Adobe Premiere Pro Main Updates

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NOV 2015 MAJOR UPDATES *LUMETRI editor with better Lumetri scopes and information data Windows > Lumetri Color *MORPH CUT: Morphing Jump Cuts (added to the video effects) *TIME TUNER feature when Exporting: adjust the whole project (10% faster or 10% slower) while maintaining quality. Previous updates | versions in 2015 WHAT’s NEW ADOBE PREMIERE PRO

Transcript of Adobe Premiere Pro Main Updates

NOV 2015 MAJOR UPDATES

*LUMETRI editor with better Lumetri scopes and

information data

Windows > Lumetri Color

*MORPH CUT: Morphing Jump Cuts (added to the

video effects)

*TIME TUNER feature when Exporting: adjust the

whole project (10% faster or 10% slower) while

maintaining quality.

Previous updates | versions in 2015

WHAT’s NEW ADOBE PREMIERE PRO

JUNE 2015 MAJOR UPDATES

The “Blue Fox” update | Release version : 10.3 or 2015.3

*INGEST; which tells Adobe Premiere Pro what to do

with the media files when importing them.

File > Project Settings > Ingest Settings

To choose and point your media files to Proxies from

the Creative Cloud:

Reference > Media > Enable Proxies

WHAT’s NEW ADOBE PREMIERE PRO

INGEST Settings & Media Browser

The Premiere Pro Media Browser panel allows you to ingest media automatically

in the background while you begin editing.

An ingest check box in the Media Browser panel toggles on/off the automatic

ingest behavior. A settings button next to it opens the Project Settings dialog box,

where you can adjust the ingest settings.

A similar ingest check box in the Project Settings dialog box is kept in sync with the

Media Browser panel setting. When toggled on, you can choose one of four

following operations to begin automatically when files are imported into the

project. You can continue to edit while the ingest process completes in the

background.

WHAT’s NEW ADOBE PREMIERE PRO

JUNE 2015 MAJOR UPDATES

The “Blue Fox” update | Release version : 10.3 or 2015.3

Copy

You can copy the media as it is to a new location. For example, this option is

typically used to transfer camera footage from removable media onto your local

hard drive. The transfer path is specified by the Primary Destination option

available in Ingest Settings. After the media is copied, the clips in the project point

to these copies of the files.

Transcode

You can transcode the media to a new format in a new location. For example, this

option is typically used to transcode original camera footage to a specific format

used within a post-production facility. The file path is specified by the Primary

Destination option in Settings, and the format is specified by the chosen preset.

After the media has been transcoded, the clips in the project point to these

transcoded copies of the files.

WHAT’s NEW ADOBE PREMIERE PRO

JUNE 2015 MAJOR UPDATES

The “Blue Fox” update | Release version : 10.3 or 2015.3

Create Proxies

Use this option to create and attach proxies to the media. For example, this option

is used to create lower-resolution clips for increased performance during editing,

which can be switched back to the original full resolution files for final output. The

file path where the proxies are generated is specified by the Proxy Destination

option in the settings, and the format is specified by the chosen preset. After

proxies have been generated, they are automatically attached to the clips in the

project.

Copy and Create Proxies

This option copies media and creates proxies for them as well, as specified above.

WHAT’s NEW ADOBE PREMIERE PRO

JUNE 2015 MAJOR UPDATES

The “Blue Fox” update | Release version : 10.3 or 2015.3

Import Preset Support

All four options come with a set of default presets, which have the file

destinations set to 'Same as Project'. Alternatively, you can also choose a

custom destination or your Creative Cloud Files folder, which syncs the files

automatically to the cloud. You can also create your own 'Ingest' presets using

Adobe Media Encoder.

WHAT’s NEW

ADOBE PREMIERE PRO

JUNE 2015 MAJOR UPDATES

The “Blue Fox” update | Release version : 10.3 or 2015.3

Working with VIRTUAL REALITY

Adobe Premiere Pro added a new VR field of ie ode let editors ha dle imported spherical stitched video to display field-of-view giving important

information about what the viewer is seeing when they glance in a particular

direction.

WHAT’s NEW ADOBE PREMIERE PRO

JUNE 2015 MAJOR UPDATES

The “Blue Fox” update | Release version : 10.3 or 2015.3