Acoustic Guitar Tabs

32
TABLATURE; EXPLANATION TABLATURE A six-line staff that graphically represents the guitar fingerboard. By placing a number on the appropriate line, the string and fret of any note can be indicated. For example: 3 5th string, 3rd fret 1st string, 15th fret, 2nd string, 15th fret, together an open E chord Definitions for Special Guitar Notation (For both traditional and tablature guitar lines) 1/2 ;;;; ;;; SLIDE: The first note is struck ;;; and then the same finger of the TREMOLO PICKING: The BEND: Strike the note and fret hand moves up the string Irem. bend up 'h step (one fret). to the location of the second note is picked as rapidly and note. The second note is not continuously as possible. struck. Full ;;; ;;; Harm. SLIDE: Same as above, ;;; NATURAL HARMONIC: The BEND: Strike the note and sl. except the second note is bend up a whole step (two struck. fret hand lightly touches the frets). string over the fret indicated; then is struck. A chime-like sound is produced. LEGATO BEND AND = SLIDE: Slide up to the note RELEASE: Strike the note. indicated from a few frets A.H. ARTIFICIAL HARMONIC: Bend up 'h (or whole) step, below. A The fret hand fingers the note 1/2 (or FuU) ;;; then release the bend back to indicated. The pick hand the original note. All three notes produces the harmonic by are tied; only the first note is ;;; using a finger to lightly touch struck. the string at the fret indicated in SLIDE: Strike the note and parentheses and plucking 1/2 (or FuU) sl. slide up an number of another finger. = frets, releasing finger pressure GHOST BEND: Bend the note at the end of the Slide. up 'h (or whole) step, then A.B. ARTIFICIAL 'PINCH" strike it. 8wJ, HARMONIC: The note is ;;; i: fretted normally and a PICK SLIDE: The edge of the harmonic is produced by adding the edge of the thumb 1/2 (or FuU) pick is rubbed down the length A.H. or the tip of the index finger of of the string. A scratchy sound the pick hand to the normal GHOST BEND AND is produced. pick attack. High volume or RELEASE: Bend the note up distortion will allow for a greater 1/2 (or Fun) 'h (or whole) step. Strike and toundlq pitch: E variety of harmonics. release the bend back to the original note. = HAMMER-ON: Strike the first = (lower) note, then sound the TREMOLO BAR: The pitch of Full higher note another finger = a note or chord is dropped a UNISON BEND: The lower by fretting picking. '" specified number of steps, then note is struck slightly before the returned to the original pitch. higher. It is then bent to the pitch of the higher note. They = PULL-QFF: Both fingers are are on adjacent strings. placed on the notes to be sounded. Strike the first ;;; (higher) note, then sound the PALM MUTE (P.M.): The note ;;; is partially muted by the pick VIBRATO: The string is lower note by pulling the finger vibrated by rapidly bending and off the higher note while hand lightly touching the releasing a note the fret keeping the lower note fretted. string(s) just before the bridge. hand or tremolo bar. FRETBOARD TAPPING: III Hammer ('lap") onto the fret- Iiiiii ...,FFlED A SHAKE OR EXAGGERATED board the index or middle percussive sound is produced VIBRATO: The pitch is varied 3 3 T P P T P H finger of the pick hand and pull by laying the fret hand across to a greater degree by vibrating off to the note fretted by the fret the strings depressing the fret hand or tremolo hand (''T'' indicates 'lapped" them to the fretboard and strik- bar. notes). ing them the pick hand. THE ACOUSTIC CLASSICS 17

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Transcript of Acoustic Guitar Tabs

  • TABLATURE; EXPLANATION TABLATURE A six-line staff that graphically represents the guitar fingerboard. By placing a number on the appropriate line, the string and fret of any note can be indicated. For example:

    3

    5th string, 3rd fret 1st string, 15th fret, 2nd string, 15th fret, play~ together

    an open E chord

    Definitions for Special Guitar Notation (For both traditional and tablature guitar lines) 1/2

    ;;;; ;;; SLIDE: The first note is struck ;;; and then the same finger of the TREMOLO PICKING: The BEND: Strike the note and fret hand moves up the string Irem. bend up 'h step (one fret). to the location of the second note is picked as rapidly and note. The second note is not continuously as possible. struck.

    Full ;;; ;;; Harm. SLIDE: Same as above, ;;; NATURAL HARMONIC: The BEND: Strike the note and sl. except the second note is bend up a whole step (two struck. fret hand lightly touches the frets). string over the fret indicated; then ~ is struck. A chime-like sound is produced.

    ~) LEGATO BEND AND

    = SLIDE: Slide up to the note RELEASE: Strike the note. indicated from a few frets A.H. ARTIFICIAL HARMONIC: Bend up 'h (or whole) step, below. A The fret hand fingers the note 1/2 (or FuU) ;;; then release the bend back to indicated. The pick hand the original note. All three notes produces the harmonic by are tied; only the first note is ;;; using a finger to lightly touch struck. the string at the fret indicated in SLIDE: Strike the note and parentheses and plucking ~h 1/2 (or FuU) sl. slide up an indefin~e number of another finger. =

    frets, releasing finger pressure

    GHOST BEND: Bend the note at the end of the Slide.

    up 'h (or whole) step, then A.B. ARTIFICIAL 'PINCH"

    strike it. 8wJ, HARMONIC: The note is

    ;;; i: fretted normally and a

    PICK SLIDE: The edge of the harmonic is produced by adding the edge of the thumb

    1/2 (or FuU) pick is rubbed down the length A.H. or the tip of the index finger of

    !~ of the string. A scratchy sound the pick hand to the normal GHOST BEND AND is produced. pick attack. High volume or RELEASE: Bend the note up distortion will allow for a greater 1/2 (or Fun) 'h (or whole) step. Strike ~ and toundlq pitch: E variety of harmonics. release the bend back to the original note.

    = HAMMER-ON: Strike the first

    = (lower) note, then sound the

    TREMOLO BAR: The pitch of Full higher note ~h another finger

    = a note or chord is dropped a

    UNISON BEND: The lower by fretting ~ ~hout picking. '" specified number of steps, then

    note is struck slightly before the returned to the original pitch. higher. It is then bent to the pitch of the higher note. They

    = PULL-QFF: Both fingers are

    are on adjacent strings. in~ially placed on the notes to be sounded. Strike the first ;;; (higher) note, then sound the PALM MUTE (P.M.): The note ;;; is partially muted by the pick VIBRATO: The string is lower note by pulling the finger vibrated by rapidly bending and off the higher note while hand lightly touching the releasing a note ~h the fret keeping the lower note fretted. string(s) just before the bridge.

    hand or tremolo bar. FRETBOARD TAPPING:

    III Hammer ('lap") onto the fret- Iiiiii ...,FFlED STRING~ A SHAKE OR EXAGGERATED board w~h the index or middle percussive sound is produced

    VIBRATO: The pitch is varied 3 3 T P P T P H finger of the pick hand and pull by laying the fret hand across

    to a greater degree by vibrating off to the note fretted by the fret the strings ~hout depressing ~h the fret hand or tremolo hand (''T'' indicates 'lapped" them to the fretboard and strik-bar. notes). ing them ~h the pick hand.

    THE ACOUSTIC CLASSICS 17

  • Tablature Explanation page 17

    II ...

    @)

    T A R

    II .. ~

    . @T I

    Vivace J = 138 G/D

    :

    ..... ..... 11if

    . ~ ~ :::

    ~ Bm

    MOOD FOR A DAY As Recorded by Yes

    (From the album FRAGILE/Atlantic Records)

    Ft/C# G/D F#lct G/D

    n .. 1 I -4 * "'-4 ... ..... -

    ::: ,.

    * ~ ~ *Gently tap face of guitar.

    A G

    r-'1 r:J nnn ilr::-J ,..... r-r-, Fr1

    r r r r HP r "1- "1"1 ~ HP H

    ~ ::. ...--... ~ ':!

    , ,

    Music by Steve Howe

    ~ ~ il r-n :

    -4 -4 ... ... -4 -4 ~

    .

    G/B F#/A#

    J::'r'::::1 ~ ~rJ .

    r "I#r "I I r

    To Coda Bm G F# H G/B F#/A# -+ NC n~n~fi

    ::> -3-. .. n..m r::t _ _r-r-, Fn II .. ~

    ~

    r r \I r HP ~

    ~ HP ----~

    ~

    PPHHPP

    - ~ HpPHHPPHHPpHHPP

    r "I rr-, I

    - r "I#r ~H ~

    , ~

    Allegretto J = 92 Bm/D

    Copyright 1972, 1988 Topographic Music Ud.

    18 THE ACOUSTIC CLASSICS All rights for the World adminislered by WB Music Corp.

    All rights reserved Used by Permission

    ., r-i I " ~3--. ~

    . I (" "I

    poco Tit.

    H P P HHPPHHPPHHPpH

    E7 G

    - f fr Grad. pick closed to sound hole)

  • " ... @)

    II ..

    @)

    II ..

    " .. @)

    II ..

    @)

    II ..

    0 P Em/G ~

    'I r' *sul tasto

    P

    ~

    'Play over fingerboard.

    O/A E7

    -= - .. ~ . $f: 'I j r

    ~

    v

    HPP ,----," i ~'r H P P w/naJIs..l HPP

    Esus4 H P P P

    =--- DA A G rn JIl :> rn r-ri :

    r r' r r P P ,---.., ..-... , , ~ ,

    u

    F#7 5 +

    H ,---.., I , ,

    I I ~l ~' ~, fH r,it. 71if *T 'P ~....---..

    ~

    Bm ~3~ ~3~ )I Gm(B~ B~ C B~A/q ~~ ~ t:::::=:r--I

    HP P '----'''~r .. ~ ... H P P i w/nails..l --------- iTt" ~ .... ... ~""

    HP P )

    ----:"" HPP

    G D/A Em/G r --.--. t\

    -If t"' t"' t"' t"' ~~ r'

    , sl. r w/nail ...J

    ... ~

    N.C. ~3~ ~3~

    m-ifis~~ sl.

    J, =84

    Bm 112.

    f1:1 iii 11. F#/A#

    I s.;] F#/A# /F# F#7/E B .. M4 Bmrn :> m r-n r--r-,

    fH ,---..,

    r

    Esus4 P

    ,

    'I #r ~

    --.;

    D P :::---..

    r;] jJ~ D,-I' r

    mf P P rit. ....---.. ....--... ,

    : , I

    #r:resc. poc~ a poco r' I

    D E7/G#

    -oJ ""

    - - -1] ~- n rr5

    r r' I a tempo

    *T 'T=thumb A G J= 86D Gadd9 r-:n m i ppp3---, 'f>p3--. HP D Gadd9 pp3--. 'f>p3--. HP ~oJ ~J J~fl I III J.EI;I~n FA

    PPP P PP P HP ,---..,

    J .rm -Ir~1 rTTi J.m}1 n 61

    PP P ...--... PP P HP 2:"'>

    THE ACOUSTIC CLASSICS 19

  • D.S. al Coda ~

    II ... l"""'- I I ~ I I *r1 r--"I n

    . @) ~.. .. -ill -ill .. .. -ill -ill ... ... ... 11 I

    ft ~ :; :;

    I ':: ':: '::

    Coda Bm II ... r--1 A(6)

    'Exaggerated rake p with nails. G

    nnr1rJn.r.nnn n n

    II ...

    Ie;

    ~) I

    .

    Ft H

    r-r--, Fr1 "I

    VH r cresco sub. Trrr .--...

    p. F#/A#

    II... I

    #f sl.1 (norm.)

    sl.

    A >- G

    II ... FUm I e; II

    ---- -------- -----~

    r r

    G/B F#lA#

    r-r--, '~.

    r "I#y f'

    11 2. F#/A#

    ~ ~

    Meno mosso J = 84 D p-p-p3---.

    J~-!r~1

    p p p p ~~

    Poco meno mosso

    r

    J;J

    ~ I

    Esus4

    r p

    D~3 Gad~3 P P --., ---,

    II ... JfflJ 1-1 I I T l Jlf:L-----n~ Ie;

    P P P P ~~ PP

    u

    20 THE ACOUSTIC CLASSICS

    ~ L" iz '::

    D Esus4 p --... p

    J:JlfTl :

    l(norm.J r p p .--... ~

    D

    p p P

    . I

    p

    A G

    r-r1 r-r--,

    t r over sound hole ~ v v

    qm

    P P P P HP ~~

    D

    I

    P P ~",--," pp

    v

    G/B F# H

    Fr1 I'TI

    fH ~

    D E7/G#

    JlOlto rit. - - - -

    P P P H P

    "I --

    rit.- - - - - - - - - - - - - - - - - - - - - i H~~r P P wjR.H.

    ......... pp H

  • Tablature Explanation page 17

    DUST IN THE WIND As Recorded by Kansas

    (From the album POINT OF KNOW RETURN/Kirshner Records)

    Intra

    Moderate J = 96 Rhy. Fig. 1 C

    **(Acous. gtr.) 'm

    Cmaj7 m i m m

    'Fingerpicking: m = middle; i = index; t = thumb (use thumb for all downstemmed notes).

    "Doubled by 12 stg. gtr.

    Cadd9

    Am Asus2 C add9 C

    1 st Verse

    C Asus2

    Cmaj7 Cadd9 Am

    Words and Music by Kerry Uvgren

    Asus4

    Asus2

    Asus4 Am G/B C G/B A~

    close my eyes,

    (end Rhy. Fig. I)

    G Dm7 Am G/B C G/B

    on -Iy for a mo-ment, and the mo - ment's gone._. All my

    p

    Copyright1977. 1978. 1988 Don Kirshner Music and SBK Blackwood Music Inc. All Rights Controlled and Administered by SBK Blackwood Music Inc.

    All Rights Reserved International Copyright Secured Used by Permission of the Hal Leonard Publishing Corporation

    Am

    dreams __ _

    THE ACOUSTIC CLASSICS 21

  • G Om? Am O/F# G _.--3---,

    eyes,_ a eu - ri - os - i - ty._ Oust in the

    tWl p

    p p p

    Am Am/G O/F# G Am G/B

    All they are_ is dust in_ the_ wind.

    i r H

    2nd Verse p p w/Rhy. Fig. 2 GfB

    C Am

    G Om? Am , (J ir Ita: ~

    song,_

    5 IlJ tJdtU: []JRl acr GfB Same old just a drop of wa - ter in an end - less sea.--

    C G/B , (J t Am 11 I G Om? Am I EJ w=r f F f I (4 Uf3r J ;;;J All we do crum-bles to the ground_ though we re- fuse to see. __

    OfF. G

    &,;S f1 OfF. G

    I b1 EJ r --...-.'tJ II in the wind. __ _ All we are is dust in_ the

    Ah. ____________ _

    Amadd2 G/A -------------~--- F(#ll)/A F6(#II)fA

    p

    22 THE ACOUSTIC CLASSICS

  • Violin solo (arr. for gtr.)

    VIn. I Am add2

    VIn. II

    p

    G/A F($ll)/A

    w/Rhy. Fig. 1 ~---------------------.=----------------------- C II. 112. i=F=!==l FFFi I

    6 # 1)/ :i: .J,J.J .J.J~~ .!f F6( #ll)/A j1ffllffl FJ I A J -fI j .. -- --: ..

    I!) I 1...--:1 I V r v

    , ~

    --"-

    fI ~ F"'r"=l r--:I I="i""""=l r--"':l FT""i ~ ~ . ~ . ~ ~ . : . I!) L I iJ i I IJ i I rJ i I iJ -

    v v v

    Cmaj7

    J ---

    r

    C add9 C Asus2

    Jm~1ffilm J J Am ASUS2..Jill

    Jmlmlm-=== Asus4

    11

    II!) r

    Cadd9

    r r ,------,u

    C , Cmaj7 C add9

    imJm1IDlm :r Asus2 Asus4 J----J. Am G/B ,------ --------- r' tl (Vocal) Now,

    'U

    f .. \

    THE ACOUSTIC CLASSICS 23

  • 3rd Verse w/Rhy. Fig. 2

    C G/B Am , F lr ~~~ I"'~ G ~m7 Am G/B I E E r r L ~ r gTLf"tr F "I ~ I :J don't hang on, __ noth- ing lasts for - ev - er but the earth_ and sky. It

    C G/B Am , F= J tc?iU Itt]) slips a way, __ and all your mon- ey won't an - oth - er min-ute buy. __

    D/F. G Am Am/G D!F# G

    & J "I @1 0 ItV' ~ ~ If -=-

    F IF SF F ( ICC\! I Dust_ in the wind. All we are_ is dust in_ the wind._

    Am Am/G !

    Am/G

    Dust __ in_ the wind. All we are_ is dust in_ the wind. _____ _ Ev - 'ry-thing_ is dust in_ the

    t tr) p

    p p p

    D/F$ G Am Asus2 Asus4~13 Am Asus2 Asus4~13

    in the wind. The__ wind._

    w / Ad lib vocal Am Asus2

    24 THE ACOUSTIC CLASSICS

    p

    Asus4~13 Am I""'"'I'-~

    Asus2 Play 3 times and [ode

    Asus4~ 13

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    THE ACOUSTIC CLASSICS 25

  • Tablature Explanation page 17

    Slowly. in 1 J, = 48 G D6

    DEE As Recorded Ozzy Osbourne

    (From the album BLIZZARD OF OZZlJet Records)

    Bm

    Music by Randy Rhoads

    G/B A/C' H

    1\111 1 rDi J r~~' 1IJlIl-IJl[J f p!

    Alii

    ft)

    11111

    @J

    1\111

    @J

    I@J

    1\111

    I@J

    , '@J I r r' I I mp Let ring l! Harm.

    A R ~

    - m ~' J I J -G(maj7)

    1 3H ~ D/F# A7/E

    , I r' H

    ~

    ~ AA D/P. Dadd2/F# ~3~ B1/D# H I I I rn I (OVerdU~ J

    r I I I ~ l+r' H P P P ...--:;---.. ..--.... v v

    Em p. E7 A7 H P P Harm

    ~ I I l JJ A r1 I lsi. !~;' - , r' ------f P #f P ...--.. "'--"ft r------r' sl. H:m.

    H P

    D nm G/B I r-il f" I

    A/Qp

    f1ri

    r P .---...

    H P ..---...

    Bm Bm/A sl A7

    lsi. rir-1A I -r";-f

    r r sl. sl. ..-..

    ........

    '"----"' P

    -Ji-...t

    D J J.J .ill A~

    D/P#

    I I

    .. r-

    Copyright TRO 1981. 1988 by Essex Music International. Inc.

    26 THE ACOUSTIC CLASSICS All Rights Reserved Used by Permission

    , -I

    "sl.

    -v

    .........

    D A/C' Bm G6 sl.

    J I I I 1 I -j r r f'

    v

    B7

    r 1 J l 1 r 1 I J

    f tJ

    ~ 3 -,,-

    H P P 'p=p"-"'~4

    H P P P P

    -y-y 1'''

    P P P P ~ ...--..

    A 7 (overdub) A7/C# D6

    1AJ> J-J) Harm. t~ U- f tp ~ ........... i: P rit.-~

    P ...--.... ~ Harm.

    ~.

    oc ...........

    P

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    THE ACOUSTIC CLASSICS 27

  • Tablature Explanation page 17

    LITTLE MARTHA As Recorded by The Allman Brothers (From the album EAT A PEACH/Capricorn Records)

    Moderately fast Tune both guitar. to open E:

    J= 184

    II II If.

    @)

    Gtr. II II II If

    IV

    IIlIlf

    @)

    IIlIlf

    4!.i

    ;E@;G# @;B@;B @;E@=E Intro Rubato Gtr. I

    II II If E

    @)

    !~

    ft

    H

    In tempo

    : ~ =

    H

    - -

    i i H

    ----

    -H n ---....-

    H

    -p

    p

    .----..

    B i. I

    "I

    '---"

    28 THE ACOUSTIC CLASSICS

    r

    r--- r--"l

    = -r ~-r "II

    .. :.

    EH

    : ... ~ -i

    -r

    ~

    -i

    B7/E r.'\

    = ...

    -r ~

    E

    l~

    ;;

    I

    -

    ~ H Sustain all notes as long as possible

    . -------. n

    : '--" I

    H

    '--"~

    H

    E H

    -~- U -- - - -i r i

    H

    --------(.,\

    . .---------. H

    ------H

    Copyright1972. 1988 by No Exit Music Co. All Rights Controlled by Unichappell Music Inc.

    international Copyright Secured All Rights Reserved Printed in the U.S.A Used by Permission

    Music by Duane Allman

    ~ . ....

    .,

    ~ p .

    v~r U -i p

    -...

    . . r ~

    P

    In\

    -------p

    i. I I

    - - r -- - -i ~ ~

    '---" I

  • f\ II l. ~ h I " BI ... E p H --, . ,,---...

    ~

    U~f U - "I r-------r r r I -- - - -r r r r p H

    ---------- --------- /-" .A

    f\ II l ~ .

    ~ r p If . -----------. -,t

    -------- ----- '., p H

    A J f\ II Ii. ~l ~ I ..----------... I I'IP I }.. H I ~ I . ~ I r ~ r I Lr I U I r r

    H p H

    -------- --------- ------------ ~ ~

    ~

    f\ II l H ~ P H . ~ I r I

    H P H ., ., .,

    ~,

    ------------ --------

    f\ II 11 " I. I E H " I I h I

    P

    ~ . ~ r U'---r U I - - r - - Ui U r r r r

    H ., P

    ------------~,

    (~\ "

    f\ II 11. . - ~ .

    ~ I - I , H P

    -, ---- ------H p

    THE ACOUSTIC CLASSICS 29

  • To Coda B E ...

    fI Ji, l! H ,.. I . .

    @) ! - - r - u ! - .... i ~ i i H .. ...---...

    fiJi, .l!

    @) If .. -----------.. ....

    ------H

    B c#m; AlB B C#1B AlB F#m/B flJi,l! oj ~ J~J I I J r-1 I oj ~ ~ I I I

    @)

    ~ U "I LLr--r ~i U~ U LLri i rrrr ft ~ I~\ .~ ~ ~

    .:, ~ y ;; ;, ;,

    fI Ji, l! joJ J~ ~~ 11J DJ j oj oj ~ ~ L----J I J l n I @)

    ~ U UJ'--r ~i U~ U rrr--'j i rrrr .. :: .. :: ;:; ..

    v

    C#m/B AlB B E

    fI Ji, l! ) oj oj ~ ~ J--=---J - p. I I J 1 I 1., :

    @)

    ~ U LLr'---r U"I ~i =it,--~ p ::

    -----fI Ji, l! j ~, ~~~ 11 ] n J p -

    : @)

    ~ u I.Lr--r u ~ i ~ 1 -I

    30 THE ACOUSTIC CLASSICS

  • r.:"12-. -Harm-.--------------.----------------,-----~ C#m/B B A/B /lOIlt ~ t .fL J~~ l ~::=---J J I I l

    : ~

    4!! .... H "11 P "11,-- I "11 (Sustain all notes)

    Harm.-------------------, H p .. ~" ~ ~ ~ ~

    :. --- ........... .......-y H P

    II 01 If ~ ~ =::~ ~ ~ ~ ~ : ~

    4!! I ~'-- (Sustain all notes) H "J:.... ...--." .. "'--'n ~ . ~ Y . .......... ........... Y

    B C#m/B B A/B B C#m/B B A/B

    /I 01 It. J,--~ l .J: ... J ] I~ J:~ 1 .J:--J ] r1 .......-

    4!! H "11 P ... I ..". H 11 P "11--- I I ....

    H P H P - ,,~ .. ---." ,,---. .. .;- ~ ( .--... -,:., '!' ,:: ( .......-y ~ Y Y .......- Y \Y.~ y

    H P H p

    1101 If c=:: =::~ -!- .,.(~ c=:: :c:~ -!- ~ ~ 4!!

    H P H "J!.... - ~ r ---." - .-... - .--. y .......... .......... .......- ~

    PF#m/B A/B B C#m/B A/B F#m/B 1101 If I rr ~ n I ~

    : . 4!! ~ ...-1 r , .... "11

    ....' I I ....

    .. n ., . ~ ~ .

    y

    flOIlt ~ ~~ -fI- -fI- =:: ~ ~ :

    4!! I I - 1 ;; ~ ..,

    ~ .. ;; ~ y \Y/ y

    THE ACOUSTIC CLASSICS 31

  • 1\ II ~

    ~

    1\ II. +I

    ~

    ..

    Coda E B E B

    Harm.- - - - - - - - - - - - - - - - - - - - - - - - - - - 1 "....

    E D.S.a/ Coda

    ~ ;: ~:-:'~ ~ "....

    t\ I> l. iE ...-:::'. E

    -' . '-- -

    L~ @) 1'----' ) !~

    p

    Harm.- - - - - - - - , - - - - - - - - - - - - - - - - - - ,

    ..i .... ':: --- v P

    'Slowly pick strings from bottom to top. Harm.

    ~ t\ II l. ".... (i """""'" I I

    @)

    Harm. ,.~

    ;;

    v 'v ~ ..

    ROCK OUT! ... with these hard-hitting guitar songbooksl Each book is accurately transcribed in tab notatation. ~ ~ METALLlCA:

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    The matching folio to the killer a1buml Contains fN&ry song from ' -Leper Messiah" 10 -Damage. Inc .. plus 6 othersl Author1zed by GUITAR for the Practldng Musician. Ihls Is Ills one everybody's been waiting tori 118m' CLOO7920 $12.95

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    YNGWIE MALMSTEEN: RISING FORCE Transcribed by WaH Marshall. this matching guitar book contains "Evil Eye, "Icarus Dream Suite, "Black Star" and 5 othet' Malmsteen workouts. 118m' HL694755 $14.95

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    32 THE ACOUSTIC CLASSICS

  • Tablature Explanation page 17

    Moderate ~ = 96 Intro G (Acous. gtr.)

    II ..

    @j -"if 'Or

    Let ring

    T

    H

    1st, 2nd, 3rd Verses

    II ... ~ ~ G Am7

    : ~

    ~.

    1 , 3. Black - bird sing - ing 2. Black - bird sing - ing

    II .. ~ -:

    @j r r . .

    Em II ..

    @j r --

    II .. j n-~ -

    @) r T

    II... G/B 3

    BLACKBIRD As Recorded by The Beatles

    (From the album THE BEATLES (THE WHITE ALBUM)/Capitol Records)

    Am7 G/B G ,. - I--

    Words and Music by John Lennon and Paul McCartney

    ~ - sl. ..l .JI .JIr-::- -=" 1:; :lI ~ ... 1--4 i

    in in

    Eb

    j

    r

    L:::::::Jsl. I I sl. sl. sl

    -~

    ..:.>.

    ,-sl. Strum upstemmed notes w /mdex fin. of plCk

    hand whenever more than one upstemmed note appears. sl.

    G G!B e e.o D r--= ~

    ~

    the d~f night, take_ these bro - ken wings_ and learn_ to fly._ the dead of night, take_ these sunk - en eyes_ and learn_ to see._

    rlsi. LF Fr-lL'- F~ l.JI~.JI ~'JI I. i.JII'JI I. sL I I ~ I J

    ~

    -US/. I I --- sl. r !lr r

    sl. sl. ~

    ':' ..... ~

    sl. sl.

    D e ~

    . ~

    All yOUf_ life, __ All yOUf_ life, __

    (3rd time) All YOUf_ life,

    r.LFfJ J::J .r:J 1 1::1Frl J -r r !lr ~r r r

    v

    v

    11. D7(sus4) G _ c::-"r-::l e G/B A7 D7(sus4)

    I J 1

    ltr

    v

    3rd time to Coda II em ..

    r-LB:J -r

    G

    you were on - ly wait - ing for the mo - ment to a - rise._ you were on - ly wait - ing for the mo-

    II .. I H R"1

    r r r r r r . .......... r r r r r r

    Copyright1968. 1969, 1988 by Northern Songs Ltd. All Rights Administered by Blackwood Music Inc. under license from ATV Music (Mac len)

    All Rights Reserved International copyright secured

    r

    THE ACOUSTIC CLASSICS 49

  • r::;"12----------- Bridge

    . D7(sus4) G ~F(add2) Em Dm(add4) C B~(6) c fill - ~

    ~ ~

    4!.' ment to be_ free. Black bird_ fiy,_

    1L~ r--l=l l=3i r---= =r-1 J I J I "J I I I r-,::,_MI IF9 Rl - -

    eI r r .. ~ .. 'I r r r pr r r r r r v

    n

    2nd time to Coda I

    F(add2) Em Dm(add4) C A7 D(m)7(sus4) G Am7 G/B fill 11.-." ~ r-c . - . ~

    eI

    of the dark bl~ black bird_ fiy_ in . to the light_ nighL

    fill ..J ..J l "J I I l rAFn ~~ I ",.r-J" HI ~ r--, r1sl. ~

    ~ 'I r r r t1r r r r r r r LJ~ r '., '.\ sl. .-

    I" sl.

    G c D Em .r:r;:. FD fI II .JI1.JI~.J1 .J.JI .J--J.~ I I J I J ..J ..J U-. FfJ JJ1- FfJ

    -4!. I I USI'r ~r r iir r r r r

    sl, . ., ..... v f.

    a _."7.-.....

    sl.

    D.S. al Coda I D c em G/B A7 D7(sus4) G ~

    r r r r r i i r

    50 THE ACOUSTIC CLASSICS

  • Coda I -$- G Am7 G/B 1\01

    @! -/' 'gh _nI t.

    1\01 ~ r--, nsf. /

    ~ ~

    @! -i OSl. r sl. ,

    (~. ,

    sl.

    Am7 G/B C G/B 1\01

    !@!

    I\jj I I I l I

    @!

    r r r r r

    D7(sus4) G flol _

    ment to a - rise._

    r r ...... r r

    C G/B A7 1\01

    ~'

    You were on iy wait-ing_

    1\01 I I

    @! r r r

    G

    I:r= F= 1: F=~ ~r= Fr'" r-F F~ 1';\ sl. . .1':7: L~}~~ ~~~f:' ,.. .. .. ~~ .. .. .. f~f" ..II :... ..II ..II 1..111" "I" I I I I I Li ~.

    (strum- - - - - - - - - - - - - - - - - - - - - - - . - - - - - - - - - - - . - - 1> \!.I sl. sl.

    .~ .~ -= ""- "" """" ""- "-

    .n '" ..... sl.

    D.S. al Coda II Coda II

    A7 D7(sus4) -$- G/B A7 flol

    I@!

    n::=I Fr1 1\01 ~

    i r r @)

    C G/B A7 3 - ~

    you were on - iy

    I

    r r-1_Fil

    r

    D7(sus4) ~

    1:"""'1

    wait - ing for this mo-

    ~ I==ri

    r r

    G

    ~-------=- You were on iy_ wait - ing for this mo - ment to a - rise .. - __ _ I r l

    r r r r r .. r r r

    D7(sus4 G -1';\

    for this mo ment to a - rise._ rit- - - - - - - - - - - - - - - - - - - - - - - -I 1';\ >-

    I---i t--i - ~ '" ~o r r r

    _0

    I

    THE ACOUSTIC CLASSICS 51

  • Tablature Explanation page 17

    Moderate J = 114 @=D H

    mfLet ring H

    fI ..

    : _J -

    J r J -sl. . ..... sl.

    fljf r-----"'l

    ~ . ~

    EMBRYONIC JOURNEY As Recorded by The Jefferson Airplane

    (From the album SURREALISTIC PILLOW/RCA Records)

    H H

    H

    H

    I=i I bl :

    WJ U "I - ~3-' r H H ------~

    ~ ~

    - v H

    II H c:-l I I , I----~

    ~

    ~ r !~j r~U' r LJ L --H -n ...

    ~

    52 THE ACOUSTIC CLASSICS

    ... ::

    ;; ~

    Copyright1963. 1988 by leebag Music All Rights Reserved Used by Permission

    ------

    H

    .J~.

    -f

    1 I

    ~

    Music by Jorma Kaukonen

    H

    J

    1

    ~:

    v

    p

    p

    *Unintentional notes due to hand motion to next position

    l

    ~ J -

    . .

  • IIlI

    @)

    fill

    @)

    I

    LJ

    sl.

    sl.

    ------

    H

    H

    -t tJ

    l --H -----.

    sl.

    I~J.J I rl

    -J U f -H -----.

    .. ft

    sl.

    -, r J----==---- J J

    ~ f ::

    sl. -----.

    --., H

    U ~ -

    sl.

    H

    l r-j :

    ~ U H

    -----. ::

    sl. sl. ---- sl.

    H .. J - J f -

    H

    . ------ft

    sl.

    Uu H sl.

    1-..f j i _J. i ~ I

    U ~U U ~ ~

    -,: ~

    H .,n t J 1 1- ~H ~

    -

    tJ t_ J - J f - - -H -----.~ H

    -I:;' ~ ~

    ~

    H

    sl.

    sl. sl. sl.

    THE ACOUSTIC CLASSICS 53

  • H

    u uuuu uuuU H H H H sl. sl. H H sl. H

    ~ ~

    H

    H p.

    H

    i i u

    sl. sl. sl. sl.

    i---U' r' rit. '..:.I

    54 THE ACOUSTIC CLASSICS

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    METALUCA: MASTER OF PUPPETS CL007920 $12.95 Brand Newl This matching guitar songbook features 'Damage, Inc.: 'Disposable Heroes,' 'Battery" and the 5 other bone-crunchers from Metailica's monster album. Notefornote with tab notation, this one Is also authorized by GUITAR.

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    THE HEAVY GUITAR BIBLE by Richard Daniels CL009105 $12.95 Rock 'n roll guitar from A to GI First you'lIleam about strings, the fretboard, and body of your axe, then It's on to the music, featuring the kind of complex scales and chords dreamed up by the likes of Hendrix, Van Halen, Jimmy Page and many others.

    STEVE MORSE SONGBOOK CL009981 $12.95 Play-U-LlkeIt-ls guitar songbook features performance notes written by Morse himself, and contains "Cruise Control: "Ice Cakes,' 'Twiggs Approved" and seven other greats, all In tab and authorized by GUITAR.

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    THE BEST OF U2 HL694410 $16.85 Complete guitar and baas transcriptions to aI of their best anthems, from 'Sunday Bloody Sunday" to 'New Year's Day: All songs are exact and In tab notation, so order todayl

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    r-----------------------------,

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  • Tablature Explanation page 17

    Slow J = 66 Intro Om

    r-i j\ I r4-..--

    e.> r------T- ~ mp Sustain notes to form chords

    1 a 9 ri-- l!

    0 9 pc:...:::

    Asus4 f':\

    1\ - 1\ 1 1 ~ -

    GREENSLEEVES As Recorded by Jeff Beck

    (From the album TRUTH/Epic Records)

    Om I e r-""1 j\ I Dm/B (Bm7~5J - 1\

    r~r ~ i~i

    I ' 1

    , I a a a

    l! 9 9

    l!

    Moderate J = 104 III a

    j J--J J I o G( dd9)

    Traditional

    B~maj7 ~ ]I I

    fr~i f

    I, a a

    l! e

    l!

    -~ j d I I 3 e

    f" Ii' r--------------f- I- r-rubato i--L3-" molto rit. - - - - - - - - - - - - - - - - - '1 "

    0 S I

    Arn Om E7 ArniE Am/G 1\ I r1 1 I I I I ,....., 1 I I I -I

    - -Ie.> r- r- - T r r r

    - -V ~ A A a a

    )

    l! a I -.. -

    .-"

    Om G(add9) .--0--' e Am Om Em Dm/F

    1\ J I j J---J ) J,SI. J I I I 11 J ffi, ~ r- , r- "f r- r r 1 j'--i

    11if H P ~

    .~

  • Em/B Am I Dm

    jl JI I i1 r1J fI ~ I eJ r r ... r'

    _ ... ~ -

    Am/G F/e

    J fI ~I J ,-,D , -

    [email protected] f' ~. r j' 11if..

    ft

    ...

    Dm Em Dm/F A7

    fI J I I I " I eJ r r I l- i

    -Meno mosso (J = 84)

    Dm G(add9) 3 e fI J 'I J J---j ~ j J eJ r' , i' r'--/L3~ ...

    ... .. -..

    E7 Am Am/G

    fI I ~ r1 r-, I @) - r ' t'--'U T: -F' >-

    E7 Am H

    I I I A I I

    - -....J U LJ dim. F' H - - ~

    ft

    Em Am

    I )D n.J I 11 I 11 r r r

    ... oft .. .. .~ ft

    ~

    Dsus2

    I I .-3~ I I I

    r' ------------r~oco rit. .ft

    I I

    ..ft.

    ;,

    r1 ,-,

    ft

    Am

    I

    j'

    (J = 96) Dm

    J

    r:enlY

    I

    .;,

    'I

    t i

    ft

    Dm

    11 J I I

    r ~oco acce/. :;

    .A

    G(add9) 3

    .J J--QJ,SI . {.

    r--L3-" si. " ."

    e Am Dm Em Dm/F A7 D H

    fI J I I I 11 J H ~I Ff' I I " I ~n n ,Ill. ,-d eJ r r r r I I- j [' ~~ 111fJ rit-------------------- ~ HP .!l P\!.I ... >- ft -.. .........

    ;; :: ;; ~ ft -

    THE ACOUSTIC CLASSICS 57

  • Tablature Explanation page 17

    BLACK MOUNTAIN SIDE As Recorded by Led Zeppelin

    (From the album LED ZEPPELIN/Atlantic Records)

    Tuning (low to high): DADGAD

    Moderate J = 120 Harm.--- ---- - - - ----- --, r,.. I . Free time f ~ fi

    n time ..-3:---0 II .. ~,.. ~

    @.i

    i~ I H P ~'--~ f "f

    rrrf Harm.-----------------,

    ~ " .... -- .....-'., ......-~ ~ v v H P

    Tablas enter

    1111 ~ ........, i"""""'I'-- .--0'1 I I i"'-'I"'iiiiI @.i f H P "f ~--~ qr - f H P "f ~--~ qr - f H P ~ ~

    -~ -, -..... ....... --', .... -, ..... -, /

    v v H p H P H P

    _r--3..=o ........., I ~ ~ II .. I I

    Music by Jimmy Page

    qr -~

    --

    .......-oJ . L

    "f ~--~ qr -~

    -

    """"""'" I

    @) f H p- ~----~ - f H p- ~---~ qr -"f qr - "f ~ f

    ~ " ......- " .-/

    H P

    r-3--, II .. I \"'"'iijiiiiii .--0'1 I

    @) f H P "f ~--~

    - . ..... "---'" ----- ~

    H p

    ll- p ...... 1111 I == . .

    @) - H- P -r H P ....---...... v

    ~ -'-I H P

    58 THE ACOUSTIC CLASSICS

    " " -" 'L .. " -~ A ,,,' ...... .... ' '"' .-/

    H

    I rTTJ--J sl. J

    qf - ~--[ ri.r -~ --" sl. sl.

    ....- .......-

    v /" ... .....- " sl. sl.

    '" ~~

    lj----f' rr r ::

    ..... sl.

    Copyright1969. 1988 by Superhype Publishing All Rights Reserved Used by Permission

    :.

    -

    " P

    sl. '" J JI--rJ I . r - =v I -f'--.--/f' ~-

    sl. --- -"-

    ......-

    " ...

    I Ie I . CO" t-U O~lr

    ;; ;;

    ~ -"-

  • ~H P

    H P H P

    1111 I S/:..!. -, sl. I .@J - - - -- -

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    THE ACOUSTIC CLASSICS 59

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    60 THE ACOUSTIC CLASSICS

    """'"- I -~

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    THE ACOUSTIC CLASSICS 61

  • Tablature Explanation page 17

    MIDSUMMER'S DAYDREAM

    @=D

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    62 THE ACOUSTIC CLASSICS

    As Recorded by Triumph (From the album THUNDER SEVEN/MeA Records)

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    THE ACOUSTIC CLASSICS 63

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    64 THE ACOUSTIC CLASSICS

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