uNlT- lll DOGRIFOLK

lll.1: Ceremonial Songs of Duggar

lll.2: Folk lnstruments of Duggar

lll.3: Folk Dances of Duggar

lll.4: Contribution of Dr. Karan Singh in Dogri Folk.

OR

SUFIANA

lll.1: Sufi & Sangeet

lll.2: Sufi Sangeet Parampara of Kashmir

Itl.3: Detailed Study of Gharanas of Sufiana Music

lll.4: Contribution of following Musicians in Sufiana:-

a) Ustad Tibet Saqual

bi Ustad Qallen BaaP

L3 Y

ii,ip l

ii,nin'i"fl

t!

ii \

c) Vadali Bandhus.

NOTE FOR PAPER SETTING

The question paper will contain 2 Questions from Unit - I and 3 Questions each from Unit -ll& Unit -lll. Total number of questions to be set in the question paper will be Eight. The

candidates will be required to attempt four questions selecting afleast one question'from

each unit. All questions shall carry equal marks.

800(5 RE€OilIIIETIED:

L- The Music of lrdian b)'Atya Be$rn Fyzee Retrarnan

Z- Kashmir ftosqui by lfoor nbM. Bhatt

3. Study of Sufiana Music h the badgrotrtd of lndian Music by t}r- Raj Kumari-

4- llarnara Salt'tya- 1!187, 1!XX}91.2{II!

5. tXrgar Ka Lol SahitF By ShiY t{tumdf

6. A$rat Orhap &Vallab*r Sam Pradaya ry tX. t)in hfal Gupta

7- Krishan Bhakti Kavya Me Sakha Bhav By Sharan Bihni Gosrami

8. lndian Culture in Medieval Hindi Poetry by Dr- Nadai Gopal Gupta

9. Madhya Yougeen Pillars of Classical Music By Sh. Sakha & Dr. Surekha Sinaha

10. Bhartiya Sangeet Aur Sangeetagya By Ramlai Mathur

1L. Adhunik Kaal Me Shastriya Sangeet by Dr.Hukam Chand

L1

25

,|d

couRSr No.s52

CREDITS:4DURATION OF EXAMS:

FOURTH SEMESTER

DETAILED SYLLABI'S

TITLE: STAGE PERFORMANCE-Ill

MAX. MARKS: 100

30ral15MIN.FoREACHCANDIATEa}semesterExam:5oMarksb) Sessional Assessment : 5O Marks

SYLLABUS

L. Detail Raga of your choice with alaap, Jor, Jorjhala, Maseet Khani Razakhani with todas'

Jhala for lnstrumentalists'

One Bara Khaya[, One Chotta Khayal with full gayakai for Vocalist

2.DogriFolkMusicforVocalists,PahariDhunorDogriDhunforlnstrumentalists.

NOTE: The candidate may not be interrupted during performance'

eF --YTrK_

!

ZL

FOURTH SEMESTER

pETATLEp SyLLABUS

cotJRSE NO.553

CREDITS:4DURATION OF EXAMS:30.45 MIN, FOR EACH CANDIATT a)Semester Exam : 50 Marks

b) Sessional Assessment : 50 Marks

TITLE: PRACTICALTEST

MAX. MARKS: 100

LLL

SYLLABUS

Tunirg of the lnstrument

Capclty to pfry dnfas of Elrtaal, Chaartaal, Dadra on Tabla'

0cffi.lirdFilr*gTr*-nmng, ffi, hlrffil Inorb4e b ltn ir rl*ft $b d siEtuB dlgy are

@.Folladng Ragas fior Practi'cal detail study:-

shud kalyan,Puriya Dhanashri,Puria,Madhuvanti,shiv Ranjani, Basant,Paraj.

5. Sadra or Chaturang for Vocalists

OR

playing of the National Anthem or any Patriotic song on Harmonium for lnstrumentalists'

2-( \.9-'-