8 88 8 ––––THE 20TH THE 20TH CENTURY -...
Transcript of 8 88 8 ––––THE 20TH THE 20TH CENTURY -...
Historical
Background
� 1906: Edward
� 1912: Irish Home Rule
� 1914-18: First World War
� 1916: Ireland �Sinn Fenn rebelled in Dublin, creation of IRA
� 1917: Russian Revolution
� 1918: Creation of Labour Party
� 1935: Gandhi
Mass slaughters and atrocities (World Wars,Russian revolution and Spanish Civil War)
The Age of Anxiety(Wystan Hugh Auden’spoem) ����new consciousness of modern man
Preoccupation shifts from society to
man himself:
socio-economical crisis (anxiety)
collapse of values
new means of communication
(radio and movies)
Joseph Conrad(1857 – 1924)
•Precursor of modernism � decay of English
empire and analysis of human soul
•Anti-heroic characters
Works:
� The Nigger of Narcissus (1897)
� Nostromo (1904),
� The Secret Agent (1907),
� The Duel (1908),
� Victory (1915),
Heart of Darkness (1899): a journey on the
Congo river to rescue Kurtz, an ivory trader
who has faced the unknown
F. F. Coppola’s 1987
movie took inspiration
from Heart of Darkness
Poetry
Gerard Manley Hopkins (1844-89) Victorian poet
• celebration of nature, sadness and anxiety for society after
Darwin’s theories. .
• inner conflict between his Roman Catholicism and sense of the beauty
of this world,
• complicated experiments in metrics and vocabulary.
Features: tradition and experiment ; psychoanalysis
and nostalgia for past values and mythology.
The Georgian poets no concern with contemporary problems.
John Masefield (1878-1967), Walter De La Mare (1873-1956), William Henry Davies (1871-
1940), David Herbert Lawrence, and Robert Graves (1895-1975).
The War poets from glory and honour of sacrifice to concern with the horror of war
Rupert Brooke (1887-1915), Siegfried Sassoon (1886-1967), Wilfred Owen (1893-1918),
Edward Thomas (1878-1917).
Thomas Stearns ELIOT (1888 –1965)
� The Love Song of J. Alfred Prufrock (1910 -1915) interior monologue (�R. Browning); Protagonist: intellectual, mask or dramatis persona dell'autore; rreferences to everyday banality and modern discoveries (cinema)
� The Waste Land (1922), despair over the sterility of modern life.
� Four Quartets (1943), quest for religious
� Plays: Murder in the Cathedral (1935) about T. A’ Beckett’s murder; Greek tradition.
� Metaphysical poets� Dante
� Shakespeare
� The Bible ���� American Imagism (Ezra Pound)
American-born poet, British citizen at 39, playwright, and
literary critic, Nobel Prize (1948)
The Waste Land(1922)
• Published in The Criterion in 1922. • Dedication: il miglior fabbro � Ezra Pound
shortened the long poem • Personal difficulty: failure of his marriage,
nervous disorders (Lausanne) • Disillusionment of the post-war generation;
incommunicability and impossibility to love �quotations from different writers and languages
• Shifts of time and places, abrupt changes of speaker
����American Imagism (Ezra Pound, Amy Lowell)
William Butler Yeats
(1865 – 1939) Irish poet and dramatist
Features
• First: ancient Irish traditions
• After 1900: powerful, physical and realistic
• reflective and philosophical contents
• rich poetic idiom
Works�Michael Robartes and the Dancer (1921): The
second coming: theory of history diagram two conic
gyres, one inside the other (1921:apocalyptic moment)
�The Tower (1928): metaphorical journey of a man
(vision of eternal life and conception of paradise.)
Sailing to Byzantium; Leda and the Swam
� The Winding Stair and other Poems (1933).
Irish Literary Revival (with Lady Gregory founded the Abbey
theatre)
Nobel Prize 1923
PROSEJames Augustine Aloysius
Joyce(1882 –1941)
Works
• short-story collection Dubliners (1914),
• novels : A Portrait of the Artist as a Young Man (1916) ; Ulysses (1922) and
Finnegans Wake (1939).
• His adult life was spent in continental Europe, but his novels are set in Dublin, and his
characters resemble family members, enemies and friends
• “…I always write about Dublin, because if I can get to the heart of Dublin I can get to
the heart of all the cities of the world. In the particular is contained the universal."
Irish writer and poet
key figure in the development of the modernist
novel.
The Dubliners (1914)
•Collections of 15 stories•Naturalistic and symbolic portrait of the Irish middle class in Dublin in the early years of the 20th century.•Tripartite division of the collection into childhood, adolescence and adult age.
.
The last story is called
The Dead � Joyce’s declaration of his desire
to leave Dublin
Themes:
paralysis of Irish world
(Irish nationalism)
Epiphany: sudden
revelation of a hidden
thought
Ulysses(1922)
•Passage of Leopold Bloom through Dublin during an ordinary day, 16 June
1904 (day of his first meeting with his future wife, Nora Barnacle).
•Set with precision in the real streets and alleyways of Dublin.
•Allusion to Odysseus ( Ulysses), the hero of Homer's Odyssey
•Parallels between characters and events (Leopold Bloom �Odysseus, Molly
Bloom � Penelope, Stephen Dedalus � Telemachus).
stream-of-consciousness technique� interior
monologue in literature:
associative leaps in syntax and punctuation that can
make the prose difficult to follow.
Adeline Virginia Woolf
(1882-1941)
• English novelist, essayist and writer of short stories
• Feminist; schizophrenic; suicide
• member of the Bloomsbury Group.
Works
� novels: Mrs Dalloway (1925), To the Lighthouse(1927), Orlando (1928), Waves (1931)
� essay: A Room of One's Own. (1929),
.
Chronologiacal and fictional or inner time
Stream of consciousness: psychological and
emotional motives of characters
Mrs Dalloway(1925)
• A day in the life of Clarissa Dalloway in post-World War I England.
• Created from two short stories, Mrs Dalloway in Bond Street and The Prime Minister
• Clarissa Dalloway's preparations for her party
• Interior perspective �shifts in time and in and out of the characters' minds
• Clarissa’s end of mental depression �end of World War 1
Movie: The Hours
(2002),
By Stephen Daldryf,
from Mrs Dalloway
George Orwell(Eric Arthur Blair ; 1903 –1950)
���� Works• Down and Out in Paris and London
(1933)
• Burmese Days (1934)
• A Clergyman's Daughter (1935)
• Keep the Aspidistra Flying (1936)
• The Road to Wigan Pier (1937)
• Homage to Catalonia (1938)
• Coming Up for Air (1939)
• Animal Farm (1945)
• Nineteen Eighty-Four (1949)
English journalist, against social
injustice, totalitarianism, belief in
democratic socialism.
Experiences in Burma, among
workers and during Spanish Civil War
•Shooting an Elephant(essay)
Animal Farm
(1945)
• Dystopian (anti-utopian)novel, allegory of totalitarianism
• Names of animals � names of political figures
• Events before and during Stalin era before World War II.
• Animal Farm: A Fairy Story (England allied to Russia during
the world; difficulty to find a publisher)
Last commandment:
all animals are
equal, but some are
more equal than
others
dystopia (or anti-utopia) �Ancient Greek: bad place:
futuristic society degraded into a repressive and controlled
state, with a technology going "too far" , pretending to be
utopian.
utopia���� from the Greek not place: ideal community with a
perfect socio-politico-legal system. Name given by�
Sir Thomas More’s Utopia (1516) : fictional island in the
Atlantic Ocean; ideal place realistically impossible
1984 (1948)
Dystopian novel about the totalitarian regime of a socialist Party:
• world of perpetual war, constant government surveillance, and public mind control.
• individual subordinated to the masses, the Party manipulates and control humanity.
Plot: Winston Smith works in the Ministry of
Truth (Minitrue, in Newspeak): he revises
historical records to render the Party
omniscient and always correct,
He tries to rebel against Big Brother, and is
arrested, tortured, and converted.
New terms and concepts: Big Brother,
doublethink, thoughtcrime, Newspeak,
Memory hole,
Aldous Huxley
(1894 –1963)
�Drama: The Devils of Loudun �The Devils by John Whiting (Theatre of Cruelty ) �Scripts: Pride and Prejudice (1940); Jane Eyre (1944)
humanist and pacifist, interested in spiritual subjects
(parapsychology and philosophical mysticism). .
published short stories, poetry, travel writing, and film
stories
Works:
�Crome Yellow (1921)
�Brave New world (1932) anticipates developments in
reproductive technology and sleep-learning
�Brave New World Revisited (essay, 1958)
�Island (1962)
�The Doors of Perception (1954)
1. The Theatre of Cruelty
• Surrealist form of theatre theorized by the French Antonin Artaud ( The Theatre and its Double).
• the cruelty consists in showing the audience a truth that they do not wish to see.
• unique language between thought and gesture.
Serjeant Musgrave's Dance,
An Un-historical Parable by
English playwright John
Arden (1959)
The DramaRepresentation of physical and psychological violence after the Wars and
disillusionment of new generations.
Three trends:
�The Devils: demonic
possession, religious fanaticism,
sexual repression, and mass
hysteria in 17th century France.
2. The Theatre of Anger
Angry Young Men
Turning point � kitchen-sink drama genre
John Osborne (1929 –1994)
Born in a poor family,
• personal life extravagant: famous for violent language, both on behalf of the political causes and against his own
family
Works:
� Look Back in Anger (1956) �concern with social issues; working class characters; slang and dialects; problems of
young people and unemployment
� The Entertainer (1957): metaphor death of music hall for rock and roll � end of British Empire and its eclipse for
the U.S.A.
� Luther (1961): life of Martin Luther, rebel of the past.
Further development: American Beat generation
3. The Theatre of the Absurd term coined by essayist Martin Esslin
Absurdists: Eugène Ionesco, Jean Genet, Harold Pinter, Tom Stoppard, Friedrich Dürrenmatt, Fernando Arrabal, andEdward Albee.
Samuel Barclay Beckett (1906 –1989)
Irish avenguard dramatist and poet,
Wrote in English and French.
Works:
� Waiting for Godot (1952);
� Endgame (1955–1957;),
� Krapp's Last Tape (1958),
� Happy Days (1960)
Features
Existential philosophy and dramatic elements �human existence
without meaning or purpose
communication breaks down
Circular plot; scenery unrecognisable /universality of situation);
dialogue without any sense; characters without a real name or
identity
Harold Pinter
(1930 – 2008)
Works:
�The Room (1957),
� The Birthday Party (1957),
�The Dumbwaiter (1957),
�The Caretaker (1959),
� Mountain Language
(1988).
Famous script: The Servant (1963), The Go-Between
(1970), The French Lieutenant’s Woman (1981)
Actor: Mansfield Park (1998)
Playwright, screenwriter, actor, theatre director, left wing
political activist and poet.
Features (plays): lack of explanation, interruption of
outside forces upon a stable environment
Unlike Beckett and Ionesco, world seems to be realistic.