271 Final Exam Study Pieces
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Transcript of 271 Final Exam Study Pieces
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PRELUDE AND FUGUE 9 in E MAJOR Bach 113
2c-Burkhart 6/20/03 1:54 PM Page 113
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114 PART TWO — Baroque Compositions
2c-Burkhart 6/16/03 10:12 AM Page 114
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PIANO SONATA No. 8 in C MINOR, Op. 13 Beethoven 233
PIANO SONATA No. 8 in C MINOR (“SONATE PATHÉTIQUE”)Op. 13 (1797–1798)
Ludwig van Beethoven (1770–1827)
The adjective “Pathétique” in the title of this work seems to have come from Beethoven, or atleast to have been approved by him, unlike “Moonlight” Sonata, which was a publisher’s concoction. Atany rate, the word is appropriate. It means full of pathos, or moving the feelings, particularly the feelingof sympathy for suffering. The quality of such feeling is noble, possibly tragic, not merely sentimental.
The first movement, both in its emotional depth and in its structure, far exceeds anythingBeethoven had so far written. What is unusual about its form? And what is the form of the second andthird movements?12
12 Advanced analytic comment on the first movement is in Ernst Oster’s article, “Register and the Large-Scale Connection” (Journal ofMusic Theory, April 1961, pp. 67–71).
3d-Burkhart 6/20/03 1:55 PM Page 233
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234 PART THREE — Classical Compositions
3d-Burkhart 6/16/03 12:34 PM Page 234
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PIANO SONATA No. 8 in C MINOR, Op. 13 Beethoven 235
3d-Burkhart 6/16/03 12:34 PM Page 235
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236 PART THREE — Classical Compositions
3d-Burkhart 6/16/03 12:34 PM Page 236
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PIANO SONATA No. 8 in C MINOR, Op. 13 Beethoven 237
3d-Burkhart 6/16/03 12:34 PM Page 237
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238 PART THREE — Classical Compositions
3d-Burkhart 6/16/03 12:35 PM Page 238
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PIANO SONATA No. 8 in C MINOR, Op. 13 Beethoven 239
3d-Burkhart 6/16/03 12:35 PM Page 239