7/31/2019 Academic Review

1/12

Group No. 4

Sheshadri RamachandranVishal Singh

Ranjith PM

Sanjeev KumarShruti AnandShreya Sengupta

7/31/2019 Academic Review

2/12

Broadcast- Overview, trends and technologyMr. Pranjal

History of television broadcast

Evolution of Television programming Creative evolution in television over the period

Shift from generalization to segmentation of audience-Advent of niche programming

7/31/2019 Academic Review

3/12

Mr. Ravi Gupta

Content regulation for Broadcast

Regulatory framework- Cinematography act, C&S Actand Copyright Act 1972

Article 19- Fundamental right of Freedom ofexpression

7/31/2019 Academic Review

4/12

Mr. Umesh Gupta Key objectives of making films and serials

Role of editing,

Process of editing Editing promos, and trailers

Principles and process of a good trailer

Elements of a Brand

7/31/2019 Academic Review

5/12

Mr. Chaitanya Chinchilekar Technology pipeline

Post production process

7/31/2019 Academic Review

6/12

Mr. Rajeev Jhaveri Importance of a script

What is a screenplay

Elements of screenplay Steps to write a screenplay

What is a plot and story

Define- plot synopsis, treatment, step outline,expanded script breakdown

Specificity of television- Structure, Character,Multiplicity,

7/31/2019 Academic Review

7/12

Mr. Dominic D Souza Different aspects of media- Electronic, Print and

Digital

3 Cs of media- Content, Carriage and ControlWays of Revenue generation- Distribution,

Exploitation of rights, Licensing and merchandising,Tie ups, internet and mobile gaming

7/31/2019 Academic Review

8/12

Subject 2: Broadcast Business planning by

Mr. Ravi Menon Studying the decline of Imagine TV

Designing a FPC, Production flowchart

GEC and Boutique channels

Profiling for a channel

Revenue streams for a broadcast channel- Contentsales, distribution

AFPs and advantages of AFPs, slot sales, syndication,creating an AFP

Playout system, Distribution theory

Evolution of technology in distribution

7/31/2019 Academic Review

9/12

Subject 3: TV Production and programming

by Mr. Pranjal

Creativity in television productionI. Creating personality of the channel

II. Sectioning of Target group TV Content- Scripted (Fiction)/ Non scripted(Nonfiction)

1. Building block theory2. Content creation, out of box thinking and syndicated

content Basics of fiction and Non- fiction show development-

case study Kyunki Saans Bhi Kabhi Bahu Thi Concept pitch Channel Packaging

7/31/2019 Academic Review

10/12

Planning and production of a Fiction show- Case study

Balika Vadhu1. Narrative styles

2. Pre production stages: Scripting, Budgeting, Casting,Staffing,

3. Production stages: Scheduling, designing, arrangingand selecting

4. Post production stage: Editing, switching

7/31/2019 Academic Review

11/12

Non- fiction show: Case study Dance India dance

Pre production- Scripting, Casting and gratification, Structure,format, schedule. Planning, show flow, technical run sheet.

Production stage: Run order, situational reality, back stories,profile building stories, in show integration, integration tie ups

Regional programming- why regional programming, big

content makers for regional programming1. Popularity

2. Growth prospects

3. Content drivers

4. Regional channel genre

5. Regional channel competition

6. Regional channel universe

7. Expansion plans

Sound arrangement for a show

7/31/2019 Academic Review

12/12

Subject 4: Mobile

by Mr. Rahul Puri Ecosystem of mobiles

Manufacturer, carrier, content creator, consumer

Mobile technology Mobile phone Standards, networks and services

LTE v Wimax

Mobile content development and distribution

channels