DOROTHEUMSEIT 1707

Design Monday, 10 May 2021, Online Auction

2 DESIGN

Mag. Mathias Harnisch

Specialist

Dr. Gerti Draxler

Specialist

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DesignOnline Auction

Monday, 10 May 2021, 3 p.m.

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10

8 A set of six chairs, first third of the 20th century, manufactured by Thonet, bentwood frames on four legs, beech stained to simulate mahogany, polished, factory labels to the undersides, each height approx. 88 cm, width approx. 45 cm, depth approx. 48 cm, height of seat approx. 45.5 cm. (MHA) € 1,500 – 2,000 US$ 1,800 – 2,400

10 DESIGN before 1920

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9 A sofa bed, Model No. 2, designed c. 1880, manufactured by Thonet, multiply adjustable dark-brown stained beech frame, woven cane reclining area, adjustable back, maximum length approx. 190 cm, maximum height approx. 112 cm. (MHA) € 2,000 – 3,000 US$ 2,400 – 3,600

An early model featuring a front connecting rod screwed in place instead of being fixed to the construction in the way used from around 1890 onwards. Cf. Lit.: 1904 Thonet factory catalogue, p. 74

DESIGN before 1920 11

Additional picture

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23 A set of three chairs and an armchair, designed by Adolf Loos in 1913, for the Café Capua, manufactured by Thonet, Vienna, beech stained to simulate mahogany, height approx. 90/100 cm, height of seat approx. 47 cm, width approx. 46/61 cm, depth approx. 48/40 cm. (MHA) € 2,000 – 3,000 US$ 2,400 – 3,600 Lit.: E. Ottillinger, Adolf Loos, Wohnkonzepte und Möbelentwürfe, Salzburg/Vienna 1994, p. 38, no. 25 and p. 177 Detail

26 DESIGN before 1920

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24 A corner chair, school of Adolf Loos, first half of the 20th century, black coated wooden frame, lathe-turned legs, spindle backrest, height approx. 72 cm, width approx. 48 cm, depth approx. 48 cm, height of seat approx. 40 cm. (MHA) € 1,000 – 1,500 US$ 1,200 – 1,800 Adolf Loos used very similar models for various interiors. Cf. Lit.: Das Interieur, 1901; M. Kristian, Adolf Loos – Wohnungen, Vienna 2001, p. 21; E. Ottillinger, Adolf Loos, Wohnkonzepte und Möbelentwürfe, Salzburg/Vienna 1994, p. 99, no. 118 25 A set of four Theben stools, Liberty & Co (attributed to), the walnut frame supported on four lathe-turned legs, woven cord seat, each height approx. 39 cm, width approx. 38 cm, depth approx. 38 cm. (MHA) € 1,600 – 2,400 US$ 1,900 – 2,900 A model used by Adolf Loos in several variants. Cf. Lit.: Liberty’s 1875–1975, Victoria & Albert Museum, London 1975, p. 33

24

25

DESIGN before 1920 27

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53 An early B 64 / Cesca armchair, designed by Marcel Breuer in 1928, manufactured by Thonet, cantilever construction of chromium plated tubular steel, dark brown glazed solid beech seat, backrest, and armrest, marked with circular Thonet metal plaque, height approx. 79 cm, width approx. 59 cm, depth approx. 59 cm. (MHA) € 700 – 1,100 US$ 850 – 1,300 Provenance: formerly part of the interior of Hearst Castle, California, USA 54 Two armchairs, Model LC 1, designed by Le Corbusier, Pierre Jeanneret and Charlotte Perriand in 1928, manufactured by Cassina, chromium plated tubular steel construction on four legs, steel springs, the seat and backrest covered with hide, leather strap armrests, engraved and numbered 3437 and 3439 resp., each height approx. 65 cm, width approx. 59 cm, depth approx. 65 cm, height of seat approx. 40 cm. (MHA) € 1,000 – 1,500 US$ 1,200 – 1,800 An early model. Lit.: C. Greenberg, Mid Century Modern, 1995, p. 16

53

54

56 DESIGN 1920–1930

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56 A wall cabinet with eight drawers and six spice containers, the drawers designed by Margarete Schütte-Lihotzky in collaboration with the company Haarer in 1929, renewed box-shaped wooden corpus, the front featuring eight press-formed aluminium drawers, riveted, with embossed grocery labels, the glass spice containers with aluminium handles, height approx. 46 cm, width approx. 54 cm, depth approx. 30 cm. (MHA) € 1,200 – 1,600 US$ 1,500 – 1,900 The spice containers are rare. Lit.: K.-J. Sembach, G. Leuthäuser, P. Gössel, Möbeldesign des 20. Jahrhunderts, p. 106; Die Frankfurter Küche von Margarete Schütte-Lihotzky, Soziale Architektur, Zeitzeugin eines Jahrhunderts, Vienna 1993 Provenance: from a German Bauhaus collection

55 A wall cabinet with nine drawers, the drawers designed by Margarete Schütte-Lihotzky in collaboration with the company Haarer in 1929, renewed box-shaped wooden corpus, the front featuring nine press-formed aluminium drawers, riveted, with embossed grocery labels, height approx. 47 cm, width approx. 38 cm, depth approx. 30 cm. (MHA) € 1,200 – 1,600 US$ 1,500 – 1,900 An early model of the Schütte/Haarer Frankfurt drawers with embossed lettering. Lit.: K.-J. Sembach, G. Leuthäuser, P. Gössel, Möbeldesign des 20. Jahrhunderts, p. 106; Die Frankfurter Küche von Margarete Schütte-Lihotzky, Soziale Architektur, Zeitzeugin eines Jahrhunderts, Vienna 1993 Provenance: from a German Bauhaus collection

Detail 55

55

56

DESIGN 1920–1930 57

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74 A set of four tripod chairs, designed by Max Bill in 1949, for AG Möbelfabrik Horgen-Glarus, Switzerland, tripod beech and laminated beech construction, paper labels to the undersides, each height approx. 74 cm, width approx. 45 cm, depth approx. 53 cm, height of seat approx. 44 cm. (MHA) € 4,000 – 6,000 US$ 4,800 – 7,300 Lit.: Max Bill zum 80. Geburtstag, exhibition catalogue, Zentrum für Kunstausstellungen der DDR, Weimar 1988, p. 83; A. Rüegg (ed.), Schweizer Möbel und Interieurs, Basel 2002, p. 160

78 DESIGN 1940–1950

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75 A Model No. 31 armchair, designed by Alvar Aalto in 1932, for Finmar Ltd., cantilever construction of bent and laminated birch, black coated seat shell, marked with factory plaque, height approx. 65 cm, width approx. 62 cm, depth approx. 80 cm, height of seat approx. 35 cm. (MHA) € 5,000 – 6,000 US$ 6,100 – 7,300 Originally designed for the Paimio Sanatorium in Finland. An early model for Finmar Ltd. Lit.: Alvar Aalto Furniture, Museum of Finnish Architecture, 1984, pp. 76ff, p. 126, p. 138; Alvar Aalto, Designer, pp. 34, 35, 160; Alvar Aalto Möbel, p. 36

DESIGN 1940–1950 79

Additional picture

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131 A set of four Ninfea folding chairs, designed by Gio Ponti in 1958, for Fratelli Reguitti, Italy, folding construction of stained solid walnut, polished brass hinges, woven cane seats and backrests, stamped, each height approx. 69 cm, width approx. 48.5 cm, depth approx. 71 cm, height of seat approx. 35.5 cm. (MHA) € 6,000 – 8,000 US$ 7,300 – 9,700 Lit.: Novita, May 1958; Il mobile italiano degli anni 40 e 50, p. 46 Detail

130 DESIGN 1950–1960

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132 A sofa table, designed by Gio Ponti c. 1956, for Fontana Arte, Italy, 1950s, bent and black coated solid wood, rectangular glass top, height approx. 48 cm, depth approx. 55 cm, width approx. 118 cm. (MHA) € 2,600 – 4,000 US$ 3,100 – 4,800 Cf. Lit.: Domus, 238, vol. VII, 1949, p. 28; Roberto Aloi, Die moderne sechste Serie, Hoepli, Milan 1955, pl. 355; Laura Falconi, Gio Ponti von 1925 bis 1970 – Designobjekte, Galerie Babuino 900, Rome 2007, pp. 36, 79

DESIGN 1950–1960 131

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172 DESIGN 1980–1990

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178 A Liana bookcase, designed by Ettore Sottsass in 1985, manufactured by Meccani Arredamenti, Cascina, Italy, in 1992, solid elm base, vertical elements of ash root wood, the columns in cherry and oak stained to simulate wenge, matt red, light blue, yellow, black and pink coated storage compartments, blue glass, signed: Sottsass 1992, copper plaque: Meccani/Sottsass/Projetto Ettore Sottsass/Libreria Liana/Num. 4/10 1992, height 220 cm, width 220 cm, depth 60 cm. (DRAX) € 12,000 – 18,000 US$ 14,500 – 21,800 No. 4 from the limited edition of 10, slightly varying in details and colour. Documented in the form of preliminary studies and design drawings by Ettore Sottsass and a letter from Ettore Sottsass to Ferdinando Meccani of 24 June 1992. The first design idea, a pencil drawing (“Non è un mobile dice Ettore”), dates from 21 January 1985. Exhibited: La Darrera Oportunitat d’Esser Avantguarda, Centro d’Art Santa Monica, Barcelona 1993; Una Veduta sul Design, Lucca 2019 Provenance: Ferdinando Meccani Collection, uninterrupted family ownership, Italy

DESIGN 1980–1990 173

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186 A large coat rack, designed by Ruby Anemic, USA, in 2006, steel coated in various colours, marked with factory label: RUBY ANEMIC. ANEMIC-EAMES. EDITION 53. 2/53YEAR 2007. HANG IT ALL – HANG IT BIG. RUBY ANEMIC, height approx. 150 cm, width approx. 200 cm, depth approx. 63 cm. (MHA) € 3,000 – 4,000 US$ 3,600 – 4,800 From a limited edition of 53. An homage to the famous Hang-It-All coat rack for children by Charles & Ray Eames.

180 DESIGN 1980–1990

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106

187 A How High the Moon lounge chair, designed by Shiro Kuramata in 1986, manufactured by Vitra, sculptural wire mesh construction on four legs, nickel plated and epoxy resin coated surface, width approx. 94 cm, height approx. 72 cm, depth approx. 82 cm. (MHA) € 4,000 – 5,500 US$ 4,800 – 6,700

Lit.: Ch. & P. Fiell, 1000 Chairs, Cologne 1997, ill. p. 575

DESIGN 1980–1990 181

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243 A Haliotis pendant lamp, designed by Giulio Ceppi / Total Tool Milano in 2019, manufactured by Arkimia in collaboration with Bilumen, Italy, globular shade, the surface decorated with polished shells of sea snails, loop shaped steel suspension, height approx. 77 cm, diameter of the lamp shade approx. 30 cm, no guarantee for electrical fittings. (MHA) € 2,400 – 3,000 US$ 2,900 – 3,600 Arkimia combines a typically Italian language of form with Eastern Asian aestheticism and traditional craftsmanship. The original project sprang from the encounter of Mauro Gaspari, with his creative ideas, and architect and designer Giulio Ceppi, with his innovative thinking. The materials and processes used in the making of Arkimia products are certified and sustainable. They were honoured with an Impresa Cultura Award (2000)

and nominated for the XXth and XXIth Compasso d’Oro (2004, 2008); further awards: ICSID Hall of Fame (2007), Confcommercio Award for Innovation (2010, 2013, 2016), Dedalo Minosse International Prize, and Design for All Italy Award (2014). Giulio Ceppi, born in 1965, studied visual design and architecture at the Politecnico di Milano, where he has taught since his graduation in 1994. He deals with sensory and material design and new technologies and strategies for innovation. Until 1997 he worked at the Domus Academy (a private design school in Milan), where he installed the course Master in Business Design. In 1999 he founded Total Tool, a company for visionary design strategies with offices in Milan and Buenos Aires, which has conducted more than 250 projects on five continents. He has held lectures in 25 countries around the globe, published countless essays on design, and organised numerous exhibitions. He has been nominated multiple times for the Compasso d’oro and the Dedalo Minosse International Prize. Giulio Ceppi lives and works in Milan and on Lake Como.

Detail

246 DESIGN after 2000

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244 A vertical Anodonta room partition / screen, designed by Giulio Ceppi / Total Tool Milano in 2019, manufactured by Arkimia, Italy, upright rectangular folding screen covered with the shells of Chinese pond mussels, metal bands, height approx. 150 cm, width approx. 150 cm, depth approx. 60 cm. (MHA) € 6,500 – 7,500 US$ 7,900 – 9,100 Detail

DESIGN after 2000 247

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245 A large Pteria grande wall / floor mirror, designed by Giulio Ceppi / Total Tool Milano in 2019, manufactured by Arkimia, Italy, rectangular mirror surface, the edges covered with polished shells of the penguin’s wing oyster (a type of pearl oyster), height approx. 121 cm, width approx. 98 cm. (MHA) € 3,400 – 4,000 US$ 4,100 – 4,800 This mirror can either be wall-mounted or used as a floor mirror. Detail

248 DESIGN after 2000

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Detail

246 A reversible Orizontal Pinna table, designed by Giulio Ceppi / Total Tool Milano in 2019, manufactured by Arkimia, Italy, cuboid top, the surface covered with polished pen shells on all sides, loop shaped metal legs, total height from floor to lower edge of table top approx. 20 cm, width approx. 150 cm, depth approx. 55 cm. (MHA) € 6,500 – 7,500 US$ 7,900 – 9,100

DESIGN after 2000 249

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247 A Waves chair, designed and manufactured by Arkimia in 2019, Italy, sculptural corpus, the surfaces covered with various mollusc shells, height approx. 80 cm, width approx. 65 cm, depth approx. 65 cm. (MHA) € 4,500 – 5,500 US$ 5,500 – 6,700Additional picture

250 DESIGN after 2000

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248 A monumental Albus grande vase, designed by Giulio Ceppi / Total Tool Milano in 2019, manufactured by Arkimia, Italy, barrel-shaped body, the surface decorated with the polished shells of white hammer oysters and sea snails, metal holder, height approx. 139 cm, diameter approx. 32 cm. (MHA) € 1,800 – 2,200 US$ 2,200 – 2,700

Detail

DESIGN after 2000 251

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249 An Anodonta pendant lamp, designed by Giulio Ceppi / Total Tool Milano in 2019, manufactured by Arkimia in collaboration with Bilumen, Italy, globular lamp shade, the surface covered with white mollusc shells, loop shaped steel suspension, height approx. 75 cm, diameter of the lamp shade approx. 40 cm, diameter of the loop approx. 50 cm, no guarantee for electrical fittings. (MHA) € 2,000 – 2,400 US$ 2,400 – 2,900

252 DESIGN after 2000

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250 A Pinctada table lamp, designed by Giulio Ceppi / Total Tool Milano in 2019, manufactured by Arkimia in collaboration with Bilumen, globular lamp shade, the surface decorated with polished black-lip pearl oyster shells, loop shaped steel suspension with crossing bands, height approx. 75 cm, diameter of the lampshade approx. 50 cm, depth approx. 75 cm, no guarantee for electrical fittings. (MHA) € 3,000 – 3,600 US$ 3,600 – 4,400

DESIGN after 2000 253

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251 A Greenlight lamp, designed by Olafur Eliasson in 2016, wood, recycled plastic, LED, stamped: 15. Juli 2016 Green light, 48 x 48 x 60 cm. (DRAX) € 1,500 – 2,500 US$ 1,800 – 3,100 Created as part of “Olafur Eliasson - Green Light / An artistic workshop” at Thyssen-Bornemisza Art Contemporary (TBA21), Vienna, March 12th - July 29th, 2016.The workshop was continued in 2017 at the Venice Biennale and the Moody Center for the Arts in Houston. Lit.: cat. Olafur Eliasson Green light – An artistic workshop, TPA21, Wien 2016

”Green light is an act of welcoming, addressed both to those who have fled hardship and instability in their home countries and to the residents of Vienna. Working together in a playful creative process, participants build a modular light and construct a communal environment in which difference is not only accepted but embraced. I hope Green light shines light on some of the challenges and responsibilities arising from the current refugee crisis in Europe and throughout the world.” (Olafur Eliasson, https://olafureliasson.net/archive/artwork/WEK109681/green-light, March 9, 2021)

254 DESIGN after 2000

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252 A Front Shelf Chair, Model No. 84, designed by Donald Judd in 1982, manufactured by Judd Furniture, USA, in 2011, cherry veneer, marked: DONALD JUDD PW C6 LTB 100C 2011 WPF USA, height 76.2 cm, 38 x 38 cm. (DRAX) € 2,600 – 4,000 US$ 3,100 – 4,800

DESIGN after 2000 255

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268 DESIGN

AAalto Alvar 75Anemic Ruby 186Arad Ron 196, 197Archizoom Associati 150Asti Sergio 144Auböck Carl 96, 97, 98Aulenti Gae 190

BBattista Giovanni Gattista 2Beltzig Günter 163Bill Max 74Bode Arnold 113Bode Paul 112Breier Stephan & Johannes Scherr 223Breitenbach Udo 237, 238, 239Breuer Marcel 53, 61Brüning Horst 160Bugatti Carlo 1Buzzi Franco 126

CCadestin Michel 162Ceppi Giulio 243, 244, 245, 246, 247, 248, 249, 250Ceroli Mario 147, 148Christiansen Hans 10Colli Pierre Luigi 78

Dda Silva-Bruhns Silva 72Dalmonte Enrico 129Daro Willy 167Dassi Vittorio 130Denari Neil 222Desanta Simon 176Dube Duilio Barnabe 127

EEames Charles & Ray 151, 152Eiermann Egon 114Ekström Yngve 138

Eliasson Olafur 251

FFini Gianfranco 133Fiorucci Elio 168Fontana Arte 124Franck Kaj 134Frank Josef 42, 43, 44, 45, 48, 49Fraschini Franco 149Frattini Gianfranco 118Freda Alfredo 157

GGanser Irene Maria 229Geertsen Ib 199, 200Gessner Hubert 4Giudici Battista & Gino 62Gorge Hugo 33, 34, 35, 36Gottschalk Max Jules 153Graves Michael 180Gross Fritz 37, 38Guerriero Alessandro 210, 211

HHadid Zaha 198Haerdtl Oswald 83, 84, 85, 86, 87, 88, 90, 92, 93Hansch Inessa 253, 254Harlfinger-Zakucka Fanny 22Hockney David 181Hoffmann Josef 19, 20, 21Holub Peter 188Huber Ernst 82

IIngrand Max 125, 128

JJacobsen Jac 66Jakobsson Hans-Agne 135Jansson Folke 116Judd Donald 252

KKalmar J. T. 91, 99, 107, 108, 110, 111, 166

Kammerer Marcel 16Kofod-Larsen Ib 117Kohn J. & J. 14Komon Jaroslav (Jaro) 240, 241Kuchler Peter 230, 231, 232Kuramata Shiro 187

LLapini Franco 159Larsen Jack Lenor 95Laubersheimer Wolfgang 191, 192Le Corbusier 54, 57Leleu Paule 77Liberty & Co 25Lobmeyr J. & L. 51, 89, 94Lohmeyer Hartmut 115Loos Adolf 23, 24, 26, 27, 28, 29, 30Lloyd Loom 71

MMagistretti Vico 143Manzu Giacomo 195Marotta Gino 203Enzo Mari 173Mendini Alessandro 174, 202, 205, 206, 207, 208Mertens Herman Frederik 59Minelli Giovanni 242Minotti Ezio 119Mollino Carlo 79Missoni Ottavio 165Moser Koloman (Kolo) 3Munari Bruno 175, 201Muthesius Eckart 65

NNiedermoser Otto 52Niemeyer Oscar 161

PPaladino Mimmo 179Palla Helmut 189Pallucco Paolo 182, 183Panton Verner 142Pehrson Anders 136

A R T I S T I N D E X

Lot Lot Lot.

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DESIGN 269

Philippe M. Jacques 73Pietra Ugo la 177, 204Ponti Gio 131, 132Prouve Jean 58Prutscher Otto 41

RRainer Roland 102, 103Rastelli Giorgio 158Rietveld Gerrit Thomas 60Robichez Franck 193, 194Royere Jean 69, 70Rumpf Johann 226, 227, 228

SSantillan Ludovico Diaz de 123Schauer Emil 80Schilcher Friedrich 233, 234Schimunek Günter 224, 225Schmidt Friedrich Otto 31, 32

Schneck Adolf Gustaf 50Schuster Franz 106Schütte-Lihotzky Margarete 55, 56Sedelmeier Xaver 255, 256Sipek Borek 184Sottsass Ettore 145, 146, 178, 209Soulek Alfred 39Spade Baptistin 63, 64Spalt Johannes 105Stallard Frederikson 219Subes Raymund 67Superego Studio 212, 213, 214, 215, 216, 217, 220, 221

TTakahama Kazuhide 139, 140Thonet 8, 9Thun Matteo 169Tresserra Maime 185Tura Aldo 170, 171, 172

UUlrich Guglielmo 122Urquiola Patricia 218

VVeronesi Guglielmo 120, 121Vorderegger Rudolf 101

WWagner Otto 6, 7, 15, 18Wegner Hans J. 137Wiese Gabriel 235, 236Wimmer-Wisgrill Eduard Josef 51Witzmann Carl 17Wytrlik Otto 12, 13

ZZalloni Cari 109Zita Heinrich 40

A R T I S T I N D E X

Lot. Lot. Lot.

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Düsseldorf

München

Mailand

Rom

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