75 eight-bar studies in pianoforte technique for the intermediate … · 2012. 4. 2. ·...
Transcript of 75 eight-bar studies in pianoforte technique for the intermediate … · 2012. 4. 2. ·...
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! mm .m,.i iiini.iiyiiiiiluiiiiiiiiilni milSCHMIDT'S EDUCATIONAL SERIES
75EIGHTBAR STUDIES
IN PIANOFORTE, TECHNIQUE
©*© FOR THE ©^
INTERMEDIATE GRADES
ADAPTED, EDITED AND ARRANGED
IN PROORESIVE ORDER
0#0©^r@° BY °©X@ U *-
CHARLES DENNEE
V^JF'A
(l WW W
-
Schmidts Educational SeriesLATEST VOLUMES
PIANOFORTE SOLOSVol.
242. BARBOUR, FLORENCE NEWELLCome and Play. 10 Compositions (Second Grade) . . 75
249. Forest Sketches. 7 Compositions (Third Grade) . 1.00
262. CAMPBELL, LEROY B.Op. 28. Cinderella. Suite. (Grades 1-2) ... .75
271. Musical Pastimes. 20 Tunes and Rhymes (Grade 1) .60
259. ERICH, CARLBright Flowers. 12 Compositions, Arranged and Adaptedfor the Pianoforte (Without Octaves). (Grade 2) . . .75
17. FOOTE, ARTHURInstructive Album. 19 Short Piano Pieces, Selected,Revised and Edited by Arthur Foote. (Grades 2-3) . 75
264. GRANT-SCHAEFER, G. A. ,In a Chinese Garden. Suite. (Grade 3). Clocks inthe Tea House. The Mysterious Magician. TheWinding Brooklet. Chinese Dance. Songbirds . . .75
250. Tales of the Red Man. (Fourth Grade).Wooing. Puk-Wudjies' Dance. Little Papoose.How the Rabbit lost his Tail. In her Canoe.The Old Indian's Lament 1.00
263. HAMER, GEORGE I.From Glen and Hillside. 8 Compositions (Grade 2) . .75
244. HATCH, MABEL LEEMusical Diversions. 15 Instructive Compositions forthe young pianist. (Second Grade) 75
159. a-b. KRENTZLIN, R.Tunes from Many Lands. Folk and NationalMelodies (Grades 1 and II) 2 Books, each 75
261. Second Year Mozart. 12 Selected Compositions forthe Pianoforte by W. A. Mozart. Adapted, Arrangedand Edited by R. Krentzlin (Grades 2-3) 75
243. LAIGHTON, RUTHFrom Long Ago and Far Away. Three and ThirtyFolk-Tunes (First Grade) 75
251. LEFT HAND ALBUM10 Compositions for the Left Hand Alone. Revised andEdited by Charles Dennee 75
252. MOSZKOWSKI, M.Op. 93. Reflections. 6 Compositions (Fourth Grade) 1.00
178 a-b. Op. 94. Decameron. 2 Books, each . . . . 1.00
222 a-b-c. MUSICAL FANCIES.A Progressive Collection of Pianoforte Pieces byAmerican Composers. 1st series, 2nd series, 3rdseries. Each 75
201. NEWTON, ERNESTFrom Land and Sea. 6 Instructive Pieces (SecondGrade) 60
233. ORTH, L. E.What Little Hands Can Do. 12 Compositions (FirstGrade) 75
"248. PALDI, MARIWoodland Echoes. 4 Compositions (Second Grade) . 60
257. SPALDING, WALTER R.Supplementary Illustrations for "Music: An Artand a Language." Parts I, II, III, IV. Each . . .1.00
272. WESTON, MILDREDAbout Fairies (Grade 2) 75
PIANOFORTE DUETSVol.
262. CAMPBELL, LEROY B.Op. 28. Cinderella. Suite 75
236. MEYER, FERDINANDFlying Leaves. Six Duets 75
PIANOFORTE STUDIES234. BARBOUR, FLORENCE NEWELL
Interpretation. 5 Studies (Third Grade)t- Sunset on the Coast. Water Sports. An Old Time
/'i, Legend. Murmuring Pines. A Heavy Surf. . . . 1.00229. FAELTEN, CARL
,.«^i Pedal Exercises 1.00
"^la-b. GRANBERRY, GEO. FOLSOM•..«,* Sight, Touch and Hearing. A System of Founda-
tional Teaching of the Piano. Book I, II, each . . 1.00' 163c. HATCH, EDITH
Essential Rudiments. Book III. A Concise andMelodious Introduction to the Art of PianofortePlaying 75
258. Seven Descriptive Special Studies 75253a b. MOSZKOWSKI, M.
Op. 97. 16 Technical Etudes. 2 Books, each . . .75
VIOLIN260. DANCLA, CHARLES
Bluettes. 6 Compositions 75202b. LAIGHTON, RUTH
Tunes and Technique. A Beginner's Book Based onFolk-Songs. 2 Books, each 1.00
224. First Steps in Shifting. Exercises and Etudes.(First to Third Positions) 75
227. THE LEISURE HOUR. 10 Selected Compositions(First and Third Positions) 75
245. MANHIRE, WILSONFiddle Fancies. 6 Easy Compositions.Mistletoe (Valse Joyeuse); Thistledown; (Caprice);Twilight Melody ; Starlight; Flower Time; Sailing. . . 75
ORGAN266. HOLLOWAY, F. W.
Op. 57. Suite Arabesque .1.00247. TORJUSSEN, TRYGVE
Norwegian Tone Poems. 6 Compositions, Adaptedand arranged by Harold Vincent Milligan ' . . . 1 .00
VOCAL238-239. Lyric Fancies. A collection of Songs by Ameri-
can Composers. Vol. 1, Vol.2, Each 1.25Published for High, Medium and Low Voice.
256. MILLIGAN, HAROLD V.Pioneer American Composers. Early AmericanSongs, Edited and Augmented by Harold V. Milligan.2 Keys 1.25
212a-b. The First American Composer. Six Songsby Francis Hopkinson (1737-1791) (Edited andAugmented by Harold V. Milligan). 2 Keys . . 1.25
213a-b. Colonial Love Lyrics. 6 Songs by FrancisHopkinson (1737-1791) Edited and Augmentedby Harold V. Milligan. 2 Keys 1.25
BOSTON120 Boylston Street
THE ARTHUR P. SCHMIDT CO.NEW YORK
8 West 40th Street
-
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SCHMIDTS EDUMONAL SERIES fI'lWiMJWXUWLWXaMWJXHliSliirKES!. XUXWt ixmxmxmwB
EIGHT-BAR STUDIESIN PIANOFORTE, TECHNIQUE
@^@ FOR THE «©>
INTERMEDIATE GRADES
ADAPTED, EDITED AND ARRANGED
IN PROQRESIVE ORDER
CHARLES DENNEEPRICE 75 CENTS.
TheArthur P.Schmidt Co.,BOSTON,
IZOBoylstonSt.NEW YORK,
8 West 40th St.
Copyright ]913 by Arthur Pochmidt
JnternaTionat Co/j
-
HAROLD B. LEE LIBRA YBRIGHAM YOUNG UN5VERSITY
PROVO, UTAH
-
75
EIGHT-BAR STUDIES3
Adapted, Edited and Arranged
bv CHARLES DENNEE
E.GRENZEBACH
1
+) Practise also staccato (both hands), and staccato in one hand and legato in the other
Allegro risolutoV^ 3 5 1 }> 3 5*PpPp 5*^33
12 3
3
Richard Hoffmann8 5 3 5 1 g
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3
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5 14=T^?H^g
5 14 1 3 //"#.
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= trTy? . and as suggested for N2l.1 4 ^
dPS. 10011-41Copyright 1913 by Arthur P. Schmidt
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Allegro\ FRANtf LYNES
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Allegro moderato (J)Lm-un'-'msun
N. Von WILM
2 \
1 3 2
4Also FT! JT2 and STi £T1l-PS. 10011-41
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Allegretto J=uj>. ARTHUR FOOTE
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Allegretto con moto M.M. J=so Bernhard Wolff
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NJJ IJJ^#• f
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Allegro vivace3
Paul Wachs
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A. BIEHL
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j.«Allegro J = i269 l 2
J. RAFF
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3 1 -9 WThis study will gain in value by repeating the entire 8 measures 8v-a without pausing at the double bar. Afterwhich reverse the notation from R.H.to L.H. thus — «U J^ J~ «L
rrrrrrrr _—? , a. biehlAllegro risoluto
"*.„""' urns'UHH
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Allegretto J. = 50
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Allegro vivaceCharles dennee
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-
Allegro vivace 'N.VonWlLM
13
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Allegretto Jriso Mozart
14
APS. 10011-41
-
10
Moderatemax henning
2 1
15
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AllegrettoGeorg Eggeling
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I 1' 10011-41
-
11
RICHARD HOFFMANNAllegretto ma non troppo
17
Allegretto HUGO RE INHOLD
AP-S. 10011-41
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Allegro MOZART
Allegro Beethoven
1 5
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ALBERT BIEHL
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Allegro non troppo
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Con motoC. GURLITT
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Vivace Jzi2o-
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My % f^^i; I i i i 1 =^=^ vt=^^
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Allegro J=iQ8++)
24
J. BRANDTS BUYS
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-4.P8. 10011-41
-
Moderate* con espressione
15
Cramer
Allegro moderato
Charles dennee(After Czerny)
•HO Also transpose to B major.el.f> S. 10011-41
-
16
Andante ma non troppo M.Wallenstein2^ ^1
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Allegro
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5 .will add to the technical value of this study.
Allegro con fuoco
APS. 10011-41
-
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Carl Faelten
simile
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Allegro risoluto
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GEORG Eggeling
++) Also practise in Ctt major, c# minor and c minor and various rhythms etc., as in Studies 1, 2 and 3.c7l.£S. 10011-41
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Vivace1 l"1 mmmmmmmeS^Si —»-t-«2E3 F._L_L±J2 CZERNV
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AllegrettoC. Gl'RLlTT
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Allegro moito con spirito J B laoJ. GREGOIR
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21
A.SCHMOLL
37
Allegro assai j.b.Cramer
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Allegro energicoC. Krebs
Allegro MM. J -80 C. KREBS
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-
23
3 5
&.f>&. 10011-41
-
24
Allegro giusto OVE CHRISTENSEN
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Allegro non troppqlegatissimo
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Allegretto
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Allegro scherzandoA. SCHMOLL
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Allegro vivace J- = io8
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50 / leg-ato
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Allegretto
stacc. z52
RUDOLF VIOLE
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Allegro comodo3
KOHLER4. 54
Allegro assaiCharles dennee
A.PS. 10011-41
-
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cd-PS. 10011-41
-
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Allegro J= 144Ch. Mayer
5 5
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Allegro agitato Cramer
A..V.H. 10011-41
-
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4 ^
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-
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Allegro vivace V LACHNER
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59
Allegro vivace^ i a t
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Adapted from V LACHNER4^
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Allegro
(D. C. if combined with N~ 58)
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VivaceCZERNY
12 2 3 2
Tempo giusto HASERT
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-
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Allegro vivace
1
ROB. SCHWALM
Allegro vivace J =842 4
ii. ..
JOSEF NOWAKOWSKI
a.ps. ioon-41
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Molto Allegro4
J = 88
65
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Lento con espressione /= i Ch.MAYER
APS. 10011-41
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Molto Allegro J=i32Adapted from CZERNY
+) Practise also with both hands in unison.
A.Vb. 10011-41
-
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Presto 126= E D.ParADIES
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Allegro scherzando J Charles denne'eAfter Chopin
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Allegro con luoco
41
CZERNY
71
Allegro non tanto m.m. J = i*fiC. KREBS
jl.£S. 10011-41
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Prestissimo J = 765
CRAMER2
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Allegro
S. 10011-41
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Allegro comodoCHARLES DENNEE
Practise both legato and staccato with various degrees of force and shading.
«A=fc£
SSS+) If size of hand permits, much benefit will be derived from holding the thumb keys as long as possible.
A-PS. 10011 41
-
Pianoforte
Compositions by Charles Dermec
PIANOFORTE SOLOS.Op. 6.
Op. 7.
Mazurka. (3 c)
No. 1. Je pense a toi.2. Slumber Song.
Song without words (3 a)(3 a)
(3 c)
Op. 9,
Op. 10.
Op. 12.
Op. 13.
Op. 15.
No
Op. 8. Suite Moderne.No. 1. Prelude. (4 a) .
„ 2. Novellette. (3 c)
„ 3. Danse Orientale.
„ 4. Romanza. (4 a) ...5. Finale. Etude Caracteristique.1. Danse Moderne. (3 c)
„ 2. Deuxieme Mazurka. (3 c) . . .
Trols Morceaax. *
No. 1. Serenade. (3 b)
„ 2. Gavotte. (3 b)
„ 3. Album Leaf. (3 c)
Los Bijonx.No. 1. Petite Valse. (2 b)
„ 2. Marche Turque. (2 b)
„ 3. Rondo Villageois. (2 b). . . .„ 4. Air Varie. (3 a)
Consolation (Nocturne). (3 b)
Albnm Leaves. 6 Characteristic PiecesNo. 1 . Prelude. (3 b)
„ 2. Gavotte. (3 b)
„ 3. Serenade. (3 b)
„ 4. Bourree. (3 b)
„ 5. Valse. (3 a)
„ 6. Scherzino (3 c)
(4 b)
.50
.40
.40
.25
.50
.40
.40
.40
.40
.40
.25
.25
.40
.40
.40
.25
.25
25.40
.40
.40
Op. 16,
Op. 23.
Complete 1.50
Op. 26,
Op. 27.
Russian Dance. (3 c)Pas de Seul a la Gavotte.Danse gracieuse. (3 b) . .
de Ballet.Minuet. (3 b)Valse Gracieuse (3 b) . . .
Intermezzo. (3 a)
Tarantelle. (3 b)
Danse Humoristique. (3 c)Le Papillon. (3 c) . . . .
(3 b)
Op. 28.
No. 1
„ 2.
„ 3.
SuiteNo. 1.
„ 2.
,, 3.
n 4.
„ 5.
No. 2.
Children's Delight. Eight easy, progressive andinstructive pieces for first grade pupils.
No. 1. Song of the Mill, (lb)„ 2. Echoes of the Past. Gavotte. (1 b) . .
„ 3. At the Fair. (1 c)
„ 4. Twilight Reveries. (1 c)
„ 5. The Jolly Little Peasant. Waltz. (1 c) .„ 6. The Hobby-Horse Ride, fl b) . . , . .
, 7. Funeral March of a Toy soldier. (1 c) .„ 8. Cradle Song. (1 c)
Children's Delight. Eight easy, progressive andinstructive pieces for second grade pupils.
.40
.50
.40
.50
.75
.50
.75
.50
.50
.25
.25
25.25
.25
.25
.25
.25
No 1.2.
3.
4.
5.
6.
7.
8.
(2 a).Punch and Judy. Waltz.A Winter Frolic. (2 a) . . .Happy Thoughts Mazurka! (2 b). .Chase of the Butterflies. (2 a) . . . .Around the Maypole. (2 b)Columbine. Minuet. (2 b)Castanet Dance. (2 c)Rondo. The Young Huntsman. (2 c)
^PIANOFORTE SOLOS.
Op. 30.
5•e1
.40
.40
.40
.40
.40
.25
.40
.40
Op. 31.
Op. 32.
Op. 33.Op. 34.Op. 35.
Op. 36.
Mountain Scenes. (Edition Schmidt No. 61.)Complete. (3c— 4c) . . -. 1.25
No. 1 . In the Canon 30„ 2. Arbutus 30„ 3. Sprites of the Glen 50„ 4. The Placid Lake 30„ 5. Forest Sounds 40„ 6. The Rainbow 30„ 7. The Burro-Ride .40„ 8. Dance of the Gnomes 40„ 0. Around the Campfire 50Three Compositions.No. 1. Hide and Seek. (2 b) 40„ 2. Marche Mignonne. (2 b) 40„ 3. Elfin Revelry. (2 c) 40
Three Characteristic Pieces.No. 1. Le Jongleur. (The Juggler.) (3 a) . . . .40„ 2. Episode de Bal. (3 a) 50„ 3. Danse Napolitaine. (3 b) 50L' Irresistible. Valse de Concert. (4 b) 75Springtime in the Forest. (4 a) 75Charm of the Night. (Esprit duSoir.) Serenade (3 b) .50Four Sonatinas.No. 1. Sonatina in C. (2 a)„ 2. Sonatina in G. (2 a)„ 3. Sonatina in Et\ (2 b)
„ 4. Sonatina in Bt>. (2 c)
.50
.50
.50
.75
.40Handel's celebrated Largo. Arranged for piano solo. (3 b)
PIANOFORTE DUETS.Op. 12, No. 3. Rondo villageois 50Op. 18. Children's Festival. Ten little duets on 5 notes.
Complete (Schmidt's Educational Series No. 6) .75No. 1. March 30„ % First Waltz 30„ 3. Second Waltz 30„ 4. Tambourine Dance . 30„ 5. Minuet \
„ 6. Sorrow J ' '
„ 7. Holiday Song 30„ 8. Happy Thoughts 30„ 9. Graceful Dance 30„ 10. Processional March 30
40
TWO PIANOS 8 HANDS.Op. 12, No. 3. Rondo villageois 1.00
PIANOFORTE STUDIES.Op. 26. Five Etudes for cultivation of style. Complete 1 . 50Progressive Technique. A complete Technical School
combining all forms of Scales, Arpeggios etc. . 1 .50Progressive Studies in Octave Playing (with special pre-
paratory exercises). (Schmidt's Educational
Series No. 37) 1.0010 Selected Studies for the development of expression and
technique by Edmund Neupert. Arranged andedited by Charles Dennee ... 1.00
Octave Studies by Jean Vogt. Op. 145. Revised, adaptedand arranged by Charles Dennee 75
The grading is from la easiest to 6c most difficult, with subdivisions of the grades as follows: I a, 1 b, 2a, 2b, 3a, b, c, etc.
IheARTTHfJR P«»CE£Ml![Enr eo.BOSTON,
120BaylstonSt.NEW YORK,8West40ttiSt.
-
Schmidt's Educational Scries.Pianoforte Solos
Vol.
177.
85.
168a-b.
30.
49.
121.
lOOa-b.
169.
98.
154.
3.
155.
180.
93.
50.
11.
145.
64.
15.
1.
153.
57.
59.
159.
47.
53.
19.
152.
ARMAS, J. REYESFrom the Canary Islands. 5 Compositions . . .75
BACH, J. S.First Year Bach. 20 compositions by J. S. Bach,
selected, arranged and edited by Arthur Foote .75
BEETHOVEN, L. VAN10 Selected Sonatas. Edited by Arthur Foote
2 Vols., each 1 .00
BOHM, CARLOp. 358. Lyric Suite. 6 Compositions . . .75Musical Echoes. 10 Instructive and melodiousCompositions ., . «75
DANA, ARTHUROp. 30. The Seasons. Twelve Children's Pieces .75
DENNEE, CHARLESAlbum of Selected Compositions. 2 Books, each .75Op. 12. Les Bijoux 75
Petite Valse-Marche Turo;ueRondo Villageois-Air Varie
EGGELING, GEORGTranscriptions from the works of old masters .75
FRANKE, MAXOp. 56. Days of Youth. 8 Instructive Compo-
sitions
FRIML, RUDOLFOp. 35. Suite mignonne. 6 Compositions .Op. 57. California. Suite
GRANT-SCHAEFER, G. A.Album of Selected Compositions ....
GURLITT, CORNELIUSOp. 172. MiniaturesOp. 197. Fireside Fancies. 12 Little lone Pic-
tures on Five NotesMusical Sketch Book. 15 Selected Compositions
HANDEL, G. F.First Year Handel. 12 easy Compositions byG. F. Handel. Edited and arranged by ArthurFoote ....
Instructive Pieces. Adapted by Carl Faelten.2 Books each
HEINS, CARLOp. 270. Six Fancies
HENNING, MAXOp. 22. 12 Two-Part Fughettas and Fugues
(Introductory to the works of J . S. Bach) .
HUMMEL, JOHANN E.Op. 486. The Treasure Box. 12 Favorite Com-
positions
KAISER, ALFREDArlequlnade. Suite of 8 Compositions
KRENTZLIN, R.Op. 19. Village Scenes. 6 Characteristic PiecesTunes from Many Lands. Folk-Songs and
National Melodies, adapted and arranged (with-out Octaves). First Series
LACK, THEODOREMorceaux poetiques. 8 Selected Compositions
LYNES, FRANKOp. 14. Bagatelles. 10 Melodious SketchesOp. 47. A Pleasant Beginning and other tunes
for little fingers in all the major and minor keysOp. 56. Winter Pastimes. 9 Easy Compositions
.75
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Vol.
164.
173.
174.
107.
170.
179.
141.
76.
162.
89.
178a-b.
151.
171.
102.
43a-b.44a-b.45a-b.
167.
119.
27.
48.
7.
90.
38a-b.
63.
129.
144.
99.
88.
139.
MAC DOWELL, EDWARDIn Passing Moods. Album of Ten SelectedCompositions 1 .00
Op. 37. V Les Orientales . 75Clair de la Lune-Dans le Hamac-Danse Andalouse.Album of Modern Pianoforte Compositions
Revised and Edited by Edward Mac Dowell 1 .00Six Little Pieces (After Sketches of J. S. Bach) .75
MAXIM, FLORENCEBoy Roy and his Friends. 6 Compositions . .75Fairy Tales in Tone. 5 Compositions 75
MEYER, FERDINANDIn Rank and File. A collection of Marches forSchools and Calisthenics
Christmas Suite.75
.75
MAN HI RE, WILSONMusical Notebook. 6 Short Compositions . .
MOSZKOWSKI, MORITZOp. 89. Impressions Musicales. 5 Waltzes
(Valse-prelude— Valse mignonne. Valse triste— Valse tendre— Valse Tourbillon)Op. 94. 10 Compositions. 2 Books, each
MOZART, W. A.First Year Mozart. Selected CompositionsAdapted and edited by R. Krentzlin
9 Selected Sonatas. Edited by Arthur Foote.2 Books, each
OEHME, ROBERTOp. 10. From an old Garden. 8 Compositions
THE PUPIL'S LIBRARYFirst Series. 2 Books eachSecond Series 2 Books eachThird Series. 2 Books each
PALDI, MARIIn Summertime. 4 Compositions . . . .
SARTORIO, ARNOLDOOp. 393. First Tunes and Rhymes ....
RITTER, G. P.First Amusements. 12 Pieces on Five Notes
SCHYTTE, LUDVIGInstructive Recreations. 8 Selected Compositions10 Study pieces (selected from Op. 66) ...
SGAMBATI, G.Introduction and Etude brilliante (Reveil des
Fees) by E. Prudent
SMITH, WARREN STOREYEffort and Pastime. 24 Melodious Pieces in all
keys. 2 Books each
TORJUSSEN, TRYGVEOp. 3. Norwegian Suite. 6 Compositions ;From Fjord and Mountain. Norwegian Suite,No. 2 ....
Op. 16. Norwegian Songs and Dances.(First Series)
TERHUNE, ANICEThe Children's Kaleidoscope. 16 Easy Pieces
with Rhymes - . . .
WOLF, OSKAROp. 7. Aphorisms. 6 Compositions ....
ZILCHER, PAULOp. 127. From Everywhere. 9 Compositions .
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The ARTHUR P. SCHMIDT Co.BOSTON, 120 Boylston Street. NEW YORK, 8 West 40th Street.
-
Cbe pupil's first etude Hlbumfifty -three Studes.
1.
2.
3.
4.
5.
Q-
7.
8.
9.
Same Notes in Two Hands . . .Different Notes in Two Hands . .The DotTwo Melodies at the Same Time .The TieSwinging RhythmMixed RhythmFive-Finger StudyFirst Scale Study ........
10. Melodious Study11. Second Scale Study12. Arpeggio Study in G13. Study in Lightness and Grace . .14. Melody Playing15. Quiet Hand Study
Etude for keeping the Hand inPosition
Study in Arpeggio Connection . . . .Two-part Study in the Classic Style .Velocity StudyPlaying Two Parts with the Same HandUse of the Triplet
22. Repeated Notes23. Trill Study in Right Hand24. Trill Study in Lett Hand .25. Arpeggio Study in C26. The Turn
16.
17.
18.
19.
20.
21.
Proper
C GurlittA. Sartorio
Arthur DanaFerd. MeyerArthur DanaF. N. ShackleyF. N. ShackleyEmil KrauseFrank LynesC. OurlittF. Le CouppeyCzerny-FaeitehA. SartorioA. Croisez
A. Sartorio
Frank LynesR. HofmannBach-Faelten
C. Gurlitt
A. Croisez
J. ConconeA. CroisezF. Spindler
A. BiehlKohler-Faelten
H. Maylath
27. Study in Speed and Clearness28. Grace Notes29. Broken Chords30. Scale Study for the Left Hand31. Wrist Movement32. Syncopation Study33. weak Finger Study34. Hand Contraction35. Hand Expansion36. Wrist Exercise37. Cross Hand Study38. Melody and Accompaniment in the Same
Hand39. Staccato Chords40. Rhythmical Precision41. Finger Substitution
42. Delicate Phrasing ...43. Contrast of Legato and Staccato44. Broken Octaves45. Staccato Etude46. Study in Broken Thirds47. Velocity Study48. Octave Study49. Study in Thirds .50. Grand Arpeggios51. Study in Style . .52. Study in Expression
C. Gurlitt
F. Le CouppeyA. BiehlEmil KrauseCharles Mayer
J. ConconeA. BiehlFrank LynesH. MaylathChas. P. ScottF. Le Couppey
Arthur FooteC. Stamaty
J. Concone
J. ConconeCharles MayerH. MaylathChas. P. ScottF. Spindler
F. Le CouppeyC. Gurlitt
W. A. MozartA. EhmantH. MaylathL. Schytte
TempletonStrong
53. Scales and Chords in all the Major and Minor Keys.
-V^V.
Cbe Pupil s Second 6tucU HlbumCbirty-four Gtudes.
3.
4.
1. Melody and Scales . . .2. Broken Chords ....
ArpeggiosDotted Rhythm ....
5. Trills
6. Thirds7. Equality in both Hands8. Lightness of Touch . .9- Arpeggios
Finger Staccato ....11. Wrist Staccato12. Sixths
Speed and Clearness . .Pedal StudyExpression ......Facility
Two note* against Three
10.
13
14
15
16
17
Oeorg EggelingStepan Esipoff
Max FrankeHans HarthanFrank LynesMax FrankeBach-Faelten
H. N. RedmanEdmund ParlowFrank LynesA. D. TurnerBernhard WolffJos. ChwatalHeller-Foote
Stepan EsipoffChas. MayerChas. P. Scott
18. Trills C. Gurlitt
19. Octaves in both Hands . Anton Strelezki20. Unusual Rhythms Arthur Foote21. Wrist Movement J. H. Hahn22. Independence of the Hands A. Chanvet23. Pedal Study Czerny-Faelten24. Study in Black Keys Hans Harthan25. Equality of Tone H. Ravina26. Left Hand alone Bernhird Wolff27. Right Hand alone Arthur Foote28. Arpeggiated Chords Chas. P. Scott29. Octave Study '. Georg Eggeling30. Double Notes Edmund Ne^pert31. Arpeggios Fritz Spinier32. Sixths C Gurlitt33. Phrasing Ludvig Schytte34. Wrist and Arm F. Kalkbrenner
Selected and arranged In progressive order by
ferdinatid flkyerPrice, 75 Cents each*
i . 1 1 «
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TheARTHUR R SCHMIDT Co.,
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120 Boylston Street.
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NEW YORK,8 West 40th Street.
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