A2 Media Revision - Narrative
Transcript of A2 Media Revision - Narrative
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Narrative
How does the mise-en-scene add to the narrative? Apply at least two relevant theories to your work ( Propp , Barthes , Levi-Strauss )
Vladimir Propp
- films
Heroperson on a quest
Princessprize for the hero
Helperhelps the hero on his quest
False Herosomebody who believes they are the hero
Dispatchersends the hero on their quest
Fatherrewards the hero
Villainattempts to stop the hero on his quest
Donor
provides objects to help the hero on his quest
Roland Barthes
- films
5 different codes that the narrative engages audiences:
Enigma Codeto be intrigued by the need to solve a problem
Action Codeto be excited by the need to resolve a problem
Semantic Codeto be directed towards an additional meaning
Symbolic Codeto form expectations based on pre-existing concepts
Cultural Codeto derive meaning from shared cultural knowledge
Levi-Strauss
- music videos
- films
Binary oppositions, e.g.:
Good and Bad
Rich and Poor
Eastern and Western
Love and Hate
Todorov
- music videos
- films
Five stages to any media text:
Original Equilibrium
Disruption
Recognition
Attempt to Restore Equilibrium
New Equilibrium
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Propp
In my AS film opening, Propps concept of the false hero (someone who incorrectly sees himself as
the hero) was used with the main character, a serial killer who sees no issue with the murders he
commits and thus sees his own actions as justifiable. He believes that hes doing the right thing, at
least for himself. With this theory, the victim of the main character takes on the role helper ordonor, providing the false hero with someone to kill and thus aiding him.
Barthes
The film opening also takes on several of Barthes film codes, specifically the enigma code,
semantic code, symbolic code and cultural code.
The enigma code is where the film makes the audience intrigued by the need to solve a problem,
which the opening does by hiding the identity and motivation of the killer from them - by hiding his
face for the entire video and simply showing him through blurry vision and close up shots, the
audience begins to wonder who the killer is and wants his identity to be revealed. It also helps to
create a very sinister atmosphere thanks to the contrapuntal music used and the actions he
performs.
The semantic code is where the audience is directed towards additional meaning by the imagery
used, which I think the opening did pretty well. The costume choice of the main character, bright
colour scheme and contrapuntal music combined with the close shots and sinister action references
the opening and style of the film American Psycho, where those things are used to great effect. The
contrapuntal music throughout along with the man tied to the chair also reminds the audience of
the film Pulp Fiction, which has a very famous scene where a cop is tortured whilst tied to a chair
with upbeat music playing in the background (Stuck in the Middle With You). The openings close
ups also links to the opening of the show Dexter, which uses very similar shots and atmosphere to
make the audience intrigued.
The symbolic code is where the audience expects certain things based on their past experiences
with similar texts, for example expecting films within a genre to stick to certain conventions. The
opening sticks to many of these conventions in an attempt to build the same expectations that
audiences expect from horror films, using a large number of close shots combined with the sinister
undertones of the action and the contrapuntal music, building an atmosphere that fans of the genreare used to
The cultural code is where the audience derives meaning from what they see based on shared
cultural knowledge. The opening does this by implying the death and cutting-apart of the victim
whilst never actually showing it, instead showing the things around it. For example, there are shots
of him tied up, with a bag over his head, shots of the killer picking up a knife from a selection of
them, and then a shot of an eye on the floor being picked up followed by the main character
dragging a bag out of the door it never actually shows the man being killed, but the audience
understands pretty easily that he clearly has.
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Levi-Strauss
Levi-Strausss theory is that films tend to use the idea of binary opposites to form plots and
character dynamics, which the opening does do to some extent but deviates slightly from being too
static a relationship between the two characters.
The idea behind the plot is that the main character would avoid the police, with them taking on
opposite roles than what is stereotypical of them as the film is from the protagonists perspective
the cops would take on the role of the bad guys, whilst the killer takes on the role of the hero.
However, in the opening itself its left unclear whether the victim has in some way deserved whats
happening to him, or whether the killer is satiating a thirst for blood or dealing out his own form of
justice some people though think that murder is in fact never justified, so it could be argued that
the roles of good and bad are taken by the killer and victim respectively despite ambiguity to the
backstory of the scene.
The binary opposition of rich and poor is also implied by the fairly upper class representation of
both the victim and the killer through the music used and costume choices of the two, that creates a
sort of disconnection from the audience of the film (estimated to be working class) who play the role
of the poor whilst the characters take on the role of the rich. Figuratively, at least.
Todorov
Non applicable to the opening.