3 Augmented Triads

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    Augmented Triads

    Warm Up Exercises

    Fixed Position Exercises

    Voiceleading Exercises

    By: Carlos Campos

    www.CamposMusic.com

    http://www.camposmusic.com/http://www.camposmusic.com/
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    www.CamposMusic.com

    Triad Warm Ups: Augmented

    * or wit t ese exercises in every ey.

    By: Carlos Campos

    ) n . Inversion: Descen ing

    5) 2nd. Inversion: Ascending

    4) 1st. Inversion: Descending

    3) 1st. Inversion: scen ing

    2) Root Position: Descending

    1) Root Position: scen ing

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    By: Carlos Campos

    1

    Augmented Triads (Root)Left Hand Fingering: 5-3-1 / Right Hand Fingering: 1-3-5

    Practice all the exercises through the cycle of fifths.

    Practice ex.: 1, 2 and 3 with the Left Hand, then the Right Hand, then with Both Hands at the same time.

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    +F

    +B

    b +

    E

    b +

    Ab

    +Db

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    Gb

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    +E

    +A

    +D

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    Augmented Triads (Root)

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    ?Copyright 2001 by Carlos Campos

    www.CamposMusic.com

    By: Carlos Campos

    1

    Augmented Triads (1st Inv.)Left Hand Fingering: 5-3-1 / Right Hand Fingering: 1-3-5

    Practice all the exercises through the cycle of fifths.

    Practice ex.: 1, 2 and 3 with the Left Hand, then the Right Hand, then with Both Hands at the same time.

    +C

    +F

    +B

    b +

    E

    b +

    Ab

    +Db

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    +D

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    Augmented Triads (1st. Inv.)

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    ?Copyright 2001 by Carlos Campos

    www.CamposMusic.com

    By: Carlos Campos

    1

    Augmented Triads (2nd. Inv.)Left Hand Fingering: 5-3-1 / Right Hand Fingering: 1-3-5

    Practice all the exercises through the cycle of fifths.

    Practice ex.: 1, 2 and 3 with the Left Hand, then the Right Hand, then with Both Hands at the same time.

    +C

    +F

    +B

    b +

    E

    b +

    Ab

    +Db

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    Augmented Triads (2nd. Inv.)

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    ? 44Copyright 2001 by Carlos Campos

    www.CamposMusic.com

    By: Carlos Campos

    1

    Augmented Triads Voice Leading : Root Position

    4) Arpeggiated Chords through cycle of Fifths. Practice: a) Right Hand b) Left Hand c) Both Hands

    3) Brocken Chords through cycle of Fifths. Practice: a) Right Hand b) Left Hand c) Both Hands

    2) Block Chords through cycle of Fifths. Practice: a) Right Hand b) Left Hand c) Both Hands

    1) Ascending: Root Position -> 2nd. Inv. -> Ist Inv. / Descending: Root Position -> 1st. Inv. -> 2nd. Inv.

    5) Block Chords with bass line through cycle of Fifths.

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    Augmented Triads (Voice Leading): Root Position

    7) Arpeggiated Chords with bass line through cycle of Fifths.

    6) Broken Chords with bass line through cycle of Fifths.

    10) Arpeggiated Chords with melody through cycle of Fifths.

    9) Broken Chords with melody through cycle of Fifths.

    8) Block Chords with melody through cycle of Fifths.

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    ? 44Copyright 2001 by Carlos Campos

    www.CamposMusic.com

    By: Carlos Campos

    1

    Augmented Triads Voice Leading : 1st. Inversion

    1) Ascending: 1st. Inv. -> Root -> 2nd Inv. / Descending: 1st. Inv. -> 2nd. Inv. -> Root

    4) Arpeggiated Chords through cycle of Fifths. Practice: a) Right Hand b) Left Hand c) Both Hands

    3) Brocken Chords through cycle of Fifths. Practice: a) Right Hand b) Left Hand c) Both Hands

    2) Block Chords through cycle of Fifths. Practice: a) Right Hand b) Left Hand c) Both Hands

    5) Block Chords with bass line through cycle of Fifths.

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    Augmented Triads (Voice Leading): 1st. Inversion

    7) Arpeggiated Chords with bass line through cycle of Fifths.

    6) Broken Chords with bass line through cycle of Fifths.

    10) Arpeggiated Chords with melody through cycle of Fifths.

    9) Broken Chords with melody through cycle of Fifths.

    8) Block Chords with melody through cycle of Fifths.

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    Go on...

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    ? 44Copyright 2001 by Carlos Campos

    www.CamposMusic.com

    By: Carlos Campos

    1

    Augmented Triads Voice Leading : 2nd. Inversion

    1) Ascending: 2nd. Inv. -> Ist Inv. -> Root / Descending: 2nd. Inv. -> Root -> 1st. Inv.

    4) Arpeggiated Chords through cycle of Fifths. Practice: a) Right Hand b) Left Hand c) Both Hands

    3) Brocken Chords through cycle of Fifths. Practice: a) Right Hand b) Left Hand c) Both Hands

    2) Block Chords through cycle of Fifths. Practice: a) Right Hand b) Left Hand c) Both Hands

    5) Block Chords with bass line through cycle of Fifths.

    +

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    Augmented Triads (Voice Leading): 2nd. Inversion

    7) Arpeggiated Chords with bass line through cycle of Fifths.

    6) Broken Chords with bass line through cycle of Fifths.

    10) Arpeggiated Chords with melody through cycle of Fifths.

    9) Broken Chords with melody through cycle of Fifths.

    8) Block Chords with melody through cycle of Fifths.

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