ACHILL · 2020. 11. 17. · Achill Dooagh Westport Castlebar Newport Mulranny Swinford To Dublin To...

11th AUGUST 2019

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ACHILLDOOAGH

Sunday 11th August 2019

12.30pm

DOLAN’S

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ENQUIRIES / BIDSDolan’s Art Auction House

Lissarulla, Carnmore, Co. GalwayTel: +353 (0)91 798 647+353 (0)86 409 80 15

Email: [email protected] No. 001273

PREVIEWView online at www.dolansart.com

VIEWINGDooagh, Achill Island

Thursday 8th August, 10am - 7pm Friday 9th August, 10am - 7pm

Saturday 10th August, 10am - 7pm

Sunday 11th August, 10.00am to start of auction

All lots are sold subject to the terms andconditions of sale printed in this catalogue.

Buyers premium 25% including VAT on each lot.Purchasers will not be charged the 4% artist resale levy.

SUNDAY 11TH AUGUST 2019

at 12.30pm

Auctionstarts

12.30pm

ART AND ANTIQUES AUCTION

Dooagh, Achill Island

DOLAN’S

4

AchillDooagh

Westport

Castlebar

NewportMulranny

SwinfordTo Dublin

To Limerick

Galway

Headford

Tuam

Ballinrobe

Claremorris

Ballyconneely

Clifden

To DublinM17

M6

M18

Dolan’s have dedicated saleroom telephone lines for all enquiries and bids during the viewing and auction:

Telephone 091 798 647 086 409 8015

Email [email protected]

Website www.dolansart.com

Lot. 593

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IMPORTANT INFORMATION FOR PURCHASERSBUYERS PREMIUMBuyers are reminded that there is a premium payable on the final bid price for each lot. The buyer shall pay a commission to the auctioneer, viz. a Buyer’s Premium, of 25% including VAT on the hammer price of each lot. The auctioneers are happy to execute bids on behalf of the buyer, but if successful, the purchase price payable will be the final bid price, together with the VAT inclusive premium chargeable thereon.

VIEWINGPlease note that viewing finishes at 12.30pm on the day of the auction. It will not be possible to view lots after this time. Please note that imperfections are not stated. It is the responsibility of the purchaser to inspect and ascertain the condition of any or all goods offered for sale in the auction. Ample opportunity for inspection of goods is given to buyers, and each buyer, by making a bid for a lot, acknowledges that they have satisfied themselves fully before bidding, by inspection or otherwise, as to the Conditions of Sale and the physical condition and description of the lot, including but not restricted, to whether the lot is damaged or has been repaired. Please note that all books are sold ‘with all faults’ and not subject to return. All electrical and mechanical items are sold ‘as is’, and no warranty or guarantee comes with these items. It is up to the buyer to satisfy themselves as to whether or not they are in working order. In relation to light fittings, furniture and garden furniture, buyers are reminded that removal of these items is solely at the buyer’s risk and expense.

YOU DON’T HAVE TO ATTEND THE SALE TO BIDIf you are unable to attend the auction, Dolan’s offer the following ways in which you can bid before the sale:

ABSENTEE BIDDINGIf you are unable to attend the auction you may complete an Absentee Bid form, and we will bid on your behalf subject to our Terms and Conditions of Sale. Tel 091 798 647 for further details.

TELEPHONE BIDDINGYou may choose to bid by telephone during the course of the auction (subject to our Terms & Conditions of Sale and the availability of telephone lines). Adequate notice is required in order to arrange telephone bidding. Tel 091 798 647 for further details.

ALL LOTS ARE SOLD SUBJECT TO OUR TERMS & CONDITIONS OF SALEDolan’s Terms & Conditions of Sale are printed at the back of this catalogue and are available online at www.dolansart.com.

VAT REGULATIONSNo VAT is charged on goods sold in the auction. VAT is only applicable to the auctioneers’ commission charged to the purchaser (i.e. the buyers premium). All lots are sold within the auctioneers’ VAT margin scheme. Revenue regulations require that the buyers’ premium must be invoiced at a rate which is inclusive of VAT. This VAT is not recoverable by any VAT registered buyer.

PAYMENTAll goods must be paid for, in full, before collection. All accounts must be discharged by certified cheque, bank draft or cash. The auctioneer reserves the right not to release goods until cheque payments have been cleared by the bank. Credit & debit cards are also accepted. Payment may also be made by electronic transfer of funds to Dolan’s bank account, full details on request. In certain circumstances, the Auctioneers may require payment to be made by account transfer. Purchasers will NOT be charged the artist’s resale levy, known as the droit de suite.

COLLECTION OF LOTSLots purchased at the sale may be collected on both sale days and on the following day Monday 12th August, 10am - 5pm and thereafter from our office at Lissarulla, Carnmore, Co. Galway.

DOLAN’S GUARANTEE OF AUTHENTICITYDolan’s Art Auction House takes special care to ensure that all works of art offered are as described and are the work of the artists to whom they are attributed. In the event of any work sold from this catalogue to be subsequently proved to be a ‘deliberate forgery’, subject to our Terms and Conditions of Sale (and in particular Condition No 5), as printed in this catalogue, Dolan’s will cancel the sale and refund to the buyer the total amount paid by the buyer to Dolan’s for the item. This guarantee is provided for a period of seven years after the date of the auction and may be extended at Dolan’s discretion.

SPECIAL NOTICE TO PURCHASERProspective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding, if they intend to import such items into another country.

FURTHER INFORMATION www.dolansart.comCopyright © 2019 Dolan's Art Auction House. All rights reserved. PSRA No. 001273

DOLAN’S

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IMPORTANT IRISH ART

DOLAN’S

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502

501

500

500 Bluenose Grand Banks Schooner, launched in 1921, a cased wooden model, approx 30"high, 32" wide

¤480 - ¤650

501 BRONZE SHIPS BELL marked 'JENSEN' in raised lettering, with two suspension loops on top and the remnants of gilded decoration, approx 12" high and 12" diameter

¤480 - ¤550

502 Good Cast Iron Boot Scraper approx 17" long

¤150 - ¤200

503 Cast Iron Railway Sign, approx 38" long

¤60 - ¤100

504 Good Victorian Copper Preserve Pan with Handles

¤70 - ¤100

504

505

505 Edwardian Walnut Sutherland table, with turned legs and downswept supports, approx 21.25" wide

¤60 - ¤80

506 William IV Rosewood Circular Breakfast Table, on a faceted column, with circular base and scroll feet, approx 54.25" diameter

¤650 - ¤850

507 Pair of Regency Oak Hall Chairs in the manner of Gillows, with shell backs

¤650 - ¤850

508 Victorian Mahogany Circular Breakfast Table with snap action, turned column and three downswept legs & scroll feet, approx 42" diameter

¤180 - ¤250

509 19th Century Oak Hall Chair with panelled armorial crest, on a solid seat, with carved acanthus cabriole front legs & claw feet

¤220 -¤260

510 19th Century Oak Oval Twin Drop Leaf Gate Leg Tablewith turned supports, on bun feet, approx 58" wide

¤500 - ¤600

511 Late George III Elm Dining Chairwith pierced splat back and drop in seat, raised on tapered legs, of square section, united by stretchers

¤120 - ¤160

512 Victorian Walnut Pembroke table, with single frieze drawer and raised on tapered reeded legs, terminating in brass castors, approx 44.75" long

¤280 - ¤380

513 Bedroom Chair, with cabriole front legs

¤40 - ¤60

514 Victorian Mahogany Side Table, with rounded corners, recessed frieze drawer and raised on turned legs, approx 29" wide

¤280 - ¤380

515 Victorian Brass Mounted Rosewood Travelling Writing Box, with fitted interior, approx 11.75" wide

¤80 - ¤120

516 Pair of Folding Metal Garden Chairs and Accompanying Circular Folding Table approx 25.5" diameter [3]

¤350 - ¤450

503

Please Note: Lots 500 to 567 are being sold on behalf of the Dolan family.

IMPERFECTIONS NOT STATED

11th AUGUST 2019

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516

516

515

511

510

509

512

513

514

508

507

506

DOLAN’S

10

517

519

518

520

521

522

517 John Minihan (b.1946), photoprint of Seamus Heaney at The Bantry Literary Festival 2005, 8.5"x8.5" (21.5x21.5cm), framed¤160 - ¤180

518 Kylie Minogue, Signed Limited Edition Print, Issued for Kylie's 2014/2015 European 'Kiss Me Once' Tour, 15.5"x21.5" (39x55cm)¤240 - ¤280

519 Harry Kernoff RHA (1900-1974), A BIRD NEVER FLEW ON ONE WINGblack & white print, approx 5"x7"¤80 - ¤100

520 Graham CrowleyROOFTOPSLimited Edition Colour Print 28.25"x20.75" (71.5x53cm)Signed & Inscribed¤80 - ¤100

521 Sean Cannon, Black & White Photoprint of The Atlantic Drive, Achill, approx 20"x30", signed & inscribed¤100 - ¤130

522 Harry Kernoff RHA (1900-1974)CONNEMARA COLLEENblack & white print, approx 6.5"x5"¤80 - ¤100

523 Japanese Imari Octagonal Charger, circa 1900, decorated with a phoenix & flowering peonies, framed by assorted floral panels, approx 18" diameter ¤240 - ¤280

524 Royal Doulton May-time Pattern Tea Service¤140 - ¤160

525 "The Balloon Seller", Royal Doulton figure (HN583) inscribed & marked, approx 9" high ¤90 - ¤110

526 Minton Ancestral Pattern China Tea Service, mid 20th century ¤100 - ¤130

527 Late Victorian Silver Faceted Cream Jug, Sheffield 1900, approx 4.5" long¤70 - ¤80

528 Pair Japanese Imari Plates, circa 1890/1900, with a jardiniere of flowers & panels of blossoming prunus & chrysanthemums, each approx 12.25" diameter¤160 - ¤180

529 Silver Cigarette Case, Birmingham 1918, approx 4.5" long¤80 - ¤100

530 Pair of Japanese Imari plates, circa 1900 , approx 8.5" diameter ¤70 - ¤100

531 Silver Cigarette Case, Birmingham 1923, approx 4" long¤40 - ¤60

532 Two Royal Doulton China Figures, a Lady Skating (Grace, HN2318) and a Lady with Bonnet (Fair Lady, HN2832), approx 8" & 7.5" high ¤80 - ¤120

533 Silver Plated Christening Mug, on circular base, approx 5" high¤30 - ¤40

534 Assorted Cutlery, Knives, Forks & Spoons¤25 - ¤35

535 Antique Carved Ivory Figure of a Hippopotamus, approx 5" long ¤160 - ¤220

536 Silver Ash Tray, approx 3.25"x3.25", Sheffield 1951 ¤50 - ¤60

537 Tiny Drawing Room Bell with Wooden Handle, approx 4.5" high¤30 - ¤40

538 Two Pieces of Avon Ware Art Deco pottery, a Bowl and a Three Part Relish Dish, each approx 9" diameter ¤40 - ¤60

539 School Bell, hand held, with wooden handle¤25 - ¤35

540 Five Cuala Press Prints, all unframed¤75 - ¤85


11th AUGUST 2019

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523

524

525

526

527

529

534

535

539

537

538

536

531

528

532

530

533

DOLAN’S

12

541 Lorna Millar

PUNCH & JUDYOil on Board19.5"x29.5" (49.5x75cm)Signed Signed & Dated 2009 Verso

¤600 - ¤800

542 Robert Taylor Carson HRUA1919-2008

DONEGAL HORSE SALESOil on Board15.5"x19.5" (39.5x50cm)Signed Signed, Inscribed & Dated (20)02 Verso

¤700 - ¤800

543 Dennis Gilbert b.1922

SUMMER PICNICOil on Canvas27.5"x27.5" (70x70cm)Signed

¤400 - ¤600

544 Douglas Hutton b.1950

PONIES ON INISHNEE Oil on Board8.75"x13.75" (22x35cm)Signed with Initials Signed & Inscribed Verso

¤280 - ¤350

545 Graham Knuttelb.1954

LOVE BIRDS Oil on Canvas14"x10" (35x25cm)Signed

¤800 - ¤1,200

546 Annie Robinsonb.1961

MARKEY & FRIENDSPastel 9"x12" (22.5x31cm)Signed with Initial & Inscribed with Title

¤280 - ¤320

547 Annie Robinsonb.1961SUMMER FLOWERS ON A CHEQUERED CLOTHPastel 11.5"x8.5" (29x21.5cm)Signed with Initial

¤280 - ¤320

548 Jorge Aguilar-Agonb.1936GOLDEN VILLAGEMixed Media13.75"x17.75" (35x45cm)Signed

¤280 - ¤340

549 Annie Robinsonb.1961CLOWN IPastel12.25"x9" (31x22.5cm)Signed with Initial

¤250 - ¤350

550 Carol Ann Waldronb.1948IN SIGHT OF HOME Oil on Board4"x6" (10x15cm)Signed

¤280 - ¤350

551 Annie Robinsonb.1961SUNFLOWERS Pastel 12.25"x8.75" (31x22.5cm)Signed with Initial & Inscribed with Title

¤280 - ¤320

552 Gregory MooreMINDING THE SHEEPOil on Canvas Board11.5"x19.5" (29.5x49cm)Signed

¤280 - ¤360

553 Annie Robinsonb.1961CLOWN IIPastel12.25"x9" (31x22.5cm)Signed with Initial

¤280 - ¤320

543

542

541

544

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553

552

551

550

549

548

547

546

545

DOLAN’S

14

554

555

556

554 William Jackson RUA1886 - 1954

THE BLUE HILLSOil on Canvas Board15"x19" (38.5x48.5cm)Signed

¤600 - ¤800

555 Olive Bodekerb.1944

THE LAKE ISLE OF INISHFREEOil on Canvas10.75"x14.75" (27.5x37.5cm)Signed

¤400 - ¤500

556 Hugh McIlfatrickb.1956

HILLS OF DONEGALOil on Board13.75"x17.5" (35x45cm)Signed

¤250 - ¤350

557 Gordon Kingb.1939

SUMMER DAYS I Watercolour21"x13.75" (53.5x35cm)Signed

¤500 - ¤800

558 Fergus O'Ryan RHA1911 - 1989

THE OX THAT TREADS THE CORNOil on Board 10"x13" (25x33cm)Signed & InscribedSigned & Inscribed Verso

¤350 - ¤450

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559 Harold Dearden ARCA1888 - 1962

WORKING THE LANDOil on Board10.5"x12.5" (27x32cm)Signed

¤280 - ¤350

560 Gordon Kingb.1939

SUMMER DAYS II Watercolour21.25"x13.5" (54x34.5cm)Signed

¤500 - ¤800

561 Edgar Rowly Smart1887-1934

RUE BROCA, PARISMixed Media13"x10" (33x25.5cm)Signed & Inscribed

¤380 - ¤450


EVENING GLOW IN THE WESTOil on Board8.25"x11.75" (21x30cm)Signed with Monogram

¤250 - ¤350

557

559

561 562

558

560

DOLAN’S

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563

564

565

563 Arthur Twells RUA1921-1996 FARMHOUSES, CO DONEGAL Oil on Board 19.5"x27.5" (49.5x70cm) Signed ¤1,100 - ¤1,400

564 Arthur Twells RUA1921-1996

EVENING LIGHT, CO DONEGAL Oil on Canvas 11.5"x15.5" (29x39cm) Signed ¤750 - ¤900

565 Arthur Twells RUA1921-1996

COTTAGES IN DONEGAL Oil on Canvas 11.25"x15.25" (28.5x38.5cm) Signed ¤600 - ¤750

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566

566 Mark O'Neillb.1963

SHEEPDOG, MINDING THE YARD Oil on Board12.25"x19.25" (31x48.5cm)Signed & Dated 2008Signed, Inscribed & Dated Verso. Exhibited Mark O'Neill Exhibition, Adam's December 2008

¤3,000 - ¤4,000

Mark O’Neill

Mark O’Neill was born in 1963 and lived in Mauritius, South Africa and Malta before he settled in London. He studied at the Kingston College of Art and graduated with first class honours in Fine Art. He became an illustrator and worked for many companies such as Harrods, Guinness and Warner Brothers. He subsequently moved to Ireland in 1988 and established himself as an artist of outstanding ability, with many successful sellout exhibitions. His success is richly deserved.

DOLAN’S

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567

567 Arthur K Maderson b.1942

THE FRIDAY MARKET, FRANCEOil on Board13.25"x13.25" (33.5x33.5cm)Signed Signed & Inscribed Verso

¤1,400 - ¤1,600

568 Graham Elliottb.1943

CAFÉ ROUGEOil on Canvas 15.5"x11.5" (39.5x29.5cm)Signed

¤400 - ¤600


HARVESTING BY HANDOil on Board9.5"x7.5" (24x19cm)Signed Signed & Inscribed Verso ¤300 - ¤375


WISH YOU WERE HERE, IN PARISOil on Board9.5"x7.5" (24x19.5cm)Signed

¤300 - ¤450


CAFÉ RUE DE BECI, PARIS IOil on Canvas 10.25"x10.25" (26x26cm)Signed

¤300 - ¤400


CAFÉ RUE DE BECI, PARIS IIOil on Canvas 11.5"x11.5" (29x29cm)Signed

¤300 - ¤400


LUNCHTIME, TUILERIES, PARISOil on Board9.5"x7.5" (24x19cm)Signed

¤300 - ¤400

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569

571

573

568

570

572

DOLAN’S

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574 Norman Teelingb.1944

FESTIVAL MARKETOil on Board31.5"x47.75" (80x121cm)Signed

¤1,600 - ¤2,400

Norman Teeling

Dubliner Norman Teeling graduated from the National College of Art and Design in the early 1960’s and is well known for his commissioned series of paintings depicting the 1916 Easter Rising, which now hang in the GPO on O’Connell Street, Dublin. In addition to painting, Teeling also works as a film animator and illustrator. He has had numerous exhibitions of his work, including his one man show’s in Dublin’s Prestigious Gorry Gallery.

574

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FLOWER SELLERS AT THE GPOOil on Board19.5"x23.5" (50x60cm)Signed

¤650 - ¤850

576

575

577


SUMMER IN O'CONNELL STREET IOil on Board19.75"x23.75" (50x60.5cm)Signed

¤600 - ¤800


SUMMER IN O'CONNELL STREET IIOil on Board19.75"x23.75" (50x60.5cm)Signed

¤600 - ¤800

DOLAN’S

22

578

578 Henry Morganb.1952

PURTEEN HARBOUR, ACHILLOil on Canvas 19.25"x27" (49x68.5cm)Signed & Dated

¤950 - ¤1,250

Henry Morgan

Born in Adare, Co. Limerick in 1952, Henry Morgan studied at the Limerick School of Art and was awarded a scholarship to Oslo University. Since his return to Ireland, having completed a BA in Fine Art, he has exhibited extensively both at home and abroad and has been a regular exhibitor at the Irish Exhibition of Living Art, The Royal Hibernian Academy, EVA in Limerick, among many others. Henry has been inspired by the local landscape from the Burren to the Clare Glens and the coast of Clare and beyond. These rugged landscapes feature strongly in his work, and he continues to carve his niche among the higher echelons of Irish Art.A contemporary artist of substance, his work is increasingly sought after by collectors & is now included in many public and private collections.

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579

580 581


HOUSES AT KEELOil on Canvas 19.25"x27" (49x68.5cm)Signed & Dated

¤950 - ¤1,250


NEAR DOOAGH Oil on Canvas 11.5""x17.25" (29x44cm)Signed & Dated

¤400 - ¤600


POLLAGH VILLAGEOil on Canvas 11.5""x17.25" (29x44cm)Signed & Dated

¤400 - ¤600

DOLAN’S

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582

Hanne T. Fisker

Hanne T. Fisker is a young Danish Photographer, who has made Ireland her home since 2011. Her background is in sports and academia, however in 2008 she gave away her belongings, packed a suitcase and left Denmark, entering a nomadic existence and at some point along the way, picked up a camera. Deeply moved and inspired by nature all around her, and with a keen observant eye, Hanne developed and honed her skills as a photographer, whether gazing over vast untamed oceans, or mesmerised by a raindrop in a spider web and even through her rare encounters with feral creatures, she has managed to capture snippets of the natural world, as she sees and senses it. Her first solo exhibition “Storm and Still” in 2015 was followed two years later by “Water Stories”. Nowadays photographs are increasingly significant in the world’s major art institutions, such as New York’s Museum of Modern Art and London’s Tate. Creating images that are unique, powerful and evocative, Hanna T. Fisker is an emerging artist of substance, who has managed, through the realm of photography, to develop her work as a serious and significant Art Form.

582 Hanne T Fiskerb.1973

ATLANTIC SURGE IMatt Archival Print on Hahnemühle Bamboo17"x22.5" (43x57.5cm)Signed in Pencil by the Artist

¤280 - ¤450

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583

584

585


DREAMER & WARRIORMatt Archival Print on Hahnemühle Bamboo17"x22.5" (43x57.5cm)Signed in Pencil by the Artist

¤280 - ¤450


ECHOESMatt Archival Print on Hahnemühle Bamboo17"x22.5" (43x57.5cm)Signed in Pencil by the Artist

¤280 - ¤450


ATLANTIC SURGE IIMatt Archival Print on Hahnemühle Bamboo17"x22.5" (43x57.5cm)Signed in Pencil by the Artist

¤280 - ¤450

DOLAN’S

26

Henry Morgan


586


WATERFALLOil on Canvas27.75"x19.5" (70x49.5cm)Signed & Dated

¤1,400 - ¤1,800

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587

587 Charles Harper RHAb.1943

ACQUAINTANCES & FRIENDSAcrylic on Canvas 24"x24" (61x61cm)Signed, Inscribed & Dated Verso

¤2,400 - ¤2,800

588

588 Ronan Halpin b.1958

SPANISH HORSEPainted Steel & Brass Sculpture15" (38cm) highSigned With Initials

¤800 - ¤1,200

589

589 David Hayes

RECUMBENT NUDE Watercolour 13"x19" (33x48cm) Signed & Dated (20)04 ¤180 - ¤280

DOLAN’S

28

590

Maggie Morrissonb.1965

Maggie Morrisson was born in Dublin and attended the National College of Art, before going on to study Fine Art at the University of Southern Illinois. She has exhibited regularly throughout Ireland since 1989, including the Crawford Gallery Cork and the Royal Hibernian Academy. A substantial contemporary artist, she is greatly influenced by her surroundings on the Western Seaboard and has received many awards for her striking contemporary work.

590 Maggie Morrissonb.1965

APRIL 28, FEELS LIKE SPRINGMixed MediaApprox 28"x28" (71x71cm)Signed & Inscribed Dated Verso

¤1,400 - ¤1,800

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591

592

592 Patrick Hickey HRHA1927 - 1998

FUSCHIA NEAR WESTPORT, 16th/17th Aug '78Mixed Media20.75"x25.5" (52.5x65cm)Inscribed with Title

¤300 - ¤500

591 Maggie Morrissonb.1965

UNDER THE RHODODENDRON, SPRING IS WAITINGMixed MediaApprox 28"x28" (71x71cm)Signed & Inscribed Dated Verso

¤1,400 - ¤1,800

DOLAN’S

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John Morris

Born in 1958, John Morris is known for his distinctive style and has exhibited widely for many years, culminating in a recent publication, and his work is included in many private and corporate collections. Well known for unique contemporary work, his style has developed and his range broadened in subtle and skillful ways and PICTURE NAME is a good example of this developing style and shows his suberb artistic ability.

593

594

593 John Morrisb.1958

IN SHALLOW WATER, KEEL BEACHOil on Board24.75"x39" (63x99cm)SignedSigned & Inscribed Verso

¤1,600 - ¤2,400


SEAPOINTOil on Board14.5"x14.5" (37x37cm)SignedSigned & Inscribed Verso

¤400 - ¤600

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596

596 William Graceb.1964

BOATS IN SUNLIGHTOil on Board18.25"x21.75" (46x55cm)Signed with InitialsSigned & Inscribed Verso

¤600 - ¤800

595


ICE CREAM KIOSK, PORTMARNOCK STRANDOil on Board22.75"x22.75" (58x58cm)SignedSigned & Inscribed Verso

¤800 - ¤1,200

DOLAN’S

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597


DAWN HAZE CLEARINGOil on Board30.25"x45.5" (77x115.5cm)SignedSigned & Inscribed Verso

¤2,800 - ¤4,500

Arthur K Maderson

Irish by inclination, Arthur Maderson was actually born in London in 1942, and studied Fine Art from 1959 to 1963 at Camberwell School of Art, London, winning the Anna Berry Award in 1963, in open competition with leading Art Schools. Although Maderson continued to paint on a regular basis, it was only in 1982, at the age of 40 that he felt sufficiently confident to exhibit. From this period, he has enjoyed considerable success, and this success has been replicated in Ireland, where his reputation as a painter of distinction and passion is firmly established. He works at a frantic pace with dedication, determination and unflagging vigour, and now divides his time between Ireland and a small hamlet high in a largely unpopulated mountainous region of the Cevenne, in the South of France. As to this transition from Ireland to France, Maderson observes ‘It is curious to move from a world of low key, soft tertiary colours, borne of high levels of atmospheric moisture, to fiercely aggressive sunlight, cutting and dividing forms, into intense stabs of brilliant, heavily saturated colours … delicate salmon against bursts of intense electric blues … a world which takes on the appearance of having been formed by crushing jewels … what a challenge, to paint with crushed jewels!’ Arthur Maderson has exhibited at the Royal Hibernian Academy, The Royal West of England Academy and the Royal Academy and he has represented Ireland in many prestigious exhibitions. Maderson’s subtle exploration of a rich kaleidoscope of ‘raw’ visual information is achieved with a fierce determination, all part of his artistic genius. An outstanding artist of his generation.

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598


ROSE GARDEN ENSEMBLEOil on Board14.25"x21" (36x53.75cm)Signed & DatedSigned & Inscribed Dated Verso

¤2,400 - ¤3,000

Mark O’Neill


DOLAN’S

34

599

599 Carina Scottb.1963

ATLANTIC MOONLIGHTOil on Canvas 23.5"x31.5" (60x80cm) Signed ¤1,000 - ¤1,500

Carina Scott

Born in 1963, Carina Scott is both artist and musician, and all the while a breeder of quality Irish sport horses. With a strong musical background, Carina, as an artist & painter, is largely self taught and her pedigree as a creative artist mirrors her success with her horses and Connemara ponies at the RDS and French Championships. Painting in both Ireland and France, her adopted country, Carina Scott is continually inspired by the landscape & light, by the seasons and the sensuality of nature all around her. Her work is distinctive and vibrant, an Irish palette, influenced by the strong light and colour of southern Europe. With her bold use of paint, Scott captures the light and mood of the Irish landscape and of the creatures she portrays. Her use of paint and her palette knife work are exquisite, testament to the flair, vigour and enthusiasm with which she constantly works. Her reputation as an artist has grown steadily, with successful shows in Ireland and abroad and the success she has enjoyed is well deserved.


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600

601

600 Charles Harper RHAb.1943

INTRUSIONOil on Canvas26.25"x32.25" (66.5x81.5cm)Signed Signed & Inscribed Verso

¤1,600 - ¤2,400


MARKET DAY, WARM SUMMER PINK & BLUEOil on Board16"x14.5" (40.5x37cm)SignedSigned & Inscribed Verso

¤1,400 - ¤1,600


DOLAN’S

36

602

603

602 Richard Kingston RHA1922 - 2003SUNSETOil on Board20"x31" (51x78.5cm)Signed Signed & Inscribed Verso

¤900 - ¤1,400

603 Richard Kingston RHA1922 - 2003

FRUIT & WINEOil on Canvas15.5"x21.25" (39.5x54cm)Signed Signed & Inscribed Verso

¤750 - ¤850

604 Val McGann b.1928

BIG SEAS OFF ACHILL Oil on Board 6"x24" (15x61cm) Signed ¤400 - ¤600

604

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605

606

605 Sean McSweeney HRHA1935-2018

WOODLAND & LAKE, A STUDY IN BLUES & GREENWatercolour & Pencil11.25"x16.25" (28.5x41cm)Signed Origianl Dawson Gallery Label Verso

¤900 - ¤1,200

606 Charlotte Kelly

WINTER DAWNOil on Linen11.75"x11.75" (30x30cm)Signed

¤600 - ¤800

DOLAN’S

38

607

607 May Manning RHA1853-1930

COTTAGESOil on Canvas BoardEach 8.25"x11.5" (20.5x29cm)Signed & Inscribed 'Baltray' on original artists label verso, in Original Ornate Gilt Frame, by Daniel Egan Framemakers, Dublin

¤900 - ¤1,200

Charles Lamb RHA RUACharles Lamb was one of a group of Irish Artist’s who, during the 1920’s and 30’s found inspiration in the life and landscape of the West of Ireland. Born in Co Armagh in 1893, Charles Vincent Lamb was the eldest of seven children, who in 1913 had won a gold medal as best apprentice house painter of the year and in 1917 he won a scholarship to the Dublin Metropolitan School of Art where he studied for four years and came under the influence of Sean Keating. At this time, he became profoundly affected by the nationalist movement which dominated Dublin intellectual and artistic circles of the day. As such, he looked to the West of Ireland and to the people and traditions of the Gaeltacht, visiting Carraroe for the first time in 1921 and regularly in the years that followed. In these early years, Lamb had met Padraic O’Conaire from Connemara, who encouraged him to go West and paint the unspoilt landscape and life of the people, in the Carraroe area in particular, a remote Irish-speaking area, at that time. In 1919, Charles Lamb had four works selected for the Royal Hibernian Academy and he continued to exhibit there for the rest of his life. Annual one man shows in Dublin followed and in 1923 he was appointed an associate of the Royal Hibernian Academy, and by 1924 he was exhibiting at the Magee Gallery in Belfast. In 1926 and 1927, he toured Brittany, painting peasant life in a manner derived from his experience in the West of Ireland. The following year, he was back in the West of Ireland, travelling around in a horse-drawn caravan. An exhibition in Boston USA followed in 1928 and in 1929 and 1930 in New York. Until the mid 1930’s he continued to produce important figure studies, there after he concentrated on landscapes, being elected a full member of the RHA in 1938. Through the 1930’s, he exhibited work in Dublin, London and Brussels and as far afield as Los Angeles in 1932, at the Olympic Art Exhibition and in 1933, at the Chicago World Fair. Lamb had a house built of local stone in Carraroe in 1935, where he settled and started a Summer School, while continuing his summer exhibitions. He was also elected a member of the Royal Ulster Academy and in 1938, he exhibited at the Royal Academy in London. His work was included in the Contemporary Irish Painting exhibition to North America in 1950. As well as exhibiting at the Oireachtas exhibition in Dublin, he showed at the Munster Fine Art Club and was a member of the United Arts Club in Dublin. He continued to paint right up the end of his days and died in Carraroe in 1964. A number of summer exhibitions were held in the Carraroe studio in the years that followed and a memorial exhibition of his work was held at the Hugh Lane Municipal Gallery in 1969. It is thought that this work ‘Carraroe, Connemara’, was exhibited in the 1969 exhibition in Dublin under the title ‘Western Scene’. His work is included in many and varied important collections, including the Crawford Gallery, Cork, the Hugh Lane Municipal Gallery, and the National Gallery of Ireland, together with municipal and university collections across Ireland.

May Manning Mary Ruth (May) Manning was born in Dublin in 1853, the daughter of engineer Robert Manning. Apart from a period of time living in Hampstead, London from 1889 to 1892, May lived in the family home at Ely Place from 1880. Neither May nor her sisters married, living in Ely Place until after their father’s death, and then on Winton Road, Lesson Park. She died there on 27 January 1930. Mary Manning had two daughters, Susan and Fanny, who both became American poets. Manning studied in Paris in the 1870s with Louise Catherine Breslau and Sarah Purser. She worked primarily in oil and watercolour. From 1880 to 1892, her work was exhibited by the Royal Birmingham Society of Artists, the Walker Art Gallery, the Royal Hibernian Academy (RHA), and in Brussels. Manning is best known for her influence on a number of Irish women artists of the time. She and sisters held art lessons from a studio for young women, many of whom she encouraged to study in Paris. Amongst the artists she taught and influenced are Mary Swanzy and Mainie Jellett. Her teaching took up most of her time, which led to her exhibiting her own work infrequently. Manning became a member of the Dublin Sketching Club in 1885. An oil painting of a landscape and setting sun by Manning is on display in the National Gallery of Ireland, whilst her Study of a boy is in the collections of the Hugh Lane Gallery.

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39

608

608 608

608 Charles Vincent Lamb RHA RUA1893-1964

AN CHEATHRU RUA (CARRAROE, CONNEMARA)Oil on Canvas19.75"x23.5" (50x60cm)Signed In Original Frame

¤10,000 - ¤12,500

DOLAN’S

40

609

Cecil Maguire RUA

Cecil Maguire was born in Lurgan in 1930 and graduated from Queen’s University Belfast in 1951. Following a career as Senior English Master in Lurgan College, Maguire retired in 1981 to concentrate on painting full time. In 1967 he became an associate of the Royal Ulster Academy and began exhibiting at the RHA in 1971. Cecil Maguire now lives and works for a great part of the year in Roundstone, Co. Galway, where he feels very much at home in an area which has always been the inspiration for much of his work - an area of tranquility and ever changing landscape. His work is part of many public, private and major national collections including The National Self Portrait Collection and The Ulster Museum, and The United Nations Headquarters, New York.

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41

609

609 Cecil Maguire RUA b.1930PURTEEN HARBOUR, ACHILLOil on Canvas 15.5"x23.5" (39.5x59.5cm)Signed & Dated (19)63

¤7,000 - ¤10,000

DOLAN’S

42

610

Maurice C Wilks RUA, ARHA

A landscape and portrait painter, Maurice Canning Wilks was born in Belfast in 1910. He attended Belfast School of Art. Still in his teens, he exhibited at the RHA and also at the Oireachtas. He was elected an associate of the Ulster Academy of Arts in 1935. He exhibited all over the world and is represented in many public and private collections including the Ulster Museum, Armagh County Museum and the Ulster Folk and Transport Museum.

610 Maurice C Wilks RUA, ARHA1910 - 1984

ROSAPENNA, CO DONEGALOil on Canvas 15.5"x19.5" (39.5x49.5cm)Signed In Original Frame, Victor Waddington, Dublin, Label Verso

¤5,000 - ¤6,000

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43

613

611 Maurice C Wilks RUA ARHA1910 - 1984

REFLECTIONS, EARLY MORNING, CONNEMARA Oil on Canvas 17.5"x35.5" (45x90cm) Signed Inscribed Verso

¤2,800 - ¤3,500

612 Wycliffe Egginton RI1875-1951

LAKE & MOUNTAIN LANDSCAPE WITH WATERFALLS Watercolour 14.25"x21" (36.5x53.5cm) Signed & Dated (19)24 ¤500 - ¤800

613 Henry Albert Hartland1840 - 1893

MOUNTAIN LANDSCAPE WITH TURF CUTTERS Watercolour 13.5"x27.5" (34.5x70cm) Signed Cork artist, Henry Albert Hartland, exhibited extensively in the late 19th Century including the Royal Institute and the Royal Academy

¤600 - ¤800

611

612

DOLAN’S

44

ACHILL ISLAND

11th AUGUST 2019

45

DOLAN’S

46

614

614

614 Alexander Williams RHA1846-1930

SHARK FISHING, ACHILL ISLANDOil on Canvas 13.5"x23.5" (34.25x59.75cm)SignedSigned & Inscribed "Achill Island, Co Mayo … 15 guineas" on Original Label Verso. Provenance: John O'Shea, Dooagh

¤4,000 - ¤6,000

Alexander Williams RHA1846 – 1930

Landscape and Marine painter, Alexander Williams was born in Monaghan in 1846. The family moved to Dublin in 1860, where he studied art at the Royal Dublin Society school. In 1870 Williams first exhibited at the Royal Hibernian Academy, and from then until 1930 showed no fewer than 450 works with the academy, not missing a single exhibition in sixty years. He was the first honorary secretary of the Dublin Sketching Club, founded in 1874, where he exhibited large numbers of works over half a century. A member of the choir of the Chapel Royal in Dublin Castle, he also featured as soloist in the choirs of Christ Church Cathedral and St Patrick’s Cathedral. A leading figure in the art world of his day, he exhibited widely from Cork to Belfast, and of course in Dublin and London, working from his studio in Hatch Street, Dublin from 1893 onwards. He held his first London exhibition at the Modern Gallery in Bond Street, in 1901. He travelled extensively through Europe and exhibited as far afield as Canada, South Africa, Australia and Bermuda. Examples of his work are to be found in many of the National Collections, including that of the National Gallery of Ireland and the Hugh Lane Municipal Gallery.

11th AUGUST 2019

47


WASHING DAY IN ACHILLWatercolour8.5"x15" (21.5x38cm)Signed & InscribedProvenance: John O'Shea, Dooagh ¤1,600 - ¤1,800

616 Alexander Williams RHA1846-1930VALLEY STRAND, ACHILLWatercolour9.25"x16.75" (23.5x42.5cm)Signed & Inscribed with Title

¤500 - ¤800


SOFT EVENING GLOW ON THE HILLSWatercolour10.25"x18.25" (26x46cm)Signed

¤600 - ¤800617

615

616

DOLAN’S

48

618

Patrick Hennessy, RHA 1915-1980

Cork artist Patrick Hennessy is one of the most important Irish artists of the 20th Century. He won a scholarship to art college before travelling to study in Paris and Rome. He exhibited at the Royal Scottish Academy in 1939, returning to Ireland at the outbreak of the Second World War, exhibiting at the Royal Hibernian Academy from 1941 onwards. In Ireland, he divided his time between Dublin and Co Cork and became closely associated with the artist Harry Robinson Craig RHA. He exhibited extensively with almost 100 works shown in the Royal Hibernian Academy. His first one man show was at Thomas Agnew & Sons, Old Bond Street, London, in 1956 and the following year at the Ritchie Hendriks Gallery in Dublin. He continued his association with the Hendriks Gallery in subsequent years, exhibiting in Chicago in 1966. He travelled regularly in Cork, Kerry and Connemara and to France, Spain, Italy, Belgium and Holland, before moving to live in Morocco in his later years. His work is include of the collections of the National Gallery of Ireland, the National Self Portrait Collection, the Hugh Lane Municipal Gallery, the Crawford Art Gallery and the Ulster Museum. An artist of true substance, he has been considerable force in 20th Century Irish Art.

618 Patrick Hennessy RHA1915-1980

BOGPOOLSOil on Canvas24.5"x29.5" (62x75cm)Signed

¤4,000 - ¤6,000

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49

619

621

620

619 Edward Louis Lawrenson RA1868 - 1940

BRINGING HOME THE TURFWatercolour11.5"x16" (29x40.5cm)Signed, Exhibited Watercolour Society of Ireland, Price 5 Guineas, label attached verso, possibly the 1929 Exhibition. Lawrenson was an Irish Artist, who held a commission in the Connaught Rangers for 7 years. He frequently painted in the West of Ireland, and on Achill and exhibited in the Royal Hibernian Academy, the Royal Academy, the Belfast Art Society and the Watercolour Society of Ireland

¤500 - ¤700

620 Paul Henry RHA 1876-1958

COTTAGES IN THE WESTArtist's Proof Print13.5"x15.75" (34.5x40cm)Signed in Pencil by the Artist

¤400 - ¤600

621 Micheál de Búrca RHA (Castlebar artist)1912-1985

FEEDING THE HENSWatercolour9.75"x13.75" (24.5x34.5cm)Signed

¤500 - ¤800

622 Paul Henry RHA 1876-1958

TURF STACKS, CONNEMARA Colour Print 20.75"x24.75" (53x63cm) ¤120 - ¤160

622

DOLAN’S

50

623

623 Desmond Turner RUA1923 - 2011

DOOAGH VILLAGE

Oil on Canvas19.75"x23.5" (50x60cm)Signed

¤1,400 - ¤1,800


ACHILL ISLAND

Oil on Canvas19.5"x29.5" (49.5x74.5cm)Signed

¤900 - ¤1,400


LOOKING TOWARDS CLARE ISLANDOil on Canvas 19.5"x23.5" (50x60cm)Signed

¤800 - ¤1,200

11th AUGUST 2019

51

624

625

DOLAN’S

52

626

626 Sean Keating PRHA, HRA, HRSA1889 - 1977

FEAR NA gCAPALLPastel16.5"x13.25" (42x33.5cm)Signed

¤2,800 - ¤3,800

Sean Keating1889 - 1978

Born in Limerick, Sean Keating studied drawing at Limerick Technical School and won a scholarship in 1911 to the Dublin Metropolitan School of Art, where he studied under Sir William Orpen. In 1914 he won the Taylor scholarship and went to visit the Aran Islands with his friend Harry Clarke. It was a turning point in his career as the islands and their inhabitants, were to become the subjects of so many of his paintings and drawings. In 1915 he succeeded in showing three of his paintings at the RHA and was elected an associate in 1919 and a full member in 1923. In 1919 he also began to teach at the Dublin Metropolitan School of Art. He was represented at the Royal Academy in 1924, continuing to exhibit there for the next thirty years and he represented Ireland at the New York World’s Fair in 1939. At home, Keating exhibited in the important exhibitions of his day, including the Victor Waddington Gallery in Dublin, the Hendriks Gallery, the Oireachtas, etc. and had a successful one-man show in the Ritchie Hendriks Gallery on St Stephen’s Green in December 1956. He resigned from the presidency of the RHA in 1962 and the following year a retrospective exhibition was held at the Municipal Gallery of Modern Art, opened by President De Valera. As an artist and a teacher he always took a firm stand on the side of traditional painting and was outspoken in his rejection of the modern movement.

This important work in pastel & charcoal, Fear Agus Bean Ón Oilean, is most striking and distinctive, presenting two powerful characters, with strong facial expressions and gestures and is typical of Keating’s style and genius. A strong and thought-provoking work, it portrays life in the West of Ireland, that Keating cherished. Interested in symbolic themes, he frequently portrayed individual characters with strong lines and attention to detail. Much of his work is associated with the period of the foundation of the State and he is widely regarded as one of the most significant Irish artists of the 20th century.

11th AUGUST 2019

53

627


EVENING, TALLOW HORSE FAIRMixed Media30.75"x36.75" (78x93cm)SignedSigned & Inscribed Verso

¤1,500 - ¤2,000

DOLAN’S

54

628 Alfred Fripp RA1822 - 1895

MOTHER & BABY, GALWAY, 1845Watercolour9.75"x7.75" (25x19.5cm)Signed & Inscribed 'Galway 1845'Inscribed Verso 'From The Earl Of Iveagh Collection'

¤300 - ¤400

629 Attributed to Mildred Anne Butler RWS1858 - 1941

THE HAYFIELDWatercolour7.5"x8" (19x20cm)

Provenance: George Stacpoole, Limerick, original label verso, inscribed "Purchased at Christies Sale … 13th of Oct 1981, Exhibited at Adare, Co Limerick Nov/Dec 1981, Catalogue No 39"

¤500 - ¤800

630 Charles Gregory RWS1849 - 1920

FEEDING THE DUCKSWatercolour14"x9.75" (35.5x25cm)Signed

¤300 - ¤500

631 Richard Caulfield Orpen RA RHA1863 -1938

LANGUISHING WITH BROKEN WRISTWatercolour11"x9.25" (28x23.5cm)Signed & Dated 1921Inscribed Verso

¤100 - ¤200

628

630

629

631

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55

632

633

632 Robert Eggintonb.1943

KEEM BEACH, ACHILLWatercolour13.75"x19.75" (35x50cm)Signed

¤750 - ¤850

633 Robert Eggintonb.1943

KEEM BAYWatercolour13.75"x19.75" (35x50cm)Signed

¤750 - ¤850

Robert Egginton

Born in 1943, into an artistic family, Robert Egginton is the nephew of Frank Egginton (1908–1990) and the grandson of Wycliffe Egginton, R.I. (1875-1951). Robert’s artistic lineage has stood him well and he has developed his own distinctive style. A superb watercolourist, strong on composition and technique, his depiction of the Irish landscape is vivid and robust, bridging the traditional and the contemporary.

DOLAN’S

56

634 Robert Egginton b.1943

MORNING LIGHT AT PURTEEN Watercolour14.5"x22" (37x55.5cm)Signed

¤750 - ¤850


PURTEEN HARBOURWatercolour17.5"x23.5" (44.5x59.5cm)Signed

¤750 - ¤1,000

635

634

11th AUGUST 2019

57


SLIEVEMORE & DUGORT BEACHWatercolour13.5"x19.5" (35x50cm)Signed

¤750 - ¤850


KEEL BEACH & T THE MINAUN CLIFFSWatercolour17.5"x23.5" (44.5x59.5cm)Signed

¤750 - ¤1,000

637

636

DOLAN’S

58

638


EVENING SKY, SUNLIT FROM THE BERVIEOil on Canvas 19.25"x27" (49x68.5cm)Signed & Dated

¤800 - ¤1,000

Henry Morgan


11th AUGUST 2019

59

639

640


KEEM BEACHOil on Canvas 15.25"x23.25" (39x59cm)Signed & Dated

¤800 - ¤1,000


MINAUN CLIFFS, ACHILLOil on Canvas 15.25"x23.25" (39x59cm)Signed & Dated

¤800 - ¤1,000

DOLAN’S

60


ATLANTIC MOONLIGHTOil on Canvas 23.5"x31.5" (60x80cm)Signed

¤1,000 - ¤1,500


FEMALE NUDE IOil on Board11.5"x9.75" (29x24.5cm)Signed

¤380 - ¤450


GALWAY BAYOil on Board23.75"x23.75" (60.5x60.5cm)Signed with InitialsSigned & Inscribed Verso

¤600 - ¤800

644 Patrick Vialeb.1952

DAFFODILS IN A COBALT BLUE VASEOil on Canvas Board9.75"x7.5" (24.5x19cm)Signed

¤300 - ¤400


FEMALE NUDE IIOil on Board11.5"x9.75" (29x24.5cm)Signed

¤380 - ¤450


LITTLE DANCEROil on Board19"x18.5" (48x47cm)Signed with InitialsSigned & Inscribed Verso

¤400 - ¤500

647 Desmond Murrie

HORSE RACINGOil on Board23.5"x29.25" (60x74.25cm)SignedSigned & Inscribed Verso

¤250 - ¤450

641

11th AUGUST 2019

61

642 643

644 645

646 647

DOLAN’S

62

648

Carina Scott

Born in 1963, Carina Scott is both artist and musician, and all the while a breeder of quality Irish sport horses. With a strong musical background, Carina, as an artist & painter, is largely self taught and her pedigree as a creative artist mirrors her success with her horses and Connemara ponies at the RDS and French Championships. Painting in both Ireland and France, her adopted country, Carina Scott is continually inspired by the landscape & light, by the seasons and the sensuality of nature all around her. Her work is distinctive and vibrant, an Irish palette, influenced by the strong light and colour of southern Europe. With her bold use of paint, Scott captures the light and mood of the Irish landscape and of the creatures she portrays. Her use of paint and her palette knife work are exquisite, testament to the flair, vigour and enthusiasm with which she constantly works. Her reputation as an artist has grown steadily, with successful shows in Ireland and abroad and the success she has enjoyed is well deserved.


ORANGE IN MOONLIGHTOil on Canvas 11.75"x15.75" (30x40cm)Signed

¤750 - ¤850

11th AUGUST 2019

63


EARLY MORNING LIGHTOil on Canvas 10"x12" (25x30cm)Signed

¤750 - ¤850

649


NIGHT SKY, KEELOil on Board10"x14" (25.5x35.5cm)Signed

¤650 - ¤750

650

DOLAN’S

64


ATLANTIC DRIVE, ACHILLOil on Canvas 14.5"x21.5" (37x54.5cm)Signed & Dated

¤800 - ¤1,000

651 Michael Morrisb.1979

NEW YORK CITY Oil on Board23"x19" (58.5x48.5cm)Signed

¤750 - ¤950

Michael Morris

Born in Dublin in 1979, Michael Morris is a self taught painter whose travels have helped in honing a unique style that is individual and immediately recognizable. Following his own path, he gained a clear perspective on what he wanted to create. His travels took him through France, Rome, Venice and Spain, and while Ireland remains his main subject matter, his work has a vibrancy, which seems to be suffused with both French flair and Mediterranean light. He has exhibited widely throughout Ireland, including the Royal Ulster Academy Exhibition. It is little surprise that his work has been received to critical acclaim, he is clearly an emerging artist of substance.

651

11th AUGUST 2019

65


ATLANTIC DRIVE, ACHILLOil on Canvas 14.5"x21.5" (37x54.5cm)Signed & Dated

¤800 - ¤1,000

653 Anne Donnellyc.1932

BIRDS IN THE HARBOUROil & Mixed Media13.25"x9.25" (33.5x23.5cm)Signed & Dated (20)11

¤300 - ¤400

654 Markey Robinson1918 - 1999

CONNEMARA LANDSCAPE & SHAWLIESPair of Pen & Ink & WatercolourEach 5"x7.25" (12.5x18.5cm)Both SignedTogether with another Pen & Ink & Wash of POTATO RIDGES by Markey Robinson, 4"x5.75" (10x14.5cm), signed [3 Works in all]

¤500 - ¤700

655 Markey Robinson1918 - 1999

LANDSCAPES WITH CHURCH BUILDINGS & RIVER BOATSet of 3 Pen & Ink & Watercolours, framed as oneEach approx 4"x5.75" (10x14.5cm)Two Signed

¤400 - ¤600

652

653

654 654 654

655 655 655

DOLAN’S

66

656

Mark O’Neill


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67

656


EMPIRICAL GOLDOil on Board23.25"x16" (59x41cm)Signed & DatedSigned & Inscribed Dated Verso

¤3,000 - ¤5,000

DOLAN’S

68

657

John C Brobbel RBA Born in 1950, John Brobbel is an important contemporary artist, widely exhibited and in receipt of many prestigious awards. Brobbel studied at the Byam Shaw School, in Kensington and at Goldsmiths College, London. He has exhibited widely, including the Royal Academy, The Royal Hibernian Academy, the Royal Ulster Academy and of course, at the Royal Society of British Artists, of which he is a member. He is also a member of the Watercolour Society of Ireland. He works in a distinctive style, with meticulous detail, producing striking results. He is a significant artist, on an international stage.

657 John C Brobbel RBAb.1950

INNER HALL, NEWPORT HOUSE, CO MAYOOil on Canvas 29.5"x23.5" (75x60cm)SignedSigned Verso

¤3,000 - ¤5,000

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69

658

659

658 Rose Stapletonb.1951

CIRCUS, DONEGALOil on Canvas19"x23" (48.5x58.5cm)Signed

¤2,000 - ¤3,500

659 John C Brobbel RBAb.1950

LA PREMIER SORTIE, THE KISSOil on Canvas 9"x11" (23x28cm)SignedSigned & Inscribed Verso

¤950 - ¤1,450

DOLAN’S

70

660

661

Mat Grogan

Born in Dublin in 1947, Mat Grogan began his artistic career while away working in Australia, where he became a member of The Wildlife Artists Society. The recipient of various awards, he has been influenced by the work of Chardin and Vermeer, and his work is now increasingly sought after.

660 Mat Groganb.1947

PINK ROSES IN A CHINESE VASEOil on Canvas Board11.5"x9.5" (29.5x24.5cm)Signed

¤750 - ¤1,000


DAFFODILSOil on Board6.75"x4.75" (17x12cm)Signed

¤450 - ¤650

11th AUGUST 2019

71

662

663


IRONSTONE CUP, A STUDYOil on Canvas Board7.5"x8.5" (19.5x22cm)Signed

¤800 - ¤1,000


THE LACE CURTAINOil on Board6"x7.5" (15x19.5cm)Signed

¤800 - ¤1,000

DOLAN’S

72

664

665

665 Ivan Suttonb.1944

PAUL HENRY AT THE NATIONAL GALLERYOil on Canvas Board19.5"x29.5" (49.5x75cm)Signed Signed & Inscribed Verso

¤1,400 - ¤1,800


BUSY SUMMER'S DAY NEAR TRINITYOil on Board19.5"x23.5" (50x60cm)Signed

¤750 - ¤850

666


BUSY DAY NEAR COLLEGE GREENOil on Board19.5"x23.5" (50x60cm)Signed

¤750 - ¤850

11th AUGUST 2019

73


THE DRAWING ROOMOil on Board35"x27" (89x69cm)Signed

¤900 - ¤1,400

667

Norman Teeling

Dubliner Norman Teeling graduated from the National College of Art and Design in the early 1960’s and is well known for his commissioned series of paintings depicting the 1916 Easter Rising, which now hang in the GPO on O’Connell Street, Dublin. In addition to painting, Teeling also works as a film animator and illustrator. He has had numerous exhibitions of his work, including his one man show’s in Dublin’s Prestigious Gorry Gallery.

DOLAN’S

74


FLOWERS IN SUNLIGHTOil on Board6.75"x4.75" (17x12cm)Signed

¤380 - ¤450


PINK ROSES IN A CHINESE VASEOil on Board4.75"x6.75" (12x17cm)Signed

¤380 - ¤450

670 Lorraine Christieb.1967

FRUIT & WINEOil on Board10.5"x13.5" (27x34.5cm)Signed

¤500 - ¤600


SUMMER FLOWERSOil on Board15.5"x11.5" (39.5x29.5cm)Signed

¤180 - ¤250

672 Cathryn Jeff

WOODLAND FLORA & DANCING LIGHTMixed MediaEach 6"x6" (15x15cm)Both Signed with Initials

¤180 - ¤220

668

669

670 671

672 672


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75


673

673 673

673 Hans Iten RUA1874 - 1930

BLUEBELL WOODSOil on Board5.75"x8.25" (14.5x21cm)SignedWith another painting of Parkland With Swan verso

¤1,200 - ¤1,400

DOLAN’S

76

674

674 Ernest Hayes RHA1914 - 1978

SOLEIL DU SOIR SUR LE CHATEAUOil on Canvas18"x13.75" (45.5x35cm)Signed, Inscribed & Dated 1963

¤400 - ¤600

675 Tom Nisbet RHA1909 - 2001

SUMMER MEADOWSWatercolour10.5"x14.5" (26.5x36.5cm)SignedSigned & Inscribed Verso. Exhibited at RHA Exhibition 1979

¤400 - ¤500675

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77

676

676 Rev Edward Nangle1800 - 1883

LANDSCAPE WITH EVENING SKY, CATTLE & SHEEP GRAZINGOil on Canvas17.5"x27.75" (45x70cm)

Original Label Verso, Inscribed:'Painted by Rev Edward Nangle for the Skreen School, August 29th 1884, £8'

¤1,800 - ¤2,500

676

DOLAN’S

78

677

678

679

680

681

682

677 Iranian Kashan carpet, principal colours red, beige and blue, approx 161" x 115"

¤550 - ¤750

678 Late Victorian Walnut Occasional Chair, with cameo to top rail and cane seat, raised on turned legs

¤60 - ¤80

679 Victorian Walnut Table, of shaped outline, with barley sugar twist column supports, scroll legs and castors, approx 42" long

¤160 - ¤220

680 Interesting Late Victorian Chemist's Brass Pill Maker, made by Mawson & Thompson, London c.1900, approx. 12.5" long, with original sliding action

¤140 - ¤160

681 Figure of an Elephant Family, on a plinth, approx 13" long

¤130 - ¤150

682 Heriz carpet, principal colours red, blue and beige, approx 132" x 93"

¤550 - ¤750


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683

683

684

685

686

687

688

689

683 Fine Quality, Heavy Pile, Rust Ground Donegal Carpet, with floral border and floral diamond centre, approx 177" long, 144" wide

¤1,000 - ¤1,250

684 Mahogany Silver Table, with fretwork gallery, corner spandrels and legs of square section, united by stretchers, approx 24" wide

¤280 - ¤320

685 A Pair of Georgian Brass Candlesticks with square bases, approx 8.75" high

¤60 - ¤80

686 Copper Preserve Pan, Victorian, with twin handles, approx 19.5" wide

¤140 - ¤160

687 Black Forest Carved Wooden Bear Ashtray, inscribed Luzern, approx 7" long

¤60 - ¤80

688 Good Afghan Runner, principal colours dark blue and red, approx 31.5" x 114"

¤450 - ¤650

689 Eastern Runner, with five geometric designs to the centre panel and multiple line border, approx 43" x 113"

¤350 - ¤450

DOLAN’S

80

690

690 Mildred Anne Butler RWS1858 - 1941

SUNLIGHT ON DAFFODILS & AZALEA AT KILMURRYWatercolour10.25"x7" (26x18cm)Signed with Initials & Dated April 5th 1901Provenence: The Collection of Doreen Archer Houblon

¤3,500 - ¤4,000

Mildred Anne Butler RWS Born in 1858, Mildred Anne Butler lived most of her life at the family home, Kilmurry House, near Thomastown, Co Kilkenny. Indeed, Kilmurry was the inspiration for much of her work throughout her career, and its animals, birds and walled flower garden feature in much of her work. In 1885, she visited France, Switzerland and Italy sketching as she travelled and in 1886, studied under Paul Jacob Naftel in London. The Dudley Gallery in London showed her work in 1888 and she began to exhibit with the Watercolour Society of Ireland in 1892. In 1893, her work was included in the book of watercolours given by the Society of Lady Artists to Princess May, later Queen Mary, and Mildred Anne Butler later painted a tiny picture of crows for the Queeen’s dolls house at Windsor. She was regularly represented at the Watercolour Society of Ireland exhibitions and contributed more than 200 works. She exhibited widely including the Royal Hibernian Academy from 1891, and the Belfast Art Society. She was in Paris in 1894, and later travelled with May Guinness to study under Norman Garstin at Newlyn in 1894 and 1895. She exhibited at the Royal Academy in 1896, and in 1897, Lady Cadogan, the Vicereine in Dublin, presented one of her watercolours to the Princess of Wales. Mildred Anne Butler continued to travel regularly in Ireland and abroad, and in 1907, she exhibited at the new Dudley Gallery in London with Percy French, Claude Hayes and Bingham McGuinness. She continued to exhibit widely and lived out her final years at Kilmurry, where she died in 1941. In 1978, much of her private collection came to light on the dispersal of Kilmurry’s contents and this collection became an important touring exhibition, which was sold in Christies in London and at subsequent Christies sales in Belfast and Dublin. Many fine examples of her work are included in the collections of the National Gallery of Ireland, the Hugh Lane Municipal Gallery of Modern Art and the Ulster Museum.

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691

692

694

693

695 696

694 J Hamilton Hay

ARTIST IN HER STUDIOWatercolour 11.25"x8.75" (28.5x22cm)

¤140 - ¤180

695 Mary Perrin

RETURNING HOMEWatercolour and Gouache10"x14" (25.5x35.5cm)Signed

¤150 - ¤250

696 Eric Sturgeon

THE MIRRORColour Print13.5"x19.5" (34x50cm)Signed in Pencil by the Artist

¤80 - ¤100

691 James English RHAb.1946

YOUNG PIPEROil on Canvas Board11.25"x9.25" (28.5x23.5cm)Signed

¤400 - ¤500

692 After Sir William Russell Flint RA1880 - 1969

THE SKETCH BOOKSColoured Print, Published 196313"x21.5" (33x54.5cm)Signed in Pencil

¤280 - ¤350

693 After Sir William Russell Flint RA1880 - 1969

WASH DAY Coloured Print15.25"x21.25" (38.5x54cm)Signed in Pencil by the ArtistJohn McGee, Belfast, Label Verso

¤150 - ¤250

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82

697

697 Douglas Alexander 1871-1945

EVENING, KYLEMORE, CONNEMARA (setting sun, deep blue hills)Oil on Canvas Board15.5"x19.5" (39.5x49.5cm)Signed Signed & Inscribed on Original Artists Label Verso, and Victor Waddington Galleries Label

¤1,200 - ¤1,600

698 James WattTOWARDS ACHILLOil on Canvas 11.25"x23.25" (29x59cm)SignedSigned & Inscribed Verso

¤350 - ¤500


SANDYCOVE, CO DUBLINOil on Board8.5"x19.5" (21.5x49.5cm)Signed

¤600 - ¤750


STORMY LIGHT ON THE BURREN COAST Oil on Canvas 15.5"x21.25" (39.5x54.5cm) Signed & Dated ¤700 - ¤800

701 Douglas Huttonb.1950

THE CURRACH MEN, LOBSTER FISHERMEN Oil on Canvas 31.5"x 39.25" (80x100cm) Signed with Initials Signed & Inscribed Verso

¤700 - ¤800

702 Annemarie Bourkeb.1957 PASSING SHOWERS, ATLANTIC COAST Oil on Canvas Board 11.5"x15.5" (29x39.5cm) Signed ¤400 - ¤600


CRASHING WAVES ON THE CLARE COAST Oil on Canvas 19.75"x24.5" (50.5x62.5cm) Signed & Dated ¤800 - ¤1,000


ATLANTIC SWELL AT MULLAGHMORE Oil on Canvas 19"x19" (48.5x48.5cm) Signed with Initials Signed & Inscribed Verso

¤400 - ¤600

705 Annemarie Bourkeb.1957

ATLANTIC SURGE Oil on Canvas Board 10.5"x19.5" (27x49cm) Signed ¤400 - ¤600

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698

700 701

702

704

703

705

699

DOLAN’S

84

706

707


THE MINAUN CLIFFS, ACHILL Oil on Canvas 19.25"x39" (49x99cm) Signed ¤1,200 - ¤1,500


ATLANTIC DRIVE, ACHILL Oil on Canvas 27.25"x19.25" (69x49cm) Signed ¤700 - ¤1,000

708 Ursula Moloney

ERLOUGH, CONNEMARAWatercolour14.25"x21.75" (36.25x55cm)Signed

¤250 - ¤350

708

Annemarie Bourke

Originally from Killaloe, Co. Clare, Annemarie Bourke lives and works in Limerick City. A former Chairperson of the Limerick Arts Society, Annemarie has had many successful exhibitions both at home and abroad and her work is to be found in many private collections. Her evocative work portrays al living city, past and present.

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85

709

710

711


SUNNY AFTERNOON ATKEELWatercolour11.5"x15.5" (29x39cm)Signed

¤400 - ¤500


PURTEEN HARBOURWatercolour11.5"x15.5" (29x39cm)Signed

¤400 - ¤500


COTTAGES AT KEEL, AFTER THE RAINWatercolour9.5"x13.5" (24x34cm)Signed

¤400 - ¤500

DOLAN’S

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712

712 Liam JonesA WESTERN BEACHOil on Canvas 17.5"x23.5" (44.5x60cm)Signed

¤600 - ¤800


ROLLING WAVESOil on Canvas15.5"x15.5" (39x39cm)Signed

¤600 - ¤800

713 714


DUBLIN BAY, LOW TIDEOil on Board19.5"x23.5" (50x60cm)Signed

¤750 - ¤850

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87

715

715 Thomas Ryan PRHAb.1929

THE MILK MARKET, LIMERICKWatercolour7.75"x9.75" (20x24.5cm)SignedSigned & Inscribed Verso

¤400 - ¤600

716 Thomas Ryan PRHAb.1929

WIDGERY IN FULL ... THE BOGSIDE 1972Pen & Ink and Watercolour9"x13.5" (23x34.5cm)Signed & Extensively Inscribed Front & BackInscribed & Dated Verso "The Bogside was invaded this morning ... Monday 31st of July 1972 ... Another glorious victory!! Original Artist's Label.

¤400 - ¤600

717 Irish School

IN BEWLEYS, SEPT '93Pair of Pen & Ink and Watercolour11"x15" (28x38cm) and similarBoth Signed & Inscribed

¤100 - ¤150

717717

716

DOLAN’S

88


FISHING BOATS IN PURTEEN Oil on Canvas 15.25"x23.25" (39x59cm)Signed & Dated

¤750 - ¤850


ATLANTIC WAVESOil on Canvas Board16.25"x23" (41.5x58.5cm)SignedSigned, Inscribed & Dated Verso

¤400 - ¤600


WHITE PONIES, ACHILLOil on Canvas9.75"x20" (25x50.5cm)Signed with Initials Signed & Inscribed Verso

¤300 - ¤400

721 Norman Teeling

b.1944SUNLIGHT ON O'CONNELL BRIDGEOil on Board19.5"x23.5" (50x60cm)Signed

¤700 - ¤850

722 Alicia Boyle1908-1997

WOMAN, SEATED Watercolour 14"x10.25" (35.5x26cm) Signed Provenence: Alicia Boyle, Studio Sale, de Veres, Sept 1998, Lot 195

¤300 - ¤500

723 Ken O'Neillb.1967

MONDRIAN VIEW Oil on Canvas15.75"x19.75" (40x50cm)Signed

¤400 - ¤600

718

720

719

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721

723

726

722

728727

724

725


WESTERN SUNSETOil on Canvas Board11.5"x15.5" (29.5x39.5cm)Signed

¤400 - ¤600

725 Eileen Coghlan1909 - 1990

THE LOBSTER FISHERMANPastel9.25"x13.75" (23.5x34.5cm)Signed

¤100 - ¤150

726 Ken O'Neillb.1967

CHILDREN ON THE BEACH Oil on Canvas20"x24" (51x61cm)Signed

¤500 - ¤800


SS UGANDA, VIGO BAY Oil on Board 7.25"x9.25" (18.5x23.5cm) Signed with Monogram, with original artists label verso Provenence: Alicia Boyle, Studio Sale, de Veres, Sept 1998, Lot 185 ¤250 - ¤350


GANG OF WORKMEN Pen & Ink Drawing 8.75"x12.5" (22x32cm) With Studio Sale Label Verso Provenence: Alicia Boyle, Studio Sale, de Veres, Sept 1998, Lot 149

¤250 - ¤350

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729

729 Jeremiah Hoad 1924 - 1999

MINAUN CLIFFS & KEEL BEACH, ACHILL Pastel 18"x24.25" (45.5x61.5cm) Signed ¤750 - ¤850


DANCING BY MOONLIGHT Oil on Board 22.75"x19" (58x48cm) Signed Signed, Inscribed & Dated (19)73 Verso

¤900 - ¤1,200730


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731

731 Bobbie Anderson BRINGING HOME THE TURF Watercolour 9.5"x14" (24.5x35.5cm) Signed

¤480 - ¤650

732

732 Bridget Ryan

PATCHWORK FIELDS Oil on Board15.5"x18.5" (39.25x47cm)Signed

¤600 - ¤800


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734

733

735


SHEEPHAVEN BAY, CO DONEGAL Watercolour 14.5"x20.5" (36.5x52cm) Signed Signed & Inscribed Verso & Dated (19)44

¤500 - ¤800

734 Samuel Coulterb.1925 GATHERING THE SEAWEED, NEAR ROUNDSTONE Oil on Board 13"x13.5" (33x34.5cm) Signed Signed & Inscribed Verso

¤180 - ¤250

733 Victorian SchoolSHEPHERDESS & SHEEP BY THE SEAOil on Canvas13.75"x21.25" (35x54cm)

¤140 - ¤180

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736

737


SHOWING OFF THE NEW PONYOil on Canvas, laid on Board9"x14" (23x35cm)Signed Signed, Inscribed & Dated (19)89 Verso

¤400 - ¤500


FLOWER GIRLOil on Board16"x12" (41x30.5cm)Signed

¤350 - ¤450

738


SUMMER BEACHOil on Canvas10.5"x14.5" (27x37cm)Signed Inscribed Verso

¤380 - ¤450

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NIGHTLIGHTS, O'CONNELL ST.Oil on Board19.5"x23.5" (50x60cm)Signed ¤750 - ¤850


SKY & BOGAcrylic on Canvas Board13.5"x17.5" (34.5x44.5cm)Signed

¤350 - ¤500


NEW YORK CITY Pair of Oils on BoardEach 6.75"x9" (17x23cm)Both Signed

¤400 - ¤600

742 Lynda Cookson

SPRING WALKOil10"x6.25" (25x16.25cm)Signed with InitialsSigned & Inscribed Verso

¤100 - ¤150

743 Mary Rigney BLUE MOON, A ROSE FROM MY GARDENPastel12"x15" (30.5x38cm)Signed & Dated

¤150 - ¤250

744 Mary Rigney SUNFLOWERPastel11.5"x16.75" (29x42.5cm)Signed & Dated

¤150 - ¤250

739

740

741 741

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742 743

744

746 746

747

745

745 Lynda CooksonPADRAIG'S ACHILLOil on Board9.5"x9.5" (24.5x24.5cm)SignedSigned & Inscribed Verso

¤100 - ¤150

746 Lynda CooksonPINK ROSE IN A PUDDLE & COMPANIONSPair of Watercolours7.5"x10" (19x25.5cm) and smallerBoth Signed, one with Initials, Both Signed & Inscribed Verso

¤100 - ¤150

746 Claude Hayes RI ROI1852 - 1922

RETURNING HOMEWatercolour 7"x15.5" (17.5x39.5cm)Signed

¤50 - ¤80

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1. DefinitionsIn these Conditions, West of Ireland Art Auctions Limited, trading as Dolan’s Art Auction House, who act as auctioneers and agents for the vendor, are called ‘The Auctioneers’ (which expression shall be deemed to include their servants and agents) and the representative of Dolan’s Art Auction House conducting the auction is called ‘The Auctioneer’. As auctioneers, Dolan’s act as agent for the seller. A sale contract is made directly between the seller and the buyer. However, Dolan’s may own a lot (and in such circumstances act in a principal capacity as seller) and/or may have a legal, beneficial or financial interest in a lot.2. Third Party LiabilityEvery person at or on the ‘Auctioneers’ premises or at any premises being used by the Auctioneer at any time shall be deemed to be there entirely at his/her own risk and shall have no claim whatsoever against the Auctioneers or their servants or agents in respect of any accident or incident which may occur, nor any injury, damage or loss howsoever arising and whether or not same is the subject of any allegation of negligence.3. GeneralWhilst the Auctioneers make every effort to ensure the accuracy of their catalogue and the description of every lot:a) Each lot as set out in the catalogue or as divided or combined with any other lot or lots is sold by the vendor with all faults, imperfections and errors of description.b) The auctioneer shall not be responsible for any discrepancies between the colour in the catalogue illustration and that of the original work being offered for sale.c) Any claim under any Statute must be received in writing by the Auctioneers within three months of the sale.d) The Auctioneers shall not be liable for consequential or resultant loss or damage whether sustained by a Vendor or a Purchaser or the owner of any item or their respective servants and agents arising in any circumstances whatsoever and irrespective of any claim made by any party as to negligence or lack of care of the Auctioneers or any party acting on their behalf.e) All lots are made available for inspection for a reasonable period prior to auction. A buyer who makes a bid for any lot thereby acknowledges that he has satisfied himself as to the physical condition, state of repair or restoration, age and catalogue description of such lot and also that he accepts these conditions of sale.Dolan’s knowledge, in relation to each lot, is partially dependent on information provided by the seller and Dolan’s are not able to, and do not, carry out exhaustive due diligence searches on each lot. Bidders acknowledge this fact and accept responsibility for carrying out inspections and investigations to satisfy themselves as to the lots they may be interested in buying. Bidders also acknowledge the fact that many lots are of an age that they may not be in perfect condition. All lots are offered for sale with any imperfections. Catalogue descriptions and condition reports may on occasions make reference to particular imperfections of a lot, but Bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. Illustrations are for identification purposes only and will not convey full information as to the actual condition of lots.4. The Auctiona) The Auctioneer has absolute discretion to divide any lot, to combine any two or more lots or to withdraw any lot or lots from the sale, to refuse bids, regulate bidding or cancel the sale without in any case giving any reason or previous notice. He may bid on behalf of the vendor for all goods which are being offered subject to reserve or at the Auctioneer’s discretion.b) The highest bidder shall be the buyer except in the case of a dispute. If during the auction the Auctioneer considers that a dispute has arisen, he has absolute discretion to settle it or to re-offer the lot for sale. The

Auctioneer may at his sole discretion determine the advance or bidding or refuse a bid.c) Each lot is put up for sale subject to any reserve price placed by the vendor. Whether or not there is a reserve price the seller has the right to bid either personally or by any other person (who may be the Auctioneer).d) All conditions, notices, descriptions, statements and other matters in the catalogue and elsewhere concerning any lot are subject to any statements modifying or affecting the same made by the Auctioneer from the rostrum prior to any bid being accepted for the lot.5. RescindmentNotwithstanding any other terms of these Conditions, if within 12 months after the sale, the Auctioneers have received from the buyer any notice in writing that in his view the lot is a deliberate forgery and within twenty one days after such notification the buyer returns the same to the Auctioneers in the same condition as at the time of sale and by producing evidence, the burden of proof to be upon the buyer, satisfies the Auctioneers that considered in the light of the entry in the catalogue the lot is a deliberate forgery, then the sale of the lot will be rescinded and the purchase price of the sale refunded. In the event of a dispute then the matter shall be settled by the President of the Institution of Chartered Surveyors in the Republic of Ireland. Both the buyer and the vendor agree to be bound by the decision.6. DefaultThe Auctioneers disclaim responsibility for default by either the buyer or the vendor because they act as Agents for the vendor only and therefore do not pay out to the vendor until payment is received from the buyer. Instructions given by telephone are accepted at the sender’s risk and must be confirmed in writing forthwith. In the event of a sale by private treaty both the vendor and the buyer agree to be bound by these conditions and any other special conditions of sale.7. Retention of TitleAll goods remain the property of the vendor until paid for in full. The Auctioneers will not assume liability to discharge net proceeds arising from the sale of goods until those goods have been paid for in full.8. InstructionsAll goods delivered to the Auctioneers’ premises will be deemed to be delivered for sale by auction and will be catalogued and sold at the discretion of the Auctioneer and accepted by them subject to all the Sale Conditions. By delivering the goods to the Auctioneers for inclusion in their auction sales the vendor acknowledges that he or she has accepted and agreed to be bound by all these Conditions.9. Collection and DeliveriesThe Auctioneers do not normally undertake the packing, collection or delivery of goods but will if requested use their best endeavours as Agent of the Owner to arrange for an independent contractor on the owner’s behalf to deal with packing, collection and/or delivery. The Auctioneer will not in any event arrange insurance of the goods and will accordingly not be liable for any loss or damage to goods howsoever arising including breakages or for any damage to premises, fixtures or fittings therein caused by such contractor or otherwise and the owner is responsive for all arrangements to verify that any such contractor and the goods is/are appropriately insured. Unless instructions are received to the contrary, charges (including VAT) for such services will be charged to the vendor’s account or discharged through the Auctioneers by the purchaser as the case may be. The Auctioneers’ liability (if any) will arise only where they themselves carry out packing and collection/delivery and only in the case of breakage or loss caused through deliberate negligence of their employees and in any event in one single contract and the Auctioneers’ liability will not exceed C=500. Provided further the Auctioneers will not be liable for consequential loss in any circumstances whatsoever.10. Loss or Damage and StorageThe Auctioneers reserve the right to store or arrange for the storage of goods held by them or delivered

to them either on their own premises or elsewhere at their sole discretion and entirely at the owner’s risk. The Auctioneers shall not be liable for any loss (including consequential loss) howsoever caused or damage to goods of any kind including breakages, or for unauthorised removal of goods. 11. Right to Re-sellThe Auctioneer reserves the right to re-sell any item that has not been collected within fourteen days.12. Telephone biddingEvery effort will be made to facilitate persons wishing to bid by telephone at auction but the auctioneer disclaims responsibility for any failures for whatever reason, in this regard.13. Absentee BiddingEvery effort will be made to facilitate persons wishing to leave commission bids with the auctioneer but the auctioneer disclaims responsibility for any failures for whatever reason, in this regard.14. Droit de SuiteThe artist’s resale levy, the droit de suite, where applicable, will be deemed to be the responsibility of the vendor. Dolan’s Art Auction House will not charge this levy to the purchaser. The vendor by entering his goods for sale with Dolan’s Art Auction House acknowledges that he/she is responsible for the payment of this artist’s resale levy. Dolan’s Art Auction House will not be responsible for payment of the droit de suite and the vendor by entering his/her goods for sale acknowledges that he/she has accepted and agreed to be bound by this condition of sale. Furthermore Dolan’s Art Auction House accepts goods for sale from the vendor on the condition that the vendor authorizes Dolan’s Art Auction House to withhold monies due for payment of the droit de suite from the auction proceeds due to the vendor, and the vendor further authorizes Dolan’s Art Auction House to pay the droit de suite, on the vendors behalf, to the artist. Furthermore the vendor acknowledges that the droit de suite payment where applicable will be charged to the vendors account in addition to the vendors commission charged by the auctioneer and any illustration or other charges applicable to the account.15. Special ConditionsPURCHASER:a) The purchaser shall pay a commission to the auctioneer, viz. a Buyer’s Premium, of 25% including VAT on the hammer price of each lot.b) The Purchaser acknowledges that the auctioneer may also receive a commission from the vendor.c) All accounts must be discharged by certified cheque, bank draft or cash. The auctioneer reserves the right not to release goods until cheque payments have been cleared by the bank. Debit & Credit cards are also accepted. d) Responsibility for items purchased passes to the purchaser on the fall of the hammer. The Auctioneers reserve the right to look for a 25% deposit on all goods.e) The buyer authorises the Auctioneer to use any photographs, drawings or illustrations of any lot purchased by the buyer, and, to indicate the price paid at auction for the lot, and the buyer acknowledges that same may be used for any advertising, promotional or other such purposes.16. Purchasers will NOT be charged the Artists

Resale Levy.17. VAT Regulations:All lots are sold within the Auctioneers VAT margin scheme. Revenue regulations require that the buyers premium must be invoiced at a rate which is inclusive of VAT. This VAT is NOT recoverable by any VAT registered buyers.18. Special Notice To PurchaserProspective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding , if they intend to import such items into another country.

TERMS & CONDITIONS OF SALE

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ARTIST INDEX BY LOT NO.

REFERENCES: Theo Snoddy, Dictionary of Irish Artists, 20th Century

A Aguilar-Agon, Jorge 548Alexander, Douglas 697Anderson, Bobbie 731 B Bodeker, Olive 555Boyle, Alicia 722, 727-728Brobbel, John C 657, 659Bourke, Annemarie 702, 705-707, 724Butler, Mildred Anne 629, 690 C Carson, Robert Taylor 542, 730, 735-737Caulfield, Richard 631Coghlan, Eileen 725Cookson, Lynda 742,745-746Coulter, Samuel 734Christie, Lorraine 670 D Dearden, Harold 559de Burca, Micheal 621Donnelly, Anne 653 E Egan, Orla Egginton, Robert 632-637, 709-711Egginton, Wycliffe 612Elliott, Graham 568-573, 738English, James 691 F Flint, After Sir William R 692-693Fisker, Hanne T 582-585Fripp, Alfred 628 G Gilbert, Dennis 543Grace, William 596, 643, 646Gregory, Charles 630Grogan, Mat 660-661, 668-669,

699 H Halpin, Ronan 588Harper, Charles 587, 600Hartland, Henry Albert 613Hayes, Claude 747Hayes, David 589Hayes, Ernest 674Hay, J Hamilton 694Hennessy, Patrick 618Henry, After Paul 620, 622Hicky, Patrick 592Hoad, Jeremiah 729Hutton, Douglas 544, 701, 704,

719-720

I Iten, Hans 673 J Jackson, William 554Jeff, Cathryn 672Jones, Liam 712 K Keating, Sean 626Kelly, Charlotte 606Kernoff, After Harry 519, 522King, Gordon 557, 560Kingston, Richard 602-603Knuttel, Graham 545 L Lamb, Charles Vincent 608Lawrenson, Edward Louis 619 M Manning, May 607Maderson, Arthur K 567, 597, 601, 627Maguire, Cecil 609Millar, Lorna 541Moore, George 552Murrie, Desmond 647McGann, Val 604McIlfatrick, Hugh 556, 562, 671McSweeney, Sean 605Moloney, Ursula 708Morgan, Henry 578-581, 586,

638-640, 652, 700, 703, 718

Morrisson, Maggie 590-591Morris, John 593-595Morris, Michael 651, 713, 740-741 N Nagle, Rev Edward 676Nisbet, Tom 675 O O'Neill, Ken 723, 726O'Neill, Mark 566, 598, 656O'Ryan, Fergus 558 P Perrin, Mary 695

R Rigney, Mary 743-744Robinson, Annie 546-547, 549, 551,

553Robinson, Markey 654-655Ryan, Thomas 715-716Ryan, Bridget 732 S Scott, Carina 599, 641, 648-650Smart, Edgar Rowly 561Stapleton, Rose 658, 662-663Sturgeon, Eric 696Sutton, Ivan 665 T Teeling, Norman 574-577, 642, 645,

664, 666-667, 714, 721, 739

Turner, Desmond 623-625Twells, Arthur 563-565 V Viale, Patrick 644 W Waldron, Carol Ann 521, 550Watt, James 698Wilks, Maurice C 610-611Williams, Alexander 614-617

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Connemara Dublin Achill Limerick Galway

Dolan’s Art Auction House091 798 647086 409 8015

[email protected]

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