A2 07122012 ho
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Colour photography
A2 Level Photography
07/12/2011 and 14/12/2011
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Colour photography
Aim: Understand colour photography techniques and artists.
Objective 1: understand colour theory and how it relates to photograph processing.
Objective 2: research at least one artist that uses the medium of colour photography.
Objective 3: Process colour negative film and understand the steps involved in producing colour film.
Objective 4: Produce colour images intentionally constructing a narrative based on the type of colour(s) used (mood and atmosphere) for 14/12/2001.
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Colour PhotographyTask: 15 minutes
Define:
Colour saturation
Muted colour
Complimentary colour
Colour “gamut range” Adobe 1998sRGB
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Colour PhotographyColour definitions.
Saturation: “the intensity of a colour”
Pure hues containing, theoretically, no white, black, grey or complementary colours.
Muted: “dull”
Hues containing more or less grey, or of their complementary colour.
http://www.paintcafe.com/en/couleur/langage/vocabulaire/
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Colour Photography
Poppy Field, Claude Monet
Analysing colour in images.
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Colour PhotographyColour and Emotion.
Analyse the following photographers:
• ANALYSE: describe the type of colours used in their compositions.• INFER: describe the mood and feel/emotions conveyed in the imagery.• SYNTHESISE suggest how you might reproduce their work• WHERE POSSIBLE REFLECT ON THE INTENDED PURPOSE OF THE IMAGES..(CONTEXTUAL STUDY)
Group 1: Nadav KanderGroup 2: David laChapelleGroup 3: Richard BillinghamGroup 4: Martin Parr
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Colour PhotographyColour and Emotion.
David La Chapelle
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Colour PhotographyColour and Emotion.
David La Chapelle
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Colour PhotographyColour and Emotion.
David La Chapelle
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Colour PhotographyColour and Emotion.
Nadav Kander
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Colour PhotographyColour and Emotion.
Nadav Kander
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Colour PhotographyColour and Emotion.
Nadav Kander
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Colour PhotographyColour and Emotion.
Nadav Kander
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Colour PhotographyColour and Emotion.
Richard Billingham
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Colour PhotographyColour and Emotion.
Richard Billingham
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Colour PhotographyColour and Emotion.
Richard Billingham
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Colour PhotographyColour and Emotion.
Martin Parr
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Colour PhotographyColour and Emotion.
Martin Parr
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Colour PhotographyColour and Emotion.
Martin Parr
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Colour PhotographyColour and Emotion.
Homework One (by 14/12/2011).
FILM PROCESSING. Plan to photograph using a film SLR camera and colour C41 film Bring in undeveloped film for processing on the 14/12/2011
Homework Two (by 14/12/2011).
COLOUR AND EMOTION. Record images based on landscape or portraiture using either a film a digital camera.
•Select a film type appropriate to the intended mood/emotion you wish to convey •Use Photoshop to create the intended mood of the final images.•CREATE AT LEAST 3 FINAL PRINTS IN COLOUR TO A MINIMUM A5 SIZE (24/11/2010).
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Colour PhotographyErnst Haas
La Suerte De Capa, © Ernst Haas
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Colour PhotographyErnst Haas
Red Tulips Japan, Dye Transfer Print, 1980 © Ernst Haas
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Colour PhotographyWilliam Eggleston
Greenwood, Mississippi, 1973. William Eggleston.
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Colour PhotographyWilliam Eggleston
From William Eggleston 5 x7, © William Eggleston.
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Colour Photography
Webb, © William Eggleston.
William Eggleston
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Colour PhotographyMert Alas & Marcus Piggot
It's a rave Dave, Pop Magazine 2007
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Colour Photography
In 1666 Isaac Newton discovered that light comprised a spectrum of colours.
Theory
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Colour Photography
RGB colour theory (addative colour theory).
1807 Young’s theory proposed that the eye was sensitive to only three forms of light.
The brain blends these three primary colours
All the colours we see are obtained from a blend of two or more primary colours.
Theory
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Colour Photography
CMYK process colour.
All of the colors in the printable portion of the color spectrum can be achieved by overlapping "tints" of cyan, magenta, yellow and black inks.
http://ieng9.ucsd.edu/~jbwilson/CSE3/Lab2/ColorModels.htm
Theory
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Colour Photography
Colour Negative filmTheory
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Colour Photography
Colour negative filmYellow dye
magenta dye
cyan dye
Theory
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Colour Photography
Colour negative film when printed produces a positive print…
Colour negative filmTheory