50 Award Winning House

8/12/2019 50 Award Winning House

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50AWARD

WINNING

HOUSE50获奖房子李婵何英译刘沉地编

辽宁科学技术出版社



Foreword

Lefevre Beach House

Mirindiba House

Panama House

Pentimento House

Capece Venanzi House

Esker House Rooftop Apartment

Harbour me, Celia!

House in Carabbia

IJburg House

J2 House

Milhundos House

Redondela House

Steigereiland

Villa G

Villa Marstrand Wadt

Villa Petersen

Villa Storingavika

Barrow House

Marcus Beach House

Noosa Hinterland House & Studio

The Bay House

Tugun Residence

Vader House

Helal “New Moon” Residence

Hover House

Shell House

Symbiosis House in a Forest

Contents

3

5

15

23

31

39

47

55

61

69

77

85

91

101

107

115

121

129

135

143

149

155

161

167

175

183

191

197

前言

勒菲弗海滨别墅

米伦迪巴别墅

巴拿马别墅

变形别墅

海角小屋

埃斯科尔屋顶住宅

拥抱我吧，西莉亚！

卡拉贝拉别墅

艾哲伯格别墅

J2别墅

弥罕德斯别墅

雷多黛拉别墅

斯黛格瑞兰德

G别墅

马斯特兰德·韦德别墅

彼得森别墅

斯多林嘉维卡别墅

独轮车别墅

马库斯海滨别墅

努沙腹地别墅与工作室

海湾别墅

图坤别墅

韦德别墅

希拉勒“新月亮”公馆

翱翔之家

薄壳别墅

伴林居

目录



Zen House

Beuth Residence

Brosmith Residence

Hamptons Beach House

Kelly Residence

Lago Vista Guesthouse

Point Dume Residence

Pool House

Skyline Residence

Suntro House

Surfhouse

The Xeros Residence

Torres House

Villa NM

Zeidler Residence

Biscuit Lofts

Collage Paris

GreenCity Lofts

Silkwood

Strandkanten

"Miravalle Tower

MTN

Museum Residences

Index

203

207

213

219

229

235

241

253

259

269

275

281

287

293

301

307

313

319

325

331

337

345

351

357

禅房

柏斯住宅

布罗史密斯住宅

汉普顿海滨别墅

凯莉别墅

湖畔远景别墅

庞特·杜牧公馆

泳池别墅

天际公馆

桑特罗别墅

冲浪别墅

艾克塞罗斯别墅

托雷斯别墅

NM别墅

德勒住宅

饼干公寓

拼贴巴黎

绿城公寓

修科伍德大厦

斯坦肯住宅区

点式住宅

MTN公寓

博物馆住宅

索引



3

Foreword

Habitation is one of the fundamental needs for human beings, and it is just from residence that architecture

developed itself. With the unceasing growth of this discipline, designs for public buildings drew more and more

attention, as witnessed by numerous memorial edices built all over the world. However, architects have never

moved their eyes from residences. In the early 20th century, great designers contributed to this eld with many

gorgeous projects, such as Fallingwater, Villa Savoye, and Schroeder Housein Utrecht. Today when we have

stepped into a new era for design, grandmasters in architecture are paying an unprecedented effort to our living

space with their genius in creativity and innovation.

This book covers fty outstanding houses built recently, from villas to ats, each shining with its own brilliance.

Thanks to the delicate designs, the clients could live in their dreamed spaces.

Houses are closely related to our life, as some designer once said that the design for a house has nothing to

do with style, creativity, or concept; a good house is only designed with your soul attached. Among all types

of architecture, house design is the most affectionate. The forms of houses may vary greatly, and there are

no fixed rules. Excellent house designs present themselves in various forms. As we could see in this book,

the designers brought out their characterised houses, applying different concepts in different contexts, being

considerate or showing their peculiarities. For sure, you would nd many surprises here.

The stunning design for the project Harbour me, Celia! would be a good example. It is a renovation project

situated in an old farmhouse, in which the designer tried his best to retain the existing structure. The air of a

farmhouse is further kept with simple decoration. Here simplicity is the expression of beauty. So is PentimentoHouse, in which you wouldn’t nd imposing decorations, but subtly and exibly designed ones which lled the

house with pleasure and surprise. Pool House is another example. It is so small that the house even seems

subordinate to the pool! For this, the designer made a subtle contrast of the scales, and together with careful

details, the house is extremely distinctive.

The fast-paced city life makes us feel more and more alien from nature. As the design that most focuses on

human souls, house design is sure to take nature as a key element. This is well exemplied by many houses

included here, in which the designers implied various ways to help their clients live closer to nature, in

tranquility and peace.

Symbiosis House in a Forest, for example, is built amongst mountains. The context naturally endowed the

house with a strong sense of nature. The landscape is perfectly kept, without cutting a single tree on the

site. In this way, the forest becomes the garden for the house, with living space fully integrated into nature.

Conversely, IJburg House is a different case. While there is no forest in its surroundings, the designer created

a green context inside the limited space of the house, with as much plant as possible. The small house is quite

impressive for its intimate atmosphere.

Designers are diversied in their designing methods. In a simple form, an extraordinary spatial sense could be

achieved through designing with owing streamlines. In Steigereiland House, for instance, in this “blue box”,

前言



4

we would have an unexpected spatial experience, seeing surprising construction techniques. In Surfhouse,

however, apart from the exible arrangement of the limited interior spaces, the designer livened up the small

house in the form of a square box, by applying a “subtraction” concept.

Of course, some designers are good at making novel forms in architecture. The “grey” spaces caused by the

irregular forms become, quite surprisingly, the sparkling points of the houses, through certain magic processing

of the designers. Villa NM stands out just for its graceful conguration, with its streamlines being focal points

for both the outside and the inside. Shell House, similarly, is built with the conguration of a shell, in which the

elegant streamlines could be seen everywhere. Moreover, the designer made use of the “shell” conguration in

interior design.

In the book, you would nd careful design schemes as well as excellent design skills, implemented in houses,

villas, ats, etc. in various scales, with a diversity of styles. We believe that certain ones of them would wow you

when catching your eyes!

居住是人类生存的基本要求之一，建筑最初就是由住宅而起，随着建筑学的不断发展，公共建筑的设计渐渐受到重视，一幢幢出色

的纪念性建筑拔地而起，但是设计师们也从未放弃对居住空间的关注。20世纪初期，建筑大师们留下了“流水别墅”、“ 萨伏伊

别墅”、“什罗德住宅”等经典作品。如今进入了设计的时代，新一代的设计大师们用更多的创意关注着人们的生活环境。

本书收录了50个近年出色的住宅设计，不论是公寓还是别墅，都各有精彩之处，设计师用心的设计，给了业主贴心的住宅。

住宅和生活息息相关，有设计师说，住宅的设计可能与风格无关，与创意无关，与理念无关，只与心灵深处有关。住宅的设计是众

多设计中最富感情的。住宅设计的形式变化多样，没有固定的规则，无论何种形式，都可以做出出色的设计。在本书中，可以看到

设计师用不同的手法，在不同的设计环境中，展示给我们各具特色的住宅设计，不论是面面俱到还是剑走偏锋，相信这些设计都会

带给读者以惊喜。

让人惊叹的“拥抱我吧，西莉亚！”翻修设计，在一个老农舍中展开，设计师尽量保留原状，简单的装饰完美地保护了原来农舍的

气息，用最质朴的语言表达美好。“变形别墅”也是如此，并没有富丽堂皇的装饰，却有灵活而巧妙的设计，让这个小屋充满愉快

和惊喜。“泳池别墅”体量很小，甚至看起来建筑成为了泳池的附属，但设计师通过特殊的体量对比和巧妙的细节设计，让这个住

宅充满了独特的韵味。

快节奏的都市生活让人们越来越需要自然的庇护，最为关注人类心灵空间的住宅设计更将自然作为设计的重要元素。在本书中收录

了很多这样的设计，设计师用各种方式让业主的生活更贴近自然，更舒适宁和。

“伴林居”建于山中，住宅本身就带有浓厚的自然气息，设计师并未进行周围景观的设计，甚至没有砍掉基地的任何一棵树木，而

是自然而然的，让森林变成了这个住宅的花园，让居住环境完全融入到自然中去。不在森林中同样可以营造自然的环境，“艾哲伯

格别墅”体量虽然不大，但是设计师在这个小小的住宅空间内最大限度的栽种了植物，配合完美的比例，让这幢住宅充满亲和力。

设计师们的设计手法多种多样，可能在很简单的形体中，用出色的流线设计营造出非凡的空间感受。如“斯黛格瑞兰德别墅”，这

个蓝色的方盒子里，有让人意想不到的空间，也有让人惊叹的建筑技术。而在占地面积有限的“冲浪别墅”中，设计师在巧妙处理

有限的内部空间的同时，还利用形体上的“减法”让这个建筑的方盒子造型不再呆板。

当然，也有很多设计师擅长设计造型别致的建筑，不规则的形体造成的灰空间经过建筑师的巧妙处理，成为了整个设计的亮点。

“NM别墅”以其优雅的曲线而闻名，曲线同时在建筑造型与室内空间中成为亮点。“薄壳别墅”的整体造型就是蛋壳状，曲线深

入到设计的每个层面，而壳状外形对内部空间的影响也被设计师巧妙的利用。

在本书中，除了感受各种各样贴心的设计，也可以看到很多出色的设计技巧，除了独立的别墅，也有出色的公寓设计，不同体量，

不同风格的住宅设计，相信每一个读者，都可以在这里面找到让你眼前一亮的家。



5

Lefevre Beach House

Location: Punta Misterio, Peru Designer: Longhi Architects Photographer: CHOlonPhotography Completion date: 2008

Conceived as the place where the arid Peruvian desert meets thePacic Ocean, this beach house located at Punta Misterio 117km southof Lima, is an intervention where the integration of architecture andlandscape was an important concern.The base of the project is quite special, thus the designers at thebeginning made up their minds to make the house t the charactersof the environment. Therefore the designers have this tensional rising-suspending conguration. The monotonous single-linear design isreplaced by corners and obliquely suspending gures, contributing toa sparkling point to the design. The façade of the house is built withlocal stone material; the white walls are particularly used to achieve abright atmosphere corresponding to the beach.The design made full use of the landform of the site, particularly thedifferent heights, making the house perfectly suit the landscape. Sandgarden roofs act as the extension of the desert; lap and recreationpools connect the ocean with the house, while a glass box hangs fromthe structure symbolising architecture between sand and water. Awaterscape is also realised through an ingenious use of the landform.The interior design is simple, linear and layered. The corners and thedifferent heights are all taken into consideration. In order to offerthe client the most comfortable living space and to enjoy a better

experience of the outside nature, the designers used window boxes tobring outdoor scenery inside. Stones are used in the interior, matchedwith a simple and natural interior design style.


项目地点：秘鲁潘塔密斯蒂尔罗镇设计师：隆基建筑事务所摄影师：少龙摄影公司完成时间：2008年

勒菲弗海滨别墅位于潘塔密斯蒂尔罗镇，利马以南117公里处。秘鲁沙漠与太平洋在这里交

汇，建筑与风景在这里融合。

基底环境特殊，设计师在设计之初就确定要让建筑适应环境的性格，设计出了富有张力的“上

升-悬挑”造型。平面上改变了一味的直线设计，让转角设计以及斜插的悬挑成为住宅的亮点。

住宅的外立面设计利用了当地的石材，另用白色墙体营造海滨简单明媚的氛围。

设计充分利用当地的地形高差，设计出与海滩山地融为一体的建筑。沙滩花园屋顶延伸至沙

滩，游泳池将海洋与别墅连为一体，玻璃箱式的设计理念使得该建筑与沙滩和海水融合得浑然

一体。巧妙的利用高差创造出窗外的水景。

室内设计流线简单而富有层次，平面的转角以及剖面的高差都得到了巧妙的利用。为了让业主

有最佳的生活环境，能更好地感受周围环境，设计师用玻璃箱的设计将室外的景物引入室内，

在室内设计中同样运用石材，与之搭配的是简约自然的室内设计风格。



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Awarded:

2008 Odors 100 AwardsThe gure of the house is simple and elegant, perfectly integrating intothe site. The interior space is layered according to the difference of theheight of the site. The environment is fully considered: the surroundingstones are integrated with the house and the sea is introduced into thehouse; the conguration, the material and the colour palette are all ingood integration with the environment. The outdoor vista is introducedindoors through the big windows; meanwhile, decorative stonesadopted indoors remind us of the nature outside. The interior designis simple and delicate, with irregular graphic designs corresponding to

each other. Details are fully considered, contributing to the continuityof the whole atmosphere, from inside to outside.

获奖情况:

2008年奥德斯100大奖

建筑造型简约大气，充分结合当地的地形，利用高差的变化创造室内空间的层次。将周围的石

材融入建筑，将海水引入住宅，在建筑造型、材质、色彩上也与基地附近环境良好的融合。利

用玻璃将户外环境引入室内，同时室内的石材装饰也是与外界自然条件的结合。室内空间设计

简单而精巧，打破常规的不规则平面设计也在室内的空间设计与流线设计中得到呼应和巧妙的

应用。细节设计考虑周全，整个设计由内至外由整体到细节浑然一体。



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15

Mirindiba House

Location: São Paulo, Brazil Designer: Marcio Kogan Photographer: Nelson Kon Completion

date: January 2006Immediately to the right, in the entrance of the house, a large living-room completely opens, using two window-frame moldings that areentirely built into the wall, creating cross-ventilation and an area ofcontinuum space that is totally free. There is no structural interferencein this space. The living room opens to a delicate wooden-ooredgarden with a reecting pool and minimum vegetation. The perfectionof the execution, the surprisingly free and continuous space andthe play of volumes invoke a cinematographic atmosphere. Theconstructive materiality meets with a said imaginary architecture.A small atrium articulates the remaining areas: the way to thedining room and to the kitchen and, vertically, to the other placesprogrammed into the house. On the rst story are the intimate areasand, on the second, a more reserved social area. In this room, twolarge wooden lath doors open to a deck, on one side, a beautiful viewof the city and, on the other, a view of the garden which, downstairs,is protracted from the living room. Upstairs, the precision of thedrawing and the execution continues to impress and create thecinematographic atmosphere of the house.

Awarded:

2008 Short List / D&AD Award2008 Short List / London International Creative Competition_LICC2007Short List / International Biennial Barbara Cappochin / Italy2007 Award Winning / International Design Awards_IDA / USAThe Mirindiba House is an impressive example of construction, gooddrawing and good execution on building the architecture. The details,exhaustively and precisely drawn are fullled in a perfect execution.

The use of materials, the shape, the intention of the drawing, quietlymaterialise, as thoughts on a drawing board. This precise drawingglimmers in the architectural detail. Each small re-entering angle ofthe house was deliberately thought out.

米伦迪巴别墅

项目地点：巴西圣保罗设计师：马西奥·柯冈摄影师：尼尔森·康完成时间：2006年1月

紧挨着右面的房间入口，建筑师设计了一个完全开放的巨大起居室。这个起居室的两个窗户全部

嵌在墙壁中，从而创造了一个空气横向流通的、完全自由的连续空间。空间上没有任何的结构干

扰。起居室像一个铺着木制地板的精致花园，有一个碧波荡漾的池塘，还有一点植物。执行力的

完善、空前自由、连续的空间以及各部分的协调发挥，都帮助营造了一种电影艺术的气氛。一个小门廊连接了其余区域，包括餐厅、厨房，以及在垂直方向上规划的其他地方。一楼是私人

区域，二楼保留了社交区域。在这个房间里，两扇巨大的木门开向一个露天平台。在这个平台的

一侧可以欣赏到城市的景色，另一侧可以看到从楼下起居室延伸出来的花园。楼上，绘图的精确

性和完美的执行力同样给人以深刻的印象，人们继续体验着这座建筑所带来的仿佛电影摄影一般

的艺术氛围。

获奖情况:

2008年D&AD大奖候选作品

2008年伦敦国际创意竞赛候选作品

2007年意大利芭芭拉国际双年会候选作品

2007年美国国际设计奖获奖作品

米伦迪巴别墅是良好的建造、构图、执行在建筑上的完美结合。设计的细节在建造执行中都得

以实现。材料的运用、形状、图纸的意图都实施得恰到好处，仿佛建筑构思直接画在制图板

上。这个项目的建筑构图因其细节而生辉。住宅的每处微小的细节都经过深思熟虑。



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ground floor 01. mainentrance

02. terrace

03. deck - solarium

04. kitchen

05. livingroom

06. homeoffice

07. dinningroom

08. bedroom

09. closet

10. bathroom

11. sauna

12. hall

13. snackroom

14. hometheater

15. watermirror

16. swimmingpool

17. storage

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front elevation

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1824

Panama House

Location: São Paulo, Brazil Designer: Marcio Kogan Photographer: STUDIO MK27

Completion date: January 2008The Panama House is located in one of the garden neighborhoods,

just some blocks from Paulista, the nancial centre of the city of SãoPaulo. The client has an important art collection, above all, modernBrazilian art, and the house was designed to house this collection. Theworks of art are scattered throughout all the areas of the residence,from the bedrooms to the gardens.The interior house-plant is organised into 3 oors and a sub-solo.Upon entering the lot, a tree-covered patio leads the guest to the door.A social hall distributes part of the program of the house: a library,vertical circulation, the utility rooms and the living room. From withinthe library you can see, in front of the exterior stone wall, a MariaMartins sculpture, reposing over a reecting pool. The living roomhas large spans that open, in their entirety, to the garden, buildinga spatial continuity between interior and exterior. In the garden, thepool, installed on the side of the lot, mirrors the stones of the wall.On the second oor, a large corridor connecting the bedrooms alsoworks as a gallery exhibiting the paintings and sculptures. Twowindows, at the ends of the corridor, bathe this area with light and, infront of one of them a sculpture made by Brazilian Amilcar de Castroconstructs the space. An ofce annexed to the master suite overlooksthe garden, as do the other bedrooms. The façades of the rooms have

brise-soleils made of sliding vertical wooden lathes. The brise-soleilsare important to guarantee greater comfort, protecting from directsunlight and creating a texture with the light. One of the architecturalpremises of the house is to organise the space from a wooden boxthat is placed inside a C-shaped concrete cask. This concrete caskis formed by cement slabs and a wall and, in relation to the woodenbox, determines the translucent and transparent areas. On the thirdstory, a game room and an academy connect to a wooden deck, theterrace of the house. The utility rooms of the house and the garage arelocated on the sub-solo.

巴拿马别墅

项目地点：巴西圣保罗设计师：马西奥·柯冈摄影师：MK27工作室完成时间：2008年1月

巴拿马别墅建在距离圣保罗金融中心保利斯塔仅有几个街区之隔的一个花园地区。客户有一个

非常重要的艺术收藏，其中最重要的是巴西艺术，这间别墅的设计将把这个艺术收藏包容在

内。这些艺术品分布在从卧室到花园的所有住宅区域。

室内植物分布在三个楼层和一个独立房间中。一进入院子，一个由树木覆盖的平台便把客人们

引向了房门。社交厅里分布了这栋别墅的部分项目，其中有图书馆、垂直环流、杂物间和起居

室。从图书馆中你能看到一座玛丽亚·马丁斯的雕塑树立在外部石墙前，静静地站在波光粼粼的池塘之上。起居室里有全部开放的巨大空间，一直开放到花园之中，从而形成了一个从内至

外的宽敞的连接区域。四周墙壁的石头映衬在场地一端的花园池塘之中。

二楼的一个连接着各个卧室的巨大走廊上陈列着许多画作和雕塑。走廊两端的两扇窗户使这片

区域沐浴在阳光之中。巴西人阿米尔卡·卡斯特罗的一件雕塑占据了其中一扇窗户前的空间。

与其他卧室一样，人们在附属于套房的一间办公室里也可以俯瞰花园全景。各个房间的正面都

安有遮阳板，由光滑的直木板制成。这些遮阳板有助于增强房间舒适度、防止阳光直射，以及

创造良好的光线质感。房间的建筑前提之一是围绕着摆放在C形混凝土桶中的木盒子来组织空

间。这个混凝土桶是由水泥厚板和墙壁形成的，与木制盒子一起决定了透明和半透明的区域。

第三层中有一个游戏房和一个与别墅木制露天平台相连的艺术学会。杂物室和车库安排在分枝

单间中。



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Awarded:

2008 Award Winning / International Design Awards_IDA / USAThe stone and the wood, materials that refer to traditional Brazilianbuilding, are mixed with modern materials, such as reinforced concreteand plastic and which create an architectural language. Reectingconcern with the precision of the construction, all of the details of thehouse were elaborated by the ofce, even some of the furniture thatwas specically designed for the house.

获奖情况:

2008年美国国际设计奖获奖作品

体现巴西传统建筑特点的石料和木料与代表着现代建筑特点的钢筋混凝土和塑料相结合，形成

了一种独特的建筑语言。出于对建设过程中精确性的担忧，事务所对这套别墅所有的细节都进行了详细阐述，甚至包括一些为这套别墅特别设计的家具。



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Pentimento House

Location: Quito, Ecuador Designer: Jose María Sáez, David Barragán Photographer: RaedGindeya, Jose María Sáez Completion date: 2006

A concrete platform serves as its foundation and adapts to thetopography bypassing the trees or incorporating them. On the platformrises the prefabricated system. The pieces of steel rods are insertedinto the concrete, anchored by epoxy glue. These rods and elements ofwork between pieces generate a tight structure of small columns andlintels especially well suited to the seism of the area.The interstices in the prefabricated structure are left open at some

points and closed in others with a transparent or translucent acrylicand wooden strips, becoming vegetation and light lters. Inside, thesame cracks help to support some wood pieces, including shelves,seating, tables and steps.The foundation slab melts with black pigment and hardener to becomethe nal oor. The Flowerpot stays in its precast concrete nished asin its interior and exterior. The wood in the interior and vegetation inthe exterior are always an important part of the project. On the topoor the lookout becomes the main space and robs its attention forany secondary element, allowing the passage of air and light, aligningthe views of the distant mountains. It concentrates on linking the userwith the surrounding environment.Economy, simplicity and clarity of the house lead to a simpliedconstructive process and its low budget. The constructing work is donein a temperate climate and with available materials.

Awarded:2006 National Architectural Design Award2006 XV Quito Architecture Biennale2008 Lisbon Best Work by Young Architect VI BIAU (Architecture andUrbanism Iberoamerican Biennale)The appearance of the Pentimento house resembles a owerpot,

converging with nature as a garden and closely connected with itssurroundings. It is built with a single piece of prefabricated concrete.Outside is a neutral grid that is camouraged like a fence or hedge.Inside, each wall is different, tting its own scale need, function,position, etc.

变形别墅

项目地点：厄瓜多尔基多设计师：荷西·玛利亚·萨埃，大卫·巴拉甘摄影师：拉伊德·金德亚，荷西·玛利亚·萨埃完成时间：2006年

变形别墅构筑的基础是一个水泥平台，根据地形因地制宜，或避开树木，或将树木围入院中。

平台上建起预制结构：钢杆插入平台中，用环氧树脂胶固定。预制构架里面的空隙有的空着，

有的用透明或半透明的丙烯酸或木质板条填满，成为一个外面有植被覆盖的滤光器。这些空隙

有利于房屋中用到的一些木质建材，如架子、座位、桌子、楼梯等。

水泥平台并不直接作为房屋的地面，而是铺上一层黑色粉状颜料，起到加固作用。内有木质材

料，外有植被覆盖，成为该建筑的一大特点。顶层的瞭望台是住宅最主要的部分，使室内阳光

充足，空气流通顺畅；面向远方的山景，使居住者与周围环境融为一体。

这所住宅的设计要求是经济、简单、清晰。这就简化了施工过程，降低了建造成本，注定了其

预算低廉。白天在当地温和的气候条件下施工，而且所用的都是常见的建筑材料。

获奖情况:

2006年国家建筑设计奖

2006年第十五届基多建筑设计奖

2008年里斯本第六届建筑与城市规划设计最佳青年设计奖

这栋别墅采取了花钵式的别致造型，清新简朴，与大自然紧密融合。其整体花钵结构用一整块

混凝土水泥板完成建造，一气呵成。外面有围栏，使居住者达到“天人合一”的境界。内部围

墙变化各异，根据所需的规格、功能、地点分别设置。



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LEGENDA

1_accesso pedonale

2_accesso carrabile

3_zona giorno

4_zona pranzo

5_servizi

6_zona notte

PIANTA PIANO TERRA +1.50

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Esker House Rooftop Apartment

Location: San Candido, Italy Designer: Plasma Studio Photographer: Cristobal Palma

Completion date: November 2006Esker House (esker means stratied geological formation) is a self-contained residential unit placed on top of an existing house from the1960s.The project is formed by a series of steel and timber frames thatdeform to recreate the smooth hillsides of the surrounding dolomites.This partly accessible roofscape also determines the spatial characterinside- the spaces are enfolded by an angular and dynamic seriesof planes creating new and ever-changing perspectives and spatialconstellations. The unique stratied morphology and constructionsystem started off from projecting each step of the external staircaseas a modulor that then was proliferated as frames. These framesenable the subsequent deformation and softening of the overallgeometry. The split level organisation leads to the lengthening of partsof the stairs to form a topography for informal occupation. The overallspatial character is that of an echelon with a diffusion of functionsand conditions where inside and outside, above and below becomegradient zones of varying intensity. These interleave as a loop thattransgresses from the most private zone of bedroom and bathroom viakitchen, dining and living rooms towards the more public and exposedterritory of the various terraces.

Awarded:

2006 Italy CompetitionThe architects challenged the standard pitched and overhanging roofand instead developed a rich texture of different occupiable spaces.On the outside these are a podium that leads to the top of the roof,a semi-covered pergola beneath it, a long terrace as extension to thesouth of the living room. Given that the existing house has two “wings”with different roof levels, the designers started from a simple diagramof two boxes forming a “T”, allowing plenty of external space forterraces to the south. The lower western box became the living zonewith the upper eastern box to contain the master bedroom, bathroom,second bedroom and kitchen.


项目地点：意大利圣坎迪朵设计师：帕拉斯马设计工作室摄影师：克里斯托博·帕尔玛完成时间：2006年11月

埃斯科尔住宅（“埃斯科尔”的意思是分层地质组成）是从20世纪60年代开始，建在已有房子

上面的、设备齐全的居住单元。住宅是由一系列金属和木支架构成的，这些支架的变形是为了顺应周围光滑的白云石山坡。触手可及的屋顶景色也决定了内部的空间特点——空间由一个屋

角和几个面所构成，成为一个角度千变万化的新空间。独特的分层形态和建造体系颇具特色：

开始是把每一阶外部楼梯当作模块，然后再延展成框架；这些框架之后的变形可减轻整个几何

体的重量。断开的结构使楼梯一部分得以延长，形成一个供短暂驻足的地形。整体的空间特点

是一个有着分散功能和环境的梯阵，室内室外、上上下下都有着变化多端的步行区。这些交叉

路组成了一个环，这样，从卧室和浴室这样的私人区域可以通过厨房、餐厅和客厅到达更加敞

开、豁朗的阳台。

获奖情况:

2006年意大利竞赛

建筑师挑战这个标准的外伸屋顶，将其改造成富有不同结构的可利用的空间。外面，一堵矮墙

可以通向屋顶，下面还有一个半遮的凉棚，和一个客厅南面延伸出来的长阳台。原房屋有两个

“翅膀”，处于不同的屋顶平面上。设计师从构成“T”字形的简单结构开始，使朝南的阳台有

了足够的外部空间。西面是居住区，东面是主卧室、浴室、次卧室和厨房。



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Harbour me, Celia!

Location: Viechtach, Germany Designer: Hai Merlin Studio Photographer: Edward Beierle,Gero Wortmann Completion date: August 2008

Hai Merlin Studio/Peter Haimerl and Jutta Görlich have decided tobuild the new structures in the old farm house in the Bavarian Forestin foam glass concrete. On the one hand the living spaces shouldappear as monolithically as possible and should have very goodthermal properties. On the other hand, the history of the BavarianForest is connected to the production of glass. A very speciallandscape characteristic that points out this tradition is the “Pfahl” –the pile – an underground quartz ridge, that comes to the surface neaViechtach town.Foam glass concrete is a very light and still very stable material,whose coefcient of thermal conductivity is between 0,12 and 0,38w/(m k) and therefore can also be used as thermal insulation. Anotheradvantage is that the material has similar characteristics to woodand therefore connects very well to the old house. In order to achievereasonable heights in the kitchen and eating area the oor had to besunk 130 centimetres. A downpour of foam glass rubble protects theliving spaces against heat loss.

Awarded:

2008 Best Architect Award 09 in Gold2008 Architecture Award for Concrete Buildings / GermanyIn the latest thirties most of the old farmhouses in Bavarian forestwere destroyed, because of ignorance and the lack of appraisal adverseto the “old stuff”, maybe also to erase the contemporary witness of

rather poor time.Therefore the architectural concept intends to keep the existence – asruinous at it might be – and not to intervent into the structure of theold farmhouse “Celia”. The rooms of the old building stay as they are,barely anything of the existence will be removed, that’s imperative tothe windows, the old plaster, the oor tiles and the other old xtures.Other removed material will be recycled to produce furniture. Boxesout of concrete are going to be placed into a few central rooms, forexample the old parlor, where the new life is going to take part. Thenew construction frames the old one, carries and protects it, the oldbuilding accomodates the new.


项目地点：德国维希塔赫设计师：海默尔林建筑设计工作室摄影师：爱德华·拜尔勒，格罗·沃特曼完成时间：2008年8月

海默尔林建筑设计工作室的皮特・海默尔和尤塔·格里奇决定在巴伐利亚森林的旧农舍里利用

泡沫玻璃混凝土建造新的结构。之所以采用泡沫玻璃混凝土是因为，一方面，生活区应尽可能

成为一个整体，并且具有良好的保温效果；另一方面，巴伐利亚森林的历史与玻璃制造相连。

把人们的视线吸引到制造玻璃这个传统上的是一道特殊的风景：“桩”——一个地下石英山

脉。这座石英山脉坐落在维希塔赫镇附近。泡沫玻璃混凝土是一种很轻巧却非常坚固的材料。这种材料的导热系数在0.12W/(mk)到

0.38W/(mk)之间，因此也可作为绝热材料。这种材料的另一个优点就是与木材具有相似的

特性，因此可以与老房子很好地连接。为了使厨房和就餐区的高度能够适宜，地板需要下沉

130cm。泡沫玻璃碎石的注入防止了生活区内的热量流失。



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获奖情况:

2008年最佳设计师金奖

2008年德国混凝土建筑奖

在最近的30年间，巴伐利亚森林里的大部分老式农舍都遭到被毁坏，毁坏的原因就是对旧事物

的不重视以及缺乏对旧事物的正面评价。还有一种可能：人们试图改变该地区的贫困面貌。

因此，建筑理念是想保存原有的东西，并且不破坏老农舍“西莉亚”的结构，尽管这将耗资巨

大。让老建筑物中的房间都保持原貌，几乎不移走任何原有事物。这一点对于窗户、旧石膏、

楼梯耐火砖和其他陈旧的固定装置来说尤为重要。

其他移走的材料会回收利用，加工成家具。我们将在一些主要的房间里（比如老会客厅）利用

水泥分隔出新的空间，这些空间用于日常生活。新的建筑给旧建筑加了边框，对旧建筑起到了

支持与保护的作用。旧建筑包容了新建筑。



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House in Carabbia

Location: Carabia, Ticino, Swizerland Designer: Davide Macullo Architetto Photographer:

Pino Musi, Enrico Cano Completion date: 2007Carabbia is a little village of approximatelly 600 inhabitants. Thehouse rises on the western side of Mount San Salvatore slope in abeautiful bowl. Carved in a clear square geometry, the spaces meetthe slope and extend in a spiral–uent movement that constantlychanges the perception of the space and its relation with the exterior,offering privileged views towards the beautiful landscape of the region.This small house (13x13m) stands for a sequence of experiencescondensed in a continuous space that gives a sense of protection and,at the same time, of being projected into the landscape. The slopedroof that follows the inclination of the land is a reaction of building onthe hill side proposing an organic language instead of an urban one!The plot is characterised by a slope of about 30° facing west. The waythe new volume adheres to the sloped land optimises the excavationworks. No earth has been displaced from the construction site.The three main storeys of the house are set on the plot at shiftedlevels to match the correspondent level of the site. This offers a directrelation to the outside from all parts of the house at all levels. Whileentering the house the eyes embrace the whole interior space andthe related outdoor space, till the most far diagonals. This enlargedthe potential of the perception of bigness of a house that is actuallya very small volume: around 1000 cubic metre for a usable area of

150 square metres; while the perception is closer to a house of atleast 300 square metres. The dilatation of the perception betweenthe spaces and between outside and inside works in the same waythroughout the entire building.From all part of the building the feeling is approximately to live in anopen space surrounded by a prosperous natural landscape and thespace you are enjoying is related to the others through transparent ortranslucent lters/layers. The perception transits always from insideto outside to inside again, making the outdoor space part of theindoor one. In this way the living space has been stretched and its sizeappears bigger.This research on dilatation of the perception of the spaces enhancesthe idea that a space can be only completely understood by spendingtime in it and that besides the walls/slabs (material), shape, design,type, typology, etc. a space must be conceived using time asinstrument for the planning/creative phase.

卡拉贝拉别墅

项目地点：瑞士提契诺卡拉贝拉设计师：大卫·马库洛建筑事务所摄影师：皮诺·阿穆，恩尔莫·卡诺完成时间：2007年

卡拉贝拉是一个大约有600名居民的小村庄。这所住宅就像西面圣萨尔瓦托雷坡托起的一个美丽

的碗。内部空间限定在一个明确的几何方形中，满足了倾斜角度的需要，并且增加了一个螺旋

型平滑曲线的运动，不断改变对空间的感觉及其与外部的关系，提供了一个可以远眺优美风景

的特殊地区。

这所小房子（ 13米x13米）在一个连续的空间中浓缩地表达出保护意识的同时，也使人能预测

到会出现什么样的景观。倾斜的屋顶以下紧跟着倾斜的土地，这是为了适应在山坡上建设，是

以有机语言代替城市语言！屋顶面向西面，倾斜30 度。挖掘工艺采用新的土方挖掘技术，在施

工现场没有土壤流失。

三个主要楼层与水平方向均成一定的倾斜角度，这样设计的目的是符合基地的通风情况。这也

使房子的形态与基地的外部环境形成一种对话关系。进入住宅内，眼睛可以看遍整个内部空间

以及周围的户外空间，直到最深远的对角线。这就把一个实际上体积非常小的房子变大了：体



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2.5 elevation north 2.6 elevation west

2.7 section 1 2.8 section 2

IJburg House

Location: Amsterdam, The Netherlands Designer: Marc Koehler Architects Photographer:

Marcel van der Burg Completion date: 2007The 140-square-meter house is located on a small plot in IJburg; arecently developed suburb of the city of Amsterdam. The house isdesigned as a vertical garden giving space to ora and fauna to growin a densely urbanised area. Closed private spaces contrast with opencollective spaces that seem to have been “carved out” from the solidvolume as a continuous transparent void. In this way the interior spaceis visually and physically connected to the street, the garden and roofterraces. Outdoor and indoor spaces become one and natural daylightows into the interior.Three bedrooms, a small bathroom, WC and a “multipurpose hall” aresituated on the ground oor whereas the rst oor remains completelyopen for living, cooking and eating, ooded with daylight. Themultipurpose hall on the ground oor is much more than an entrancezone. It also functions as an artist studio, work-desk, laundrette andplayground. Storage and service spaces are invisibly integrated inthick walls keeping the living spaces as open, transparent and exibleas possible.The façade contains specic brick detailing inspired by techniquesfrom the famous Amsterdam school style from the 1920s, which hadbecome redundant in the second half of the 20 th century. By intensivecooperation with brick and mortar suppliers, masonry consultants

and brick layers, the architect managed to introduce these traditionaltexture effects in contemporary building methods. Because brickworklasts long, is free of maintenance and can be recycled it is aninteresting sustainable building material.The ornamental masonry is not only a decorative enhancementof the sculptural character of the design, but also functions as anunderlayment for different sorts of climbing plants to grow up thefacade, giving birth to the idea of a vertical garden, which wasenhanced by integrating ower pot on several levels in the facade.Hedra, Kiwi’s, grapes, apples and roses will over time overgrow thehouse and create a “natural curtain” around the living spaces andterraces, providing natural shading and privacy. Although the livingarea is situated on the rst oor, the inhabitants will experience theirgarden as an integral part of their living space, uniting nature andculture in a unique way.

艾哲伯格别墅

项目地点：荷兰阿姆斯特丹设计师：马克・克勒建筑事务所摄影师：马塞尔・万德・伯格完成时间：2007年

这幢140平方米的房子位于阿姆斯特丹新近开发的郊区艾哲伯格的一小块地上。这座房子就像一

个垂直花园，供动物、植物在这样高度城市化的地区生长。花园和屋顶平台都连接到街道上。

室外和室内空间变成为一体，自然日光流入内部。

三间卧室、一个小的盥洗室、厕所和一个多功能门厅位于首层，二楼则是为生活、做饭和就餐

而设计的充满阳光的敞开式结构。洒满阳光的多功能门厅，不仅仅是一个入口，还起到艺术家

工作室、工作台、洗衣房、游乐场等作用。储存和服务空间集成在厚墙壁里，表面上看不见，

这成全了居住空间的开放、透明和灵活等特点。

房屋的正面细节的部分用了很多20世纪20年代阿姆斯特丹学校风格的砖，正是通过砖和泥浆的

供应商结合建筑师、结构工程师和砌砖工人的意见，这栋建筑才采用这种年代久远的传统质感

工艺。因为砌砖工艺会使建筑屹立的时间更久，并且不需要养护，还可以循环使用；这是一种

有趣的、合理的建筑材料。

石材工艺不仅起到装饰作用，经过设计，可以当雕塑，而且还可作为一个展现功能的不同种类



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2.1 Fragment of the facade

2.2 detail of the conrner

Awarded:

2008 World Architecture Festival, Barcelona, SpainThe green façade of the house is a “living façade”, changing the imageof the building time and giving space to birds and insects, creatinga new urban ecosystem. The house uses large windows to capture

sunlight to heat up the collective spaces in winter, and uses the “naturalcurtain” to create shading in summer. Moreover, the house featuresa heating earth-pump, solar panels on the top roof and a balancedmechanical system using a heat recovery unit combined with naturalventilation in each space. This house shows that comfort, beauty andsustainability can strengthen each other, promoting eco-effectivitymore than eco-efciency. Because of this, the house also received aspecial subsidy given to sustainable buildings in The Netherlands andwas nominated for the Dutch Façade Design Award 2008.

获奖情况:

2008年西班牙巴塞罗那世界建筑节

这座别墅的一个立面是绿色的，是个“活的立面”，随着时间的变换会改变建筑的形象，为鸟类

和昆虫提供自然和生态的空间，创造一个新的城市生态系统。建筑使用了大窗户，冬天能吸收更

多的阳光热量来提升公共空间的温度；夏季则使用“自然幕帘”遮阴。此外，房间拥有一个地热

泵，屋顶有一个太阳板，另外还有一个与每个自然通风的空间相连的热力转换装置和用来取得平

衡的机械系统。这间屋子向我们展示了舒适、美丽和耐久性，可以提升房间的使用效率。因为对

生态的贡献，这座房子也得到荷兰颁发的特殊奖金和2008年荷兰立面设计奖的提名。

爬墙植物的生长面，这就是这个垂直花园构思的过程，也是将攀爬植物的花盆融入到墙壁中的

方法。常春藤、猕猴桃、葡萄、苹果和玫瑰花会在一段时间内长满屋内，并在居住和台阶的附

近形成一个“自然幕帘”，提供一个自然的树荫和私密的空间。尽管居住空间是在建筑的第二

层，但是通过用这种特殊的方式将自然和人文结合在一起，住户也可以把享受花园作为日常生

活的一部分。



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J2 House

Location: Zagrb, Croatia Designer: 3LHD Photographer: Damir Fabijanic Completion date: 2007 The type of the project “J2 House” was commission, the site area is687 square metres, the gross oor area is 396 square metres, itsfootprint is 159 square metres, and also, the entrance level is 201.5m.On both sides the site is bordered by a street and a high building.These contextual facts determined the concept and the shape of thenew project. The “L” layout with closed fronts “protect” the house fromthe street and the neighboring building. At the same time the gardenhas been redesigned with all the main rooms in the house orientedtowards it. The living room, dining room and kitchen form a uniquespace and together with a swimming pool are built into the ground. Inthis way, being at the same level and separated from each other by aglass wall they bring the garden into the house. The house entranceis above, at street level, together with garage, storages, closet-spaceand studio. The family area is above the entrance space along with theliving and dining rooms.The materials used for the façades correspond to the spatialorganisation of facilities. The living and dining spaces are separatedby glass walls which completely open the living space to the outside;on the other hand, the bedroom walls are alternatively panelled bywooden boards.

Awarded:

2008 Annual Award for Best RealisationOn the 15th of April 2008 at 6 p.m., at the Plaster Casts Museumvenue in Zagreb, the Yearly Exhibition of Realisations organised bythe Croatian Architects’ Association for 24 continuous years, sincethe Zagreb Architects’ Society has for the rst time presented theachievements of Croatian architects in 1984.The family house for a couple with children is located in the greenresidential part of the city of Zagreb. The family house did fully useall the advantages of the site and did it meet the requirements ofcontemporary living standards. What is more, the beautiful view to thecity and large garden was valued appropriately.

J2别墅

项目地点：克罗地亚萨格勒布设计师：3LHD设计公司摄影师：戴米尔·法比詹尼克完成时间：2007年

该项目是委托建筑，占地面积为687平方米，房屋面积约为396平方米，房屋外面积159平方

米，其入口的水平高度为201.5米。这个地点四面濒临大街和一栋高耸的建筑，这些因素决定了房屋建造的理念和形状。“L”形的

造型特点使其看起来像是受到了周围建筑和大街的保护一样。另外，重新规划了花园，使得住

宅内的所有房间都能朝向花园。卧室、餐厅、厨房等都形成了一个个独一无二的空间；同时，

在地面上还建造了一个游泳池。通过这种方法，即使身处同一水平面的不同空间，仿佛可以通

过玻璃墙把窗外的花园带到室内一样。房屋的入口很高，与大街处于同一水平面，入口处还有

车库、仓库、储藏间和画室。家庭活动空间、客厅和餐厅则处于入口之上。

房屋表面的结构相当于对各种设施的立体性构建，卧室和餐厅的空间由一面玻璃墙分开，这

样，便使得客厅的空间成为完全开放式的。另一方面，卧室的墙壁也可以由木板方便地搭起。



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获奖情况:

2008年度最佳建筑奖

2008年4月15日晚6时在石膏模型博物馆，由克罗地亚建筑师学会举办的年度建筑展览给“J2别

墅”颁发了奖项。这个奖项从1984年由萨格勒布市的建筑师协会代表举办，到现在已经有24个

年头了。

这栋为一对有孩子的夫妻设计的别墅位于萨格勒布市的绿色住宅区。设计既充分利用了本地的

地理位置优势，也满足了现代化生活的需要。而且，城市的美丽景色和迷人的天然大花园也得

到了充分珍惜和利用。



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Milhundos House

Location: Pena el, Portugal Designer: Francisco Portugal e Gomes Arquitecto Photographer:

Fernando Gabriel Completion date: 2007The plot is located in the outskirts of Penael, in the valley of theCavalum River and is inserted in an allotment near the Farm of theFlagstones Park.The proposal modies the implementation anticipated in the originalallotment, and resumes the duplication rule, not observed in thebuildings of the adjacent lots, seeking a more articulated solution withthe nearest volumes and simultaneously taking the vast ambiguitiesand disarrangements between the allotment and the lot drawings intoaccount.The slate/dark stone covered volume contains the living and dining/kitchen areas and the white plastered volume, is for the night’srepose areas. Each one of these volumes has different relations to theexterior space: the white seeks the most distant landscape; the darkhas a more direct contact with the surrounding garden.The applied materials condense a domestic duality, which is projectedin the public space, in between the intimate and the public, the dayand the night, the light and the darkness, that here nds an invertedexpression: To the night nucleus it corresponds to a white plaster andto the day nucleus consists a facing, clad with a dark stone.

Awarded:

2008 World Architecture Community, UIA, WA Awards, 1st Cycle WinnerThe initial scanty budget creates not only an economic, but aboveall a conceptual challenge. All the process was thought and felt ina permanent dialectics between the maximum of systematisationand restraint, and the uttermost expressive outcomes. A project isnot a good project when it is solely used to satisfy a functional andeconomical program, it has to satisfy another type of questions, suchas substance and nature. And nevertheless, a good project does notnecessarily lead to a good work. The author must look for the work’sown character in a process permanently alive and pledged.

弥罕德斯别墅

项目地点：葡萄牙彭拿费尔设计师：葡萄牙弗朗西斯科易・戈姆斯设计公司摄影师：费尔南多・加布里埃尔完成时间：2007年

这座别墅坐落于彭拿费尔市郊外的加洛矾峡谷中，其地理位置靠近石板道公园附近的农田。项

目理念改变了建筑原来的结构，重新制定了规划，设计师并不是单纯从周边建筑中获得灵感，

而是寻求一种与临近建筑建立某种关联的设计方案，同时，他们还将界限模糊的空间分配和复杂的场地设计图统统考虑在内。

设计师使用了黑色的石块覆盖起居室、餐厅、厨房等空间，而住宅的晚间休息区域则使用了灰

白色的水泥作为外观。空间内的每个区域都与外部空间有着不同的联系：白色与四周淡雅的风

景结合得浑然一体；黑色则与周边花园相得益彰。

设计师选用坚固的建筑材料诠释本住宅，将这些材料应用于公共空间、私人与公共空间过渡的

区域、白天与夜晚过渡的区域、黑白色调过渡的区域等。在这里，设计师将这种设计方式反向

表达出来：选用了灰白色的水泥原料表达夜晚，而那些覆盖在建筑表面的黑色石质建材却用来

表达白天。



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获奖情况:

2008年世界建筑协会，UIA，世界建筑奖第一名

项目较低的预算需要一个既经济又充满挑战的设计理念。设计过程中的每一步，设计师都会平

衡选材的需要和预算的制约，力求在有限的预算内，最大限度地呈现出好的作品。如果一个项

目的设计只单纯为了满足其功用和经济的需要，那么这个项目一定不是一个优秀的作品；优秀

的项目应该还要解决其他方面的问题，如项目的适用主体和自然环境。然而，一个好的项目也

不一定会产生优异的作品。设计者应该不断地在设计过程中努力寻求作品本身的特点，不断进

步。



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Redondela House

Location: Pontevedra, Spain Designer: Jesus Castro Irisarri, Guadeloupe Piñera Manso

Photographer: Manuel G. Vincent, Jesus Irisarri Completion date: 2006A sheet of concrete is replicated as a shell since its start as acontainment wall, forming a volume that is emptied offers from remoteand hidden from the eyes, which makes intermediate sequencespenetrate the wilderness, until a nal shooting outwards, with thedominant eye on the distant landscape, returning to the ownersthat look on the river, which made them choose this place to live.The shape of the shell as well as hosting the program resolves thestructure, the leading water and the various scales that make up thediversity within the space.A program that receives in turn linked to the land, the vast storageneeds of products that provides a continuous oor space in the yardand cutting section formed in the volume, which will place direct linksto the nature of the place and that as a lookout and rises from theground to provide an autonomous and site staff.A parcel deep, narrow and steep that hangs over the river and thedistant horizon of the sea, with the city of Vigo to feet and a specialclient, (all are), which are intensely ancestral rural Galicia and the timeof globalisation.

Awarded:

2008 FAD and ENOR AwardsThis is a building that qualies in each space, the look and feel of thesurroundings and the distant landscape. In contrast to other caseswhere we have overlapping architectures that emerge through theactions of the users, preparing stage with a large processing capacity,here is an architecture and is the scene that opens the lives of itsresidents to the world.

雷多黛拉别墅

项目地点：西班牙庞特维德拉设计师：杰西·卡斯特罗·伊瑞萨瑞，瓜德罗普·潘诺拉·曼索摄影师：曼纽尔·文森特，杰西·伊瑞萨瑞完成时间：2006年

把混凝土浇筑的薄片复制而成的壳状物作为遏制墙，形成一个空旷区域，从而使我们的视线可

以穿越旷野，直至远处的狩猎场，同时也可以俯视远处的风景，这样的外向型设计理念使得业

主们更加愿意选择这个地方作为自己的居住地。

设计师巧妙地利用外壳的形状和托管程序解决了由结构、导水系统和空间内部差异所导致的比例不同问题。

考虑到业主可能对储藏物品的需求，设计师将院子设计成一个不间断的空间，该空间分成不同

功能的区域，使其与这个地方的自然风光有机结合在一起，形成了一个自治的风景点。

为了迎合比戈城市特色和某些业主的特殊要求，设计师有意设计了一片有着深、窄、陡等特点

的土地，仿佛悬于小河和遥远的地平线之上，传递着既传统又现代的气息。

获奖情况:

2008年FAD 和ENOR大奖

这是一个优秀的建筑作品。无论从空间、外观、周边环境以及远景设计上，都属质量上乘的建

筑。与其他错落重叠的建筑物不同，这是一个能够把居民的生活和小区风景同时展现给外界的

建筑。



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Steigereiland

Location: Amsterdam, The Netherland Designer: Kerkhofs montagebouw Photographer:

Jeroen Musch Completion date: February 2007On the Steigereiland, near Amsterdam, Pieter Weijnen built his ownexperimental wooden home. The house is painted a vibrant blue,referring to the traditional dike houses of nearby Durgerdam. Theground oor consists of a roomy live-in kitchen. Entering the home,the rst thing you notice is the lounge hanging from the ceiling likea oating island. The bottom of this contraption is shaped like thebelly of a whale and clad in copper. The shape has been interpretedas a boat or a basket, giving the space below a homely atmosphere.Together with the oating lounge, the 7-metre-high space creates avertical loft. To make the most use of the space, Weijnen wanted toavoid load bearing walls as much as possible. To ensure stability, heused old docking poles as diagonal braces behind the front wall. Allthe walls and oors are made of massive, laminated Lenotec sprucewood.Sustainable use of energy is a leading principle for the house onsteigereiland. The glass façade facing South, lets in plenty of daylightand sun heat. The air-conditioning is based on an ancient Arabiansystem: the air from the dwelling is pumped through undergroundtubes. After the air has cooled down, it is led back into the building. Atank under the roof terrace collects rainwater, which is used for thewashing machine and the toilets. Plenty of recycled materials were

used building this wooden home. The large beams in the front are olddocking poles from the IJ, and the furniture in the children’s room ismade of used cheese shelves. The copper cladding on the oatinglounge, used to be on top of the roof of a church.

斯黛格瑞兰德

项目地点：荷兰阿姆斯特丹设计师：Kerkhofs montagebouw建筑事务所摄影师：杰罗恩·幕什完成时间：2007年2月

在阿姆斯特丹附近的斯黛格瑞兰德，皮耶特·维南建造了他自己实验性的木屋。木屋漆成鲜艳

的蓝色，就像是杜格丹附近的传统房屋一样。房屋的底层是一个宽敞的厨房。走进这间屋子，

首先映入眼帘的是一个悬挂在天花板上的长沙发，就好像是一座漂浮的小岛。底部做成鲸鱼腹

部的样子，并用铜包裹起来。形状类似一个小船或篮子，同时也为下面的空间带来了一种家庭

的氛围。与漂浮的沙发一起，7米高的空间形成了一个垂直的阁楼。为了尽可能地利用空间，维

南想要尽可能地削减承重墙的空间。而为了确保其稳定性，他在前围墙的后面使用旧的船坞支

柱作为对拉角线。所有的墙壁和地板都由厚重的、层积的云杉木制成。

在斯黛格瑞兰德，可循环性能源居于主导地位。房屋的窗户都面向南面，使室内能够接受到充

足的阳光和热量。空调装置基于一种古老的阿拉伯式系统：室内的空气用管道从地下抽取。空

气冷却之后，再输送回建筑物。在屋顶的露台下面有一个收集雨水的水槽，这些雨水可以用来

清洗机器、冲马桶。在木屋之中，可循环材料也大量使用。房屋的前梁是来自于IJ的船坞支柱

杆，儿童房间的家具则是由旧的奶酪架子制成。漂浮的长沙发上覆盖的铜来自于教堂的屋顶。



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Awarded:

2008 International Architecture AwardThe house has won the International Architecture award 2008, issuedby The Chicago Athenaeum Museum of Architecture and Design andMetropolitan Arts Press Ltd. and co-presented by The European Centrefor Architecture Art Design and Urban Studies. This is an internationalaward, open to designers worldwide.Spaciousness is the keyword in this design. The lounge hanging fromthe ceiling like a oating island made the house particularly eye-catching. Besides, sustainable use of energy is the leading principlefor this house on Steigereiland.

获奖情况:

2008年国际建筑学大奖

这座建筑荣获2008年国际建筑学大奖。这一奖项由芝加哥美术馆和大都会艺术出版公司主办，

欧洲城市建筑设计中心承办。这一奖项是一个国际性大奖，面向全世界的设计师。

内部空间宽敞是这个房屋的主要特点。天花板上悬挂下来的长沙发，像是一座漂浮的小岛，极

具特色，使这座房屋脱颖而出、别具一格。另外，可持续利用能源也是这座房屋的主要原则。



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Villa G

Location: Bergen, Norway Designer: Saunders Architecture–Todd Saunders Photographer:

Bent Completion date: 2009Villa G lies like a white landmark in the soft landscape at Hjellestad,near Bergen. The wooden cladding on the house consists of 3 differentsize mounted in a random pattern. The house has an over-builtoutside space and the second oor covers the entrance below helpingthe house work together with the rough climate on the west coast ofNorway.The stair is one solid piece of 1cm thick steel, galvanised with whitesand corn making it slip resistant. The stair is produced locally, weighsalmost a tonne, and had to be lifted into place by a crane throughthe window in the roof. The architect and client have an enthusiasticdescription of the design and building process. Saunders say, "theclient is very intelligent and has an acute interest in architecture. Hechallenged us the whole time, but never can get in the way of outdesign process. The family has documented their wants and needs.These clear and concise wishes help us come of with simple designprinciples for the project."When commenting his own experience of the how the design of thehouse evolved, the owner said: "yes, we had an exact number ofhow many meters of closets we needed and so on. We have built afew houses before this and have learned from our experiences andmistakes. We knew that we wanted a house with clean lines without

any visual noise and clutter." This is one of the reasons that most ofthe closets and storage spaces are integrated into the so-called thickwall – walls that are at least 60-70cm deep. The kitchen bench is 8meters long and has plenty of drawers for kitchen equipment and evenother things that need to be stored away. None of the electrical outletsare visible and all technology controlled by a main control panel in thekitchen. The client admits that he is a 'gadget freak' and the housereects this part of his personality."

G别墅

项目地点：挪威卑尔根设计师：桑德斯建筑事务所：托德·桑德斯摄影师：本特完成时间：2008年

G别墅坐落在卑尔根附近，仿佛一个地标。房子上的木结构层由三种不同大小的随机图形组

成。房子的外部空间有过多的建筑，二层覆盖着入口处，这能够帮助应对挪威西部海岸的糟糕

天气。

楼梯是当地制造的，大约有一吨重，必须用吊车从屋顶的窗户举进屋里。设计师和客户对设计

的布局和建筑过程极感兴趣。桑德斯说：“客户很聪明并对建筑有着极大的兴趣。他一直质疑

我们，但却不妨碍整个的设计过程。别墅记录了他们的所想所要。这些清晰简明的愿望帮助我

们得到项目简单的设计原则。”

房子的设计一点一点形成，屋主自己也参与了这个过程，论及此处，他说：“我们准确了解我

们需要多少米的壁橱等等。在这之前我们已经建了一些房子，并不断从我们的经验和错误中学

习。我们知道，我们想要一幢线条清晰、没有任何的视觉混乱的房子。”这就是大部分壁橱和

存储空间融入“厚墙”的原因之一，墙壁至少有60-70厘米厚。厨房的长椅长8米，有足够的抽

屉来放置厨房设备和其他需要储藏的东西。没有露在外面的电源插座，厨房内的所有设备都由

控制面板控制。客户自认是个“小器械迷”，这座房子反映出他这方面的性格。



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Awarded:

2008 Nominated for Wallpaper “Best Housing” ProjectThe house is large yet not dominating, modern but not pretentious.The house has a futuristic form but is built with traditional Nordicmaterials and architectural elements with a good basis in Norwegianbuilding methods.

获奖情况:

2008年《墙纸》杂志“最佳住宅”提名奖

房子很大却并不因此显得主宰一切，现代却不过分修饰。别墅具有适合未来发展的形式，用的

却是北欧的传统材料，建筑元素也是基于传统挪威建筑方法。



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Villa Marstrand Wadt

Location: Jyllinge, Denmark Designer: CORNELIUS + VÖGE – Dan Cornelius, Nanna VögePhotographer: Adam Mørk Completion date: 2007

The project is a rebuilding of an existing house from the sixties. Itenjoys a beautiful view of the protected natural settings of RoskildeFjord. The site has a unique contrast with the light from the Fjord andthe setting sun in the background.The house is L-shaped. It has a very large living room, kitchen, diningand master bedroom facing the view to the west and with access to3 terraces that all enjoy the view. Each of the terraces has its ownquality; either as a panorama terrace, an evening terrace or a wind-protected morning terrace, and all of them enjoy different settings ofthe sunlight during the day. The bathroom and another bedroom areplaced in the back of the house opening towards the morning terraceto the east.The house is kept in modernistic white, but a local red colour oftraditional wooden shermen houses is used on the wall and door inthe entrance area. The underground garage is a dark colour in order tounderline the horizontal line. Eventually some black-painted woodenslats will allow climbing green plants to grow on the dark sidewalls.Visitors to the house take the outside steps to the main entranceon the south side of the house. Big slabs of reused granite are usedas steps. Black slate is used in the entrance and at various pointsthroughout for ooring and terraces.

Awarded:

2006 3-year Architectural Grant from The Danish Arts Foundation

The architectural approach is to create a precise connection withthe house and the surrounding landscape. The horizontal line ofthe landscape and the view is integrated into the residence. A west-facing cantilevering roof rises up to gather in the sunlight to the westin a very dramatic fashion. The horizon is almost penetrating into theinterior of the house as light pours in during the day.The structure is clean. The lines of the house control the view fromthe interior to the landscape. Everything is framed with new openingsand lines that radiates out from the interior. Different views and newexperiences inside the and outside make the building a more lastingpiece of architecture in its new incarnation.


项目地点：丹麦于灵厄设计师：科尼利厄斯 + 沃格设计事务所：丹·科尼利厄斯，南娜·沃格摄影师：亚当·摩尔克完成时间：2007年

这座别墅是在原来的60年代的房子基础上重建而成的。在这里可以欣赏到罗斯基勒海峡的自然

风光，柔和的光线、身后的落日，罗斯基勒海峡与建筑景观形成了独特的对比。

屋顶有面向东面和西面的微小角边线（排水管）。雨天时，落在屋顶的雨水可以以这种方式汇

聚到建筑边上和入口处的特有的金属排水管内。

房屋的形状呈L形。室内有一个大起居室、厨房、餐厅以及可以观赏到西面风景的主卧室，另

外还有三个阳台，每一个阳台都有着各自的特点和作用：或是用于观赏室外全景，或是休闲锻

炼，或是用于防风。无论站在哪一个阳台上，你都可以欣赏到不同的美景，享受每天不同时刻

的阳光。此外，还有一个浴室和一个位于房屋里处的卧室。

房屋以现代白色为主基调，但入口处的墙和门上却使用传统木质渔夫房屋用的乡土红色。地下

车库使用的深色更加突出了地平线，攀援植物依附在黑色的木制板条上生长。给人的整体感觉

是时尚中透着古韵。

参观房子的客人可以通过室外的台阶到达房屋南边的主入口，台阶采用大理石质地的。为了突

出特色，设计师在入口和某些地面台阶处不同程度地使用了黑色的石板。



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Villa Petersen

Location: Jyllinge, Denmark Designer: CORNELIUS + VÖGE – Dan Cornelius, Nanna VögePhotographer: Adam Mørk Completion date: 2007

Situated with a beautiful view over Roskilde Fjord and the sunset, VillaPetersen lies on a sloping site exposed to the sun and wind from thewest. The building is based on a squarely plan with rooms organisedin a U-shape around a protected raised terrace in the middle of thehouse. A big roof is following the square form of the plan with sunand weather-protective areas around the entrance and in the front ofthe house. From almost all interior spaces the beautiful view can beenjoyed as delicate transformations from the outside to the inside.The house is following the sloping landscape allowing different levelsto be integrated into the architecture. From all spaces the view tothe Fjord can be enjoyed in different ways together with natural lightfalling into the spaces from all sides and skylights.From an inviting entrance of long sliding stairs, visitors are led to theentrance of the house. Entering with a direct access across the houseon the highest level where the kitchen and dining area are locatedwith close contact to a wind protected terrace to the east. From thekitchen it is possible to overlook the living space on a lower level andto walk directly out into the raised terrace in the middle of the house.A master bedroom with integrated bathing area and closets aresituated on the other side of the raised terrace. Different levels lead tothe bedroom with a full view of the landscape and from the combined

shower and bathtub there is contact to the view and raised terrace aswell.The building is a wooden construction with vertical oil-treated Larch-wood in the covered and more protected areas on the outside. On themore exposed surfaces of the exterior horizontal black-painted woodare being used.The interior is kept in white surfaces allowing the natural sunlight topenetrate through the building from different angles and opening. Inthis way the interior spaces are always enjoying the changing lightduring the day and during the different seasons. The oors are madeof black slate and white-oiled ash. The replace works both as outdoorand indoor replace and is made of a local brick stone.

彼得森别墅

项目地点：丹麦于灵厄设计师：科尼利厄斯 + 沃格设计事务所：丹·科尼利厄斯，南娜·沃格摄影师：亚当·摩尔克完成时间：2007年

彼得森别墅坐落于一个向阳的、西风向的斜坡上，这里可以欣赏到海湾和日落的美景。这个方

形建筑物的房间呈U形排列，这些房间围绕着别墅中心的一个阳台排列。房前还有一个防雨的

大屋顶。

这座建筑适应斜坡的地形，使许多不同的层面巧妙地融入建筑。从室内的各个角度都能欣赏到

海湾的美景，阳光从四面八方，包括天窗，洒满室内的每个角落。

参观者从长楼梯的入口处进入屋内。厨房和就餐区紧邻东面一个防风的阳台。从厨房可以看到

下面的生活区，还能径直走到房子中间的阳台。室内各个地方都能欣赏到不同的海湾景色，阳

光也能从各个角度照进屋内。

主卧室、洗浴区和厕所位于别墅的另一侧。通往卧室的不同平面可以看到整个风景，同时从组

合淋浴和浴缸之间也能看到外面的风景和阳台。

这栋别墅是木质建筑，垂直屋顶是油浸落叶松制成的，同时外面还有一些保护层。外部暴露的

表面是由黑漆木材制成的。

室内表面呈白色，这样有利于阳光从不同角度穿透建筑物。这样，室内空间就可以在不同季

节，整天享受变化的光照。地板是黑板岩和上了白油的碳酸钠制成。壁炉具有户外和室内双重

功能，由当地的砖石砌成。



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Awarded:

2006 3-year Architectural Grant from The Danish Arts FoundationThe role of the Foundation is to promote Danish creative arts. TheFoundation's area of activity includes visual arts, literature, music,crafts and design, architecture, cinema, and theatre, as well as othercomparable forms of creative art that do not have other avenuesfor state support. Out of 2000 applications CORNELIUS + VÖGE waschosen as one of 3 architectural ofces that received the grant in2006. The grant is considered to be the largest and most prestigiousarchitectural grant in Denmark.

获奖情况:2006年丹麦艺术基金会颁发的三年建筑大奖

丹麦艺术基金会旨在促进丹麦的艺术创造。该基金会的活动范围包括视觉艺术、文学、音乐、

手工艺、设计、建筑、电影和戏剧，以及其他无法得到国家支持的艺术创造形式。2006年，科

尼利厄斯 + 沃格设计事务所在2000个竞争对手中脱颖而出，成为三家得到建筑领域大奖的事务

所之一。这项大奖被认为是丹麦最重要、最有影响力的建筑奖项。



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Villa Storingavika

Location: Bergen, Norway Designer: Saunders Architecture–Todd Saunders Photographer:

Jan Lilleb, Michael Perlmutter Completion date: 2007Overlooking breathtaking fjords and a stretch of Norway’s west coastarchipelago, Villa Storingavika is a robust yet rened vessel from whichto appreciate the delicate coastline and sometimes rugged climate.It is a pale timber volume enrobed in a crisp, ‘pleated’ dark timberexterior.The house is oriented along the contours of the site and concretestairs link an upper outdoor terrace with a lower lawn, utilising all ofthe natural terrain. This also minimises the impact of the house on thetopography. Built-in concrete furniture is also integrated into the site,increasing the use of the lower terrace as an extension of the interiorspace.Unlike some of Saunders’ other houses whose plinths lightly hoverabove the ground, this house is well-grounded in the terrain. On bothstoreys, the utility and service rooms are located along the northernside of the house, while the living areas open out to the south and theview to the sea. As a consequence, there are very few punctures onthe northern side, and large oor-to-ceiling windows face the south.The height of the outdoor room, the tallest section of the house,signies its importance in the scheme. Notably, the exterior ceilingtimber continues into the house in the lounge room where the ceilingis as high as the balcony. The balcony is pierced by three circular steel

columns that are 'threaded' from the ground to the roof.As a work of architecture, Villa Storingavika is a textbook example of aregional modernism, combining the modern gesture of wide spanningplatforms of space with the traditional forms and materials of Bergen’s light-framed timber houses. The building’s proportions are also akinto Bergen’s maritime architecture and its long history of two-storeytimber buildings. Translating this established building approach to arestrained, contemporary volume links the house to its context, andties it indelibly to the site.


项目地点：挪威卑尔根设计师：桑德斯建筑事务所：托德·桑德斯摄影师：詹·里莱博，迈克尔·波尔穆特完成时间：2007年

斯多林嘉维卡别墅俯瞰壮观的挪威海峡和西海岸群岛，像一艘强大而又精致的船，可以欣赏微

妙的海岸线和变换的天气。建筑整体仿佛苍白的空间穿上整洁的黑色木材外衣。

这栋别墅利用自然景观，楼梯连接着一个户外带草坪的阳台。这也体现了房子对地形最小的影

响。嵌入式的水泥家具也和场地结合在一起，增加了对低地的使用，作为室内空间的一种延

伸。

不同于桑德斯设计的其他房子，这座别墅的底座悬停在地面之上，使房子充分利用地形。两个

楼层中，公共空间和服务室都位于房子的北面，而生活区朝南并能看见海。因而，在北边很少有哗哗的声音，大型的落地窗朝向南面。室外房间的高度和房子的最高部分在整个计划中体现

出其重要性。值得主意的是，外观的天花板木材沿用到别墅的起居室中，这样它的升限高度和

阳台保持一致。阳台是由三根圆形的钢柱从地面穿到屋顶的。

作为一项建筑成果，斯多林嘉维卡别墅可以作为一个区域现代主义的教学实例，现代元素跨越

空间和传统形式相结合，并采用了卑尔根轻型框架木质材料。这座建筑的比例也类似于卑尔根

的海事建筑和历史悠久的两层木材建筑。这一方针的确立，用现代模式把房屋和环境紧紧联系

在一起。



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Awarded:

2007 Architectural Review Award Honorable MentionWith honesty in its treatment of materials and integrity of construction,Todd Saunders’ design for the villa at Storingavika succeeds beautifullyin blending house and landscape. Though conceived within theframework of an uncompromising contemporary architecture, thishouse demonstrates that a strict design approach can meld seamlesslywith the making of a comfortable and dignied home.The house departs from pure tradition though, and is both experimentaland inventive. Interaction with the view and a poetic transition frominside to outside lends richness to the stark interior. The rough-sawn

weatherboards catch jagged shadows with their tapered prole. It’san interlocking of volumes in a simple but exciting spatial experience.Stark yet harmonious contrasts in texture and tone of materials giveclarity to the architectural ideas.

获奖情况:

2007年建筑回顾荣誉提名奖

以对材料简洁的处理和建造的完整性，托德·桑德斯的斯多林嘉维卡别墅的设计成功地把别墅

和环境相融合。虽然孕育在现代建筑的框架内，这座别墅严谨的设计方法可以恰到好处地融合

舒适、高贵的房间。

这所房子背离了纯粹的传统，同时是试验性和创造性的。从内到外以相互作用的观点和诗意的

转换给僵硬的内部赋予了内涵。粗糙的护墙板捕捉锯齿型的影像。这个简单的连锁空间却能带

来令人激动的空间体验。手感和材料风格上鲜明而又和谐的对比清晰显示出建筑理念。



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Barrow House

Location: Melbourne, Victoria, Australia Designer: Andrew Maynard ArchitectsPhotographer: Peter Bennetts Completion date: November 2008

The Barrow extension appears as an arrangement of timber boxes,each independently rotated and subjected to varying amounts ofextruding and manipulating forces. These separate actions result in avariety of shapes, which united, create an interior of differing volumesand organisations, providing an interesting double storey addition tothis weatherboard house.The extension challenges the traditional nature of timber construction.Normally lightweight and fragile, added wall thickness to differentareas results in a structure with a uctuating sense of mass. Thedynamic and varying nature of these environments is further enhancedby differing window arrangements and framing techniques. Frequentlythe windows are setback within the frame of the wall, sometimes ushand occasionally extruding beyond the timber frame.This unconventional approach to massing and window design subvertsthe conservative planar nature of a “box”. The movement of theshadows created by these extruding or intruding elements are trackedon the external façade and internal environment, creating varyingpatterns and giving the extension an undened geometry.The external timber cladding wraps itself inside and fuses theextension into the original house, where the old living space now isoccupied as a bathroom. Here, there is no evidence of conventional

bathroom materiality, the room still maintaining its appearance as aliving/dining space. The only dening feature is a free standing castiron bath (re-used from the original demolished bathroom) at thecentre of the room, demonstrating the capability of a single element toalter the programme of a space.The strategic placement of a separate living space at the western endof the site, reects the focus of the site internally, frames the largeopen area and increases privacy levels.Both this new addition and the extension to the old part of thehouse, at the western end of the site, openly embrace this centralgarden space. Denition between indoor and outdoor is blurred bythe transparent divisions of bifold doors and large windows; visualinteraction is constant. This central outdoor space becomes part ofthe living circulation space as the diurnal patterns of the occupantssee them traverse the yard to the rear living quarters.The brighter, larger extension nurtures the dynamic, more numerous,day time activities, whilst the low key, more relaxed, activities of theafternoon are enjoyed in the sunroom at the western end of the sitereecting back on the outdoor yard and pool, watching the cinematicshadows play across the irregular face of the Barrow’s extension.The extensive openable window and bifold door arrangementaccompanied by Barrow’s orientation allows for abundant naturallight and ventilation to inltrate the spaces, decreasing reliance onelectrical and heating/cooling systems.The entirety of the design also employs materials reused from the

项目地点：澳大利亚维多利亚墨尔本设计师：安德鲁·梅纳德建筑事务所摄影师：彼得·贝内茨完成

时间：2008年11月

独轮车别墅



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Awarded:

Award winner at the 2009 Australian Timber Design Awards

parts of the previous house as well as recycled or found elements,decreasing the carbon footprint of the design and also addingcharacter to the spaces.

获奖情况:

2009年荣获澳大利亚木材建筑设计奖

独轮车别墅扩建工程似乎是排列一系列木头盒子，每个木头盒子独立存在，同时又受制于各种

挤压力和操纵力。

这些盒子一个个拼凑起来，就形成了各种形状，共同构成了别墅内部与众不同的室内空间，为

这座有护墙板的别墅增加了一个妙趣横生的两层附加空间。

扩建工程挑战了木质结构的传统本质。跟正常的木质结构一样，这座别墅也是重量轻且不牢

固，于是许多地方加上了增加厚度的覆层，使得整个结构显得厚重而又有动感。这些特征又通

过使窗户的布局和框架技术与众不同进一步得到加强。窗户大多是嵌进墙体的框架内，有时候

跟墙面同高，偶尔也有突出木质结构表面的。

这种构成方式和窗户的设计颠覆了“盒子”保守的平坦本质。这些凹陷或突出的窗子产生的移

动的影子在别墅外墙和室内都留下踪迹，产生变化多端的光影图案，使得扩建拥有了难以定义的几何图案。

外部的木质包裹层使得扩建部分很好地融入了原别墅的结构，原来的起居空间现在是浴室。这

里，从材料上看没有传统的浴室的外观，而是仍然保留着起居、用餐空间的特点。唯一能看出

这里是浴室的，就是房间中央的一个铁质浴缸（用的是已经拆除的原浴室中的浴缸），充分显

示了一个单一元素就足以改变一个空间的功能。

在别墅所在地的西端，设计师单独安排了一个起居空间；这一策略显示了这个地方内部的焦

点，将宽敞的开放区域加以框架，并且增强了私密程度。

这个新增的部分，还有对别墅原来部分的扩展，都在西端面向一个中心花园。用透明的折叠门

和巨大的窗户作为分隔，室内和室外的界限变得模糊起来。视觉效果不断改变，千变万化。中

央的户外空间成为了生活空间的一部分，居住者穿过这里去到后方的生活区。

新建部分更明亮、更宽敞、更具动感，使得别墅里白天可以有更加丰富的活动，而午后在日光

浴室里则可以有休闲放松的活动，日光浴室位于别墅西侧的尽头，这里可以看到户外庭院和水

池，可以欣赏别墅新增的不规则的外墙表面上投射的流动的影子。

巨大的窗子可以打开，折叠门的安排遵从了别墅的朝向，这些都使得别墅能有充分的自然采光

和良好的通风，降低了对电力系统、供暖和空调的依赖。

整个设计还将原来别墅某些地方拆卸下来的材料进行了重复利用，此外还用了可回收的材料，

降低了设计的碳排放的同时，也给空间增加了一个特色。



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Marcus Beach House

Location: Queensland, Australia Designer: Bark Design Pty Ltd Photographer: ChristopherFrederick Jones Completion date: 2009

North facing, the beach house celebrates an existing sculpturalMoreton Bay Ash tree on its coastal site. Two contemporary timberpavilions, sited to embrace the tree and create a calm landscapecourtyard, are lightly connected with a high level glazed bridge.Layers of screening are used to lter light and shadow, whilst givingprivacy and ltering sea breezes. The main pavilion accommodatesliving spaces focused around a double height northeast deck space.

The parents retreat spaces above are accessed via the translucentstair tower. The east pavilion provides space for cars and servicesbelow, with children and guest bedrooms above and a shared northeast deck. The house embodies casual coastal living with a light andembracing relationship to the landscape.On approach from the street, the sloping terrain naturally guidesan axial timber boardwalk under a simple timber pergola structurearriving in the courtyard opposite the Moreton Bay Ash. The mainpavilion to the west accommodates living spaces focused around adouble height deck space overlooking the swimming pool and northerngarden. The master bedroom suite is accessed via a polycarbonateclad stair tower that is by day a contemplative space and by night, alantern. The Moreton Bay Ash casts shadows onto the polycarbonatefurther animating the edges of the courtyard and bringing thelandscape inside the house. The recent additions of a study “pop out”,enclosed passage link below the bridge, laundry and powder room

further animate the edges of the courtyard space whilst responding tothe needs of its new occupants.The house is open and light and possesses simple sustainable designprinciples to passively defend the occupants from the elements.Windows and doors are strategically positioned to capture theprevailing breezes whilst roof overhangs are generous protecting thehouse from direct summer sunlight. Air conditioning has not beeninstalled nor is it desired. Articial lighting is kept to a minimum due tothe generous amount and position of glazing, particularly facing north.The roof over the master bedroom pavilion rises to the north providinga band of high level, operable, clerestory glazing capturing daylightand allowing any warm air to escape, setting up an effective “stackeffect” natural cooling process.The connection between the deck and living spaces is dynamic anddirect. As the heart of the house, the covered double height outdoorroom is actively used all year round as dappled sunlight is ltered

through a timber batten screen hung below the roof structure. Indoorand outdoor realms are connected through an interlocking series ofalcoves and nooks like a low edge deck seat and reading nook pop-out located off the stair landing. The courtyard and Moreton Bay Ashare a focal point in which almost all rooms within the dwelling enjoy aconnection.


项目地点：澳大利亚昆士兰州设计师：巴克设计有限公司摄影师：克里斯托弗·弗雷德里克·琼斯完成时间：2009年

这座海滨别墅朝向北面的摩瑞顿海湾，这里沿海的地方有一棵雕像一般的灰树，灰树旁边是两个现代的木质小阁楼，这样就创造出一个宁静的景观庭院，两个小阁楼由一架高处的玻璃一般的小桥连接。别墅采用了分层纱窗，用来过滤光影，同时又能保护别墅内的隐私并过滤海风。主要的阁楼包含居住空间，坐落在东北角，是双层楼的高度。楼上是老人居住的空间，可以通过一段明朗的楼梯上去。东边的阁楼下面有停车的空间，上面是孩子们的房间和客房，共用一个面向东北方



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01.Driveway02.Entry03.Library04.Kitchen05.Living/ Dining06.Laundry07.BBQ08.Deck09.Pool10.Studio11.Toilet12.OutdoorShower13.Bedroom14.Bathroom15.Ensuite16.Walk-inRobe17.Water Tanks18.TandemCarparking19.Bin Store20.DoubleHeight Space

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Noosa Hinterland House & Studio

Location: Noosa Hinterland, Tinbeerwah, Australia Designer: Bark Design Pty Ltd

Photographer: Christopher Frederick Jones Completion date: 2007Bark’s Hinterland House at Tinbeerwah, in Queensland’s SunshineCoast Hinterland contains two main interconnected, steel framedvolumes for living and sleeping, perched high on the site to take inbroad views of the Pacic coastline with the forested hinterland inthe foreground. The main spaces step down and run with the naturaltopography, connecting in section via the double height living andnorthern pool deck space, whilst a separate “silver shed” art studioprojects out across the fall of the slope, creating a south lit, plywoodlined space for painting, high in the trees.Taking some cues in architectural language from the adjacent BarkStudio, the house explores “Case Study” ideas of expressing a legibilityof construction, with simple clean spaces contained by a series ofsteel portal frames and glazing, in contrast with economic modules oflightweight sheet and hardwood chamferboard cladding. The houseexplores lightness, ltering natural breezes, layers of transparencyand integrating indoor outdoor spaces within dynamic patterns of lightand shadow, being a simple exible frame to enable a contemporarylifestyle.The house is located as high as possible on the site in order tomaximise views, sunlight and natural ventilation. This also provideseasy vehicular and pedestrian access, whilst maintaining privacy from

both adjoining neighbours. Outdoor spaces are oriented towards northand ample protection from the south-eastern winds is created usinglouvres and adjustable fenestration, whilst enhancing views to thecoast.The building has been designed to maximise passive temperatureand ventilation through cross ventilation and stack effect principles.It minimises the need for articial/mechanical systems for lighting,ventilation, heating and cooling. The building envelope utilises passive(non-mechanical) systems for temperature, lighting and ventilationcontrol through considered fenestration, screens and roof ventilators.


项目地点：澳大利亚昆士兰州努沙 Tinbeerwah郊区设计师：巴克设计有限公司摄影师：克里斯托弗·弗雷德里克·琼斯完成时间：2007年

巴克工作室在昆士兰州的Tinbeerwah郊区的阳光海岸腹地设计的腹地别墅包含两个内部连接的

钢制框架的建筑，是生活和休息的处所，高耸在这片土地上，能够俯瞰太平洋海岸线的风景，

而这块腹地就坐落在这里树木丛生的最显眼的地方。别墅主要的空间沿着坡地自然的地形向下

倾斜，通过双层高度的居住空间和北部的水池空间连接在一起，而一个单独的“银色小屋”作

为艺术工作室则从向下的斜坡中突出出来，创造出一个胶合板覆盖的空间，在高高的树木中，

从南面照明，提供了绘画的场所。这座别墅从旁边的巴克工作室借鉴了建筑语言，用一系列钢制入口框架和窗户构成了简洁明朗

的空间，探索了建筑可行性的“个案研究”的理念，这与经济实用的轻型薄板和硬木覆层形成

了对比。这里，居住者可以享受充足的阳光、和暖的微风、层次分明的通透感以及室内外空间

通过巧妙的光影效果相互融合的体验。这里是享受当代支持生态平衡的生活方式的一处胜地。

为了能让视野更广，让阳光和自然通风效果都达到最好，这座别墅坐落在这块土地上最高的地

方。这样使驾车或者走路来到这里也都更加方便了，同时又保护了别墅两边邻居的隐私。室外

空间朝向北面，有足够的保护使别墅免受东南风侵袭——百叶窗和可调节的开窗，同时也对望

向海岸线的视野有益。

这座建筑通过穿堂风的设计和“烟囱效应”原理，使得“被动温度”和通风效果都实现了最大

化，使人工、机械照明、通风、供暖、空调系统都得到了最小化。建筑外墙采用了经过精心设

计的开窗法、纱窗和屋顶通风机，运用了被动（非机械的）系统，以实现良好的温度、照明、

通风控制。



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Living Level and Studio Plan

Awarded:

Award name: Noosa “Living Smart” Design Awards “Glossies” “Climate & Context” 2007Awarded Description:An Australia Local Award with different catalogues

获奖情况:

奖项名称：2007年努沙“优质生活”“气候&环境”奖

奖项描述：澳大利亚当地的奖项，有不同的奖项类别。



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The Bay House

Location: Lota, Queensland, Australia Designer: Fairweather Proberts Architects

Photographer: Jon Linkins Completion date: April 2005The residence is designed for an active, young family and occupies asteeply sloping site facing east over Moreton Bay. The house is derivedfrom simple liveable spaces that tier down the site and are separatedto allow maximum views and ventilation. The focus is the large openliving spaces where sliding glass panels slide completely away toallow a seamless connection through the living space to the frontyard overlooking the bay and to the courtyard behind. Large insulatedlouvres at the higher level allow the whole façade to open to the eastand complete the connection to the bay and the outdoors.The house responds to its context by providing a sense of reposewithin the streetscape and its landscaped bay edge. The placementof the house close to the street allows space and a varied edge to thelandscaped rear. At the street the house is nestled into the hill. Theforms are articulated and jumbled down the hill to engage with itscontext at a domestic scale.The arrangement, and ultimately form, of the house is generated bythe movements and activities of the family. Spaces are arranged bythe arrival sequence, sleeping, working and activity zones. At arrivalthe user can access the major zones of the house through a centralstair and circulation space. The mid level houses parents and youngchild sleeping areas along with study spaces. Older children’s sleeping

areas are at the upper level and the living and active zones areconnected to the landscape at the lower level.The house utilises an honest language in its use of materials that areundisguised with their natural qualities expressed and articulated. Thelarge simple spaces responded to the long term yet casual nature ofthe relationship that the client has with their location. This approachserved to provide relatively simple structural solutions which enabledthe clients to achieve a “lot of house” for their large family.

海湾别墅

项目地点：澳大利亚昆士兰州洛塔设计师：Fairweather Proberts建筑事务所摄影师：乔恩·林金斯完

成时间：2005年4月

这座别墅是专为充满活力的年轻家庭设计的，地处莫瑞顿湾岸边的一个朝东的陡坡上。房子处

于一个独立的适于居住的自然空间内，这样利于最大程度上欣赏景色和空气流通。住宅的焦点

是巨大的开放式生活区。生活区里的滑动玻璃板能全部打开，让生活区与房子前面的空场和后

面的院子几乎融为一体。高层的巨大绝热百叶窗使面向东部海湾的门脸能完全与自然相联通。

在这样的环境下，这座住宅给人一种宁静的感觉，好像一幅风景画。把住宅安置在靠街道处，

使其能充分发挥空间的优势。从街上看去，住宅好像一个鸟巢筑在山中，其形态巧妙地融入环

境中。

住宅的布置和模式取决于家庭经常举行的活动。空间划分为休息区、工作区和活动区。居住者

可以通过一条中央楼梯到达这几个主要的生活区域。中层是家长和孩子的生活和工作区。大一

点的孩子住在较高的一层，与低层相通。

在选材上，房屋充分利用了材料的自然属性。这个巨大的朴素空间满足了客户对住所长期和临

时的双重需求。这种方法是一个相对简单的结构上的解决办法，使这个人数较多的大家庭有一

种“大房子”的感觉。



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Awarded:

2007 RAIA Residential Architecture – Houses CommendationThe house has a particular relationship to its environment due toits east – west orientation and bay aspect. In responding to this thehouse opens to invite the often gentle cooling breezes and light inthrough its bay/eastern aspect to lter through the levels and spacesof the house. The major volumes are single room width to maximisethis effect.Alternatively this aspect can completely close down to protect againststrong winds whilst allowing the lee-side to remain open. Large formatlourves have been customised to provide solid insulated barrier to

the aspect and palpable change to the experience of the space whenopen. The street side of the house faces west and is an insulated andsolid barrier that is sculpted and screened to provide protected lightand ventilation.

获奖情况:

2007年澳大利亚皇家建筑学会住宅建筑——房屋荣誉奖

由于房屋的东西走向和海岸的原因，使得房屋和周围的环境有着特殊的关系。为了利用这种特

殊关系，大量引入清凉的微风和光线，使房屋内每层都通风良好。房屋内的大部分房间都是单

间，最大限度达到通风通光的效果。

选择这种方位是因为这样既可以允许下行风进入，又可以保护房屋免受强风的袭击。房子临街

的一面是一个隔热的结实的栅栏，朝西，这个栅栏是经过雕刻和筛选的，目的是保持光线和通

风。



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S IT TI NG B ED 1

D IN IN G K IT CH ENLIVING

BASEMENT

TERRACELAWN COLD

ROOM

BED 4 BATH BED 3 BED 2

KIDSRETREATL‘DRY

STORE

Tugun Residence

Location: Gold Coast, Queensland, Australia Designer: Fairweather Proberts Architects

Photographer: Christopher Frederick Jones Completion date: January 2004The design approach allows the house to capture northeast tosoutheast breezes and brings them through the living spaces to therear of the house. The northern side of the house is dedicated to acirculation spine due to the imminent neighbouring development.Openings at the upper level are sparing and protected for privacy. Atthe lower level these openings are expansive and protected by theexternal fence. The design approach also extends the perceived livingareas at the lower level. The bedrooms are facetted to the southeaston the upper level where a response over the existing conditions allowprivacy and glimpsed views of the ocean.A simple steel structural system provided large open spaces andallowed the use of concrete and glass to create the external fabric ofthe building and for the concrete to become the robust edge of themajor living spaces.Where exposed to the southeast, the concrete is playfully sculpted tocreate an ambiguous form in the street that responds to its casualbeach context. The concrete panels are facetted and varied to achievethe expression. It required a close collaboration of architect, engineerand specialist sub contractor to ensure its shape and balance forlifting along with its resolution at junctions with openings all whilstmaintaining the casual and varied form. The glass front is a low

maintenance and simple form in deference to the concrete edge.

Awarded:

2007 RAIA Residential Architecture – Houses Commendation2007 RAIA Regional Commendation & House of the YearThe Tugun Residence provides a living space on the beach edge thatallows the beach environment to inhabit the house. Its ground oor

plan is elevated providing protection and privacy from the street andneighbouring property. Its simple lower plan allows the edges to befully opened when the weather permits to create an “under the house”feel. Robust materials are used in response to its location and thesematerials are expressed in an honest fashion.

获奖情况

2007年澳大利亚皇家建筑学会住宅建筑——房屋荣誉奖

2007年澳大利亚皇家建筑学会年度地区房屋建筑荣誉奖

图坤别墅为业主提供了在海滩边上居住的环境。建筑地面的提升起到了保护隐私和周边的地产

的作用。简约的低平面设计能够使房屋的边缘完全外露，当天气允许的时候能够产生“在房子

下面”的凉爽感觉。由于地理位置的原因，房屋使用了坚实的材料，这些材料也表现出一种踏

实的风格。

图坤别墅

项目地点：澳大利亚昆士兰州黄金海岸设计师：Fairweather Proberts建筑事务所摄影师：克里斯托弗·弗雷德里克·琼斯完成时间：2004年1月

这种设计能够使房屋有东北到东南的通风，微风通过卧室到达房屋的后面。由于周边的发展，

房屋的北部采用了循环管。上层的通道很少，这样可以提供私人空间。下层通道很宽敞可并由

外部的栏杆保护着。这种方法延伸了下层的居住空间。卧室安置在上层的东南方向，这也是出

于为了能够保护隐私和欣赏到海景的考虑。

简单的钢铁结构系统提供了大的开拓的空间，混凝土的使用和玻璃幕墙让这座别墅具有结实的

结构。为了在户外创造柔和效果，结合沙滩随意的背景，对别墅东南方向墙外的混凝土进行了

巧妙地雕刻。为了达到预期的效果，安置了样式不同的混凝土板。这就需要和建筑师、设计师

和专家、承包商密切协作来确保图形和通道交界处的平衡。同时也确保其随意多样的形式。玻

璃面方便维修，样式简单，这样做的目的是出于对混凝土边缘特点的考虑。



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Vader House

Location: Fitzroy, Melbourne, Australia Designer: Andrew Maynard Architects Photographer:

Peter Bennetts Completion date: 2008

The extension is a framed steel skeleton which envelopes theunusually high masonry boundary wall built prior to height restrictions,reclaiming it into the interior. The roof then responds to site setbackswhich result in a distorted and subverted answer to regulations. Thisproduces high folded internal planes, allowing double height ceilings,a mezzanine level and spacious interior.The rened material and colorful palette of the extension, wrappedin a heavy roof form distinguishes itself from the dark masonry cladterrace from which it emerges. These two opposing forms are unitedby a transparent glass corridor along the Northern boundary wall,framing an outdoor courtyard.Strategic planning located the courtyard at the heart of the site,allowing both the terrace and extension to have direct contactwith this outside space. It creates a central demilitarised zone thatallows activities from the surrounding living spaces to spill into. Thiscourtyard ensures that the entirety of the site is utilised.Denition between these internal and external environments is barelydistinguishable.Transparent bifold doors allow for constant physical and visualinteraction, between these environs. The extension is at once insideand out. The courtyard’s location also provides abundant natural

light and ventilation into both the terrace and extension, importantlydecreasing reliance on mechanical heating and cooling systems.The anatomy of Vader House also extends far below the site. Thetimber deck in the courtyard doubles as a retractable deck, whenpulled aside reveals a hidden spa, right at the very heart of Vader.Similarly the timber oor boards in the extension form a trapdoorthat when opened exposes a cellar, extending far beneath Vader.When these doors are opened, they alter the nature of their spacessignicantly, providing the extension with a dynamic and chameleon-like interior.The lack of formal zoning of the extension reects a desire to makethis space a versatile, and thus economical solution, where multipleprograms are able to symbiotically co-exist. This exible design,accompanied by its carefully composed material and colour palette,results in an extension that will adapt to function, clients desire andmost importantly the demands of time.

项目地点：澳大利亚墨尔本费茨罗伊设计师：安德鲁·梅纳德建筑事务所摄影师：彼得·班尼特完成时间：2008年

韦德别墅

房屋的扩建部分是一个覆盖于砖石外墙上并向内延伸的钢结构骨架，这些外墙由于修建于高度

限制之前，因此显得异常高大。屋顶的结构也以一种打破常规的方式适应建筑的格局。这一构

造使得内部空间变得更加宽敞，成为了高度介于一层和二层之间的仓库式房屋。

精致材料与华丽色彩的完美搭配，使得新建部分的巨大屋顶在昏暗的砖石围墙的映衬下，显得

别具一格。这两部分分开的建筑用一个沿着北侧围墙修建的玻璃走廊相连接，并一起形成了一

个室外的庭院。把庭院置于建筑中心的设计方案使得露台和扩建部分与外部空间有一个直接的

接触。这样便在周围的居住区中心创建一个可以举行活动的区域。这个庭院的设计确保了这座

建筑的空间都能有效利用。

内部与外部空间之间的界限并不是十分明显。透明的折叠门促进了自然与光线的交换。这样一

来，新建部分既是室内又是室外。庭院的位置为露台和扩建部分提供了充分的光照和通风条

件。尤为重要的是，这一设计降低了对供暖和冷气系统的依赖程度。



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Awarded:

2009 Vision AwardEmerging from behind its high boundary wall, the distorted roof form ofVader House interrupts the symmetrical roof line typical of Fitzroy, and

breathes new life into this Victorian Terrace. The open and seeminglysimple nature of Vader House reveals itself to be one of complexityand ambiguity. Many elements of the design prove to serve multiplefunctions. The bold stair case becomes part of the kitchen joinery,the louvres act as light control as much as privacy screening, and theboundary external wall doubles as the internal kitchen wall.

获奖情况:

2009年视觉建筑设计奖

在四周高大围墙的掩映之下，韦德别墅扭曲的屋顶在菲茨罗伊地区对称的建筑结构中显得独树

一帜，也为这个维多利亚式的露台带来了勃勃生机。韦德别墅的开放和看似简单的设计其实是

一个复杂而又模糊的设计范例。这一建筑中的许多部分具有多种功能，例如，设计大胆的楼梯

同时也是厨房的一部分；百叶窗在保护个人隐私的同时也起到了调节光照的作用。

韦德别墅的设计理念并不是只体现在上面的几项。庭院的地板采用回收木材做成，其中两块活

动木板可以随意开合，开启之后即可在别墅的中心发现一个隐藏起来的池塘。与此相类似，在

新建部分的地板上也有一个活板门，打开它便会发现一个通向地下酒窖的入口。这些门打开的

时候，这一部分的格局便会像变色龙一样显著地改变。

新建部分的区域划分十分随意，设计师想通过这种方法使这个空间兼具多种功能，并且和谐共

存。灵活的设计加上材料与颜色的精心搭配，使得新建部分在功能、客户要求以及修建时间这

些方面达到了完美的统一。



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Helal “New Moon” Residence

Location:Dubai United Arab Emirates Designer: Ehrlich Architects (Design Architect),Godwin Austen Johnson (Executive Architect) Photographer: Erhard Pfeiffer, Irfan NaqiCompletion date: 2007

The three-part plan separates the reception area (majlis) for maleguests at the west from the women’s area behind the central grandhall and the family’s sleeping quarters to the east. In a dancebetween ancient and modern, massive stone walls are counterpointto large expanses of glass and taut elements of steel. Shadows ofcontemporised Islamic patterns from the mashrabiyya are cast ontostone oors and shimmer in the reecting pools.The main entrance is approached through date palm grove aisles. Areecting pool, which ows indoors and provides cooling, surroundsthe front façade. A mashrabiyya, the traditional lattice sunscreen,lters direct sun. Gardens, fountains, shady courtyards, and terracessurround and penetrate the buildings, making it a desert paradise.The whole structure suggests a giant Bedouin tent, with the football-eld-sized roof, cantilevered 30 feet on each side, casting a giantswathe of shade.

Awarded:

2008 Cityscape Architectural Awards; Seal of DistinctionIslamic culture is embodied and reinterpreted through moderntechnology and design in this 35,000-square-foot residence, located inthe Persian Gulf. Searing temperatures and ample desalinated waterallowed the desert site to be transformed into an oasis with pools andlandscaping.Sheathed in shimmering aluminum, a massive curved roof sheltersand unites the compound’s series of two-story buildings. In section,

the canopy forms a crescent moon, the symbol of new life that topsthe minarets of Islam. The canopy is supported by stone-clad columnsthat function as mechanical exhaust vents; they pierce the roof andproject up to the sky, reminiscent of traditional wind-catchers in theage before air conditioning.


项目地点：阿拉伯联合酋长国迪拜设计师：埃尔利希建筑事务所（方案设计），高德文·奥斯丁·约翰

逊（执行设计）摄影师：艾哈德·菲佛，伊尔凡·纳奇完成时间：2007年

在这个项目中，“三部分计划”使接待区域分离开来：西区是男宾接待区，中央大堂后方是女

宾接待区，东面是家庭接待区。大量的石壁与钢化玻璃形成反差，摇曳在古代与现代之间。镂

空的木制屏风所投掷出的伊斯兰图案的阴影投射到石砖上，同时也使睡莲池波光粼粼。

沿着棕榈树林小路到达正门，就会看到这个睡莲池环绕在建筑正面，水流从屋内流出，可以清

新空气。一个镂空的木制屏风（传统的网格防晒幕）可以过滤直射的日光。花园、喷泉、林荫

院和露台环绕并且渗透到整座建筑中，使公馆成为一个沙漠天堂。

整个结构如同贝都因人使用的巨大的帐篷，足球场般大小的屋顶，两边各伸出30英尺，向下方

投掷了一大片阴影。

获奖情况:

2008年城市建筑荣誉奖

运用现代建筑技术和设计理念，这座占地35000平方英尺的公馆完美展现并诠释了伊斯兰文

化。高温和充足的淡化海水使这片沙漠地带成为拥有池塘和美景的宜人之地。

曲线房顶裹以金光闪闪的铝膜，将所有的两层小楼遮盖并且连接起来。从剖面图上，房顶看似

一轮“新月”，象征着全新的生活。石柱支撑的房顶有机械排烟功能。石柱穿透房顶，直立于

上空，使人回想起空调发明之前所使用的传统捕风器。



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Hover House

Location: Hiroshima, Japan Designer: Tetsuya NAKAZONO Photographer: Naf Architect &Design Completion date: March 2007

Rice elds surround the site, with natural sceneries around suchas a national park, a pond of water shield – a kind of waterweedsthreatened with extinction – and bamboo trees. Stretching out eastand west, the site bends like a Japanese character “<” with its cornerfacing north. Roads are on both northwest and south sides; the formeris higher than the latter by 1 to 1.5 metres. Not to mention the naturalenvironment, to take advantage of the height differences is the key toenhance the potential of this building.Depending on where to put equipments, the energy efciency canbe quite inefcient because of the comparatively long shape of thebuilding. This time, the burden to the equipment can be decreasedas possible by installing in proper places. In addition, it is easy tomaintain and repair those equipments in open-spaced under oor.Indoor, it consists only of structure and furniture, and bulkheadingsare simple, wooden custom-ordered ush panel so that they canbe easily removed. All rooms are placed to surround the elevateddeck terrace facing south. A pool was installed in the deck terrace toeffectively utilise the under-oor-space.This building is a two-storey and 50-metre-long bungalow. It is featuredin the methods of masonry construction of the foundation, steel beamsand the RC materials. Speaking of the foundation, the designers built

steel construction on steel pipe-piles not only for the request from theclient that demanded the building to be higher than the road by onemetre, but also for the ground which used to be a eld. The ground istoo weak to support direct foundations unless it reaches more thanone metre. The steel pipe-piles can be pulled out with inverse rotationso that the site will be remained as a eld again. This type of pilefoundation requires tailored designing because the maintenance forthose varies respectively depending on the environment.

翱翔之家

项目地点：日本广岛设计师：中原哲也摄影师：纳夫建筑设计事务所完成时间：2007年3月

该项目周围环绕着水稻田，看起来好像一个国家公园，还有一池塘的莼菜（一种濒临灭绝的水

草）及竹子。向东和西延伸弯成一个日文字“く” ，字中的角向北。这座建筑西北边和南边都

有路，前面的建筑比后面的高1-1.5米。自然环境就更不用说了，利用高度差异是提升建筑潜能

的重点。

因为房屋的结构较长，所以能源效率就比较低。在这个设计中，设备的负重可以通过合理安置

设备而尽可能减轻。另外，在楼层下方的开放空间中维护和修理也比较容易。在室内只包括室

内结构和家具，防水墙的设计很简单，是摆放整齐的木质平镶板，这样的目的是为了方便移

动。所有的房间都会朝南铺设高架平台，在平台下方安置游泳池，更有效地利用了平台下方的

面积。

这座建筑有一个两层小屋和一个50米长的平层，主要以石工、钢筋、混凝土为地基。建筑师设

计了建在钢管村庄上的钢结构地基, 这种结构的地基并不仅仅基于客户对于房屋高于地面1米的

要求,同时也是考虑到这块地原来是田地。这种地质太过贫瘠，不能支撑竖直的地基，除非地基

能高于地面1米。钢管桩可以以相反的方向拔出，这样就保持了田地的原貌。这种管式地基要

求精确的设计，因为要依靠环境来保持各自的不同。



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Awarded:

2007 Selected Architectural Designs, JIAThe Japan Institute of Architects (JIA) is the most established Japaneseprofessional organisation of free and autonomous architects as wellas the Japanese section of the Union Internationale des Architectes(UIA). The institution was founded in 1987 and includes about 4,800members today.Honours of the JIA include: JIA Award, JIA Grand Prix, JIA YoungArchitect Award, JIA Sustainable Architecture Award, JIA 25 YearsAward (every two years), and JIA Architect of the Year.

获奖情况:2007年日本建筑师协会（JIA）设计入围奖

日本建筑师协会是日本最权威的自由建筑师组织，也是国际建筑师协会的日本分支。该协会成

立于1987年，如今已经吸收了约4800名建筑师。

JIA颁发的奖项包括：JIA奖、JIA大奖、JIA青年建筑师奖、JIA可持续发展建筑奖、JIA25年奖

（每两年颁发一次）和JIA年度建筑奖。



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Shell House

Location: Nagano, Japan Designer: ARTechnic Architects – Kotaro Ide Photographer:

ARTechnic Architects Completion date: 2008A large shell shaped structure nds itself in the middle of the woods.It is hard to determine what exactly the structure is, and unlike thesurrounding caves and rocks, it clearly is not a part of nature – nor is ita ruin. A frame, made at a completely different place for a completelydifferent purpose. Within this shell shaped structure will one ndoors constructed, wall separating spaces, and rooms furnished. Thescenery conjures a lm-like image, in which locals inhabit over anabandoned spacecraft. With time, trees start to grow encircling thespacecraft, harmonising it into the landscape.It goes without saying that villas should not only be functional spacesfor the weekend. Their greatest goal is to provide owners with goodrest, leisure, and picturesque views that never become dull – all inthe vicinity of nature. In the style of many modern sculptures, thedesigners aimed to enhance the surrounding nature by incorporating itwithin the spatial structure.The plan was to build the villa around the big r tree as the centreof the site, with a row of pine trees as the main view. Initially,the designers had planned to build a shell structure with threedimensionally curved surfaces, and the C shaped section was tosurround the r tree and the plan of the building resembled the letterJ In addition, certain parts were planned to hold double volume space.

Yet, going over the budget, construction method and nish, the planwas revised down to a shell structure of two dimensionally curvedsurfaces. The top of the oval shaped building wall thickens by 330mmand its width continuously increases up to 730mm at both sides tomeet the structural requirements. The free-curved lines appear onthe edge, and the three dimensionally curved surface with a twistpartly appears on the cut surfaces. However the entire structure wascomposed by two dimensionally curved surfaces. The oor is built1400mm above the ground, with the lower half of the shell structureprotruding greatly towards the outside, supporting the terrace of thesame height. All air and exhaust outlets are installed beneath thesash, letting air run outside through the terrace louver. In addition,by devising unxed windows, the designers tried to maximise naturalventilation (the designers haven’t arranged air conditioning in generalparts). While at a glance, the oval shaped cylinder space might appearas wasteful use of space, the functional use of space is maximised bythe installation of furniture in the lower half of the oval cylinder.

薄壳别墅

项目地点：日本长野设计师：艺术手法建筑事务所：井手孝太郎摄影师：艺术手法建筑事务所完成时间：2008年

在一片森林中可以看见这个巨大的薄壳结构建筑。很难定义薄壳别墅是一种什么样的结构：不

同于周围的山洞和岩石，很明显也不是自然环境的一部分，但也并不是一个废弃物。其框架和

外形会因为所在的地点和使用的目的不同而改变。在这个壳状结构里你会发现楼板结构、划分

空间的墙壁还有室内家具。在这种科幻电影般的场景中，当地居民好像住进了一个废弃的航天

器。随着时间的推移，树木开始围绕飞船生长，并且将其融入四周的景观中。

别墅不应该仅为周末休假提供功能的使用；别墅最完美的目标是为我们提供好的休息、放松以

及附近不会变得单调的优美风景，所有这些都来自于自然。就像许多现代风格的雕塑，设计师

的目标是通过空间结构强调周围的自然环境。

设计计划是在一大片杉树周围修建一个别墅作为中心，与一排松树共同形成主要景观。设计师



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Awarded:

2008 Minoru Takeyama Award by the Department of Architecture,

Musashino Art UniversityThis is an architecture award named after a Japanese professor onarchitecture – Minoru Takeyama. The Shell House was awarded forits outstanding design concept: Being in sync with nature isn’t aboutyielding to nature – it’s about coexistence. The existence of thestructure depends on its power to endure nature. By isolating livingspace from the wilderness, and upgrading its quality as a shelter, thehouse will be protected from nature and will provide a comfortableenvironment. With this, the house will be taken care of and usedfrequently and continuously. Specically in cases of villas, frequentuse is what leads it to blend in with its surroundings.

一开始是计划建一个表面有两个曲面的三维薄壳结构，C形区域围绕冷杉建设，整个建筑的外

形类似于英文字母“J”。此外，某些部分还设计成双层空间。然而，在预算、施工工艺和进度

情况的共同作用下，建设计划完成后是一个拥有两个曲面的三维薄壳结构体。为了满足建筑结

构的需要，椭圆形建筑的顶部用330毫米墙体加厚，两侧的宽度也增加到730毫米。通过三维切

割的曲面上有一条曲线出现。然而，整个结构却是由二维曲面组成。建筑建在离地1400毫米的

地面上，通过让薄壳结构的下半部分向外突出很多，来把台阶托举到相同高度。所有进气口都

安装在窗框下面，通过坡状屋顶进行排气。此外，通过设计活动窗口，最大限度地提高了自然

通风（设计师没有在主体部分安装空调）。乍一看，椭圆形结构会浪费使用空间，然而圆柱体

的下半部使用空间却通过安装家具实现了最大化使用。

获奖情况:

2008年武藏野艺术大学建筑系颁发的竹山实奖

这个奖项是以日本建筑学教授竹山实命名的建筑大奖。薄壳别墅以其杰出的设计理念中得大

奖：和自然同步并不意味着屈服于自然，而是和自然共存。建筑的结构取决于与自然的融合程

度。从荒漠中孤立出生活空间，把它浓缩成一个庇护所，房子就会避免自然的侵袭，同时还可以提供舒适的环境。因此，房子会得到养护并且可以频繁、持久地使用。特别在别墅类建筑

中，频繁使用是使其融入周围环境的重要因素。



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Location: Tokyo, Japan Designer: Naoi Architecture & Design Office – Katsutoshi Naoi,Noriko Naoi Photographer: Hiroshi Ueda Completion date: 2007

This is environmental symbiosis type house for echo-life. The designersthink nature is equivalent to architecture, and they achieved todecentrally-arrange volume of the house without cutting trees.They formed the three volumes of the house to chair shapes, andtried to make them t into the surrounding forest. The form assumesa role of stretcher, which bears the amount of the second oor wallsstructurally. They created the original language (design) for theinevitability of the function and the form.As other parts of the house are half outdoor spaces, people can feelatmosphere of the forest. It is like camping every day, and whenpeople spend time in living and dining area, they might feel as if theywere under a tarp, and if they step in, they will nd private rooms,which give people enfolding impression like tent.If this architecture becomes as if it had existed here from long timeago like trees in the forest, the distance between resident and naturewill be closer.

Awarded:

2008 The 29th INAX Design Contest, 2nd PrizeThe INAX Design Contest was initiated in 1977, specialised in thedesign of residence buildings and improvement in construction. At thebeginning, the contest was started for the purpose of an increasingcompetence in construction technology, to improve every project fora better inhabitation and usability. Through competition, INAX wantsto provoke comfort life and more room for thinking, through theimprovement of products, for a high-quality life.

伴林居

项目地点：日本东京设计师：直井建筑设计工作室：直井胜，直井法子摄影师：上田宏完成时间：2007年

“伴林居”融入了周围环境，并营造了自然生活空间。设计师坚信：自然和建筑同样重要，并

最终成功地在不伐一木的前提下建成了这座别墅。

外形的设计力图与环境达到更好的协调；设计师同时考虑了建筑结构，用创造性的设计语言诠

释了形式与功能的最佳结合。

别墅的其他部分是半开放式空间，在外可以感受林间的新鲜空气，无论起居还是用餐都会有露

营一般的体验；而步入别墅，则可以找寻得到庇护的私密空间。在这森林中，随着别墅与周围

的树木一同生长，生活与自然的距离也越来越小。

获奖情况:

2008年伊奈设计竞赛二等奖

伊奈设计竞赛始于1977年，专注于住宅楼的设计和改进施工工艺。最初，比赛主要为了竞争伊

奈施工技术产品，并改善每个项目和最合适的人居舒适性、易用性，并增加竞争的选拔大赛。

伊奈通过竞争，来体现舒适的生活和思考的空间，致力于提供产品和空间来实现优质的生活。



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oom o f view

Zen House

Location: Hiroshima, Japan Designer: Ryuichi Furumoto Photographer: Seiichiro Ohtake

Completion date: 2004This is the residence of an industrial designer couple in their 20s. Thelot is situated in a typical suburban housing development in Japan,among an array of terraced modest sites. The majority of the housesin the development are of prefabricated, two-story construction,seemingly disconnected from their surroundings. The designer chose adifferentcreation path from those houses because the designer ratheradmired the character of the lot with its optimum solar exposure,distant scenic view, and access from the road via pre-existing exteriorstairs. By linking those assets closely to the architecture, the designerattempted to generate an ideal living environment for the designeroccupants that would maintain their tranquility, yet stir their creativity.The designer calls this home Zen House.The building’ s structure is a mere 11 square meters wide, its one-story height reinforced concrete. The interior nishes, as well asthe exterior ones, remain exposed concrete without cladding. As aresult of constraining the architectural composition to a minimum,the house has been streamlined to implement an extremely effectivedesign. It draws attention to the beauty of natural elements, highlightsscenic charm, and smoothly integrates human creation with thelarger environment. In particular, the water court planned for outdoormeditation acts as a signicant trigger to enhance the lure of the

house. The water court surfaces, that is, the walls, oors, eaves,and even the water itself, reveal delicate impressions of shadow,transforming winds into visible moiré patterns, and reecting variedindoor and outdoor scenes. The void above the court allows thewhole ceiling of the Zen House to expand, giving the impression thatthe ceiling expands to the sky. Moreover, the architectural plan thatpositioned the court within the heart of the house frees endless layersof space and location sequences. Such design also creates an efcientand exible area for living.

禅房

项目地点：日本广岛设计师：古本河村隆一摄影师：大竹一郎完成时间：2004年

这是为一对20多岁的工业设计师夫妇设计的别墅。这座别墅位于日本一个典型的郊区住宅开发

区，在一排短短适中的房屋中间。在这个开发区中，大多数房子是预制构件的二层结构，似乎

和周围环境没有任何关系。这座别墅具有最佳的日照，能看到远处的自然景观，可以借助于原

有的外部台阶从路上直接进入房间，由于设计师相当欣赏这些特征，因此他从这些房子中选择

了一个完全不同的设计途径。通过把这些优点紧密地连接到建筑上，设计师试图给这对设计师

夫妇创造一个理想的居住环境：不但会保持原有的宁静，而且会激起他们的创造灵感。因此设

计师称这座别墅为禅房。别墅是一个11米宽的一层钢筋混凝土结构。房子内部和外部都保持裸露着的混凝土结构。限制

建筑布局的结果是使这所房子通过改装来保持有效的设计。它引起人们对美丽的天然元素的注

意，强调了自然景色的魅力，在大环境中顺利地融合了人类创造。特别要指出的是，设计的户

外沉思水泉庭院就像一个意义深刻的触发器，加强了房子的吸引力。这个水泉庭院表面，也就

是墙、地面、屋檐甚至是水源本身，显示了虚幻的精美，微风转换为波动的水纹，屋内外的场

景也都映射出来。庭院上方的空间让禅房的整个天棚加以延伸，从而形成一种貌似与天空相接

的景象。此外，整个建筑计划把重心放在了位于房屋中心的庭院中，使空间免受层次和位置的

限制。因此，这样的设计也为生活创造了一个灵活高效的空间。



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Awarded:

2007 Architect Institute of Japan Selected Architectural DesignsWhen entering this house, against the backdrop of a striking viewand through a front door reminiscent of a nijiri, one’ s expectationsincrease that such a dramatic architectural experiment diminishesthe stress of busy life. Upon stepping into this house, one can indeeddiscover the ideal place to rest easy. You begin to feel more you. Thephysical building may be as static as concrete and its other materials,but Zen House also feels active, without limits, on or off the premises,a place that is spiritually free.

获奖情况:2007年日本建筑学会精选建筑设计

进入这所房子时，首先映入眼帘的是引人入胜的风景背景墙，穿过前门，你会情不自禁地感觉

到，在这样一个引人注目的建筑物中生活,一定会减轻繁忙生活的压力。一踏入这所房子，人们

确实能发现这是一个休息的理想地方，你能感觉到自己存在。物理性的建筑也许和混凝土建筑

及其他材料建筑一样是静止的，但是禅房更能感觉到它的动态，没有限制,不管在不在这所屋子

里,它都是一种精神释放的地方。



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Beuth Residence

Location: West Hollywood, CA, US Designer: Zoltan E. Pali (FAIA) Photographer: John E.Linden, Julius Shulman Completion date: 2006

Zoltan Pali put his designing creativity into it, making it a luxuriousmodern house. Zoltan inserted a lower oor in the 20-foot tallcrawlspace that had existed underneath the original home alongthe steep hillside, successfully enlarged the house according toits surroundings. In this way, the house appears to be a three-oorarchitecture, which is actually four-oured.The master’s bedroom is located on the top oor. The architect cladthe upper residential level of the home in warm, teak plywood panels.A magnicent vista through four-foot high windows is visible from themaster bed. Steps from the bedside, a sitting lounge eases the journeyto wakefulness with Barcelona chairs. Behind the master bed, atransparent shower “partitions” the bedroom from its luxurious masterbath.Apart from that, the house includes three other bedrooms and aMiesian steel-and-glass reading room, perforating the smooth teakstyle on the top oor. The third oor is the most clean, transparentlevel of the house, where site the living room, dining room, andkitchen, surrounded by glass. The long, glass plinth cuts horizontallythrough the building’s mass at the centre, offering the most open viewMain furniture is located centrally and low to the walnut oor so as notto block views to the outside.

Awarded:

2007 AIA/LA Merit Award2007 ATD Magazine (S. Korea)2007 Custom Home Magazine Grand Award

2006 LA Business Council Residential Design Award“One of the most successful aspects of the home is the fact that theclient was intensely involved and made good decisions that enhancedthe design cache and made modern living both practical and sensual,”summarised architect Zoltan Pali.

柏斯住宅

项目地点：美国加州西好莱坞设计师：佐尔坦・E・巴利（美国建筑师联合会会员）摄影师：约

翰·E·林登，朱利叶斯·舒曼完成时间：2006年

柏斯住宅表面上看来是一座三层建筑，实际上却是四层。建筑师佐尔坦・巴利充分发挥设计天

才，在占地面积不变的情况下，通过在沿坡地20英尺高的原住宅后身的空地上插入一层，使建

筑面积增加20%，成为一座现代化的华丽住宅。

主卧室位于顶层。墙面用暖色的柚木胶合板覆盖。透过4英尺高的窗户，在主卧的床上就能享受

窗外的壮丽远景。床边是坐卧休息区，摆放着适宜休憩的巴塞罗那式座椅。主卧床后面，一道

透明隔断从主卧室分隔出豪华的淋浴间。

另外，顶层还有其他三间卧室，一间密斯建筑式样的阅读室，钢与玻璃的构筑打破了这层温暖

的柚木墙板风格。三楼是整个住宅最干净、透明的一层，仿佛一个玻璃长方体水平穿过住宅中

心，使住宅的公共空间——起居室、餐室、厨房——拥有开阔的视野。铺有胡桃木地板的起居

室中间摆放着低矮的主家具，不会妨碍观赏室外风景。

获奖情况:

2007年美国建筑师联合会大奖

2007年韩国《ATD》杂志大奖

2007年《居家习惯》杂志大奖

2006年LA商业委员会住宅设计奖

设计师佐尔坦・巴利总结说：“这所住宅设计的成功之处在于委托人为设计提出了许多宝贵意

见，使整个住宅的设计颇具现代感，既实用又感性。”



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Brosmith Residence

Location: Beverly Hills, CA, US Designer: Zoltan E. Pali (FAIA) Photographer: John E.Linden Completion date: 2006

The 4,400 square foot Brosmith Residence locates on a ridge line ofMulholland Scenic Parkway, overlooking the San Fernando Valley ofsouthern California.Architect Zoltan Pali designed the residence to fulll the missionof “indoor/outdoor living available from every area in the home”.Courtyards with disappearing wall segments take advantage of thenear-perfect California climate, alternatively welcoming sunshine andcool breezes according to which windows and doors are operating.The house is organised along a central spine, broken into segmentedliving pods for different uses. Each pod is outtted with its ownversion of an indoor-outdoor courtyard space, and each is connectedindependently to the central spine of the house. The architecturecaptures exterior space as living space within each of these courtyards.The pods include the master suite, the children’s’ quarters, ofces,caretakers quarters, and public living space.The public living space rambles at a slight grade down the hillside,from family room to kitchen, then dining room to formal living room.Furniture is kept low to the ground so as to keep views unobstructed,and the taller kitchen cabinetry suggests division between the home’spublic space and its central spine. Entering the public living areas, oneis met with breathtaking vistas of the San Fernando Valley climaxing

on the main patio, where a glass-like swimming pool disappearsentrancingly over the crisp clean horizon of the site’s northern edge.

Awarded:2006 Residential Architect Magazine Grand Prize AwardThe energy-conserving structure uses passive siting and naturalshading to reduce its dependence on mechanical environmentalconditioning systems. Courtyards are sited to take advantage ofprevailing breezes. Innovative uses of standard materials createmuch of the custom feel of this residence, where concept and designelevates the feel of every room. A sliding louvered screen in the Masteruses an off-the-shelf, affordable aluminum frame (echoed elsewherein the house) tted with aluminum louvers, creating a unique seamlessintegration with the clean lines of the house.


项目地点：美国加州贝弗利山设计师：佐尔坦・E・巴利（美国建筑师协会会员）摄影师：约翰·E·林登完成时间：2006年

布罗史密斯住宅占地4400平方英尺，坐落在山脊上优美的穆赫兰公园景观大道上，俯瞰南加利

福尼亚的圣费尔南多峡谷。

设计师佐尔坦・巴利设计这所住宅的目的是想要体现一种在家中就能体验室内外融为一体的感

觉。庭院中围墙的设置充分利用了加利福尼亚近乎完美的气候：既能迎接充足的阳光，又能享

受凉爽的微风，门窗可以根据风和光的改变来调节。

住宅沿中心线布局，根据不同用途分为多个生活区域。每个区域根据其自身特点配置了一个庭

院，分别与住宅的中心线独立相连。这些庭院把外部空间也变为了住宅的居住空间。各个生活

区域包括主人居室、儿童区、办公区、看门人区、公共生活空间。住宅的公共生活空间沿着呈

微小角度的山坡而建，自上而下包括家庭活动室、厨房、餐室、正式客室。整个公共空间从地

面到天花板都是玻璃。家具低矮，不会阻碍观赏室外景致；而厨房里较高的橱柜则区分出住宅

的公共空间和中心线，使两者泾渭分明。



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获奖情况:

2006年《住宅建筑师》杂志大奖

住宅虽然是被动选址，但其节能的建筑结构采用了自然荫蔽来减少对空调的依赖；庭院的设计

也便于通风。普通材料的创新使用，使住宅有了不一样的感觉，可以说，设计理念提升了每个

房间的感觉。主卧室内的滑式百叶窗采用价格低廉的常见铝框材料（这种材料在住宅的其他地

方也普遍采用，使其风格保持一致）。铝制天窗的采用，准确地凸显出整个住宅清晰的线条。



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Hamptons Beach House

Location: New York, US Designer: Alexander Gorlin Architects Photographer: ESTO –Michael Moran Completion date: 2008

At the entrance, the second oor cantilevers outward from theprincipal mass of the building in a bold formal gesture, creating asheltered patio adjacent the main entry. From here, an open staircaserises through a two-story glass atrium to the main level.Inside, the house is organized around a large, open living area. Acentral replace subtly partitions the space, creating an informaldining room to one side and a sitting area to the other. A light monitorin the ceiling above adds volume to the space and washes the roomin a diffuse light. The living room opens onto a terraced patio and poolbeyond. Above, a great wing-like canopy extends from the building,shading the house.At the roof, a terrace offers spectacular views of the ocean and thesound. Bold sculptural elements, clad in a pale metal, punctuate theexpanse. Their surfaces – gray and at in the morning light – take on awarmer hue as the sun rises in the sky. At sunset, they are set ablazewith color.

Awarded:

2008 AIA New York Chapter Design Excellence in Housing AwardThis striking, modern summerhouse is set on a narrow spit of landbetween the ocean and the bay. While simple in form, the house is richin texture, color and detail, with African teak offsetting pale limestone.


项目地点：美国纽约设计师：亚历山大·戈林建筑事务所摄影师：ESTO摄影公司迈克尔·莫兰完成时间：2008年

别墅入口处，第二根悬臂以醒目、正式的姿态从主建筑中向外伸出。这样，就在入口旁边搭出

了一个平台。一条开放式的楼梯从平台延伸出来，通过一个双层玻璃门廊，一直通向主层。

别墅内部是一个宽敞的开放式生活区。中央一个壁炉巧妙地把室内空间分隔成了两部分：一边

是非正式的饭厅，另一边是休息厅。屋顶上的光线显示器扩大了室内空间；而且，发散的光线

使整个房间都沐浴在光亮之中。起居室对着天台和天台旁边的水池。从楼房延伸至此的翼状蓬

盖遮盖住了整个房子。

站在屋顶的天台上，可以欣赏到大海那引人入胜的景色和海浪的声音。用浅色金属包衣的雕纹

元素分布在天台上。这些雕纹元素呈现出一种暖色调，就像海上初升的太阳。在晨光的照射

下，显得那么的灰暗与平坦；而到了薄暮时分，又呈现出一种欲燃烧般浓烈的色彩。

获奖情况:

2008年美国建筑师联合会纽约分支杰出住宅设计奖

这座引人注目的现代凉亭位于大海与海湾之间的一块狭窄的陆地上。虽然房子的样式非常简

单，可是它却很有质感，而且颜色丰富，注重细节。设计师用非洲柚木取代了苍白的石灰砂。



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Kelly Residence

Location: Los Angeles, CA, US Designer: Abramson Teiger Architects Photographer:

Richard Barnes Photography, David Lena Photography Completion date: 2006Sustainable design is at the heart of this house without being overtlyexpressed in the external aesthetic. The house is designed withphotovoltaic cells hidden on the roof, grey water reclamation, articiallawn, and rain-screen façades to help thermal stability, ash hot waterheating, bamboo oors and ponds of water to promote evaporativecooling in front of large expanses of glass.

Kelly Residence is an exploration of balance: between solid and. void,formal order and. intimate grace, private and. public, and stoic and.playful, all relative to achieving a higher sense of spatial freedomwithin an architectural home.

The residence is articulated as “boxes”, each nished in white plaster,and raised on steel pilotis. Instead of being complete four-sidedobjects, each “box” has one side which is replaced by high-densitywood panels coated with phenolic resin. The panels, manufacturedfrom sustainable products, are installed as a rain-screen and arepunctured with stainless steel inserts, further articulating the idea thatthe cladding is non-load bearing.

The architects divided the spaces into public below and private above.

The house has a parents’ side and a children’s side, allowing eachtheir privacy, with an umbilical cord given form as a bridge betweenthe two parts. Bedrooms are up in the air, while on the ground oorlarge expansive openings allow the garden to “run” under the house.The interior spaces are oriented to draw the garden in.

凯莉别墅

项目地点：美国加州洛杉矶设计师：阿布拉姆森·蒂格建筑事务所摄影师：理查德·巴恩斯摄影公司，大卫·丽娜摄影公司（后视图）完成时间：2006年

这座别墅的设计中心理念是可持续发展，而这一点在外部美感上并没有过分体现。别墅的设计

上，屋顶中藏有光伏电池，另外还有洗漱污水循环系统、人造草坪、能够保温的防雨外墙、闪

光热水供暖、竹子地板和水池，以便实现在大量使用玻璃的情况下的蒸汽降温。

凯莉别墅的设计是对平衡的一种探索：坚固与空灵之间的平衡、严肃井然与亲切大方之间的平

衡、私密与公开之间的平衡和艰苦与享乐之间的平衡，这些都以在居家建筑中达到更好的空间

自由感为目标。

这座住宅以“盒子”来表现，每个“盒子”以白色塑料建成，建在底层挑空的钢柱结构上。这

些“盒子”不是完整的四面体，而是每个“盒子”都有一面用高密度的木板代替，木板表面覆

以石碳酸合成树脂。木板是用可持续发展产品制作而成，能起到防雨的作用，且有不锈钢穿

孔，进一步表达了非承重覆层的理念。

设计师把空间分为下层的公共空间和上层的私人空间。别墅有为老人和孩子准备的区域，让他

们都能享有自己的私人空间，并且把这两部分联系起来。卧室在上层，而一楼则是开放空间，外面的花园仿佛“跑”进室内。室内空间的朝向正是面向花园。设计中坚固与空灵、严肃井然

与随意装饰的对比十分强烈。



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Awarded:

2008 American Architecture Award – Chicago Athenaeum, Museum ofArchitecture and DesignAmerican Architecture Award, Chicago Athenaeum/Metropolitan ArtsPress with the European Centre for Architecture Design and UrbanStudies, 2008“The American Architecture Awards have become the foremost,prestigious awards program for public recognition for Excellence inArchitecture, both nationally and internationally. The awards identifythe new cutting-edge design direction, urban philosophy, designapproach, style and intellectual substance in American Architecture

today.”Established over 10 years ago, the awards recognise “the mostsignicant new contemporary architecture, landscape architecture,interiors, and urban planning” by the “most renowned Americanand international design rms practicing in the U.S.” Winningprojects represent many U.S. states, but also Austria, Egypt, France,Kazakhstan, Korea, Kuwait, China and the United Arab Emirates. Onlysixty-ve awards were given out of hundreds of submissions.

获奖情况:

2008年美国建筑奖——芝加哥建筑与设计雅典娜神庙博物馆

美国建筑奖——芝加哥雅典娜神庙&大都市艺术新闻和欧洲建筑设计与城市研究中心，2008

年。

“美国建筑奖已经成为公众普遍承认的最重要、最有影响力的杰出建筑大奖，无论是在美国国

内，还是在国际上。奖项主要奖励当今美国建筑中最新的前沿设计方向、城市规划哲学、设计

方法、风格和智慧。”

该奖项始于10多年前，奖给由“最知名的美国设计公司和在美国从业的国际设计公司”设计的“最重要的当代建筑、景观建筑、室内设计和城市规划项目”。获奖建筑涵盖许多美国建筑，

也有奥地利、埃及、法国、哈萨克斯坦、韩国、科威特、中国和阿拉伯联合酋长国的建筑。在

几百个竞争者之中，只有65个获奖。



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Lago Vista Guesthouse

Location: Beverly Hills, CA, US Designer: Aleks Istanbullu Photographer: David Lena, TimStreet-PorterCompletion date: 2008

Dividing the program into two pure volumes, a tall dominant cubethat houses the retreat space and low parallel rectangle with theliving areas, the balance between proportion and procession createsdistinct, comfortable spaces. At the threshold, four granite stepping-stones, which seem to oat in a pond, mediate the transition betweenthe landscape and the building.The sense of space in the retreat also benets from the carefullyplaced windows that open to the sky and the canyon. Here glass isused in unexpected ways including a polished glass void at the cornerwith a view out to a lily pond and down the hillside.Inside the high-ceilinged retreat, the impression of thickened wallswith deep window recesses, oor-to-ceiling bookcases and caseworkand built-in desk and divan, calms and quiets the space. The peacefulopen room with its soft natural light and views of canyon and city is anideal place for study, repose and connecting with nature.With water conservation a major concern in the region conservationmeasures include: minimal use of impervious surfaces around thehouse, water capture in planters, landscaping – succulents and nativeplants – with low water needs and subsurface irrigation, the irrigationsub-surface with reclaimed water. All plumbing xtures are low ow.

Awarded:

2008 Merit Winner of Residential Architect Design AwardThe design of the retreat takes maximum advantage of a tight, highlylandscaped site at the top of a steep canyon. The project was designedand built according to sustainable principles. To protect the naturalcanyon environment, the siting minimised disturbance to the earthworksand balanced cut and ll on the site. The building volumes were massedto minimise the visual impact on the surrounding environment. Both thesiting and massing decisions were made to preserve all existing maturetrees. Working within strict height and setback requirements on theconstrained site, the architecture sets the building comfortably into thelandscape and captures the sweeping views.

湖畔远景别墅

项目地点：美国加州贝弗利山设计师：亚力克斯·伊斯坦布鲁摄影师：大卫·莉娜，提姆·斯特里特-波特完成时间：2008年

该建筑包括两个区域：一个高耸的立方体房屋和一个作为生活区的低矮的平行长方形房屋，两

者之间比例平衡，过渡自然，创造了独特、舒适的空间。在入口处，四个花岗岩垫脚石如同漂浮在一个池塘之上，使景观和建筑物和谐统一。

房屋的空间感也得益于窗户的精心设计，从这里可以仰望天空，俯视峡谷。通过玻璃材料别具

匠心的使用，可以透过拐角处抛光玻璃看到荷花池和小山坡。

高高的天花板、厚重的墙壁、深凹的窗户、落地式书架和嵌入式的书桌和靠椅，让整个空间平

静安宁。静谧的开放式房间，尽享柔和的自然光线，可以欣赏峡谷和都市的独特风景。这里的

确是学习、休息和亲近自然的理想之地。

考虑到对地区水资源的保护，在建筑设计中包括了以下的主要措施：尽量减少使用房屋的周边

不透表面，减少使用吸水量大的盆栽，减少使用为美化景观所用的多汁和本土植物。另外，利

用再生水进行地下滴灌。最后还要求所有管道设备低流量释放。



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获奖情况:

2008年住宅建筑设计奖

湖畔远景别墅最大限度地利用了陡坡上有限的地形特点和自然景观。设计和建造遵循可持续的

原则。为保护峡谷自然环境，选址尽量减少对土方工程的干扰和均衡削减，充分利用所占面

积。建筑与周边环境和谐统一。而且无论是选址还是在建筑方案决策上，都保留所有成熟的树

木。在这样特殊的地理位置上建造这样一座高质量的别墅，极具挑战性，设计师将该别墅置于

自然景观之中，美景尽收眼底。



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Geometry of Project vs. Coastline Views Diagram

Movement & Light

1st Floor

2nd Floor

Landscape Plan

Point Dume Residence

Location: Malibu, CA, US Designer: Grifn Enright Architects – John Enright, Margaret Grifn,Mathew Gillis Photographer: Fotoworks – Benny Chan Completion date: Fall 2007

The 60,000 square feet property and 6,350 square feet house is onthe top of Point Dume in Malibu and is accessed from below by adriveway, an existing retaining wall bisects the site and moves alongthe geometry of an existing knoll. Panoramic views of the ocean areavailed by the geometric morphologies of the residence. These majorviews delineated the shifts in geometry apparent in the angled shapeof the plan and created the sinuous sequence from the entrance tothe landscape and view. Three primary geometries of the main halland pool, the living room and the master bedroom, relate to the threeprimary geometries to the coastline below. Movement in the houseshifts from one geometry to the other and back again enhancingdistant views.The stepped topography allows entry midway between the upper andlower oors. One arrives into the main hall, and descends through avertical sky lit uid space that twists around to the horizontal space ofthe living area where a panoramic view of the Pacic ocean is revealed.From the main hall, curved walls create sweeping paths through thehouse to the master bedroom above and the living area below. Theliving area literally extends to the exterior with two large sliding doorsthat afford an eleven feet by twenty-two feet wide opening. The wallsof the house extend out from the internal path to become the edge of

a lap pool and a porch. An over scaled system of horizontal louversextends along the rear of the residence to control light, incorporatelibrary shelving and become the railing system for the master bedroomterrace above. The second oor is peeled away from the louveredplane to simultaneously reorient to distant ocean views and create aprivate master bedroom terrace. A catwalk extends from the bedroomover the lap pool along the louvered guardrail where it engages thenexus of house, outdoor porch and pool.Three bent lines of clerestory windows lift up from the roof beginningat the entrance and extend through the main hall, the master bedroomand bathroom to provide natural light on the sinuous surfacesrevealing uid slippages as various movement systems converge. Thislanguage of light extends between the living and kitchen area throughbacklit translucent resin panels and extends to the terrace beyond.Sinuous echoes are also extended to the landscape with gravel,concrete, and plant material to enhance paths of uid movementsystems throughout the property.


项目地点：美国加州马利布设计师：格里·恩莱特设计公司约翰·恩莱特，玛格丽特·格里芬，马

太·吉尔摄影师：陈班尼完成时间：2007年秋

60000平方英尺的场地和6350平方英尺的房屋位于马利布的庞特·杜牧之顶，下面有一条私人

汽车道可到达这里，一面沿小山的挡土墙把这里一分为二。住处可欣赏到大海的全景。这些风

景描绘了明显的成角度的几何移动，形成从入口到风景间的蜿蜒不平。大厅和水池、客厅，还

有主卧室的主要几何形状，与下面海岸线的三个主要几何形状相呼应。房子中几何体的来回移

动，更加强调了远处的风景。

阶梯地形使上下楼层间有了中间入口。进入大厅后，一个明亮的流动垂直空间和客厅的水平空

间相互交叉，太平洋的全景在这里尽收眼底。大厅和曲形墙之间有通向上面主卧室和下面客厅

的宽广通道。客厅通过两扇大拉门完全延伸到室外，形成一个11英尺到22英尺宽的入口。从室

内通道延伸出来的外墙，成了一个小型健身游泳池的边缘，还形成了一条走廊。一个水平的大



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Main Path through House

Ocean View from BackBedrooms

Ocean View from MasterBedroom

Ocean View from LivingRoom

Path to Pool

Paths align with prevailing windsand allow natural ventilation

Awarded:

2008 California Council SARA Award of ExcellenceThis house takes the typical paths of domestic movement andmanipulates them to weave the exterior landscape and site into thehouse while enhancing natural airows and views. An interest in

the continuity of landscape, circulation, and the body’s sequentialmovement through space has lead to an exploration of continuousspatial relationships in this residence. Smooth, sinuous surfacesdelineate zones of space while maximising the site’s topography,views, and circulation. Volumes are differentiated through a slicingof surfaces and materials, emphasising the horizontal while allowinga multiplicity of spatial conditions to develop through the interactionof these forms, surfaces and volumes. These spatial intersectionsaccumulate the more static elements of the house, while breakingdown edges between inside and outside, allowing a more open andengaging relationship between the land and the house.

获奖情况:

2008年加州理事会SARA杰出建筑奖

这所住宅采用了典型的内部流动线条，并由此将室外景观引入室内，从而加强了自然气流和风

景。在连续风景、流通和主体流动性方面的特色，形成了对这所住宅的连续空间关系的探索。光滑而弯曲的表面描绘出空间带，把场地的地形、风景和流通最大化。各个部分通过表面和材

料相区分，突出了水平方向，这样更能体现空间条件的多样性，从而实现这些形式、表面和空

间之间的相互作用。这些空间的相互作用积聚了建筑物的更静态的元素，打破了室内和室外的

边缘，使土地和房屋的关系变得更开放、更动人。

天窗沿着建筑物后身，延伸到上面主卧室阳台的围栏，用来控制采光。为了同时配合远处的海

景并创造出一个私人的主卧室阳台，第二层楼从天窗平面上分离。一个从小游泳池上方卧室延

伸出来的、沿着天窗护栏的小道，连接着房屋、室外走廊和水池。

屋顶上三个吊窗从入口延伸到大厅、主卧室和浴室，来提供自然采光。阳光通过后面半透明的

树脂嵌板穿过客厅和厨房，并延伸到外面的阳台。折射光还能照到砂砾、混凝土和植物上，增

强了整个建筑的流动性。



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Awarded:

2008 AIA/CC Award (American Institute of Architects CaliforniaCouncil) 2008 Los Angeles Architectural Awards (Los Angeles BusinessCouncil)The Skyline Residence displayed a sparkling point in architecturaldesign, that is, innite architecture can be achieved with limitedbudget. An excellence with low cost itself deserves praising.Meanwhile, a full use of local resources is what we advocatenowadays.The low budget didn’t prevent Skyline Residence from becomingan excellent architecture. The simplicity of modernism is enhanced

by an outdoor projecting wall; humanity is showed through indoordecoration and outdoor entertainment section. Besides, the designerspaid special attention to the details of interior physical environment,achieving a comfortable and healthy interior.

Skyline Residence

Location: Los Angeles, CA, US Designer: Belzberg Architects – Hagy Belzberg

Photographer: Fotoworks – Benny Chan Completion date: 2007Perched atop a ridgeline in the Hollywood Hills, the presence of theSkyline Residence represents an economical approach to creating anenvironmentally sensitive building within a limited budget. The pre-existing site presented a challenge in terms of constructability as theclient presented the challenge of limited allowable expenses.Beyond incorporating sustainable building product systems, thebudgetary limitations imposed on material choice forced the architectto implement strategies for using resources in close proximity to thesite. Therefore, the general concept adopted for this project stemsfrom “Carbon Neutral Economics,” or the purchasing of goods whichare manufactured locally to save carbon transportation emissions. Ina low budget architecture project where high-tech systems such asphotovoltaic panels, wind turbines and recycled products are out ofeconomical reach, the Skyline Residence reverted back to purchasinglocally, minimised grading and capitalising on natural characteristicsof the site.

天际公馆

项目地点：美国加州洛杉矶设计师：贝尔兹伯格建筑事务所哈吉·贝尔兹伯格摄影师：Fotoworks摄影公司班尼完成时间：2007年

获奖情况:

2008年美国建筑师联合会加州委员会大奖

2008年洛杉矶商业理事会建筑奖

天际公馆的设计代表了一种设计的精神，用有限的资金做无限的设计，能做出低造价的优秀设计，

本身就是一件值得称赞与敬重的事情。同时，充分利用当地的材料，也是现代设计所倡导的。

资金的问题丝毫没有影响天际公馆成为一个出色的设计。现代主义的设计简约自然，户外电视

投影墙成为亮点，从室内布置到户外休闲区，从细节处体现了人性关怀。另外设计师进行了细

致的室内物理环境设计，让室内空间更舒适健康。

从好莱坞的群山山脊之上俯瞰，天际公馆的出现代表了一种用有限的预算、以经济的方法来创

造对环境敏感的人居环境。这对从前的建筑是一种挑战，因为客户提供的经费是有限的。

除了混合持久建筑产品系统，有限的材料预算促使设计师使用靠近建筑工地的资源。因此，对

这项工程的定义一般来源于碳中性经济学，或者是购买当地生产的商品以减少运输过程中碳的

排放。对于预算比较少的项目，像光伏板、风力涡轮机、可循环产品这些高科技产品都是不经

济的。天际公馆项目反而转向在当地采购，最大化利用当地现有资源。



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SITE PLAN

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TwoStory GuestHouse+Car Port AutoCourtMain House AdjacentResidencesSkylineDrive

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FLOOR PLAN: GUEST HOUSE & MAIN HOUSE

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TwoStory GuestHouse+ Car Port AutoCourt / Outdoor MovieSeatingOutdoor ViewingDeck+ GarageBelowLivingRoom/ DiningRoomKitchenGuestBedroomMaster BathroomMaster BedroomInfinity EdgePool

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Suntro House

Location: Oaxtepec, México Designer: Carlos Rubio Martinez Photographer: Paul Czitrom

Completion date: 2007It is located in the residencial area of Oaxtepec, Mexico amongdelightful natural surroundings, with the luxuriant slopes of Tepoztecoto the north and the highway leading to Haciendas de Yautepec to thesouth. The lot is oriented to the northeast with a splendid sight of theTepozteco. The sunlight falling on this white volume creates strikingimages produced by the whimsical movements of shadows andreections.The wide open room which unites the dining and living rooms offers auid space and a complete openness to the outside. Situated at thesame level as the terrace, it extends all the way to the pool; in this waycreating more space if weather permits. The uncluttered style of theplace is respected by the white furniture which features very renedlines.The organisation takes place in a clear division in the horizontaldirection of the house locating in the ground oor the public andrecreation areas and in the high oor the dormitories connected withthe lower oor by an inner-outer circulation. The different habitablespaces t in a transparent area that makes its continuity with theexterior by the concrete oor that extends to the open areas, allowingto the users to move in a uid space without obstacles.The oating volume rising above the living room and dinning room

suggests a seductive lightness which simultaneously, depending onone’s perspective, creates the effect of illusionary planes with itsinterplay between volumes and empty spaces: a rationally controlledformal exercise. In keeping with the simplicity of the outlines, theinterior emphasises the sculptural character of the building, makinguse of fundamental elements such as contemporary design items andvarious works of art, most notably the Victor Reyes painting and thesculptures of Alfonso Magaña.In the garden, next to the swimming pool, the Gandiablasco Spanishfurniture selected from Designet provides the perfect complement,creating a sense of freshness and peace.

桑特罗别墅

项目地点：墨西哥欧克铁派克设计师：卡洛斯・卢比欧・马丁内斯摄影师：保罗・奇特洛姆完成时间：2007年

桑特罗别墅坐落在墨西哥欧克铁派克一个环境优美的住宅区，北依特普亚特山，南临通向雅乌

特佩庄园的公路。面向东北，坐拥特普亚特山美景。光线投到这幢白色建筑之上，创造出梦幻

般的光影效果。

结合起居和就餐功能的开阔房间提供了流通空间，并对室外开放，相同标高的台地延伸向水

池，在其后适宜时创造出更多的空间。建筑的外观简洁大方，白色的家具也同样优雅。总体空间划分明确：首层是公共空间，顶层用以居住，并通过室内外交流空间与下层相连。室

内外空间通过探入开放空间的平台联系起来，让居住者可以畅通无阻地来往于私密与开放区之

间。

起居室和餐厅上空的轻盈体块，在远观时，虚实空间的交错创造出奇异的视觉效果。这是一种

理性手段的控制。在构建建筑外部简约造型和内部精妙设计的同时，设计师还运用了现代设计

手法和多种艺术手段，尤其是维克多・雷耶斯的绘画风格和阿方索・马格那的雕塑手法。

在花园里临近泳池的地方，为了设计专门挑选的西班牙根蒂布莱斯克家具为设计添上了圆满的

最后一笔，创造出清新宁静的氛围。



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Awarded:

July 2007 House of The month for The World Architecture News inLondonThe shape responds to the high local temperatures and the spacesare organised to make the best of the setting and to promote thecontinuous circulation of air, thus ensuring cool interiors even at theheight of the summer. The exposed concrete oor creates a senseof continuity, devoid of obstacles, beyond the glassed-in areas. Thetopography presents an unevenness that was approached for the poolto stay at streets level letting the rest of the house uprooted midlevel.

获奖情况:2007年7月伦敦《世界建筑新闻》杂志每月最佳别墅

建筑外形适宜当地的高温天气，并且通过组织内部空间，选择最好的建筑朝向以取得最佳的通

风效果，使建筑内部即使在盛夏也可以保持凉爽。玻璃幕墙围合的空间和裸露的混凝土营造了

无阻隔的通透感。地形的不均衡感用临街的水池巧妙解决，让住宅空间充实而丰满。



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Surfhouse

Location: Manhattan Beach, CA, US Designer: XTEN Architecture – Monika Haefelnger,Austin Kelly (AIA) Photographer: Art Gray Photography Completion date: 2008

The Surfhouse appears as an abstract block of ebonised cedar afew blocks from the Pacic Ocean in Hermosa Beach. The site isvery small. While typical lots in the area measure 120’ x 40’, theallowable building area for the Surfhouse measures just 33’ x 24’. Thearchitects approached the project by subtracting the larger programareas from a solid volumetric form that conformed to the zoningregulations and sought to maximise space, light, and views while alsocreating a sense of privacy and retreat for the young owners on a busybeachside street.The domestic program is stacked vertically on the lot. Services andbedrooms are on the lower oors, with larger rooms pushed to thecorners for light and views in multiple directions. The top oor anddecks are completely open as continuous indoor / outdoor livingspaces open to the beach and ocean. The façade is made from roughsawn, black stained cedar planks with volumetric openings at primaryprogram spaces and a system of identical 2’ x 5’ casement windowsarrayed across the secondary elevations for specic views andventilation. The interior is all light and air, with bamboo oors and wallsof glass that slide away to bring the beachside environment inside.

Awarded:

2008 American Architect Competition WinnerThis is a national competition. The design of the Surfhouse is simple

and delicate. The volume of the house is restricted by the requirementof local conditions, thus the designers adopted a kind of “subtraction”to achieve a quite unique conguration of the building. Unique butnot overdrawn, the gure of the house is perfectly integrated into thesurrounding environment. In the limited interior, the designers mademaximum use of space and arranged every function appropriately.Meanwhile, the internal physical environment is deliberately designed.The outdoor vista is introduced to the interior, making a connectionbetween the outside and the inside. This didn’t interfere with theprivacy of the interior; quite to the contrary, the quiet interior space isseparated from the noise of the outside street.

冲浪别墅

项目地点：美国加州曼哈顿海滩设计师：XTEN建筑事务所：莫妮卡·海菲尔芬格，奥斯汀·凯莉（美国建筑师联合会）摄影师：格雷艺术摄影公司完成时间：2008年

冲浪别墅看起来像一块抽象的乌木色雪松木块，位于赫摩萨海滩，几个街区之外便是太平洋。

这块地方很小。这个地区典型的建筑面积是120英尺×40英尺，而海滨别墅的可允许建筑面积

仅为33英尺×24英尺。通过从一个立体外形上减去较大的计划面积的方法、并且遵照地区环境保护条例，建筑师力图最大程度地优化空间、光线和景色这三个方面，同时也致力于在热闹、

繁忙的海滨街为年轻住户提供私密的个人空间。

这个家庭住宅矗立于这一区域。服务设施和卧室位于较低楼层，较大的房间位于角落处，以便

给住户提供多个方向的光照和优美景致。顶楼和平台都是完全开放式的，面朝海滩和大海，兼

具了室内、室外双重居住空间的功能。住宅的正面由粗糙不平的锯木及黑色雪松木板制成，在

第二层上，安置了多个2英尺×5英尺的竖铰链窗，起到了良好的流通空气和欣赏风景的作用。

屋内光线充足，空气清新，竹地板和玻璃墙让住户能够将海滨景色尽收眼底。



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获奖情况:

2008年美国国家建筑师竞赛获奖作品

这是一个全国范围内的建筑竞赛。这座别墅的设计简单精巧，住宅的体量被当地要求所限制，

于是设计师用“减法”设计出了特别的建筑造型。造型设计特别而不夸张，很好地和周边环境

融合到了一起。在有限的内部空间里，设计师最大限度地利用了空间，并对每一种功能都做了

人性化的安排和设计。同时对室内物理环境也有充分的考虑和精心的设计。内外环境联系的设

计将远处的风景引入住宅，同时也有一定的私密性，把室内空间和喧嚣的街区隔离开来。



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The Xeros Residence

Location: Phoenix, Arizona, US Designer: Blank Studio Photographer: Bill Timmerman,Timmerman Photography, Inc. Completion date: January 2006

The Xeros project is sited within a late 1950s’ neighbourhood wherethe urban grid of Phoenix, Arizona is overtaken by the organic landforms of the north phoenix mountain preserve. Located at the endof two deadend streets, the Xeros Residence is positioned upon theupward slope of a 50’x 250’ double lot facing the mountain preserveto the north and the city centre to the south.The building includes a two-storey lower level design studio that

descends down into the earth with a single storey residence thatexists above the studio that is accessed solely by an external stair. Thepath to the studio level requires that the guests pass behind the meshscreen and descend a short ight of stairs into an exterior, mesh-enclosed forecourt. A stainless steel water feature leads you downthe steps and terminates at a reecting pool. A one metre wide by 6metres tall steel-framed glass door offers entrance into the studio fromthe courtyard. To access the residence, the visitor ascends an exteriorsteel staircase to an upper level balcony before entering the commonroom (sitting, dining, and kitchen). The visitor continues through acentral gallery towards the cantilevered master suite media room. Thisspace is completely glazed on the north façade to enjoy the mountainpreserve views. To complete the cycle of movement, a cantileveredyellow-glass framed “Romeo and Juliet” balcony allows views back tothe city and across the long axis of the building.The primary building material is exposed steel (as structure, cladding,

and shading) that is allowed to weather naturally and meld with thecolour of the surrounding hills.Called “Xeros” (from the Greek for “dry”) is as a reminder that alldesign solutions should be in a direct response to the environmentin which the project exists – the building has several environmentallyresponsible decisions. The form turns an opaque face towards theintense western afternoon sun and the more exposed faces to thesouth and east are shielded by an external layer of woven metal shademesh. The long, narrow lot precipitated a very tall form with a petitefoot print, allowing the maximum amount of site to be retained forvegetation. The low-water use vegetation is positioned around theresidence to add to the shading effect of the screen. The site itselfwas “recycled” in that new life was injected into a neglected plot in aneglected Phoenix neighbourhood.

艾克塞罗斯别墅

项目地点：美国亚利桑那州凤凰城设计师：布兰克工作室摄影师：比尔·蒂莫曼，蒂莫曼摄影公司完成时间：2006年1月

艾克塞罗斯别墅坐落在一个20世纪50年代风格的地区。亚利桑那州凤凰城的城市化进程并没有

延伸到那里，该地区仍然保持着凤凰城北部山区保护区的土地形态。艾克塞罗斯别墅就位于两

条古旧的街道的尽头，在一个山坡上（15.24×76.2米），北朝山区保护区，南面是市中心。

这座建筑包含两层：下层是一个设计工作室，连接着地下；上层是住宅，建在工作室上面，只

能通过室外的一段楼梯上去。通向设计工作室的路上，来访者要越过一个网状屏风，下一段楼

梯，来到室外的一个用围网封闭起来的前院。一段不锈钢材质的水景会带领你走下楼梯，来到

尽头处的一个波光粼粼的水池。穿过宽1米、高6米的一扇钢架玻璃门，就从庭院进入了工作

室。而要进入住宅，来访者需要从室外上一段楼梯，先来到一个上层的阳台，然后再进入住宅

的公共空间（起居室、餐室和厨房）。接着，来访者穿过一个中心长廊，来到悬臂式的主卧室

和多媒体室。这个空间北面完全采用玻璃外墙，使人可以尽享自然保护区的美景。绕了一圈之

后，最后来到一个悬臂式、有黄色玻璃框的“罗密欧与朱丽叶”露台，在这里，视线可以穿过

这座建筑长长的轴线望向城市的景色。

这座建筑采用的主要材料是外露的钢材（结构、覆层和荫蔽），能够经受气候的自然侵袭，并

且与周围山脉的颜色融为一体。

之所以命名为“艾克塞罗斯”（这个词在希腊语中是“干燥”的意思），是为了提醒大家注



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Awarded:Awards: AIA Western Mountain Region, Honour Award (2006);The AIA Western Mountain Region is the regional chapter of theAmerican Institute of Architects that Honour architectural workscreated in the region or projects by architects based within that region.AIA Arizona – Honour Award (2006);

The AIA Arizona is the state chapter of the American Institute ofArchitects that Honour architectural works created in the state orprojects by architects based within that state.Architectural Record – Record House Award (2006);Architectural Record is a professional publication for architects inthe United States. Every year they select examples of exemplaryresidential design from around the world.Residential Architect – Project of the Year Award (2008);Residential Architect is a professional publication for architects in theUnited States focusing on residential design. Every year they selectexamples of exemplary residential design from around the country.

获奖情况:

2006年美国建筑师联合会西部山区荣誉奖

2006年美国建筑师联合会亚利桑那州荣誉奖

2008年《住宅建筑师》杂志年度建筑奖

“西部山区荣誉奖”是美国建筑师联合会为位于该地区的建筑或者该地区的建筑师在别处设计

的项目所颁发的奖项。

“亚利桑那州荣誉奖”是美国建筑师联合会为位于该州的建筑或者该州的设计师在别处设计的

项目所颁发的奖项。

《建筑实录》是美国建筑业的一本专业杂志。每年该杂志都会在世界范围内选出杰出的住宅建

筑予以颁奖。

《住宅建筑师》是美国建筑业的一本专业杂志，关注住宅建筑的设计。每年该杂志会在世界范

围内选出优秀的住宅建筑予以颁奖。

意，建筑采用的一切建造方式都应该与其周围环境紧密相连——这座建筑就有好几处基于环境

的考虑。西部地区的午后，骄阳似火，所以建筑在形态上将下午面向阳光的一面采用不透明的

外墙；而南面和东面的外层则采用金属织网。因为这块土地是细长形状的，所以建筑采用了高

耸、占地面积小的形态，这样就留出了最大的土地用于种植植被。房屋周围需要低水分的植

被又帮助屏风加强了住宅的荫蔽效果。别墅所在的这块土地本身就体现了“回收利用”的思

想——在凤凰城的这片已经被人们遗忘的土地上，这座别墅为这里注入了生机。



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Torres House

Location: Monterrey, Nuevo León, México Designer: GLR arquitectos – Gilberto L.Rodríguez Photographer: Jorge Taboada Completion date: 2008

Up in the eastern Sierra Madre, in the Palmillas’s zone in Garza Garciathe Torres House seeks to establish a close contact with the naturalenvironment in which it is located.Relatively opened towards the street, the access to the house isexperienced by walking across a fountain, from which an amazing treeemerges, both beautiful and huge. Once in the portico, a great doorreceives you, simulating a mural made with marble, wood and steel.After you have crossed it, the foyer greets you with its marble oorsand its volcanic stone walls, while offering a visual continuity towardsthe rest of the house and the garden, where designers tried to respectas much as possible the existing oak forest.The living room, conceived almost as a crystal box, gives you the visuafreedom of seeing both the mountain and the garden, due to its largewindows facing north and south, whereas its chimney invites you toenjoy the re heat in those occasional nights that can be extremelycold due to the altitude of the site.From both the dining room and the TV room it is possible to access theroof's deck, where a large terrace allows you to enjoy the magnicentviews of both the Sierra Madre mountain range as well as the wholeMonterrey metropolitan area.In this way, the house gradually reveals itself in a sequence of spaces

that takes you from the public areas to the most intimate ones, and upinto the roof, always in visual contact with the garden, as well as withthe existing natural environment.

托雷斯别墅

项目地点：墨西哥蒙特雷设计师：GLR建筑事务所吉尔伯特·L·罗德里格斯摄影师：乔治·塔伯亚达完成时间：2008年

在加扎加西亚的帕米拉斯地区，有一座马德雷山脉。托雷斯别墅就位于马德雷山脉的东部。托

雷斯别墅追求的是与当地的自然环境紧密联系。

别墅大门相对于大街敞开，走进别墅的过程就仿佛穿过一座喷泉，中间会出现一棵令人惊叹的

大树，美丽壮观。进入门廊，你将置身于一扇巨门之前，仿佛是一个由大理石、木材和钢铁做

成的模拟壁画。

穿过门廊，是一个门厅，用大理石阶梯和火山石墙来迎接你，并在其余房屋和花园里满足了视

觉上的连续性。站在门廊，你会不禁对这里的橡木林肃然起敬。

起居室的设计近似于一个水晶盒子，南北两面都有巨大的窗户。从这里你可以恣意欣赏山脉和

花园的景色。由于海拔原因，有时候这里的夜晚会非常寒冷，室内的烟囱让你可以尽享炉火带

来的温暖。

从餐厅和客厅都可以上到屋顶。屋顶有一个巨大的天台。在天台上，你可以欣赏到马德雷山脉

的美景和蒙特雷的都市风情。

就这样，托雷斯别墅一步步地把每个部分都展现在了你面前。把你从一个公众的环境带到了一

个私密的空间。在屋顶，无论各个角度你都可以看见花园和自然环境。



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Awarded:

2008 Crystal Calli, XV Architecture Biennial of Nuevo LeonDifferent from other residential buildings in cold areas, the TorresHouse is quite open and transparent, offering more natural andcomfortable space. The design of plant is eye-catching, particularly thegiant tree at the entrance, and also the plants in the inner courtyard.The decorations are colourful yet not too amboyant, matching thesurrounding plants, to achieve a casual and romantic atmosphere.The connections between different spaces, for example, from thedining room to the roof terrace, continue the same atmosphere. Inthis way, the designers hope to bring the clients the most comfortable

living space.In order to resist coldness in the area, the designers particularly madesome warm-keeping design for the house. For example, the indoorchimney and replace offer warmth to the house and in the meantime,become interior decorations for the space.

获奖情况:

2008年第15届新里昂“水晶卡丽”建筑双年会作品

不同于其他寒冷地方的住宅设计，这幢住宅开敞通透，营造出更为自然舒适的空间。植物的设

计让人惊叹，尤其入口处的大树，内庭中的植物也有异曲同工之妙。装饰的色彩缤纷而不过分

艳丽，配合周围的植物，让整体环境充满浪漫自由的休闲感觉。住宅空间流线也充满休闲浪漫

的情怀，从餐厅客厅通往屋顶天台的设计就充分体现了这一点，设计师力图带给业主最舒适的

的生活空间。

为了抵御寒冷，设计师为这所住宅做了保暖设计，室内的烟囱和炉火，在保暖功能的同时也成

为室内空间的装饰。



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Villa NM

Location: New York, US Designer: UN Studio Photographer: Christian Richters Completion

date: May 2007Set on a hill not far from New York City, UN Studio’s Villa NM is shapedlike a living body and appears to have its own soul and eyes. Lotsof eyes, like screens looking out at the landscape, reecting it andinviting it into the innermost parts of the house.The setting of VilLA NM was the summer refuge of well-off Americansin the 1920s and 1930s; in 1969 it became world-famous for theWoodstock festival. In later years the Catskills were less popular, butthey have recently seen rehabilitation and new development and haveonce again become a preferred destination for young New Yorkersescaping the stress of the Big Apple.The house has 250 square metres of oor space and enjoys all-roundviews of the forest. The slight slope of the land inspired the designand organisation of the built volumes. A single box literally forks intotwo separate buildings: one of them follows the slope to the north,while the other rises on the hill to create an indoor parking spaceand gives rise to an internal layout on different levels. The structureof the volumes is generated by ve parallel walls revolving around ahorizontal axis, so that dividing elements are sometimes oors andsometimes vertical walls.Inside, the home’s different levels are linked by a system of rampsdesigned as walkways with views over the valley below. The bathroom,

kitchen and replace are positioned along the home's vertical axis,keeping the exterior walls free. The living room is on the lower levels,with cosier, more intimate, inward-looking bedroom areas on the upperlevels. All the other rooms open up to the outdoors with large glasswalls.The materials employed are cement, glass and metal. Glass reectsthe landscape and reproduces it on the skin of the house; metal picksup the warm hues of the earth and invites them to dialogue with thecolours of the home.

NM别墅

项目地点：美国纽约设计师：UN设计工作室摄影师：克里斯蒂安·里克特斯完成时间：2007年5月

UN 设计工作室设计的NM别墅位于距纽约市区不远的一座小山上，建成一个生命体的样子，好

像有自己的灵魂和眼睛。像许多的眼睛一样，玻璃屏幕映现出窗外的风景，通过反射，映射到

了屋子的最里面。

20和30年代富裕的美国人把NM别墅当作夏季的别墅。1969年，这座别墅因为伍德斯托克音乐

节而闻名世界。随后的日子里，卡兹其不再流行了，但是最近又复苏起来，并有了新的发展，

再一次成为年轻的纽约人躲避压力的更好的归宿。

这座别墅占地250平方米，对整片森林的视野极佳。建筑整体的设计和布局受到稍微倾斜的地面的启发，整体外形是一个分叉的盒子，北面的分叉依偎在斜坡上，另一个从小山上开始提升，

向下形成了一个车库的空间。这一设计使内部空间有了丰富的层次感。房间的空间结构包括五

个平行的扭曲面，而把这些扭曲面分隔开的有时是地面，有时是垂直的墙面。

房屋内部的不同层面是由一系列设计成过道的斜坡所连接，从这里可以看到下面的山谷。浴

室、厨房和壁炉位于房屋的垂直方向上，这样也就给外墙带来了自由。客厅位于房屋中较低的

一层，更为舒适；私密的、注重内在感的卧室在客厅上面的一层。而所有其他的房间则用大玻

璃墙与户外隔开。

所使用的材料包括混凝土、玻璃和钢材。玻璃反射周围的风景，并映现在房屋的表面。钢材增

强了地面的暖色调，并使这些色调与房间的颜色和谐统一。



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Zeidler Residence

Location: Aptos, CA, US Designer: Ehrlich Architects Photographer: Matthew Millman

Completion date: 2008

Awarded:

2009 Custom Home AwardLocated on the bluffs overlooking the Pacic Ocean, the 3,500-square-foot Zeidler Residence arranges interior and exterior living spacesto maximise views, natural light, and ocean breezes within a subtle,sophisticated material palette.

Designed for a retired couple with grown children, the house sitson a relatively at corner lot with expansive views of the Pacic andvegetated cliff that leads from the site, down to the beach. Theprogram is divided into two main structures connected by a shelteredcourtyard. On the ocean side, the two-and-a-half-storey main housefeatures a double-height living space, with full-height glass doors thatopen the interior onto the exterior spaces. A mezzanine is orientedtowards the view. At the end of the stair tower, a full-sized roof deckaccommodates various entertaining congurations and providesstrong connections to the landscape and views beyond. The front yardeven incorporates a petanque court, a favourite pastime of the client.The rear structure accommodates separate living quarters for friendsand family in three oversized bedrooms. The second level studio has afull kitchen and expansive deck with views towards the ocean. The twoprimary structures frame a landscaped courtyard with lap pool andbuilt-in barbecue. A trellis with overhead panels covers a walkway fromthe main house to the guest house.A minimal palette ties the entire composition together and includessteel-troweled stucco, exposed concrete block, and Rheinzink.

德勒住宅

项目地点：美国加州阿普托斯设计师：欧利希建筑事务所摄影师：马修·米尔曼完成时间：2008年

获奖情况:

2009年定制住宅奖

德勒住宅坐落在太平洋海岸的悬崖上，占地3500平方英尺。设计师合理安排了室内外的生活空

间，使视野和光线得到最大化的利用。

这座住宅是专门为一对退休夫妇设计的，建在悬崖上相对平稳的角落处，面朝开阔的大海，下

方就是波涛汹涌的海水。建筑分为两部分，中央是一个庭院，把两座楼连接起来。住宅高为2.

层，卧室是双层高，落地窗面朝大海，使室内外极其通透。阁楼也是面向大海的。超大的屋顶可以容纳各种娱乐设施，并且能够观赏到独特的景色。前院甚至还有用于法式滚球活动的场

地，这是这对老夫妇最为喜爱的消遣方式。

住宅的后部是为朋友或者家人准备的单独起居室，有三个超大卧室。二楼是设备齐全的厨房和

一个观景平台。两个建筑之间是室外观景庭院，有游泳池和内置的烧烤架，在开放的环境里构

成了一个饱满的结构，形成了多功能的露天平台。

建筑组成用色极少，统一的颜色连接了所有结构，其中包括钢铁粉刷、外露的混凝土墙和肽锌

材料。



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Collage Paris

Location: Paris, France Designer: Emmanuel Combarel Dominique Marrec (ECDM) Photographer: Benoit Fougeirol, Philippe Ruault Completion date: July 2008

Located at the intersection of the homogeneous and haussmannianlandscape along Gossec Street, and of the disparate architecturemade up through time on Picpus Street, the site on which this 63social housing program is established is an element of a typicalcollage-city landscape, also characterised by a double movement ofthe natural soil: the connection, on its front part, to the deep slope ofthe Picpus Street, and, on its backyard limit, to a landmark garden,1.50m higher than the average level of the soil.The project is a proposition to link these opposite typologies and soilmovements. Two parallelipedic buildings, respectively seven and sixlevels high aligned in parallel on the front and back limit (north andsouth) of the plot are set up on stilts above two long ribbons whichconcentrate all the accommodations of the residence on the streetside and keep clear a wide open space way far unto the landmarkgarden.On Picpus street, West side, the project is connected to the truncatedbow of the haussmannian building at the angle of Gossec Street, asif the site was a corner lot. East side, the project is aligned with theroof of the smooth façade of a building from the 70s, also continuingthe xture and the components of the adjacent building, marked by awithdrawal that completes the project.

Elevated on two parking levels, the ground oor slab appears likea mineral kaleidoscope, appropriate to dissolve the handicappedrequirements in an opportunistic and playful mid-mineral mid-vegetallandscape. One enters the residence through a metallic curtain by awide porch in the axis of the project, and then each building has itsown entrance hall. The common areas are generous, clear, withoutresidual spaces and benet from natural light.

拼贴巴黎

项目地点：法国巴黎设计师：ECDM设计事务所摄影师：比诺特·菲戈，飞利浦·劳尔特完成时间：2008年7月

这座建筑坐落在有着统一的奥斯曼建筑风格的高赛克大街和拥有历史悠久、风格迥异的建筑的

匹克普斯大街的交汇处。这一社会住宅项目是典型的大学城风格，并且在地理位置上具有其双

重特点：前面与匹克普斯大街的陡坡相连，后面尽头处则与一个比平均地面高1.5米的标志性花

园相邻。设计师希望通过这一建筑把不同类型的建筑风格融于一体。

两座高度分别为6层和7层的大楼平行地矗立于这一地区，两条通道经过在大楼的前端与后端

（北面和南面）将两座建筑连接起来。这一建筑中聚集了这条街上的大部分住户，并且与远处

的界标花园之间形成了一片开阔的地区。

从匹克普斯大街向西，这座建筑与高赛克大街角落里的那座被切去尖顶的奥斯曼风格的建筑连

接在了一起，因此，这一位置看上去更像是一个街道的角落。东面，这座建筑与一座有着平坦

外表的大楼的屋顶以70度角相连接。在建成之后，与周围建筑显得和谐一致。

大楼的一层位于地下两层结构的停车场之上，水泥地面看起来像是一个矿物的万花筒，这一设

计有助于在矿石和植物结合的景观当中隐藏为残疾人准备的设施。人们可以通过位于中轴线处

宽阔走廊的金属门帘进入这座建筑，随后便可以看到每座大楼各自的门廊。公共空间显得宽

敞、条理分明，没有多余的空间，且自然光照良好。



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Awarded:

2009 Timber Design AwardThe project presents two colours, four specic façades conceivedto respond to very specic solicitations, all characterised by widewindows, opened on large terraces or balconies (depending on theirorientation), protected by coloured glass treated like sunglasses.Sustainability requirements were emphasised for the conception ofthis social housing building. Also, standards for energy use were up to30 % stricter than legally binding standards in France at the time thebuilding permit was delivered.

获奖情况:整座建筑呈现出两种色调、四种外观，所有这些都用来表达其独特风格。建筑的最大特点便是

开在大露台和阳台（取决于其方向）的宽大窗户，而且这些窗户上的玻璃也是用和太阳镜一样

的工艺制造的。在这一项目中，建设者尤为重视建筑的持久耐用性。而且，在能源利用方面也

比法国法律规定的标准要高出30%。



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GreenCity Lofts

GreenCity lofts is comprised of 62 loft condominiums in ve buildingsranging from three to ve stories in height over structured parking.The rst design decision was to design around the concept of singleloaded circulation, allowing for natural daylighting from at least twosides of almost every unit. The 62 residential units have been dividedinto ve buildings, which created 19 units with three exposures (againfor daylighting). The ve buildings are positioned to create three well-proportioned, yet different and unique, courtyards for the use of all ofthe residents. Open-air circulation combined with open planning allowfor natural ventilation, avoiding the need for air conditioning. Thirteenunit types are included, ranging from 500 square feet to over 2000square feet, in three basic spatial congurations – ats, townhouses,and lofts.Formally, the project has been designed to project two images –residential and industrial – reecting the changing character of theneighbourhood. At the base of the building, up to the 30’ heightthat roughly aligns with neighboring buildings, the image is clearlyresidential, with reverse bay windows of stucco and inset glass,balconies, stairs and stoops. Above the 30’ datum, however, thedesign morphs into a tighter skin of ber cement panels, topped withlow slope standing seam roofs, a nod to the industrial history of the

site. Bright orange multi-level bay windows or “lanterns” have beendesigned to make the sidewalk experience lively and exciting, and tohighlight the podium entrances and street corner.

Location: the Oakland / Emeryville, CA, US Designer: Swatt Architects Photographer:

Cesar Rubio Completion date: 2006

绿城公寓由分布在五幢大楼中的共62间公寓组成，这些公寓分别位于三到五层，一二层配有结

构合理的停车场。设计理念就是使用单层循环系统，以确保每户至少有两面朝阳。62户居民分

布在5幢楼房里，其中有19户居民房屋三面见光。这五幢楼房相互错落，力图为居民提供三个风

格迥异的庭院。室外的循环系统以及通风设计确保可以依靠自然通风，避免使用空调。从500平

方英尺到2000平方英尺，共设计了13种不同的户型：单元房、联排别墅和阁楼公寓。

为了利用周围的环境特点，这个项目有两种不同的外形特点：居民型和工业型，反映了该地区

特点的转变。从建筑的低层到30英尺高处，整体风格与周围建筑保持一致，采用明确的居民型

风格，配备反转的凸窗，内置玻璃窗、露台和楼梯。然而，从30英尺起，整个风格就变化成工

业型了：光纤水泥板、有坡度的房顶和橘色多层凸窗使行人道生动活泼，突出了房屋入口和拐

角。

项目地点：美国加州奥克兰埃默里维尔边境设计师：斯沃特建筑事务所摄影师：凯撒·卢比奥完成时间：2006年

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Awarded:

2007 GRAND AWARD: The 27th Annual Bulilder’s Choice Design &Planning Awards, “Green/Sustainable Project”2007 GOLD NUGGET GRAND AWARD: Pacic Coast BuildersConference, “Best Sustainable Residential Neighborhood”- 95% of the pre-existing paint factory was recycled, contaminated dirtwas remediated.- Foundations were designed with high y-ash content concrete.- The buildings are framed with steel, which has high post-consumerrecycled content.- Durable exterior nishes were used – integral coloured stucco, ber-

cement panels, and metal roofs.- The buildings use healthy interior materials and nishes –formaldehyde free wheat-board cabinets, FSC Certied wood ooring,wool and recycled content carpeting, sheet linoleum ooring, lowVOC paints, formaldehyde free insulation and low VOC constructionadhesives.- For comfort and sustainability a hydronic radiant in-oor heatingsystem was used.- In order to qualify as an Energy Star Partner, the whole projectneeded to exceed the requirements of California’s Title 24 by 15%.

获奖情况:

2007年第27届开发商环保项目设计奖

2007年最佳绿色住宅奖

·回收95％的原有的油漆厂，治理被污染的泥土；

·地基采用高粉煤灰混凝土；

·房屋采用钢结构；

·有色拉毛水泥，纤维水泥板，使用金属屋顶以增加持久性；

·内部使用健康环保材料：不含甲醛的麦色橱柜、FSC认证的木质地板、可循环再生的羊毛地

毯、低挥发性有机物涂料、不含甲醛的绝缘材料和低挥发性有机建筑胶粘剂；

·地热的使用可以确保舒适性和可持续性；

·为确保“能源之星合作伙伴”的地位，绿城公寓比加利福尼亚24项标准多节省了15%的能源。



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Location: Sydney, Australia Designer: Turner+As sociate Photographer: TBA Completion

date: 2007Silkwood is located on the fringe of the city centre occupying adisused triangular parcel of land between a robust turn of the centurywarehouse building and a mock Georgian styled apartment building.The auditorium, which occupies a former laneway adjacent to thewarehouse building, emphasises the nature of the lane and providesan appropriate separation between the warehouse building andmain building form. The location of the entrance to the internal foyer,

the height of internal spaces and clear glazing at either end of theauditorium allow for the continued physical and visual access throughthe lane. The external nature of the lane is further heightened with thecontinuation of external materials into the auditorium and the existingwarehouse building façade being visible within the foyer area. The useof corten on the external facades strengthens the contrast betweenthe main building forms whilst, as a material, is a sympatheticneighbour to the masonry.The commercial spaces occupy the majority of the lower levels ofthe building and assist in creating a base to the building. Sculpturalskylight elements clad in corten project into the residential courtyardspace over and further enhance the amenity gained from a clear spanoor plate. The extent of glazing and introduction of playful elementssuch as the timber tube not only provide an appropriate scale andlevel of detail but also assist in activating the street frontages.

Located over the commercial spaces the apartments take on acourtyard typology. A solid off -form concrete entrance with oversizedbuilding address cast into the concrete, cantilevered canopy andbamboo formwork to internal walls provides a clear identity for theresidential foyer whilst the metal clad box over assists in holdingthe street corner and provides a jump in scale between the overallbuilding form and adjoining apartment building. With a mix of singleand double storey apartments orientated around a central courtyardthe majority of apartments are able to be north facing, cross ventilatedand have multiple aspects. Access to apartments is via corridorslocated on every second or third level to maximise the number of“through” or cross ventilated apartments. Views to the city skyline andsurrounding area can be captured through single and double heightopenings contained within the stitched precast concrete façade.Materials selected have been considered in response to the existing

context. At street level tactile materials including timber, stone,masonry, corten and galvanised steel are used maintaining the varietyfound in the adjoining buildings. On the upper levels a more robustpalette is used, predominantly precast concrete with metal cladding tohighlight the corner box and top oor mezzanine apartments.

Silkwood

修科伍德大厦坐落在城市中心的外围，利用了世纪商场和仿乔治风格公寓之间一度废弃的三角

形地块。

会所坐落在商场旁的一条小径上，其设计注重小径的自然延伸并适当地区分了商场与建筑自

身。通往会所内大厅的入口位置、厅内空间的高度和会所两端光亮的玻璃窗，使会所与这条小

径物理的和视觉的连接得以延伸。设计师将室外的装饰材料沿用到会所内部，使小径的这种延

伸效果进一步加强，并且在大厅内也能自如地欣赏到商场的外立面。会所外立面上使用的考顿

钢材料强化了建筑主窗口之间的对比，这种材料与石质材料的使用相得益彰。

修科伍德大厦

项目地点：澳大利亚悉尼设计师：特纳联合事务所摄影师：TBA摄影公司完成时间：2007年



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Awarded:

2007 NSW (New South Wales) RAIA Award for Multiple Housing The building designed by Nicholas Turner, Dan Szwaj, responds tothe transition in scale between the warehouse building and the tallerapartment building creating a highly modelled and legible form. Witha balanced tri-partite approach, the width and size of the openingsmaintain the rhythm and proportion of the warehouse grid whilstthe metal clad box responds to the height and scale of the adjoiningapartment building. Sentimentality with previous architectural styleshas been avoided. A mixed-use brief with a residential, commercialand auditorium programme has permitted the development of abuilding with several identities.

商务空间占据了建筑低层的绝大部分，并为建筑提供了良好的基础。覆以“科特恩”的透雕天

窗将图案投射到住宅区的庭院中，并进一步强化了整洁的地面营造出的那种优雅氛围。延伸的

玻璃窗和趣味元素——如木制管道——的引入，不仅使细节在适当的比例和水平上得以展现，

而且起到了活跃沿街建筑外立面的作用。

在商务空间上层，是庭院式的公寓。旁边用巨大字体写着建筑地址的立体入口以混凝土整体浇

注而成，内墙上的悬臂天棚和竹制模子清楚地表明了建筑的居住特征，上面覆盖的金属盒状物

则使得建筑与其位于街道转角的位置相称，并借此完成了建筑整体和邻接公寓楼间的过渡衔

接。或单层、或双层的公寓环绕在中央庭院周围，大部分房间朝向北面，通风良好，并且看起

来风格各异。进入这些公寓要通过走廊，位于每套公寓的二层或三层，以使“穿越”的数量最

大化并使通风效果更好。通过混凝土立面上对应的单层或双层的窗口，可以极目远眺城市尽头

和周边区域。

整幢建筑在建材的选择上充分考虑了周边环境。朝向街道的一面使用了触觉各异的建材，如木

材、石材、石艺、考顿钢和电镀钢材，以配合周边建筑的多样性。建筑上层则使用了更具活力

的材料，如覆以金属的预制混凝土，以突出那些棱角分明的盒状物和顶层的跃层公寓。

获奖情况:

2007年澳大利亚皇家建筑学会新南威尔士州多功能建筑奖尼古拉斯·特纳和丹·泽瓦设计的该建筑，呼应了旁边的商场和比它更高一些的公寓之间的比

例变化，创造出一种富有特色的、过目难忘的风格。通过均衡的三等分，建筑主窗口的宽度和

尺寸比例与近旁商场的窗户栅格保持一致，同时金属覆面的盒状物也与邻接公寓窗户的高度和

比例相宜，从而避免了效仿以往的建筑风格。该建筑具有包括居住、商务、会所等在内的多种

功能。



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Strandkanten

Location: Tromsø, Norway Designer: 70°N arkitektur Photographer: 70°N arkitektur –Bjørn Jørgensen, Ivan Brodey, Marius Fiskum, Yngve Olsen Sæbbe, Magdalena HaggärdeCompletion date: 2009

Tromsø is a city with 70.000 inhabitants that is situated on a smallisland in Troms, North-Norway (70°N). The city has a universityand several research institutions and it is the commerce centre ofthe region, as well as a lively cultural centre. Tromsø has a stronghistorical standing in the high north, and this standing has recentlybeen strengthened because of the national venture of this area andthe Barents region.Strandkanten is a new housing area just south of the centre ofTromso, attractively situated on a reclaimed area in the Tromsø strait.This area is an important part of the city’s development strategy,where a concentrated growth from within will strengthen the activity inthe centre and reduce the need for transportation. The entire area isexpected to be developed with 900 dwellings.In 2003-2007 area III was built with 70°N arkitektur as architect. K9in area V, also by 70°N arkitektur is to be nished in 2009. In additionto area III, construction has also been started in area II, IV, VII andVIII, with buildings of several different architects as well as 70°Narkitektur.Strandkanten was “discovered” as an area for development inconnection with an urban development investigation that was called“The Tromsø Game”. The strategy of the Game has been to point out

certain areas in the city and give these areas new roles and value.Certain terms have been introduced to outline the quality of each area.Strandkanten is an area of 8800 square metres where approximately.45% of the area is public outdoor spaces. Strandkanten is mainlyfree of cars, and it is of great importance that it is a safe andgood environment for children. E.g. there is a special program forplaygrounds and outdoor spaces for children.The area has a clear landscape prole, both in the plan and in thetransversal sections. The extent of the area consists of several parallemovement lines. There is a main path right through the area, apromenade along the quay front and also a shielded trail between thebuildings.The cross section integrates the natural landscape curves fromStrandveien of approximately the height of two stories. In additionthere will be an articial landscape on top of the car park building, sothat a shielded outdoor area is conceived in between the buildings.The different parts of the cross section have different character andtreatment.The sea front is included in a future extended quay promenadebetween the centre of Tromsø and the outdoor recreation areas on thesouthern part of the island of Tromsø.

斯坦肯住宅区

项目地点：挪威托母设计师：70°N建筑事务所摄影师：70°N建筑事务所完成时间：2009年

托母是一座有7万居民的城市，位于北挪威。这座城市有一所大学和几个研究所，既是商业中

心，也是活跃的文化中心。托母在历史上有重要地位，随着国家对该地区及巴伦支海的投资，

这种重要性在近年来逐步增强。斯坦肯住宅区计划是与城市发展计划相关的活动，并被称为

“托母计划”。这一计划使城市的某些特定区域扮演起新的角色，并发掘出它们的新价值。

斯坦肯是托母地区中心南部的新住宅区，与托母这一新改造区完美交融。这个区域是城市发展



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Awarded:

2009 AR AwardThe development plan is concentrating on ensuring the quality of theoutdoor areas as well as maintaining the high density. The contentsand quality of the outdoor areas will be a deciding factor for thedevelopment of the area. The main structures of the initial plans forthe area are maintained. This will show intriguing new architectureand high quality outdoor spaces different from the ones that are givenin Tromsø today.

获奖情况:

2009年AR大奖

这个住宅区规划的发展计划旨在保持高密度住宅的基础上提高室外环境的质量。室外环境质量

是这个区域发展的关键因素。这一地区的主要结构和原设计计划仍被保留。这个项目展现出独

具特色的新建筑和高品质的户外空间设计，这与托母地区其他现有建筑有很大区别。

战略非常重要的一部分，加强了区域中心的活动，减少了对交通的需要。这个区域计划包括900

套住宅。

2003年至2007年第三区域由70°N设计事务所设计完成。V区的K9住宅区也由该事务所于2009

年完成。除了第三区域，第二、四、七、八区也由包括70°N设计事务所在内的几个不同设计

事务所完成。

斯坦肯占地8800平方米，其中45％为公共户外区，为车辆停放提供了便利条件。更重要的一点

是，它为儿童提供了安全良好的环境，比如在这里专门设有儿童运动场。

无论从平面图还是剖面图来看，住宅区的景观外部轮廓都非常鲜明。而这一区域的延伸部分由

几个平行的线条组成。一条主通道从住宅区中穿过，沿着这条通道可以从楼群中间穿过，抵达

码头。

除此之外，在停车场之上还设计了一处人造景观，这样在建筑群之间就形成了防护区域。不同

建筑区风格各异，设计师也有不同的设计方案。滨海地段延伸出一段码头，这段码头在托母中

心区及其南部户外休闲区之间。



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Miravalle Tower

Location: Monterrey, Nuevo León, México Designer: GLR arquitectos – Gilberto L.Rodríguez Photographer: Jorge Taboada, Alejandro Rodríguez Completion date: 2007

Miravalle Tower is a multifamily housing project consisting of 84 highlevel apartments, plus four luxury penthouses.The nal solution is a 26 storey tower plus three underground parkinglevels, solving the building in a four apartment per oor scheme,with an integrating central core for vertical circulation. The standardapartments will be in the range of the 160 square metres, while thepenthouses are solved in two levels, having an area of 320 squaremetres, providing each housing unit with parking for two vehicles, aswell as some storage room.As an additional feature, the project has a large swimming pool, aswell as a party pavilion, within the existing gardens. The site, with aspectacular vegetation density for the area – with pecan trees up to25m – suggested a maximum respect for the existing green areas.

Awarded:

2008 XVI International Cemex Awards, Second PlaceMiravalle Tower is quite outstanding for its unique design. In theproject, every part has been taken into consideration: the undergroundgarage, the lofts and storerooms are all arranged according to theirfunctions. On the plan, the combination of the four layouts shows theoriginality of the designers for saving space. In addition, the internalenvironment of the building is also specially designed to the detail.The conguration and the façade are combined to show simplicity anduniqueness of the design.

Further needs mentioning is the general plan, together with theconsideration for the surrounding environment; the entertainmentfacility and the plantation offer inhabitants with ample leisureopportunities.

点式住宅

项目地点：墨西哥新莱昂州蒙特雷市设计师：GLR建筑师事务所：吉尔伯特·L·罗德里格斯摄影师：约格·塔伯亚达，亚历杭德罗·罗德里格斯完成时间：2007年

点式住宅是一个多户使用的住宅项目，包含84户高档住宅和四户豪华跃层住宅。

最终设计方案为26层塔式住宅和三层地下车库，每层有四套公寓，并设有竖向流通循环的结

构。标准住宅面积约为160平方米，含阁楼的跃层住宅面积320平方米。车库规模按每户两台车

计算，储藏室也做了同样的安排。

点式住宅项目的特色所在是一个大泳池和活动中心。另有浓密的植被覆盖（其中有高达25米的

美国山核桃），葱郁的绿色空间让人赞赏不已。

获奖情况:

2008年第16届国际西迈克斯大奖赛二等奖

这幢点式住宅楼设计出色。在整幢点式住宅中，每一个项目都被充分考虑，地下车库、阁楼、

储藏室都得到了合理的安排。平面布局上四个住户的平面组合别出机杼，节省了空间。另外，

对整个大楼的内环境也有细致的考虑和设计。外形设计与立面设计和平面造型相结合，简约而

有特色。

值得一提的是总平面设计，周围环境的设计也细致入微，休闲设施与绿化设计相结合，给业主

们足够的活动休闲空间和机会。



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MTN

When asked to design a new project next to the just completed VMHouses – for the same client, of the same size and on the same street– BIG decided to conceive it as an evil twin and explore new territory.The brief was to make two separate buildings: a 10.000 square metrescondominium next to a 20.000 square metres parking structure.Copenhagen is largely reclaimed land, and as a result at as apancake. Rather than erecting a standard apartment slab next to aboring parking block, they decided make to the parking a podium forliving. The Parking structure is sloping upwards in a serpentine zigzagfrom south to north. The housing is schemed in an even layer over thetop. Rather than stacking ats on top of each other, the apartmentsare transformed in to courtyard houses with big gardens andgenerous views. Like the neighbouring suburb crossing the canal andoverowing the parking block all the way from the ground to the 11th oor. On the north side an open parking structure, on the south sidea stepped hillside of private backyards. The terrace houses are basedon Jørn Utzons L-shaped courtyard typology, and their large gardenscombine all the splendours of a suburban lifestyle in a dense opencontext. A sloping elevator (Denmarks rst) gives access to the housesfrom underneath.The south façade is a cascade of barbeques and deckchairs, while

the north façade, facing the city, is just a parking. The naturallyventilated parking requires a perforated façade, to allow air to pass,while keeping rain and snow out. The perforation factory just got anew machine that can punch holes in 6 different sizes (5 to 30 mm)based on the input of a rasterized image. Since the designers havealways referred to the project of a mountain, they choose an image ofthe Mount Everest massive to become the worlds largest black andwhite photo. From within an organic pattern, from outside a razorsharpimage of the Himalayas.

Location: Copenhagen, Denmark Designer: BIG – Bjarke Ingels, Jakob Lange Photographer:

BIG | Bjarke Ingels Group Completion date: 2008

MTN公寓

VM房屋落成不久，BIG设计公司应邀为同一客户再设计一个项目，相同的建筑面积并且在同

一条大街上。于是设计师决定开发新地域建造一个相同的建筑，设计宗旨是建造两栋独立的房

子：一栋10000平方米的公寓，旁边是一个20000平方米的停车楼。

哥本哈根主要是填海所得的土地，因此平坦得像“煎饼”。BIG的设计师们决定在停车场上空

搭建一个平台去盖楼。而不是在毫无特色的停车场旁边建造直立的标准公寓。停车楼结构向上

倾斜，由南至北蜿蜒曲折。公寓是呈递增形式，而不是层层堆积起来的。每间公寓都有露天花

园，并且视野开阔。北部是一个开阔的停车楼，南部是递增式的私人花园。公寓的阳台是根据约翰·伍重的L形庭院

设计的，宽敞的花园融合了郊区的生活方式理念，将公寓设计成为开放结构。倾斜的电梯方便

住户从楼下进入大楼。

南面有一连串的烧烤架和躺椅，而北面则面向室内，是一个停车场。自然通风的停车场需要多

孔墙面，使空气通过，同时阻挡了雨雪。穿孔工厂正好刚有了这样的设备，可以通过光栅图像

的输入，打出6个不同大小的孔（ 5至30毫米）。由于设计师一直有意将项目打造成高山的形

状，于是选择了世界最高峰珠穆朗玛峰作为参考。

项目地点：丹麦哥本哈根设计师：BIG设计公司：比雅克·英格斯，雅各布·兰格摄影师：BIG设计公司完成时间：2008年



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Awarded:

2009 The Forum AID Awards Best Nordic Architecture2008 World Architecture Festival Best Housing Winner2008 Mies Van der Rohe Award NomineeThe World Architecture Festival was launched as an annual event byEmap, a media group that runs other festivals, including the WorldRetail Congress and Cannes Lions International Advertising Festival,as well as publishing various journals, including within the eld ofarchitecture the Architectural Review, and the Architects’ Journal. Therst annual World Architecture Festival was held in Barcelona, Spainon 22-24 October 2008. The second festival was held in Barcelona in

November 2009.For the 2008 awards, international juries shortlisted what theyregarded as the best recently completed buildings into 17 categories.All the shortlisted architects then had to present their work to live

juries and audiences at the Festival. On the nal day of the festival the17 category winners had again to present the work, competing againsteach other to win the rst architectural Prix de Barcelona.

获奖情况:

2009年AID论坛最佳北欧建筑奖

2008年世界建筑节最佳房屋奖

2008年密斯凡德罗提名奖

世界建筑节是由Emap媒体集团创办的年度活动，同时Emap还举行其他项目，其中包括世界零

售大会和戛纳狮子国际广告节，以及出版各种刊物，包括在建筑领域的《建筑评论》和《建筑

师杂志》。第一届世界建筑节在2008年10月22-24日西班牙巴塞罗那举行。第二届于2009年11

月在巴塞罗那举行。

2008年的评选，国际评委将他们视为最佳的新落成建筑分成17类。所有入围的建筑师需要向评委和观众展示他们的杰作。评选最后一天将17个分类项目的赢家再次相互竞争，为了获得巴塞

罗那第一枚建筑大奖。



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Museum Residences

Location: Denver, Colorado, US Designer: Davis Partnership Architects Photographer:

Daniel Libeskind Studio Completion date: 2007Museums are the carrier of city culture. Opposite to the MuseumResidences, the museum with its unique gure represents theculture of this city. This poses requirement on the conguration ofthe residences to match the museum, which is quite memorial. TheMuseum Residences make an inspiring contribution to the culturalnexus of the city and complement the neighbouring extension.The designers chose to adopt a kind of “addition” for the design ofthe gure of the residences. Irregular volumes are used to changethe conguration of the building, matching the museum and subtlyattributing different functions to the different volumes. However, in theinterior of the building, there are regular spaces. On the design of thefaçade of the building, the soft qualities of the translucent glass skin,combined with the metal-clad geometric forms, provide an elegantpartner to the titanium-clad Museum. As a sub-correspondence to themuseum, the materials further emphasised the relationship betweenthe residences and the museum.The residences are six storey high, including 16,000square kilometersresidential area. The designers planed the space according to thesurrounding environment: Out of the seven oors, the top six areresidential, with 16,000 square feet of space on the ground oordedicated to retail, further enhancing the vitality at the street level. Its

56 luxury units range from 800 square feet studios to 5000 squarefeet penthouse suites.The Museum Residences are a joint venture with Davis PartnershipArchitects, working with MilenderWhite Construction Company.

博物馆住宅

项目地点：美国科罗拉多州丹佛设计师：大卫联合建筑事务所摄影师：丹尼尔·里伯斯金德工作室完成时间：2007年

博物馆是城市文化的载体。在博物馆住宅对面，一个博物馆以独特的造型代表着城市的文化。

这就要求项目在造型上需要同这个纪念性建筑相协调，而在内涵上，也是城市文化的连接、补

充和延伸。

建筑的造型选择了在简单的造型上面做“加法”，用不规则的体块改变建筑造型，让其与博物

馆相协调，那些添加的体块也被巧妙的赋予不同的功能，而在建筑内部，仍然是规则的空间。

在建筑外表面的设计上，质地柔软的半透明玻璃材质再结合上金属壳的几何形状，对钛层包裹

的博物馆来说是很好的搭配。作为与博物馆呼应的次高潮，不但没有喧宾夺主，反而更加突出

了博物馆。

建筑高六层，包括16000平方英尺的住宅。考虑周边环境，设计师划分空间，在一楼的空间致

力于发展零售业，进一步增强店面活力。56个豪华门市范围从800平方英尺起，工作室最多

5000平方英尺。

博物馆住宅的投资方是大卫联合建筑事务所，并联手米兰德・怀特建筑公司建成。



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Awarded:

2007 Merit Award for MultifamilyThe project won this award in an international architecturalcompetition held in 2007. This project locates by a uniquely-conguredpost-modernist museum, and the gure of the residences wellcontinues and complements the architectural style of the museum.The artistic yet not too much amboyant conguration designemphasised the function of the new project, being different from thatof the museum, forming an innovative residential style. The choice ofmaterials for the project also corresponds to the museum, contributingto a comfortable space for living. The delicate interior partition is

achieved with careful design. With consideration of the environmentof the street, the designers made the ground oor a retail space,making a multifunctional residential building possible.

获奖情况:

2007年多户住宅贡献奖

这个项目在2007年举办的一个国际建筑竞赛中获得“多户住宅贡献奖”。项目临近一个造型独

特的后现代风格博物馆，建筑的外形很好地继承和补充了博物馆的建筑风格，同时通过富有艺

术感而不过分夸张的造型设计，突出了住宅不同于博物馆的使用功能，形成了一种适合居住的

新风格。建筑的材质选择也是一样，既成为不远处博物馆的呼应，同时也营造出了独特而舒适

的居住环境。

对建筑内部空间也做了细致的划分，考虑街区环境将一层划分为零售业，打造了一个带有多种

附属功能的多户住宅建筑。



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Lefevre Beach House

Longhi Architects

Mirindiba HouseMarcio Kogan

Panama HouseMarcio Kogan

Pentimento HouseJose María Sáez, David Barragán

Capece Venanzi HouseGiovanni Vaccarini Architects

Esker House Rooftop ApartmentPlasma Studio

Harbour me, Celia!Hai Merlin Studio

House in CarabbiaDavide Macullo Architetto

IJburg HouseMarc Koehler Architects

J2 House3LHD

Milhundos HouseFrancisco Portugal e Gomes Arquitecto

Redondela HouseJesus Castro Irisarri, Guadeloupe Piñera Manso

SteigereilandKerkhofs montagebouw

Villa G

Saunders Architecture– Todd Saunders

Villa Marstrand WadtCORNELIUS + VÖGE – Dan Cornelius, Nanna Vöge

Villa PetersenCORNELIUS + VÖGE – Dan Cornelius, Nanna Vöge

Villa StoringavikaSaunders Architecture– Todd Saunders

Barrow HouseAndrew Maynard Architects

Marcus Beach HouseBark Design Pty Ltd

Noosa Hinterland House & StudioBark Design Pty Ltd

The Bay HouseFairweather Proberts Architects

Tugun ResidenceFairweather Proberts Architects

Vader HouseAndrew Maynard Architects

Helal “New Moon” ResidenceEhrlich Architects

Hover HouseTetsuya NAKAZONO

Shell HouseFairweather Proberts Architects

Index


隆基建筑事务所

米伦迪巴别墅

马西奥·柯冈

巴拿马别墅

马西奥·柯冈

变形别墅

荷西·玛利亚·萨埃，大卫·巴拉甘

海角小屋

杰凡尼设计师事务所


帕拉斯马设计工作室


海默尔林建筑设计工作室

卡拉贝拉别墅

大卫·马库洛建筑事务所

艾哲伯格别墅

马克·克勒建筑事务所

J2别墅

3LHD设计公司

弥罕德斯别墅

葡萄牙弗朗西斯科易·戈姆斯设计公司

雷多黛拉别墅

杰西·卡斯特罗·伊瑞萨瑞，瓜德罗普·潘诺拉·曼索

斯黛格瑞兰德

Kerkhofs montagebouw建筑事务所

G别墅

桑德斯建筑事务所


科尼利厄斯 + 沃格设计事务所：丹·科尼利厄斯，南娜·沃格

彼得森别墅

科尼利厄斯 + 沃格设计事务所


桑德斯建筑事务所

独轮车别墅

安德鲁·梅纳德建筑事务所


巴克设计有限公司


巴克设计有限公司

海湾别墅

Fairweather Proberts建筑事务所

图坤别墅


韦德别墅

安德鲁·梅纳德建筑事务所


埃尔利希建筑事务所（方案设计）

翱翔之家

中原哲也

薄壳别墅


索引



358


Naoi Architecture & Design Office

Zen HouseRyuichi Furumoto

Beuth ResidenceZoltan E. Pali (FAIA)

Brosmith ResidenceZoltan E. Pali (FAIA)

Hamptons Beach HouseAlexander Gorlin Architects

Kelly ResidenceAbramson Teiger Architects

Lago Vista GuesthouseAleks Istanbullu

Point Dume ResidenceGriffin Enright Architects

Pool HouseHariri & Hariri Architecture

Skyline ResidenceBelzberg Architects

Suntro HouseCarlos Rubio Martinez

SurfhouseXTEN Architecture

Torres House

GLR arquitectos – Gilberto L.Rodríguez

Villa NMUN Studio

Zeidler ResidenceEhrlich Architects

Biscuit LoftsAleks Istanbullu

Collage ParisEmmanuel Combarel Dominique Marrec (ECDM)

GreenCity LoftsSwatt Architects

SilkwoodTurner+As sociate

Strandkanten70°N arkitektur

Miravalle TowerGLR arquitectos – Gilberto L.Rodríguez

MTNBIG

Museum ResidencesDavis Partnership Architects

伴林居

直井建筑设计工作室

禅房

古本河村隆一

柏斯住宅

佐尔坦·E·巴利（美国建筑师联合会会员）


佐尔坦·E·巴利（美国建筑师协会会员）


亚历山大·戈林建筑事务所

凯莉别墅

阿布拉姆森·蒂格建筑事务所

湖畔远景别墅

亚力克斯·伊斯坦布鲁


格里·恩莱特设计公司

泳池别墅

海瑞瑞·海瑞瑞建筑事务所

天际公馆

贝尔兹伯格建筑事务所

桑特罗别墅

卡洛斯·卢比欧·马丁内斯

冲浪别墅

XTEN建筑事务所

托雷斯别墅

GLR建筑事务所

NM别墅

UN设计工作室

德勒住宅

欧利希建筑事务所公寓

饼干公寓

亚力克斯·伊斯坦布鲁

拼贴巴黎

ECDM设计事务所

绿城公寓

斯沃特建筑事务所

修科伍德大厦

特纳联合事务所

斯坦肯住宅区

70°N建筑事务所

点式住宅

GLR建筑师事务所

MTN公寓

BIG设计公司

博物馆住宅

大卫联合建筑事务所

50 Award Winning House

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